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X-WR-CALDESC:Events for ASU Art Museum
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TZID:America/Phoenix
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DTSTART:20110101T000000
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150702T000000
DTEND;TZID=America/Phoenix:20150823T000000
DTSTAMP:20260920T131942
CREATED:20170306T231100Z
LAST-MODIFIED:20241029T231808Z
UID:4654-1435795200-1440288000@asuartmuseum.org
SUMMARY:Yoshua Okón: Oracle
DESCRIPTION:For this second part to his critically acclaimed video Octopus (2011)\, Yoshua Okón has created a multi-channel video installation centering on anti-immigration protests against unaccompanied children that are fleeing violence and poverty from Central America into the United States. Produced during Okón’s residency at the ASU Art Museum International Artist Residency Program\, Oracle was inspired by Okón’s experiences in Oracle\, Arizona\, where he spoke to protest leaders to create a live reenactment of the event\, bringing into question perceptions of reality and truth. \nThis project was made possible in part by the Institute of Museum and Library Services\, Museums for America Grant Number MA-20-14-0236-14. Oracle is part of the Contact Zones series of exhibitions at the ASU Art Museum\, which focuses on contemporary migration and its intricate uncertainties within border culture\, destiny and contested histories. The series includes new commission-based video installations\, public engaged programs\, guest-curated exhibitions and artist initiated projects. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/yoshua-okon-oracle/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150516T000000
DTEND;TZID=America/Phoenix:20150906T000000
DTSTAMP:20260920T131942
CREATED:20170306T231500Z
LAST-MODIFIED:20241029T230200Z
UID:4653-1431734400-1441497600@asuartmuseum.org
SUMMARY:Found(ing): Prints
DESCRIPTION:Oliver B. James\, a Phoenix attorney\, anonymously donated paintings and prints to Arizona State University in the 1950s. His goal was to provide students\, faculty\, school children and the general public in Arizona with the opportunity to view and be inspired by original works of art. James thoughtfully acquired and donated close to 150 works of primarily American art\, working with Paula Kloster\, director of the art department and curator of the collection.\nJames collected European and American prints to represent the major artists in modern print history. This includes work of prominent artists from the 19th Century Etching Revival and from the 20th century publishing firm of Associated American Artists\, among others.\nJames’ print collection became the nucleus for the museum’s works-on-paper holdings which now number over 5\,500 etchings\, lithographs\, woodblocks\, photographs and drawings. This collection is housed in the Jules Heller Print Study Room\, exhibited in the galleries and studied by students and scholars.\nThis exhibition was selected from the ASU Art Museum’s permanent collection by Jean Makin\, curator of prints\, with research assistance from Kereese Harris\, education student internand master’s student in art history. Support for Found(ing): Prints is provided by the Evelyn Smith Exhibition Fund and members of the ASU Art Museum. \nThis exhibition is presented in conjuction with Found(ing) Story: The Oliver B. James Collection\, on view July 11 – Nov. 14\, 2015 in the museum’s Americas Gallery. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/founding-prints/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150502T000000
DTEND;TZID=America/Phoenix:20150809T000000
DTSTAMP:20260920T131942
CREATED:20170306T231800Z
LAST-MODIFIED:20241029T230107Z
UID:4314-1430524800-1439078400@asuartmuseum.org
SUMMARY:State of Exception
DESCRIPTION:This exhibition is at our downtown Phoenix residency program location.\nQuestions about visiting? Call 480.965.2787 and press “0” \nOver 300 backpacks\, water bottles\, border restraints and other objects left behind by undocumented migrants on their journey into the United States form the basis of this exhibition exploring the human experience of crossing the U.S./Mexico border. Video and images created on location along the Arizona border ask the viewer to consider the complexities of the found objects. \nThis exhibition is a collaboration between photographer Richard Barnes\, artist/curator Amanda Krugliak and anthropologist Jason De Leόn. It was originally presented at the Institute of the Humanities Gallery\, University of Michigan Ann Arbor. The ASU Art Museum presentation is supported by the Helme Prinzen Endowment. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/state-of-exception/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150207T000000
DTEND;TZID=America/Phoenix:20150607T000000
DTSTAMP:20260920T131942
CREATED:20170306T233600Z
LAST-MODIFIED:20241029T233635Z
UID:4312-1423267200-1433635200@asuartmuseum.org
SUMMARY:Unfixed: New Painting
DESCRIPTION:Featuring the work of Katherine Bernhardt\, Hugh Scott Douglas\, Jeff Elrod\, Daniel Lefcourt\, Eddie Peake\, Avery Singer\, Josh Smith and Brad Troemel. \nThe artists in the exhibition unfix historic notions of what a painting should be. Their works are hybrids of old and new\, familiar and surprising media and processes. Through this mix the artists find new ways to make\, think about and view painting. The results range from abstractions derived from street and popular culture to computer-generated algorithms printed on canvas. Somehow\, they are paintings while also beyond painting. \nThis exhibition was made possible by generous loans and support of the Ovitz Family Collection\, Los Angeles. Additional support from the Helme Prinzen Endowment. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/unfixed-new-painting/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150124T000000
DTEND;TZID=America/Phoenix:20150517T000000
DTSTAMP:20260920T131942
CREATED:20170306T234100Z
LAST-MODIFIED:20241029T232818Z
UID:4311-1422057600-1431820800@asuartmuseum.org
SUMMARY:Tan Ping: Follow My Line (彳亍 Chì Chù)
DESCRIPTION:Tan Ping is one of China’s most recognized artists and printmakers; his area of greatest exploration has been in abstract art rather than figurative work. In this installation of drawings and video\, he invites viewers to consider human expression and culturally-specific contexts of viewing. \nThis exhibition is generously supported by Tan Ping Studio\, the Helme Prinzen Endowment and Pifo New Art Gallery. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Feb. 20\, 2015 — Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/tan-ping-follow-my-line-%e5%bd%b3%e4%ba%8d-chi-chu/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150117T000000
DTEND;TZID=America/Phoenix:20150412T000000
DTSTAMP:20260920T131942
CREATED:20170307T000100Z
LAST-MODIFIED:20241029T232936Z
UID:4310-1421452800-1428796800@asuartmuseum.org
SUMMARY:Museum/Archive: Recent Acquisitions to the ASU Art Museum Collection
DESCRIPTION:Since the 1950s\, the ASU Art Museum has been actively collecting provocative and compelling artworks to share with our students and community members. The collection now includes more than 12\,000 objects\, primarily acquired through generous donation. One area of focus is work created at the ASU Art Museum; the current exhibition includes many of these objects and others in a range of media acquired within the past four years. \nThis exhibition is generously supported by the Evelyn Smith Exhibition Fund and members of the ASU Art Museum. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/museum-archive-recent-acquisitions-to-the-asu-art-museum-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20141212T000000
DTEND;TZID=America/Phoenix:20150405T000000
DTSTAMP:20260920T131942
CREATED:20170307T003200Z
LAST-MODIFIED:20241029T235438Z
UID:4309-1418342400-1428192000@asuartmuseum.org
SUMMARY:Architecture for Place: Glenn Murcutt
DESCRIPTION:Known for projects which ‘touch the earth lightly\,” architect Glenn Murcutt begins his work with a keen observation of the natural conditions of each site. His distinctive residences and public buildings combine simple materials with elegant and refined forms and detailing. Yet they are primarily concerned with bringing the qualities of the surrounding world into the daily experience of the occupants. Murcutt was “designing sustainably” long before the term became fashionable. Since 1972\, his practice has been based in Sydney\, Australia\, where he has developed a range of projects receiving international recognition\, including the 2002 Pritzker Prize and the American Institute of Architects Gold Medal in 2009. \nThe exhibition of drawings\, renderings\, photographs and models will be installed through an innovative collaboration between the ASU Art Museum\, The Design School and the local chapter of the American Institute of Architects. A graduate design studio working with faculty and curators will research\, design\, fabricate and install the exhibition to reflect the principles of Murcutt’s work. Their working process will be open to the public. \nThe exhibition was originated by TOTO and Gallery Ma in Tokyo\, Japan\, and is being traveled internationally by the Australian Architecture Foundation. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Dec. 12\, 2014 — PublicReception 5–7 p.m.
URL:https://asuartmuseum.org/event-exhibition/architecture-for-place-glenn-murcutt/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20141107T000000
DTEND;TZID=America/Phoenix:20141223T000000
DTSTAMP:20260920T131942
CREATED:20170307T004000Z
LAST-MODIFIED:20241029T225745Z
UID:4307-1415318400-1419292800@asuartmuseum.org
SUMMARY:Convergence / PHX - BG
DESCRIPTION:Convergence / PHX – BG\nCurator: Maida Gruden\, Belgrade\, Serbia\nArtists: Aleksandrija Ajduković\, Nidaa Aboulhosn\, Edgar Cardenas\, Sean Deckert\, William LeGoullon\, Goran Micevski\, Ivan Petrović\, Stefana Savić\, Nina Todorović\, Mihailo Vasiljević\, Ryan Parra\, Claire A. Warden \nABOUT THE EXHIBITION\nConvergence / PHX – BG is an exhibition of photographic works by artists from Phoenix and Belgrade. During her five-week stay at the ASU Art Museum International Artist Residency Program\, Maida Gruden (art historian\, curator\, and CEC ArtsLink Fellow for 2014 ) had the opportunity to meet a number of local artists and ASU students to view and learn about their work and processes. This short but eventful time has brought the opportunity for Gruden to develop an exhibition at the Combine Studios gallery based on her interaction with photographers from Phoenix and recent collaborations with photographers from Belgrade. \nThe exhibition represents a generational cross-section of artists from their twenties to their forties. It indicates a first step in connecting the artists\, audiences\, photographic processes and people from two distant towns. The title Convergence / PHX – BG is intended for the viewer to consider similarities but also to raise interests for differences that enrich and intrigue our local perspectives. The same exhibition will be presented at the Students’ City Cultural Center Gallery in Belgrade at the beginning of 2015. The effects of this convergence will be to create a space for personal encounter and dialog of artists from Phoenix and Belgrade\, to help develop collaborative and exchangeable projects in the future. \nThe artists from Belgrade whose works are presented within the exhibition were participants in a summer 2014 photo colony titled Dislocations\, in Orlovat\, Serbia\, that was initiated by the curatorial duo maramaida of Gruden and her collaborator\, Mara Prohaska Marković. \nABOUT MAIDA GRUDEN\nAs a visual arts programmer at the Students’ City Cultural Center (SCCC) in Belgrade and a member of the curatorial duo maramaida\, Gruden is active in both the academic and alternative scenes. She is interested in involving the student community in art projects that can serve as a powerful tool for understanding society. At the SCCC\, she is currently working on a residency program for international photographers to create projects with students\, and she has also developed collective works involving artists\, students and citizens. To learn more about Gruden’s work\, visit  www.maidagruden.wordpress.com . \nABOUT THE RESIDENCY PROGRAM\nThe ASU Art Museum International Artist Residency Program brings accomplished national and international artists\, curators and scholars to ASU to develop new work with the research resources of Arizona State University and the diverse communities in Arizona. Gruden’s residency is funded in part through the support of ArtsLink Residencies \, which offers artists and arts managers from 37 overseas countries five-week residencies at non-profit arts organizations throughout the US. The program enables artists and communities across the U.S. to share artistic practices with artists and arts managers from abroad and engage in dialogue that advances understanding across cultures. \nRESIDENCY PROGRAM GALLERY HOURS\nopen Wednesday – Friday\, 2 – 6 p.m.\nFirst Fridays and Third Fridays\, 6 – 9 p.m. \n\n\n\n\nOpening Reception:\n\nOpening Reception: First Friday Opening Reception:Nov. 7\, 6-9 p.m.\n\n\n\nCurator:\n\nMaida Gruden
URL:https://asuartmuseum.org/event-exhibition/convergence-phx-bg/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20141006T000000
DTEND;TZID=America/Phoenix:20150118T000000
DTSTAMP:20260920T131942
CREATED:20170307T004900Z
LAST-MODIFIED:20241029T210133Z
UID:4305-1412553600-1421539200@asuartmuseum.org
SUMMARY:Trout Fishing in America and Other stories
DESCRIPTION:Artists Bryndis Snæbjörnsdóttir (Iceland) and Mark Wilson (England) explore the networked effects of conservation initiatives in Arizona. Over two years\, they researched programs underway to reintroduce the California Condor and the Humpback Chub into the Grand Canyon. Through humor\, wonder and surprise\, their installation of photographs\, videos and sculpture explores the complexity of human-animal interactions and their combined impact on ecologies. \nThis project is supported by a research grant from The Julie Ann Wrigley Global Institute of Sustainability at ASU. Additional support generously provided by Arizona Game and Fish Department Heritage Fund\, University of Cumbria\, U.K.\, the Helme Prinzen Endowment\, The Steele Foundation\, the City of Tempe\, the College of Liberal Arts and Sciences\, ASU Department of English and the ASU Art Museum Creative Impact Board. \nRELATED PROGRAMS\nHow Can Art Advance Sustainability?\nFriday\, Oct. 3\, 2014\, 11 a.m. to 5 p.m.\nJoin us for a conversation with an international assemblage of artists\, art critics\, philosophers\, scientists and journalists to discuss conservation and our cultural perceptions of nature. Free and open to the public; come and go as you please. Full program information and speaker bios are available here:  https://asuevents.asu.edu/how-can-art-advance-sustainability-symposium
URL:https://asuartmuseum.org/event-exhibition/trout-fishing-in-america-and-other-stories/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20141002T000000
DTEND;TZID=America/Phoenix:20141002T000000
DTSTAMP:20260920T131942
CREATED:20170307T005000Z
LAST-MODIFIED:20241029T210557Z
UID:4304-1412208000-1412208000@asuartmuseum.org
SUMMARY:ASU Art Museum Fall 2014 Season Opening Reception
DESCRIPTION:Join us at the ASU Art Museum to celebrate our Fall 2014 season and the opening of the exhibitions In Solitude\, Where We Are Least Alone \, Shifting Sands: Recent Videos from the Middle East \, Richard T. Walker: the predicament of always (as we are) \, and Trout Fishing in America and Other stories . \nMembers\, alumni\, and press are invited to join us for a preview from 5:30 to 6:30 p.m.\nPublic reception will be held from 6:30 to 8:30 p.m. \nThe ASU Art Museum’s Fall 2014 Season Opening Reception is sponsored by Macayo’s Mexican Kitchen and the ASU Art Museum Creative Impact Board.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museum-fall-2014-season-opening-reception/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140927T000000
DTEND;TZID=America/Phoenix:20150104T000000
DTSTAMP:20260920T131942
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195756Z
UID:4303-1411776000-1420329600@asuartmuseum.org
SUMMARY:Richard T. Walker: the predicament of always (as we are)
DESCRIPTION:Richard T. Walker’s videos\, photographs\, installations and performances take seclusion\, human nature and dialogue as their subjects. Focusing on the experience of our surrounding environments\, his works highlight clashes between innate desire\, cultural interpretation and reality\, becoming almost behavioral studies of the act of experiencing. \nThis exhibition is generously supported by Carroll/Fletcher Gallery\, London\, and the Helme Prinzen Endowment. \nRELATED PROGRAMMING:\nTuesday\, Sept. 23\, 6:30–7:30 p.m.\nGallery Preview and Lecture: Richard T. Walker\nLearn more and RSVP:  https://asuevents.asu.edu/gallery-preview-and-lecture-richard-t-walker
URL:https://asuartmuseum.org/event-exhibition/richard-t-walker-the-predicament-of-always-as-we-are/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140925T000000
DTEND;TZID=America/Phoenix:20140925T000000
DTSTAMP:20260920T131943
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195810Z
UID:4302-1411603200-1411603200@asuartmuseum.org
SUMMARY:Director's Council Lecture Series with ASU Art Museum Director Gordon Knox
DESCRIPTION:Join ASU Art Museum Director Gordon Knox for a presentation and discussion about art\, science\, innovation and technology. \nFree and open to the public. RSVP required; seating is limited.\nVisit  https://amuseum-knoxlecture.eventbrite.com to RSVP.\nArt and science are our species’ primary systems of knowledge production. Both are highly disciplined\, focused\, peer-reviewed\, cumulative and broadly collaborative ways of investigating\, explaining and understanding the world and our universe. Art and science work at the very perimeters of what we know and delve deeply into what we think we know\, making the invisible visible and bringing forward hidden — or obfuscated — patterns and connections. Yet they are decidedly different; on opposite ends of the continuum of knowledge production\, they complement each other as we strive to make sense of it all. \nLecture sponsored by the ASU Art Museum Director’s Council.
URL:https://asuartmuseum.org/event-exhibition/directors-council-lecture-series-with-asu-art-museum-director-gordon-knox/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140923T000000
DTEND;TZID=America/Phoenix:20140923T000000
DTSTAMP:20260920T131943
CREATED:20241029T195138Z
LAST-MODIFIED:20241029T195837Z
UID:4301-1411430400-1411430400@asuartmuseum.org
SUMMARY:Gallery Preview and Lecture: Richard T. Walker
DESCRIPTION:Artist Richard T. Walker will give a behind-the-scenes tour of the installation of his upcoming exhibition at the ASU Art Museum\, Richard T. Walker: the predicament of always (as we are) \, which opens Sept. 27\, 2014.\nWalker\, a British artist currently living and working in San Francisco\, brings a unique outsider perspective to the American West landscape. His videos\, photographs\, installations and performances take seclusion\, human nature and dialogue as their subjects. Focusing on the experience of our surrounding environments\, Walker’s works highlight clashes between innate desire\, cultural interpretation and reality\, becoming almost behavioral studies of the act of experiencing. \nFor Richard T. Walker: the predicament of always (as we are) \, on view through January 3\, 2015\, Walker places musical instruments inside the frame of multiple landscapes\, creating a soundtrack from his experience by responding to nature through musical and visual compositions. The multi-layered result both activates and interrupts the landscape through a unique homage to the sublime. \nThis gallery preview and lecture is free and open to the public. Seating is limited and RSVPs are required. To RSVP\, vist:  https://amuseum-richardtwalker.eventbrite.com
URL:https://asuartmuseum.org/event-exhibition/gallery-preview-and-lecture-richard-t-walker/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140919T000000
DTEND;TZID=America/Phoenix:20141026T000000
DTSTAMP:20260920T131943
CREATED:20170307T005400Z
LAST-MODIFIED:20241029T204445Z
UID:4300-1411084800-1414281600@asuartmuseum.org
SUMMARY:Alejandro Almanza Pereda: Down_Under_Side
DESCRIPTION:“Man loves everything that satisfies his comfort. He hates everything that wants to draw him out of his acquired and secured position and that disturbs him. Thus he loves the house and hates art.”\n— Alfred Loos\, Pioneering Modernist Architect\n“Every day\, in our lives\, we face risk with possible dangers. Every situation encountered is confronted by the speculation of hazards. Risk perception enables us to make an assessment of what consequences we face by partaking in certain decisions or activities. Through my sculptures\, photographs\, and installations\, I take these preconceived ideas of what is considered dangerous and create tension and awkwardness for the spectator.”\n— Alejandro Almanza Pereda \nNew York and Mexico City-based artist Alejandro Almanza Pereda constructs installations from an assembly of mundane objects\, such as cinder blocks\, fluorescent light bulbs\, bowling balls\, fish tanks and old furniture. Through the juxtaposition and pairing of materials and objects\, he achieves a sense of tension from makeshift environments with specific connotations such as fragility\, value and weight. The installations create an expectation of a possible future event\, which adds a temporal dimension to the static object. The precariousness of its instability affects the viewer’s knowledge\, and their assessment of its impending violent destruction that may or may never come. \nAlmanza’s work brings into question the definition of architecture in relation to daily urban life. In his new work\, Down_Under_Side\, the artist poses the question: How do the concepts of solidity\, utility and beauty function in architecture today? When can a structure no longer hold its contents\, or no longer hold itself? The premier of his new body of work exposes recent interests in 17th century Northern European still life paintings\, which come into play as he recreates a new series of still life videos inside swimming pools. A collaboration with Iraqi-born and Phoenix-based painter Bassim Al Shaker will also be part of the installation\, featuring a new still life painting created specially for the exhibition. \nUsing his collection of antiques and thrift store finds from Mexico\, New York and Phoenix\, Almanza has also chosen to shoot the still life scenes underwater and upside-down in an almost film noir setting in black and white. One can see the construction and deconstruction of the still life as it relates to the construction of how cultural memory is inherent in the displayed objects\, flowers\, vegetables\, fruits and drinking vessels. The structure or still life scenario that Almanza has created brings into question: What happens when the content becomes more important than the actual structure? \nThe ASU Art Museum International Artist Residency Program in downtown Phoenix at Combine Studios is open 2 – 6 p.m. on Wednesday through Saturday and by appointment for the duration of Almanza’s installation. For directions\, visit:  http://asuartmuseum.asu.edu/about/visit.php
URL:https://asuartmuseum.org/event-exhibition/alejandro-almanza-pereda-down_under_side/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140909T000000
DTEND;TZID=America/Phoenix:20141130T000000
DTSTAMP:20260920T131943
CREATED:20170307T012300Z
LAST-MODIFIED:20241029T184836Z
UID:4636-1410220800-1417305600@asuartmuseum.org
SUMMARY:Shifting Sands: Recent Videos from the Middle East
DESCRIPTION:Featuring international artists who use film and video to explore the Middle Eastern desert as a site charged with meaning\, this exhibition explores zones of conflict\, including the Israel-Palestine border and Afghanistan\, and the shifting personal\, political and geographical landscapes of the Middle East. Artists include: Lida Abdul (Afghanistan)\, Yael Bartana (Germany/Israel)\, Emily Jacir (Palestine/Italy) and Isabel Rocamora (Spain/U.K.). \nThis exhibition was co-curated by Kate Bonansinga and Kerry Doyle\, and originally presented at the Rubin Center for the Visual Arts\, University of Texas at El Paso\, in conjunction with Desert One\, a regional\, collaborative project involving a network of institutions initiated by the Desert Initiative at the ASU Art Museum. The ASU Art Museum presentation is supported by the Helme Prinzen Endowment. \nRELATED PROGRAMS\nTuesday\, Sept. 9\, 2014\, 6–8 p.m. at the ASU Art Museum\n“Civility in Action\, Part I” \nA series of Valley-wide citizen dialogues on election issues\, “Civility in Action” is designed to foster civility. Hosted by the Institute for Civil Dialogue\, in association with the Hugh Downs School of Human Communication at ASU\, it provides a structured format for public dialogue as a tool to build bridges across the chasm of public viewpoints. This conversation in the series will be set against the backdrop of the “Shifting Sands” exhibition and consider political issues and the Middle East. \nThursday\, Oct. 30\, 2014\, 7 p.m. offsite at the ASU Physical Education Building East\, room 132\n“Dancing in Jaffa” Film Screening and Discussion \nDancing in Jaffa is a compelling new documentary about ballroom dancing as a means of bridging differences between Jewish and Muslim children. This screening\, presented in conjunction with “Shifting Sands” at the ASU Art Museum\, is co-sponsored by the Center for Jewish Studies\, the Center for the Study of Religion and Conflict\, the ASU School of Film\, Dance and Theatre and the Herberger Institute for Design and the Arts Socially Engaged Practice Program. \n\n\n\n\nOpening Reception:\n\nOpening Reception: Thursday\, Oct. 2\, 2014 – Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/shifting-sands-recent-videos-from-the-middle-east/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140809T000000
DTEND;TZID=America/Phoenix:20141109T000000
DTSTAMP:20260920T131943
CREATED:20170307T012600Z
LAST-MODIFIED:20241029T235610Z
UID:4298-1407542400-1415491200@asuartmuseum.org
SUMMARY:In Solitude\, Where We Are Least Alone
DESCRIPTION:Inspired by the essays of American transcendentalists Henry David Thoreau and Ralph Waldo Emerson\, this exhibition explores the value of seclusion and self-reflection. The works\, which range in date and medium\, consider both the pain and pleasure of isolation\, ultimately posing the question: At what point does solitude cease to be a refuge from society?\nThis exhibition is curated from the ASU Art Museum’s permanent collection by Brittany Corrales\, Windgate curatorial assistant and graduate student in art history\, and is supported by the Evelyn Smith Exhibition Fund. \nRELATED PROGRAMMING:\nWednesday\, Oct. 15\, noon – 1 p.m.\nGallery Talk: In Solitude\, Where We Are Least Alone with Brittany Corrales\nLearn more and RSVP:  https://asuevents.asu.edu/gallery-talk-solitude-where-we-are-least-alone-brittany-corrales
URL:https://asuartmuseum.org/event-exhibition/in-solitude-where-we-are-least-alone/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140721T000000
DTEND;TZID=America/Phoenix:20140914T000000
DTSTAMP:20260920T131943
CREATED:20170307T014400Z
LAST-MODIFIED:20241029T231805Z
UID:4297-1405900800-1410652800@asuartmuseum.org
SUMMARY:The Garden in the Machine
DESCRIPTION:Based on the 1964 book by Leo Marx\, The Machine in the Garden\, the exhibition’s title refers to the “pastoral” and “progressive” ideals explored in his writing. This seminal work characterized early 20th century American culture and its relationship to technology\, contemporary society and urban expansion. Today\, similar themes emerge in China\, where people are currently dealing with the effects of massive urban expansion. \nThe Garden in the Machine is the U.S. premiere of new video works by artists Cao Fei\, Michael Leung\, Xu Tan\, Koki Tanaka and Zhou Tao\, all working in China. They use research videos\, experimental documentaries and cinematic approaches to explore strategies for coping with today’s social realities. The artists deal with topics that include forced migration\, urbanization\, industrialization\, food security\, environmental and social conflicts. \nEXHIBITION SCREENING DATES:\nEach week for the duration of the exhibition a different video will be screened. In the rear of the gallery are two stations that allow you to view all of the videos in the series at any time. \nKoki Tanaka\, a pottery produced by 5 potters at once (silent attempt)\, 2013. HD Video\, 74:00 minutes.\nWill be screened June 21–28\, July 29–Aug. 2 and Sept. 2–6\, 2014.\nCao Fei\, Haze and Fog\, 2013. HD Video\, 47:12 minutes.\nWill be screened July 1–5\, Aug. 5–9 and Sept. 9–13\, 2014.\nZhou Tao\, After Reality\, 2013. HD Video\, 14:03 minutes.\nWill be screened July 8 – 12 and Aug. 12 – 16.\nXu Tan\, Social Plants and Thought Spasm\, 2013. HD Video\, 10:08 minutes.\nWill be screened July 15–19 and Aug. 19–23\, 2014.\nMichael Leung\, Hong Kong Salt Project\, 2013. HD Video\, 5:08 minutes.\nWill be screened July 22–26 and Aug. 26–30\, 2014. \nCLOSING RECEPTION:\nThursday\, Sept. 4\, 2014\, 4–7 p.m.\nCelebrate the closing of The Garden in the Machine with a lecture by San Francisco-based curator of contemporary Chinese art Xiaoyu Weng and a special screening of the zombie film Haze and Fog by artist Cao Fei. Reception sponsored by Taste of Tops and Macayo’s Mexican Kitchen.\nLearn more:  https://asuevents.asu.edu/closing-reception-garden-machine
URL:https://asuartmuseum.org/event-exhibition/the-garden-in-the-machine/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140719T000000
DTEND;TZID=America/Phoenix:20141012T000000
DTSTAMP:20260920T131943
CREATED:20170307T014000Z
LAST-MODIFIED:20241029T231814Z
UID:4296-1405728000-1413072000@asuartmuseum.org
SUMMARY:These Are Some of My Favorite Things
DESCRIPTION:For his final exhibition prior to his retirement this summer\, curator of ceramics Peter Held examines the compulsion to collect. He includes cabinets of curiosities\, knick-knacks and creative tableaus from local artists\, designers and the public-at-large in an exhibition that highlights how we’re all equally passionate and obsessive about the things we love and choose to live with. \nThese Are Some of My Favorite Things features eight private collections from local artists\, collectors and creatives\, all equally passionate and obsessive about the things they love and choose to live with. They include: Cyndi Coon (small white objects); Emily Long (vintage Arizona objects); Gretchen Freeman (folk and naïve art); Mark Klett (sunrise sticks); Randall and Katherine Schmidt (military trench art); Joe Willie Smith (African folk and naïve art); Kathleen Vanesian (Mexican folk art) and Kurt Weiser (childhood and travel memorabilia). \nAlso included is a selection of works from the museum’s permanent collection chosen by curator of ceramics Peter Held\, focused on the ceramic Funk movement. One of Held’s favorite time periods in the development of American studio ceramics\, Funk ceramics emerged from the San Francisco Bay Area alternative underground and were shaped by counter-cultural aesthetics in the 1950s and 60s. The movement was spearheaded by Robert Arneson at the University of California-Davis\, who encouraged his ceramic students to explore a new terrain of art. In addition to a number of iconic works by Arneson\, works by Fred Bauer\, David Gilhooly\, Erik Gronborg\, Peter VandenBerge and Patti Warashina will be included. \nThis exhibition is generously supported by the Ceramics Research Center’s Artists’ Advisory Committee. \nRELATED PROGRAMS\nTuesday\, Oct. 7\, 2014\, 6:30–8:30 p.m. (members and alumni preview 5:30–6:30 p.m.)\nJoin us for a special closing reception event for These Are Some of My Favorite Things at the ASU Art Museum Brickyard with Peter Held\, curator of the exhibition and the collectors whose work is showcased. Plus\, meet the ASU Art Museum’s new ceramics curator\, Garth Johnson \, who is visiting the museum before the official start of his curatorship in December 2014.
URL:https://asuartmuseum.org/event-exhibition/these-are-some-of-my-favorite-things/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140614T000000
DTEND;TZID=America/Phoenix:20140722T000000
DTSTAMP:20260920T131943
CREATED:20170307T014900Z
LAST-MODIFIED:20241029T231522Z
UID:4632-1402704000-1405987200@asuartmuseum.org
SUMMARY:Gallery Conversations: This is Not America\, Part III
DESCRIPTION:The ASU Art Museum presents gallery conversations and tours of This is Not America\, Part III . Explore this remarkable exhibition with the ASU Master of Fine Arts students who co-curated it alongside Julio Cesar Morales. \nFree and open to the public; join us for one or for both!\nTours will convene in the ASU Art Museum lobby; reservations are not required. \nOn Saturday\, June 14 at 3 p.m.\nEstrella Payton\, Adam Montoya and Eli McGlothern will lead the conversation\, with special presentations on the art of Robert Indiana\, John James Audubon and Samuel A. Robb. \nOn Saturday\, June 21 at 3 p.m.\nCarrie Meyer and Julio Cesar Morales will lead the conversation\, with special presentations on the art of William Kentridge\, Rip Woods\, Richard Notkin and S.M.S.
URL:https://asuartmuseum.org/event-exhibition/gallery-conversations-this-is-not-america-part-iii/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20131108T000000
DTEND;TZID=America/Phoenix:20131201T000000
DTSTAMP:20260920T131943
CREATED:20170309T001900Z
LAST-MODIFIED:20241029T225734Z
UID:4631-1383868800-1385856000@asuartmuseum.org
SUMMARY:MIRRORPEOPLE
DESCRIPTION:MIRROR< >PEOPLE is an exhibition that explores the speculative idea of the end of fidelity both as a metaphor and as a concept that mirrors social rituals about sharing uncertainty and finding our place in the world. \nThe new and previously unseen works exhibited by the School of Art’s esteemed faculty include video\, installation\, painting\, fiber\, works on paper and photography by Peter Bugg\, Binh Danh\, Angela Ellsworth\, Rogelio Gutierrez\, Erika Hanson\, Mary Hood\, Jill Mason\, Aaron Rothman\, Gregory Sale and Forrest Solis. \nMIRROR< >PEOPLE is one of three School of Art Biennial Faculty Exhibitions and\, in addition to this show\, two more exhibitions will be on view: the main exhibition located in ASU Art Museum\, Tempe and BACK IN THE DAY… taking place in the Harry Wood Gallery\, School of Art building\, ASU Tempe Campus. \nOpening Reception: Friday\, Nov. 8\, 6–8 p.m. \n 
URL:https://asuartmuseum.org/event-exhibition/mirrorpeople/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20131012T000000
DTEND;TZID=America/Phoenix:20140108T000000
DTSTAMP:20260920T131943
CREATED:20170309T005950Z
LAST-MODIFIED:20241029T210810Z
UID:4630-1381536000-1389139200@asuartmuseum.org
SUMMARY:Herberger Institute for Design and the Arts School of Art Biennial Faculty Exhibitions
DESCRIPTION:The biennial ASU Herberger Institute for Design and the Arts School of Art Faculty Exhibition showcases recent work by the School of Art’s esteemed faculty. This year’s exhibition will feature work in diverse media\, including painting\, photography\, drawing\, sculpture\, inter-media\, fiber and ceramics\, as well as research by art history and art education professors. \nIn addition to the main show at the ASU Art Museum\, satellite exhibitions will be on view at the Night Gallery at Tempe Market Place and at the Harry Wood Gallery in the School of Art building on ASU’s Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/herberger-institute-for-design-and-the-arts-school-of-art-biennial-faculty-exhibitions/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20130907T000000
DTEND;TZID=America/Phoenix:20131207T000000
DTSTAMP:20260920T131943
CREATED:20241029T195136Z
LAST-MODIFIED:20241029T195727Z
UID:4629-1378512000-1386374400@asuartmuseum.org
SUMMARY:Crafting a Continuum: Rethinking Contemporary Craft
DESCRIPTION:The ASU Art Museum and Ceramics Research Center (CRC) in the Herberger Institute for Design and the Arts present Crafting a Continuum: Rethinking Contemporary Craft\, the first comprehensive museum exhibition to highlight their extensive craft holdings\, including new international acquisitions in wood\, ceramic and fiber. This exhibition and its accompanying catalog provide an international perspective on modern and contemporary crafts and the current level of innovation and experimentation in material studies. \nThe Museum’s existing craft collection\, which was initiated in the late 1960s\, focuses on both established and emerging artists who are the driving force behind the model of rethinking craft. Recent acquisitions of work by national and international artists reflect current trends in the field. Established artists in the show include Peter Voulkos\, Ed Moulthrop and Dorothy Gill Barnes. Emerging artists include Sonya Clark\, Anders Ruhwald\, Mark Newport and Alison Elizabeth Taylor. The exhibition includes approximately 100 objects in wood\, ceramic and fiber. \nIn conjunction with the September 27\, 2013 opening reception for the exhibition\, the Museum and CRC are also hosting “FlashBackForward\,” a symposium on the state of contemporary craft\, Saturday\, Sept. 28 from 9:30 a.m. to 5 p.m. The keynote speaker is Jenni Sorkin\, assistant professor of Contemporary Art History at University of California\, Santa Barbara\, with lectures by artists Wendy Maruyama\, Garth Johnson\, Christine Lee\, Del Harrow and Erika Lynne Hanson. \nThat weekend\, Arizona artist Paul Nosa will join the Museum for a two-day sewing performance featuring his Solar Sewing Rover\, a portable sewing machine powered by a solar panel or a bicycle with an electric generator. Nosa will create original images\, which are machine-sewn on fabric patches\, using word associations provided by guests at both the opening and the symposium. For more information about Nosa’s work\, visit  http://www.pnosa.com/fr_website.cfm \nThe exhibition is curated by Associate Director and Senior Curator Heather Sealy Lineberry and Curator of Ceramics Peter Held\, with assistance from Windgate Curatorial Fellow Elizabeth Kozlowski. \nThe catalog that accompanies the show is approximately 200 pages\, with color images\, a series of essays and brief perspectives dedicated to the existence of craft within a critical context\, a comprehensive bibliography\, artists’ biographies and an index. \nSelected works from the exhibition will travel to five additional venues around the country\, beginning in January of 2014 (see schedule below). \nThis exhibition and accompanying programming was made possible with generous support from the Windgate Charitable Foundation\, Nancy Tieken\, the Evelyn Smith Exhibition Fund and the Creative Impact Board of the ASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/crafting-a-continuum-rethinking-contemporary-craft/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20130812T000000
DTEND;TZID=America/Phoenix:20140315T000000
DTSTAMP:20260920T131943
CREATED:20170309T012452Z
LAST-MODIFIED:20241030T000226Z
UID:4628-1376265600-1394841600@asuartmuseum.org
SUMMARY:This Is Not America\, Part 2
DESCRIPTION:This Is Not America looks at the intersection of art and social change through the lens of the ASU Art Museum’s collection in conversation with emerging and established artists. Works are paired as a form of call and response in order to create a dialogue around current issues related to protest and poetic gestures within the aesthetics of resistance. The exhibition title takes a cue from Alfredo Jaar’s seminal 1987 public art video intervention at Times Square in New York City\, A Logo for America\, a three-part video animation that plays off the notions of “America” and its relationship to citizenship\, homeland and borders. \nPart 2 of the exhibition explores various themes through works that tend to express rebellious attitudes\, generally in opposition to socially established values. Through a range of media\, 28 artists are represented with works created from 1930-2013. A sense of cultural resistance is expressed through a poetic conduit among the works and punctuated in the aesthetics of the body\, memory and time. \nThis Is Not America\nResistance\, Protest and Poetics\nPart 1: Aug. 12-Nov. 9\, 2013\nPart 2: Nov. 16 2013-March 15\, 2014\nPart 3: April 5-July 19\, 2014 (co-curated with ASU MFA students) \nArtist include Facundo Arganaraz\, Sandow Birk\, Los Carpinteros\, Juan Capristan\, Enrique Chagoya\, Binh Danh\, Kota Ezawa\, Eamon Ore-Giron\, George Grosz\, Ana Teresa Fernandez\, Jon Haddock\, Alfredo Jaar\, Michael Lucero\, Carrie Marill\, Sanaz Mazinani\, Ranu Mukherjee\, Georgia O’Keeffe\, Gina Osterloh\, Raymond Pettibon\, Michele Pred\, Ken Price\, Jerome Reyes\, Paul Rucker\, Rene Francisco Rodriguez\, Fernando Rodriguez\, Lorna Simpson and Adriana Varejão. \nCurated by Julio César Morales with assistance from ASU College of Liberal Arts and Sciences Master Degree student Indira Garcia.
URL:https://asuartmuseum.org/event-exhibition/this-is-not-america-part-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20130427T000000
DTEND;TZID=America/Phoenix:20130721T000000
DTSTAMP:20260920T131943
CREATED:20170314T014600Z
LAST-MODIFIED:20241030T000504Z
UID:4627-1367020800-1374364800@asuartmuseum.org
SUMMARY:Infinite Place: The Ceramic Art of Wayne Higby
DESCRIPTION:The ASU Art Museum and Ceramics Research Center in the Herberger Institute for Design and the Arts present Infinite Place: The Ceramic Art of Wayne Higby\, a landmark exhibition featuring the work of contemporary ceramist Wayne Higby\, who is widely considered one of the most innovative second generation artists to emerge from the post–World War II American ceramic studio movement. \nThe exhibition\, on view April 27 – July 20 at the ASU Art Museum\, was organized by Peter Held\, curator of ceramics at the Ceramics Research Center. The 60–piece exhibition is the first major retrospective to provide an in-depth critical analysis of Higby’s work from the 1960s to the present\, offering a full view of his stylistic development. The exhibition will highlight Higby’s earlier raku-fired ceramics and later groundbreaking large-scale architectural wall installations\, as well as his study drawings. \nHigby lives and works in Alfred\, N.Y.\, and holds a professorship and the Robert C. Turner Chair of Ceramic Art at Alfred University. He is the recipient of the American Craft Movement Visionary Award from the Museum of Arts and Design\, New York\, as well as the Master of the Medium award and the Distinguished Educator award from the James Renwick Alliance. Higby is also Honorary Professor of Art at Shanghai University and an Honorary Citizen of the “Porcelain City” of Jingdezhen\, China. Higby is the founding director of the Alfred–Central Academy of Fine Arts’ Ceramic Design for Industry program in Beijing. \nHeld is the editor for the 216–page color monograph entitled Infinite Place: The Ceramic Art of Wayne Higby\, published and distributed by Arnoldsche Art Publishers\, Stuttgart\, Germany\, which will be available at the museum store. Illuminating essays by scholars and writers Tanya Harrod\, Ezra Shales\, Henry Sayre and Helen W. Drutt English\, among others\, provide insightful analysis of Higby’s work. \nIn conjunction with the exhibition’s opening\, Higby will deliver a lecture on April 27 from 1–2 p.m. in COOR 174 on the ASU Tempe campus\, with a reception to follow in the Americas Gallery of the ASU Art Museum from 2:30–4:30 p.m. \nAfter it leaves the ASU Art Museum\, the exhibition will embark on a two–year national tour\, travelling to the Renwick Gallery of the Smithsonian American Art Museum in Washington D.C.\, the Reading Public Museum in Reading\, Pa.\, the Philadelphia Art Alliance in Philadelphia\, the Racine Art Museum in Racine\, Wis.\, and the Memorial Art Museum in Rochester\, N.Y. \nInfinite Place: The Ceramic Art of Wayne Higby is funded by an Artist’s Exhibition Series grant from the Windgate Charitable Foundation\, with additional funds provided by Marlin and Regina Miller\, The Robert C. Turner Chair endowment fund\, Alfred University\, Friends of Contemporary Ceramics and the ASU School of Art Ceramics Program.
URL:https://asuartmuseum.org/event-exhibition/infinite-place-the-ceramic-art-of-wayne-higby/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20130309T000000
DTEND;TZID=America/Phoenix:20130907T000000
DTSTAMP:20260920T131943
CREATED:20170314T023414Z
LAST-MODIFIED:20241029T230312Z
UID:4626-1362787200-1378512000@asuartmuseum.org
SUMMARY:Turn off the Sun: Selections from la Colección Jumex
DESCRIPTION:Working in conjunction with Fundación/Colección Jumex\, the ASU Art Museum is proud to present Turn off the Sun\, a rare opportunity for the public to experience selected works of art from one of the largest and most important contemporary art collections in Latin America. \nLa Colección Jumex is a spectacular collection of more than 2\,600 works by emerging and established contemporary artists from Mexico\, Latin America\, the United States and Europe. Based in Mexico City\, Fundación/Colección Jumex has a 10-year history of supporting contemporary art through collecting\, exhibitions and educational programs. \nThe exhibition Turn off the Sun presents major pieces and installations by artists rarely or never seen in Arizona exploring diverse media and practice. The work has been selected around the complex relationship between Arizona and Mexico with broad references to borders\, labor\, movement and site. \nThe exhibition is co-curated by ASU Art Museum Senior Curator and Associate Director Heather Sealy Lineberry\, ASU Art Museum Curator Julio Cesar Morales and Curator Michel Blancsubé of Colección Jumex. \nTurn off the Sun was organized in partnership with Fundación/Colección Jumex\, with generous support from the Diane and Bruce Halle Foundation and additional support from the Helme Prinzen Endowment\, Target\, the Tempe Tourism Office\, Dircks and Friends of the ASU Art Museum. \nPublic Programs: \nMarch 15\nAlejandro Almanza Perada\nJumex exhibition artist\nLecture on art practice\nCombine Studios\n7 p.m.\nDowntown Phoenix \nInstallation artist and sculptor Alejandro Almanza Pereda strips objects of their original meaning\, rearranging them into clean\, geometric structures. Almanza Pereda uses a wide range of both utilitarian and rare fine art objects to create sleek designs that function as visual puzzles of sorts. He lives and works between Manhattan and Brooklyn\, in New York\, and Mexico City\, Mexico. He earned a BFA from University of Texas at El Paso (2005)\, attended the Skowhegan School of Painting and Sculpture (2004)\, and is an MFA candidate at Hunter College of The City University of New York (2015). His work has been included in Bienal de Curitiba\, Brazil (2011); Dublin Contemporary\, Ireland (2011); The College of Wooster Art Museum (2011); Chert Berlin (2011); Fundación Magnolia\, London (2011); Magnan Metz Gallery\, New York (2010); Museo de Arte Moderno\, Mexico City (2009); and the Queens Museum of Art (2006). \nMarch 23\nEduardo Sarabia\nJumex exhibition artist\nLecture on art practice\n2 p.m.\nLower Level South Gallery \nBorn in Los Angeles in 1976\, Eduardo Sarabia obtained a BFA from Otis College of Art and Design\, in Los Angeles\, and now lives and works in Los Angeles\, Guadalajara and Berlin. Sarabia is known for creating fake evidence for semi-fictional events\, using performance\, drawing\, painting\, ceramics\, photographs and sculpture to document events and ideas. His Latino heritage is an influence in his work\, with its cultural symbols appearing throughout. Recently Sarabia has partaken in numerous international group shows\, including I Love New York\, I-20 Gallery\, New York\, 2001; the 51st Venice Biennale\, Venice\, Italy\, 2005; Musee des Beaux-Arts\, Lille\, France\, 2006 and the Whitney Biennial\, Whitney Museum of American Art\, New York\, 2008. Recent solo exhibitions include Santa Monica Museum of Art\, Santa Monica\, Calif.\, 2002; Museo Raúl Anguiano\, Guadalajara\, Mexico\, 2008; LA Louver\, Los Angeles\, 2008. Upcoming exhibitions include the Denver Contemporary Art Museum in 2013. \nApril 10\nSuperflex\nJumex Exhibition Artist\nLecture on art practice\n7 p.m.\nCombine Studios\nThe Danish artist group Superflex \, founded by Jakob Fenger\, Rasmus Nielsen and Bjørnstjerne Christiansen\, centers around the discourse of “ethical capitalism” and development policy. The group describes their projects as “tools” – models or proposals that can be utilized and modified by the user. In their 1996 project “Supergas\,” Superflex worked with European and African engineers and a sustainable agriculture organization in Tanzania to develop and market to African farmers an affordable bio gas generator that turns human and animal waste into fuel. The bio gas plant produces enough fuel for a family of 8-10 members to cook and to run one gas lamp for an evening.\nIn “Guaraná Power Corner” (2006)\, bottles of the soft drink Guaraná Power are stacked in a corner with a mirrored base and walls. In 2003\, Superflex collaborated with local farmers from Maués in the Brazilian Amazon who cultivate the caffeine-rich berries of the guaraná plant. Multinational corporations have had a destructive effect on the market for guaraná\, driving the prices for the raw seeds down by 80 percent while raising the price for their own retail products made from the fruit. Superflex worked with the farmers to copy the formula of the corporate soda\, and then to create their own drink\, called Guaraná Power. Produced directly by the farmers\, Guaraná Power is sold in bars and cafés in Denmark\, directly competing with the corporate version of the drink.\nSuperflex has exhibited in galleries around the world and been included in international art festivals such as the 42nd Kunsthalle Basel\, Switzerland; the 6th Gwangju Biennial\, Korea; and the 50th Venice Biennial\, Italy. \nSeptember 5\nJulio Cesar Morales\nArtist/curator\nThe Mexican Social Laboratory: From punk rockers\, piracy to the embassy of waste\nLecture on current Mexican art scene\n7 p.m.\nA presentation on the contemporary Mexican art scene with a focus on appropriation\, performance and social practice seen through the work of artists Pedro Reyes\, Tania Candiani\, Torolab and a special previewof the forthcoming exhibition Moctezuma’s Revenge by Eduardo Sarabia at the ASU Art Museum (set for Spring of 2014). \nFeatured artists: \nDoug Aitken\nAlejandro Almanza Pereda (site-specific commission)\nFrancis Alÿs\nIñaki Bonillas\nMiguel Calderón\nRaúl Cárdenas Osuna/Torolab\nLawrence Carroll\nJosé Damasceno\nMark Dion\nSam Durant\nMónica Espinosa\nDan Graham\nCao Guimarães\nDaniel Guzmán\nLiza Lou\nEduardo Sarabia\nSantiago Sierra\nRobert Smithson\nSuperflex\nMungo Thomson\nJeff Wall
URL:https://asuartmuseum.org/event-exhibition/turn-off-the-sun-selections-from-la-coleccion-jumex/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20130209T000000
DTEND;TZID=America/Phoenix:20130512T000000
DTSTAMP:20260920T131943
CREATED:20170314T025700Z
LAST-MODIFIED:20241029T233624Z
UID:4625-1360368000-1368316800@asuartmuseum.org
SUMMARY:Cu29: Mining for You
DESCRIPTION:Artists Mathew Moore (Phoenix) and Clare Patey (London) collaborate on a project centered on the issue of endangered elements in the periodic table\, specifically copper. Copper plays a major role in Arizona’s history and in its current economic\, environmental and cultural life. Cu²⁹ explores the process of staking a claim\, the idea of owning the Earth’s natural resources\, and our dependence on copper for everything from saucepans to cellphones. \nThe artists’ company\, Copper Undergound\, has its corporate headquarters in the museum gallery\, where a massive three-dimensional periodic table doubles as seating. Artworks from the ASU Art Museum’s collection\, together with objects and their stories collected from the community\, trace the extraction of copper from the ground to its use by artists in their studios\, electricians and plumbers in houses\, and chefs in their kitchens. \nWith these installations\, the artists tackle issues of resource scarcity and the need to change patterns of human consumption. They point toward and demonstrate solutions like closed loop recycling and mining the urban environment. The project is accompanied by programs co-hosted by ASU departments. The artists collaborated with ASU students and faculty from the School of Art\, the Global Institute of Sustainability and the School of Earth and Space Exploration\, and students from Marcos di Niza High School in Tempe on research\, installations and information in the galleries. \nCu²⁹: Mining for You is generously supported by the Elizabeth Firestone Graham Foundation\, the City of Tempe\, Dr. Eric Jungermann\, Tana and Ridge Smidt\, Donna and Howard Stone\, the British Council\, Target\, the Advisory Board of the ASU Art Museum\, Friends of the ASU Art Museum\, Four Points Sheraton and the Wilhelmine Prinzen Endowment at the ASU Art Museum. \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Feb. 8 from 6:30-8:30p.m. (Member preview 5:30-6:30 p.m.)\n\n\n\nCurator:\n\nHeather Sealy Lineberry
URL:https://asuartmuseum.org/event-exhibition/cu29-mining-for-you/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121222T000000
DTEND;TZID=America/Phoenix:20130420T000000
DTSTAMP:20260920T131943
CREATED:20180215T225500Z
LAST-MODIFIED:20241029T235337Z
UID:4624-1356134400-1366416000@asuartmuseum.org
SUMMARY:Born of Fire: The Pottery of Margaret Tafoya AND Re: Generation: A Survey of Margaret      Tafoya's Descendants
DESCRIPTION:Born of Fire: The Pottery of Margaret Tafoya\nand\nRe: Generation: A Survey of Margaret Tafoya’s Descendants \nExtended hours during the Heard Museum Indian Market on March 2-3 (Ceramics Research Center open Sunday 11 a.m. to 5 p.m.) \nReception and book signing: Feb. 8\, 2013\, 6:30-8:30 p.m. Charles King will be signing his book “Born of Fire: The Life and Pottery of Margaret Tafoya.” \nThis unprecedented exhibition of pueblo pottery will provide collectors\, students and the public a unique overview of one of the most accomplished potters of the 20th century as well as of her descendants. Margaret Tafoya (1904-2001)\, a matriarch of Santa Clara Pueblo potters\, was a pioneering artist who sustained the ceramic tradition of her ancestors by transforming it from a process for making functional vessels into an art form. \nDrawing inspiration from the ceramic tradition of her ancestors\, Tafoya created large\, polished wares that are simple but elegant\, reflecting a harmonious union of history and modern aesthetics. New Mexico has been home to the Pueblo culture and its ancestors for centuries. Their pottery tradition\, dating as far back as A.D. 500\, demonstrates the craft’s importance to Pueblo identity. Such was the case for Margaret Tafoya\, the daughter of well-known Santa Clara Pueblo potters who awakened her to the value of tradition. \nTafoya used local clay and the age-old techniques of coiling and wood-firing. In addition to honoring ancient customs\, her pottery is equally germane to modernity. Her red and black wares are highly polished and often bear little decoration\, save for a recurring incised bear paw\, a trademark of the Tafoya clan. For Tafoya\, clay has a spiritual presence that can sense the virtue and history of the potter. In her words\, “You have to have a good heart when you sit down to make this pottery; you have to live a good life. The pottery knows.” \nRe: Generation: A Survey of Margaret Tafoya’s Descendants will highlight stellar examples of work by Tafoya’s children and grandchildren who continue the ceramics legacy. They include Shirley\, LuAnn and Lee Tafoya; Mary Ester Archuleta; Virginia Ebelacker; Toni Roller; Jennie Trammel\, and Mela Youngblood\, among others. \nOrganized in collaboration with the Erie Art Museum (Pa.)\, with assistance from King Galleries\, Scottsdale\, Ariz. The presentation of Born of Fire: The Pottery of Margaret Tafoya was generously funded by the Lovena Ohl Foundation\, Grace and Paul Markovits\, King Galleries\, Scottsdale\, George Gibbons\, Brue Eherenhaft and CLA members of the Ceramics Research Center. \nADDITIONAL EVENTS: \nSaturday\, March 2:\n2-4 p.m.: Artist demonstration by Nathan Youngblood.\nSunday\, March 3:\n10 a.m.-noon: Curator of Ceramics Peter Held and author Charles King will provide a presentation on the Tafoya Family pottery. Light refreshments served.\n2-4 p.m.: Artist demonstration by Linda Tafoya Sanchez.
URL:https://asuartmuseum.org/event-exhibition/born-of-fire-the-pottery-of-margaret-tafoya-and-re-generation-a-survey-of-margaret-tafoyas-descendants/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121107T000000
DTEND;TZID=America/Phoenix:20121124T000000
DTSTAMP:20260920T131943
CREATED:20180215T230200Z
LAST-MODIFIED:20241029T225748Z
UID:4623-1352246400-1353715200@asuartmuseum.org
SUMMARY:Duet: Lift Me Up For I Am Dying
DESCRIPTION:In conjunction with the 2012 International Conference on Romanticism (ICR)\, held on ASU’s Tempe campus\, the ASU Art Museum is showing Ross Birrell’s film Duet: Lift Me Up For I Am Dying. \nA Palestinian violist and an Israeli violist perform Ross Birrell’s musical composition “Lift Me Up For I Am Dying\,” in the Spiegelsaal of the Clärchens Ballhaus\, separately and at their own tempo. The resulting two parts are put back together in a continuous installation\, Duet. Approaching harmony continually falls into dissonance\, which evokes the possibility of harmony to come. \nLift Me Up For I Am Dying\, composed by Ross Birrell using the last spoken words of John Keats (1795-1821)\, was commissioned by the Swiss Institute in Rome and was first performed as a solo piece for viola by Giorgia Franceschi at Keats’ graveside in the Non-Catholic Cemetery in Rome on May 9\, 2010 as part of Strange Comfort (Afforded by the Profession) curated by Adam Szymczyk and Salvatore Lacagnina. The score was printed in an edition of 300 and exhibited in the Keats-Shelley House\, Rome. A related split screen video and series of hand casts were exhibited in Kunsthalle Basel\, June 13-August 22\, 2010.\n http://www.frieze.com/issue/review/strange-comfort-afforded-by-the-profession/ .\nAvri Levitan (Tel Aviv)\nAvri Levitan was born in 1973 in Tel Aviv and lives in Berlin. He is one of today’s most outstanding soloists with wide international recognition and was a 2009 BBC Music Magazine Awards nominee. He performs regularly in some of the world’s most prestigious concert halls\, such as the Berlin Philharmonic\, Vienna Konzerthaus\, Tokyo Oji Hall\, Casals Hall Tokyo\, National Philharmonic Hall Warsaw\, Seoul Kumho Art Hall and Art Center and Stockholm Nybrokajen Hall. He features in Douglas Gordon’s film “K.364 a journey by train” (2010) and is Professor at the Zaragosa Conservatorio Superior\, Aragon\, Spain.\nwww.avrilevitan.com/ \nTyme Khleifi (Ramallah)\nTyme Khleifi was born in 1989 in Ramallah in the West Bank of Palestine and is currently studying at Bard College in New York. She is a prominent member of the West-East Divan Orchestra\, the Arab-Israeli Youth Orchestra formed in 1999 by Edward Said and Daniel Barenboim in the conviction that: ‘Music by itself can\, of course\, not resolve the Arab-Israeli conflict. Music grants the individual the right and obligation to express himself fully while listening to his or her neighbor. Based on this notion of equality\, cooperation and justice for all\, the Orchestra represents an alternative model to the current situation in the Middle East.’ With the West-East Divan Orchestra\, Tyme has performed around the world\, including on the border between North and South Korea and the BBC Proms.\nwww.west-eastern-divan.org/  \nThe Spiegelsaal\, Clärchens\, Ballhaus\, Berlin\nThe Spiegelsaal (‘Mirror Hall’) is a concert room in the historic Clärchens Ballhaus in Mitte\, Berlin. Built in the late 19th Century\, the Clärchens Ballhaus was bombed during World War II and the traces of war damage remain in the large cracked mirrors and tarnished grandeur of the Spiegelsaal which was left untouched for 60 years.\nwww.spiegelsaal-berlin.de/  \nRoss Birrell\nNominated for the Paul Hamlyn Award 2012 and Margaret Tait Award in 2012\, Ross Birrell (Scotland\, 1969) received a Creative Scotland award in 2011. In 2007 he received a SAC/Scottish Screen Award for Guantanamera (with David Harding) exhibited at Glasgow International 2010; Swiss Institute in Rome/Kunsthalle Basel; Galleri Rotor\, Gothenburg; COBRA Museum of Modern Art\, NL; Americas Society\, NY; Portikus\, Frankfurt. Solo shows include: XYZ Projects\, Athens (with David Harding); Homo Ludens: Works from the Envoy Series\, 1998-2005\, FriesMuseum\, NL (2005); Büro Frierdich\, Berlin; Ellen de Bruijne\, Amsterdam (2003). Group shows: Museo Tamayo\, Mexico City (2012); COBRA Museum\, NL; Kunsthalle Nürnberg/BAWAG Foundation (2007); Apex Art\, NY; Gwangju Biennale\, Korea (2002). Ross Birrell is represented by Ellen de Bruijne\, Amsterdam.\nwww.edbprojects.nl   \nFor more information on ICR\, please visit   http://english.clas.asu.edu/icr2012
URL:https://asuartmuseum.org/event-exhibition/duet-lift-me-up-for-i-am-dying/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121027T000000
DTEND;TZID=America/Phoenix:20130119T000000
DTSTAMP:20260920T131943
CREATED:20180215T231600Z
LAST-MODIFIED:20241029T210307Z
UID:4622-1351296000-1358553600@asuartmuseum.org
SUMMARY:You Are Here
DESCRIPTION:In the paintings\, drawings and prints in the exhibition You Are Here\, drawn from the ASU Art Museum’s permanent collection\, artists explore the ways that we map\, mark or claim the land. Anchored by a historic Dutch engraving of a walled city\, most of the works begin in the late 1970s and reflect the strength of the Museum’s collection. \nDennis Oppenheim’s four lithographs from the Earth Works series diagram projects sculpting the earth. William T. Wiley’s painting on raw canvas appears to be giant doodles from a distance\, but on closer examination prove to be a map of Australia and records of the artist’s travels and memories of the land\, people\, animals and culture. Al Souza layers a weather map\, an illustration from a 1950s text book of swimmers\, and Japanese instructions on how to use a Western toilet in his painting Mainstreams from 1988. Mark Klett revisits iconic Western sites\, like Artist’s Point in Yellowstone\, and photographs or re-photographs these views that were originally captured by artists in the 19th century. In the case of Artist’s Point\, Klett photographs the view while holding an art history text book showing Thomas Moran’s famous 1871 painting of the exact site. \nFinally\, the title of the exhibition comes from a series of lithographs by Mexican American artist Enrique Chagoya. Using a variety of images\, from a recognizable yet manipulated map of the U.S. to a cluster of geometric shapes\, Chagoya explores the social and political implications of our need to conquer the land through maps and images.
URL:https://asuartmuseum.org/event-exhibition/you-are-here/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121020T000000
DTEND;TZID=America/Phoenix:20130119T000000
DTSTAMP:20260920T131943
CREATED:20180215T232400Z
LAST-MODIFIED:20241029T210414Z
UID:4621-1350691200-1358553600@asuartmuseum.org
SUMMARY:Art & Technology
DESCRIPTION:The ASU Art Museum was the first arts institution in the state to exhibit and collect new media art. This selection from the Museum’s permanent collection highlights contemporary artists working with or commenting on technology since the 1970s. Nam June Paik\, one of the earliest video artists\, is represented by a classic piece from 1989\, Alexander Graham Bell. The sculpture references old and new technologies—power lines\, phones\, TVs and robots—and the resulting richness of images and information in our lives. Following Paik’s lead\, the international artists in this exhibition use low- and high-tech materials to explore social and political issues\, personal stories\, the landscape\, and the impact of the rush to new technology.\nDuring the course of the exhibition\, the museum will be showing a series of video works in the gallery. The works are selections from Point of View: An Anthology of the Moving Image 2003\, ASU Art Museum Collection. This anthology features leading artists in film\, video and digital imagery and was assembled by The New Museum and Bick Productions. \n10/20-10/29 William Kentridge\, Automatic Writing\, 2:38 min \n11/27-12/01 Joan Jonas\, Waltz\, 7:03 min \n12/04-12/08 Gary Hill\, Blind Spot\, 12:27 min \n12/11-12/15 Pierre Huyghe\, I Jedi\, 5 min \n12/18-12/22 Pipilotti Rist\, I Want to See How You See (or a portrait of Cornelia Providoli)\, 4:48 min \n12/27-01/05 Isaac Julien\, Encore\, 4:38 min \n01/08-01/12 Francis Alys\, El Gringo\, 4:12 min \n01/15-01/19 Anri Sala\, Time After Time\, 5:22 min \nIn addition\, the following works will be presented\, courtesy of the artists: \n10/30-11/06 Muntadas and Marshall Reese\, Political Advertisement VIII: 1952-2012\, 85 min \n11/08-11/24 Ross Birrell\, Duet: Lift Me Up For I Am Dying\, 2012\, 20 min
URL:https://asuartmuseum.org/event-exhibition/art-technology/
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR