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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260919T130643
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20260919T130643
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20230404
DTSTAMP:20260919T130643
CREATED:20220811T234946Z
LAST-MODIFIED:20220922T220018Z
UID:124-1646438400-1680566399@asuartmuseum.org
SUMMARY:Video Preview: 'Teeter-Totter Wall' by Ronald Rael + Virginia San Fratello with Colectivo Chopeke
DESCRIPTION:“Teeter-Totter Wall” is a preview video screening for the upcoming exhibition “A Country is not a House: Ronald Rael + Virginia San Fratello\,” opening May 7\, 2022 at ASU Art Museum. Fusing design with activism\, architecture studio Rael San Fratello has been questioning the border that separates Mexico from the United States for over a decade. On July 28\, 2019\, Rael San Fratello placed three bright pink teeter-totters into gaps in the steel border wall dividing El Paso\, Texas and Ciudad Juárez\, Mexico. Using the border as a support\, the seesaws were installed for just under 20 minutes\, bridging two communities divided by the politically manipulated boundary. Named the 2020 Beazley Design of the Year by the London Design Museum\, “Teeter-Totter Wall” offers a point of connection between families and cultures — an opportunity for play\, a reminder of our need for cross-border collaboration and a challenge to systems of separation. Learn more about Rael San Fratello’s work at https://www.rael-sanfratello.com.
URL:https://asuartmuseum.org/event-exhibition/teeter-totter-wall/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:pink
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20250301
DTSTAMP:20260919T130643
CREATED:20220912T183003Z
LAST-MODIFIED:20240812T175244Z
UID:609-1646438400-1740787199@asuartmuseum.org
SUMMARY:ASU Art Museum’s Public Art
DESCRIPTION:Made possible with a gift from Robert and Avery Moric\, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett\, The Honors College Class of 2023) and the ASU President’s Club. \nCommissioned by Arizona State University Art Museum with funding by The Diane and Bruce Halle Foundation with additional funding by the Herberger Institute Dean’s Creativity Council. \n“Art has a much bigger role to play in society. Everyone needs access to art\, and at this time\, we need art even more.” -Leo Villareal \n“Point Cloud (ASU)” is a commissioned artwork by Leo Villareal designed specifically for the ASU Art Museum in the Nelson Fine Arts Center. During his visit to the ASU Art Museum\, Villareal was inspired by the museum’s architecture\, designed by Antoine Predock in 1987. “The building defines a journey\, a procession; it defines options and potentials rather than particular paths. It is an open matrix of possibilities rather than particular paths. It is an open matrix of possibilities for engagement both vertically and horizontally\,” Predock said on the experience of walking through the building. Inspired by this phenomenon\, Villareal worked with Kaarta\, the mobile 3D scan technology company\, to map both the inside and outside of the building\, creating over 200\,000\,000 data points. With the accumulated information\, the artist manipulated the data points by employing his custom software to create this public artwork\, seeking to deconstruct and reconstruct architectural rules and systems. “Point Cloud (ASU)” is the first instance Villareal has used actual data sampled from a location as part of an artwork. \nIn “Point Cloud (ASU)\,” Villareal focuses on the blurred boundaries between abstraction\, recognition\, and perception through monolithic screens mounted within the museum’s existing architecture. Through moving layers of light\, Villareal renders the museum’s mapped spaces to reveal details of architecture that are not recognizable to the naked eye. The ever-changing lumens\, slowly panning up and down stairs\, through hallways and colonnades\, echo a sort of procession throughout the museum. At times\, the dots\, lines\, and planes create a recognizable image\, but often\, viewers are taken on a journey that dissolves into abstraction. The ongoing movement prompts consideration for deeper understandings of the masses and forms around us\, questioning what we can see in front of us and what is ephemeral. “Point Cloud (ASU)” serves as a meditation on Predock’s work\, revealing the deep layers and references embedded in the architecture as it ascends toward the heavens and descends into the earth. \nExplore the ASU Art Museum’s public art with works by Leo Villareal\, Robert Arneson\, Luis Jimenez and Eduardo Sarabia.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museums-public-art/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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DTSTART;TZID=America/Phoenix:20221029T000000
DTEND;TZID=America/Phoenix:20230507T000000
DTSTAMP:20260919T130643
CREATED:20221001T061400Z
LAST-MODIFIED:20241029T210301Z
UID:4756-1667001600-1683417600@asuartmuseum.org
SUMMARY:Lucha Libre: Beyond the Arenas
DESCRIPTION:“Lucha Libre: Beyond the Arenas” opens on Oct. 29\, 2022\, and is on view through May 7\, 2023. Senior Curator Julio Cesar Morales\, Assistant Curator at the Museum of Modern Art\, Mexico City Fernanda Ramos and Consulting Curator Sharon Gesund are organizing this groundbreaking exhibition\, which features painting\, photography and mixed media artworks by internationally recognized Mexican and Chicanx contemporary artists along with collectors’ items\, film posters and other memorabilia from some of the sport’s most famous wrestlers. This first exhibition of its kind\, “Lucha Libre\,” goes beyond its popularity in contemporary culture to reveal the sports’ ancient roots\, explore its influence on sociopolitical movements and link its relationships to the visual culture of Mexico and beyond. In this exhibition\, the phenomenon of Lucha Libre transcends the glitz and glamor of the theatrical stage to become a way to investigate themes of the underdog and the hero\, identity and performance\, and collective resistance to authority. \nThe exhibition at ASU Art Museum offers all visitors — from those who grew up loving the sport to audiences discovering it for the first time — an opportunity to view and understand Lucha Libre through the lenses of popular culture\, poetics and politics. This project is both a scholarly contribution to the field of arts\, accompanied by a fully illustrated publication and a vehicle to appreciate and deepen our knowledge of Mexican and Mexican-American culture\, which has been historically underrepresented in art museums. \n“Lucha Libre: Beyond the Arenas” is made possible with the support of Cloth & Flame and Rich and Sally Lehmann. \nImage credit: “Lucha Libre: Beyond the Arenas” exhibition poster designed by Emmanuel García. \n\n\n\n\n\n https://asuevents.asu.edu/content/lucha-libre-beyond-arenas\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nBring the kids\nEasy on the wallet\n\n\n\nAudience:\n\nCampus student\nOnline student\nFriend/Fan\nParent\nDonor\nFaculty\nStaff\nAlumni\nstudent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/lucha-libre-beyond-the-arenas/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230114T000000
DTEND;TZID=America/Phoenix:20230723T000000
DTSTAMP:20260919T130643
CREATED:20221216T233100Z
LAST-MODIFIED:20241029T233051Z
UID:4757-1673654400-1690070400@asuartmuseum.org
SUMMARY:Making Visible
DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils. \nImage credit: Joseph Henry Sharp\, “Portrait of Taos Indian\,” c. 1914\, oil on linen canvas\, 17 x 14 in.\, Gift of Oliver B. James. Fritz Scholder\, “Portrait of a Massacred Indian\,” 1973\, lithograph\, 40 x 30 in.\, Gift of Mr. Burton Horwitch. \n\n\n\n\n\n https://asuevents.asu.edu/event/making-visible\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nEasy on the wallet\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nFriend/Fan\nParent\nDonor\nFaculty\nStaff\nAlumni\nstudent\nGraduate student\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/making-visible-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20240526
DTSTAMP:20260919T130643
CREATED:20230119T235713Z
LAST-MODIFIED:20240306T191546Z
UID:1428-1673654400-1716681599@asuartmuseum.org
SUMMARY:Making Visible
DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \nClick here to learn more about the Black cowboys of Arizona and their impact on Arizona history through their military service as Buffalo Soldiers.  \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils.
URL:https://asuartmuseum.org/event-exhibition/making-visible/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/01/asuam-exhibitions-making-visible.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20230619
DTSTAMP:20260919T130643
CREATED:20230120T000959Z
LAST-MODIFIED:20230302T211451Z
UID:1430-1673654400-1687132799@asuartmuseum.org
SUMMARY:A pattern\, a trace\, a portrait: Four Artists from CALA Alliance’s Residency Program
DESCRIPTION:“A pattern\, a trace\, a portrait: Four Artists from CALA Alliance’s Residency Program” showcases new and existing work by Carolina Aranibar-Fernández\, Diana Calderón\, Estrella Esquilín and Sam Frésquez. These regional Latinx artists each present discrete installations that weave together universal themes of memory\, loss and grief while highlighting issues related to place and the destruction of our natural environment. A pattern\, a trace\, a portrait highlights the dichotomy between the most intimate histories and the most global concerns. \nThis exhibition showcases\, in part\, a partnership between CALA Alliance and ASU Art Museum. CALA Alliance (Celebración Artística de las Américas) is a Latinx arts organization based in Phoenix. CALA Alliance collaborates with artists and arts organizations to nurture artistic talent\, focusing on artists from the Latin American diaspora. The organization advances its mission through innovative artist residencies\, artist commissions\, community workshops\, and public programming that position the Metro Phoenix region as a fruitful site that acknowledges and contributes to the promotion of Latinx art throughout the United States. \nCALA Alliance and ASU Art Museum work in partnership to achieve their common mission of incubating and accelerating the presence of Latinx art in the United States. Together CALA Alliance and ASUAM promote the exchange of new ideas\, perspectives\, and experiences among artists\, students\, and the public through various programs\, especially those that educate and inspire the public about the richness of the Latinx cultural heritage.
URL:https://asuartmuseum.org/event-exhibition/a-pattern-a-trace-a-portrait-four-artists-from-cala-alliances-residency-program/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230215
DTEND;VALUE=DATE:20250101
DTSTAMP:20260919T130643
CREATED:20230209T210411Z
LAST-MODIFIED:20240621T190457Z
UID:1488-1676419200-1735689599@asuartmuseum.org
SUMMARY:Opportunity (reflection)
DESCRIPTION:World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII\, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic practice\, this latest sculpture draws from his 2015 sculpture “Opportunity\,” which was inspired by the NFL\, and as part of his interest in photographic history\, popular culture\, and sports as a metaphor for individual and collective struggle or hope. “Hank’s powerful sculpture showcased during Super Bowl week beautifully represents the passion\, strength\, and hope at the heart of our game\,” said Peter O’Reilly\, NFL Executive Vice President of Club Business & League Events. \nThe artwork falls within Thomas’ “Punctum” series\, which is based on Roland Barthes’ photographic theory of the punctum referring to the detail in an image that pierces or wounds the viewer\, creating a direct relationship between them and the pictured object or person. Thomas uses this concept to select or reframe areas of images\, which he then transforms into large-scale sculptures. “Opportunity (reflection)” portrays a snapshot of an anonymous player whose arm extends outward to catch the football. The viewer is reflected back in the mirrored surface and invited to imagine these tense few moments\, filled with great anticipation\, the successful catch leading to success and celebration\, as well as loss and defeat for the opposing team. \n  \n\n  \n 
URL:https://asuartmuseum.org/event-exhibition/opportunity-reflection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/02/HWT-sculpture-horizontal-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230311T140000
DTEND;TZID=America/Phoenix:20230311T150000
DTSTAMP:20260919T130643
CREATED:20230302T221122Z
LAST-MODIFIED:20230302T223016Z
UID:1598-1678543200-1678546800@asuartmuseum.org
SUMMARY:Conversation with multidisciplinary artist Victor Payan
DESCRIPTION:Join award-winning multidisciplinary artist Victor Payan for a delightful conversation about his Mexican wrestler alter-ego\, Lou Chalibre\, the international mask of mischief\, and projects such as KEEP ON CROSSIN’\, and his collaborations with Pocha Peña\, AZTEC GOLD\, THE MINUTE MAIDS and DREAMOCRACY IN AMERICA\, that use humor\, history\, performance and local iconographies to create engaging and cathartic interventions that deal with community issues and promote social change. Also\, learn about Payan and Pocha’s upcoming lucharrific Tempe Vibrant City Arts project “Rudos y Tecnicos\,” which will take place in Galvin Plaza on Sunday\, April 23 and how you can be part of it! \nReserve Free Tickets
URL:https://asuartmuseum.org/event-exhibition/conversation-with-victor-payan/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/03/Victor-Payan-Lucha.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230317T170000
DTEND;TZID=America/Phoenix:20230317T190000
DTSTAMP:20260919T130643
CREATED:20230302T221104Z
LAST-MODIFIED:20230313T174319Z
UID:1619-1679072400-1679079600@asuartmuseum.org
SUMMARY:Book Talk with Well for Culture: “The Seven Circles: Indigenous Teachings for Living Well” with Thosh Collins and Chelsey Luger
DESCRIPTION:In this revolutionary self-help guide\, two beloved Native American wellness activists offer wisdom for achieving spiritual\, physical\, and emotional wellbeing rooted in Indigenous ancestral knowledge. When wellness teachers and husband-wife duo Chelsey Luger and Thosh Collins founded their Indigenous wellness initiative\, Well for Culture\, they extended an invitation to all to honor their whole self through Native wellness philosophies and practices. In reclaiming this ancient wisdom for health and wellbeing—drawing from traditions spanning multiple tribes—they developed the Seven Circles\, a holistic model for modern living rooted in timeless teachings from their ancestors. Luger and Collins have introduced this universally adaptable template for living well to Ivy league universities and corporations like Nike\, Adidas\, and Google\, and now make it available to everyone in this wise guide. \nFood and refreshments provided at event. \nReserve Free Tickets
URL:https://asuartmuseum.org/event-exhibition/book-talk-with-well-for-culture-the-seven-circles-indigenous-teachings-for-living-well-with-thosh-collins-and-chelsey-luger/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,gold
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