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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T030533
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20260920T030533
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
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DTSTART;TZID=America/Phoenix:20260920T030533
DTEND;TZID=America/Phoenix:20220327T000000
DTSTAMP:20260920T030533
CREATED:20220228T223800Z
LAST-MODIFIED:20241029T230450Z
UID:4748-0-1648339200@asuartmuseum.org
SUMMARY:Highlights from the Print Study Room
DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu . \nImage Credit: Alberto Beltrán\, “Manuela Sanchez\, Spanish guerilla-mujeres con la revolución\,” c. 1950\, linoleum print\, 16 x 20 in. Gift of Dr. and Mrs. Jules Heller. \n\n\n\n\n\n https://asuevents.asu.edu/content/highlights-print-study-room\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room-2/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20210409T000000
DTEND;TZID=America/Phoenix:20211203T000000
DTSTAMP:20260920T030533
CREATED:20210408T041700Z
LAST-MODIFIED:20241030T000337Z
UID:4740-1617926400-1638489600@asuartmuseum.org
SUMMARY:Pilot Projects: Hugh Hayden\, 'Pillory'
DESCRIPTION:ASU Art Museum is proud to present “Pillory\,” the latest work in the museum’s Pilot Projects: Art. Response. Now. initiative\, on view beginning April 9\, 2021. Hugh Hayden’s sculpture “Pillory” (2020) addresses power\, control and justice\, themes that are achingly relevant in the wake of the murder of George Floyd in May 2020 as well as many others\, including Trayvon Martin\, Tamir Rice\, Michael Brown\, Eric Garner\, Philando Castile\, Breonna Taylor\, Ahmaud Arbery\, Tony McDade and Dion Johnson. Of this mix between a modern-day police barricade and a pillory — a medieval punishment device — Hayden remarked\, “I’d call the piece a doppelgänger or the synthesis of a pair of state functioned doppelgängers of oppression that are centuries apart.” \nPilot Projects is an institutional initiative that emerged from ASU Art Museum’s unique ability as a university art museum to be adaptive and experimental. Arising from the 2020 COVID-19 pandemic\, Black Lives Matter protests and a nationwide call for museums to address racial and social justice\, Pilot Projects is a vehicle to center art and artists in the service of creative free expression and community well-being. \nAbout the artist \nHugh Hayden is a sculptor raised in Dallas\, Texas\, and trained as an architect. He uses natural elements and recognizable objects — discarded wood\, rare indigenous timbers\, souvenir African sculptures — to create works that challenge viewers’ perceptions of themselves\, others and the environment. \nHayden was born in Dallas\, Texas\, in 1983 and lives and works in New York City. He holds an MFA from Columbia University and a Bachelor of Architecture from Cornell University. His work was the subject of a solo exhibition at White Columns in New York in 2018. His work has been included in numerous group exhibitions\, including at JTT\, New York (2018); Clearing\, New York (2018); Tanya Bonakdar Gallery (2018); PPOW Gallery\, New York (2017); Gavin Brown’s enterprise\, New York (2017); Postmasters Gallery\, New York (2016); MoMA PS1\, Rockaway Beach\, New York (2014); Socrates Sculpture Park\, New York (2014); and Abrons Art Center\, New York (2013)\, among others. He is the recipient of residencies at Glenfiddich in Dufftown\, Scotland (2014); Abrons Art Center and Socrates Sculpture Park (both 2012) and Lower Manhattan Cultural Council (2011). \n  \nImage credit: Hugh Hayden\, “Pillory\,” 2020. Milk paint on cedar with stainless steel hardware and locks\, 44 x 96 x 42 inches. \n\n\n\n\n\n https://asuevents.asu.edu/content/pilot-projects-hugh-hayden-pillory\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nTicketing:\n\nFree tickets!\n\n\n\nRegistration/Tickets/RSVP:\n\nhttps://bit.ly/30to8l8\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/pilot-projects-hugh-hayden-pillory/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20210910T000000
DTEND;TZID=America/Phoenix:20220212T000000
DTSTAMP:20260920T030533
CREATED:20210706T231400Z
LAST-MODIFIED:20241029T205414Z
UID:4742-1631232000-1644624000@asuartmuseum.org
SUMMARY:Undoing Time: Art and Histories of Incarceration
DESCRIPTION:“Undoing Time: Art and Histories of Incarceration” considers the foundational roots of confinement from philosophical\, sociological\, theological and art historical perspectives to better understand the fact that today’s mass incarceration crisis is centuries in the making. “Undoing Time” traces history’s images that contribute to the entrenched cultural beliefs associated with today’s carceral system. The exhibition commissions new works of contemporary art based on the analysis of art historical images of incarceration. The 12 contemporary artists in the exhibition invest in community collaboration\, work in an expansive range of media and rethink traditional archival research to consider how artistic expression reveals the underlying logics of criminality and correction. For the first time in ASU Art Museum’s history\, “Undoing Time” will engage all galleries\, dedicating the entire museum to this one large-scale exhibition and public programming. \n“Undoing Time” is organized by Miki Garcia\, Heather Sealy Lineberry\, Matthew Villar Miranda and Julio César Morales\, and features artists Carolina Aranibar-Fernández\, Juan Brenner\, Raven Chacon\, Sandra de la Loza\, Ashley Hunt\, Cannupa Hanska Luger\, Michael Rohd\, Paul Rucker\, Xaviera Simmons\, Stephanie Syjuco\, Vincent Valdez and Mario Ybarra Jr. \n“Undoing Time: Art and Histories of Incarceration” is generously supported by the Art for Justice Fund\, a sponsored project of Rockefeller Philanthropy Advisors. The ASU Art Museum’s presentation of “Undoing Time: Art and Histories of Incarceration” is made possible with additional support from the ASU Art Museum’s International Residency Program and the Windgate Foundation Endowment\, the ASU Herberger Institute for Design and the Arts’ Mellon Projecting All Voices Fellowship\, Olga Viso and Cameron Gainer\, Cloth and Flame and the Flinn Foundation. \nImage designed by Ambush Studios. \n\n\n\n\n\n https://asuevents.asu.edu/content/undoing-time-art-and-histories-incarceration\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/undoing-time-art-and-histories-of-incarceration/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20211001T000000
DTEND;TZID=America/Phoenix:20220213T000000
DTSTAMP:20260920T030533
CREATED:20211001T093600Z
LAST-MODIFIED:20241029T210819Z
UID:4743-1633046400-1644710400@asuartmuseum.org
SUMMARY:Art in Focus: Journeys Toward Healing
DESCRIPTION:At the ASU Art Museum\, we recognize that art has the power to inspire our minds and bodies\, cultivate a shared sense of community\, aid in healing and foster social change. “Art in Focus: Journeys Toward Healing” provides an interlude — mental and physical — for contemplating ideas of wholeness and wellbeing. The artworks in this gallery respond to the exhibition on view\, Undoing Time: Art and Histories of Incarceration\, by presenting images that can change how we view and imagine incarceration. Instead of focusing on images of oppression\, black and white stripes or barbed wires\, the curators center images of nature\, renewal\, connection and recovery. This exhibition suggests that art can serve as a source of healing and point to more restorative solutions to critical community issues. \nThe exhibition is organized by Mary-Beth Buesgen\, Curator of the Ceramics Research Center Collection and Archives; Sarah Kelly\, Windgate Curator of Contemporary Craft and Design; Julio César Morales\, Senior Curator; Brittany Corrales\, Curator; Matthew Villar Miranda\, LACMA-ASU Curatorial Fellow; and Diem Lanakai\, Windgate Curatorial Assistant. “Journeys Toward Healing” highlights works on paper\, ceramics\, baskets and wood objects from the museum’s collection. \nImage credit: John Dowell\, “Healing\,” 1999\, 17 x 20″\, color lithograph on paper. Image courtesy ASU Art Museum. \n\n\n\n\nContact:\n\nASU Art Museum\n\n\n\n\n https://asuevents.asu.edu/content/art-focus-journeys-toward-healing\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\n https://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\n\n\n\nAudience:\n\nAlumni\n\n\n\nCollege Unit:\n\nHerberger Institute for Design and the Arts\nASU Art Museum\n\n\n\nInterests:\n\nArts
URL:https://asuartmuseum.org/event-exhibition/art-in-focus-journeys-toward-healing/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20211008T000000
DTEND;TZID=America/Phoenix:20211008T000000
DTSTAMP:20260920T030533
CREATED:20211001T093612Z
LAST-MODIFIED:20241029T205425Z
UID:4738-1633651200-1633651200@asuartmuseum.org
SUMMARY:DinnerWhere
DESCRIPTION:Drawn entirely from ASU Art Museum’s permanent collection\, “DinnerWhere” highlights a variety of plates\, cups and bowls\, and even a life-size dinner table. The exhibition and its title refers to the ways in which these objects encourage critical conversations around national identity\, ceremony\, nutrition and food access in the United States. Artists featured include Claydies\, Eddie Dominguez\, Marilyn Lysohir\, Russell Wright\, Isaac Scott\, Justin Rothshank and the Democratic Cup Project. \nThe objects featured in “DinnerWhere” have communal and symbolic associations with coming together for meals. For some\, these artworks inspire memories of the place where we nourish ourselves\, celebrate important milestones\, share experiences and create new understandings through conversation. For others\, the works in the exhibition can be a reminder of cultural assimilation and the loss of traditions. \nWhat will you bring to the table to shape the future? \nTo ensure the well-being of all our visitors and staff\, we ask that you please comply with our new ASU and city guidelines to keep all of us safe. \n \n“DinnerWhere” is generously sponsored by Elaine and Sidney Cohen. \nImage credit: Claydies\, “True feelings\,” 2011\, Glazed porcelain\, Purchased with funds provided by the Windgate Charitable Foundation\, Photo by Morgan Morell. \n\n\n\n\n\n https://asuevents.asu.edu/content/dinnerwhere\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/dinnerwhere/
CATEGORIES:Exhibition
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