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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140919T000000
DTEND;TZID=America/Phoenix:20141026T000000
DTSTAMP:20260920T161759
CREATED:20170307T005400Z
LAST-MODIFIED:20241029T204445Z
UID:4300-1411084800-1414281600@asuartmuseum.org
SUMMARY:Alejandro Almanza Pereda: Down_Under_Side
DESCRIPTION:“Man loves everything that satisfies his comfort. He hates everything that wants to draw him out of his acquired and secured position and that disturbs him. Thus he loves the house and hates art.”\n— Alfred Loos\, Pioneering Modernist Architect\n“Every day\, in our lives\, we face risk with possible dangers. Every situation encountered is confronted by the speculation of hazards. Risk perception enables us to make an assessment of what consequences we face by partaking in certain decisions or activities. Through my sculptures\, photographs\, and installations\, I take these preconceived ideas of what is considered dangerous and create tension and awkwardness for the spectator.”\n— Alejandro Almanza Pereda \nNew York and Mexico City-based artist Alejandro Almanza Pereda constructs installations from an assembly of mundane objects\, such as cinder blocks\, fluorescent light bulbs\, bowling balls\, fish tanks and old furniture. Through the juxtaposition and pairing of materials and objects\, he achieves a sense of tension from makeshift environments with specific connotations such as fragility\, value and weight. The installations create an expectation of a possible future event\, which adds a temporal dimension to the static object. The precariousness of its instability affects the viewer’s knowledge\, and their assessment of its impending violent destruction that may or may never come. \nAlmanza’s work brings into question the definition of architecture in relation to daily urban life. In his new work\, Down_Under_Side\, the artist poses the question: How do the concepts of solidity\, utility and beauty function in architecture today? When can a structure no longer hold its contents\, or no longer hold itself? The premier of his new body of work exposes recent interests in 17th century Northern European still life paintings\, which come into play as he recreates a new series of still life videos inside swimming pools. A collaboration with Iraqi-born and Phoenix-based painter Bassim Al Shaker will also be part of the installation\, featuring a new still life painting created specially for the exhibition. \nUsing his collection of antiques and thrift store finds from Mexico\, New York and Phoenix\, Almanza has also chosen to shoot the still life scenes underwater and upside-down in an almost film noir setting in black and white. One can see the construction and deconstruction of the still life as it relates to the construction of how cultural memory is inherent in the displayed objects\, flowers\, vegetables\, fruits and drinking vessels. The structure or still life scenario that Almanza has created brings into question: What happens when the content becomes more important than the actual structure? \nThe ASU Art Museum International Artist Residency Program in downtown Phoenix at Combine Studios is open 2 – 6 p.m. on Wednesday through Saturday and by appointment for the duration of Almanza’s installation. For directions\, visit:  http://asuartmuseum.asu.edu/about/visit.php
URL:https://asuartmuseum.org/event-exhibition/alejandro-almanza-pereda-down_under_side/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140909T000000
DTEND;TZID=America/Phoenix:20141130T000000
DTSTAMP:20260920T161759
CREATED:20170307T012300Z
LAST-MODIFIED:20241029T184836Z
UID:4636-1410220800-1417305600@asuartmuseum.org
SUMMARY:Shifting Sands: Recent Videos from the Middle East
DESCRIPTION:Featuring international artists who use film and video to explore the Middle Eastern desert as a site charged with meaning\, this exhibition explores zones of conflict\, including the Israel-Palestine border and Afghanistan\, and the shifting personal\, political and geographical landscapes of the Middle East. Artists include: Lida Abdul (Afghanistan)\, Yael Bartana (Germany/Israel)\, Emily Jacir (Palestine/Italy) and Isabel Rocamora (Spain/U.K.). \nThis exhibition was co-curated by Kate Bonansinga and Kerry Doyle\, and originally presented at the Rubin Center for the Visual Arts\, University of Texas at El Paso\, in conjunction with Desert One\, a regional\, collaborative project involving a network of institutions initiated by the Desert Initiative at the ASU Art Museum. The ASU Art Museum presentation is supported by the Helme Prinzen Endowment. \nRELATED PROGRAMS\nTuesday\, Sept. 9\, 2014\, 6–8 p.m. at the ASU Art Museum\n“Civility in Action\, Part I” \nA series of Valley-wide citizen dialogues on election issues\, “Civility in Action” is designed to foster civility. Hosted by the Institute for Civil Dialogue\, in association with the Hugh Downs School of Human Communication at ASU\, it provides a structured format for public dialogue as a tool to build bridges across the chasm of public viewpoints. This conversation in the series will be set against the backdrop of the “Shifting Sands” exhibition and consider political issues and the Middle East. \nThursday\, Oct. 30\, 2014\, 7 p.m. offsite at the ASU Physical Education Building East\, room 132\n“Dancing in Jaffa” Film Screening and Discussion \nDancing in Jaffa is a compelling new documentary about ballroom dancing as a means of bridging differences between Jewish and Muslim children. This screening\, presented in conjunction with “Shifting Sands” at the ASU Art Museum\, is co-sponsored by the Center for Jewish Studies\, the Center for the Study of Religion and Conflict\, the ASU School of Film\, Dance and Theatre and the Herberger Institute for Design and the Arts Socially Engaged Practice Program. \n\n\n\n\nOpening Reception:\n\nOpening Reception: Thursday\, Oct. 2\, 2014 – Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/shifting-sands-recent-videos-from-the-middle-east/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140809T000000
DTEND;TZID=America/Phoenix:20141109T000000
DTSTAMP:20260920T161759
CREATED:20170307T012600Z
LAST-MODIFIED:20241029T235610Z
UID:4298-1407542400-1415491200@asuartmuseum.org
SUMMARY:In Solitude\, Where We Are Least Alone
DESCRIPTION:Inspired by the essays of American transcendentalists Henry David Thoreau and Ralph Waldo Emerson\, this exhibition explores the value of seclusion and self-reflection. The works\, which range in date and medium\, consider both the pain and pleasure of isolation\, ultimately posing the question: At what point does solitude cease to be a refuge from society?\nThis exhibition is curated from the ASU Art Museum’s permanent collection by Brittany Corrales\, Windgate curatorial assistant and graduate student in art history\, and is supported by the Evelyn Smith Exhibition Fund. \nRELATED PROGRAMMING:\nWednesday\, Oct. 15\, noon – 1 p.m.\nGallery Talk: In Solitude\, Where We Are Least Alone with Brittany Corrales\nLearn more and RSVP:  https://asuevents.asu.edu/gallery-talk-solitude-where-we-are-least-alone-brittany-corrales
URL:https://asuartmuseum.org/event-exhibition/in-solitude-where-we-are-least-alone/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140721T000000
DTEND;TZID=America/Phoenix:20140914T000000
DTSTAMP:20260920T161759
CREATED:20170307T014400Z
LAST-MODIFIED:20241029T231805Z
UID:4297-1405900800-1410652800@asuartmuseum.org
SUMMARY:The Garden in the Machine
DESCRIPTION:Based on the 1964 book by Leo Marx\, The Machine in the Garden\, the exhibition’s title refers to the “pastoral” and “progressive” ideals explored in his writing. This seminal work characterized early 20th century American culture and its relationship to technology\, contemporary society and urban expansion. Today\, similar themes emerge in China\, where people are currently dealing with the effects of massive urban expansion. \nThe Garden in the Machine is the U.S. premiere of new video works by artists Cao Fei\, Michael Leung\, Xu Tan\, Koki Tanaka and Zhou Tao\, all working in China. They use research videos\, experimental documentaries and cinematic approaches to explore strategies for coping with today’s social realities. The artists deal with topics that include forced migration\, urbanization\, industrialization\, food security\, environmental and social conflicts. \nEXHIBITION SCREENING DATES:\nEach week for the duration of the exhibition a different video will be screened. In the rear of the gallery are two stations that allow you to view all of the videos in the series at any time. \nKoki Tanaka\, a pottery produced by 5 potters at once (silent attempt)\, 2013. HD Video\, 74:00 minutes.\nWill be screened June 21–28\, July 29–Aug. 2 and Sept. 2–6\, 2014.\nCao Fei\, Haze and Fog\, 2013. HD Video\, 47:12 minutes.\nWill be screened July 1–5\, Aug. 5–9 and Sept. 9–13\, 2014.\nZhou Tao\, After Reality\, 2013. HD Video\, 14:03 minutes.\nWill be screened July 8 – 12 and Aug. 12 – 16.\nXu Tan\, Social Plants and Thought Spasm\, 2013. HD Video\, 10:08 minutes.\nWill be screened July 15–19 and Aug. 19–23\, 2014.\nMichael Leung\, Hong Kong Salt Project\, 2013. HD Video\, 5:08 minutes.\nWill be screened July 22–26 and Aug. 26–30\, 2014. \nCLOSING RECEPTION:\nThursday\, Sept. 4\, 2014\, 4–7 p.m.\nCelebrate the closing of The Garden in the Machine with a lecture by San Francisco-based curator of contemporary Chinese art Xiaoyu Weng and a special screening of the zombie film Haze and Fog by artist Cao Fei. Reception sponsored by Taste of Tops and Macayo’s Mexican Kitchen.\nLearn more:  https://asuevents.asu.edu/closing-reception-garden-machine
URL:https://asuartmuseum.org/event-exhibition/the-garden-in-the-machine/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140719T000000
DTEND;TZID=America/Phoenix:20141012T000000
DTSTAMP:20260920T161759
CREATED:20170307T014000Z
LAST-MODIFIED:20241029T231814Z
UID:4296-1405728000-1413072000@asuartmuseum.org
SUMMARY:These Are Some of My Favorite Things
DESCRIPTION:For his final exhibition prior to his retirement this summer\, curator of ceramics Peter Held examines the compulsion to collect. He includes cabinets of curiosities\, knick-knacks and creative tableaus from local artists\, designers and the public-at-large in an exhibition that highlights how we’re all equally passionate and obsessive about the things we love and choose to live with. \nThese Are Some of My Favorite Things features eight private collections from local artists\, collectors and creatives\, all equally passionate and obsessive about the things they love and choose to live with. They include: Cyndi Coon (small white objects); Emily Long (vintage Arizona objects); Gretchen Freeman (folk and naïve art); Mark Klett (sunrise sticks); Randall and Katherine Schmidt (military trench art); Joe Willie Smith (African folk and naïve art); Kathleen Vanesian (Mexican folk art) and Kurt Weiser (childhood and travel memorabilia). \nAlso included is a selection of works from the museum’s permanent collection chosen by curator of ceramics Peter Held\, focused on the ceramic Funk movement. One of Held’s favorite time periods in the development of American studio ceramics\, Funk ceramics emerged from the San Francisco Bay Area alternative underground and were shaped by counter-cultural aesthetics in the 1950s and 60s. The movement was spearheaded by Robert Arneson at the University of California-Davis\, who encouraged his ceramic students to explore a new terrain of art. In addition to a number of iconic works by Arneson\, works by Fred Bauer\, David Gilhooly\, Erik Gronborg\, Peter VandenBerge and Patti Warashina will be included. \nThis exhibition is generously supported by the Ceramics Research Center’s Artists’ Advisory Committee. \nRELATED PROGRAMS\nTuesday\, Oct. 7\, 2014\, 6:30–8:30 p.m. (members and alumni preview 5:30–6:30 p.m.)\nJoin us for a special closing reception event for These Are Some of My Favorite Things at the ASU Art Museum Brickyard with Peter Held\, curator of the exhibition and the collectors whose work is showcased. Plus\, meet the ASU Art Museum’s new ceramics curator\, Garth Johnson \, who is visiting the museum before the official start of his curatorship in December 2014.
URL:https://asuartmuseum.org/event-exhibition/these-are-some-of-my-favorite-things/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140614T000000
DTEND;TZID=America/Phoenix:20140722T000000
DTSTAMP:20260920T161759
CREATED:20170307T014900Z
LAST-MODIFIED:20241029T231522Z
UID:4632-1402704000-1405987200@asuartmuseum.org
SUMMARY:Gallery Conversations: This is Not America\, Part III
DESCRIPTION:The ASU Art Museum presents gallery conversations and tours of This is Not America\, Part III . Explore this remarkable exhibition with the ASU Master of Fine Arts students who co-curated it alongside Julio Cesar Morales. \nFree and open to the public; join us for one or for both!\nTours will convene in the ASU Art Museum lobby; reservations are not required. \nOn Saturday\, June 14 at 3 p.m.\nEstrella Payton\, Adam Montoya and Eli McGlothern will lead the conversation\, with special presentations on the art of Robert Indiana\, John James Audubon and Samuel A. Robb. \nOn Saturday\, June 21 at 3 p.m.\nCarrie Meyer and Julio Cesar Morales will lead the conversation\, with special presentations on the art of William Kentridge\, Rip Woods\, Richard Notkin and S.M.S.
URL:https://asuartmuseum.org/event-exhibition/gallery-conversations-this-is-not-america-part-iii/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20131108T000000
DTEND;TZID=America/Phoenix:20131201T000000
DTSTAMP:20260920T161759
CREATED:20170309T001900Z
LAST-MODIFIED:20241029T225734Z
UID:4631-1383868800-1385856000@asuartmuseum.org
SUMMARY:MIRRORPEOPLE
DESCRIPTION:MIRROR< >PEOPLE is an exhibition that explores the speculative idea of the end of fidelity both as a metaphor and as a concept that mirrors social rituals about sharing uncertainty and finding our place in the world. \nThe new and previously unseen works exhibited by the School of Art’s esteemed faculty include video\, installation\, painting\, fiber\, works on paper and photography by Peter Bugg\, Binh Danh\, Angela Ellsworth\, Rogelio Gutierrez\, Erika Hanson\, Mary Hood\, Jill Mason\, Aaron Rothman\, Gregory Sale and Forrest Solis. \nMIRROR< >PEOPLE is one of three School of Art Biennial Faculty Exhibitions and\, in addition to this show\, two more exhibitions will be on view: the main exhibition located in ASU Art Museum\, Tempe and BACK IN THE DAY… taking place in the Harry Wood Gallery\, School of Art building\, ASU Tempe Campus. \nOpening Reception: Friday\, Nov. 8\, 6–8 p.m. \n 
URL:https://asuartmuseum.org/event-exhibition/mirrorpeople/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20131012T000000
DTEND;TZID=America/Phoenix:20140108T000000
DTSTAMP:20260920T161759
CREATED:20170309T005950Z
LAST-MODIFIED:20241029T210810Z
UID:4630-1381536000-1389139200@asuartmuseum.org
SUMMARY:Herberger Institute for Design and the Arts School of Art Biennial Faculty Exhibitions
DESCRIPTION:The biennial ASU Herberger Institute for Design and the Arts School of Art Faculty Exhibition showcases recent work by the School of Art’s esteemed faculty. This year’s exhibition will feature work in diverse media\, including painting\, photography\, drawing\, sculpture\, inter-media\, fiber and ceramics\, as well as research by art history and art education professors. \nIn addition to the main show at the ASU Art Museum\, satellite exhibitions will be on view at the Night Gallery at Tempe Market Place and at the Harry Wood Gallery in the School of Art building on ASU’s Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/herberger-institute-for-design-and-the-arts-school-of-art-biennial-faculty-exhibitions/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20130907T000000
DTEND;TZID=America/Phoenix:20131207T000000
DTSTAMP:20260920T161759
CREATED:20241029T195136Z
LAST-MODIFIED:20241029T195727Z
UID:4629-1378512000-1386374400@asuartmuseum.org
SUMMARY:Crafting a Continuum: Rethinking Contemporary Craft
DESCRIPTION:The ASU Art Museum and Ceramics Research Center (CRC) in the Herberger Institute for Design and the Arts present Crafting a Continuum: Rethinking Contemporary Craft\, the first comprehensive museum exhibition to highlight their extensive craft holdings\, including new international acquisitions in wood\, ceramic and fiber. This exhibition and its accompanying catalog provide an international perspective on modern and contemporary crafts and the current level of innovation and experimentation in material studies. \nThe Museum’s existing craft collection\, which was initiated in the late 1960s\, focuses on both established and emerging artists who are the driving force behind the model of rethinking craft. Recent acquisitions of work by national and international artists reflect current trends in the field. Established artists in the show include Peter Voulkos\, Ed Moulthrop and Dorothy Gill Barnes. Emerging artists include Sonya Clark\, Anders Ruhwald\, Mark Newport and Alison Elizabeth Taylor. The exhibition includes approximately 100 objects in wood\, ceramic and fiber. \nIn conjunction with the September 27\, 2013 opening reception for the exhibition\, the Museum and CRC are also hosting “FlashBackForward\,” a symposium on the state of contemporary craft\, Saturday\, Sept. 28 from 9:30 a.m. to 5 p.m. The keynote speaker is Jenni Sorkin\, assistant professor of Contemporary Art History at University of California\, Santa Barbara\, with lectures by artists Wendy Maruyama\, Garth Johnson\, Christine Lee\, Del Harrow and Erika Lynne Hanson. \nThat weekend\, Arizona artist Paul Nosa will join the Museum for a two-day sewing performance featuring his Solar Sewing Rover\, a portable sewing machine powered by a solar panel or a bicycle with an electric generator. Nosa will create original images\, which are machine-sewn on fabric patches\, using word associations provided by guests at both the opening and the symposium. For more information about Nosa’s work\, visit  http://www.pnosa.com/fr_website.cfm \nThe exhibition is curated by Associate Director and Senior Curator Heather Sealy Lineberry and Curator of Ceramics Peter Held\, with assistance from Windgate Curatorial Fellow Elizabeth Kozlowski. \nThe catalog that accompanies the show is approximately 200 pages\, with color images\, a series of essays and brief perspectives dedicated to the existence of craft within a critical context\, a comprehensive bibliography\, artists’ biographies and an index. \nSelected works from the exhibition will travel to five additional venues around the country\, beginning in January of 2014 (see schedule below). \nThis exhibition and accompanying programming was made possible with generous support from the Windgate Charitable Foundation\, Nancy Tieken\, the Evelyn Smith Exhibition Fund and the Creative Impact Board of the ASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/crafting-a-continuum-rethinking-contemporary-craft/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20130812T000000
DTEND;TZID=America/Phoenix:20140315T000000
DTSTAMP:20260920T161759
CREATED:20170309T012452Z
LAST-MODIFIED:20241030T000226Z
UID:4628-1376265600-1394841600@asuartmuseum.org
SUMMARY:This Is Not America\, Part 2
DESCRIPTION:This Is Not America looks at the intersection of art and social change through the lens of the ASU Art Museum’s collection in conversation with emerging and established artists. Works are paired as a form of call and response in order to create a dialogue around current issues related to protest and poetic gestures within the aesthetics of resistance. The exhibition title takes a cue from Alfredo Jaar’s seminal 1987 public art video intervention at Times Square in New York City\, A Logo for America\, a three-part video animation that plays off the notions of “America” and its relationship to citizenship\, homeland and borders. \nPart 2 of the exhibition explores various themes through works that tend to express rebellious attitudes\, generally in opposition to socially established values. Through a range of media\, 28 artists are represented with works created from 1930-2013. A sense of cultural resistance is expressed through a poetic conduit among the works and punctuated in the aesthetics of the body\, memory and time. \nThis Is Not America\nResistance\, Protest and Poetics\nPart 1: Aug. 12-Nov. 9\, 2013\nPart 2: Nov. 16 2013-March 15\, 2014\nPart 3: April 5-July 19\, 2014 (co-curated with ASU MFA students) \nArtist include Facundo Arganaraz\, Sandow Birk\, Los Carpinteros\, Juan Capristan\, Enrique Chagoya\, Binh Danh\, Kota Ezawa\, Eamon Ore-Giron\, George Grosz\, Ana Teresa Fernandez\, Jon Haddock\, Alfredo Jaar\, Michael Lucero\, Carrie Marill\, Sanaz Mazinani\, Ranu Mukherjee\, Georgia O’Keeffe\, Gina Osterloh\, Raymond Pettibon\, Michele Pred\, Ken Price\, Jerome Reyes\, Paul Rucker\, Rene Francisco Rodriguez\, Fernando Rodriguez\, Lorna Simpson and Adriana Varejão. \nCurated by Julio César Morales with assistance from ASU College of Liberal Arts and Sciences Master Degree student Indira Garcia.
URL:https://asuartmuseum.org/event-exhibition/this-is-not-america-part-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20130427T000000
DTEND;TZID=America/Phoenix:20130721T000000
DTSTAMP:20260920T161759
CREATED:20170314T014600Z
LAST-MODIFIED:20241030T000504Z
UID:4627-1367020800-1374364800@asuartmuseum.org
SUMMARY:Infinite Place: The Ceramic Art of Wayne Higby
DESCRIPTION:The ASU Art Museum and Ceramics Research Center in the Herberger Institute for Design and the Arts present Infinite Place: The Ceramic Art of Wayne Higby\, a landmark exhibition featuring the work of contemporary ceramist Wayne Higby\, who is widely considered one of the most innovative second generation artists to emerge from the post–World War II American ceramic studio movement. \nThe exhibition\, on view April 27 – July 20 at the ASU Art Museum\, was organized by Peter Held\, curator of ceramics at the Ceramics Research Center. The 60–piece exhibition is the first major retrospective to provide an in-depth critical analysis of Higby’s work from the 1960s to the present\, offering a full view of his stylistic development. The exhibition will highlight Higby’s earlier raku-fired ceramics and later groundbreaking large-scale architectural wall installations\, as well as his study drawings. \nHigby lives and works in Alfred\, N.Y.\, and holds a professorship and the Robert C. Turner Chair of Ceramic Art at Alfred University. He is the recipient of the American Craft Movement Visionary Award from the Museum of Arts and Design\, New York\, as well as the Master of the Medium award and the Distinguished Educator award from the James Renwick Alliance. Higby is also Honorary Professor of Art at Shanghai University and an Honorary Citizen of the “Porcelain City” of Jingdezhen\, China. Higby is the founding director of the Alfred–Central Academy of Fine Arts’ Ceramic Design for Industry program in Beijing. \nHeld is the editor for the 216–page color monograph entitled Infinite Place: The Ceramic Art of Wayne Higby\, published and distributed by Arnoldsche Art Publishers\, Stuttgart\, Germany\, which will be available at the museum store. Illuminating essays by scholars and writers Tanya Harrod\, Ezra Shales\, Henry Sayre and Helen W. Drutt English\, among others\, provide insightful analysis of Higby’s work. \nIn conjunction with the exhibition’s opening\, Higby will deliver a lecture on April 27 from 1–2 p.m. in COOR 174 on the ASU Tempe campus\, with a reception to follow in the Americas Gallery of the ASU Art Museum from 2:30–4:30 p.m. \nAfter it leaves the ASU Art Museum\, the exhibition will embark on a two–year national tour\, travelling to the Renwick Gallery of the Smithsonian American Art Museum in Washington D.C.\, the Reading Public Museum in Reading\, Pa.\, the Philadelphia Art Alliance in Philadelphia\, the Racine Art Museum in Racine\, Wis.\, and the Memorial Art Museum in Rochester\, N.Y. \nInfinite Place: The Ceramic Art of Wayne Higby is funded by an Artist’s Exhibition Series grant from the Windgate Charitable Foundation\, with additional funds provided by Marlin and Regina Miller\, The Robert C. Turner Chair endowment fund\, Alfred University\, Friends of Contemporary Ceramics and the ASU School of Art Ceramics Program.
URL:https://asuartmuseum.org/event-exhibition/infinite-place-the-ceramic-art-of-wayne-higby/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20130309T000000
DTEND;TZID=America/Phoenix:20130907T000000
DTSTAMP:20260920T161759
CREATED:20170314T023414Z
LAST-MODIFIED:20241029T230312Z
UID:4626-1362787200-1378512000@asuartmuseum.org
SUMMARY:Turn off the Sun: Selections from la Colección Jumex
DESCRIPTION:Working in conjunction with Fundación/Colección Jumex\, the ASU Art Museum is proud to present Turn off the Sun\, a rare opportunity for the public to experience selected works of art from one of the largest and most important contemporary art collections in Latin America. \nLa Colección Jumex is a spectacular collection of more than 2\,600 works by emerging and established contemporary artists from Mexico\, Latin America\, the United States and Europe. Based in Mexico City\, Fundación/Colección Jumex has a 10-year history of supporting contemporary art through collecting\, exhibitions and educational programs. \nThe exhibition Turn off the Sun presents major pieces and installations by artists rarely or never seen in Arizona exploring diverse media and practice. The work has been selected around the complex relationship between Arizona and Mexico with broad references to borders\, labor\, movement and site. \nThe exhibition is co-curated by ASU Art Museum Senior Curator and Associate Director Heather Sealy Lineberry\, ASU Art Museum Curator Julio Cesar Morales and Curator Michel Blancsubé of Colección Jumex. \nTurn off the Sun was organized in partnership with Fundación/Colección Jumex\, with generous support from the Diane and Bruce Halle Foundation and additional support from the Helme Prinzen Endowment\, Target\, the Tempe Tourism Office\, Dircks and Friends of the ASU Art Museum. \nPublic Programs: \nMarch 15\nAlejandro Almanza Perada\nJumex exhibition artist\nLecture on art practice\nCombine Studios\n7 p.m.\nDowntown Phoenix \nInstallation artist and sculptor Alejandro Almanza Pereda strips objects of their original meaning\, rearranging them into clean\, geometric structures. Almanza Pereda uses a wide range of both utilitarian and rare fine art objects to create sleek designs that function as visual puzzles of sorts. He lives and works between Manhattan and Brooklyn\, in New York\, and Mexico City\, Mexico. He earned a BFA from University of Texas at El Paso (2005)\, attended the Skowhegan School of Painting and Sculpture (2004)\, and is an MFA candidate at Hunter College of The City University of New York (2015). His work has been included in Bienal de Curitiba\, Brazil (2011); Dublin Contemporary\, Ireland (2011); The College of Wooster Art Museum (2011); Chert Berlin (2011); Fundación Magnolia\, London (2011); Magnan Metz Gallery\, New York (2010); Museo de Arte Moderno\, Mexico City (2009); and the Queens Museum of Art (2006). \nMarch 23\nEduardo Sarabia\nJumex exhibition artist\nLecture on art practice\n2 p.m.\nLower Level South Gallery \nBorn in Los Angeles in 1976\, Eduardo Sarabia obtained a BFA from Otis College of Art and Design\, in Los Angeles\, and now lives and works in Los Angeles\, Guadalajara and Berlin. Sarabia is known for creating fake evidence for semi-fictional events\, using performance\, drawing\, painting\, ceramics\, photographs and sculpture to document events and ideas. His Latino heritage is an influence in his work\, with its cultural symbols appearing throughout. Recently Sarabia has partaken in numerous international group shows\, including I Love New York\, I-20 Gallery\, New York\, 2001; the 51st Venice Biennale\, Venice\, Italy\, 2005; Musee des Beaux-Arts\, Lille\, France\, 2006 and the Whitney Biennial\, Whitney Museum of American Art\, New York\, 2008. Recent solo exhibitions include Santa Monica Museum of Art\, Santa Monica\, Calif.\, 2002; Museo Raúl Anguiano\, Guadalajara\, Mexico\, 2008; LA Louver\, Los Angeles\, 2008. Upcoming exhibitions include the Denver Contemporary Art Museum in 2013. \nApril 10\nSuperflex\nJumex Exhibition Artist\nLecture on art practice\n7 p.m.\nCombine Studios\nThe Danish artist group Superflex \, founded by Jakob Fenger\, Rasmus Nielsen and Bjørnstjerne Christiansen\, centers around the discourse of “ethical capitalism” and development policy. The group describes their projects as “tools” – models or proposals that can be utilized and modified by the user. In their 1996 project “Supergas\,” Superflex worked with European and African engineers and a sustainable agriculture organization in Tanzania to develop and market to African farmers an affordable bio gas generator that turns human and animal waste into fuel. The bio gas plant produces enough fuel for a family of 8-10 members to cook and to run one gas lamp for an evening.\nIn “Guaraná Power Corner” (2006)\, bottles of the soft drink Guaraná Power are stacked in a corner with a mirrored base and walls. In 2003\, Superflex collaborated with local farmers from Maués in the Brazilian Amazon who cultivate the caffeine-rich berries of the guaraná plant. Multinational corporations have had a destructive effect on the market for guaraná\, driving the prices for the raw seeds down by 80 percent while raising the price for their own retail products made from the fruit. Superflex worked with the farmers to copy the formula of the corporate soda\, and then to create their own drink\, called Guaraná Power. Produced directly by the farmers\, Guaraná Power is sold in bars and cafés in Denmark\, directly competing with the corporate version of the drink.\nSuperflex has exhibited in galleries around the world and been included in international art festivals such as the 42nd Kunsthalle Basel\, Switzerland; the 6th Gwangju Biennial\, Korea; and the 50th Venice Biennial\, Italy. \nSeptember 5\nJulio Cesar Morales\nArtist/curator\nThe Mexican Social Laboratory: From punk rockers\, piracy to the embassy of waste\nLecture on current Mexican art scene\n7 p.m.\nA presentation on the contemporary Mexican art scene with a focus on appropriation\, performance and social practice seen through the work of artists Pedro Reyes\, Tania Candiani\, Torolab and a special previewof the forthcoming exhibition Moctezuma’s Revenge by Eduardo Sarabia at the ASU Art Museum (set for Spring of 2014). \nFeatured artists: \nDoug Aitken\nAlejandro Almanza Pereda (site-specific commission)\nFrancis Alÿs\nIñaki Bonillas\nMiguel Calderón\nRaúl Cárdenas Osuna/Torolab\nLawrence Carroll\nJosé Damasceno\nMark Dion\nSam Durant\nMónica Espinosa\nDan Graham\nCao Guimarães\nDaniel Guzmán\nLiza Lou\nEduardo Sarabia\nSantiago Sierra\nRobert Smithson\nSuperflex\nMungo Thomson\nJeff Wall
URL:https://asuartmuseum.org/event-exhibition/turn-off-the-sun-selections-from-la-coleccion-jumex/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20130209T000000
DTEND;TZID=America/Phoenix:20130512T000000
DTSTAMP:20260920T161759
CREATED:20170314T025700Z
LAST-MODIFIED:20241029T233624Z
UID:4625-1360368000-1368316800@asuartmuseum.org
SUMMARY:Cu29: Mining for You
DESCRIPTION:Artists Mathew Moore (Phoenix) and Clare Patey (London) collaborate on a project centered on the issue of endangered elements in the periodic table\, specifically copper. Copper plays a major role in Arizona’s history and in its current economic\, environmental and cultural life. Cu²⁹ explores the process of staking a claim\, the idea of owning the Earth’s natural resources\, and our dependence on copper for everything from saucepans to cellphones. \nThe artists’ company\, Copper Undergound\, has its corporate headquarters in the museum gallery\, where a massive three-dimensional periodic table doubles as seating. Artworks from the ASU Art Museum’s collection\, together with objects and their stories collected from the community\, trace the extraction of copper from the ground to its use by artists in their studios\, electricians and plumbers in houses\, and chefs in their kitchens. \nWith these installations\, the artists tackle issues of resource scarcity and the need to change patterns of human consumption. They point toward and demonstrate solutions like closed loop recycling and mining the urban environment. The project is accompanied by programs co-hosted by ASU departments. The artists collaborated with ASU students and faculty from the School of Art\, the Global Institute of Sustainability and the School of Earth and Space Exploration\, and students from Marcos di Niza High School in Tempe on research\, installations and information in the galleries. \nCu²⁹: Mining for You is generously supported by the Elizabeth Firestone Graham Foundation\, the City of Tempe\, Dr. Eric Jungermann\, Tana and Ridge Smidt\, Donna and Howard Stone\, the British Council\, Target\, the Advisory Board of the ASU Art Museum\, Friends of the ASU Art Museum\, Four Points Sheraton and the Wilhelmine Prinzen Endowment at the ASU Art Museum. \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Feb. 8 from 6:30-8:30p.m. (Member preview 5:30-6:30 p.m.)\n\n\n\nCurator:\n\nHeather Sealy Lineberry
URL:https://asuartmuseum.org/event-exhibition/cu29-mining-for-you/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121222T000000
DTEND;TZID=America/Phoenix:20130420T000000
DTSTAMP:20260920T161759
CREATED:20180215T225500Z
LAST-MODIFIED:20241029T235337Z
UID:4624-1356134400-1366416000@asuartmuseum.org
SUMMARY:Born of Fire: The Pottery of Margaret Tafoya AND Re: Generation: A Survey of Margaret      Tafoya's Descendants
DESCRIPTION:Born of Fire: The Pottery of Margaret Tafoya\nand\nRe: Generation: A Survey of Margaret Tafoya’s Descendants \nExtended hours during the Heard Museum Indian Market on March 2-3 (Ceramics Research Center open Sunday 11 a.m. to 5 p.m.) \nReception and book signing: Feb. 8\, 2013\, 6:30-8:30 p.m. Charles King will be signing his book “Born of Fire: The Life and Pottery of Margaret Tafoya.” \nThis unprecedented exhibition of pueblo pottery will provide collectors\, students and the public a unique overview of one of the most accomplished potters of the 20th century as well as of her descendants. Margaret Tafoya (1904-2001)\, a matriarch of Santa Clara Pueblo potters\, was a pioneering artist who sustained the ceramic tradition of her ancestors by transforming it from a process for making functional vessels into an art form. \nDrawing inspiration from the ceramic tradition of her ancestors\, Tafoya created large\, polished wares that are simple but elegant\, reflecting a harmonious union of history and modern aesthetics. New Mexico has been home to the Pueblo culture and its ancestors for centuries. Their pottery tradition\, dating as far back as A.D. 500\, demonstrates the craft’s importance to Pueblo identity. Such was the case for Margaret Tafoya\, the daughter of well-known Santa Clara Pueblo potters who awakened her to the value of tradition. \nTafoya used local clay and the age-old techniques of coiling and wood-firing. In addition to honoring ancient customs\, her pottery is equally germane to modernity. Her red and black wares are highly polished and often bear little decoration\, save for a recurring incised bear paw\, a trademark of the Tafoya clan. For Tafoya\, clay has a spiritual presence that can sense the virtue and history of the potter. In her words\, “You have to have a good heart when you sit down to make this pottery; you have to live a good life. The pottery knows.” \nRe: Generation: A Survey of Margaret Tafoya’s Descendants will highlight stellar examples of work by Tafoya’s children and grandchildren who continue the ceramics legacy. They include Shirley\, LuAnn and Lee Tafoya; Mary Ester Archuleta; Virginia Ebelacker; Toni Roller; Jennie Trammel\, and Mela Youngblood\, among others. \nOrganized in collaboration with the Erie Art Museum (Pa.)\, with assistance from King Galleries\, Scottsdale\, Ariz. The presentation of Born of Fire: The Pottery of Margaret Tafoya was generously funded by the Lovena Ohl Foundation\, Grace and Paul Markovits\, King Galleries\, Scottsdale\, George Gibbons\, Brue Eherenhaft and CLA members of the Ceramics Research Center. \nADDITIONAL EVENTS: \nSaturday\, March 2:\n2-4 p.m.: Artist demonstration by Nathan Youngblood.\nSunday\, March 3:\n10 a.m.-noon: Curator of Ceramics Peter Held and author Charles King will provide a presentation on the Tafoya Family pottery. Light refreshments served.\n2-4 p.m.: Artist demonstration by Linda Tafoya Sanchez.
URL:https://asuartmuseum.org/event-exhibition/born-of-fire-the-pottery-of-margaret-tafoya-and-re-generation-a-survey-of-margaret-tafoyas-descendants/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121107T000000
DTEND;TZID=America/Phoenix:20121124T000000
DTSTAMP:20260920T161759
CREATED:20180215T230200Z
LAST-MODIFIED:20241029T225748Z
UID:4623-1352246400-1353715200@asuartmuseum.org
SUMMARY:Duet: Lift Me Up For I Am Dying
DESCRIPTION:In conjunction with the 2012 International Conference on Romanticism (ICR)\, held on ASU’s Tempe campus\, the ASU Art Museum is showing Ross Birrell’s film Duet: Lift Me Up For I Am Dying. \nA Palestinian violist and an Israeli violist perform Ross Birrell’s musical composition “Lift Me Up For I Am Dying\,” in the Spiegelsaal of the Clärchens Ballhaus\, separately and at their own tempo. The resulting two parts are put back together in a continuous installation\, Duet. Approaching harmony continually falls into dissonance\, which evokes the possibility of harmony to come. \nLift Me Up For I Am Dying\, composed by Ross Birrell using the last spoken words of John Keats (1795-1821)\, was commissioned by the Swiss Institute in Rome and was first performed as a solo piece for viola by Giorgia Franceschi at Keats’ graveside in the Non-Catholic Cemetery in Rome on May 9\, 2010 as part of Strange Comfort (Afforded by the Profession) curated by Adam Szymczyk and Salvatore Lacagnina. The score was printed in an edition of 300 and exhibited in the Keats-Shelley House\, Rome. A related split screen video and series of hand casts were exhibited in Kunsthalle Basel\, June 13-August 22\, 2010.\n http://www.frieze.com/issue/review/strange-comfort-afforded-by-the-profession/ .\nAvri Levitan (Tel Aviv)\nAvri Levitan was born in 1973 in Tel Aviv and lives in Berlin. He is one of today’s most outstanding soloists with wide international recognition and was a 2009 BBC Music Magazine Awards nominee. He performs regularly in some of the world’s most prestigious concert halls\, such as the Berlin Philharmonic\, Vienna Konzerthaus\, Tokyo Oji Hall\, Casals Hall Tokyo\, National Philharmonic Hall Warsaw\, Seoul Kumho Art Hall and Art Center and Stockholm Nybrokajen Hall. He features in Douglas Gordon’s film “K.364 a journey by train” (2010) and is Professor at the Zaragosa Conservatorio Superior\, Aragon\, Spain.\nwww.avrilevitan.com/ \nTyme Khleifi (Ramallah)\nTyme Khleifi was born in 1989 in Ramallah in the West Bank of Palestine and is currently studying at Bard College in New York. She is a prominent member of the West-East Divan Orchestra\, the Arab-Israeli Youth Orchestra formed in 1999 by Edward Said and Daniel Barenboim in the conviction that: ‘Music by itself can\, of course\, not resolve the Arab-Israeli conflict. Music grants the individual the right and obligation to express himself fully while listening to his or her neighbor. Based on this notion of equality\, cooperation and justice for all\, the Orchestra represents an alternative model to the current situation in the Middle East.’ With the West-East Divan Orchestra\, Tyme has performed around the world\, including on the border between North and South Korea and the BBC Proms.\nwww.west-eastern-divan.org/  \nThe Spiegelsaal\, Clärchens\, Ballhaus\, Berlin\nThe Spiegelsaal (‘Mirror Hall’) is a concert room in the historic Clärchens Ballhaus in Mitte\, Berlin. Built in the late 19th Century\, the Clärchens Ballhaus was bombed during World War II and the traces of war damage remain in the large cracked mirrors and tarnished grandeur of the Spiegelsaal which was left untouched for 60 years.\nwww.spiegelsaal-berlin.de/  \nRoss Birrell\nNominated for the Paul Hamlyn Award 2012 and Margaret Tait Award in 2012\, Ross Birrell (Scotland\, 1969) received a Creative Scotland award in 2011. In 2007 he received a SAC/Scottish Screen Award for Guantanamera (with David Harding) exhibited at Glasgow International 2010; Swiss Institute in Rome/Kunsthalle Basel; Galleri Rotor\, Gothenburg; COBRA Museum of Modern Art\, NL; Americas Society\, NY; Portikus\, Frankfurt. Solo shows include: XYZ Projects\, Athens (with David Harding); Homo Ludens: Works from the Envoy Series\, 1998-2005\, FriesMuseum\, NL (2005); Büro Frierdich\, Berlin; Ellen de Bruijne\, Amsterdam (2003). Group shows: Museo Tamayo\, Mexico City (2012); COBRA Museum\, NL; Kunsthalle Nürnberg/BAWAG Foundation (2007); Apex Art\, NY; Gwangju Biennale\, Korea (2002). Ross Birrell is represented by Ellen de Bruijne\, Amsterdam.\nwww.edbprojects.nl   \nFor more information on ICR\, please visit   http://english.clas.asu.edu/icr2012
URL:https://asuartmuseum.org/event-exhibition/duet-lift-me-up-for-i-am-dying/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121027T000000
DTEND;TZID=America/Phoenix:20130119T000000
DTSTAMP:20260920T161759
CREATED:20180215T231600Z
LAST-MODIFIED:20241029T210307Z
UID:4622-1351296000-1358553600@asuartmuseum.org
SUMMARY:You Are Here
DESCRIPTION:In the paintings\, drawings and prints in the exhibition You Are Here\, drawn from the ASU Art Museum’s permanent collection\, artists explore the ways that we map\, mark or claim the land. Anchored by a historic Dutch engraving of a walled city\, most of the works begin in the late 1970s and reflect the strength of the Museum’s collection. \nDennis Oppenheim’s four lithographs from the Earth Works series diagram projects sculpting the earth. William T. Wiley’s painting on raw canvas appears to be giant doodles from a distance\, but on closer examination prove to be a map of Australia and records of the artist’s travels and memories of the land\, people\, animals and culture. Al Souza layers a weather map\, an illustration from a 1950s text book of swimmers\, and Japanese instructions on how to use a Western toilet in his painting Mainstreams from 1988. Mark Klett revisits iconic Western sites\, like Artist’s Point in Yellowstone\, and photographs or re-photographs these views that were originally captured by artists in the 19th century. In the case of Artist’s Point\, Klett photographs the view while holding an art history text book showing Thomas Moran’s famous 1871 painting of the exact site. \nFinally\, the title of the exhibition comes from a series of lithographs by Mexican American artist Enrique Chagoya. Using a variety of images\, from a recognizable yet manipulated map of the U.S. to a cluster of geometric shapes\, Chagoya explores the social and political implications of our need to conquer the land through maps and images.
URL:https://asuartmuseum.org/event-exhibition/you-are-here/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121020T000000
DTEND;TZID=America/Phoenix:20130119T000000
DTSTAMP:20260920T161759
CREATED:20180215T232400Z
LAST-MODIFIED:20241029T210414Z
UID:4621-1350691200-1358553600@asuartmuseum.org
SUMMARY:Art & Technology
DESCRIPTION:The ASU Art Museum was the first arts institution in the state to exhibit and collect new media art. This selection from the Museum’s permanent collection highlights contemporary artists working with or commenting on technology since the 1970s. Nam June Paik\, one of the earliest video artists\, is represented by a classic piece from 1989\, Alexander Graham Bell. The sculpture references old and new technologies—power lines\, phones\, TVs and robots—and the resulting richness of images and information in our lives. Following Paik’s lead\, the international artists in this exhibition use low- and high-tech materials to explore social and political issues\, personal stories\, the landscape\, and the impact of the rush to new technology.\nDuring the course of the exhibition\, the museum will be showing a series of video works in the gallery. The works are selections from Point of View: An Anthology of the Moving Image 2003\, ASU Art Museum Collection. This anthology features leading artists in film\, video and digital imagery and was assembled by The New Museum and Bick Productions. \n10/20-10/29 William Kentridge\, Automatic Writing\, 2:38 min \n11/27-12/01 Joan Jonas\, Waltz\, 7:03 min \n12/04-12/08 Gary Hill\, Blind Spot\, 12:27 min \n12/11-12/15 Pierre Huyghe\, I Jedi\, 5 min \n12/18-12/22 Pipilotti Rist\, I Want to See How You See (or a portrait of Cornelia Providoli)\, 4:48 min \n12/27-01/05 Isaac Julien\, Encore\, 4:38 min \n01/08-01/12 Francis Alys\, El Gringo\, 4:12 min \n01/15-01/19 Anri Sala\, Time After Time\, 5:22 min \nIn addition\, the following works will be presented\, courtesy of the artists: \n10/30-11/06 Muntadas and Marshall Reese\, Political Advertisement VIII: 1952-2012\, 85 min \n11/08-11/24 Ross Birrell\, Duet: Lift Me Up For I Am Dying\, 2012\, 20 min
URL:https://asuartmuseum.org/event-exhibition/art-technology/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121019T000000
DTEND;TZID=America/Phoenix:20121110T000000
DTSTAMP:20260920T161759
CREATED:20180215T233000Z
LAST-MODIFIED:20241029T210600Z
UID:4620-1350604800-1352505600@asuartmuseum.org
SUMMARY:Matteo Rubbi: The Closest Thing
DESCRIPTION:The ASU Art Museum in the Herberger Institute for Design and the Arts is pleased to announce the opening of an exhibition of new site-specific artwork by Italian artist Matteo Rubbi in the new downtown Phoenix venue Project Space. \nA small New York City skyline magically appears in the desert. A copper casting of a mountain known for a tragic episode in Apache history moves from hand to hand\, from here to there\, like a huge coin. A walkable and almost invisible solar system winds through the streets of downtown Phoenix. A mural depicting the disappearing life of miners in Superior\, Ariz.\, becomes a puzzle to put back together morning by morning\, with the help of coffee. A prototype of a board game invented by Jules Verne sends players traveling around the United States circa 1939. A Magic Friday dinner unexpectedly takes place in Phoenix\, with guests arriving on two wheels. \nThese vignettes and more comprise a body of work by Italian artist Matteo Rubbi that will debut on Oct. 19\, 2012 from 6 to 9 p.m. at Project Space\, a public exhibition venue at the ASU Art Museum International Artist Residency at Combine Studios in downtown Phoenix. There will be activities around the exhibition every day from Oct. 19-Oct. 25\, and the exhibition itself will remain on view until Nov. 10. \nMatteo Rubbi is the winner of the 2011 Furla Prize\, an award given one artist every other year. Rubbi has been an artist in residence for the past year and is investigating the cultural aspects of mining in Arizona\, the role of the bicycle in urban transportation and food as a bridge between diverse cultural backgrounds. Rubbi’s artwork occurs at the intersection between object and audience\, shifting viewers to participants. The setting or context for each of his artistic investigations becomes integrally woven into the work itself. \nThe exhibition marks the inauguration of the new public exhibition space in the residency facility. The Project Space will host a variety of exhibitions\, projects\, lectures and public events. \nThe ASU Art Museum International Artist Residency at Combine Studios is located in downtown Phoenix\, at 821 North Third Street. For additional information\, please call the ASU Art Museum at 480.965.2787 or visit  www.facebook.com/ASUAM.Combine
URL:https://asuartmuseum.org/event-exhibition/matteo-rubbi-the-closest-thing/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121013T000000
DTEND;TZID=America/Phoenix:20130112T000000
DTSTAMP:20260920T161759
CREATED:20180215T233600Z
LAST-MODIFIED:20241029T210806Z
UID:4619-1350086400-1357948800@asuartmuseum.org
SUMMARY:The Desert: Bohl\, Borein and Burr
DESCRIPTION:Beautiful and expansive landscapes\, immense clouded skies\, strange cacti and fowl\, and the inhabitants and workers of the land inspired Walter E. Bohl\, Edwin Borein and George Elbert Burr. Each of the artists worked in different professions before they began to make prints. They lived in different states until health and their art brought them to the desert. And here\, in the desert\, their work bloomed.
URL:https://asuartmuseum.org/event-exhibition/the-desert-bohl-borein-and-burr/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120929T000000
DTEND;TZID=America/Phoenix:20130201T000000
DTSTAMP:20260920T161759
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195750Z
UID:4618-1348876800-1359676800@asuartmuseum.org
SUMMARY:Trajectory: Miguel Palma
DESCRIPTION:Visiting artist Miguel Palma (Portugal) has developed a “Desert Initiative Remote Shuttle” that investigates ways in which meaning of place\, particularly in remote desert environments\, is created and communicated. Palma’s work in this exhibition engages issues through the lens of exploration: military history in Arizona and the Southwest\, the military’s role in desert preservation\, the history of Manifest Destiny and colonialism in populated places\, strategies of adaptation and the role of technology in desert survival. \nThe artist will be present for the exhibition opening Sept. 28 and 29. \nThis exhibition is supported in part by the FUNd at ASU Art Museum\, the ASU Art Museum Advisory Board and Friends and Margarita and Willie Joffroy.
URL:https://asuartmuseum.org/event-exhibition/trajectory-miguel-palma/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120825T000000
DTEND;TZID=America/Phoenix:20121201T000000
DTSTAMP:20260920T161759
CREATED:20180216T000000Z
LAST-MODIFIED:20241030T000003Z
UID:4617-1345852800-1354320000@asuartmuseum.org
SUMMARY:Ant Farm Media Van v.08 [Time Capsule]
DESCRIPTION:The ASU Art Museum presents the Ant Farm Media Van v.08 [Time Capsule]\, 2008\, by Chip Lord\, Curtis Schreier and Bruce Tomb. (Lord and Schreier were partners in the legendary art and technology cooperative Ant Farm\, active from 1968-1978.) \nThe Media Van is a repurposed 1972 Chevy with interior modifications including vintage Ant Farm videos\, a conversation pit and a media HUQQUH. The HUQQUH will create a digital time capsule of images and music randomly donated by the public through the process of plugging in a personal digital device such as a camera\, MP3 player or Smartphone. \nThe project revisits the 1970 Ant Farm Media Van and mixes it up with digital media culture\, consumerism and popular culture. At the center of the Media Van v.08 is the social condition created by a small group of people sitting around shared media\, and contributing to the making of a new artwork: the ASU Time Capsule Triptych. Also on view are remnants from the original Truckstop Tour\, 1970\, and a previous digital Time Capsule\, the SFMOMA Time Capsule Triptych. \nAnt Farm Media Van v.08 was commissioned by SFMOMA in 2008 and curated for the ASU Art Museum by Gordon Knox. The exhibition is supported by the Wilhelmine Prinzen Endowment\, Peter Shikany and PS Studios\, Inc.\, the ASU Art Museum Advisory Board\, Kitchell-Perez\, Mikki and Stanley Weithorn\, and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/ant-farm-media-van-v-08-time-capsule/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120714T000000
DTEND;TZID=America/Phoenix:20120908T000000
DTSTAMP:20260920T161759
CREATED:20180216T000800Z
LAST-MODIFIED:20241029T231945Z
UID:4616-1342224000-1347062400@asuartmuseum.org
SUMMARY:Bad Manners
DESCRIPTION:This show of selections from the Museum’s permanent collection introduces two new acquisitions — de Guantanamera y Playero Giron\, El Mito (of Guantanamera and Bay of Pigs\, El Mythos)\, a painting by Claudio Dicochea\, and Bad Manners\, a ceramic installation piece by Marilyn Lysohir — and presents a behind-the-scenes look at how museum registrars accession an item\, and what steps they have to take to bring it into the permanent collection.
URL:https://asuartmuseum.org/event-exhibition/bad-manners/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120609T000000
DTEND;TZID=America/Phoenix:20120929T000000
DTSTAMP:20260920T161759
CREATED:20180216T001200Z
LAST-MODIFIED:20241029T230924Z
UID:4615-1339200000-1348876800@asuartmuseum.org
SUMMARY:Collecting Arizona
DESCRIPTION:Collecting Arizona is the ASU Art Museum’s tribute to the state in honor of its Centennial\, featuring artists from the region and a wide range of artwork about Arizona\, including photography\, painting and sculpture. \nThe summer exhibition also feaatures free Family Fun Day – Saturday\, July 14\, from 10 a.m. – 2 p.m. – when children of all ages are invited to enjoy a variety of art making projects\, educational booths and performances by local musicians\, dancers\, magicians and puppeteers. \nThanks to generous community support and sponsorship\, admission to Family Fun Day remains free. \nSupport for Collecting Arizona was provided by the ASU Art Museum Advisory Board and the Stulgaitis Family Scholastic Award in honor of Helen Flecha Polina. \nCommunity partners include KAET PBS/8\, Valley Metro and Changing Hands Bookstore.
URL:https://asuartmuseum.org/event-exhibition/collecting-arizona/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120410T000000
DTEND;TZID=America/Phoenix:20120825T000000
DTSTAMP:20260920T161759
CREATED:20180216T003300Z
LAST-MODIFIED:20241030T000757Z
UID:4614-1334016000-1345852800@asuartmuseum.org
SUMMARY:Emerge: Redesigning the Future
DESCRIPTION:Science and technology are changing our lives. They are transforming our minds\, our possessions and the landscapes we inhabit. In which directions are they heading? What kinds of societies\, cities\, homes – even people – will they lead to? Are these the futures that we want? \nOn March 1–3\, 2012\, Arizona State University hosted Emerge\, a campus-wide event that united artists\, engineers\, bioscientists\, social scientists\, storytellers and designers to build\, draw\, write and play with the future. This interactive exhibition at the ASU Art Museum offers Emerge’s discoveries and creations\, giving you an opportunity to get a taste of the futures discussed. \nJoin us for the opening reception Tuesday\, April 17\, from 5-8 p.m.\, sponsored by the ASU Global Institute of Sustainability. Free and open to the public. \nSponsors and partners:\nHerberger Institute for Design and the Arts\nThe Center for Nanotechnology in Society\nASU Office of the President\nThe Prevail Project of the Sandra Day O’Connor College of Law\nSchool of Sustainability\nIra A. Fulton Schools of Engineering\nASU LightWorks\nASU Art Museum \nEmerge exhibition team:\nDaragh Byrne\, School of Arts\, Media + Engineering in the Herberger Institute\nSarah Davies\, Center for Nanotechnology in Society\nAisling Kelliher\, School of Arts\, Media + Engineering and The Design School in the Herberger Institute\nCynthia Selin\, School of Sustainability\, Consortium for Science\, Policy and Outcomes
URL:https://asuartmuseum.org/event-exhibition/emerge-redesigning-the-future/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120407T000000
DTEND;TZID=America/Phoenix:20120804T000000
DTSTAMP:20260920T161759
CREATED:20180216T003500Z
LAST-MODIFIED:20241030T000348Z
UID:4613-1333756800-1344038400@asuartmuseum.org
SUMMARY:10 for 10 x 2: 10th Anniversary New Acquisitions
DESCRIPTION:Collecting contemporary ceramics has an illustrious five-decades-long history at the ASU Art Museum\, and we are excited to be celebrating the Ceramics Research Center’s 10th anniversary in its current facility. Our reputation and commitment to this medium is unparalleled in the United States. \nIn honor of this milestone\, we asked ceramic collectors and artists nationwide to consider donating a work to fill gaps in the collection: artists who are not currently represented (both utilitarian and sculptural) or international artists from Asia and Europe. \nThe response was very enthusiastic\, as this exhibition demonstrates. Included are two masterworks from Tatsuo Shimaoka\, a national living treasure from Japan; an iconic hare charger by Ken Ferguson\, who was an influential artist and educator at the Kansas City Art Institute; a dramatic vase with explosive surfaces by British artist Gareth Mason; and a striking\, eloquent figure by Santa Clara Pueblo artist Rose B. Simpson\, among others. \nOn behalf of the museum staff\, we would like to express our gratitude to the following collectors and artists who have made these generous gifts possible: Hope and Mel Barkan (Massachusetts); Elaine and Sidney Cohen (Arizona); Joyce Cooper (Arizona); Paul and Sharon Dauer (California); Skippy and Manny Gerard (New York); Marc and Diane Grainer (Maryland); Carlos Enrique Prado Herrera (Cuba); Jason Jacques Gallery (New York); Stéphane Janssen (Arizona); Darien Johnson (New York); Sara and David Lieberman (Arizona); Pucker Gallery (Massachusetts); Mindy Solomon Gallery (Florida); Bill Stewart (New York) and Rob and Jossline Wood (Virginia).
URL:https://asuartmuseum.org/event-exhibition/10-for-10-x-2-10th-anniversary-new-acquisitions/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120204T000000
DTEND;TZID=America/Phoenix:20120519T000000
DTSTAMP:20260920T161759
CREATED:20180216T005900Z
LAST-MODIFIED:20241029T234257Z
UID:4612-1328313600-1337385600@asuartmuseum.org
SUMMARY:Performing for the Camera
DESCRIPTION:Performing for the Camera presents 50 photographs by artists who use performance as a central part of their process. With elaborate costumes and masquerades\, large groups of people\, theatrical settings\, serial images and cinematic framing\, the artists create photographs that are often ambiguous\, dreamlike\, uncanny or campy. These works blur fact and fiction by staging images for a medium associated with truth — teasing and inspiring us to complete the story for ourselves. \nSupported by the Advisory Board of the ASU Art Museum and Friends of the ASU Art Museum. \nSpecial thanks to Stéphane Janssen for lending most of the works in the exhibition from his deep and significant collection. \nThe exhibition was curated by Heather Sealy Lineberry\, senior curator and associate director of the ASU Art Museum\, with ASU School of Art faculty members and photographers Julie Anand and Elizabeth Schneider; Ann Sanchez\, curator of the Stéphane Janssen collection; Nicole Herden\, curatorial assistant and curatorial intern Meredith Bonnett. \nArtists included in the exhibition: AES+F\, Dieter Appelt\, Liu Bolin\, Gregory Crewdson\, Philip-Lorca diCorcia\, Gao Brothers\, Aimeé García Marrero\, Anthony Goicolea\, Zhang Huan\, Teresa Hubbard and Alexander Birchler\, Ellen Kooi\, Oleg Kulik\, Duane Michals\, Arno Minkkinen\, Tracey Moffatt\, Yasumasa Morimura\, Shirin Neshat\, Robert and Shana ParkeHarrison\, Pierre + Gilles\, Cindy Sherman\, Sandy Skoglund\, Pepe Smit\, Kwong Chi Tseng\, Spencer Tunick\, Carrie Mae Weems\, Charlie White and Kimiko Yoshida.
URL:https://asuartmuseum.org/event-exhibition/performing-for-the-camera/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120127T000000
DTEND;TZID=America/Phoenix:20120303T000000
DTSTAMP:20260920T161759
CREATED:20180216T011200Z
LAST-MODIFIED:20241029T232126Z
UID:4611-1327622400-1330732800@asuartmuseum.org
SUMMARY:Soaring Voices: Recent Ceramics by Women from Japan
DESCRIPTION:For thousands of years\, women have been highly active in the production of ceramics\, but their names have largely been unknown. Soaring Voices demonstrates the shift in Japanese society toward individual women artists becoming recognized in an artistic realm traditionally dominated by men. This traveling exhibition features 87 works by 25 exceptional women artists who reflect Japan’s rich and innovative ceramic culture. \nSoaring Voices was developed by The Shigaraki Ceramic Cultural Park\, Shiga Prefecture\, and hus-10\, Inc.\, Tokyo\, Japan; the tour was organized by International Arts & Artists\, Washington\, D.C.\, and generously supported in part by the E. Rhodes & Leona B. Carpenter Foundation and the S&R Foundation.\nSupport for Soaring Voices at the ASU Art Museum Ceramics Research Center was provided by a generous grant from the Japan Foundation\, New York\, and by Ron and Masako Berman\, Elaine and Sidney Cohen\, and Sara and David Lieberman. \nIn connection with the exhibition\, the CRC will host Ceram-A-Rama Yaki\, Jan. 26-28\, 2012. To register for Ceram-A-Rama Yaki or for more information\, contact the event’s coordinator\, Cyndi Coon\, at 480.734.5178 or cyndi.coon@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/soaring-voices-recent-ceramics-by-women-from-japan/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120121T000000
DTEND;TZID=America/Phoenix:20120602T000000
DTSTAMP:20260920T161759
CREATED:20180216T012000Z
LAST-MODIFIED:20241029T232920Z
UID:4610-1327104000-1338595200@asuartmuseum.org
SUMMARY:Miracle Report: Julianne Swartz and Ken Landauer\, Social Studies 8
DESCRIPTION:Julianne Swartz and Ken Landauer spent their Social Studies residency at the ASU Art Museum looking for miracles. The artists explored the miraculous through people’s perceptions of it in their lives\, interviewing students\, school children and community members of all ages and backgrounds. They combined their findings in an installation of fleeting vignettes playing on all of the available sound and video equipment in the museum’s possession. In the words of the artists\, “Our installation will strive to embody some beauty\, some hocus-pocus and some unexplainable magic.” \nThis project is supported by a grant from The Andy Warhol Foundation for the Visual Arts as part of the Social Studies series. Initiated by John D. Spiak\, the exhibition is curated by Heather Sealy Lineberry with Nicole Herden. \n\n\n\n\nCurator:\n\nHeather Sealy Lineberry
URL:https://asuartmuseum.org/event-exhibition/miracle-report-julianne-swartz-and-ken-landauer-social-studies-8/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20111001T000000
DTEND;TZID=America/Phoenix:20111231T000000
DTSTAMP:20260920T161759
CREATED:20180220T223700Z
LAST-MODIFIED:20241029T210824Z
UID:4609-1317427200-1325289600@asuartmuseum.org
SUMMARY:Securing a free state: The Second Amendment Project – Jennifer Nelson\, Social Studies 7
DESCRIPTION:Securing a free state: The Second Amendment Project explores the dance between individual and collective rights as they relate to the Second Amendment of the U.S. Constitution. In this project\, artist Jennifer Nelson focused on the personal motivations and dignity of citizens on both sides of the debate by exploring how people find security\, individually and collectively. These questions were considered from the point of view of those who feel the need to arm themselves in order to feel secure and free\, as well as from the perspective of those who must regain a sense of security and freedom after having their security violated. Visitors participated in the project throughout the artist’s residency through open gallery events\, a panel discussion and field trips to a prosthetics design facility\, sniper training school and a mental rehabilitation center. The events and activities that took place during the artist residency informed a number of video and sculptural installations made during the artist’s visit. \nThis exhibition\, which continues through December\, is supported by a grant from The Andy Warhol Foundation for the Visual Arts
URL:https://asuartmuseum.org/event-exhibition/securing-a-free-state-the-second-amendment-project-jennifer-nelson-social-studies-7/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110924T000000
DTEND;TZID=America/Phoenix:20111231T000000
DTSTAMP:20260920T161759
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195820Z
UID:4608-1316822400-1325289600@asuartmuseum.org
SUMMARY:Juan Downey: The Invisible Architect
DESCRIPTION:Juan Downey: The Invisible Architect is the first U.S. museum survey of the work of Chilean artist Juan Downey (1940-1993)\, an unsung video-art pioneer whose career Artforum magazine calls “brilliant and idiosyncratic.” \nWorking in a variety of media\, Downey anticipates our current interest in urbanism\, post-colonial theory and locality in contemporary art. He explores the intellectual and historical myths of European culture\, as well as the roots of Latin American identity\, through videos and installations that use associative visual metaphors\, collage-like techniques and non-linear narrative. \nThe Invisible Architect was organized by the MIT List Visual Arts Center and the Bronx Museum of the Arts. The exhibition is supported by the Andy Warhol Foundation for the Visual Arts\, the National Endowment for the Arts; Martin E. Zimmerman; the Dedalus Foundation; the Milton & Sally Avery Arts Foundation; and Fundacion Cisneros/Coleccion Patricia Phelps de Cisneros. The ASU Art Museum presentation is made possible by a generous grant from the Bruce T. Halle Family Foundation and with additional support from the Helme Prinzen Endowment and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/juan-downey-the-invisible-architect/
CATEGORIES:blue,Exhibition
END:VEVENT
END:VCALENDAR