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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260919T162022
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20260919T162022
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220305T000000
DTEND;TZID=America/Phoenix:20221231T000000
DTSTAMP:20260919T162022
CREATED:20220224T073800Z
LAST-MODIFIED:20241029T230318Z
UID:4750-1646438400-1672444800@asuartmuseum.org
SUMMARY:ASU Art Museum's Public Art
DESCRIPTION:Explore the ASU Art Museum’s public art with works by Leo Villareal\, Robert Arneson\, Luis Jimenez and Eduardo Sarabia. \nImage Credit: Eduardo Sarabia\, “Snake Skin Boots with Snake Heads\,” 2011\, white quarry stone\, 74 13/16 x 35 x71 in. Courtesy of the artist and Proyectos Monclova\, Mexico City. \n\n\n\n\n\n https://asuevents.asu.edu/content/asu-art-museum%E2%80%99s-public-art\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nEasy on the wallet\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/asu-art-museums-public-art-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20230404
DTSTAMP:20260919T162022
CREATED:20220811T234946Z
LAST-MODIFIED:20220922T220018Z
UID:124-1646438400-1680566399@asuartmuseum.org
SUMMARY:Video Preview: 'Teeter-Totter Wall' by Ronald Rael + Virginia San Fratello with Colectivo Chopeke
DESCRIPTION:“Teeter-Totter Wall” is a preview video screening for the upcoming exhibition “A Country is not a House: Ronald Rael + Virginia San Fratello\,” opening May 7\, 2022 at ASU Art Museum. Fusing design with activism\, architecture studio Rael San Fratello has been questioning the border that separates Mexico from the United States for over a decade. On July 28\, 2019\, Rael San Fratello placed three bright pink teeter-totters into gaps in the steel border wall dividing El Paso\, Texas and Ciudad Juárez\, Mexico. Using the border as a support\, the seesaws were installed for just under 20 minutes\, bridging two communities divided by the politically manipulated boundary. Named the 2020 Beazley Design of the Year by the London Design Museum\, “Teeter-Totter Wall” offers a point of connection between families and cultures — an opportunity for play\, a reminder of our need for cross-border collaboration and a challenge to systems of separation. Learn more about Rael San Fratello’s work at https://www.rael-sanfratello.com.
URL:https://asuartmuseum.org/event-exhibition/teeter-totter-wall/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/08/teeter-totter.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20250301
DTSTAMP:20260919T162022
CREATED:20220912T183003Z
LAST-MODIFIED:20240812T175244Z
UID:609-1646438400-1740787199@asuartmuseum.org
SUMMARY:ASU Art Museum’s Public Art
DESCRIPTION:Made possible with a gift from Robert and Avery Moric\, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett\, The Honors College Class of 2023) and the ASU President’s Club. \nCommissioned by Arizona State University Art Museum with funding by The Diane and Bruce Halle Foundation with additional funding by the Herberger Institute Dean’s Creativity Council. \n“Art has a much bigger role to play in society. Everyone needs access to art\, and at this time\, we need art even more.” -Leo Villareal \n“Point Cloud (ASU)” is a commissioned artwork by Leo Villareal designed specifically for the ASU Art Museum in the Nelson Fine Arts Center. During his visit to the ASU Art Museum\, Villareal was inspired by the museum’s architecture\, designed by Antoine Predock in 1987. “The building defines a journey\, a procession; it defines options and potentials rather than particular paths. It is an open matrix of possibilities rather than particular paths. It is an open matrix of possibilities for engagement both vertically and horizontally\,” Predock said on the experience of walking through the building. Inspired by this phenomenon\, Villareal worked with Kaarta\, the mobile 3D scan technology company\, to map both the inside and outside of the building\, creating over 200\,000\,000 data points. With the accumulated information\, the artist manipulated the data points by employing his custom software to create this public artwork\, seeking to deconstruct and reconstruct architectural rules and systems. “Point Cloud (ASU)” is the first instance Villareal has used actual data sampled from a location as part of an artwork. \nIn “Point Cloud (ASU)\,” Villareal focuses on the blurred boundaries between abstraction\, recognition\, and perception through monolithic screens mounted within the museum’s existing architecture. Through moving layers of light\, Villareal renders the museum’s mapped spaces to reveal details of architecture that are not recognizable to the naked eye. The ever-changing lumens\, slowly panning up and down stairs\, through hallways and colonnades\, echo a sort of procession throughout the museum. At times\, the dots\, lines\, and planes create a recognizable image\, but often\, viewers are taken on a journey that dissolves into abstraction. The ongoing movement prompts consideration for deeper understandings of the masses and forms around us\, questioning what we can see in front of us and what is ephemeral. “Point Cloud (ASU)” serves as a meditation on Predock’s work\, revealing the deep layers and references embedded in the architecture as it ascends toward the heavens and descends into the earth. \nExplore the ASU Art Museum’s public art with works by Leo Villareal\, Robert Arneson\, Luis Jimenez and Eduardo Sarabia.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museums-public-art/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220318
DTEND;VALUE=DATE:20230220
DTSTAMP:20260919T162022
CREATED:20220811T234821Z
LAST-MODIFIED:20220912T181940Z
UID:122-1647561600-1676851199@asuartmuseum.org
SUMMARY:Embrace 
by ARENA
DESCRIPTION:“The desert is defined by the blazing sun and the need to find shelter from it. The arts center (ASU Art Museum) acknowledges this duality by linking earth and sky. The main entrance descends into the earth in search of coolness and psychological distance from the fierce sun above.” –Antoine Predock\, ASU Art Museum Building architect\, 1989 \nIn today’s day and age\, art museum lobbies tend to look the same\, promoting a kind of high-class taste. They often rely on designs that use modern furniture; cold\, hard floors; classical music; and other signals (like Italian coffees in their cafes and expensive gift items in their shops) that are familiar to some populations and alienating to others. As a museum that strives to be inclusive and to acknowledge people from all walks of life\, ASU Art Museum commissioned ARENA (the artist duo Mario Gallego and Jorge Ignacio Torres) to reimagine the visitor experience. This artistic intervention\, titled “Embrace\,” focuses on themes of welcome\, placemaking and placekeeping\, and the activation of the five senses. ARENA (the Spanish word that translates to sand) was directly influenced by the landscape of the Sonoran desert and the building architect’s use of space and light. \nAbout the artists: \nJorge Ignacio Torres works at the intersection of art\, design and culture. His interdisciplinary practice focuses on how our experiences\, both everyday and ritualized\, can speak to contemporary society and how it is perceived. He is the founder of Palabra in Phoenix\, a space that houses and cultivates art\, music and culinary arts.  \nMario Gallego is a creative brand strategist with an emphasis on design and art. He bridges various cultures through curated experiences as a multifaceted creative strategist\, and he authentically connects community to art and design. 
URL:https://asuartmuseum.org/event-exhibition/embrace-by-arena/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/08/embrace-tempe_1900_butte.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220610T000000
DTEND;TZID=America/Phoenix:20230108T000000
DTSTAMP:20260919T162022
CREATED:20220611T042900Z
LAST-MODIFIED:20241029T231527Z
UID:4745-1654819200-1673136000@asuartmuseum.org
SUMMARY:Luster and Light
DESCRIPTION:“Luster and Light” creates space to reflect on the value of craft and craft-adjacent works in art museum settings. How is the idea of value interpreted in various spaces and contexts by individuals and institutions? This exhibition examines works that feature specific lustrous materials to relay cultural or social symbols\, often to call attention to abuses of wealth and authority. One example is the use of gold for its historic associations with social and economic power\, like in Alison Saar’s “Hi Yella” (1991). Another is Adrian Saxe’s use of luster glaze\, a paintable coating containing precious metals like gold and silver\, in ceramics to reference the lavishness of the Baroque and Rococo periods in art. Curated primarily from the ASU Art Museum’s permanent collections\, the exhibition encourages reflection on museums as systems of power and cultural production. How have they upheld hierarchical systems\, such as those evidenced by their collections and exhibition histories? Visitors are asked to engage by reflecting on what they value in their own lives. \n“Luster and LIght” is curated by Windgate Curator of Contemporary Craft and Design Sarah Kelly and generously supported by the Windgate Foundation. \nThe Ceramics Research Center is temporarily open by appointment only. Please use the tour request form to schedule an appointment at least one week in advance.  \nImage credit: Rick Strini\, “12 Goblets\,” 1987\, 9″ x 3 3/8″\, hand-blown glass. Gift of James and Joanne Rapp. Image courtesy of the ASU Art Museum. \n\n\n\n\n\n https://asuevents.asu.edu/content/luster-and-light-0\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/luster-and-light-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220610
DTEND;VALUE=DATE:20230109
DTSTAMP:20260919T162022
CREATED:20220909T235724Z
LAST-MODIFIED:20221007T223154Z
UID:585-1654819200-1673222399@asuartmuseum.org
SUMMARY:Luster and Light
DESCRIPTION:“Luster and Light” creates space to reflect on the value of craft and craft-adjacent works in art museum settings. How is the idea of value interpreted in various spaces and contexts by individuals and institutions? This exhibition examines works that feature specific lustrous materials to relay cultural or social symbols\, often to call attention to abuses of wealth and authority. One example is the use of gold for its historic associations with social and economic power\, like in Alison Saar’s “Hi Yella” (1991). Another is Adrian Saxe’s use of luster glaze\, a paintable coating containing precious metals like gold and silver\, in ceramics to reference the lavishness of the Baroque and Rococo periods in art. Curated primarily from the ASU Art Museum’s permanent collections\, the exhibition encourages reflection on museums as systems of power and cultural production. How have they upheld hierarchical systems\, such as those evidenced by their collections and exhibition histories? Visitors are asked to engage by reflecting on what they value in their own lives. \n“Luster and Light” is curated by Windgate Curator of Contemporary Craft and Design Sarah Kelly and generously supported by the Windgate Foundation.
URL:https://asuartmuseum.org/event-exhibition/luster-and-light/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/09/Luster-and-Light-1988.016.0001_2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220917T000000
DTEND;TZID=America/Phoenix:20230226T000000
DTSTAMP:20260919T162022
CREATED:20220818T005600Z
LAST-MODIFIED:20241029T204455Z
UID:4755-1663372800-1677369600@asuartmuseum.org
SUMMARY:The Malevolent and the Serene: Japanese Tea Bowls and Prints from the Collection
DESCRIPTION:Art in Focus highlights works from the museum’s permanent collections. This exhibition presents Japanese ceramics and prints\, with a focus on ghost stories and tea ceremonies. Woodblock prints by Tsukioka Yoshitoshi are accompanied by ceramic tea bowls and cups from Living National Treasures artists offering audiences an opportunity to learn and appreciate Japans’ contributions to printmaking and craft. \nThe curatorial team includes Mary-Beth Buesgen curator of collection and archives\, Amelia Hay\, learning and co-creation specialist and Colin Pearson\, Ceramics Research Center academic intern. Special thanks to the Japanese Friendship Garden for their collaboration. \nImage credit: Tsukioka Yoshitoshi\, “The Greedy Old Woman (Don’yoku no baba)\,” 1865\, woodblock print\, 14 5/16 × 9 7/16 in. Gift of Darlene Goto. \n\n\n\n\n\n https://asuevents.asu.edu/content/malevolent-and-serene-japanese-tea-bowls-and-prints-collection\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nOpen to the public\nLearn something\nThe Arts\nEasy on the wallet\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nFriend/Fan\nParent\nDonor\nFaculty\nStaff\nAlumni\nstudent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/the-malevolent-and-the-serene-japanese-tea-bowls-and-prints-from-the-collection-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220917
DTEND;VALUE=DATE:20230227
DTSTAMP:20260919T162022
CREATED:20220912T182239Z
LAST-MODIFIED:20220912T182433Z
UID:605-1663372800-1677455999@asuartmuseum.org
SUMMARY:The Malevolent and the Serene: Japanese Tea Bowls and Prints from the Collection
DESCRIPTION:Art in Focus highlights works from the museum’s permanent collections. This exhibition presents Japanese ceramics and prints\, with a focus on ghost stories and tea ceremonies. Woodblock prints by Tsukioka Yoshitoshi are accompanied by ceramic tea bowls and cups from Living National Treasures artists offering audiences an opportunity to learn and appreciate Japans’ contributions to printmaking and craft. \nThe curatorial team includes Mary-Beth Buesgen curator of collection and archives\, Amelia Hay\, learning and co-creation specialist and Colin Pearson\, Ceramics Research Center academic intern. Special thanks to the Japanese Friendship Garden for their collaboration.
URL:https://asuartmuseum.org/event-exhibition/the-malevolent-and-the-serene-japanese-tea-bowls-and-prints-from-the-collection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/09/malevolent-art_in_focus_exhibition.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20221029T000000
DTEND;TZID=America/Phoenix:20230507T000000
DTSTAMP:20260919T162022
CREATED:20221001T061400Z
LAST-MODIFIED:20241029T210301Z
UID:4756-1667001600-1683417600@asuartmuseum.org
SUMMARY:Lucha Libre: Beyond the Arenas
DESCRIPTION:“Lucha Libre: Beyond the Arenas” opens on Oct. 29\, 2022\, and is on view through May 7\, 2023. Senior Curator Julio Cesar Morales\, Assistant Curator at the Museum of Modern Art\, Mexico City Fernanda Ramos and Consulting Curator Sharon Gesund are organizing this groundbreaking exhibition\, which features painting\, photography and mixed media artworks by internationally recognized Mexican and Chicanx contemporary artists along with collectors’ items\, film posters and other memorabilia from some of the sport’s most famous wrestlers. This first exhibition of its kind\, “Lucha Libre\,” goes beyond its popularity in contemporary culture to reveal the sports’ ancient roots\, explore its influence on sociopolitical movements and link its relationships to the visual culture of Mexico and beyond. In this exhibition\, the phenomenon of Lucha Libre transcends the glitz and glamor of the theatrical stage to become a way to investigate themes of the underdog and the hero\, identity and performance\, and collective resistance to authority. \nThe exhibition at ASU Art Museum offers all visitors — from those who grew up loving the sport to audiences discovering it for the first time — an opportunity to view and understand Lucha Libre through the lenses of popular culture\, poetics and politics. This project is both a scholarly contribution to the field of arts\, accompanied by a fully illustrated publication and a vehicle to appreciate and deepen our knowledge of Mexican and Mexican-American culture\, which has been historically underrepresented in art museums. \n“Lucha Libre: Beyond the Arenas” is made possible with the support of Cloth & Flame and Rich and Sally Lehmann. \nImage credit: “Lucha Libre: Beyond the Arenas” exhibition poster designed by Emmanuel García. \n\n\n\n\n\n https://asuevents.asu.edu/content/lucha-libre-beyond-arenas\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nBring the kids\nEasy on the wallet\n\n\n\nAudience:\n\nCampus student\nOnline student\nFriend/Fan\nParent\nDonor\nFaculty\nStaff\nAlumni\nstudent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/lucha-libre-beyond-the-arenas/
CATEGORIES:Exhibition
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