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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260919T112555
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20260919T112555
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20250301
DTSTAMP:20260919T112555
CREATED:20220912T183003Z
LAST-MODIFIED:20240812T175244Z
UID:609-1646438400-1740787199@asuartmuseum.org
SUMMARY:ASU Art Museum’s Public Art
DESCRIPTION:Made possible with a gift from Robert and Avery Moric\, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett\, The Honors College Class of 2023) and the ASU President’s Club. \nCommissioned by Arizona State University Art Museum with funding by The Diane and Bruce Halle Foundation with additional funding by the Herberger Institute Dean’s Creativity Council. \n“Art has a much bigger role to play in society. Everyone needs access to art\, and at this time\, we need art even more.” -Leo Villareal \n“Point Cloud (ASU)” is a commissioned artwork by Leo Villareal designed specifically for the ASU Art Museum in the Nelson Fine Arts Center. During his visit to the ASU Art Museum\, Villareal was inspired by the museum’s architecture\, designed by Antoine Predock in 1987. “The building defines a journey\, a procession; it defines options and potentials rather than particular paths. It is an open matrix of possibilities rather than particular paths. It is an open matrix of possibilities for engagement both vertically and horizontally\,” Predock said on the experience of walking through the building. Inspired by this phenomenon\, Villareal worked with Kaarta\, the mobile 3D scan technology company\, to map both the inside and outside of the building\, creating over 200\,000\,000 data points. With the accumulated information\, the artist manipulated the data points by employing his custom software to create this public artwork\, seeking to deconstruct and reconstruct architectural rules and systems. “Point Cloud (ASU)” is the first instance Villareal has used actual data sampled from a location as part of an artwork. \nIn “Point Cloud (ASU)\,” Villareal focuses on the blurred boundaries between abstraction\, recognition\, and perception through monolithic screens mounted within the museum’s existing architecture. Through moving layers of light\, Villareal renders the museum’s mapped spaces to reveal details of architecture that are not recognizable to the naked eye. The ever-changing lumens\, slowly panning up and down stairs\, through hallways and colonnades\, echo a sort of procession throughout the museum. At times\, the dots\, lines\, and planes create a recognizable image\, but often\, viewers are taken on a journey that dissolves into abstraction. The ongoing movement prompts consideration for deeper understandings of the masses and forms around us\, questioning what we can see in front of us and what is ephemeral. “Point Cloud (ASU)” serves as a meditation on Predock’s work\, revealing the deep layers and references embedded in the architecture as it ascends toward the heavens and descends into the earth. \nExplore the ASU Art Museum’s public art with works by Leo Villareal\, Robert Arneson\, Luis Jimenez and Eduardo Sarabia.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museums-public-art/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/09/asuam-exhibitions-image-for-public-art-section.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20221029T000000
DTEND;TZID=America/Phoenix:20230507T000000
DTSTAMP:20260919T112555
CREATED:20221001T061400Z
LAST-MODIFIED:20241029T210301Z
UID:4756-1667001600-1683417600@asuartmuseum.org
SUMMARY:Lucha Libre: Beyond the Arenas
DESCRIPTION:“Lucha Libre: Beyond the Arenas” opens on Oct. 29\, 2022\, and is on view through May 7\, 2023. Senior Curator Julio Cesar Morales\, Assistant Curator at the Museum of Modern Art\, Mexico City Fernanda Ramos and Consulting Curator Sharon Gesund are organizing this groundbreaking exhibition\, which features painting\, photography and mixed media artworks by internationally recognized Mexican and Chicanx contemporary artists along with collectors’ items\, film posters and other memorabilia from some of the sport’s most famous wrestlers. This first exhibition of its kind\, “Lucha Libre\,” goes beyond its popularity in contemporary culture to reveal the sports’ ancient roots\, explore its influence on sociopolitical movements and link its relationships to the visual culture of Mexico and beyond. In this exhibition\, the phenomenon of Lucha Libre transcends the glitz and glamor of the theatrical stage to become a way to investigate themes of the underdog and the hero\, identity and performance\, and collective resistance to authority. \nThe exhibition at ASU Art Museum offers all visitors — from those who grew up loving the sport to audiences discovering it for the first time — an opportunity to view and understand Lucha Libre through the lenses of popular culture\, poetics and politics. This project is both a scholarly contribution to the field of arts\, accompanied by a fully illustrated publication and a vehicle to appreciate and deepen our knowledge of Mexican and Mexican-American culture\, which has been historically underrepresented in art museums. \n“Lucha Libre: Beyond the Arenas” is made possible with the support of Cloth & Flame and Rich and Sally Lehmann. \nImage credit: “Lucha Libre: Beyond the Arenas” exhibition poster designed by Emmanuel García. \n\n\n\n\n\n https://asuevents.asu.edu/content/lucha-libre-beyond-arenas\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nBring the kids\nEasy on the wallet\n\n\n\nAudience:\n\nCampus student\nOnline student\nFriend/Fan\nParent\nDonor\nFaculty\nStaff\nAlumni\nstudent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/lucha-libre-beyond-the-arenas/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230114T000000
DTEND;TZID=America/Phoenix:20230723T000000
DTSTAMP:20260919T112555
CREATED:20221216T233100Z
LAST-MODIFIED:20241029T233051Z
UID:4757-1673654400-1690070400@asuartmuseum.org
SUMMARY:Making Visible
DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils. \nImage credit: Joseph Henry Sharp\, “Portrait of Taos Indian\,” c. 1914\, oil on linen canvas\, 17 x 14 in.\, Gift of Oliver B. James. Fritz Scholder\, “Portrait of a Massacred Indian\,” 1973\, lithograph\, 40 x 30 in.\, Gift of Mr. Burton Horwitch. \n\n\n\n\n\n https://asuevents.asu.edu/event/making-visible\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nEasy on the wallet\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nFriend/Fan\nParent\nDonor\nFaculty\nStaff\nAlumni\nstudent\nGraduate student\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/making-visible-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20240526
DTSTAMP:20260919T112555
CREATED:20230119T235713Z
LAST-MODIFIED:20240306T191546Z
UID:1428-1673654400-1716681599@asuartmuseum.org
SUMMARY:Making Visible
DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \nClick here to learn more about the Black cowboys of Arizona and their impact on Arizona history through their military service as Buffalo Soldiers.  \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils.
URL:https://asuartmuseum.org/event-exhibition/making-visible/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/01/asuam-exhibitions-making-visible.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20230619
DTSTAMP:20260919T112555
CREATED:20230120T000959Z
LAST-MODIFIED:20230302T211451Z
UID:1430-1673654400-1687132799@asuartmuseum.org
SUMMARY:A pattern\, a trace\, a portrait: Four Artists from CALA Alliance’s Residency Program
DESCRIPTION:“A pattern\, a trace\, a portrait: Four Artists from CALA Alliance’s Residency Program” showcases new and existing work by Carolina Aranibar-Fernández\, Diana Calderón\, Estrella Esquilín and Sam Frésquez. These regional Latinx artists each present discrete installations that weave together universal themes of memory\, loss and grief while highlighting issues related to place and the destruction of our natural environment. A pattern\, a trace\, a portrait highlights the dichotomy between the most intimate histories and the most global concerns. \nThis exhibition showcases\, in part\, a partnership between CALA Alliance and ASU Art Museum. CALA Alliance (Celebración Artística de las Américas) is a Latinx arts organization based in Phoenix. CALA Alliance collaborates with artists and arts organizations to nurture artistic talent\, focusing on artists from the Latin American diaspora. The organization advances its mission through innovative artist residencies\, artist commissions\, community workshops\, and public programming that position the Metro Phoenix region as a fruitful site that acknowledges and contributes to the promotion of Latinx art throughout the United States. \nCALA Alliance and ASU Art Museum work in partnership to achieve their common mission of incubating and accelerating the presence of Latinx art in the United States. Together CALA Alliance and ASUAM promote the exchange of new ideas\, perspectives\, and experiences among artists\, students\, and the public through various programs\, especially those that educate and inspire the public about the richness of the Latinx cultural heritage.
URL:https://asuartmuseum.org/event-exhibition/a-pattern-a-trace-a-portrait-four-artists-from-cala-alliances-residency-program/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/01/asuam-exhibitions-apatternatrace.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230215
DTEND;VALUE=DATE:20250101
DTSTAMP:20260919T112555
CREATED:20230209T210411Z
LAST-MODIFIED:20240621T190457Z
UID:1488-1676419200-1735689599@asuartmuseum.org
SUMMARY:Opportunity (reflection)
DESCRIPTION:World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII\, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic practice\, this latest sculpture draws from his 2015 sculpture “Opportunity\,” which was inspired by the NFL\, and as part of his interest in photographic history\, popular culture\, and sports as a metaphor for individual and collective struggle or hope. “Hank’s powerful sculpture showcased during Super Bowl week beautifully represents the passion\, strength\, and hope at the heart of our game\,” said Peter O’Reilly\, NFL Executive Vice President of Club Business & League Events. \nThe artwork falls within Thomas’ “Punctum” series\, which is based on Roland Barthes’ photographic theory of the punctum referring to the detail in an image that pierces or wounds the viewer\, creating a direct relationship between them and the pictured object or person. Thomas uses this concept to select or reframe areas of images\, which he then transforms into large-scale sculptures. “Opportunity (reflection)” portrays a snapshot of an anonymous player whose arm extends outward to catch the football. The viewer is reflected back in the mirrored surface and invited to imagine these tense few moments\, filled with great anticipation\, the successful catch leading to success and celebration\, as well as loss and defeat for the opposing team. \n  \n\n  \n 
URL:https://asuartmuseum.org/event-exhibition/opportunity-reflection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/02/HWT-sculpture-horizontal-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230405T110000
DTEND;TZID=America/Phoenix:20230714T170000
DTSTAMP:20260919T112555
CREATED:20230502T155932Z
LAST-MODIFIED:20230502T160007Z
UID:1937-1680692400-1689354000@asuartmuseum.org
SUMMARY:Open Studio with César Esteban Bernal
DESCRIPTION:The Ceramics Research Center is launching a new artist residency program\, featuring two textile and fiber artists in this first iteration. The residency offers artists an open studio space\, opportunities to work with the Museum’s permanent collections and to meet with curators\, students\, scholars and museum audiences. Two days a week\, their studios will be open to the public to provide direct engagement with working artists and learn more about the artistic process. \nCésar Esteban Bernal \nCésar Esteban Bernal states “My work stands as an extension of my lived experience as a first-generation\, queer\, Mexican-American Chicanx with disabilities – through which I construct my identity and body; an invitation for a speechless conversation to understand the complicated self that is mine. \nWorking 11 am – 5 pm on Wednesdays and Fridays
URL:https://asuartmuseum.org/event-exhibition/open-studio-with-cesar-esteban-bernal/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Event,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/05/CB_stepbystep.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230506
DTEND;VALUE=DATE:20230918
DTSTAMP:20260919T112555
CREATED:20230404T200919Z
LAST-MODIFIED:20230405T154716Z
UID:1722-1683331200-1694995199@asuartmuseum.org
SUMMARY:Lo que es\, es lo que ha sido/What It is\, Is What Has Been: Selections from the ASU Art Museum's Cuban Art Collection
DESCRIPTION:Lo que es\, es lo que ha sido/What It Is\, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection explores artistic expression during times of humanitarian crises and social upheaval. Located at the Phoenix Art Museum\, the exhibition is the first major curatorial collaboration between Phoenix Art Museum and ASU Art Museum in more than a decade. The exhibition draws from the contemporary Cuban art collection at ASU Art Museum to provide deeper context to Phoenix Art Museum’s simultaneous presentation of the special engagement exhibition Juan Francisco Elso: Por América\, a project organized by El Museo del Barrio in New York City.
URL:https://asuartmuseum.org/event-exhibition/lo-que-es-es-lo-que-ha-sido-what-it-is-is-what-has-been-selections-from-the-asu-art-museums-cuban-art-collection/
LOCATION:Phoenix Art Museum\, 1625 North Central Avenue\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/04/Kcho-1998.410.001a.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230516T100000
DTEND;TZID=America/Phoenix:20230608T120000
DTSTAMP:20260919T112555
CREATED:20230501T213940Z
LAST-MODIFIED:20230515T175819Z
UID:1926-1684231200-1686225600@asuartmuseum.org
SUMMARY:Creative Aging for Lifelong Learning (CALL): Exploring Your Narrative Through Art: A Storytelling and Mixed Media Workshop
DESCRIPTION:Join this inaugural workshop series for older adults (55+) to work with storyteller Marilyn Omifunke Torres on how to explore and frame your own narrative\, and create art reflecting your experiences with interdisciplinary artist Diana Calderón\, whose work is currently on view at ASU Art Museum in A pattern\, a trace\, a portrait: Four Artists from CALA Alliance’s Residency Program.  \nThis series focuses on storytelling and how objects\, our surroundings\, and pasts can inform art we create. Participants will walk away with pieces they construct that describe and retell a story of their own and an opportunity to celebrate and display their work at the end of the program. \nMay 16- June 8\, 2023: \nTuesdays & Thursday 10am-12pm \nSign up here: Session 1: May 16-June 8 \nRegistration closes Wednesday\, May 18th at 5pm.
URL:https://asuartmuseum.org/event-exhibition/creative-aging-for-lifelong-learning-call-exploring-your-narrative-through-art-a-storytelling-and-mixed-media-workshop/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Event,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/01/asuam-brickyard-square-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230519
DTEND;VALUE=DATE:20230828
DTSTAMP:20260919T112555
CREATED:20230425T154907Z
LAST-MODIFIED:20230830T171741Z
UID:1867-1684454400-1693180799@asuartmuseum.org
SUMMARY:Cuban Print Collection
DESCRIPTION:In conjunction with Lo que es\, es lo que ha sido/What It Is\, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection at the Phoenix Art Museum\, the ASU Art Museum presents their Cuban Print Collection. A portfolio of eleven prints was published by Arizona State University Art Museum in conjunction with the 1998 exhibition Contemporary Art from Cuba: Irony and Survival on the Utopian Island organized by the ASU Art Museum in Tempe\, Arizona. The exhibition featured the work of 17 artists living and working in Cuba. Curated by Marilyn A. Zeitlin\, the Museum’s director and chief curator at the time\, the exhibition represented a milestone for Cuban art and brought awareness of that art in the United States. The lithographs and photolithographs were printed at Segura Publishing Company\, Inc.\, in Tempe\, Arizona\, by Joe Freye. The woodcuts\, linocut\, collograph\, and etching were printed at Armstrong Prior\, Inc.\, in Phoenix\, Arizona\, by John Armstrong.  \n \nFor more information on purchasing one of the reproduction portfolios email Raechel Miller (Visitor Services Coordinator) at raechel.miller@asu.edu \n 
URL:https://asuartmuseum.org/event-exhibition/cuba-print-collection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/04/1998_395_000_TONEL_CuatroCosas_nm_r_DSC_1425_1000.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230519T110000
DTEND;TZID=America/Phoenix:20230731T170000
DTSTAMP:20260919T112555
CREATED:20230426T002247Z
LAST-MODIFIED:20230518T184037Z
UID:1878-1684494000-1690822800@asuartmuseum.org
SUMMARY:Installation: Methuselah by Reynier Leyva Novo
DESCRIPTION:Reynier Leyva Novo’s Methuselah is a digital artwork that virtually reproduces the 6\,000-mile transnational migratory journey of a single monarch butterfly. Experience the artwork through Hololens in the Art in Focus gallery Fridays\, Saturdays and Sundays from May 19th through July 31st! \nView Methuselah online at https://methuselahmonarch.com/
URL:https://asuartmuseum.org/event-exhibition/installation-methuselah-by-reynier-leyva-novo/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/04/Reynier-Leyva-Novo-Methuselah-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230519T150000
DTEND;TZID=America/Phoenix:20230519T160000
DTSTAMP:20260919T112555
CREATED:20230501T210611Z
LAST-MODIFIED:20230501T210915Z
UID:1919-1684508400-1684512000@asuartmuseum.org
SUMMARY:Curator IRL XP
DESCRIPTION:Join Mary-Beth Buesgen\, curator of collections and archives\, at the Ceramics Research Center for a tour of the open storage ceramics collection and learn about current Artist in Residence\, Cesar Bernal.\nFree tickets: Curator IRL XP: May 19 (3:00-4:00pm)
URL:https://asuartmuseum.org/event-exhibition/curator-irl-xp/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:blue,Event
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/01/asuam-ceramics-research-center-Top-crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230524T110000
DTEND;TZID=America/Phoenix:20230828T170000
DTSTAMP:20260919T112555
CREATED:20230502T155917Z
LAST-MODIFIED:20230502T155917Z
UID:1946-1684926000-1693242000@asuartmuseum.org
SUMMARY:Open Studio with Susan Allred
DESCRIPTION:The Ceramics Research Center is launching a new artist residency program\, featuring two textile and fiber artists in this first iteration. The residency offers artists an open studio space\, opportunities to work with the Museum’s permanent collections and to meet with curators\, students\, scholars and museum audiences. Two days a week\, their studios will be open to the public to provide direct engagement with working artists and learn more about the artistic process. \nSusan Allred \n\nSusan Allred states “The results of these fiber experiments let me express my thoughts and feelings about society’s expectations\, such as how from an early age\, many young girls are encouraged to dream about and plan for the day they’ll marry and live ‘happily ever after.’ I’ve explored what happens when women don’t feel safe in their daily lives and how external pressure from religious expectations can harm a marriage instead of supporting it. My most personal work reveals the lasting damage that the trauma of sexual assault can leave on the human body and soul.” \n\nWorking 11 am – 5 pm on Wednesdays and Thursdays \n \n\n\n\n 
URL:https://asuartmuseum.org/event-exhibition/open-studio-with-susan-allred/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Event,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/05/Invitation-to-a-Tea-Party-detail.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230528T100000
DTEND;TZID=America/Phoenix:20230528T170000
DTSTAMP:20260919T112555
CREATED:20230426T003354Z
LAST-MODIFIED:20230426T003422Z
UID:1886-1685268000-1685293200@asuartmuseum.org
SUMMARY:Family Funday
DESCRIPTION:Join ASUAM at Phoenix Art Museum for Family Funday. Phoenix-based Chicana artist\, Aileen Martinez\, will lead a sketching activity through Lo que es\, es lo que ha sido/What It Is\, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection.
URL:https://asuartmuseum.org/event-exhibition/family-funday/
LOCATION:Phoenix Art Museum\, 1625 North Central Avenue\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:Event,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/04/AMpromo1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230531T180000
DTEND;TZID=America/Phoenix:20230930T193000
DTSTAMP:20260919T112555
CREATED:20230515T214955Z
LAST-MODIFIED:20230925T181739Z
UID:2011-1685556000-1696102200@asuartmuseum.org
SUMMARY:Full Event Schedule @ Phoenix Art Museum for "Lo que es\, es lo que ha sido/What It Is\, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection"
DESCRIPTION:Talk: Olga Viso\, Senior Curatorial Advisor and Curator of Juan Francisco Elso: Por América in dialogue with Paul A. Rogers\, The Gerry Grout Director of Education and Engagement\nViso and Rogers discuss the challenges of creating an exhibition for multiple audiences and across US-Cuban borders\, and explore the thematic and contextual richness of Elso’s art.\nWednesday May 31\, 6-7:30PM \n$5/members free \nSinger Hall \n  \nTour: Olga Viso\, Senior Curatorial Advisor and Curator of Juan Francisco Elso: Por América with Curator Julio César Morales \nWednesday June 21\, 5-5:45PM \nFree \nGallery \n  \nFilm Screening and Talk: Artist Sandra Ramos in dialogue with Olga Viso\, Senior Curatorial Advisor and Curator of Juan Francisco Elso: Por América and Julio César Morales\, Museum of Contemporary Art Tucson Executive Director and Co-Chief Curator\nA post-screening dialogue with the artist about her short animated films that examine the complexities of daily life\, migration\, and gender politics in Cuba during the Special Period. \nWednesday June 21\, 6-7:30PM \n$5/members free \nWhiteman Hall \n  \nTalk: Poet Anna Flores in dialogue with artists and thinkers Estephania González\, Carolina Aranibar-Fernández\, and Estrella Esquilín\nA roundtable discussion about polycultural identity in the making of the contemporary Americas. \nSaturday July 15\, 1-2:30PM \nSinger Hall \n$5/members free \n  \nTalk: Juan Francisco Elso and Mexico: Curator Cuauhtemoc Medina in dialogue with artist Magali Lara (in Spanish with English translation): \nA discussion about Elso’s deep cultural and aesthetic ties to the nation of Mexico and Mesoamerican cultural traditions. \nWednesday July 19\, 12 PM MST \nFree \nZOOM \n  \nTalk: Constellations: Artistic Responses\, Migrating Identities\, and Displacement Participants TBD \nA Collaboration PhxArt\, ASU Art Museum and CALA Alliance \nA conversation about artistic and aesthetic responses to migration\, immigration\, and displacement. \nWednesday September 6\, 6-7:30PM \nWhiteman Hall \n$5/Members Free \n  \nTalk: Artist Tania Bruguera in dialogue with Olga Viso\, Senior Curatorial Advisor and Curator of Juan Francisco Elso: Por América \nA dialogue about Bruguera’s insight into the aesthetic world of Elso\, her experience as his student\, and her own artistic practices and activism in support of freedom of expression for artists and civil liberties in Cuba. \nThursday September 14\, 6-7:30PM \nSinger Hall \n$5/members free \n  \nTickets available here: https://phxart.org/events/
URL:https://asuartmuseum.org/event-exhibition/full-event-schedule-phoenix-art-museum-for-lo-que-es-es-lo-que-ha-sido-what-it-is-is-what-has-been-selections-from-the-asu-art-museums-cuban-art-collection/
LOCATION:Phoenix Art Museum\, 1625 North Central Avenue\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:Event,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/04/Kcho-1998.410.001a.jpg
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