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X-WR-CALNAME:ASU Art Museum
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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T071242
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20260920T071242
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T071242
DTEND;TZID=America/Phoenix:20220327T000000
DTSTAMP:20260920T071242
CREATED:20220228T223800Z
LAST-MODIFIED:20241029T230450Z
UID:4748-0-1648339200@asuartmuseum.org
SUMMARY:Highlights from the Print Study Room
DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu . \nImage Credit: Alberto Beltrán\, “Manuela Sanchez\, Spanish guerilla-mujeres con la revolución\,” c. 1950\, linoleum print\, 16 x 20 in. Gift of Dr. and Mrs. Jules Heller. \n\n\n\n\n\n https://asuevents.asu.edu/content/highlights-print-study-room\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200926T000000
DTEND;TZID=America/Phoenix:20210529T000000
DTSTAMP:20260920T071242
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195805Z
UID:4731-1601078400-1622246400@asuartmuseum.org
SUMMARY:Art in Focus: Highlighting Women Artists from the Collection
DESCRIPTION:The Art in Focus gallery highlights artwork from the museum’s permanent collection. As we\, along with many museums across the country\, actively work to build a more diverse collection that tells a representative history of art\, we make it a priority to collect and exhibit artists who have been marginalized. A recent study of the artists represented in the collections of eighteen major American art museums found that only 12.6% are women. This installation features works on paper\, ceramics\, baskets and wood objects made by a range of influential women artists\, including Betye Saar\, Faith Ringgold\, Sandra Ramos\, Maria Martinez\, Rose Cabat and Louise Nevelson. \nTo ensure the well-being of all our visitors and staff\, we ask that you please comply with our new ASU and city guidelines to keep all of us safe. Reserve your free timed-entry tickets and learn more about our new guidelines before visiting. \nImage credit: Betye Saar\, “Mystic Sky with Self-Portrait\,” 1992\, Offset Lithograph\, 21 1/2 x 25 1/4 in. Gift of the Brandywine Workshop and Archives\, Philadelphia\, Pennsylvania. \n\n\n\n\n\n https://asuevents.asu.edu/content/art-focus-highlighting-women-artists-collection\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nTicketing:\n\nReserve Tickets\n\n\n\nRegistration/Tickets/RSVP:\n\nhttps://bit.ly/30to8l8\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/art-in-focus-highlighting-women-artists-from-the-collection/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20201205T000000
DTEND;TZID=America/Phoenix:20210530T000000
DTSTAMP:20260920T071242
CREATED:20201103T013700Z
LAST-MODIFIED:20241029T234714Z
UID:4735-1607126400-1622332800@asuartmuseum.org
SUMMARY:Restless Balance: boredomresearch
DESCRIPTION:From the textbooks of ancient Greek physician Hippocrates to current research on the coronavirus pandemic\, we know that human health is impacted by environmental factors. Internationally renowned British artists Vicky Isley and Paul Smith of boredomresearch have collaborated with leading science institutions over the past decade to create dynamic video installations that explore how large scale environmental changes have altered disease transmission. In 2019 they worked with the researchers at the Arizona Cancer and Evolution Center at the ASU Biodesign Institute on radically new ways of thinking about cancer treatment. This exhibition is the U.S. premiere of the resulting video installation\, ‘In Search of Chemozoa\,’ along with three striking earlier works based upon animated robots navigating Venice’s polluted canals\, flight patterns of mosquitos carrying malaria and intertidal snails adjusting to changed coastal conditions. \nFor more information on the artists visit  boredomresearch.net  . \n“In Search of Chemozoa” was commissioned and funded by the Arizona Cancer Evolution Center (ACE)\, a new center established through an award from the National Institute of Health/National Cancer Institute and housed at the Biodesign Institute at ASU. The exhibition is co-presented by the ASU Art Museum and co-curated by Pamela Winfrey\, scientific research curator\, ACE; Heather Sealy Lineberry\, curator emeritus\, and Brittany Corrales\, curator\, ASU Art Museum. \nTo ensure the well-being of all our visitors and staff\, we ask that you please comply with our new ASU and city guidelines to keep all of us safe. Reserve your free timed-entry tickets and learn more about our new guidelines before visiting. \nImage credit:boredomresearch\, “In Search of Chemozoa\,” 2020. Image courtesy of boredomresearch. \n\n\n\n\n\n https://asuevents.asu.edu/content/restless-balance-boredomresearch\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nTicketing:\n\nReserve Your Tickets\n\n\n\nRegistration/Tickets/RSVP:\n\nhttps://bit.ly/30to8l8\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/restless-balance-boredomresearch/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20210116T000000
DTEND;TZID=America/Phoenix:20210529T000000
DTSTAMP:20260920T071242
CREATED:20210105T045600Z
LAST-MODIFIED:20241029T232939Z
UID:4736-1610755200-1622246400@asuartmuseum.org
SUMMARY:BODY/MAGIC: Liz Cohen
DESCRIPTION:“BODY/MAGIC: Liz Cohen” is an exhibition that for the first time combines all aspects of artist Liz Cohen’s “Bodywork” series\, including new and unseen works in various media at various scales that include video\, photographs\, performance and ephemera related to the project. For the “Bodywork” series she transformed two cars\, the American El Camino and the East German Trabant into a lowrider while simultaneously transforming her own body to become a bikini model for her car at lowrider shows. The project examines her in-betweenness as a first-generation Latina and a child of the Cold War\, with Colombian parents who tended to favor Warsaw Pact countries over Disneyland for summer vacations. “Bodywork” was also an avenue for Cohen to explore her own femininity and create dialogue around issues relating to immigration\, nonconformity and resistance. \nThis exhibition is curated by Julio César Morales\, curator at ASU Art Museum. “BODY/MAGIC: Liz Cohen” is supported by the Andy Warhol Foundation for the Visual Arts and sponsored by Patti Parsons. \nTo ensure the well-being of all our visitors and staff\, we ask that you please comply with our new ASU and city guidelines to keep all of us safe. Reserve your free timed-entry tickets and learn more about our new guidelines before visiting. \nImage credit: Liz Cohen\, “Zwickau Routine: Yellow Inward Turn\,”2010\, C- Print\, 16 x 20 inches\, image courtesy of the artist. \n\n\n\n\n\n https://asuevents.asu.edu/content/bodymagic-liz-cohen\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nTicketing:\n\nReserve Tickets\n\n\n\nRegistration/Tickets/RSVP:\n\nhttps://bit.ly/30to8l8\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nLearn something\nEasy on the wallet\nOpen to the public\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/body-magic-liz-cohen/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20210130T000000
DTEND;TZID=America/Phoenix:20210605T000000
DTSTAMP:20260920T071242
CREATED:20210108T070800Z
LAST-MODIFIED:20241029T232100Z
UID:4737-1611964800-1622851200@asuartmuseum.org
SUMMARY:José Clemente Orozco: The Final Cut
DESCRIPTION:The ASU Art Museum presents an important exhibition of late work by José Clemente Orozco (1883–1949)\, a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros. “The Final Cut” is the first solo exhibition by Orozco in Arizona. Orozco’s bold murals were the most complex of Los Tres Grandes and prominently featured universal themes of human experience and modernization. Orozco is one of the most significant artists to come out of Mexico in the 20th century\, although largely underrecognized in the United States. He was born in Jalisco and returned to Guadalajara to paint his masterpiece\, “The Man on Fire\,” in the Hospicio Cabañas\, one of the oldest hospital complexes in Latin America. A World Heritage site\, it is known as the “Sistine Chapel” of Latin America. Beginning in 1922\, Orozco painted more than seven major murals in Mexico and the U.S.\, including three completed in the 1940s. \nThrough a collaboration with the Orozco family in Guadalajara\, the exhibition will include works of art late in the artist’s career. Many of these works from the 1940s have never been seen in the U.S. and illustrate the artist’s career-long interests in human history and politics\, surrealism\, symbolism\, abstraction and the human form. The exhibition’s moveable works will reveal Orozco’s creative process and how he worked through the ideas and formal problems that appeared in his site-specific\, monumental murals. The collective work will also consider what an artist’s last work can show about their progression and how it reflects upon or departs from their body of work. A catalog published by Temblores Publicaciones will accompany this exhibition with new scholarship written about his final years. \n“José Clemente Orozco: The Final Cut” is supported by the Diane and Bruce Halle Foundation and sponsored by the Andrew B. Kim & Wan Kyun Rha Kim Family Foundation. \nThe accompanying exhibition catalog is funded by the Andrew B. Kim & Wan Kyun Rha Kim Family Foundation and produced in association with Temblores Publicaciones\, the publishing house of Terremoto Magazine. \nTo ensure the well-being of all our visitors and staff\, we ask that you please comply with our new ASU and city guidelines to keep all of us safe. Reserve your free timed-entry tickets and learn more about our new guidelines before visiting. \nImage credit: José Clemente Orozco\, “Skull with Feathers\,” 1947\, Pyroxylin on Masonite\, 48 × 45 in. Courtesy of the Orozco Family. \n\n\n\n\n\n https://asuevents.asu.edu/content/jos%C3%A9-clemente-orozco-final-cut\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nTicketing:\n\nReserve your free tickets\n\n\n\nRegistration/Tickets/RSVP:\n\nhttps://bit.ly/30to8l8\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/jose-clemente-orozco-the-final-cut/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20210409T000000
DTEND;TZID=America/Phoenix:20211203T000000
DTSTAMP:20260920T071242
CREATED:20210408T041700Z
LAST-MODIFIED:20241030T000337Z
UID:4740-1617926400-1638489600@asuartmuseum.org
SUMMARY:Pilot Projects: Hugh Hayden\, 'Pillory'
DESCRIPTION:ASU Art Museum is proud to present “Pillory\,” the latest work in the museum’s Pilot Projects: Art. Response. Now. initiative\, on view beginning April 9\, 2021. Hugh Hayden’s sculpture “Pillory” (2020) addresses power\, control and justice\, themes that are achingly relevant in the wake of the murder of George Floyd in May 2020 as well as many others\, including Trayvon Martin\, Tamir Rice\, Michael Brown\, Eric Garner\, Philando Castile\, Breonna Taylor\, Ahmaud Arbery\, Tony McDade and Dion Johnson. Of this mix between a modern-day police barricade and a pillory — a medieval punishment device — Hayden remarked\, “I’d call the piece a doppelgänger or the synthesis of a pair of state functioned doppelgängers of oppression that are centuries apart.” \nPilot Projects is an institutional initiative that emerged from ASU Art Museum’s unique ability as a university art museum to be adaptive and experimental. Arising from the 2020 COVID-19 pandemic\, Black Lives Matter protests and a nationwide call for museums to address racial and social justice\, Pilot Projects is a vehicle to center art and artists in the service of creative free expression and community well-being. \nAbout the artist \nHugh Hayden is a sculptor raised in Dallas\, Texas\, and trained as an architect. He uses natural elements and recognizable objects — discarded wood\, rare indigenous timbers\, souvenir African sculptures — to create works that challenge viewers’ perceptions of themselves\, others and the environment. \nHayden was born in Dallas\, Texas\, in 1983 and lives and works in New York City. He holds an MFA from Columbia University and a Bachelor of Architecture from Cornell University. His work was the subject of a solo exhibition at White Columns in New York in 2018. His work has been included in numerous group exhibitions\, including at JTT\, New York (2018); Clearing\, New York (2018); Tanya Bonakdar Gallery (2018); PPOW Gallery\, New York (2017); Gavin Brown’s enterprise\, New York (2017); Postmasters Gallery\, New York (2016); MoMA PS1\, Rockaway Beach\, New York (2014); Socrates Sculpture Park\, New York (2014); and Abrons Art Center\, New York (2013)\, among others. He is the recipient of residencies at Glenfiddich in Dufftown\, Scotland (2014); Abrons Art Center and Socrates Sculpture Park (both 2012) and Lower Manhattan Cultural Council (2011). \n  \nImage credit: Hugh Hayden\, “Pillory\,” 2020. Milk paint on cedar with stainless steel hardware and locks\, 44 x 96 x 42 inches. \n\n\n\n\n\n https://asuevents.asu.edu/content/pilot-projects-hugh-hayden-pillory\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nTicketing:\n\nFree tickets!\n\n\n\nRegistration/Tickets/RSVP:\n\nhttps://bit.ly/30to8l8\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/pilot-projects-hugh-hayden-pillory/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20210430T000000
DTEND;TZID=America/Phoenix:20210630T000000
DTSTAMP:20260920T071242
CREATED:20210508T034400Z
LAST-MODIFIED:20241030T000357Z
UID:4741-1619740800-1625011200@asuartmuseum.org
SUMMARY:Pilot Projects: Text as Image
DESCRIPTION:As part of Pilot Projects \, ASU Art Museum presents “Text as Image\,” an outdoor public exhibition of text-based art. Artists have long used text in artworks as a tool for social and political dialogue. Located in the museum’s underground courtyard and in front of the building\, “Text as Image” brings together four artists: Jacob Meders (Phoenix)\, Kristin Bauer (Tempe)\, Hugh Hayden (New York) and Iván Argote (Paris). \nMeders’ vending machine of prints\, “Warbird Press” (2014–present)\, asks us to consider how the legacy of colonialism affects indigenous people today and asks us to imagine new possibilities. Bauer’s banner installation\, “Dia/Chronic” (2021)\, explores the way language and meaning evolve\, with a focus on the history of propaganda. The work also challenges systems of oppression such as male dominance and white supremacy. Hayden’s “Pillory” (2020)\, addresses power\, control and justice in a sculpture that mixes a modern-day police barricade with a medieval punishment device to ask whether ideologies of punishment have changed or stayed the same. Argote’s “Tiernos\, We\, Somos and Strong” (2018–2019)\, comprises concrete chairs inscribed with keywords that bring viewers together to question how we relate to one another through affection\, emotions and humor in increasingly polarized times. Together\, these text-based works address current events\, giving voice to the social and political movements happening today around colonialism\, racial justice\, femicide and freedom of speech. \nPilot Projects is an initiative that emerged from ASU Art Museum’s unique ability as a university art museum to be adaptive and experimental. Arising from the 2020 COVID-19 pandemic\, Black Lives Matter protests and a nationwide call for museums to address racial and social justice\, Pilot Projects is a vehicle to center art and artists in the service of creative free expression and community well-being. \nImage credit: Kristin Bauer\, “Dia/Chronic\,” 2021\, dye sublimation eco inks on poly nylon banner. Photo by Grey Shed Studio. \n\n\n\n\n\n https://asuevents.asu.edu/content/pilot-projects-text-image\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/pilot-projects-text-as-image/
CATEGORIES:Exhibition
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