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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20250301
DTSTAMP:20260916T050520
CREATED:20220912T183003Z
LAST-MODIFIED:20240812T175244Z
UID:609-1646438400-1740787199@asuartmuseum.org
SUMMARY:ASU Art Museum’s Public Art
DESCRIPTION:Made possible with a gift from Robert and Avery Moric\, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett\, The Honors College Class of 2023) and the ASU President’s Club. \nCommissioned by Arizona State University Art Museum with funding by The Diane and Bruce Halle Foundation with additional funding by the Herberger Institute Dean’s Creativity Council. \n“Art has a much bigger role to play in society. Everyone needs access to art\, and at this time\, we need art even more.” -Leo Villareal \n“Point Cloud (ASU)” is a commissioned artwork by Leo Villareal designed specifically for the ASU Art Museum in the Nelson Fine Arts Center. During his visit to the ASU Art Museum\, Villareal was inspired by the museum’s architecture\, designed by Antoine Predock in 1987. “The building defines a journey\, a procession; it defines options and potentials rather than particular paths. It is an open matrix of possibilities rather than particular paths. It is an open matrix of possibilities for engagement both vertically and horizontally\,” Predock said on the experience of walking through the building. Inspired by this phenomenon\, Villareal worked with Kaarta\, the mobile 3D scan technology company\, to map both the inside and outside of the building\, creating over 200\,000\,000 data points. With the accumulated information\, the artist manipulated the data points by employing his custom software to create this public artwork\, seeking to deconstruct and reconstruct architectural rules and systems. “Point Cloud (ASU)” is the first instance Villareal has used actual data sampled from a location as part of an artwork. \nIn “Point Cloud (ASU)\,” Villareal focuses on the blurred boundaries between abstraction\, recognition\, and perception through monolithic screens mounted within the museum’s existing architecture. Through moving layers of light\, Villareal renders the museum’s mapped spaces to reveal details of architecture that are not recognizable to the naked eye. The ever-changing lumens\, slowly panning up and down stairs\, through hallways and colonnades\, echo a sort of procession throughout the museum. At times\, the dots\, lines\, and planes create a recognizable image\, but often\, viewers are taken on a journey that dissolves into abstraction. The ongoing movement prompts consideration for deeper understandings of the masses and forms around us\, questioning what we can see in front of us and what is ephemeral. “Point Cloud (ASU)” serves as a meditation on Predock’s work\, revealing the deep layers and references embedded in the architecture as it ascends toward the heavens and descends into the earth. \nExplore the ASU Art Museum’s public art with works by Leo Villareal\, Robert Arneson\, Luis Jimenez and Eduardo Sarabia.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museums-public-art/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20240526
DTSTAMP:20260916T050520
CREATED:20230119T235713Z
LAST-MODIFIED:20240306T191546Z
UID:1428-1673654400-1716681599@asuartmuseum.org
SUMMARY:Making Visible
DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \nClick here to learn more about the Black cowboys of Arizona and their impact on Arizona history through their military service as Buffalo Soldiers.  \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils.
URL:https://asuartmuseum.org/event-exhibition/making-visible/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230215
DTEND;VALUE=DATE:20250101
DTSTAMP:20260916T050520
CREATED:20230209T210411Z
LAST-MODIFIED:20240621T190457Z
UID:1488-1676419200-1735689599@asuartmuseum.org
SUMMARY:Opportunity (reflection)
DESCRIPTION:World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII\, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic practice\, this latest sculpture draws from his 2015 sculpture “Opportunity\,” which was inspired by the NFL\, and as part of his interest in photographic history\, popular culture\, and sports as a metaphor for individual and collective struggle or hope. “Hank’s powerful sculpture showcased during Super Bowl week beautifully represents the passion\, strength\, and hope at the heart of our game\,” said Peter O’Reilly\, NFL Executive Vice President of Club Business & League Events. \nThe artwork falls within Thomas’ “Punctum” series\, which is based on Roland Barthes’ photographic theory of the punctum referring to the detail in an image that pierces or wounds the viewer\, creating a direct relationship between them and the pictured object or person. Thomas uses this concept to select or reframe areas of images\, which he then transforms into large-scale sculptures. “Opportunity (reflection)” portrays a snapshot of an anonymous player whose arm extends outward to catch the football. The viewer is reflected back in the mirrored surface and invited to imagine these tense few moments\, filled with great anticipation\, the successful catch leading to success and celebration\, as well as loss and defeat for the opposing team. \n  \n\n  \n 
URL:https://asuartmuseum.org/event-exhibition/opportunity-reflection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230524T110000
DTEND;TZID=America/Phoenix:20230828T170000
DTSTAMP:20260916T050520
CREATED:20230502T155917Z
LAST-MODIFIED:20230502T155917Z
UID:1946-1684926000-1693242000@asuartmuseum.org
SUMMARY:Open Studio with Susan Allred
DESCRIPTION:The Ceramics Research Center is launching a new artist residency program\, featuring two textile and fiber artists in this first iteration. The residency offers artists an open studio space\, opportunities to work with the Museum’s permanent collections and to meet with curators\, students\, scholars and museum audiences. Two days a week\, their studios will be open to the public to provide direct engagement with working artists and learn more about the artistic process. \nSusan Allred \n\nSusan Allred states “The results of these fiber experiments let me express my thoughts and feelings about society’s expectations\, such as how from an early age\, many young girls are encouraged to dream about and plan for the day they’ll marry and live ‘happily ever after.’ I’ve explored what happens when women don’t feel safe in their daily lives and how external pressure from religious expectations can harm a marriage instead of supporting it. My most personal work reveals the lasting damage that the trauma of sexual assault can leave on the human body and soul.” \n\nWorking 11 am – 5 pm on Wednesdays and Thursdays \n \n\n\n\n 
URL:https://asuartmuseum.org/event-exhibition/open-studio-with-susan-allred/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Event,gold
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230722
DTEND;VALUE=DATE:20240101
DTSTAMP:20260916T050520
CREATED:20230620T173207Z
LAST-MODIFIED:20230620T173207Z
UID:2181-1689984000-1704067199@asuartmuseum.org
SUMMARY:Everything is a Little Fuzzy
DESCRIPTION:“Everything Is a Little Fuzzy\,” draws from the museum’s permanent collection. With an eye on dimensions of memory and care\, it explores the challenges experienced in a post-pandemic world. The exhibition highlights aspects of care\, emphasizes memory\, communicates resilience\, and explores softness through difficult circumstances. \nTwenty-two artworks on display feature textile objects or the usage of fibrous materials and techniques. Ninabah Winton\, the exhibition’s curator and ASU Art Museum Windgate Assistant Curator of Contemporary Craft and Design\, asks\, “How are care and memory passed down in textile work? How do fiber or ceramic works hold or contain memories\, and how are they shaped by memory or the concept of care?” \nJoin us at the museum for the opening reception on Saturday\, Aug. 19\, from 6 to 8 p.m.
URL:https://asuartmuseum.org/event-exhibition/everything-is-a-little-fuzzy/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230819
DTEND;VALUE=DATE:20240715
DTSTAMP:20260916T050520
CREATED:20230616T175215Z
LAST-MODIFIED:20230719T202734Z
UID:2170-1692403200-1721001599@asuartmuseum.org
SUMMARY:Crafting Resistance
DESCRIPTION:Crafting Resistance looks at the ways in which we understand and view the term craft and its relationship to fine art. The exhibition seeks to flatten the western European art historical cannon and hierarchy and unhinge the binary that often places ‘fine art’ and ‘craft’ at odds with one another. Artists in the exhibition utilize materials and modes of production that are often relegated to what is historically viewed as craft\, mediums such as glass\, textile\, felt\, miniature\, and wood\, and instrumentalize them to make commentary about some of today’s most pressing issues\, including climate catastrophe\, representation\, geo-politics\, and migration.\n\n\nSpecial thanks to artists Sama Alshaibi\, Merryn Omotayo Alaka\, Andrew Erdos\, Maria Hupfield\, Yasue Maetake\, Jayson Musson\, Eric-Paul Riege\, Curtis Talwst Santiago\, and Sam Frésquez\, with additional thanks to the exhibition’s community of practice\, Joe Baker (Delaware)\, Bonn Baudelaire (Cocopah)\, and Sharah Nieto (Yucatec Maya). \n\n\nCurated by Erin Joyce with support from Abby Sutton\, ASU Art Museum Windgate Intern. \n\n\nSponsors: \nThe Edward Jacobson Fund \nKevin and Alexis Cosca \nTheresa M. Shoemaker \nChristian and Allison Lester \n 
URL:https://asuartmuseum.org/event-exhibition/crafting-resistance/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230819
DTEND;VALUE=DATE:20240101
DTSTAMP:20260916T050520
CREATED:20230713T214441Z
LAST-MODIFIED:20231127T174813Z
UID:2328-1692403200-1704067199@asuartmuseum.org
SUMMARY:Luis Rivera Jimenez: A Brief Proposal on Race and Cultural Cosplay
DESCRIPTION:Luis Rivera Jimenez (b. 1997 San Juan\, Puerto Rico) uses the intricacies of language\, political thought and daily experience in the Caribbean to create intentional spaces of learning\, conversation and care. The artist’s sculptural objects and installations pose questions about the dynamics of race and representation. His practice reflects upon and explores the underpinning of what he describes as a “global digital society\,” where a relationship between memory\, images and symbols can be traced\, mapped and proliferated. \n“Luis Rivera Jimenez: A Brief Proposal on Race and Cultural Cosplay” is the artist’s first solo museum exhibition\, presenting new works that the artist created while in residence at CALA Alliance in early 2023. This interactive installation is informed by conversations\, encounters and materials found by the artist during his time in Phoenix. The objects and texts within the exhibition build on the artist’s accumulation and processing of various tools: discussions\, found objects\, experiences in contact with communities\, digital content and physical and ephemeral materials. \nThe exhibition will be on view from Aug. 19 through Dec. 31\, 2023\, at the ASU Art Museum at Nelson Fine Arts Center. The opening reception will be Saturday\, August 19\, 2023 from 6:00 – 8:00 pm. \nExhibition Programming: \nBoard of Directors \n2024 Race and Cultural Cosplay Retreat \nSchedule in Brief \n\nOpening Reception\n\nSaturday\, August 19\, 2023 \n6:00-8:00 PM // ASU Art Museum \n\nKeynote Address\n\nSunday\, August 20\, 2023 // Translation and Language Justice in the Borderlands \n12:00–1:30 PM // ASU Art Museum Gallery 1 \n\nAnnual Report\, Insights and Developments into Race and Cultural Cosplay\n\nThursday\, September 7\, 2023 // Performance \n6:00–8:00 PM // ASU Art Museum Gallery 1 + 2 \n  \n“Luis Rivera Jimenez: A Brief Proposal on Race and Cultural Cosplay” is organized by Alana Hernandez\, CALA Alliance Curator of Latinx Art at the ASU Art Museum\, with Sade Moore\, Curatorial Assistant at CALA Alliance. The exhibition is made possible by gifts to CALA Alliance’s general operating fund and a grant from The Andy Warhol Foundation for the Visual Arts.
URL:https://asuartmuseum.org/event-exhibition/luis-rivera-jimenez/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230819T180000
DTEND;TZID=America/Phoenix:20230819T200000
DTSTAMP:20260916T050520
CREATED:20230719T215131Z
LAST-MODIFIED:20230719T221144Z
UID:2374-1692468000-1692475200@asuartmuseum.org
SUMMARY:Fall Opening Reception
DESCRIPTION:In celebration of the opening of three new exhibitions\, “Everything is a Little Fuzzy”\, “Luis Jimenez Rivera: A Brief Proposal on Race and Cultural Cosplay” and “Crafting Resistance”\, you are cordially invited to a reception with the artists and ASU Art Museum curators Alana Hernandez\, Erin Joyce\, Windgate curatorial fellow Ninabah Winton and curatorial intern Abby Sutton. Join us for drinks and light refreshments\, music and art activities at the ASU Art Museum. \nAdmission is free. \nRSVP Today!
URL:https://asuartmuseum.org/event-exhibition/fall-opening-reception/
CATEGORIES:Event,gold
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230820T120000
DTEND;TZID=America/Phoenix:20230820T133000
DTSTAMP:20260916T050520
CREATED:20230725T204310Z
LAST-MODIFIED:20230725T230838Z
UID:2411-1692532800-1692538200@asuartmuseum.org
SUMMARY:Session I: Keynote Address // Translation and Language Justice in the Borderlands
DESCRIPTION:Board of Directors \n2024 Race and Cultural Cosplay Retreat \nSession I \nKeynote Address \nSunday\, August 20\, 2023 // Translation and Language Justice in the Borderlands \n12:00–1:30 PM // ASU Art Museum Gallery 1 \nA panel of leading experts on translation*\, language and racial justice will kickoff our events. As members of this multicultural and ethnically diverse board it is crucial for success in our mission and our future milestones to foster a culture of inclusivity through language. We look to empower our board members with this compelling journey into the values\, thoughts and vision that we hope to inspire throughout this meeting/agenda/report. As we start off our agenda\, we hope we can compel and inspire each other towards the action needed to make a difference in you/and your community.  \nKey takeaways: Race\, Language\, Translating\, Empowerment \n*Disclaimer: This event does not contain translations by accepted certified\, sworn\, notarised and legalized translators. We disclaim all warranties related to the translations\, expressed or implied\, including any warranties of accuracy\, reliability\, and any implied warranties of merchantability\, fitness for a particular purpose\, and noninfringement.” \nFor these translations\, reasonable efforts have been made to provide an accurate translation\, however\, no amount of translation is perfect nor is it intended to replace human translators. These inquiries into translations are provided as a service to users of this exhibition \, and are provided “as is.” No warranty of any kind\, either expressed or implied\, is made as to the accuracy\, reliability\, or correctness of any of these translations made from English into any other language. \nClick here to see the full agenda
URL:https://asuartmuseum.org/event-exhibition/session-i-keynote-address-translation-and-language-justice-in-the-borderlands/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Event
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