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X-WR-CALDESC:Events for ASU Art Museum
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20250301
DTSTAMP:20260916T124002
CREATED:20220912T183003Z
LAST-MODIFIED:20240812T175244Z
UID:609-1646438400-1740787199@asuartmuseum.org
SUMMARY:ASU Art Museum’s Public Art
DESCRIPTION:Made possible with a gift from Robert and Avery Moric\, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett\, The Honors College Class of 2023) and the ASU President’s Club. \nCommissioned by Arizona State University Art Museum with funding by The Diane and Bruce Halle Foundation with additional funding by the Herberger Institute Dean’s Creativity Council. \n“Art has a much bigger role to play in society. Everyone needs access to art\, and at this time\, we need art even more.” -Leo Villareal \n“Point Cloud (ASU)” is a commissioned artwork by Leo Villareal designed specifically for the ASU Art Museum in the Nelson Fine Arts Center. During his visit to the ASU Art Museum\, Villareal was inspired by the museum’s architecture\, designed by Antoine Predock in 1987. “The building defines a journey\, a procession; it defines options and potentials rather than particular paths. It is an open matrix of possibilities rather than particular paths. It is an open matrix of possibilities for engagement both vertically and horizontally\,” Predock said on the experience of walking through the building. Inspired by this phenomenon\, Villareal worked with Kaarta\, the mobile 3D scan technology company\, to map both the inside and outside of the building\, creating over 200\,000\,000 data points. With the accumulated information\, the artist manipulated the data points by employing his custom software to create this public artwork\, seeking to deconstruct and reconstruct architectural rules and systems. “Point Cloud (ASU)” is the first instance Villareal has used actual data sampled from a location as part of an artwork. \nIn “Point Cloud (ASU)\,” Villareal focuses on the blurred boundaries between abstraction\, recognition\, and perception through monolithic screens mounted within the museum’s existing architecture. Through moving layers of light\, Villareal renders the museum’s mapped spaces to reveal details of architecture that are not recognizable to the naked eye. The ever-changing lumens\, slowly panning up and down stairs\, through hallways and colonnades\, echo a sort of procession throughout the museum. At times\, the dots\, lines\, and planes create a recognizable image\, but often\, viewers are taken on a journey that dissolves into abstraction. The ongoing movement prompts consideration for deeper understandings of the masses and forms around us\, questioning what we can see in front of us and what is ephemeral. “Point Cloud (ASU)” serves as a meditation on Predock’s work\, revealing the deep layers and references embedded in the architecture as it ascends toward the heavens and descends into the earth. \nExplore the ASU Art Museum’s public art with works by Leo Villareal\, Robert Arneson\, Luis Jimenez and Eduardo Sarabia.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museums-public-art/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220318
DTEND;VALUE=DATE:20230220
DTSTAMP:20260916T124002
CREATED:20220811T234821Z
LAST-MODIFIED:20220912T181940Z
UID:122-1647561600-1676851199@asuartmuseum.org
SUMMARY:Embrace 
by ARENA
DESCRIPTION:“The desert is defined by the blazing sun and the need to find shelter from it. The arts center (ASU Art Museum) acknowledges this duality by linking earth and sky. The main entrance descends into the earth in search of coolness and psychological distance from the fierce sun above.” –Antoine Predock\, ASU Art Museum Building architect\, 1989 \nIn today’s day and age\, art museum lobbies tend to look the same\, promoting a kind of high-class taste. They often rely on designs that use modern furniture; cold\, hard floors; classical music; and other signals (like Italian coffees in their cafes and expensive gift items in their shops) that are familiar to some populations and alienating to others. As a museum that strives to be inclusive and to acknowledge people from all walks of life\, ASU Art Museum commissioned ARENA (the artist duo Mario Gallego and Jorge Ignacio Torres) to reimagine the visitor experience. This artistic intervention\, titled “Embrace\,” focuses on themes of welcome\, placemaking and placekeeping\, and the activation of the five senses. ARENA (the Spanish word that translates to sand) was directly influenced by the landscape of the Sonoran desert and the building architect’s use of space and light. \nAbout the artists: \nJorge Ignacio Torres works at the intersection of art\, design and culture. His interdisciplinary practice focuses on how our experiences\, both everyday and ritualized\, can speak to contemporary society and how it is perceived. He is the founder of Palabra in Phoenix\, a space that houses and cultivates art\, music and culinary arts.  \nMario Gallego is a creative brand strategist with an emphasis on design and art. He bridges various cultures through curated experiences as a multifaceted creative strategist\, and he authentically connects community to art and design. 
URL:https://asuartmuseum.org/event-exhibition/embrace-by-arena/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220409
DTEND;VALUE=DATE:20220926
DTSTAMP:20260916T124002
CREATED:20220912T181425Z
LAST-MODIFIED:20220912T181425Z
UID:598-1649462400-1664150399@asuartmuseum.org
SUMMARY:New Earthworks
DESCRIPTION:“New Earthworks” presents work by eight contemporary artists who explore our interconnectedness with the Earth. Artists David Brooks\, Carolina Caycedo\, Desert Artlab (April Bojorquez and Matt Garcia)\, Hope Ginsburg\, Scott Hocking\, Mary Mattingly\, Sam Van Aken and Steven Yazzie take on issues of biodiversity and environmental equity\, reassert Indigenous knowledge and envision new systems to address climate change. Similar to earthwork artists of the 1960s and ’70s\, they utilize site and non-site systems of experiential installations or events in the landscape with sculpture\, photographs\, films\, drawings\, texts and objects created in the studio. The dialectic of site-specific and gallery locations\, inclusive experience and discrete objects\, provides an array of chances to rethink our understanding of the Earth and propose new modalities at a time when it has never been more pressing to do so. \nThe exhibition is co-curated by artist Mark Dion and ASU Art Museum Curator Emeritus Heather Sealy Lineberry. “New Earthworks” is supported by the Diane and Bruce Halle Foundation and is sponsored by the Patti Parsons Foundation\, Helme Prinzen Endowment and Joan D. Cremin. Additional support for artist installations is provided by Lettuce Grow\, an initiative of The Farm Project\, and the UrbanFarm Fruit Tree Program. \nSave the date! Join us at the museum for the opening reception on Friday\, April 8 from 6–8 p.m. More details will be announced on our website at asuartmuseum.asu.edu.
URL:https://asuartmuseum.org/event-exhibition/new-earthworks/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220507
DTEND;VALUE=DATE:20221031
DTSTAMP:20260916T124002
CREATED:20220912T172757Z
LAST-MODIFIED:20220912T172858Z
UID:592-1651881600-1667174399@asuartmuseum.org
SUMMARY:A Country is Not a House: Ronald Rael + Virginia San Fratello
DESCRIPTION:Fusing design with activism\, Ronald Rael and Virginia San Fratello have spent more than a decade questioning the implications and contradictions of the border wall that divides the United States from Mexico. Structurally and conceptually\, the artists undermine and dismantle the wall itself — a symbol of xenophobia and fear — through speculative explorations that promote social\, economic and ecological reparations. Their inventive and poignant commentary is a protest against the wall\, our most politically polarizing architectural feature\, and a projection about its future. Offering new imaginaries\, the exhibition features drawings\, prints\, models\, videos and newly commissioned sculptural installations inspired by our region that serve as a reminder of how human beings can transcend the forces that seek to divide us. \n“A Country is Not a House: Ronald Rael + Virginia San Fratello\,” curated by ASU Art Museum curator Brittany Corrales\, is supported by the Graham Foundation for Advanced Studies in the Fine Arts with major support from Falcon Designs. Sponsors include Elizabeth and Shane Ginsberg. \nAbout the artists:  \nProfessor Ronald Rael is the Eva Li Memorial Chair in Architecture in the Department of Architecture in the College of Environmental Design at the University of California\, Berkeley. \nVirginia San Fratello is professor and chair of the Department of Design at San José State University. \nLearn more about Rael San Fratello’s work at rael-sanfratello.com.
URL:https://asuartmuseum.org/event-exhibition/a-country-is-not-a-house-ronald-rael-virginia-san-fratello/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220610
DTEND;VALUE=DATE:20230109
DTSTAMP:20260916T124002
CREATED:20220909T235724Z
LAST-MODIFIED:20221007T223154Z
UID:585-1654819200-1673222399@asuartmuseum.org
SUMMARY:Luster and Light
DESCRIPTION:“Luster and Light” creates space to reflect on the value of craft and craft-adjacent works in art museum settings. How is the idea of value interpreted in various spaces and contexts by individuals and institutions? This exhibition examines works that feature specific lustrous materials to relay cultural or social symbols\, often to call attention to abuses of wealth and authority. One example is the use of gold for its historic associations with social and economic power\, like in Alison Saar’s “Hi Yella” (1991). Another is Adrian Saxe’s use of luster glaze\, a paintable coating containing precious metals like gold and silver\, in ceramics to reference the lavishness of the Baroque and Rococo periods in art. Curated primarily from the ASU Art Museum’s permanent collections\, the exhibition encourages reflection on museums as systems of power and cultural production. How have they upheld hierarchical systems\, such as those evidenced by their collections and exhibition histories? Visitors are asked to engage by reflecting on what they value in their own lives. \n“Luster and Light” is curated by Windgate Curator of Contemporary Craft and Design Sarah Kelly and generously supported by the Windgate Foundation.
URL:https://asuartmuseum.org/event-exhibition/luster-and-light/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:blue,Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220916T170000
DTEND;TZID=America/Phoenix:20220916T200000
DTSTAMP:20260916T124002
CREATED:20220912T183752Z
LAST-MODIFIED:20220912T220415Z
UID:612-1663347600-1663358400@asuartmuseum.org
SUMMARY:Mexican Independence Day Celebration
DESCRIPTION:Join us for our fourth annual Mexican Independence Day Celebration to honor the contributions and culture of the Mexican and Mexican American communities as well as acknowledging independence days across the Americas. In partnership with The Consulate General of Mexico and CALA Alliance\, the event features a traditional Aztec performance from Grupo Coatlicue\, El Grito from the Consul General and Deputy Consul General\, artmaking activities\, How I Became an Artista book making workshop with artist Karen Nazario Moranchel\, poetry reading from writer and educator Anna Flores\, printmaking activity designed by artist Cruz Ortiz\, lotería games\, salsa lessons with ASU Salsa Club\, music from DJ CRVNT3S and food from SuperFarm SuperTruck. \n\n5 p.m. Artmaking activities start\n5:30 p.m. Aztec dance performance from Grupo Coatlicue\nEl Grito from Mexican Consulate\n6 p.m. How I Became an Artista: Karen Nazario Moranchel; book making workshop\nLotería begins\n6:30–6:45 p.m. Poetry reading with writer and educator Anna Flores\n7–7:30 p.m. Salsa lessons with ASU Salsa Club\n7:30–8 p.m. Open dance floor
URL:https://asuartmuseum.org/event-exhibition/mexican-independence-day-celebration/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,green
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220917
DTEND;VALUE=DATE:20230227
DTSTAMP:20260916T124002
CREATED:20220912T182239Z
LAST-MODIFIED:20220912T182433Z
UID:605-1663372800-1677455999@asuartmuseum.org
SUMMARY:The Malevolent and the Serene: Japanese Tea Bowls and Prints from the Collection
DESCRIPTION:Art in Focus highlights works from the museum’s permanent collections. This exhibition presents Japanese ceramics and prints\, with a focus on ghost stories and tea ceremonies. Woodblock prints by Tsukioka Yoshitoshi are accompanied by ceramic tea bowls and cups from Living National Treasures artists offering audiences an opportunity to learn and appreciate Japans’ contributions to printmaking and craft. \nThe curatorial team includes Mary-Beth Buesgen curator of collection and archives\, Amelia Hay\, learning and co-creation specialist and Colin Pearson\, Ceramics Research Center academic intern. Special thanks to the Japanese Friendship Garden for their collaboration.
URL:https://asuartmuseum.org/event-exhibition/the-malevolent-and-the-serene-japanese-tea-bowls-and-prints-from-the-collection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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