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X-ORIGINAL-URL:https://asuartmuseum.org
X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T122217
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20260920T122217
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T122217
DTEND;TZID=America/Phoenix:20220327T000000
DTSTAMP:20260920T122217
CREATED:20220228T223800Z
LAST-MODIFIED:20241029T230450Z
UID:4748-0-1648339200@asuartmuseum.org
SUMMARY:Highlights from the Print Study Room
DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu . \nImage Credit: Alberto Beltrán\, “Manuela Sanchez\, Spanish guerilla-mujeres con la revolución\,” c. 1950\, linoleum print\, 16 x 20 in. Gift of Dr. and Mrs. Jules Heller. \n\n\n\n\n\n https://asuevents.asu.edu/content/highlights-print-study-room\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200229T000000
DTEND;TZID=America/Phoenix:20201101T000000
DTSTAMP:20260920T122217
CREATED:20200806T234700Z
LAST-MODIFIED:20241029T234358Z
UID:4725-1582934400-1604188800@asuartmuseum.org
SUMMARY:Michael Sherrill Retrospective
DESCRIPTION:In his delicately rendered sculptures\, Michael Sherrill seeks to elicit a sense of wonder from viewers and to make them see things afresh. Working with clay\, glass and metal\, his exquisite floral forms have the allure of Martin Johnson Heade’s passionflower and orchid paintings and the botanical engravings of John James Audubon\, at the same time they are remarkably new. This retrospective will illustrate the artist’s evolution over his more than 40-year career and highlight his contributions to contemporary art\, craft and design. Primarily a self-taught artist\, Sherrill moved from Charlotte\, North Carolina to the western North Carolina mountains in 1974. His early influences came from the North Carolina folk pottery tradition and the community surrounding Penland School of Crafts and the Southern Highland Handicraft Guild. Sherrill began his career by making functional clay vessels in the 1970s and 1980s\, but his desire for continued growth led him to create altered vessels of more abstracted form in the 1990s. Ultimately he shifted his focus to multimedia sculptures inspired by nature\, as seen in “Temple of the Cool Beauty (Yucca).” He explores the beauty in natural growth and decay with bright colors\, often through painstaking technical processes. Sherrill’s exceptional skill is based on his innovative approach to using tools\, technology and his keen sense of materials together to achieve what he calls his “natural narratives.” \nSherrill’s artistic evolution led him to master techniques of metalworking and glass working and to invent new tools where needed. In 1995\, out of the need for tools that did not exist\, he designed Mudtools®\, now a successful line of tools for potters and sculptors. He is a frequent instructor at Penland and has taught at craft schools and workshops across the country. In 2003\, The Mint Museum honored him as Artist of the Year. Sherrill served a two-month residency at the John Kohler Art Center in Sheboygan\, WI in 2006. His work is in several major museum collections\, including the Smithsonian American Art Museum and the Los Angeles County Museum of Art. As part of the World Ceramic Exposition/KOCEF\, Sherrill was one of ten artists invited to build outdoor sculptures placed permanently at The Museum at Icheon World Ceramic Center\, Icheon-si\, Gyeonggi-do\, South Korea\, in 2004. He received a United States Artists Windgate Fellowship in 2010. \n“Michael Sherrill Retrospective” is organized by The Mint Museum. Funding for the exhibition catalog and national tour provided by the Windgate Foundation. Additional funding for the ASU Art Museum’s presentation is supported by the Windgate Foundation as part of the Windgate Contemporary Craft Initiative. \nImage credit: Michael Sherrill\, “Dutch Solomon\,” 2015\, porcelain\, silica bronze\, glass\, 12 x 27 x 8 in.\, John Michael Kohler Arts Center\, gift of the artist\, 2015.022.001. Photo by Scott Allen. \n\n\n\n\nContact:\n\nAmanda Urrea\n\n\n\n\n https://asuevents.asu.edu/content/michael-sherrill-retrospective\n\n\n\nPhone:\n\n6027410219\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nstudent\nCampus student\nGraduate student\nStaff\nFaculty\nDonor\nMedia\nFriend/Fan\nAlumni\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/michael-sherrill-retrospective/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200820T000000
DTEND;TZID=America/Phoenix:20210228T000000
DTSTAMP:20260920T122217
CREATED:20200806T234700Z
LAST-MODIFIED:20241030T000209Z
UID:4727-1597881600-1614470400@asuartmuseum.org
SUMMARY:Look to Nature: Toshiko Takaezu
DESCRIPTION:Drawn from ASU Art Museum’s permanent collection\, “Look to Nature” presents the work of internationally-known artist Toshiko Takaezu. Growing up in Hawaii infused a deep sense of nature in her that never left. Takaezu worked actively in clay\, fiber and bronze for more than six decades using a combination of Eastern and Western techniques and aesthetics. In the late 1950s\, she developed her signature style of closed-form vessels\, containers that held air and space. They conveyed a sense of tranquility from the simplicity of the forms and subtle brush decoration.Takaezu started working in bronze toward the end of her career and created a series of bells\, which explore the relationship between sculpture and sound. \n“Look to Nature: Toshiko Takaezu” is supported by the Windgate Charitable Foundation as part of the Windgate Contemporary Craft Initiative and Peter Russo. \nAn initiative presented in association with the Feminist Art Coalition (FAC). \nImage courtesy of Toshiko Takaezu Foundation. \n\n\n\n\n\n https://asuevents.asu.edu/content/look-nature-toshiko-takaezu\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nAlumni\nFaculty\nStaff\nFriend/Fan\nFoundation\nDonor\nMedia\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/look-to-nature-toshiko-takaezu/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200820T000000
DTEND;TZID=America/Phoenix:20201206T000000
DTSTAMP:20260920T122217
CREATED:20200807T003700Z
LAST-MODIFIED:20241030T000212Z
UID:4726-1597881600-1607212800@asuartmuseum.org
SUMMARY:For the Animals: Tania Candiani\, Part II
DESCRIPTION:“For the Animals” tests the physical\, environmental and social boundaries between nature and culture by creating a hybrid installation of land and sound art. The project focuses on various species that are native to the Sonoran Desert such as the endangered jaguar and the Mexican grey wolf. These animals will be most affected by the newly proposed border wall between Mexico and the U.S.\, by restricting their ability to navigate the Sonoran Desert as they have for hundreds of years. Candiani is collaborating with electronic musicians to create experimental musical scores that are intended as lullabies for the Sonoran creatures\, attempting to create an ultrasonic dialogue with nature. The exhibition will include videos\, ephemera and sculptural sound pieces which will translate the music for viewers through a visual language. “For the Animals” is a metaphor for the ongoing migration predicament at the U.S./Mexico border\, especially with the recent influx of Central American women and youth fleeing violence and poverty. Through the shared experience of sound — between animals and humans\, the project aims to bring larger ideas of migration into a lived reality\, thereby humanizing the migration crisis. \nAbout the artist: \nTania Candiani represented Mexico in the 56th Venice Biennale. She is interested in experiments with sound\, sculpture and computer science and is among the most highly respected artists in Mexico. Candiani’s work has been included in group exhibitions around the world\, including the National Museum of Fine Arts\, Taiwan; Museum Boijmans Van Beuningen\, Netherlands; XI Cairo Biennial; Palace of Arts\, Egypt; Laboratorio de Arte Alameda\, Mexico. She is a recent Guggenheim Fellowship recipient and currently a Smithsonian fellow. \nImage courtesy of Tania Candiani. \n\n\n\n\nContact:\n\nAmanda Urrea\n\n\n\n\n https://asuevents.asu.edu/content/animals-tania-candiani-part-ii\n\n\n\nPhone:\n\n6027410219\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nstudent\nGraduate student\nAlumni\nStaff\nFaculty\nFriend/Fan\nDonor\nMedia\n\n\n\nInterests:\n\nArts\nArts and Entertainment\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/for-the-animals-tania-candiani-part-ii/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200905T000000
DTEND;TZID=America/Phoenix:20201031T000000
DTSTAMP:20260920T122217
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195735Z
UID:4729-1599264000-1604102400@asuartmuseum.org
SUMMARY:Pilot Projects: Art. Response. Now.
DESCRIPTION:In March 2020\, the museum underwent a hiatus unprecedented in its history with the closure of the state due to Covid-19. At that moment\, we found ourselves having to innovate and radically re-imagine the museum’s role in the digital realm. \nWhen George Floyd was killed on May 25th\, the Black Lives Matter movement mobilized efforts that have been in the works for years\, calling for racial justice and accountability across all systems in America. This led to a nationwide reckoning of museums to address racial and social justice within their walls. \nWe are now living in a world that is questioning what museums will look like in the future. While our museum has had a long-standing commitment to social justice\, this particular moment urges us to prototype a series of tactics that can lead to innovative solutions. Pilot Projects is an institutional initiative that emerged from our unique ability as a university art museum to be adaptive and experimental. Our role is to position artists at the center of these conversations. To this end\, we are launching a year-long series of interventions called Pilot Projects: Art. Response. Now. \nTo begin the series\, from September to October we will open two galleries for film screenings and weekly conversations. In Gallery 1\, we will show eight videos by eight artists whose work addresses racial and social justice issues through their own unique lenses and varying life experiences. In Gallery 2\, we looked to our collection and selected two artworks by African American artists Lorna Simpson and Sonya Clark to bring this discussion to our gallery walls. \nVideo schedule: \nSept 5–12: Jason De León\, “Hostile Terrain 94: A Moment of Global Remembrance” \nSept 15–19: La Morena (Lucinda Yrene Hinojos)\, “La Morena” \nSept 22–26: Virgil Ortiz\, “ReVOlution: Rise Against the Invasion” \nSept 29–Oct 3: Gregory Sale\, “Future IDs at Alcatraz” \nOct 6–Oct 10: Stephanie Mei Huang\, “yellow porcelain\,” “white vegetable\,” “the border is a private space” and “the foul lump in my throat” \nOct 13–17: Roberto Lugo\, “Without Wax” \nOct 20–24: Edgar Arceneaux\, “Until\, Until\, Until…” \nOct 27–31: Kara Walker\, “8 Possible Beginnings or: The Creation of African-America” \nTo ensure the well-being of all our visitors and staff\, we ask that you please comply with our new ASU and city guidelines to keep all of us safe. Reserve your free timed-entry tickets and learn more about our new guidelines before visiting. \nImage credit: Kara E. Walker\, “8 Possible Beginnings or: The Creation of African-America\,” 16mm transferred to video (black and white\, sound)\, 15 mins. 57 secs\, 2005\, Courtesy of Kadist Foundation and artist. \n\n\n\n\n\n https://asuevents.asu.edu/content/pilot-projects-art-response-now\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nTicketing:\n\nReserve Your Free Ticket\n\n\n\nRegistration/Tickets/RSVP:\n\nhttps://bit.ly/30to8l8\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/pilot-projects-art-response-now/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200926T000000
DTEND;TZID=America/Phoenix:20210529T000000
DTSTAMP:20260920T122217
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195805Z
UID:4731-1601078400-1622246400@asuartmuseum.org
SUMMARY:Art in Focus: Highlighting Women Artists from the Collection
DESCRIPTION:The Art in Focus gallery highlights artwork from the museum’s permanent collection. As we\, along with many museums across the country\, actively work to build a more diverse collection that tells a representative history of art\, we make it a priority to collect and exhibit artists who have been marginalized. A recent study of the artists represented in the collections of eighteen major American art museums found that only 12.6% are women. This installation features works on paper\, ceramics\, baskets and wood objects made by a range of influential women artists\, including Betye Saar\, Faith Ringgold\, Sandra Ramos\, Maria Martinez\, Rose Cabat and Louise Nevelson. \nTo ensure the well-being of all our visitors and staff\, we ask that you please comply with our new ASU and city guidelines to keep all of us safe. Reserve your free timed-entry tickets and learn more about our new guidelines before visiting. \nImage credit: Betye Saar\, “Mystic Sky with Self-Portrait\,” 1992\, Offset Lithograph\, 21 1/2 x 25 1/4 in. Gift of the Brandywine Workshop and Archives\, Philadelphia\, Pennsylvania. \n\n\n\n\n\n https://asuevents.asu.edu/content/art-focus-highlighting-women-artists-collection\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nTicketing:\n\nReserve Tickets\n\n\n\nRegistration/Tickets/RSVP:\n\nhttps://bit.ly/30to8l8\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/art-in-focus-highlighting-women-artists-from-the-collection/
CATEGORIES:blue,Exhibition
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