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X-WR-CALNAME:ASU Art Museum
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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T130053
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20260920T130053
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
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DTSTART;TZID=America/Phoenix:20260920T130053
DTEND;TZID=America/Phoenix:20220327T000000
DTSTAMP:20260920T130053
CREATED:20220228T223800Z
LAST-MODIFIED:20241029T230450Z
UID:4748-0-1648339200@asuartmuseum.org
SUMMARY:Highlights from the Print Study Room
DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu . \nImage Credit: Alberto Beltrán\, “Manuela Sanchez\, Spanish guerilla-mujeres con la revolución\,” c. 1950\, linoleum print\, 16 x 20 in. Gift of Dr. and Mrs. Jules Heller. \n\n\n\n\n\n https://asuevents.asu.edu/content/highlights-print-study-room\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200229T000000
DTEND;TZID=America/Phoenix:20201101T000000
DTSTAMP:20260920T130053
CREATED:20200806T234700Z
LAST-MODIFIED:20241029T234358Z
UID:4725-1582934400-1604188800@asuartmuseum.org
SUMMARY:Michael Sherrill Retrospective
DESCRIPTION:In his delicately rendered sculptures\, Michael Sherrill seeks to elicit a sense of wonder from viewers and to make them see things afresh. Working with clay\, glass and metal\, his exquisite floral forms have the allure of Martin Johnson Heade’s passionflower and orchid paintings and the botanical engravings of John James Audubon\, at the same time they are remarkably new. This retrospective will illustrate the artist’s evolution over his more than 40-year career and highlight his contributions to contemporary art\, craft and design. Primarily a self-taught artist\, Sherrill moved from Charlotte\, North Carolina to the western North Carolina mountains in 1974. His early influences came from the North Carolina folk pottery tradition and the community surrounding Penland School of Crafts and the Southern Highland Handicraft Guild. Sherrill began his career by making functional clay vessels in the 1970s and 1980s\, but his desire for continued growth led him to create altered vessels of more abstracted form in the 1990s. Ultimately he shifted his focus to multimedia sculptures inspired by nature\, as seen in “Temple of the Cool Beauty (Yucca).” He explores the beauty in natural growth and decay with bright colors\, often through painstaking technical processes. Sherrill’s exceptional skill is based on his innovative approach to using tools\, technology and his keen sense of materials together to achieve what he calls his “natural narratives.” \nSherrill’s artistic evolution led him to master techniques of metalworking and glass working and to invent new tools where needed. In 1995\, out of the need for tools that did not exist\, he designed Mudtools®\, now a successful line of tools for potters and sculptors. He is a frequent instructor at Penland and has taught at craft schools and workshops across the country. In 2003\, The Mint Museum honored him as Artist of the Year. Sherrill served a two-month residency at the John Kohler Art Center in Sheboygan\, WI in 2006. His work is in several major museum collections\, including the Smithsonian American Art Museum and the Los Angeles County Museum of Art. As part of the World Ceramic Exposition/KOCEF\, Sherrill was one of ten artists invited to build outdoor sculptures placed permanently at The Museum at Icheon World Ceramic Center\, Icheon-si\, Gyeonggi-do\, South Korea\, in 2004. He received a United States Artists Windgate Fellowship in 2010. \n“Michael Sherrill Retrospective” is organized by The Mint Museum. Funding for the exhibition catalog and national tour provided by the Windgate Foundation. Additional funding for the ASU Art Museum’s presentation is supported by the Windgate Foundation as part of the Windgate Contemporary Craft Initiative. \nImage credit: Michael Sherrill\, “Dutch Solomon\,” 2015\, porcelain\, silica bronze\, glass\, 12 x 27 x 8 in.\, John Michael Kohler Arts Center\, gift of the artist\, 2015.022.001. Photo by Scott Allen. \n\n\n\n\nContact:\n\nAmanda Urrea\n\n\n\n\n https://asuevents.asu.edu/content/michael-sherrill-retrospective\n\n\n\nPhone:\n\n6027410219\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nstudent\nCampus student\nGraduate student\nStaff\nFaculty\nDonor\nMedia\nFriend/Fan\nAlumni\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/michael-sherrill-retrospective/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200820T000000
DTEND;TZID=America/Phoenix:20210228T000000
DTSTAMP:20260920T130053
CREATED:20200806T234700Z
LAST-MODIFIED:20241030T000209Z
UID:4727-1597881600-1614470400@asuartmuseum.org
SUMMARY:Look to Nature: Toshiko Takaezu
DESCRIPTION:Drawn from ASU Art Museum’s permanent collection\, “Look to Nature” presents the work of internationally-known artist Toshiko Takaezu. Growing up in Hawaii infused a deep sense of nature in her that never left. Takaezu worked actively in clay\, fiber and bronze for more than six decades using a combination of Eastern and Western techniques and aesthetics. In the late 1950s\, she developed her signature style of closed-form vessels\, containers that held air and space. They conveyed a sense of tranquility from the simplicity of the forms and subtle brush decoration.Takaezu started working in bronze toward the end of her career and created a series of bells\, which explore the relationship between sculpture and sound. \n“Look to Nature: Toshiko Takaezu” is supported by the Windgate Charitable Foundation as part of the Windgate Contemporary Craft Initiative and Peter Russo. \nAn initiative presented in association with the Feminist Art Coalition (FAC). \nImage courtesy of Toshiko Takaezu Foundation. \n\n\n\n\n\n https://asuevents.asu.edu/content/look-nature-toshiko-takaezu\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nAlumni\nFaculty\nStaff\nFriend/Fan\nFoundation\nDonor\nMedia\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/look-to-nature-toshiko-takaezu/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200820T000000
DTEND;TZID=America/Phoenix:20201206T000000
DTSTAMP:20260920T130053
CREATED:20200807T003700Z
LAST-MODIFIED:20241030T000212Z
UID:4726-1597881600-1607212800@asuartmuseum.org
SUMMARY:For the Animals: Tania Candiani\, Part II
DESCRIPTION:“For the Animals” tests the physical\, environmental and social boundaries between nature and culture by creating a hybrid installation of land and sound art. The project focuses on various species that are native to the Sonoran Desert such as the endangered jaguar and the Mexican grey wolf. These animals will be most affected by the newly proposed border wall between Mexico and the U.S.\, by restricting their ability to navigate the Sonoran Desert as they have for hundreds of years. Candiani is collaborating with electronic musicians to create experimental musical scores that are intended as lullabies for the Sonoran creatures\, attempting to create an ultrasonic dialogue with nature. The exhibition will include videos\, ephemera and sculptural sound pieces which will translate the music for viewers through a visual language. “For the Animals” is a metaphor for the ongoing migration predicament at the U.S./Mexico border\, especially with the recent influx of Central American women and youth fleeing violence and poverty. Through the shared experience of sound — between animals and humans\, the project aims to bring larger ideas of migration into a lived reality\, thereby humanizing the migration crisis. \nAbout the artist: \nTania Candiani represented Mexico in the 56th Venice Biennale. She is interested in experiments with sound\, sculpture and computer science and is among the most highly respected artists in Mexico. Candiani’s work has been included in group exhibitions around the world\, including the National Museum of Fine Arts\, Taiwan; Museum Boijmans Van Beuningen\, Netherlands; XI Cairo Biennial; Palace of Arts\, Egypt; Laboratorio de Arte Alameda\, Mexico. She is a recent Guggenheim Fellowship recipient and currently a Smithsonian fellow. \nImage courtesy of Tania Candiani. \n\n\n\n\nContact:\n\nAmanda Urrea\n\n\n\n\n https://asuevents.asu.edu/content/animals-tania-candiani-part-ii\n\n\n\nPhone:\n\n6027410219\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nstudent\nGraduate student\nAlumni\nStaff\nFaculty\nFriend/Fan\nDonor\nMedia\n\n\n\nInterests:\n\nArts\nArts and Entertainment\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/for-the-animals-tania-candiani-part-ii/
CATEGORIES:Exhibition
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