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DTSTART;TZID=America/Phoenix:20261006T145010
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20261006T145010
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
LOCATION:AZ
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20250301
DTSTAMP:20261006T145010
CREATED:20220912T183003Z
LAST-MODIFIED:20240812T175244Z
UID:609-1646438400-1740787199@asuartmuseum.org
SUMMARY:ASU Art Museum’s Public Art
DESCRIPTION:Made possible with a gift from Robert and Avery Moric\, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett\, The Honors College Class of 2023) and the ASU President’s Club. \nCommissioned by Arizona State University Art Museum with funding by The Diane and Bruce Halle Foundation with additional funding by the Herberger Institute Dean’s Creativity Council. \n“Art has a much bigger role to play in society. Everyone needs access to art\, and at this time\, we need art even more.” -Leo Villareal \n“Point Cloud (ASU)” is a commissioned artwork by Leo Villareal designed specifically for the ASU Art Museum in the Nelson Fine Arts Center. During his visit to the ASU Art Museum\, Villareal was inspired by the museum’s architecture\, designed by Antoine Predock in 1987. “The building defines a journey\, a procession; it defines options and potentials rather than particular paths. It is an open matrix of possibilities rather than particular paths. It is an open matrix of possibilities for engagement both vertically and horizontally\,” Predock said on the experience of walking through the building. Inspired by this phenomenon\, Villareal worked with Kaarta\, the mobile 3D scan technology company\, to map both the inside and outside of the building\, creating over 200\,000\,000 data points. With the accumulated information\, the artist manipulated the data points by employing his custom software to create this public artwork\, seeking to deconstruct and reconstruct architectural rules and systems. “Point Cloud (ASU)” is the first instance Villareal has used actual data sampled from a location as part of an artwork. \nIn “Point Cloud (ASU)\,” Villareal focuses on the blurred boundaries between abstraction\, recognition\, and perception through monolithic screens mounted within the museum’s existing architecture. Through moving layers of light\, Villareal renders the museum’s mapped spaces to reveal details of architecture that are not recognizable to the naked eye. The ever-changing lumens\, slowly panning up and down stairs\, through hallways and colonnades\, echo a sort of procession throughout the museum. At times\, the dots\, lines\, and planes create a recognizable image\, but often\, viewers are taken on a journey that dissolves into abstraction. The ongoing movement prompts consideration for deeper understandings of the masses and forms around us\, questioning what we can see in front of us and what is ephemeral. “Point Cloud (ASU)” serves as a meditation on Predock’s work\, revealing the deep layers and references embedded in the architecture as it ascends toward the heavens and descends into the earth. \nExplore the ASU Art Museum’s public art with works by Leo Villareal\, Robert Arneson\, Luis Jimenez and Eduardo Sarabia.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museums-public-art/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20240526
DTSTAMP:20261006T145010
CREATED:20230119T235713Z
LAST-MODIFIED:20240306T191546Z
UID:1428-1673654400-1716681599@asuartmuseum.org
SUMMARY:Making Visible
DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \nClick here to learn more about the Black cowboys of Arizona and their impact on Arizona history through their military service as Buffalo Soldiers.  \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils.
URL:https://asuartmuseum.org/event-exhibition/making-visible/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230215
DTEND;VALUE=DATE:20250101
DTSTAMP:20261006T145010
CREATED:20230209T210411Z
LAST-MODIFIED:20240621T190457Z
UID:1488-1676419200-1735689599@asuartmuseum.org
SUMMARY:Opportunity (reflection)
DESCRIPTION:World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII\, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic practice\, this latest sculpture draws from his 2015 sculpture “Opportunity\,” which was inspired by the NFL\, and as part of his interest in photographic history\, popular culture\, and sports as a metaphor for individual and collective struggle or hope. “Hank’s powerful sculpture showcased during Super Bowl week beautifully represents the passion\, strength\, and hope at the heart of our game\,” said Peter O’Reilly\, NFL Executive Vice President of Club Business & League Events. \nThe artwork falls within Thomas’ “Punctum” series\, which is based on Roland Barthes’ photographic theory of the punctum referring to the detail in an image that pierces or wounds the viewer\, creating a direct relationship between them and the pictured object or person. Thomas uses this concept to select or reframe areas of images\, which he then transforms into large-scale sculptures. “Opportunity (reflection)” portrays a snapshot of an anonymous player whose arm extends outward to catch the football. The viewer is reflected back in the mirrored surface and invited to imagine these tense few moments\, filled with great anticipation\, the successful catch leading to success and celebration\, as well as loss and defeat for the opposing team. \n  \n\n  \n 
URL:https://asuartmuseum.org/event-exhibition/opportunity-reflection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230819
DTEND;VALUE=DATE:20240715
DTSTAMP:20261006T145010
CREATED:20230616T175215Z
LAST-MODIFIED:20230719T202734Z
UID:2170-1692403200-1721001599@asuartmuseum.org
SUMMARY:Crafting Resistance
DESCRIPTION:Crafting Resistance looks at the ways in which we understand and view the term craft and its relationship to fine art. The exhibition seeks to flatten the western European art historical cannon and hierarchy and unhinge the binary that often places ‘fine art’ and ‘craft’ at odds with one another. Artists in the exhibition utilize materials and modes of production that are often relegated to what is historically viewed as craft\, mediums such as glass\, textile\, felt\, miniature\, and wood\, and instrumentalize them to make commentary about some of today’s most pressing issues\, including climate catastrophe\, representation\, geo-politics\, and migration.\n\n\nSpecial thanks to artists Sama Alshaibi\, Merryn Omotayo Alaka\, Andrew Erdos\, Maria Hupfield\, Yasue Maetake\, Jayson Musson\, Eric-Paul Riege\, Curtis Talwst Santiago\, and Sam Frésquez\, with additional thanks to the exhibition’s community of practice\, Joe Baker (Delaware)\, Bonn Baudelaire (Cocopah)\, and Sharah Nieto (Yucatec Maya). \n\n\nCurated by Erin Joyce with support from Abby Sutton\, ASU Art Museum Windgate Intern. \n\n\nSponsors: \nThe Edward Jacobson Fund \nKevin and Alexis Cosca \nTheresa M. Shoemaker \nChristian and Allison Lester \n 
URL:https://asuartmuseum.org/event-exhibition/crafting-resistance/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230930
DTEND;VALUE=DATE:20240602
DTSTAMP:20261006T145010
CREATED:20230911T201809Z
LAST-MODIFIED:20240306T191507Z
UID:2609-1696032000-1717286399@asuartmuseum.org
SUMMARY:Contours: The Essential Form
DESCRIPTION:“Contours: The Essential Form” features selections from the Museum’s permanent collection and new works by Ibrahim Said (b. 1976\, Fustat\, Egypt). Through ceramic objects and works on paper\, the exhibition explores themes of nature\, care and discipline through the lens of muscle memory and intuitive artistic practice.  \nSaid was an invited artist in October 2022 as part of the Museum’s Encounter Series\, an effort to reimagine and recontextualize the Museum’s collections to address larger issues related to the current social and cultural climate of Arizona and the world at large. As part of his residency\, the artist selected over sixty artworks from the Museum’s collection and created three ceramic works in response to his experiences during his visit\, drawing inspiration from the Arizona built and natural landscape. Said states\, “The natural world has inspired artists for centuries\, and regardless of all our differences\, we all benefit from a connection to nature for both survival but also to feed our souls and spirits. These objects help us connect and memorialize some of the abundant natural treasures around us.” \nArtists featured in the exhibition are Laura Andreson\, George Burr\, Rose Cabat\, Claude Conover\, Hans Coper\, Andrew Dasburg\,  Roseline Delisle\, Ruth Duckworth\, Ernest Haskell\, Karin Hessenberg\, Catherine Hiersoux\, Nicholas Homoky\, John Jordan\, Paul Landacre\, Lucy M Lewis\, Rebecca Lucario\, Maria Poveka Martinez\, Christine Nofchissey McHorse\, Ed Moulthrop\, Alvin Pace\, Elsa Rady\, Lucie Rie\, Mary Rogers\, Ibrahim Said\, Dennis Stewart\, Geoffrey Swindell\, Toshiko Takaezu\, Dorothy Torivio\, John Ward\, Mary White and A. Jeffrey Zigulis.  \n“Contours: The Essential Form” is organized by Mary-Beth Buesgen\, ASU Art Museum Ceramics Research Center Collections & Archives Manager and Ibrahim Said\, Artist-in Residence in collaboration with a Community of Practice composed of artists and scholars: Sam Chung\, Chad Haines\, Amelia Hay\, Renee Bhatti-Klug\, Kat Medill\, Emma Skinner and Mariam Aziza Stephan and made possible by the Windgate Foundation Endowment with additional support from Elaine and Sidney Cohen and the members of ASU Art Museum’s Board and Councils. \nRSVP TODAY!
URL:https://asuartmuseum.org/event-exhibition/contours-the-essential-form/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Exhibition,green
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240203
DTEND;VALUE=DATE:20240729
DTSTAMP:20261006T145010
CREATED:20231101T190248Z
LAST-MODIFIED:20240712T172840Z
UID:2920-1706918400-1722211199@asuartmuseum.org
SUMMARY:Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix
DESCRIPTION:In partnership with ASU’s Center for Work and Democracy and the George Floyd Global Memorial\, ASU Art Museum presents “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix.” Presented for the first time outside of Minnesota and on view from February 3 through July 28\, 2024 at the ASU Art Museum\, “Twin Flames” asks important questions about the role of art and community as a vehicle for bearing witness and creating deeper understanding and empathy. It also examines the state of public memorials in this country\, and prompts us to reflect on whose stories are shared\, by whom and why.  \nIn contrast to traditional monuments\, “Twin Flames” is a powerful\, community-led exhibition that showcases a selection of the thousands of offerings laid by mourners and protesters at George Floyd Square\, collected by a group of community caretakers and cataloged by the George Floyd Global Memorial team. This exhibition recognizes that creative and artistic expressions of pain and hope exist beyond the walls of museums\, in all forms and a myriad of cultural expressions\, and that George Floyd Square is a public space that can teach us how to mobilize as we mourn victims of police violence and imagine a more just world. \n  \nPublic programs will accompany the exhibition\, including: \nFriday\, February 2\, 2024 (5:00 — 7:00 p.m.): Public Opening Reception \nFriday\, February 2\, 2024 (8:00 — 11:00 p.m.): Taste of Melanin\, Silent Disco \nThursday\, March 28\, 2024 (3:00 — 4:00 p.m.): Histories of Protest in Art and Music \nSaturday\, April 19\, 2024 (7:00 — 9:00 p.m.): Film screening + Panel Discussion for “Stonebreakers” \nThursday\, May 2\, 2024: Are Objects Forever? The Evolving Thinking on Conservation and Collections Care: Hear from Twin Flames’ Community of Practice\, a committee of community members steering the exhibition at ASU Art Museum \n  \n“Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix” is organized by Jeanelle Austin\, Executive Director of the George Floyd Global Memorial; Heather Carroll\, Archiving Sacred Spaces Fellow of the George Floyd Global Memorial; Dr. Rashad Shabazz\, Associate Professor in the Schools of Social Transformation and Geographical Sciences & Urban Planning\, Arizona State University; Maria Esch\, Researcher at the Center for Work and Democracy\, Arizona State University; and ASUAM Curator Brittany Corrales. \nThis exhibition is made possible by  major funding provided by the Burton Family Foundation and Cheryl and Jahm Najafi. \nAdditional generous funding from (as of Feb. 2024) Emily Beach\, Pascha Bueno-Hansen\, Melissa Fernandez\, Carolyn Forbes\, Shelly Gordon\, Kenja Hassan\, Jorge Hernandez\, Dulce Juarez\, Robin Baskin McNulty\, Sentari Minor\, Marco Mojica\, Ramona Norman\, Tracy Perkins\, Olivia Perryman\, Trish Robinson\, Anthony Rowe\, Yasmin Shaheed\, Nancy Temple\, Bart Thurber\, Cheryl Wynn\, Anonymous Donors and the Center for Work and Democracy\, Arizona State University. Additional thanks to members of the ASU Art Museum’s Board and Councils. This exhibition showcases\, in part\, a partnership between the George Floyd Global Memorial\, the Center for Work and Democracy\, Arizona State University and the ASU Art Museum. \nThe exhibition is presented in collaboration with a Community of Practice composed of: Liz Agboola\, CEO\, Trinity Integrated Care; Miriam Araya\, New Worlds Organizer\, Black Lives Matter Phoenix Metro; Shimyrre Britt\, Event Curator\, dialog; Kara Brooks\, artist; Dr. Amber C. Coleman\, Post-Doctoral Fellow\, Art Education\, Arizona State University; Dr. Kenja Hassan\, Assistant Vice President\, Government & Community Engagement\, Arizona State University; Moses Hollis\, Assistant Director\, New Student Programs\, Arizona State University; Dr. Mahlika Hopwood\, Assistant Teaching Professor & Honors Faculty Fellow\, Barrett Honors Faculty\, Arizona State University; Barbara Noble Howard\, University Fellow for Non-Profit Leadership\, Office of University Affairs\, Arizona State University; Armonee Jackson\, Operations Director for Arizona List; Michael Jackson\, CEO of Mya Kai Creative; Dr. Anthony Pratcher\, Assistant Professor of African American Studies in the Ethnic Studies Program at Northern Arizona University\, Northern Arizona University; Ellison Shabazz\, child of ASU faculty; Simone Shabazz\, child of ASU faculty; Dr. Rashad Shabazz\, Associate Professor\, Arizona State University; Roy Tatem Jr.\, Immediate Past President of the East Valley NAACP\, President of Vanguard Strategies and Consulting\, LLC; Benjamin Taylor\, Civil Rights Attorney\, Taylor & Gomez LLP; President of the State Bar of Arizona; Shawna Tibbett\, Administrative Specialist\, DPC Govt and Community Engagement\, Arizona State University; Collette Watson\, artist\, cultural organizer\, and communications strategist at Black River Life Media; and Brian Watson\, Financial Advisor\, Merrill Lynch. \nSpecial thanks to: Bart Thurber\, Black Lives Matter Phoenix Metro\, George Floyd Square Community\, Mya Kai Creative; Angela Harrelson\, Aunt of George Floyd & GFGM Board Co-Chair; Paris Stevens\, First Cousin of George Floyd & GFGM Board Co-Chair\, Dr. Michael McQuarrie\, Director of the Center for Work and Democracy; Maud McQuarrie\, child of ASU Faculty; George Floyd Square Community Members: Butchy Austin\, Jimmy Austin\, Sundiata Austin\, Zamira Austin\, Raycurt Johnson\, Phi Khalar\, Jud Kilgore\, Dylan Leavitt-Phibbs\, Jennie Leenay\, Forest Olivier\,  Redemption Peters-DuRose\, Sam Pitmon\, Jordan Powell Karis\, Jason Quick\, Janae Rupert\, Johanna Rupert\, Shari Seifert\, Denise Tennen\, James Antravier Thomas\, Lauren Thrift\, Shekela Wanyama\, Thursday Williamson and Huda Yusuf.
URL:https://asuartmuseum.org/event-exhibition/twinflames/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240210
DTEND;VALUE=DATE:20240722
DTSTAMP:20261006T145010
CREATED:20240109T023931Z
LAST-MODIFIED:20241204T221900Z
UID:3065-1707523200-1721606399@asuartmuseum.org
SUMMARY:Sarah Zapata: Beneath the breath of the sun
DESCRIPTION:Sarah Zapata (b. 1988\, Corpus Christi\, TX) employs weaving\, tufting and traditional craft techniques to create loud\, architecturally responsive installations that traverse themes of gender\, colonialism and fantasy. Zapata’s site-specific works reflect her intersecting identities as a queer woman of Peruvian heritage raised in Evangelical South Texas and now based in New York.    \n“Beneath the breath of the sun” features newly created works completed during the artist’s residency with CALA Alliance in Fall 2023. Alongside these works\, Zapata chose ceramics made with clay and earthen materials from the Museum’s collection to reference the land. The installation evokes a topography of the Arizona landscape\, where bold hues of orange and yellow nod toward the punishing sun and air of the desert\, weaving together the ecological and geological aspects that make up the complexity of our place. Taken as a whole\, Zapata’s fabricated world highlights the inherent friction between traditional modes of making in untraditional situations.  \n“Sarah Zapata: Beneath the breath of the sun” is organized by ASUAM Senior Curator Alana Hernandez\, with CALA Alliance Curatorial Assistant Sade Moore and made possible by generous funding from the Terra Foundation for American Art and the Ford Foundation. The exhibition is presented in collaboration with a Community of Practice composed of Dagoberto Bailón\, Co-Founder of Trans Queer Pueblo; Dr. Marivel Danielson\, Associate Professor\, School of Transborder Studies\, Arizona State University; and Raquel Gutiérrez\, writer and educator.  \n\nA series of three free in-person programs is offered in conjunction with “Sarah Zapata: Beneath the breath of the sun.” \nFeb. 10\, 2024 // Opening Reception \n6–8 p.m. \nMar. 15\, 2024 // Open Mic Night with Multicultural Communities of Excellence (MCoE) \n5–7 p.m. \nApr. 13\, 2024 // Fiber Workshop with Erika Hanson \nNoon–2 p.m. \nMay 2024 // A History of Stripes \nMore information about these programs and how to register will be available as details are confirmed. \n  \nConcurrent with her exhibition at ASUAM\, experience Sarah Zapata’s exhibition at MOCA TUCSON  Sara Hubbs and Sarah Zapata: Between gravity and ground.  On view Feb. 2 — June 23\, 2024. \n 
URL:https://asuartmuseum.org/event-exhibition/sarah-zapata-beneath-the-breath-of-the-sun/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240404T143000
DTEND;TZID=America/Phoenix:20240404T160000
DTSTAMP:20261006T145010
CREATED:20240320T210542Z
LAST-MODIFIED:20240402T214450Z
UID:3467-1712241000-1712246400@asuartmuseum.org
SUMMARY:CWD Twin Flames Speaker Series: The Politics of Care with Deva Woodly\, Brown University Political Theorist of Black Liberation
DESCRIPTION:Arizona State University’s Center for Work and Democracy is hosting Deva Woodly\, Brown University Political Theorist of Black Liberation for a discussion on the Politics of Care.  \nSince the outbreak of the COVID-19 pandemic\, discussions about the politics of care have proliferated within and beyond the academy. This welcome attention to care as an ethic and a political praxis demands we revisit care in the context of ongoing and new forms of state violence. The present moment invites a re-engagement with care as a political theory\, an ethic and a social practice aimed at reorienting people toward new ways of living\, relating\, and governing. The 21st century approach to the politics of care aims at unmaking racial capitalism\, cis heteropatriarchy\, the carceral state\, and the colonial present. The politics of care is an approach to political thought and action that seeks to move beyond the approaches of the 20th century and push toward new understandings\, practices\, and policies that could be constitutive of a world where all people can flourish.  \nDeva Woodly is Professor of Politics at Brown University. She is the author of Reckoning: Black Lives Matter and the Democratic Necessity of Social Movements (Oxford 2022) and The Politics of Common Sense: How Social Movements Use Public Discourse to Change Politics and Win Acceptance (Oxford 2015). She has held fellowships at the Institute for Advanced Study in Princeton as well as the Edmund J. Safra Center for Ethics at Harvard. Her research covers a variety of topics\, from social movements to race\, imagination\, media\, communication\, and political understandings of economics. Her newest work is on the politics of futurity – particularly what it means to take the concept of political worldbuilding seriously in the 21st century. Regardless of topic\, she focuses on the impacts of public discourse on the political meanings of social and economic issues as well as how those common understandings change democratic practice and public policy. Her process of inquiry is inductive\, moving from concrete\, real-world conditions to the conceptual implications of those realities. In all cases\, she centers the perspective of ordinary citizens and political challengers with an eye toward how the demos impact political action and shapes political possibilities. \nRSVP!
URL:https://asuartmuseum.org/event-exhibition/cwd-twin-flames-speaker-series-the-politics-of-care-with-deva-woodly-brown-university-political-theorist-of-black-liberation/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,green
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240406T120000
DTEND;TZID=America/Phoenix:20240406T140000
DTSTAMP:20261006T145010
CREATED:20240108T225117Z
LAST-MODIFIED:20240326T223746Z
UID:3030-1712404800-1712412000@asuartmuseum.org
SUMMARY:Fiber Workshop with Erika Hanson
DESCRIPTION:Inspired by Sarah Zapata’s site-specific installation\, join interdisciplinary artist and ASU School of Art Associate Professor Erika Hanson to learn basic textile techniques such as punch needle. Hanson will discuss textile methods and how they relate to her practice while offering an opportunity to make art. Participants of all ages/abilities are invited\, and all materials will be provided. \nRSVP Today!
URL:https://asuartmuseum.org/event-exhibition/fiberworkshoperikahanson/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/01/Sarah-Zapata-02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240412T120000
DTEND;TZID=America/Phoenix:20240412T133000
DTSTAMP:20261006T145010
CREATED:20240226T174429Z
LAST-MODIFIED:20240305T224946Z
UID:3327-1712923200-1712928600@asuartmuseum.org
SUMMARY:Curator IRL XP: Brittany Corrales
DESCRIPTION:Join ASUAM Curator Brittany Corrales to hear about the process of bringing hundreds of memorial offerings from George Floyd Square to Tempe for a unique\, community-organized exhibition. \nRSVP Today! \n  \n 
URL:https://asuartmuseum.org/event-exhibition/pilgrimage-with-brittany-corrales/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,pink
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240413T120000
DTEND;TZID=America/Phoenix:20240413T140000
DTSTAMP:20261006T145010
CREATED:20240320T214821Z
LAST-MODIFIED:20240326T223438Z
UID:3481-1713009600-1713016800@asuartmuseum.org
SUMMARY:Fixer Studio: Felting
DESCRIPTION:Join us for the felting workshop\, led by artist Bilge Aktas\, which will be an introduction to repairing and altering knitted garments and clothing using needle felting and wet felting techniques. Participants are welcome to bring their own pieces\, such as clothing\, to mend or alter. All needed materials including wool\, needles and foam back supports will be provided. \n  \nArtist Bilge Aktas’ Bio: \nBilge is a designer\, researcher\, and educator working with textiles\, material interaction\, and sustainable development. Her interdisciplinary expertise covers a variety of design matters\, approaches\, and tools from industrial design\, material engagement and processes from arts and crafts\, and philosophies and methods from social sciences. \nBilge’s artistic practice focuses on immersive experiences emerging from material interaction and embodied experiences. She works with fibers\, photography\, and video making\, positioning her work at the boundary between art\, design\, and crafts.  \nHer research delves into the intricate dynamics of human-material interaction\, and investigates the complex relationships among humans\, materials\, and the environment. Both in her research and creative work\, she employs methods such as working with sensorial reflections\, learning from the material\, and exploring the roots of design materials.   \nBilge’s creative works with fibers have been exhibited at museums and galleries across Finland\, the US\, and Turkey. Over the last decade\, she has been teaching to university students in the US\, Finland\, Estonia and Turkey. Through workshops\, presentations at international conferences\, and research articles in journals\, she continues to explore how materials shape humans.  \nIn this workshop\, she will facilitate exploring the practice of felting by bringing attention to textile structures and material properties. These conversations will help build a more intimate relationship between the participants and their textiles.   \nRSVP Today!
URL:https://asuartmuseum.org/event-exhibition/fixer-studio-felting/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,gold
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DTSTART;TZID=America/Phoenix:20240419T170000
DTEND;TZID=America/Phoenix:20240419T190000
DTSTAMP:20261006T145010
CREATED:20240223T182643Z
LAST-MODIFIED:20240326T231426Z
UID:3311-1713546000-1713553200@asuartmuseum.org
SUMMARY:Film screening + Panel Discussion for “Stonebreakers” film
DESCRIPTION:Join Barrett the Honors College for a screening of the film “Stonebreakers\,” followed by a Q&A discussion with Valerio Ciriaci (director)\, Isaak Liptzin (producer) and Gabriella Soto (ASU) at the ASU Art Museum. \n“Stonebreakers” chronicles the conflicts around monuments that arose in the United States during the George Floyd protests and the 2020 presidential election. As statues of Columbus\, Confederates and Founding Fathers fall from their pedestals\, the nation’s triumphalist myths are called into question. By exploring the shifting landscapes of American monumentality\, the film interrogates the link between history and political action in a nation that must confront its past now more urgently than ever. \nRSVP Today!
URL:https://asuartmuseum.org/event-exhibition/film-screening-paneldiscussion-for-stonebreakers-film/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Event
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DTSTART;TZID=America/Phoenix:20240420T163000
DTEND;TZID=America/Phoenix:20240420T170000
DTSTAMP:20261006T145010
CREATED:20240227T173919Z
LAST-MODIFIED:20240402T215516Z
UID:3302-1713630600-1713632400@asuartmuseum.org
SUMMARY:Performance: SHATTER/// with Demian DinéYazhi' and Kevin Holden
DESCRIPTION:SHATTER/// is an anti-colonial ceremonial intervention through waves of abstract sonic reckoning and destructive catharsis: SHATTER/// is an extractive performance decimating the primitive settler colonizer hyper-romanticized imaginary notions of Indigenous culture/peoples and racist appropriative conditioning inherent in the settler colonial project: SHATTER/// is a flower blooming amidst a barren landscape covered in the shit of FAILING and rotting american culture: SHATTER/// is the aftermath of destruction: an accumulation of dishonorable Indigenous stereotypes: an extraction of non-consensual desire: \nSHATTER/// is a refusal to perform the assimilated oppressed and powerless citizen of foreign (un)civilizations: a betrayal against genocidal agendas that concoct simulated realities to dodge accountability or enact proper reparations for all living and thriving Indigenous tribes: \nSHATTER is a resistance to cis hetero supremacy: a refusal to further internalize the trauma shame and anger through the waves of colonial warfare that is still happening today – even as you read this: SHATTER/// is a cosmic seedling dependent on the nurturing of Indigenous Trans Queer 2Spirit kinship: SHATTER/// is dedicated to ancestral Indigenous rebellion and ceremonial healing: \nSHATTER///\, 2019 – \nDemian DinéYazhi´ with Kevin Holden \nTransdisciplinary installation and performance wreckage \n  \nRSVP Today!
URL:https://asuartmuseum.org/event-exhibition/performance-shatter-with-demian-dineyazhi-and-kevin-holden-2/
LOCATION:Galvin Plaza\, 51 E 10th St\, Tempe AZ 85281\, Tempe\, AZ\, 85281\, United States
CATEGORIES:blue,Event
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DTSTART;TZID=America/Phoenix:20240425T140000
DTEND;TZID=America/Phoenix:20240425T150000
DTSTAMP:20261006T145010
CREATED:20240320T211640Z
LAST-MODIFIED:20240320T222257Z
UID:3473-1714053600-1714057200@asuartmuseum.org
SUMMARY:CWD BookTalk: “Biography of a Sound - Prince\, Place and the History of the Minneapolis Sound” by Dr. Rashad Shabazz with discussant Jeanelle Austin
DESCRIPTION:Join Dr. Rashad Shabazz\, Associate Professor in the Schools of Social Transformation and Geographical Sciences & Urban Planning\, and Jeanelle Austin\, Executive Director of the George Floyd Global Memorial for a discussion around the history and politics of Minneapolis and Prince and how they weave together to create meaning in the present day. \nThis event is held by the Center for Work and Democracy. \n“Biography of a Sound” is about the music Prince made famous—the Minneapolis Sound. This book is a musical geography that tells the story of how Indian removal\, white settlement\, mass migration\, industrialization\, music education\, racism\, and a genius kid born and raised in the city’s small Black community gave rise to a form of transgressive popular music that put the “vanilla city” of Minneapolis on the map. For over four decades\, Prince dazzled us with his unique combination of rock\, funk\, R&B\, jazz\, and new wave. His musical range was unparalleled; his talent was otherworldly\, and his drive was legendary. He was a one-man band who wrote\, arranged\, composed\, and performed most of the music on his 44 studio albums\, influenced generations of musicians\, and mentored musicians like Janelle Monae\, Lizzo\, and Alicia Keys. He single-handedly changed the face of popular music and became one of the greatest and most prolific artists we’ve ever seen. Biography of a Sound uncovers the hidden history of the music Prince made famous. \nAttend via Zoom \nAttend In Person
URL:https://asuartmuseum.org/event-exhibition/cwd-booktalk-biography-of-a-sound-prince-place-and-the-history-of-the-minneapolis-sound-by-dr-rashad-shabazz-with-discussant-jeanelle-austin/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Event,pink
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