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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261006T130413
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20261006T130413
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
LOCATION:AZ
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20250301
DTSTAMP:20261006T130413
CREATED:20220912T183003Z
LAST-MODIFIED:20240812T175244Z
UID:609-1646438400-1740787199@asuartmuseum.org
SUMMARY:ASU Art Museum’s Public Art
DESCRIPTION:Made possible with a gift from Robert and Avery Moric\, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett\, The Honors College Class of 2023) and the ASU President’s Club. \nCommissioned by Arizona State University Art Museum with funding by The Diane and Bruce Halle Foundation with additional funding by the Herberger Institute Dean’s Creativity Council. \n“Art has a much bigger role to play in society. Everyone needs access to art\, and at this time\, we need art even more.” -Leo Villareal \n“Point Cloud (ASU)” is a commissioned artwork by Leo Villareal designed specifically for the ASU Art Museum in the Nelson Fine Arts Center. During his visit to the ASU Art Museum\, Villareal was inspired by the museum’s architecture\, designed by Antoine Predock in 1987. “The building defines a journey\, a procession; it defines options and potentials rather than particular paths. It is an open matrix of possibilities rather than particular paths. It is an open matrix of possibilities for engagement both vertically and horizontally\,” Predock said on the experience of walking through the building. Inspired by this phenomenon\, Villareal worked with Kaarta\, the mobile 3D scan technology company\, to map both the inside and outside of the building\, creating over 200\,000\,000 data points. With the accumulated information\, the artist manipulated the data points by employing his custom software to create this public artwork\, seeking to deconstruct and reconstruct architectural rules and systems. “Point Cloud (ASU)” is the first instance Villareal has used actual data sampled from a location as part of an artwork. \nIn “Point Cloud (ASU)\,” Villareal focuses on the blurred boundaries between abstraction\, recognition\, and perception through monolithic screens mounted within the museum’s existing architecture. Through moving layers of light\, Villareal renders the museum’s mapped spaces to reveal details of architecture that are not recognizable to the naked eye. The ever-changing lumens\, slowly panning up and down stairs\, through hallways and colonnades\, echo a sort of procession throughout the museum. At times\, the dots\, lines\, and planes create a recognizable image\, but often\, viewers are taken on a journey that dissolves into abstraction. The ongoing movement prompts consideration for deeper understandings of the masses and forms around us\, questioning what we can see in front of us and what is ephemeral. “Point Cloud (ASU)” serves as a meditation on Predock’s work\, revealing the deep layers and references embedded in the architecture as it ascends toward the heavens and descends into the earth. \nExplore the ASU Art Museum’s public art with works by Leo Villareal\, Robert Arneson\, Luis Jimenez and Eduardo Sarabia.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museums-public-art/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230215
DTEND;VALUE=DATE:20250101
DTSTAMP:20261006T130413
CREATED:20230209T210411Z
LAST-MODIFIED:20240621T190457Z
UID:1488-1676419200-1735689599@asuartmuseum.org
SUMMARY:Opportunity (reflection)
DESCRIPTION:World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII\, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic practice\, this latest sculpture draws from his 2015 sculpture “Opportunity\,” which was inspired by the NFL\, and as part of his interest in photographic history\, popular culture\, and sports as a metaphor for individual and collective struggle or hope. “Hank’s powerful sculpture showcased during Super Bowl week beautifully represents the passion\, strength\, and hope at the heart of our game\,” said Peter O’Reilly\, NFL Executive Vice President of Club Business & League Events. \nThe artwork falls within Thomas’ “Punctum” series\, which is based on Roland Barthes’ photographic theory of the punctum referring to the detail in an image that pierces or wounds the viewer\, creating a direct relationship between them and the pictured object or person. Thomas uses this concept to select or reframe areas of images\, which he then transforms into large-scale sculptures. “Opportunity (reflection)” portrays a snapshot of an anonymous player whose arm extends outward to catch the football. The viewer is reflected back in the mirrored surface and invited to imagine these tense few moments\, filled with great anticipation\, the successful catch leading to success and celebration\, as well as loss and defeat for the opposing team. \n  \n\n  \n 
URL:https://asuartmuseum.org/event-exhibition/opportunity-reflection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230819
DTEND;VALUE=DATE:20240715
DTSTAMP:20261006T130413
CREATED:20230616T175215Z
LAST-MODIFIED:20230719T202734Z
UID:2170-1692403200-1721001599@asuartmuseum.org
SUMMARY:Crafting Resistance
DESCRIPTION:Crafting Resistance looks at the ways in which we understand and view the term craft and its relationship to fine art. The exhibition seeks to flatten the western European art historical cannon and hierarchy and unhinge the binary that often places ‘fine art’ and ‘craft’ at odds with one another. Artists in the exhibition utilize materials and modes of production that are often relegated to what is historically viewed as craft\, mediums such as glass\, textile\, felt\, miniature\, and wood\, and instrumentalize them to make commentary about some of today’s most pressing issues\, including climate catastrophe\, representation\, geo-politics\, and migration.\n\n\nSpecial thanks to artists Sama Alshaibi\, Merryn Omotayo Alaka\, Andrew Erdos\, Maria Hupfield\, Yasue Maetake\, Jayson Musson\, Eric-Paul Riege\, Curtis Talwst Santiago\, and Sam Frésquez\, with additional thanks to the exhibition’s community of practice\, Joe Baker (Delaware)\, Bonn Baudelaire (Cocopah)\, and Sharah Nieto (Yucatec Maya). \n\n\nCurated by Erin Joyce with support from Abby Sutton\, ASU Art Museum Windgate Intern. \n\n\nSponsors: \nThe Edward Jacobson Fund \nKevin and Alexis Cosca \nTheresa M. Shoemaker \nChristian and Allison Lester \n 
URL:https://asuartmuseum.org/event-exhibition/crafting-resistance/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240203
DTEND;VALUE=DATE:20240729
DTSTAMP:20261006T130413
CREATED:20231101T190248Z
LAST-MODIFIED:20240712T172840Z
UID:2920-1706918400-1722211199@asuartmuseum.org
SUMMARY:Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix
DESCRIPTION:In partnership with ASU’s Center for Work and Democracy and the George Floyd Global Memorial\, ASU Art Museum presents “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix.” Presented for the first time outside of Minnesota and on view from February 3 through July 28\, 2024 at the ASU Art Museum\, “Twin Flames” asks important questions about the role of art and community as a vehicle for bearing witness and creating deeper understanding and empathy. It also examines the state of public memorials in this country\, and prompts us to reflect on whose stories are shared\, by whom and why.  \nIn contrast to traditional monuments\, “Twin Flames” is a powerful\, community-led exhibition that showcases a selection of the thousands of offerings laid by mourners and protesters at George Floyd Square\, collected by a group of community caretakers and cataloged by the George Floyd Global Memorial team. This exhibition recognizes that creative and artistic expressions of pain and hope exist beyond the walls of museums\, in all forms and a myriad of cultural expressions\, and that George Floyd Square is a public space that can teach us how to mobilize as we mourn victims of police violence and imagine a more just world. \n  \nPublic programs will accompany the exhibition\, including: \nFriday\, February 2\, 2024 (5:00 — 7:00 p.m.): Public Opening Reception \nFriday\, February 2\, 2024 (8:00 — 11:00 p.m.): Taste of Melanin\, Silent Disco \nThursday\, March 28\, 2024 (3:00 — 4:00 p.m.): Histories of Protest in Art and Music \nSaturday\, April 19\, 2024 (7:00 — 9:00 p.m.): Film screening + Panel Discussion for “Stonebreakers” \nThursday\, May 2\, 2024: Are Objects Forever? The Evolving Thinking on Conservation and Collections Care: Hear from Twin Flames’ Community of Practice\, a committee of community members steering the exhibition at ASU Art Museum \n  \n“Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix” is organized by Jeanelle Austin\, Executive Director of the George Floyd Global Memorial; Heather Carroll\, Archiving Sacred Spaces Fellow of the George Floyd Global Memorial; Dr. Rashad Shabazz\, Associate Professor in the Schools of Social Transformation and Geographical Sciences & Urban Planning\, Arizona State University; Maria Esch\, Researcher at the Center for Work and Democracy\, Arizona State University; and ASUAM Curator Brittany Corrales. \nThis exhibition is made possible by  major funding provided by the Burton Family Foundation and Cheryl and Jahm Najafi. \nAdditional generous funding from (as of Feb. 2024) Emily Beach\, Pascha Bueno-Hansen\, Melissa Fernandez\, Carolyn Forbes\, Shelly Gordon\, Kenja Hassan\, Jorge Hernandez\, Dulce Juarez\, Robin Baskin McNulty\, Sentari Minor\, Marco Mojica\, Ramona Norman\, Tracy Perkins\, Olivia Perryman\, Trish Robinson\, Anthony Rowe\, Yasmin Shaheed\, Nancy Temple\, Bart Thurber\, Cheryl Wynn\, Anonymous Donors and the Center for Work and Democracy\, Arizona State University. Additional thanks to members of the ASU Art Museum’s Board and Councils. This exhibition showcases\, in part\, a partnership between the George Floyd Global Memorial\, the Center for Work and Democracy\, Arizona State University and the ASU Art Museum. \nThe exhibition is presented in collaboration with a Community of Practice composed of: Liz Agboola\, CEO\, Trinity Integrated Care; Miriam Araya\, New Worlds Organizer\, Black Lives Matter Phoenix Metro; Shimyrre Britt\, Event Curator\, dialog; Kara Brooks\, artist; Dr. Amber C. Coleman\, Post-Doctoral Fellow\, Art Education\, Arizona State University; Dr. Kenja Hassan\, Assistant Vice President\, Government & Community Engagement\, Arizona State University; Moses Hollis\, Assistant Director\, New Student Programs\, Arizona State University; Dr. Mahlika Hopwood\, Assistant Teaching Professor & Honors Faculty Fellow\, Barrett Honors Faculty\, Arizona State University; Barbara Noble Howard\, University Fellow for Non-Profit Leadership\, Office of University Affairs\, Arizona State University; Armonee Jackson\, Operations Director for Arizona List; Michael Jackson\, CEO of Mya Kai Creative; Dr. Anthony Pratcher\, Assistant Professor of African American Studies in the Ethnic Studies Program at Northern Arizona University\, Northern Arizona University; Ellison Shabazz\, child of ASU faculty; Simone Shabazz\, child of ASU faculty; Dr. Rashad Shabazz\, Associate Professor\, Arizona State University; Roy Tatem Jr.\, Immediate Past President of the East Valley NAACP\, President of Vanguard Strategies and Consulting\, LLC; Benjamin Taylor\, Civil Rights Attorney\, Taylor & Gomez LLP; President of the State Bar of Arizona; Shawna Tibbett\, Administrative Specialist\, DPC Govt and Community Engagement\, Arizona State University; Collette Watson\, artist\, cultural organizer\, and communications strategist at Black River Life Media; and Brian Watson\, Financial Advisor\, Merrill Lynch. \nSpecial thanks to: Bart Thurber\, Black Lives Matter Phoenix Metro\, George Floyd Square Community\, Mya Kai Creative; Angela Harrelson\, Aunt of George Floyd & GFGM Board Co-Chair; Paris Stevens\, First Cousin of George Floyd & GFGM Board Co-Chair\, Dr. Michael McQuarrie\, Director of the Center for Work and Democracy; Maud McQuarrie\, child of ASU Faculty; George Floyd Square Community Members: Butchy Austin\, Jimmy Austin\, Sundiata Austin\, Zamira Austin\, Raycurt Johnson\, Phi Khalar\, Jud Kilgore\, Dylan Leavitt-Phibbs\, Jennie Leenay\, Forest Olivier\,  Redemption Peters-DuRose\, Sam Pitmon\, Jordan Powell Karis\, Jason Quick\, Janae Rupert\, Johanna Rupert\, Shari Seifert\, Denise Tennen\, James Antravier Thomas\, Lauren Thrift\, Shekela Wanyama\, Thursday Williamson and Huda Yusuf.
URL:https://asuartmuseum.org/event-exhibition/twinflames/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/11/IMG_8950.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240210
DTEND;VALUE=DATE:20240722
DTSTAMP:20261006T130413
CREATED:20240109T023931Z
LAST-MODIFIED:20241204T221900Z
UID:3065-1707523200-1721606399@asuartmuseum.org
SUMMARY:Sarah Zapata: Beneath the breath of the sun
DESCRIPTION:Sarah Zapata (b. 1988\, Corpus Christi\, TX) employs weaving\, tufting and traditional craft techniques to create loud\, architecturally responsive installations that traverse themes of gender\, colonialism and fantasy. Zapata’s site-specific works reflect her intersecting identities as a queer woman of Peruvian heritage raised in Evangelical South Texas and now based in New York.    \n“Beneath the breath of the sun” features newly created works completed during the artist’s residency with CALA Alliance in Fall 2023. Alongside these works\, Zapata chose ceramics made with clay and earthen materials from the Museum’s collection to reference the land. The installation evokes a topography of the Arizona landscape\, where bold hues of orange and yellow nod toward the punishing sun and air of the desert\, weaving together the ecological and geological aspects that make up the complexity of our place. Taken as a whole\, Zapata’s fabricated world highlights the inherent friction between traditional modes of making in untraditional situations.  \n“Sarah Zapata: Beneath the breath of the sun” is organized by ASUAM Senior Curator Alana Hernandez\, with CALA Alliance Curatorial Assistant Sade Moore and made possible by generous funding from the Terra Foundation for American Art and the Ford Foundation. The exhibition is presented in collaboration with a Community of Practice composed of Dagoberto Bailón\, Co-Founder of Trans Queer Pueblo; Dr. Marivel Danielson\, Associate Professor\, School of Transborder Studies\, Arizona State University; and Raquel Gutiérrez\, writer and educator.  \n\nA series of three free in-person programs is offered in conjunction with “Sarah Zapata: Beneath the breath of the sun.” \nFeb. 10\, 2024 // Opening Reception \n6–8 p.m. \nMar. 15\, 2024 // Open Mic Night with Multicultural Communities of Excellence (MCoE) \n5–7 p.m. \nApr. 13\, 2024 // Fiber Workshop with Erika Hanson \nNoon–2 p.m. \nMay 2024 // A History of Stripes \nMore information about these programs and how to register will be available as details are confirmed. \n  \nConcurrent with her exhibition at ASUAM\, experience Sarah Zapata’s exhibition at MOCA TUCSON  Sara Hubbs and Sarah Zapata: Between gravity and ground.  On view Feb. 2 — June 23\, 2024. \n 
URL:https://asuartmuseum.org/event-exhibition/sarah-zapata-beneath-the-breath-of-the-sun/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240713
DTEND;VALUE=DATE:20250630
DTSTAMP:20261006T130413
CREATED:20240701T202328Z
LAST-MODIFIED:20250222T221843Z
UID:3855-1720828800-1751241599@asuartmuseum.org
SUMMARY:Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection\, 1980–2010
DESCRIPTION:“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection\, 1980–2010” showcases a partnership between ASU’s Hispanic Research Center (HRC) and ASU Art Museum and brings together works from the 1980s into the 2010s drawn from the HRC’s dynamic collection. Featuring over 30 artists who each offer a kaleidoscope of perspectives on the Mexican American experience\, this year-long exhibition pays homage to the ideals of the Chicano Movement of the 1960s and 70s and expands upon them through the widely disseminated medium of prints. Presented in two parts\, this unique exhibition underscores how Chicano/a/x artists have employed prints and graphics to build community\, engage with social concerns\, and interrogate shifting notions of political and cultural identity over time. \n“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection\, 1980–2010” is organized by ASUAM Senior Curator Alana Hernandez and ASUAM Curator Brittany Corrales and is made possible by funding provided by the Evelyn Smith Exhibition Fund. Additional funding is provided by ASU’s Hispanic Research Center and The Andy Warhol Foundation for the Visual Arts. The exhibition is presented in collaboration with a Community of Practice composed of Carla Chavarria\, Community Building Director\, Iconico\, and Carla León Celaya\, PhD candidate in the Spanish Department at the School of International Letters and Cultures\, ASU. \n  \nChicano/a/x Prints and Graphics Audio Guide\nUse the audio players below at the corresponding exhibition location. \nStop 1: Isabel Martinez\, “VG Got Her Green Card”\n\n  \nStop 2: Leo Limón\, “Morena y Quetzalcoatl”\n\n  \nStop 3: Alma López\, “Chuparosa”\n\n 
URL:https://asuartmuseum.org/event-exhibition/chicano-a-x-prints-and-graphics-selections-from-the-hispanic-research-centers-collection-1980-2010/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240713
DTEND;VALUE=DATE:20250630
DTSTAMP:20261006T130413
CREATED:20240918T005844Z
LAST-MODIFIED:20241031T171653Z
UID:3832-1720828800-1751241599@asuartmuseum.org
SUMMARY:Spiraling\, Twisting\, Unraveling: Explorations in Pattern and Form
DESCRIPTION:Exhibition Overview\n\n\nSpiraling\, Twisting\, Unraveling Audio Guide\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Maria Poveka Martinez\n\n  \nStop 2: Bradley R. Miller\n\n  \nStop 3: Jiro Yonezawa\n\n  \nInterpretation questions\n\n\n\n 
URL:https://asuartmuseum.org/event-exhibition/spiraling-twisting-unraveling-explorations-in-pattern-and-form/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240719T150000
DTEND;TZID=America/Phoenix:20240719T163000
DTSTAMP:20261006T130413
CREATED:20240702T200800Z
LAST-MODIFIED:20240709T211743Z
UID:3861-1721401200-1721406600@asuartmuseum.org
SUMMARY:Curator IRL XP: Sade Moore and Amanda Hiatt
DESCRIPTION:Join Windgate Curatorial Fellow Sade Moore and Craft Collections and Program Specialist Amanda Hiatt as they take you on a brief tour of the Ceramics Research Center and discuss how the open storage collection and archives will be used in Moore’s upcoming exhibition. This is a unique opportunity to meet an ASU Art Museum curator and go beyond the typical exhibition tour. \nIRL XP is a series of behind the scenes real life experiences. Museum staff takes an opportunity to visit\, ask questions\, tell stories\, share insight and engage in meaningful exchange with art\, culture and ideas. \nStop by the Museum or CRC every third Friday of the month! \nRSVP Today! \n 
URL:https://asuartmuseum.org/event-exhibition/curator-irl-xp-sade-moore-and-amanda-hiatt/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Event,gold
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240727T110000
DTEND;TZID=America/Phoenix:20240727T170000
DTSTAMP:20261006T130413
CREATED:20240702T201907Z
LAST-MODIFIED:20240724T010433Z
UID:3866-1722078000-1722099600@asuartmuseum.org
SUMMARY:"Twin Flames" Closing Day
DESCRIPTION:The ASU Art Museum celebrates the closing of “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix.” Enjoy music\, art activities and join pilgrimage guides on individual walkthroughs through the gallery to learn more about the artwork and the George Floyd Global Memorial. Performances begin at 1:00 p.m. Formal remarks begin at 2:00 pm. \nRSVP Today! \n11:00 a.m. to 5:00 p.m. Artmaking all day in Nymphaeum. Ocho Rios Food Truck in Parking Lot 9. Community Partners in Art in Focus \n1:00 p.m. Kidd Friendly Performance in Lobby \n2:00 p.m. Event Begins with Speakers and Spoken Word Artist Truth B. Told \n2:45 p.m. Candlelight Vigil Procession Begins Gallery 6 lead by Butchy Austin and Pastor Ed Norwood. \n3:00 p.m. RCC Performance of Black National Anthem.  \n Optional Pilgrimage in Gallery 3. \n5:00 p.m. Museum Closes
URL:https://asuartmuseum.org/event-exhibition/twin-flames-closing-day/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/11/IMG_8950.jpg
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