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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260923T162801
DTEND;TZID=America/Phoenix:20160522T000000
DTSTAMP:20260923T162801
CREATED:20160321T211900Z
LAST-MODIFIED:20241029T234420Z
UID:4329-0-1463875200@asuartmuseum.org
SUMMARY:In the Stacks: Print Wikipedia
DESCRIPTION:Hayden Library\, Level 1\n\n\n\n\n\n“Print Wikipedia” is a both a utilitarian visualization of the largest accumulation of human knowledge and a poetic gesture towards the futility of the scale of big data. Michael Mandiberg wrote software that parsed the entirety of the English-language Wikipedia database (in April 2015) and programmatically laid out thousands of volumes\, complete with covers\, and then uploaded them for print-on-demand. Built on what is likely the largest appropriation ever made\, it is also a work of found poetry that draws attention to the sheer size of the encyclopedia’s content and the impossibility of rendering Wikipedia as a material object in fixed form: Once a volume is printed it is already out of date. The work is also a reflection on the actual transparency or completeness of knowledge containers and history. \nThe exhibition at Hayden Library will include a selection of 61 Wikipedia volumes and schematic wallpaper showing what the scale would be of an entire print library of Wikipedia volumes. These will be located near the Encyclopedia Section on Level 1 of Hayden Library. The 36 volume Wikipedia Contributors Appendix will be on view on the entrance level\, which will also feature a projected scroll simulating all of the volumes and the articles they span. \n  \nMichael Mandiberg (born 1977\, Detroit) is an interdisciplinary artist\, scholar\, and educator. He received his M.F.A. from the California Institute of the Arts and his B.A. from Brown University. His work traces the lines of political and symbolic power online\, working on the internet in order to comment on and intercede in the real flows of information. A recipient of residencies and commissions from Eyebeam\, Rhizome.org \, and Turbulence.org \, his work has been exhibited at the New Museum\, Ars Electronica\, ZKM\, and Transmediale. He directs the New York Arts Practicum\, and is a co-founder of the Art+Feminism Wikipedia Edit-a-thon. He is Associate Professor at the College of Staten Island/ CUNY and a member of the Doctoral Faculty at the CUNY Graduate Center. His work has been written about widely\, including in The New York Times\, Berliner Zeitung\, ARTNews\, and Artforum. He lives and works in Brooklyn; his work lives at Mandiberg.com . \nThe ASU Libraries is pleased to present this exhibition of Michael Mandiberg’s work in partnership with the the ASU Art Museum\, Herberger School of Art\, and Denny Gallery in New York City. \n\n\n\n\nContact:\n\nJennifer Duvernay\n\n\n\n\n https://asuevents.asu.edu/content/stacks-print-wikipedia\n\n\n\nPhone:\n\n480-727-7636\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudents\, Faculty\, Alumni\, Friend/Fan
URL:https://asuartmuseum.org/event-exhibition/in-the-stacks-print-wikipedia/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260923T162801
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20260923T162801
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260923T162801
DTEND;TZID=America/Phoenix:20220327T000000
DTSTAMP:20260923T162801
CREATED:20220228T223800Z
LAST-MODIFIED:20241029T230450Z
UID:4748-0-1648339200@asuartmuseum.org
SUMMARY:Highlights from the Print Study Room
DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu . \nImage Credit: Alberto Beltrán\, “Manuela Sanchez\, Spanish guerilla-mujeres con la revolución\,” c. 1950\, linoleum print\, 16 x 20 in. Gift of Dr. and Mrs. Jules Heller. \n\n\n\n\n\n https://asuevents.asu.edu/content/highlights-print-study-room\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room-2/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150516T000000
DTEND;TZID=America/Phoenix:20150906T000000
DTSTAMP:20260923T162801
CREATED:20170306T231500Z
LAST-MODIFIED:20241029T230200Z
UID:4653-1431734400-1441497600@asuartmuseum.org
SUMMARY:Found(ing): Prints
DESCRIPTION:Oliver B. James\, a Phoenix attorney\, anonymously donated paintings and prints to Arizona State University in the 1950s. His goal was to provide students\, faculty\, school children and the general public in Arizona with the opportunity to view and be inspired by original works of art. James thoughtfully acquired and donated close to 150 works of primarily American art\, working with Paula Kloster\, director of the art department and curator of the collection.\nJames collected European and American prints to represent the major artists in modern print history. This includes work of prominent artists from the 19th Century Etching Revival and from the 20th century publishing firm of Associated American Artists\, among others.\nJames’ print collection became the nucleus for the museum’s works-on-paper holdings which now number over 5\,500 etchings\, lithographs\, woodblocks\, photographs and drawings. This collection is housed in the Jules Heller Print Study Room\, exhibited in the galleries and studied by students and scholars.\nThis exhibition was selected from the ASU Art Museum’s permanent collection by Jean Makin\, curator of prints\, with research assistance from Kereese Harris\, education student internand master’s student in art history. Support for Found(ing): Prints is provided by the Evelyn Smith Exhibition Fund and members of the ASU Art Museum. \nThis exhibition is presented in conjuction with Found(ing) Story: The Oliver B. James Collection\, on view July 11 – Nov. 14\, 2015 in the museum’s Americas Gallery. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/founding-prints/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150711T000000
DTEND;TZID=America/Phoenix:20151105T000000
DTSTAMP:20260923T162801
CREATED:20170306T225900Z
LAST-MODIFIED:20241029T231953Z
UID:4318-1436572800-1446681600@asuartmuseum.org
SUMMARY:Found(ing) Story: The Oliver B. James Collection
DESCRIPTION:In 1950\, Oliver B. James\, a Phoenix attorney\, donated 16 paintings to Arizona State University to provide students access to real art objects. Before 1955\, James would acquire and donate close to 150 works — primarily historic American paintings by well-known artists. Travel back in time with us and explore the story of the ASU Art Museum’s founding. \nThis exhibition is supported by the Evelyn Smith Exhibition Fund and members of the ASU Art Museum. \nIn conjunction with this exhibition\, selected prints from the Oliver B. James collection will be on view in the museum’s Multi-Purpose Room\, May 16 – Sept. 12\, 2015. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/founding-story-the-oliver-b-james-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150801T000000
DTEND;TZID=America/Phoenix:20151122T000000
DTSTAMP:20260923T162801
CREATED:20170306T225700Z
LAST-MODIFIED:20241030T000230Z
UID:4319-1438387200-1448150400@asuartmuseum.org
SUMMARY:Statement Piece: Erik Gronborg and Ehren Tool
DESCRIPTION:Statement Piece brings together two like-minded ceramic artists from different generations. Danish-born Erik Gronborg came of age in the 1960s\, when he began making handmade pottery that fused Pop Art and social activism. Ehren Tool served in the Marine Corps during the first Gulf War and makes functional cups that he gives away to facilitate dialogue about the realities of war. \nThis exhibition is supported by the Helme Prinzen Endowment and by the Museum of Contemporary Craft in Portland\, Ore.\, Ron M. Werner and Scott McCoy\, Dan Berman and Greg Weller\, James\nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, September 11\, 2015 from6:30–8:30 p.m. (with a members\, alumni and press preview from 5:30–6:30p.m.)
URL:https://asuartmuseum.org/event-exhibition/statement-piece-erik-gronborg-and-ehren-tool/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150824T000000
DTEND;TZID=America/Phoenix:20151004T000000
DTSTAMP:20260923T162801
CREATED:20170304T030900Z
LAST-MODIFIED:20241030T000007Z
UID:4320-1440374400-1443916800@asuartmuseum.org
SUMMARY:(Project Space) Yoshua Okón: Octopus
DESCRIPTION:PUBLIC HOURS\nFriday – Saturday\, noon – 6 p.m.\nFirst and Third Fridays\, 4 – 9 p.m. \nABOUT YOSHUA OKÓN: OCTOPUS\nProduced in 2011\, while Okón was an artist-in-residence at the UCLA Hammer Museum\, Octopus is a video installation depicting a reenactment of the Guatemalan Civil War at the parking lot of a Home Depot in Los Angeles\, staged by day laborers that are ex-guerillas who fought in the war. The sequel to Octopus\, titled Oracle \, was commissioned by the ASU Art Museum and presented at the museum in Summer 2015. \nABOUT THE PROJECT SPACE\nASU Art Museum’s Project Space at the International Artist Residency Program in downtown Phoenix offers a unique opportunity for emerging and established artists to develop and experiment with new bodies of work in all media and to share their process and ideas with our communities over an extended period of time. Artists selected for the residencies have a multi-disciplinary practice and an interest in collaborative projects in order to explore forms of engagement.\nThe Project Space is not a traditional exhibition venue but a laboratory for socially-based art practice. Public access to the space\, collaborating partners and residency duration shift with each project. The curator and residency staff establish these parameters with the artist(s).
URL:https://asuartmuseum.org/event-exhibition/project-space-yoshua-okon-octopus/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150912T000000
DTEND;TZID=America/Phoenix:20151227T000000
DTSTAMP:20260923T162801
CREATED:20170304T024500Z
LAST-MODIFIED:20241029T204653Z
UID:4321-1442016000-1451174400@asuartmuseum.org
SUMMARY:Miguel Angel Rios: Landlocked
DESCRIPTION:The first video survey of Mexico City-based artist Miguel Angel Rios\, Landlocked follows Rios’ remarkable journey into a unique artistic practice that addresses issues of power\, apathy and violence though his innovative use of social and political narratives and original production technique. The exhibition includes four never before seen works commissioned by the museum. \nThis exhibition is supported by the Diane and Bruce Halle Foundation. Landlocked is part of the Contact Zones series of exhibitions at the ASU Art Museum that focuses on contemporary migration and its intricate uncertainties within border culture\, destiny and contested histories. The series includes new commission-based video installations\, public engaged programs\, guest-curated exhibitions and artist initiated projects. \n\n\n\n\nOpening Reception:\n\nFriday\, September 11\, 2015 from 6:30–8:30 p.m.(with a members\, alumni and press preview from 5:30–6:30 p.m.)
URL:https://asuartmuseum.org/event-exhibition/miguel-angel-rios-landlocked/
CATEGORIES:Exhibition
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