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X-WR-CALDESC:Events for ASU Art Museum
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DTSTART:20120101T000000
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20160115T000000
DTEND;TZID=America/Phoenix:20160115T000000
DTSTAMP:20260919T221336
CREATED:20160226T022000Z
LAST-MODIFIED:20241029T233044Z
UID:4327-1452816000-1452816000@asuartmuseum.org
SUMMARY:Tony Labat: One for Tomorrow and One Just for Today
DESCRIPTION:Since the early 1980s\, Tony Labat has been animportant participant in the California performance and video scene. Apioneer of video installations\, he makes work that often identifies with the“outsider\,” whether as the artist or immigrant. Born in Cuba\, Labatfrequently comments on displacement and marginalization. A selection of hisinfluential video work will be on display in the Project Space\, at the ASUArt Museum International Residency Program at Combine Studios\, inassociation with the exhibition “Love Me Two Times” opening Jan. 30\, 2016 atthe ASU Art Museum. This exhibition is supported by the Helme PrinzenEndowment. If you would like to bring your class or group to see anexhibition or collection\, and/or meet with a curator\, please contact AndreaFeller\, Curator of Education at andrea.feller@asu.edu. ASU Art Museum Project Space at Combine StudiosHours:Thursday–Friday: 12 p.m. – 6 p.m. and by appointmentClosed:Saturday–Wednesday Image credit: Image courtesy of the artist.\n\n\n\nContact:\n\nJulio Morales\n\n\n\n\n https://asuevents.asu.edu/content/tony-labat-one-tomorrow-and-one-just-today\n\n\n\nPhone:\n\n480.965.0497\n\n\n\nImage URL:\n\nhttps://dev-hida-aam.ws.asu.edu/sites/default/files/images_asuevents/tony_labat_irregular_encounter_leveling_the_field_0_4.jpg>\n\n\n\nAudience:\n\nStudent\, Faculty\, Staff
URL:https://asuartmuseum.org/event-exhibition/tony-labat-one-for-tomorrow-and-one-just-for-today/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20160114T000000
DTEND;TZID=America/Phoenix:20160529T000000
DTSTAMP:20260919T221336
CREATED:20160226T022000Z
LAST-MODIFIED:20241029T233054Z
UID:4326-1452729600-1464480000@asuartmuseum.org
SUMMARY:Participant: Photographs by Spencer Tunick from the Stéphane Janssen Collection
DESCRIPTION:Since the early 1990s\, Spencer Tunick has traveled the globe creating staged images of multiple nude figures in urban and rural public settings. And since 2000\, collector Stephane Janssen has been a participant in photographs that range from a handful of figures in an art museum to thousands of volunteers in the Dead Sea. “Participant” includes more than 20 works from the Janssen collection which are a blend of photography\, installation and performance. \nThis exhibition and the accompanying artist’s book are supported by Stéphane Janssen. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at  andrea.feller@asu.edu. \nASU Art Museum Hours :\nTuesday: During academic semesters 11 a.m. – 8 p.m.; Summer hours: 11 a.m. – 5 p.m.\nWednesday–Saturday: 11 a.m. – 5 p.m.\nAdditional educator hours by appointment: Mondays and before 11 a.m. Tuesday–Thursday\nClosed: Sunday\, Monday and holidays \nImage credit: Detail: Spencer Tunick\, Flanders 2 (Gaasbeek Castle\, Belgium)\, 2011. Chromogenic print\, 48 x 60 in. Image courtesy of the artist. \n\n\n\n\nContact:\n\nHeather Lineberry\n\n\n\n\n https://asuevents.asu.edu/content/participant-photographs-spencer-tunick-st%C3%A9phane-janssen-collection\n\n\n\nPhone:\n\n480-965-5272\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudent\, Faculty\, Staff
URL:https://asuartmuseum.org/event-exhibition/participant-photographs-by-spencer-tunick-from-the-stephane-janssen-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20160109T000000
DTEND;TZID=America/Phoenix:20160501T000000
DTSTAMP:20260919T221336
CREATED:20160226T022000Z
LAST-MODIFIED:20241029T232007Z
UID:4325-1452297600-1462060800@asuartmuseum.org
SUMMARY:SUPERFLEX: Superfake/The Parley
DESCRIPTION:Taking the form of an experimental laboratory or studio\, “Superfake/The Parley” features new images\, video and sculptural works by the Danish artist collective SUPERFLEX. The commissioned project takes a painting in the ASU Art Museum collection attributed to Frederic Remington as a starting point to examine issues of authenticity\, reproduction and value\, including the emotional value of an artwork. \nPresented in collaboration with the ASU LeRoy Eyring Center for Solid State Science and with the ASU Art Museum’s Conservation Studio. The exhibition is generously supported by Diane Harrison\, the Helme Prinzen Endowment and AZ-Tech Radiology\, and was made possible in part by the Institute of Museum and Library Services\, Museums for America Grant Number MA-20-14-0236-14. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at  andrea.feller@asu.edu. \nASU Art Museum Hours:\nTuesday: During academic semesters 11 a.m. – 8 p.m.; Summer hours: 11 a.m. – 5 p.m.\nWednesday–Saturday: 11 a.m. – 5 p.m.\nAdditional educator hours by appointment: Mondays and before 11 a.m. Tuesday–Thursday\nClosed: Sunday\, Monday and holidays \nImage credit: Infrared photography test\, courtesy of the artists and 1301PE. \n\n\n\n\nContact:\n\nJulio Morales\n\n\n\n\n https://asuevents.asu.edu/content/superflex-superfakethe-parley\n\n\n\nPhone:\n\n480-965-0497\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudent\, Faculty\, Staff
URL:https://asuartmuseum.org/event-exhibition/superflex-superfake-the-parley/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20151212T000000
DTEND;TZID=America/Phoenix:20160327T000000
DTSTAMP:20260919T221336
CREATED:20160226T022000Z
LAST-MODIFIED:20241029T235435Z
UID:4324-1449878400-1459036800@asuartmuseum.org
SUMMARY:Paul J. Smith Portraits: A Photographic Journal of the Ceramic Community
DESCRIPTION:Legendary curator and museum director Paul J. Smith has spent his career creating exhibitions and supporting the careers of artists who have come to define the contemporary studio craft movement. This exhibition pairs a portfolio of 20 of Smith’s portraits with works from the ASU Art Museum’s unparalleled collection of contemporary ceramics. \nSmith will present his reflections on the studio craft movement at a free lecture on Feb. 20 at 3:30 p.m. at the ASU Art Museum Brickyard. He will be visiting Tempe as the honored guest at Ceram-A-Rama\, the ASU Art Museum’s biennial celebration of all things clay in the Phoenix area. \nThe exhibition is supported by members of the ASU Art Museum Ceramics Research Center. \nEvent: Free lecture\, Feb. 20\, 3:30 p.m. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at  andrea.feller@asu.edu. \nASU Art Museum Ceramics Research Center and Brickyard Gallery Hours:\nTuesday: During academic semesters 11 a.m. – 8 p.m.; Summer hours: 11 a.m. – 5 p.m.\nWednesday–Saturday: 11 a.m. – 5 p.m.\nAdditional educator hours by appointment: Mondays and before 11 a.m. Tuesday–Thursday\nClosed: Sunday\, Monday and holidays \nImage credit: Paul J. Smith\, “James Tanner\,” 1993. Image courtesy of the artist. \n\n\n\n\nContact:\n\nMary-Beth Buesgen\n\n\n\n\n https://asuevents.asu.edu/content/paul-j-smith-portraits-photographic-journal-ceramic-community\n\n\n\nPhone:\n\n480-965-7092\n\n\n\nImage URL:\n\nhttps://dev-hida-aam.ws.asu.edu/sites/default/files/images_asuevents/paul_j_smith_james_tanner_4.jpg>\n\n\n\nAudience:\n\nStudent\, Faculty\, Staff
URL:https://asuartmuseum.org/event-exhibition/paul-j-smith-portraits-a-photographic-journal-of-the-ceramic-community/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20151107T000000
DTEND;TZID=America/Phoenix:20160207T000000
DTSTAMP:20260919T221336
CREATED:20170217T051300Z
LAST-MODIFIED:20241029T225741Z
UID:4323-1446854400-1454803200@asuartmuseum.org
SUMMARY:Where Without Whom
DESCRIPTION:Taking the spirit of Octavio Paz’s poem\, Where Without Whom\, as a guide\, this exhibition from the ASU Art Museum’s collection of Latin American prints and photographs features work by José Ygnacio Bermúdez\, Enrique Chagoya\, Luis Gonzalez Palma\, Vincent Valdez and others. \nThis exhibition is supported by the Evelyn Smith Exhibition Fund. Where Without Whom is part of the Contact Zones series of exhibitions at the ASU Art Museum\, which focuses on contemporary migration and its intricate uncertainties within border culture\, destiny and contested histories. The series includes new commission-based video installations\, public engaged programs\, guest-curated exhibitions and artist initiated projects. \n\n\n\n\nContact:\n\nMary-Beth Buesgen\n\n\n\n\n https://asuartmuseum.asu.edu/content/where-without-whom\n\n\n\nImage URL:\n\nhttps://asuartmuseum.asu.edu/sites/default/files/images_asuevents/where-without-whom_1.jpg>\n\n\n\nAudience:\n\nstudent\nFaculty\nCampus student\, Student\, Faculty\, Staff\, Alumni
URL:https://asuartmuseum.org/event-exhibition/where-without-whom/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20151009T000000
DTEND;TZID=America/Phoenix:20151009T000000
DTSTAMP:20260919T221336
CREATED:20170304T023000Z
LAST-MODIFIED:20241029T205421Z
UID:4322-1444348800-1444348800@asuartmuseum.org
SUMMARY:Postcommodity: Repellent Fence
DESCRIPTION:Douglas\, Arizona and Agua Prieta\, Sonora\n\n\n\n\nOff Campus\n\n\n\n\n\nRepellent Fence is a temporary two-mile long land art installation intersecting the U.S./Mexico border. The installation is comprised of 26 tethered “scare eye” balloons\, ten feet in diameter\, floating 50 feet above the desert landscape.\nRepellent Fence is a social collaborative project among individuals\, communities\, institutional organizations\, publics and sovereigns that culminates with the establishment of a large-scale temporary monument located near Douglas\, Ariz. and Agua Prieta\, Mexico. According to the artists\, the purpose of this installation is to bi-directionally reach across the U.S./Mexican border as a suture that stiches the peoples of the Americas together — symbolically demonstrating the interconnectedness of the Western Hemisphere by recognizing the land\, indigenous peoples\, history\, relationships\, movement and communication.\nRepellent Fence is presented in collaboration with Arizona State University Art Museum and supported by grants from Creative Capital\, Native Arts and Cultures Foundation\, Joan Mitchell Foundation and Art Matters.\nABOUT POSTCOMMODITY\nPostcommodity is an interdisciplinary arts collective comprised of Raven Chacon\, Cristóbal Martínez and Kade L. Twist. Postcommodity’s art functions as a shared Indigenous voice to engage manifestations of globalism and the ever-expanding\, multinational\, multiracial and multi-ethnic colonizing force that is defining the 21st century through ever increasing velocities and complex forms of violence. Postcommodity works to forge new metaphors capable of rationalizing our shared experiences within this increasingly challenging contemporary environment; promote a constructive discourse that challenges the social\, political and economic processes that are destabilizing communities and geographies; and connect Indigenous narratives of cultural self-determination with the broader public.
URL:https://asuartmuseum.org/event-exhibition/postcommodity-repellent-fence/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150912T000000
DTEND;TZID=America/Phoenix:20151227T000000
DTSTAMP:20260919T221336
CREATED:20170304T024500Z
LAST-MODIFIED:20241029T204653Z
UID:4321-1442016000-1451174400@asuartmuseum.org
SUMMARY:Miguel Angel Rios: Landlocked
DESCRIPTION:The first video survey of Mexico City-based artist Miguel Angel Rios\, Landlocked follows Rios’ remarkable journey into a unique artistic practice that addresses issues of power\, apathy and violence though his innovative use of social and political narratives and original production technique. The exhibition includes four never before seen works commissioned by the museum. \nThis exhibition is supported by the Diane and Bruce Halle Foundation. Landlocked is part of the Contact Zones series of exhibitions at the ASU Art Museum that focuses on contemporary migration and its intricate uncertainties within border culture\, destiny and contested histories. The series includes new commission-based video installations\, public engaged programs\, guest-curated exhibitions and artist initiated projects. \n\n\n\n\nOpening Reception:\n\nFriday\, September 11\, 2015 from 6:30–8:30 p.m.(with a members\, alumni and press preview from 5:30–6:30 p.m.)
URL:https://asuartmuseum.org/event-exhibition/miguel-angel-rios-landlocked/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150824T000000
DTEND;TZID=America/Phoenix:20151004T000000
DTSTAMP:20260919T221336
CREATED:20170304T030900Z
LAST-MODIFIED:20241030T000007Z
UID:4320-1440374400-1443916800@asuartmuseum.org
SUMMARY:(Project Space) Yoshua Okón: Octopus
DESCRIPTION:PUBLIC HOURS\nFriday – Saturday\, noon – 6 p.m.\nFirst and Third Fridays\, 4 – 9 p.m. \nABOUT YOSHUA OKÓN: OCTOPUS\nProduced in 2011\, while Okón was an artist-in-residence at the UCLA Hammer Museum\, Octopus is a video installation depicting a reenactment of the Guatemalan Civil War at the parking lot of a Home Depot in Los Angeles\, staged by day laborers that are ex-guerillas who fought in the war. The sequel to Octopus\, titled Oracle \, was commissioned by the ASU Art Museum and presented at the museum in Summer 2015. \nABOUT THE PROJECT SPACE\nASU Art Museum’s Project Space at the International Artist Residency Program in downtown Phoenix offers a unique opportunity for emerging and established artists to develop and experiment with new bodies of work in all media and to share their process and ideas with our communities over an extended period of time. Artists selected for the residencies have a multi-disciplinary practice and an interest in collaborative projects in order to explore forms of engagement.\nThe Project Space is not a traditional exhibition venue but a laboratory for socially-based art practice. Public access to the space\, collaborating partners and residency duration shift with each project. The curator and residency staff establish these parameters with the artist(s).
URL:https://asuartmuseum.org/event-exhibition/project-space-yoshua-okon-octopus/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150801T000000
DTEND;TZID=America/Phoenix:20151122T000000
DTSTAMP:20260919T221336
CREATED:20170306T225700Z
LAST-MODIFIED:20241030T000230Z
UID:4319-1438387200-1448150400@asuartmuseum.org
SUMMARY:Statement Piece: Erik Gronborg and Ehren Tool
DESCRIPTION:Statement Piece brings together two like-minded ceramic artists from different generations. Danish-born Erik Gronborg came of age in the 1960s\, when he began making handmade pottery that fused Pop Art and social activism. Ehren Tool served in the Marine Corps during the first Gulf War and makes functional cups that he gives away to facilitate dialogue about the realities of war. \nThis exhibition is supported by the Helme Prinzen Endowment and by the Museum of Contemporary Craft in Portland\, Ore.\, Ron M. Werner and Scott McCoy\, Dan Berman and Greg Weller\, James\nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, September 11\, 2015 from6:30–8:30 p.m. (with a members\, alumni and press preview from 5:30–6:30p.m.)
URL:https://asuartmuseum.org/event-exhibition/statement-piece-erik-gronborg-and-ehren-tool/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150711T000000
DTEND;TZID=America/Phoenix:20151105T000000
DTSTAMP:20260919T221336
CREATED:20170306T225900Z
LAST-MODIFIED:20241029T231953Z
UID:4318-1436572800-1446681600@asuartmuseum.org
SUMMARY:Found(ing) Story: The Oliver B. James Collection
DESCRIPTION:In 1950\, Oliver B. James\, a Phoenix attorney\, donated 16 paintings to Arizona State University to provide students access to real art objects. Before 1955\, James would acquire and donate close to 150 works — primarily historic American paintings by well-known artists. Travel back in time with us and explore the story of the ASU Art Museum’s founding. \nThis exhibition is supported by the Evelyn Smith Exhibition Fund and members of the ASU Art Museum. \nIn conjunction with this exhibition\, selected prints from the Oliver B. James collection will be on view in the museum’s Multi-Purpose Room\, May 16 – Sept. 12\, 2015. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/founding-story-the-oliver-b-james-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150702T000000
DTEND;TZID=America/Phoenix:20150823T000000
DTSTAMP:20260919T221336
CREATED:20170306T231100Z
LAST-MODIFIED:20241029T231808Z
UID:4654-1435795200-1440288000@asuartmuseum.org
SUMMARY:Yoshua Okón: Oracle
DESCRIPTION:For this second part to his critically acclaimed video Octopus (2011)\, Yoshua Okón has created a multi-channel video installation centering on anti-immigration protests against unaccompanied children that are fleeing violence and poverty from Central America into the United States. Produced during Okón’s residency at the ASU Art Museum International Artist Residency Program\, Oracle was inspired by Okón’s experiences in Oracle\, Arizona\, where he spoke to protest leaders to create a live reenactment of the event\, bringing into question perceptions of reality and truth. \nThis project was made possible in part by the Institute of Museum and Library Services\, Museums for America Grant Number MA-20-14-0236-14. Oracle is part of the Contact Zones series of exhibitions at the ASU Art Museum\, which focuses on contemporary migration and its intricate uncertainties within border culture\, destiny and contested histories. The series includes new commission-based video installations\, public engaged programs\, guest-curated exhibitions and artist initiated projects. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/yoshua-okon-oracle/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150516T000000
DTEND;TZID=America/Phoenix:20150906T000000
DTSTAMP:20260919T221336
CREATED:20170306T231500Z
LAST-MODIFIED:20241029T230200Z
UID:4653-1431734400-1441497600@asuartmuseum.org
SUMMARY:Found(ing): Prints
DESCRIPTION:Oliver B. James\, a Phoenix attorney\, anonymously donated paintings and prints to Arizona State University in the 1950s. His goal was to provide students\, faculty\, school children and the general public in Arizona with the opportunity to view and be inspired by original works of art. James thoughtfully acquired and donated close to 150 works of primarily American art\, working with Paula Kloster\, director of the art department and curator of the collection.\nJames collected European and American prints to represent the major artists in modern print history. This includes work of prominent artists from the 19th Century Etching Revival and from the 20th century publishing firm of Associated American Artists\, among others.\nJames’ print collection became the nucleus for the museum’s works-on-paper holdings which now number over 5\,500 etchings\, lithographs\, woodblocks\, photographs and drawings. This collection is housed in the Jules Heller Print Study Room\, exhibited in the galleries and studied by students and scholars.\nThis exhibition was selected from the ASU Art Museum’s permanent collection by Jean Makin\, curator of prints\, with research assistance from Kereese Harris\, education student internand master’s student in art history. Support for Found(ing): Prints is provided by the Evelyn Smith Exhibition Fund and members of the ASU Art Museum. \nThis exhibition is presented in conjuction with Found(ing) Story: The Oliver B. James Collection\, on view July 11 – Nov. 14\, 2015 in the museum’s Americas Gallery. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/founding-prints/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150502T000000
DTEND;TZID=America/Phoenix:20150809T000000
DTSTAMP:20260919T221336
CREATED:20170306T231800Z
LAST-MODIFIED:20241029T230107Z
UID:4314-1430524800-1439078400@asuartmuseum.org
SUMMARY:State of Exception
DESCRIPTION:This exhibition is at our downtown Phoenix residency program location.\nQuestions about visiting? Call 480.965.2787 and press “0” \nOver 300 backpacks\, water bottles\, border restraints and other objects left behind by undocumented migrants on their journey into the United States form the basis of this exhibition exploring the human experience of crossing the U.S./Mexico border. Video and images created on location along the Arizona border ask the viewer to consider the complexities of the found objects. \nThis exhibition is a collaboration between photographer Richard Barnes\, artist/curator Amanda Krugliak and anthropologist Jason De Leόn. It was originally presented at the Institute of the Humanities Gallery\, University of Michigan Ann Arbor. The ASU Art Museum presentation is supported by the Helme Prinzen Endowment. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/state-of-exception/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150207T000000
DTEND;TZID=America/Phoenix:20150607T000000
DTSTAMP:20260919T221336
CREATED:20170306T233600Z
LAST-MODIFIED:20241029T233635Z
UID:4312-1423267200-1433635200@asuartmuseum.org
SUMMARY:Unfixed: New Painting
DESCRIPTION:Featuring the work of Katherine Bernhardt\, Hugh Scott Douglas\, Jeff Elrod\, Daniel Lefcourt\, Eddie Peake\, Avery Singer\, Josh Smith and Brad Troemel. \nThe artists in the exhibition unfix historic notions of what a painting should be. Their works are hybrids of old and new\, familiar and surprising media and processes. Through this mix the artists find new ways to make\, think about and view painting. The results range from abstractions derived from street and popular culture to computer-generated algorithms printed on canvas. Somehow\, they are paintings while also beyond painting. \nThis exhibition was made possible by generous loans and support of the Ovitz Family Collection\, Los Angeles. Additional support from the Helme Prinzen Endowment. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/unfixed-new-painting/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150124T000000
DTEND;TZID=America/Phoenix:20150517T000000
DTSTAMP:20260919T221336
CREATED:20170306T234100Z
LAST-MODIFIED:20241029T232818Z
UID:4311-1422057600-1431820800@asuartmuseum.org
SUMMARY:Tan Ping: Follow My Line (彳亍 Chì Chù)
DESCRIPTION:Tan Ping is one of China’s most recognized artists and printmakers; his area of greatest exploration has been in abstract art rather than figurative work. In this installation of drawings and video\, he invites viewers to consider human expression and culturally-specific contexts of viewing. \nThis exhibition is generously supported by Tan Ping Studio\, the Helme Prinzen Endowment and Pifo New Art Gallery. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Feb. 20\, 2015 — Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/tan-ping-follow-my-line-%e5%bd%b3%e4%ba%8d-chi-chu/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150117T000000
DTEND;TZID=America/Phoenix:20150412T000000
DTSTAMP:20260919T221336
CREATED:20170307T000100Z
LAST-MODIFIED:20241029T232936Z
UID:4310-1421452800-1428796800@asuartmuseum.org
SUMMARY:Museum/Archive: Recent Acquisitions to the ASU Art Museum Collection
DESCRIPTION:Since the 1950s\, the ASU Art Museum has been actively collecting provocative and compelling artworks to share with our students and community members. The collection now includes more than 12\,000 objects\, primarily acquired through generous donation. One area of focus is work created at the ASU Art Museum; the current exhibition includes many of these objects and others in a range of media acquired within the past four years. \nThis exhibition is generously supported by the Evelyn Smith Exhibition Fund and members of the ASU Art Museum. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/museum-archive-recent-acquisitions-to-the-asu-art-museum-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20141212T000000
DTEND;TZID=America/Phoenix:20150405T000000
DTSTAMP:20260919T221336
CREATED:20170307T003200Z
LAST-MODIFIED:20241029T235438Z
UID:4309-1418342400-1428192000@asuartmuseum.org
SUMMARY:Architecture for Place: Glenn Murcutt
DESCRIPTION:Known for projects which ‘touch the earth lightly\,” architect Glenn Murcutt begins his work with a keen observation of the natural conditions of each site. His distinctive residences and public buildings combine simple materials with elegant and refined forms and detailing. Yet they are primarily concerned with bringing the qualities of the surrounding world into the daily experience of the occupants. Murcutt was “designing sustainably” long before the term became fashionable. Since 1972\, his practice has been based in Sydney\, Australia\, where he has developed a range of projects receiving international recognition\, including the 2002 Pritzker Prize and the American Institute of Architects Gold Medal in 2009. \nThe exhibition of drawings\, renderings\, photographs and models will be installed through an innovative collaboration between the ASU Art Museum\, The Design School and the local chapter of the American Institute of Architects. A graduate design studio working with faculty and curators will research\, design\, fabricate and install the exhibition to reflect the principles of Murcutt’s work. Their working process will be open to the public. \nThe exhibition was originated by TOTO and Gallery Ma in Tokyo\, Japan\, and is being traveled internationally by the Australian Architecture Foundation. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Dec. 12\, 2014 — PublicReception 5–7 p.m.
URL:https://asuartmuseum.org/event-exhibition/architecture-for-place-glenn-murcutt/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20141107T000000
DTEND;TZID=America/Phoenix:20141223T000000
DTSTAMP:20260919T221336
CREATED:20170307T004000Z
LAST-MODIFIED:20241029T225745Z
UID:4307-1415318400-1419292800@asuartmuseum.org
SUMMARY:Convergence / PHX - BG
DESCRIPTION:Convergence / PHX – BG\nCurator: Maida Gruden\, Belgrade\, Serbia\nArtists: Aleksandrija Ajduković\, Nidaa Aboulhosn\, Edgar Cardenas\, Sean Deckert\, William LeGoullon\, Goran Micevski\, Ivan Petrović\, Stefana Savić\, Nina Todorović\, Mihailo Vasiljević\, Ryan Parra\, Claire A. Warden \nABOUT THE EXHIBITION\nConvergence / PHX – BG is an exhibition of photographic works by artists from Phoenix and Belgrade. During her five-week stay at the ASU Art Museum International Artist Residency Program\, Maida Gruden (art historian\, curator\, and CEC ArtsLink Fellow for 2014 ) had the opportunity to meet a number of local artists and ASU students to view and learn about their work and processes. This short but eventful time has brought the opportunity for Gruden to develop an exhibition at the Combine Studios gallery based on her interaction with photographers from Phoenix and recent collaborations with photographers from Belgrade. \nThe exhibition represents a generational cross-section of artists from their twenties to their forties. It indicates a first step in connecting the artists\, audiences\, photographic processes and people from two distant towns. The title Convergence / PHX – BG is intended for the viewer to consider similarities but also to raise interests for differences that enrich and intrigue our local perspectives. The same exhibition will be presented at the Students’ City Cultural Center Gallery in Belgrade at the beginning of 2015. The effects of this convergence will be to create a space for personal encounter and dialog of artists from Phoenix and Belgrade\, to help develop collaborative and exchangeable projects in the future. \nThe artists from Belgrade whose works are presented within the exhibition were participants in a summer 2014 photo colony titled Dislocations\, in Orlovat\, Serbia\, that was initiated by the curatorial duo maramaida of Gruden and her collaborator\, Mara Prohaska Marković. \nABOUT MAIDA GRUDEN\nAs a visual arts programmer at the Students’ City Cultural Center (SCCC) in Belgrade and a member of the curatorial duo maramaida\, Gruden is active in both the academic and alternative scenes. She is interested in involving the student community in art projects that can serve as a powerful tool for understanding society. At the SCCC\, she is currently working on a residency program for international photographers to create projects with students\, and she has also developed collective works involving artists\, students and citizens. To learn more about Gruden’s work\, visit  www.maidagruden.wordpress.com . \nABOUT THE RESIDENCY PROGRAM\nThe ASU Art Museum International Artist Residency Program brings accomplished national and international artists\, curators and scholars to ASU to develop new work with the research resources of Arizona State University and the diverse communities in Arizona. Gruden’s residency is funded in part through the support of ArtsLink Residencies \, which offers artists and arts managers from 37 overseas countries five-week residencies at non-profit arts organizations throughout the US. The program enables artists and communities across the U.S. to share artistic practices with artists and arts managers from abroad and engage in dialogue that advances understanding across cultures. \nRESIDENCY PROGRAM GALLERY HOURS\nopen Wednesday – Friday\, 2 – 6 p.m.\nFirst Fridays and Third Fridays\, 6 – 9 p.m. \n\n\n\n\nOpening Reception:\n\nOpening Reception: First Friday Opening Reception:Nov. 7\, 6-9 p.m.\n\n\n\nCurator:\n\nMaida Gruden
URL:https://asuartmuseum.org/event-exhibition/convergence-phx-bg/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20141006T000000
DTEND;TZID=America/Phoenix:20150118T000000
DTSTAMP:20260919T221336
CREATED:20170307T004900Z
LAST-MODIFIED:20241029T210133Z
UID:4305-1412553600-1421539200@asuartmuseum.org
SUMMARY:Trout Fishing in America and Other stories
DESCRIPTION:Artists Bryndis Snæbjörnsdóttir (Iceland) and Mark Wilson (England) explore the networked effects of conservation initiatives in Arizona. Over two years\, they researched programs underway to reintroduce the California Condor and the Humpback Chub into the Grand Canyon. Through humor\, wonder and surprise\, their installation of photographs\, videos and sculpture explores the complexity of human-animal interactions and their combined impact on ecologies. \nThis project is supported by a research grant from The Julie Ann Wrigley Global Institute of Sustainability at ASU. Additional support generously provided by Arizona Game and Fish Department Heritage Fund\, University of Cumbria\, U.K.\, the Helme Prinzen Endowment\, The Steele Foundation\, the City of Tempe\, the College of Liberal Arts and Sciences\, ASU Department of English and the ASU Art Museum Creative Impact Board. \nRELATED PROGRAMS\nHow Can Art Advance Sustainability?\nFriday\, Oct. 3\, 2014\, 11 a.m. to 5 p.m.\nJoin us for a conversation with an international assemblage of artists\, art critics\, philosophers\, scientists and journalists to discuss conservation and our cultural perceptions of nature. Free and open to the public; come and go as you please. Full program information and speaker bios are available here:  https://asuevents.asu.edu/how-can-art-advance-sustainability-symposium
URL:https://asuartmuseum.org/event-exhibition/trout-fishing-in-america-and-other-stories/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20141002T000000
DTEND;TZID=America/Phoenix:20141002T000000
DTSTAMP:20260919T221336
CREATED:20170307T005000Z
LAST-MODIFIED:20241029T210557Z
UID:4304-1412208000-1412208000@asuartmuseum.org
SUMMARY:ASU Art Museum Fall 2014 Season Opening Reception
DESCRIPTION:Join us at the ASU Art Museum to celebrate our Fall 2014 season and the opening of the exhibitions In Solitude\, Where We Are Least Alone \, Shifting Sands: Recent Videos from the Middle East \, Richard T. Walker: the predicament of always (as we are) \, and Trout Fishing in America and Other stories . \nMembers\, alumni\, and press are invited to join us for a preview from 5:30 to 6:30 p.m.\nPublic reception will be held from 6:30 to 8:30 p.m. \nThe ASU Art Museum’s Fall 2014 Season Opening Reception is sponsored by Macayo’s Mexican Kitchen and the ASU Art Museum Creative Impact Board.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museum-fall-2014-season-opening-reception/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140927T000000
DTEND;TZID=America/Phoenix:20150104T000000
DTSTAMP:20260919T221336
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195756Z
UID:4303-1411776000-1420329600@asuartmuseum.org
SUMMARY:Richard T. Walker: the predicament of always (as we are)
DESCRIPTION:Richard T. Walker’s videos\, photographs\, installations and performances take seclusion\, human nature and dialogue as their subjects. Focusing on the experience of our surrounding environments\, his works highlight clashes between innate desire\, cultural interpretation and reality\, becoming almost behavioral studies of the act of experiencing. \nThis exhibition is generously supported by Carroll/Fletcher Gallery\, London\, and the Helme Prinzen Endowment. \nRELATED PROGRAMMING:\nTuesday\, Sept. 23\, 6:30–7:30 p.m.\nGallery Preview and Lecture: Richard T. Walker\nLearn more and RSVP:  https://asuevents.asu.edu/gallery-preview-and-lecture-richard-t-walker
URL:https://asuartmuseum.org/event-exhibition/richard-t-walker-the-predicament-of-always-as-we-are/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140925T000000
DTEND;TZID=America/Phoenix:20140925T000000
DTSTAMP:20260919T221336
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195810Z
UID:4302-1411603200-1411603200@asuartmuseum.org
SUMMARY:Director's Council Lecture Series with ASU Art Museum Director Gordon Knox
DESCRIPTION:Join ASU Art Museum Director Gordon Knox for a presentation and discussion about art\, science\, innovation and technology. \nFree and open to the public. RSVP required; seating is limited.\nVisit  https://amuseum-knoxlecture.eventbrite.com to RSVP.\nArt and science are our species’ primary systems of knowledge production. Both are highly disciplined\, focused\, peer-reviewed\, cumulative and broadly collaborative ways of investigating\, explaining and understanding the world and our universe. Art and science work at the very perimeters of what we know and delve deeply into what we think we know\, making the invisible visible and bringing forward hidden — or obfuscated — patterns and connections. Yet they are decidedly different; on opposite ends of the continuum of knowledge production\, they complement each other as we strive to make sense of it all. \nLecture sponsored by the ASU Art Museum Director’s Council.
URL:https://asuartmuseum.org/event-exhibition/directors-council-lecture-series-with-asu-art-museum-director-gordon-knox/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140923T000000
DTEND;TZID=America/Phoenix:20140923T000000
DTSTAMP:20260919T221336
CREATED:20241029T195138Z
LAST-MODIFIED:20241029T195837Z
UID:4301-1411430400-1411430400@asuartmuseum.org
SUMMARY:Gallery Preview and Lecture: Richard T. Walker
DESCRIPTION:Artist Richard T. Walker will give a behind-the-scenes tour of the installation of his upcoming exhibition at the ASU Art Museum\, Richard T. Walker: the predicament of always (as we are) \, which opens Sept. 27\, 2014.\nWalker\, a British artist currently living and working in San Francisco\, brings a unique outsider perspective to the American West landscape. His videos\, photographs\, installations and performances take seclusion\, human nature and dialogue as their subjects. Focusing on the experience of our surrounding environments\, Walker’s works highlight clashes between innate desire\, cultural interpretation and reality\, becoming almost behavioral studies of the act of experiencing. \nFor Richard T. Walker: the predicament of always (as we are) \, on view through January 3\, 2015\, Walker places musical instruments inside the frame of multiple landscapes\, creating a soundtrack from his experience by responding to nature through musical and visual compositions. The multi-layered result both activates and interrupts the landscape through a unique homage to the sublime. \nThis gallery preview and lecture is free and open to the public. Seating is limited and RSVPs are required. To RSVP\, vist:  https://amuseum-richardtwalker.eventbrite.com
URL:https://asuartmuseum.org/event-exhibition/gallery-preview-and-lecture-richard-t-walker/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140919T000000
DTEND;TZID=America/Phoenix:20141026T000000
DTSTAMP:20260919T221336
CREATED:20170307T005400Z
LAST-MODIFIED:20241029T204445Z
UID:4300-1411084800-1414281600@asuartmuseum.org
SUMMARY:Alejandro Almanza Pereda: Down_Under_Side
DESCRIPTION:“Man loves everything that satisfies his comfort. He hates everything that wants to draw him out of his acquired and secured position and that disturbs him. Thus he loves the house and hates art.”\n— Alfred Loos\, Pioneering Modernist Architect\n“Every day\, in our lives\, we face risk with possible dangers. Every situation encountered is confronted by the speculation of hazards. Risk perception enables us to make an assessment of what consequences we face by partaking in certain decisions or activities. Through my sculptures\, photographs\, and installations\, I take these preconceived ideas of what is considered dangerous and create tension and awkwardness for the spectator.”\n— Alejandro Almanza Pereda \nNew York and Mexico City-based artist Alejandro Almanza Pereda constructs installations from an assembly of mundane objects\, such as cinder blocks\, fluorescent light bulbs\, bowling balls\, fish tanks and old furniture. Through the juxtaposition and pairing of materials and objects\, he achieves a sense of tension from makeshift environments with specific connotations such as fragility\, value and weight. The installations create an expectation of a possible future event\, which adds a temporal dimension to the static object. The precariousness of its instability affects the viewer’s knowledge\, and their assessment of its impending violent destruction that may or may never come. \nAlmanza’s work brings into question the definition of architecture in relation to daily urban life. In his new work\, Down_Under_Side\, the artist poses the question: How do the concepts of solidity\, utility and beauty function in architecture today? When can a structure no longer hold its contents\, or no longer hold itself? The premier of his new body of work exposes recent interests in 17th century Northern European still life paintings\, which come into play as he recreates a new series of still life videos inside swimming pools. A collaboration with Iraqi-born and Phoenix-based painter Bassim Al Shaker will also be part of the installation\, featuring a new still life painting created specially for the exhibition. \nUsing his collection of antiques and thrift store finds from Mexico\, New York and Phoenix\, Almanza has also chosen to shoot the still life scenes underwater and upside-down in an almost film noir setting in black and white. One can see the construction and deconstruction of the still life as it relates to the construction of how cultural memory is inherent in the displayed objects\, flowers\, vegetables\, fruits and drinking vessels. The structure or still life scenario that Almanza has created brings into question: What happens when the content becomes more important than the actual structure? \nThe ASU Art Museum International Artist Residency Program in downtown Phoenix at Combine Studios is open 2 – 6 p.m. on Wednesday through Saturday and by appointment for the duration of Almanza’s installation. For directions\, visit:  http://asuartmuseum.asu.edu/about/visit.php
URL:https://asuartmuseum.org/event-exhibition/alejandro-almanza-pereda-down_under_side/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140909T000000
DTEND;TZID=America/Phoenix:20141130T000000
DTSTAMP:20260919T221336
CREATED:20170307T012300Z
LAST-MODIFIED:20241029T184836Z
UID:4636-1410220800-1417305600@asuartmuseum.org
SUMMARY:Shifting Sands: Recent Videos from the Middle East
DESCRIPTION:Featuring international artists who use film and video to explore the Middle Eastern desert as a site charged with meaning\, this exhibition explores zones of conflict\, including the Israel-Palestine border and Afghanistan\, and the shifting personal\, political and geographical landscapes of the Middle East. Artists include: Lida Abdul (Afghanistan)\, Yael Bartana (Germany/Israel)\, Emily Jacir (Palestine/Italy) and Isabel Rocamora (Spain/U.K.). \nThis exhibition was co-curated by Kate Bonansinga and Kerry Doyle\, and originally presented at the Rubin Center for the Visual Arts\, University of Texas at El Paso\, in conjunction with Desert One\, a regional\, collaborative project involving a network of institutions initiated by the Desert Initiative at the ASU Art Museum. The ASU Art Museum presentation is supported by the Helme Prinzen Endowment. \nRELATED PROGRAMS\nTuesday\, Sept. 9\, 2014\, 6–8 p.m. at the ASU Art Museum\n“Civility in Action\, Part I” \nA series of Valley-wide citizen dialogues on election issues\, “Civility in Action” is designed to foster civility. Hosted by the Institute for Civil Dialogue\, in association with the Hugh Downs School of Human Communication at ASU\, it provides a structured format for public dialogue as a tool to build bridges across the chasm of public viewpoints. This conversation in the series will be set against the backdrop of the “Shifting Sands” exhibition and consider political issues and the Middle East. \nThursday\, Oct. 30\, 2014\, 7 p.m. offsite at the ASU Physical Education Building East\, room 132\n“Dancing in Jaffa” Film Screening and Discussion \nDancing in Jaffa is a compelling new documentary about ballroom dancing as a means of bridging differences between Jewish and Muslim children. This screening\, presented in conjunction with “Shifting Sands” at the ASU Art Museum\, is co-sponsored by the Center for Jewish Studies\, the Center for the Study of Religion and Conflict\, the ASU School of Film\, Dance and Theatre and the Herberger Institute for Design and the Arts Socially Engaged Practice Program. \n\n\n\n\nOpening Reception:\n\nOpening Reception: Thursday\, Oct. 2\, 2014 – Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/shifting-sands-recent-videos-from-the-middle-east/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140809T000000
DTEND;TZID=America/Phoenix:20141109T000000
DTSTAMP:20260919T221336
CREATED:20170307T012600Z
LAST-MODIFIED:20241029T235610Z
UID:4298-1407542400-1415491200@asuartmuseum.org
SUMMARY:In Solitude\, Where We Are Least Alone
DESCRIPTION:Inspired by the essays of American transcendentalists Henry David Thoreau and Ralph Waldo Emerson\, this exhibition explores the value of seclusion and self-reflection. The works\, which range in date and medium\, consider both the pain and pleasure of isolation\, ultimately posing the question: At what point does solitude cease to be a refuge from society?\nThis exhibition is curated from the ASU Art Museum’s permanent collection by Brittany Corrales\, Windgate curatorial assistant and graduate student in art history\, and is supported by the Evelyn Smith Exhibition Fund. \nRELATED PROGRAMMING:\nWednesday\, Oct. 15\, noon – 1 p.m.\nGallery Talk: In Solitude\, Where We Are Least Alone with Brittany Corrales\nLearn more and RSVP:  https://asuevents.asu.edu/gallery-talk-solitude-where-we-are-least-alone-brittany-corrales
URL:https://asuartmuseum.org/event-exhibition/in-solitude-where-we-are-least-alone/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140721T000000
DTEND;TZID=America/Phoenix:20140914T000000
DTSTAMP:20260919T221336
CREATED:20170307T014400Z
LAST-MODIFIED:20241029T231805Z
UID:4297-1405900800-1410652800@asuartmuseum.org
SUMMARY:The Garden in the Machine
DESCRIPTION:Based on the 1964 book by Leo Marx\, The Machine in the Garden\, the exhibition’s title refers to the “pastoral” and “progressive” ideals explored in his writing. This seminal work characterized early 20th century American culture and its relationship to technology\, contemporary society and urban expansion. Today\, similar themes emerge in China\, where people are currently dealing with the effects of massive urban expansion. \nThe Garden in the Machine is the U.S. premiere of new video works by artists Cao Fei\, Michael Leung\, Xu Tan\, Koki Tanaka and Zhou Tao\, all working in China. They use research videos\, experimental documentaries and cinematic approaches to explore strategies for coping with today’s social realities. The artists deal with topics that include forced migration\, urbanization\, industrialization\, food security\, environmental and social conflicts. \nEXHIBITION SCREENING DATES:\nEach week for the duration of the exhibition a different video will be screened. In the rear of the gallery are two stations that allow you to view all of the videos in the series at any time. \nKoki Tanaka\, a pottery produced by 5 potters at once (silent attempt)\, 2013. HD Video\, 74:00 minutes.\nWill be screened June 21–28\, July 29–Aug. 2 and Sept. 2–6\, 2014.\nCao Fei\, Haze and Fog\, 2013. HD Video\, 47:12 minutes.\nWill be screened July 1–5\, Aug. 5–9 and Sept. 9–13\, 2014.\nZhou Tao\, After Reality\, 2013. HD Video\, 14:03 minutes.\nWill be screened July 8 – 12 and Aug. 12 – 16.\nXu Tan\, Social Plants and Thought Spasm\, 2013. HD Video\, 10:08 minutes.\nWill be screened July 15–19 and Aug. 19–23\, 2014.\nMichael Leung\, Hong Kong Salt Project\, 2013. HD Video\, 5:08 minutes.\nWill be screened July 22–26 and Aug. 26–30\, 2014. \nCLOSING RECEPTION:\nThursday\, Sept. 4\, 2014\, 4–7 p.m.\nCelebrate the closing of The Garden in the Machine with a lecture by San Francisco-based curator of contemporary Chinese art Xiaoyu Weng and a special screening of the zombie film Haze and Fog by artist Cao Fei. Reception sponsored by Taste of Tops and Macayo’s Mexican Kitchen.\nLearn more:  https://asuevents.asu.edu/closing-reception-garden-machine
URL:https://asuartmuseum.org/event-exhibition/the-garden-in-the-machine/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140719T000000
DTEND;TZID=America/Phoenix:20141012T000000
DTSTAMP:20260919T221336
CREATED:20170307T014000Z
LAST-MODIFIED:20241029T231814Z
UID:4296-1405728000-1413072000@asuartmuseum.org
SUMMARY:These Are Some of My Favorite Things
DESCRIPTION:For his final exhibition prior to his retirement this summer\, curator of ceramics Peter Held examines the compulsion to collect. He includes cabinets of curiosities\, knick-knacks and creative tableaus from local artists\, designers and the public-at-large in an exhibition that highlights how we’re all equally passionate and obsessive about the things we love and choose to live with. \nThese Are Some of My Favorite Things features eight private collections from local artists\, collectors and creatives\, all equally passionate and obsessive about the things they love and choose to live with. They include: Cyndi Coon (small white objects); Emily Long (vintage Arizona objects); Gretchen Freeman (folk and naïve art); Mark Klett (sunrise sticks); Randall and Katherine Schmidt (military trench art); Joe Willie Smith (African folk and naïve art); Kathleen Vanesian (Mexican folk art) and Kurt Weiser (childhood and travel memorabilia). \nAlso included is a selection of works from the museum’s permanent collection chosen by curator of ceramics Peter Held\, focused on the ceramic Funk movement. One of Held’s favorite time periods in the development of American studio ceramics\, Funk ceramics emerged from the San Francisco Bay Area alternative underground and were shaped by counter-cultural aesthetics in the 1950s and 60s. The movement was spearheaded by Robert Arneson at the University of California-Davis\, who encouraged his ceramic students to explore a new terrain of art. In addition to a number of iconic works by Arneson\, works by Fred Bauer\, David Gilhooly\, Erik Gronborg\, Peter VandenBerge and Patti Warashina will be included. \nThis exhibition is generously supported by the Ceramics Research Center’s Artists’ Advisory Committee. \nRELATED PROGRAMS\nTuesday\, Oct. 7\, 2014\, 6:30–8:30 p.m. (members and alumni preview 5:30–6:30 p.m.)\nJoin us for a special closing reception event for These Are Some of My Favorite Things at the ASU Art Museum Brickyard with Peter Held\, curator of the exhibition and the collectors whose work is showcased. Plus\, meet the ASU Art Museum’s new ceramics curator\, Garth Johnson \, who is visiting the museum before the official start of his curatorship in December 2014.
URL:https://asuartmuseum.org/event-exhibition/these-are-some-of-my-favorite-things/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140614T000000
DTEND;TZID=America/Phoenix:20140722T000000
DTSTAMP:20260919T221336
CREATED:20170307T014900Z
LAST-MODIFIED:20241029T231522Z
UID:4632-1402704000-1405987200@asuartmuseum.org
SUMMARY:Gallery Conversations: This is Not America\, Part III
DESCRIPTION:The ASU Art Museum presents gallery conversations and tours of This is Not America\, Part III . Explore this remarkable exhibition with the ASU Master of Fine Arts students who co-curated it alongside Julio Cesar Morales. \nFree and open to the public; join us for one or for both!\nTours will convene in the ASU Art Museum lobby; reservations are not required. \nOn Saturday\, June 14 at 3 p.m.\nEstrella Payton\, Adam Montoya and Eli McGlothern will lead the conversation\, with special presentations on the art of Robert Indiana\, John James Audubon and Samuel A. Robb. \nOn Saturday\, June 21 at 3 p.m.\nCarrie Meyer and Julio Cesar Morales will lead the conversation\, with special presentations on the art of William Kentridge\, Rip Woods\, Richard Notkin and S.M.S.
URL:https://asuartmuseum.org/event-exhibition/gallery-conversations-this-is-not-america-part-iii/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20131108T000000
DTEND;TZID=America/Phoenix:20131201T000000
DTSTAMP:20260919T221336
CREATED:20170309T001900Z
LAST-MODIFIED:20241029T225734Z
UID:4631-1383868800-1385856000@asuartmuseum.org
SUMMARY:MIRRORPEOPLE
DESCRIPTION:MIRROR< >PEOPLE is an exhibition that explores the speculative idea of the end of fidelity both as a metaphor and as a concept that mirrors social rituals about sharing uncertainty and finding our place in the world. \nThe new and previously unseen works exhibited by the School of Art’s esteemed faculty include video\, installation\, painting\, fiber\, works on paper and photography by Peter Bugg\, Binh Danh\, Angela Ellsworth\, Rogelio Gutierrez\, Erika Hanson\, Mary Hood\, Jill Mason\, Aaron Rothman\, Gregory Sale and Forrest Solis. \nMIRROR< >PEOPLE is one of three School of Art Biennial Faculty Exhibitions and\, in addition to this show\, two more exhibitions will be on view: the main exhibition located in ASU Art Museum\, Tempe and BACK IN THE DAY… taking place in the Harry Wood Gallery\, School of Art building\, ASU Tempe Campus. \nOpening Reception: Friday\, Nov. 8\, 6–8 p.m. \n 
URL:https://asuartmuseum.org/event-exhibition/mirrorpeople/
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR