The ASU Art Museum presents an audio-visual installation of a version of Cage's "49 Waltzes" for the ASU Tempe campus, realized by 23 students from the School of Music and the School of Arts, Media + Engineering for the museum. In 1977 the American composer John Cage created "49 Waltzes for the Five Boroughs of […]
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Made possible with a gift from Robert and Avery Moric, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett, The Honors College Class of 2023) and the ASU President's Club. Commissioned by Arizona State University Art Museum with funding by The Diane and Bruce […] 
“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13,000+ objects entering the collection as gifts, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further, it explores […] 
World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic […] 
Lo que es, es lo que ha sido/What It Is, Is What Has Been: Selections from the ASU Art Museum's Cuban Art Collection explores artistic expression during times of humanitarian crises and social upheaval. Located at the Phoenix Art Museum, the exhibition is the first major curatorial collaboration between Phoenix Art Museum and ASU Art […] 
In conjunction with Lo que es, es lo que ha sido/What It Is, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection at the Phoenix Art Museum, the ASU Art Museum presents their Cuban Print Collection. A portfolio of eleven prints was published by Arizona State University Art Museum in conjunction […] 
“Everything Is a Little Fuzzy,” draws from the museum’s permanent collection. With an eye on dimensions of memory and care, it explores the challenges experienced in a post-pandemic world. The exhibition highlights aspects of care, emphasizes memory, communicates resilience, and explores softness through difficult circumstances. Twenty-two artworks on display feature textile objects or the usage […] |
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Crafting Resistance looks at the ways in which we understand and view the term craft and its relationship to fine art. The exhibition seeks to flatten the western European art historical cannon and hierarchy and unhinge the binary that often places ‘fine art’ and ‘craft’ at odds with one another. Artists in the exhibition utilize materials […] 
Luis Rivera Jimenez (b. 1997 San Juan, Puerto Rico) uses the intricacies of language, political thought and daily experience in the Caribbean to create intentional spaces of learning, conversation and care. The artist’s sculptural objects and installations pose questions about the dynamics of race and representation. His practice reflects upon and explores the underpinning of […] |
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