The ASU Art Museum presents an audio-visual installation of a version of Cage's "49 Waltzes" for the ASU Tempe campus, realized by 23 students from the School of Music and the School of Arts, Media + Engineering for the museum. In 1977 the American composer John Cage created "49 Waltzes for the Five Boroughs of […]
Exhibition
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ASU Art Museum’s Public Art
Made possible with a gift from Robert and Avery Moric, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett, The Honors College Class of 2023) and the ASU President's Club. Commissioned by Arizona State University Art Museum with funding by The Diane and Bruce […]
Opportunity (reflection)
World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic […]
Spiraling, Twisting, Unraveling: Explorations in Pattern and Form
Exhibition Overview Spiraling, Twisting, Unraveling: Explorations in Pattern and Form Culled entirely from the Museum’s collection, “Spiraling, Twisting, Unraveling: Explorations in Pattern and Form” explores the dynamic landscape and languages found through contemporary craft today. The exhibition features twenty-five artists who examine dimensions of decoration, pattern and form through their varied practices to engage with […]
Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection, 1980–2010
“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center's Collection, 1980–2010” showcases a partnership between ASU’s Hispanic Research Center (HRC) and ASU Art Museum and brings together works from the 1980s into the 2010s drawn from the HRC’s dynamic collection. Featuring over 30 artists who each offer a kaleidoscope of perspectives on the Mexican […]
Notes on Motherhood
What role does community play in contemporary mothering experiences? How might we tackle taboo topics such as postpartum anxiety, rage, and birth trauma, while celebrating maternal joy, love, sacredness and the spectrum of emotions in between? What can we do to acknowledge the invisible labor of mothering, recognizing it is not a monolithic experience, and […]
Muddy Terrains: Mariana Ramos Ortiz + Estephania González
Exhibition Overview Muddy Terrains: Mariana Ramos Ortiz + Estephania González San Juan-based Mariana Ramos Ortiz (Puerto Rico, b. 1997) and Phoenix-based Estephania González (United States, b. 1989) explore the interconnected themes of environmentalism, self-determination and impermanence in the Southwest and the Caribbean Archipelago. In their dynamic practice that employs innovative printmaking techniques, Ramos Ortiz explores […]
Mariana Castillo Deball: The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash and Clay
Exhibition Overview What do you think everyday objects tell us about history and ourselves? What might future archaeologists think about our commonplace items? What might they be able to understand about our current moment and our social and cultural backgrounds? "The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash […] |
8 events,
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8 events,
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7 events,
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7 events,
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7 events,
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7 events,
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7 events,
ASU Art Museum’s Public Art
Opportunity (reflection)
Spiraling, Twisting, Unraveling: Explorations in Pattern and Form
Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection, 1980–2010
Notes on Motherhood
Muddy Terrains: Mariana Ramos Ortiz + Estephania González
Mariana Castillo Deball: The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash and Clay
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7 events,
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7 events,
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7 events,
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7 events,
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7 events,
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7 events,
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7 events,
ASU Art Museum’s Public Art
Opportunity (reflection)
Spiraling, Twisting, Unraveling: Explorations in Pattern and Form
Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection, 1980–2010
Notes on Motherhood
Muddy Terrains: Mariana Ramos Ortiz + Estephania González
Mariana Castillo Deball: The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash and Clay
|
7 events,
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7 events,
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7 events,
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7 events,
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7 events,
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7 events,
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7 events,
ASU Art Museum’s Public Art
Opportunity (reflection)
Spiraling, Twisting, Unraveling: Explorations in Pattern and Form
Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection, 1980–2010
Notes on Motherhood
Muddy Terrains: Mariana Ramos Ortiz + Estephania González
Mariana Castillo Deball: The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash and Clay
|
7 events,
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7 events,
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7 events,
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7 events,
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7 events,
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7 events,
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7 events,
ASU Art Museum’s Public Art
Opportunity (reflection)
Spiraling, Twisting, Unraveling: Explorations in Pattern and Form
Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection, 1980–2010
Notes on Motherhood
Muddy Terrains: Mariana Ramos Ortiz + Estephania González
Mariana Castillo Deball: The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash and Clay
|
7 events,
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7 events,
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7 events,
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7 events,
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7 events,
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7 events,
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