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DTSTART;TZID=America/Phoenix:20261006T134322
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20261006T134322
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
LOCATION:AZ
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20250301
DTSTAMP:20261006T134322
CREATED:20220912T183003Z
LAST-MODIFIED:20240812T175244Z
UID:609-1646438400-1740787199@asuartmuseum.org
SUMMARY:ASU Art Museum’s Public Art
DESCRIPTION:Made possible with a gift from Robert and Avery Moric\, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett\, The Honors College Class of 2023) and the ASU President’s Club. \nCommissioned by Arizona State University Art Museum with funding by The Diane and Bruce Halle Foundation with additional funding by the Herberger Institute Dean’s Creativity Council. \n“Art has a much bigger role to play in society. Everyone needs access to art\, and at this time\, we need art even more.” -Leo Villareal \n“Point Cloud (ASU)” is a commissioned artwork by Leo Villareal designed specifically for the ASU Art Museum in the Nelson Fine Arts Center. During his visit to the ASU Art Museum\, Villareal was inspired by the museum’s architecture\, designed by Antoine Predock in 1987. “The building defines a journey\, a procession; it defines options and potentials rather than particular paths. It is an open matrix of possibilities rather than particular paths. It is an open matrix of possibilities for engagement both vertically and horizontally\,” Predock said on the experience of walking through the building. Inspired by this phenomenon\, Villareal worked with Kaarta\, the mobile 3D scan technology company\, to map both the inside and outside of the building\, creating over 200\,000\,000 data points. With the accumulated information\, the artist manipulated the data points by employing his custom software to create this public artwork\, seeking to deconstruct and reconstruct architectural rules and systems. “Point Cloud (ASU)” is the first instance Villareal has used actual data sampled from a location as part of an artwork. \nIn “Point Cloud (ASU)\,” Villareal focuses on the blurred boundaries between abstraction\, recognition\, and perception through monolithic screens mounted within the museum’s existing architecture. Through moving layers of light\, Villareal renders the museum’s mapped spaces to reveal details of architecture that are not recognizable to the naked eye. The ever-changing lumens\, slowly panning up and down stairs\, through hallways and colonnades\, echo a sort of procession throughout the museum. At times\, the dots\, lines\, and planes create a recognizable image\, but often\, viewers are taken on a journey that dissolves into abstraction. The ongoing movement prompts consideration for deeper understandings of the masses and forms around us\, questioning what we can see in front of us and what is ephemeral. “Point Cloud (ASU)” serves as a meditation on Predock’s work\, revealing the deep layers and references embedded in the architecture as it ascends toward the heavens and descends into the earth. \nExplore the ASU Art Museum’s public art with works by Leo Villareal\, Robert Arneson\, Luis Jimenez and Eduardo Sarabia.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museums-public-art/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230215
DTEND;VALUE=DATE:20250101
DTSTAMP:20261006T134322
CREATED:20230209T210411Z
LAST-MODIFIED:20240621T190457Z
UID:1488-1676419200-1735689599@asuartmuseum.org
SUMMARY:Opportunity (reflection)
DESCRIPTION:World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII\, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic practice\, this latest sculpture draws from his 2015 sculpture “Opportunity\,” which was inspired by the NFL\, and as part of his interest in photographic history\, popular culture\, and sports as a metaphor for individual and collective struggle or hope. “Hank’s powerful sculpture showcased during Super Bowl week beautifully represents the passion\, strength\, and hope at the heart of our game\,” said Peter O’Reilly\, NFL Executive Vice President of Club Business & League Events. \nThe artwork falls within Thomas’ “Punctum” series\, which is based on Roland Barthes’ photographic theory of the punctum referring to the detail in an image that pierces or wounds the viewer\, creating a direct relationship between them and the pictured object or person. Thomas uses this concept to select or reframe areas of images\, which he then transforms into large-scale sculptures. “Opportunity (reflection)” portrays a snapshot of an anonymous player whose arm extends outward to catch the football. The viewer is reflected back in the mirrored surface and invited to imagine these tense few moments\, filled with great anticipation\, the successful catch leading to success and celebration\, as well as loss and defeat for the opposing team. \n  \n\n  \n 
URL:https://asuartmuseum.org/event-exhibition/opportunity-reflection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230819
DTEND;VALUE=DATE:20240715
DTSTAMP:20261006T134322
CREATED:20230616T175215Z
LAST-MODIFIED:20230719T202734Z
UID:2170-1692403200-1721001599@asuartmuseum.org
SUMMARY:Crafting Resistance
DESCRIPTION:Crafting Resistance looks at the ways in which we understand and view the term craft and its relationship to fine art. The exhibition seeks to flatten the western European art historical cannon and hierarchy and unhinge the binary that often places ‘fine art’ and ‘craft’ at odds with one another. Artists in the exhibition utilize materials and modes of production that are often relegated to what is historically viewed as craft\, mediums such as glass\, textile\, felt\, miniature\, and wood\, and instrumentalize them to make commentary about some of today’s most pressing issues\, including climate catastrophe\, representation\, geo-politics\, and migration.\n\n\nSpecial thanks to artists Sama Alshaibi\, Merryn Omotayo Alaka\, Andrew Erdos\, Maria Hupfield\, Yasue Maetake\, Jayson Musson\, Eric-Paul Riege\, Curtis Talwst Santiago\, and Sam Frésquez\, with additional thanks to the exhibition’s community of practice\, Joe Baker (Delaware)\, Bonn Baudelaire (Cocopah)\, and Sharah Nieto (Yucatec Maya). \n\n\nCurated by Erin Joyce with support from Abby Sutton\, ASU Art Museum Windgate Intern. \n\n\nSponsors: \nThe Edward Jacobson Fund \nKevin and Alexis Cosca \nTheresa M. Shoemaker \nChristian and Allison Lester \n 
URL:https://asuartmuseum.org/event-exhibition/crafting-resistance/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230930
DTEND;VALUE=DATE:20240602
DTSTAMP:20261006T134322
CREATED:20230911T201809Z
LAST-MODIFIED:20240306T191507Z
UID:2609-1696032000-1717286399@asuartmuseum.org
SUMMARY:Contours: The Essential Form
DESCRIPTION:“Contours: The Essential Form” features selections from the Museum’s permanent collection and new works by Ibrahim Said (b. 1976\, Fustat\, Egypt). Through ceramic objects and works on paper\, the exhibition explores themes of nature\, care and discipline through the lens of muscle memory and intuitive artistic practice.  \nSaid was an invited artist in October 2022 as part of the Museum’s Encounter Series\, an effort to reimagine and recontextualize the Museum’s collections to address larger issues related to the current social and cultural climate of Arizona and the world at large. As part of his residency\, the artist selected over sixty artworks from the Museum’s collection and created three ceramic works in response to his experiences during his visit\, drawing inspiration from the Arizona built and natural landscape. Said states\, “The natural world has inspired artists for centuries\, and regardless of all our differences\, we all benefit from a connection to nature for both survival but also to feed our souls and spirits. These objects help us connect and memorialize some of the abundant natural treasures around us.” \nArtists featured in the exhibition are Laura Andreson\, George Burr\, Rose Cabat\, Claude Conover\, Hans Coper\, Andrew Dasburg\,  Roseline Delisle\, Ruth Duckworth\, Ernest Haskell\, Karin Hessenberg\, Catherine Hiersoux\, Nicholas Homoky\, John Jordan\, Paul Landacre\, Lucy M Lewis\, Rebecca Lucario\, Maria Poveka Martinez\, Christine Nofchissey McHorse\, Ed Moulthrop\, Alvin Pace\, Elsa Rady\, Lucie Rie\, Mary Rogers\, Ibrahim Said\, Dennis Stewart\, Geoffrey Swindell\, Toshiko Takaezu\, Dorothy Torivio\, John Ward\, Mary White and A. Jeffrey Zigulis.  \n“Contours: The Essential Form” is organized by Mary-Beth Buesgen\, ASU Art Museum Ceramics Research Center Collections & Archives Manager and Ibrahim Said\, Artist-in Residence in collaboration with a Community of Practice composed of artists and scholars: Sam Chung\, Chad Haines\, Amelia Hay\, Renee Bhatti-Klug\, Kat Medill\, Emma Skinner and Mariam Aziza Stephan and made possible by the Windgate Foundation Endowment with additional support from Elaine and Sidney Cohen and the members of ASU Art Museum’s Board and Councils. \nRSVP TODAY!
URL:https://asuartmuseum.org/event-exhibition/contours-the-essential-form/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Exhibition,green
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240203
DTEND;VALUE=DATE:20240729
DTSTAMP:20261006T134322
CREATED:20231101T190248Z
LAST-MODIFIED:20240712T172840Z
UID:2920-1706918400-1722211199@asuartmuseum.org
SUMMARY:Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix
DESCRIPTION:In partnership with ASU’s Center for Work and Democracy and the George Floyd Global Memorial\, ASU Art Museum presents “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix.” Presented for the first time outside of Minnesota and on view from February 3 through July 28\, 2024 at the ASU Art Museum\, “Twin Flames” asks important questions about the role of art and community as a vehicle for bearing witness and creating deeper understanding and empathy. It also examines the state of public memorials in this country\, and prompts us to reflect on whose stories are shared\, by whom and why.  \nIn contrast to traditional monuments\, “Twin Flames” is a powerful\, community-led exhibition that showcases a selection of the thousands of offerings laid by mourners and protesters at George Floyd Square\, collected by a group of community caretakers and cataloged by the George Floyd Global Memorial team. This exhibition recognizes that creative and artistic expressions of pain and hope exist beyond the walls of museums\, in all forms and a myriad of cultural expressions\, and that George Floyd Square is a public space that can teach us how to mobilize as we mourn victims of police violence and imagine a more just world. \n  \nPublic programs will accompany the exhibition\, including: \nFriday\, February 2\, 2024 (5:00 — 7:00 p.m.): Public Opening Reception \nFriday\, February 2\, 2024 (8:00 — 11:00 p.m.): Taste of Melanin\, Silent Disco \nThursday\, March 28\, 2024 (3:00 — 4:00 p.m.): Histories of Protest in Art and Music \nSaturday\, April 19\, 2024 (7:00 — 9:00 p.m.): Film screening + Panel Discussion for “Stonebreakers” \nThursday\, May 2\, 2024: Are Objects Forever? The Evolving Thinking on Conservation and Collections Care: Hear from Twin Flames’ Community of Practice\, a committee of community members steering the exhibition at ASU Art Museum \n  \n“Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix” is organized by Jeanelle Austin\, Executive Director of the George Floyd Global Memorial; Heather Carroll\, Archiving Sacred Spaces Fellow of the George Floyd Global Memorial; Dr. Rashad Shabazz\, Associate Professor in the Schools of Social Transformation and Geographical Sciences & Urban Planning\, Arizona State University; Maria Esch\, Researcher at the Center for Work and Democracy\, Arizona State University; and ASUAM Curator Brittany Corrales. \nThis exhibition is made possible by  major funding provided by the Burton Family Foundation and Cheryl and Jahm Najafi. \nAdditional generous funding from (as of Feb. 2024) Emily Beach\, Pascha Bueno-Hansen\, Melissa Fernandez\, Carolyn Forbes\, Shelly Gordon\, Kenja Hassan\, Jorge Hernandez\, Dulce Juarez\, Robin Baskin McNulty\, Sentari Minor\, Marco Mojica\, Ramona Norman\, Tracy Perkins\, Olivia Perryman\, Trish Robinson\, Anthony Rowe\, Yasmin Shaheed\, Nancy Temple\, Bart Thurber\, Cheryl Wynn\, Anonymous Donors and the Center for Work and Democracy\, Arizona State University. Additional thanks to members of the ASU Art Museum’s Board and Councils. This exhibition showcases\, in part\, a partnership between the George Floyd Global Memorial\, the Center for Work and Democracy\, Arizona State University and the ASU Art Museum. \nThe exhibition is presented in collaboration with a Community of Practice composed of: Liz Agboola\, CEO\, Trinity Integrated Care; Miriam Araya\, New Worlds Organizer\, Black Lives Matter Phoenix Metro; Shimyrre Britt\, Event Curator\, dialog; Kara Brooks\, artist; Dr. Amber C. Coleman\, Post-Doctoral Fellow\, Art Education\, Arizona State University; Dr. Kenja Hassan\, Assistant Vice President\, Government & Community Engagement\, Arizona State University; Moses Hollis\, Assistant Director\, New Student Programs\, Arizona State University; Dr. Mahlika Hopwood\, Assistant Teaching Professor & Honors Faculty Fellow\, Barrett Honors Faculty\, Arizona State University; Barbara Noble Howard\, University Fellow for Non-Profit Leadership\, Office of University Affairs\, Arizona State University; Armonee Jackson\, Operations Director for Arizona List; Michael Jackson\, CEO of Mya Kai Creative; Dr. Anthony Pratcher\, Assistant Professor of African American Studies in the Ethnic Studies Program at Northern Arizona University\, Northern Arizona University; Ellison Shabazz\, child of ASU faculty; Simone Shabazz\, child of ASU faculty; Dr. Rashad Shabazz\, Associate Professor\, Arizona State University; Roy Tatem Jr.\, Immediate Past President of the East Valley NAACP\, President of Vanguard Strategies and Consulting\, LLC; Benjamin Taylor\, Civil Rights Attorney\, Taylor & Gomez LLP; President of the State Bar of Arizona; Shawna Tibbett\, Administrative Specialist\, DPC Govt and Community Engagement\, Arizona State University; Collette Watson\, artist\, cultural organizer\, and communications strategist at Black River Life Media; and Brian Watson\, Financial Advisor\, Merrill Lynch. \nSpecial thanks to: Bart Thurber\, Black Lives Matter Phoenix Metro\, George Floyd Square Community\, Mya Kai Creative; Angela Harrelson\, Aunt of George Floyd & GFGM Board Co-Chair; Paris Stevens\, First Cousin of George Floyd & GFGM Board Co-Chair\, Dr. Michael McQuarrie\, Director of the Center for Work and Democracy; Maud McQuarrie\, child of ASU Faculty; George Floyd Square Community Members: Butchy Austin\, Jimmy Austin\, Sundiata Austin\, Zamira Austin\, Raycurt Johnson\, Phi Khalar\, Jud Kilgore\, Dylan Leavitt-Phibbs\, Jennie Leenay\, Forest Olivier\,  Redemption Peters-DuRose\, Sam Pitmon\, Jordan Powell Karis\, Jason Quick\, Janae Rupert\, Johanna Rupert\, Shari Seifert\, Denise Tennen\, James Antravier Thomas\, Lauren Thrift\, Shekela Wanyama\, Thursday Williamson and Huda Yusuf.
URL:https://asuartmuseum.org/event-exhibition/twinflames/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240210
DTEND;VALUE=DATE:20240722
DTSTAMP:20261006T134322
CREATED:20240109T023931Z
LAST-MODIFIED:20241204T221900Z
UID:3065-1707523200-1721606399@asuartmuseum.org
SUMMARY:Sarah Zapata: Beneath the breath of the sun
DESCRIPTION:Sarah Zapata (b. 1988\, Corpus Christi\, TX) employs weaving\, tufting and traditional craft techniques to create loud\, architecturally responsive installations that traverse themes of gender\, colonialism and fantasy. Zapata’s site-specific works reflect her intersecting identities as a queer woman of Peruvian heritage raised in Evangelical South Texas and now based in New York.    \n“Beneath the breath of the sun” features newly created works completed during the artist’s residency with CALA Alliance in Fall 2023. Alongside these works\, Zapata chose ceramics made with clay and earthen materials from the Museum’s collection to reference the land. The installation evokes a topography of the Arizona landscape\, where bold hues of orange and yellow nod toward the punishing sun and air of the desert\, weaving together the ecological and geological aspects that make up the complexity of our place. Taken as a whole\, Zapata’s fabricated world highlights the inherent friction between traditional modes of making in untraditional situations.  \n“Sarah Zapata: Beneath the breath of the sun” is organized by ASUAM Senior Curator Alana Hernandez\, with CALA Alliance Curatorial Assistant Sade Moore and made possible by generous funding from the Terra Foundation for American Art and the Ford Foundation. The exhibition is presented in collaboration with a Community of Practice composed of Dagoberto Bailón\, Co-Founder of Trans Queer Pueblo; Dr. Marivel Danielson\, Associate Professor\, School of Transborder Studies\, Arizona State University; and Raquel Gutiérrez\, writer and educator.  \n\nA series of three free in-person programs is offered in conjunction with “Sarah Zapata: Beneath the breath of the sun.” \nFeb. 10\, 2024 // Opening Reception \n6–8 p.m. \nMar. 15\, 2024 // Open Mic Night with Multicultural Communities of Excellence (MCoE) \n5–7 p.m. \nApr. 13\, 2024 // Fiber Workshop with Erika Hanson \nNoon–2 p.m. \nMay 2024 // A History of Stripes \nMore information about these programs and how to register will be available as details are confirmed. \n  \nConcurrent with her exhibition at ASUAM\, experience Sarah Zapata’s exhibition at MOCA TUCSON  Sara Hubbs and Sarah Zapata: Between gravity and ground.  On view Feb. 2 — June 23\, 2024. \n 
URL:https://asuartmuseum.org/event-exhibition/sarah-zapata-beneath-the-breath-of-the-sun/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240521
DTEND;VALUE=DATE:20240614
DTSTAMP:20261006T134322
CREATED:20240426T190823Z
LAST-MODIFIED:20240426T190917Z
UID:3577-1716249600-1718323199@asuartmuseum.org
SUMMARY:CALL Workshop with Diana Calderon
DESCRIPTION:This Creative Aging and Lifelong Learning Workshop is designed for participants who are 55+. Join artist Diana Calderon as she returns to teach mixed media art\, such as an embroidery and painting project and a sculptural book project with integrated printmaking techniques. Class participants will explore their creative side by completing projects alongside Diana and attend a final event where they can display their work. \nRegistration is extremely limited. \nPlease register at this link. \nCALL is generously funded by EA Michelson Philanthropy. If you are interested in learning more about the CALL workshops and ASU Art Museum’s Creative Aging initiatives reach out to Sierra.Ochoa@asu.edu.
URL:https://asuartmuseum.org/event-exhibition/call-workshop-with-diana-calderon/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Event
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240601T140000
DTEND;TZID=America/Phoenix:20240601T160000
DTSTAMP:20261006T134322
CREATED:20240507T184141Z
LAST-MODIFIED:20240507T191226Z
UID:3606-1717250400-1717257600@asuartmuseum.org
SUMMARY:Artists and Activists Listening Circle facilitated by Black River Life at the ASU Art Museum
DESCRIPTION:Join Black River Life at ASU Art Museum as they facilitate a listening circle inspired by the exhibit Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix. This event features local artists and activists in conversation with each other to process and tap into thoughts\, emotions\, and memories brought up by this exhibit\, as well as their own experiences here in the Valley. Participants are invited to witness the sharing of these organizers’ stories and perspectives\, with musical sound curation provided by the Black River Life collective. \nRSVP Today! \n 
URL:https://asuartmuseum.org/event-exhibition/artists-and-activities/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Event
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240612T193000
DTEND;TZID=America/Phoenix:20240612T213000
DTSTAMP:20261006T134322
CREATED:20240531T185012Z
LAST-MODIFIED:20240604T173622Z
UID:3705-1718220600-1718227800@asuartmuseum.org
SUMMARY:Art 101: "Queer Art 1960-Present"
DESCRIPTION:In celebration of Pride Month\, join ASU Museum Director + Professor of Practice\, Miki Garcia for a classroom- style lecture covering queer art over the last 60 years. This is an unique experience hosted by dialog phx\, a new retail and coffee shop space in Downtown Phoenix. \nThis is a free event and will run from 7:30 – 9:30 p.m. at dialog phx\, located at 1001 N Central Ave\, Suite 110 Phoenix\, AZ 85004. \nRSVP Today! \n 
URL:https://asuartmuseum.org/event-exhibition/art-101-queer-art-1960-present/
LOCATION:dialog phx\, 1001 N Central Ave suite 110\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:Event,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/05/art-101-miki.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240619T193000
DTEND;TZID=America/Phoenix:20240619T203000
DTSTAMP:20261006T134322
CREATED:20240613T165358Z
LAST-MODIFIED:20240618T030035Z
UID:3794-1718825400-1718829000@asuartmuseum.org
SUMMARY:In dialog with Sarah Zapata
DESCRIPTION:Join artist Sarah Zapata at dialog phx as she delves into her exhibition “Sarah Zapata: Beneath the Breath of the Sun\,” exploring themes of identity\, fantasy and colonialism. Engage in a lively discussion and hear from Zapata reflecting on her captivating artworks that shine a light on the beauty and complexity of the Arizona landscape and her own lived experience. Don’t miss this opportunity to connect with the artist and learn more about the exhibition before it closes July 24! \nThis event will run from 7:30 to 8:30 p.m. at dialog phx\, located at 1001 N Central Ave\, Suite 110 Phoenix\, AZ 85004. \nRSVP Today! \n 
URL:https://asuartmuseum.org/event-exhibition/in-dialog-with-sarah-zapata/
LOCATION:dialog phx\, 1001 N Central Ave suite 110\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:Event,gold
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240628T130000
DTEND;TZID=America/Phoenix:20240628T140000
DTSTAMP:20261006T134322
CREATED:20240507T191154Z
LAST-MODIFIED:20240603T180705Z
UID:3614-1719579600-1719583200@asuartmuseum.org
SUMMARY:Pride Day Pronoun Badge/Button Making
DESCRIPTION:In honor of Pride Day\, join ASU Art Museum for a drop-in session to create your own badge with your pronouns. Using a variety of supplies create a unique badge or button so you can wear your pronouns with pride! \nRSVP Today! \n 
URL:https://asuartmuseum.org/event-exhibition/pride-day-pronoun-badge-button-making/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,green
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