Luis Rivera Jimenez (b. 1997 San Juan, Puerto Rico) uses the intricacies of language, political thought and daily experience in the Caribbean to create intentional spaces of learning, conversation and […]
“Contours: The Essential Form” features selections from the Museum’s permanent collection and new works by Ibrahim Said (b. 1976, Fustat, Egypt). Through ceramic objects and works on paper, the exhibition […]
“Cosmic Bloom” is the second NFT collection in Leo Villareal’s “Cosmologies” series. The 1,300 unique digital artworks in the collection are produced using custom live code and are inspired by […]
In partnership with ASU’s Center for Work and Democracy and the George Floyd Global Memorial, ASU Art Museum presents “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix.” Presented […]
Sarah Zapata (b. 1988, Corpus Christi, TX) employs weaving, tufting and traditional craft techniques to create loud, architecturally responsive installations that traverse themes of gender, colonialism and fantasy. Zapata’s site-specific […]
“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center's Collection, 1980–2010” showcases a partnership between ASU’s Hispanic Research Center (HRC) and ASU Art Museum and brings together works from […]
Exhibition Overview Spiraling, Twisting, Unraveling: Explorations in Pattern and Form Culled entirely from the Museum’s collection, “Spiraling, Twisting, Unraveling: Explorations in Pattern and Form” explores the dynamic landscape and languages […]
Exhibition Overview Muddy Terrains: Mariana Ramos Ortiz + Estephania González San Juan-based Mariana Ramos Ortiz (Puerto Rico, b. 1997) and Phoenix-based Estephania González (United States, b. 1989) explore the interconnected […]
What role does community play in contemporary mothering experiences? How might we tackle taboo topics such as postpartum anxiety, rage, and birth trauma, while celebrating maternal joy, love, sacredness and […]
Exhibition Overview What do you think everyday objects tell us about history and ourselves? What might future archaeologists think about our commonplace items? What might they be able to understand […]
