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X-WR-CALNAME:ASU Art Museum
X-ORIGINAL-URL:https://asuartmuseum.org
X-WR-CALDESC:Events for ASU Art Museum
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TZID:America/Phoenix
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TZNAME:MST
DTSTART:20160101T000000
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200926T000000
DTEND;TZID=America/Phoenix:20210529T000000
DTSTAMP:20260919T145417
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195805Z
UID:4731-1601078400-1622246400@asuartmuseum.org
SUMMARY:Art in Focus: Highlighting Women Artists from the Collection
DESCRIPTION:The Art in Focus gallery highlights artwork from the museum’s permanent collection. As we\, along with many museums across the country\, actively work to build a more diverse collection that tells a representative history of art\, we make it a priority to collect and exhibit artists who have been marginalized. A recent study of the artists represented in the collections of eighteen major American art museums found that only 12.6% are women. This installation features works on paper\, ceramics\, baskets and wood objects made by a range of influential women artists\, including Betye Saar\, Faith Ringgold\, Sandra Ramos\, Maria Martinez\, Rose Cabat and Louise Nevelson. \nTo ensure the well-being of all our visitors and staff\, we ask that you please comply with our new ASU and city guidelines to keep all of us safe. Reserve your free timed-entry tickets and learn more about our new guidelines before visiting. \nImage credit: Betye Saar\, “Mystic Sky with Self-Portrait\,” 1992\, Offset Lithograph\, 21 1/2 x 25 1/4 in. Gift of the Brandywine Workshop and Archives\, Philadelphia\, Pennsylvania. \n\n\n\n\n\n https://asuevents.asu.edu/content/art-focus-highlighting-women-artists-collection\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nTicketing:\n\nReserve Tickets\n\n\n\nRegistration/Tickets/RSVP:\n\nhttps://bit.ly/30to8l8\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/art-in-focus-highlighting-women-artists-from-the-collection/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200905T000000
DTEND;TZID=America/Phoenix:20201031T000000
DTSTAMP:20260919T145417
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195735Z
UID:4729-1599264000-1604102400@asuartmuseum.org
SUMMARY:Pilot Projects: Art. Response. Now.
DESCRIPTION:In March 2020\, the museum underwent a hiatus unprecedented in its history with the closure of the state due to Covid-19. At that moment\, we found ourselves having to innovate and radically re-imagine the museum’s role in the digital realm. \nWhen George Floyd was killed on May 25th\, the Black Lives Matter movement mobilized efforts that have been in the works for years\, calling for racial justice and accountability across all systems in America. This led to a nationwide reckoning of museums to address racial and social justice within their walls. \nWe are now living in a world that is questioning what museums will look like in the future. While our museum has had a long-standing commitment to social justice\, this particular moment urges us to prototype a series of tactics that can lead to innovative solutions. Pilot Projects is an institutional initiative that emerged from our unique ability as a university art museum to be adaptive and experimental. Our role is to position artists at the center of these conversations. To this end\, we are launching a year-long series of interventions called Pilot Projects: Art. Response. Now. \nTo begin the series\, from September to October we will open two galleries for film screenings and weekly conversations. In Gallery 1\, we will show eight videos by eight artists whose work addresses racial and social justice issues through their own unique lenses and varying life experiences. In Gallery 2\, we looked to our collection and selected two artworks by African American artists Lorna Simpson and Sonya Clark to bring this discussion to our gallery walls. \nVideo schedule: \nSept 5–12: Jason De León\, “Hostile Terrain 94: A Moment of Global Remembrance” \nSept 15–19: La Morena (Lucinda Yrene Hinojos)\, “La Morena” \nSept 22–26: Virgil Ortiz\, “ReVOlution: Rise Against the Invasion” \nSept 29–Oct 3: Gregory Sale\, “Future IDs at Alcatraz” \nOct 6–Oct 10: Stephanie Mei Huang\, “yellow porcelain\,” “white vegetable\,” “the border is a private space” and “the foul lump in my throat” \nOct 13–17: Roberto Lugo\, “Without Wax” \nOct 20–24: Edgar Arceneaux\, “Until\, Until\, Until…” \nOct 27–31: Kara Walker\, “8 Possible Beginnings or: The Creation of African-America” \nTo ensure the well-being of all our visitors and staff\, we ask that you please comply with our new ASU and city guidelines to keep all of us safe. Reserve your free timed-entry tickets and learn more about our new guidelines before visiting. \nImage credit: Kara E. Walker\, “8 Possible Beginnings or: The Creation of African-America\,” 16mm transferred to video (black and white\, sound)\, 15 mins. 57 secs\, 2005\, Courtesy of Kadist Foundation and artist. \n\n\n\n\n\n https://asuevents.asu.edu/content/pilot-projects-art-response-now\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nTicketing:\n\nReserve Your Free Ticket\n\n\n\nRegistration/Tickets/RSVP:\n\nhttps://bit.ly/30to8l8\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/pilot-projects-art-response-now/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200820T000000
DTEND;TZID=America/Phoenix:20201206T000000
DTSTAMP:20260919T145417
CREATED:20200807T003700Z
LAST-MODIFIED:20241030T000212Z
UID:4726-1597881600-1607212800@asuartmuseum.org
SUMMARY:For the Animals: Tania Candiani\, Part II
DESCRIPTION:“For the Animals” tests the physical\, environmental and social boundaries between nature and culture by creating a hybrid installation of land and sound art. The project focuses on various species that are native to the Sonoran Desert such as the endangered jaguar and the Mexican grey wolf. These animals will be most affected by the newly proposed border wall between Mexico and the U.S.\, by restricting their ability to navigate the Sonoran Desert as they have for hundreds of years. Candiani is collaborating with electronic musicians to create experimental musical scores that are intended as lullabies for the Sonoran creatures\, attempting to create an ultrasonic dialogue with nature. The exhibition will include videos\, ephemera and sculptural sound pieces which will translate the music for viewers through a visual language. “For the Animals” is a metaphor for the ongoing migration predicament at the U.S./Mexico border\, especially with the recent influx of Central American women and youth fleeing violence and poverty. Through the shared experience of sound — between animals and humans\, the project aims to bring larger ideas of migration into a lived reality\, thereby humanizing the migration crisis. \nAbout the artist: \nTania Candiani represented Mexico in the 56th Venice Biennale. She is interested in experiments with sound\, sculpture and computer science and is among the most highly respected artists in Mexico. Candiani’s work has been included in group exhibitions around the world\, including the National Museum of Fine Arts\, Taiwan; Museum Boijmans Van Beuningen\, Netherlands; XI Cairo Biennial; Palace of Arts\, Egypt; Laboratorio de Arte Alameda\, Mexico. She is a recent Guggenheim Fellowship recipient and currently a Smithsonian fellow. \nImage courtesy of Tania Candiani. \n\n\n\n\nContact:\n\nAmanda Urrea\n\n\n\n\n https://asuevents.asu.edu/content/animals-tania-candiani-part-ii\n\n\n\nPhone:\n\n6027410219\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nstudent\nGraduate student\nAlumni\nStaff\nFaculty\nFriend/Fan\nDonor\nMedia\n\n\n\nInterests:\n\nArts\nArts and Entertainment\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/for-the-animals-tania-candiani-part-ii/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200820T000000
DTEND;TZID=America/Phoenix:20210228T000000
DTSTAMP:20260919T145417
CREATED:20200806T234700Z
LAST-MODIFIED:20241030T000209Z
UID:4727-1597881600-1614470400@asuartmuseum.org
SUMMARY:Look to Nature: Toshiko Takaezu
DESCRIPTION:Drawn from ASU Art Museum’s permanent collection\, “Look to Nature” presents the work of internationally-known artist Toshiko Takaezu. Growing up in Hawaii infused a deep sense of nature in her that never left. Takaezu worked actively in clay\, fiber and bronze for more than six decades using a combination of Eastern and Western techniques and aesthetics. In the late 1950s\, she developed her signature style of closed-form vessels\, containers that held air and space. They conveyed a sense of tranquility from the simplicity of the forms and subtle brush decoration.Takaezu started working in bronze toward the end of her career and created a series of bells\, which explore the relationship between sculpture and sound. \n“Look to Nature: Toshiko Takaezu” is supported by the Windgate Charitable Foundation as part of the Windgate Contemporary Craft Initiative and Peter Russo. \nAn initiative presented in association with the Feminist Art Coalition (FAC). \nImage courtesy of Toshiko Takaezu Foundation. \n\n\n\n\n\n https://asuevents.asu.edu/content/look-nature-toshiko-takaezu\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nAlumni\nFaculty\nStaff\nFriend/Fan\nFoundation\nDonor\nMedia\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/look-to-nature-toshiko-takaezu/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200229T000000
DTEND;TZID=America/Phoenix:20201101T000000
DTSTAMP:20260919T145417
CREATED:20200806T234700Z
LAST-MODIFIED:20241029T234358Z
UID:4725-1582934400-1604188800@asuartmuseum.org
SUMMARY:Michael Sherrill Retrospective
DESCRIPTION:In his delicately rendered sculptures\, Michael Sherrill seeks to elicit a sense of wonder from viewers and to make them see things afresh. Working with clay\, glass and metal\, his exquisite floral forms have the allure of Martin Johnson Heade’s passionflower and orchid paintings and the botanical engravings of John James Audubon\, at the same time they are remarkably new. This retrospective will illustrate the artist’s evolution over his more than 40-year career and highlight his contributions to contemporary art\, craft and design. Primarily a self-taught artist\, Sherrill moved from Charlotte\, North Carolina to the western North Carolina mountains in 1974. His early influences came from the North Carolina folk pottery tradition and the community surrounding Penland School of Crafts and the Southern Highland Handicraft Guild. Sherrill began his career by making functional clay vessels in the 1970s and 1980s\, but his desire for continued growth led him to create altered vessels of more abstracted form in the 1990s. Ultimately he shifted his focus to multimedia sculptures inspired by nature\, as seen in “Temple of the Cool Beauty (Yucca).” He explores the beauty in natural growth and decay with bright colors\, often through painstaking technical processes. Sherrill’s exceptional skill is based on his innovative approach to using tools\, technology and his keen sense of materials together to achieve what he calls his “natural narratives.” \nSherrill’s artistic evolution led him to master techniques of metalworking and glass working and to invent new tools where needed. In 1995\, out of the need for tools that did not exist\, he designed Mudtools®\, now a successful line of tools for potters and sculptors. He is a frequent instructor at Penland and has taught at craft schools and workshops across the country. In 2003\, The Mint Museum honored him as Artist of the Year. Sherrill served a two-month residency at the John Kohler Art Center in Sheboygan\, WI in 2006. His work is in several major museum collections\, including the Smithsonian American Art Museum and the Los Angeles County Museum of Art. As part of the World Ceramic Exposition/KOCEF\, Sherrill was one of ten artists invited to build outdoor sculptures placed permanently at The Museum at Icheon World Ceramic Center\, Icheon-si\, Gyeonggi-do\, South Korea\, in 2004. He received a United States Artists Windgate Fellowship in 2010. \n“Michael Sherrill Retrospective” is organized by The Mint Museum. Funding for the exhibition catalog and national tour provided by the Windgate Foundation. Additional funding for the ASU Art Museum’s presentation is supported by the Windgate Foundation as part of the Windgate Contemporary Craft Initiative. \nImage credit: Michael Sherrill\, “Dutch Solomon\,” 2015\, porcelain\, silica bronze\, glass\, 12 x 27 x 8 in.\, John Michael Kohler Arts Center\, gift of the artist\, 2015.022.001. Photo by Scott Allen. \n\n\n\n\nContact:\n\nAmanda Urrea\n\n\n\n\n https://asuevents.asu.edu/content/michael-sherrill-retrospective\n\n\n\nPhone:\n\n6027410219\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nstudent\nCampus student\nGraduate student\nStaff\nFaculty\nDonor\nMedia\nFriend/Fan\nAlumni\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/michael-sherrill-retrospective/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20200201T000000
DTEND;TZID=America/Phoenix:20200627T000000
DTSTAMP:20260919T145417
CREATED:20200107T045300Z
LAST-MODIFIED:20241029T234700Z
UID:4724-1580515200-1593216000@asuartmuseum.org
SUMMARY:Total Collapse: Clay in the Contemporary Past
DESCRIPTION:“Total Collapse: Clay in the Contemporary Past” features diverse and experimental work in sculpture\, performance and site-specific installation. The artists utilize a variety of engaging practices which have contributed to and reflect recent developments and expansion in the field of contemporary ceramics. The exhibition is organized around ideas that explore the function of clay as an anthropological device\, representing early human technology and as an everyday contemporary object. “Total Collapse” examines the value of ceramic objects as artifacts with sociopolitical potential but also questions their role as mass-produced goods with potential impact on future histories. \nArtists: Ane Fabricius Christiansen\, Armando Cortes\, Kahlil Irving\, Gala Porras Kim\, Daniel L Bare\, Michael Jones McKean\, Kristen Morgin and Unknown Fields Division. \n“Total Collapse” is guest curated by Andres Payan-Estrada and co-organized with the Rubin Center for the Arts at the University of Texas at El Paso. The ASU Art Museum presentation is supported by the Windgate Charitable Foundation as part of the Windgate Contemporary Craft Initiative\, the Andy Warhol Foundation for the Visual Arts\, Mission Clay Products and Baron Studio. \nImage credit: Daniel L. Bare\, “Medicine Hat Platter\,” 2016\, Post-consumer found objects\, Medelta souvenir cowboy hat ashtrays\, porcelain\, glaze\, 22 x 22 x 9 in. Courtesy of the artist\, Jane Hartsook Gallery and Greenwich House Pottery. Photo by Alan Weiner. \n\n\n\n\n\n https://asuevents.asu.edu/content/total-collapse-clay-contemporary-past\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nCategory:\n\nOpen to the public\nEasy on the wallet\nBring the kids\nThe Arts\n\n\n\nAudience:\n\nCampus student\nstudent\nAlumni\nGraduate student\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\n\n\n\nInterests:\n\nArts\nArts and Entertainment\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/total-collapse-clay-in-the-contemporary-past/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20191026T000000
DTEND;TZID=America/Phoenix:20200328T000000
DTSTAMP:20260919T145417
CREATED:20191001T005200Z
LAST-MODIFIED:20241029T210314Z
UID:4723-1572048000-1585353600@asuartmuseum.org
SUMMARY:Wonderland: Patti Warashina and Michael Lucero
DESCRIPTION:Drawn from ASU Art Museum’s permanent collection\, “Wonderland” presents the work of internationally-known artists Patti Warashina and Michael Lucero. The artists’ long friendship began when Lucero was a student of Warashina’s in the mid 1970s. Their ceramic sculptures share an emphasis on the figure and issues of the human condition. Mixed cultural and historic references in the work reflect the artists’ own hybrid identities and experiences. Throughout their work\, they use satire\, humor and the fanciful as ways to explore their daily realities and new imaginaries. \n“Wonderland” is supported by the Windgate Charitable Foundation\, Armstrong-Prior\, Inc. and friends of the Ceramics Research Center. Visit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Michael Lucero\, “Peek” (from the Wonderland series)\, 1999\, Glazed ceramic\, 19 ½ x 22 x 10 inches\, Gift of Sara and David Lieberman. \n\n\n\n\n\n https://asuevents.asu.edu/content/wonderland-patti-warashina-and-michael-lucero\n\n\n\nPhone:\n\n480-727-8170\n\n\n\nWebsite:\n\n asuartmuseum@asu.edu\n\n\n\nCategory:\n\nOpen to the public\nEasy on the wallet\nThe Arts\n\n\n\nAudience:\n\nCampus student\nstudent Donor\nAlumni\nStaff\nFriend/Fan\nMedia\n\n\n\nInterests:\n\nArts\nArts and Entertainment\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/wonderland-patti-warashina-and-michael-lucero/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20191005T000000
DTEND;TZID=America/Phoenix:20200201T000000
DTSTAMP:20260919T145417
CREATED:20190827T012800Z
LAST-MODIFIED:20241029T210141Z
UID:4722-1570233600-1580515200@asuartmuseum.org
SUMMARY:Begin at the End
DESCRIPTION:“Begin at the End” features 13 contemporary artists who experiment with the written word. Through a broad range of media\, the artists explore typography as image\, text as a system of signs and symbols\, and language as a tool of political resistance. By breaking narrative rules\, the artists challenge commonly held truths and question what is lost or distorted in the transmission of messages across cultural and linguistic boundaries. \n“Begin at the End” includes works from ASU Art Museum’s permanent collection by Xu Bing\, Luca Buvoli\, Enrique Chagoya\, Arturo Cuenca\, Vernon Fisher\, Jenny Holzer\, Robert Indiana\, Annie Lopez\, Haku Maki\, Fiamma Montezemolo\, Lucio Muniain\, Shirin Neshat and Al Souza. The exhibition is curated by Brittany Corrales\, assistant curator\, and supported by the Evelyn Smith Exhibition Fund. Visit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Fiamma Montezemolo\, “Neon Afterwords\,” 2016\, Installation\, LED lights\, 3 books\, Variable dimensions\, Gift of Instituto Italiano di Cultura\, San Francisco. Photo by Craig Smith. \n\n\n\n\n\n https://asuevents.asu.edu/content/begin-end\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nOpen to the public\nEasy on the wallet\nThe Arts\nBring the kids\nLearn something\n\n\n\nAudience:\n\nCampus student\nstudent\nGraduate student\nAlumni\nStaff\nFaculty\nMedia\nFriend/Fan\nDonor\nFreshman\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/begin-at-the-end/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20190914T000000
DTEND;TZID=America/Phoenix:20200229T000000
DTSTAMP:20260919T145417
CREATED:20190710T221100Z
LAST-MODIFIED:20241029T204648Z
UID:4721-1568419200-1582934400@asuartmuseum.org
SUMMARY:Pulso: Tania Candiani (Part I)
DESCRIPTION:“Pulso” (2016) by Tania Candiani is a dynamic sound-based project depicting a one-day performance by 195 women in Mexico City’s underground metro stations. The title translates to “pulse” in English\, and began with the artist asking\, “what is the pulse of Mexico City today and is it possible to recover the ancient pulse of an old Aztec city?” Mexico City is one of the largest metropolitan areas in the world\, where four of the 21 million inhabitants use the metro system daily. Candiani also explored the underground rivers of the city while considering the political and historical implications of water security. The resulting project activates and reclaims the public space using female bodies\, while examining gender relationships in the context of social roles and notions of power. Incorporating pre-Hispanic drums\, historically only played by men\, the artist addresses the changing roles and perceptions of women. The project is an immersive 3-channel video installation including items from the performance. \n“Pulso” is supported by the Andy Warhol Foundation\, Bruce and Diane Halle Foundation and Fundación Alumnos47. Visit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Tania Candiani\, “Pulso\,” 2016\, Courtesy of the artist and Fundación Alumnos\, Proyecto Líquido. Photo by Juan Pablo de la Vega.  \n\n\n\n\n\n https://asuevents.asu.edu/content/pulso-tania-candiani-part-i\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nThe Arts\nEasy on the wallet\nOpen to the public\n\n\n\nAudience:\n\nCampus student\nstudent\nGraduate student\nStaff\nFaculty\nAlumni\nDonor\nMedia\nFriend/Fan\n\n\n\nCollege Unit:\n\nHerberger Institute for Design and the Arts\nASU Art Museum\n\n\n\nInterests:\n\nArts\nArts and Entertainment\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/pulso-tania-candiani-part-i/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20190817T000000
DTEND;TZID=America/Phoenix:20200104T000000
DTSTAMP:20260919T145417
CREATED:20190628T002200Z
LAST-MODIFIED:20241030T000215Z
UID:4720-1566000000-1578096000@asuartmuseum.org
SUMMARY:Juntos Together: Iván Argote
DESCRIPTION:In his first solo museum exhibition in the U.S.\, “Juntos Together” presents films\, videos\, sculpture and site-specific installations by Columbian-born\, Paris-based artist Iván Argote. The exhibition includes Argote’s first film and video survey (2007–2019)\, featuring experimental films that range from the documentation of public interventions to subtler gestures that push the boundaries of the moving image. Along with his video survey is a site-specific\, sculptural installation that considers the current cultural climate of Arizona. Argote’s sculptures blend references to pre-Colombian art and brutalist architecture\, and often contain texts that embody what the artist calls “Ternura Radical (Radical Tenderness).” This strategy uses affection\, emotions and humor as subversive tools to engage public audiences on political and personal levels. \n“Juntos Together” is curated by Julio César Morales and is supported by the Helme Prinzen Endowment\, ASU Art Museum Artist Residency\, Perrotin Gallery and Patti Parsons. Visit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Iván Argote\, “Suck my time\, amor mio\,” Acrylic on canvas\, 110 x 82.5 x 6 inches\, Courtesy of the artist. \n\n\n\n\n\n https://asuevents.asu.edu/content/juntos-together-iv%C3%A1n-argote\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nCategory:\n\nOpen to the public\nEasy on the wallet\nThe Arts\nBring the kids\n\n\n\nAudience:\n\nCampus student\nstudent\nGraduate student\nOnline student\nStaff\nFaculty\nDonor\nMedia\nFriend/Fan\n\n\n\nInterests:\n\nArts\nArts and Entertainment\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/juntos-together-ivan-argote/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20190622T000000
DTEND;TZID=America/Phoenix:20190921T000000
DTSTAMP:20260919T145417
CREATED:20190430T022600Z
LAST-MODIFIED:20241029T231339Z
UID:4719-1561161600-1569024000@asuartmuseum.org
SUMMARY:Particle and Wave: PaperClay Illuminated
DESCRIPTION:“Particle and Wave” is a groundbreaking exhibition of 45 works created by international artists who incorporate paper pulp and organic fibers into their clay bodies\, with the result of increased strength and lighter weight. The exhibition showcases a wide range of visual forms\, which would not be possible with traditional methods\, as the artists utilize this technique to express contemporary social and cultural ideas. \n“Particle and Wave: PaperClay Illuminated” is organized by Lorie Nelson\, the exhibition director and founder of The International Paper Clay Exhibition Project\, and curated by Peter Held. The ASU Art Museum presentation is supported by the Windgate Charitable Foundation as part of the Windgate Contemporary Craft Initiative. Visit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Mette Maya Gregersen\, “Stalactities & Stalagmites\,” 2018\, Paper clay\, 21 x 13 x 8 inches\, 13.8 x 13.8 x 8.25 inches\, Courtesy of the artist and The International Paper Clay Exhibition. \n\n\n\n\n\n https://asuevents.asu.edu/content/particle-and-wave-paperclay-illuminated\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmudrum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nLearn something\nThe Arts\nOpen to the public\n\n\n\nAudience:\n\nCampus student\nFaculty\nStaff\nAlumni\nDonor\nMedia\nstudent\nParent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/particle-and-wave-paperclay-illuminated/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20190601T000000
DTEND;TZID=America/Phoenix:20200125T000000
DTSTAMP:20260919T145417
CREATED:20190321T231400Z
LAST-MODIFIED:20241029T231539Z
UID:4718-1559347200-1579910400@asuartmuseum.org
SUMMARY:Change Agent: June Wayne and the Tamarind Workshop
DESCRIPTION:“Change Agent” highlights June Wayne’s legacy as an artist\, printmaker\, educator and activist. Wayne refused to follow a signature style\, taking on a variety of themes such as personal history\, modern science and social issues. In the Dorothy Series\, she narrates the life of her mother\, a Russian Jewish immigrant and traveling saleswoman for a garter company. In the Stellar Winds and Solar Flares Series\, she mines natural phenomena as metaphors for the human condition. \nWayne was a catalyst for the revival of fine art lithography in the United States\, a medium which had all but vanished by the 1950s. She championed lithography as an art form as vital as painting after studying the technique in Paris with the printer Marcel Durassier. With a grant from the Ford Foundation\, Wayne founded the Tamarind Lithography Workshop in Los Angeles in 1960. The experimental workshop created a pool of printers and apprentices\, as artists from across the country were invited to master the process of lithography. Now known as the Tamarind Institute of the University of New Mexico\, it continues Wayne’s visionary plan as a major training center for fine art printers. \nAlong with prints by Wayne\, “Change Agent” also features lithographs by internationally-known artists who trained at Tamarind such as Ed Ruscha\, Matsumi Kanemitsu and Fritz Scholder. All of the works in the exhibition are drawn from the ASU Art Museum’s Jules Heller Print Study Room\, which houses a collection of 6\,000 prints from throughout history and around the world. \n“Change Agent: June Wayne and the Tamarind Workshop” is supported by the Evelyn Smith Exhibition Fund. Visit the museum website for directions and hours and information about bringing classes to tour exhibitions or to meet with curators. \nImage credit:  June Wayne\, “Secretary to a Publisher” (Plate 6 of the Dorothy Series)\, 1976\, Lithograph\, 17 1/4 x 21 1/2 inches\, Gift of Dr. and Mrs. Malcom Dorfman. \n\n\n\n\n\n https://asuevents.asu.edu/content/change-agent-june-wayne-and-tamarind-workshop\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\nBring the kids\nLearn something\n\n\n\nAudience:\n\nDonor\nMedia\nStaff\nCampus student\nFaculty\nParent\nAlumni\nstudent\n\n\n\nCollege Unit:\n\nHerberger Institute for Design and the Arts\nASU Art Museum\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/change-agent-june-wayne-and-the-tamarind-workshop/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20190420T000000
DTEND;TZID=America/Phoenix:20190817T000000
DTSTAMP:20260919T145417
CREATED:20190329T235700Z
LAST-MODIFIED:20241030T000512Z
UID:4717-1555718400-1566000000@asuartmuseum.org
SUMMARY:Clayblazers: Women Artists of the '50s\, '60s and '70s
DESCRIPTION:With more than 100 artworks\, “Clayblazers” celebrates women in the ceramic field during the mid-20th century. Legendary artists like Maija Grotell\, Susan Peterson and Marguerite Wildenhain were educators\, mentors and masters of their craft and inspired future generations. All of the works in the exhibition are drawn from the ASU Art Museum’s ceramics collection of 3\,800 objects\, representing the full range of technique\, aesthetic approaches and possibilities within the field. The exhibition also includes photographs and materials from the ASU Art Museum Ceramics Research Center’s Susan Harnly Peterson and Studio Potter archives. \nArtists: Laura Andreson\, Sascha Brastoff\, Cynthia Bringle\, Rose Cabat\, Virginia Cartwright\, Betty Davenport Ford\, Stephnie De Lange\, Dora De Larios\, Ruth Duckworth\, Viola Frey\, Andrea Gill\, Judith Gilmour\, Maija Grotell\, Vivka Heino\, Catharine Hiersoux\, Hazel Johnston\, Karen Karnes\, Janet Leach\, Marilyn Levine\, Lucy Lewis\, Emma Lewis Mitchell\, Mary Lindheim\, Janet Mainsfield\, Irene Mark\, Maria Martinez\, Nan McKinnell\, Nancee Meeker\, Fannie Nampeyo\, Gertrud Natzler\, Minnie Negoro\, Susan Peterson\, Elsa Rady\, Lucie Rie\, Mary Rogers\, Mary Scheier\, Nancy Selvin\, Frances Senska\, Susan Stephenson\, Toshiko Takaezu\, Patti Warishina\, Mary White\, Marguerite Wildenhain\, Paula Winokur\, Beatrice Wood\, Betty Woodman and Bernice Zielke. \nThe project is funded by the Windgate Charitable Foundation as part of the Windgate Contemporary Craft Initiative at the ASU Art Museum. Visit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Marilyn Anne Levine\, “Eyelet Boots\,” 1979\, Earthenware and leather laces\, 8 1/4 x 15 1/4 x 5 inches\, Gift of Anne and Sam Davis. \n\n\n\n\n\n https://asuevents.asu.edu/content/clayblazers-women-artists-%E2%80%9950s-%E2%80%9960s-and-%E2%80%9970s\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nThe Arts\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nstudent\nFaculty\nStaff\nAlumni\nDonor\nMedia\nFriend/Fan\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/clayblazers-women-artists-of-the-50s-60s-and-70s/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20190323T000000
DTEND;TZID=America/Phoenix:20190824T000000
DTSTAMP:20260919T145417
CREATED:20190222T020700Z
LAST-MODIFIED:20241029T230617Z
UID:4716-1553299200-1566604800@asuartmuseum.org
SUMMARY:Metzilocan: Claudia Peña Salinas
DESCRIPTION:“Metzilocan” is an installation-based solo exhibition by artist Claudia Peña Salinas\, who lives and works in New York City. The exhibition expands the artist’s research on the Aztec deities of water\, Tláloc and Chalchiuhtlicue\, relating this ancestral symbolism and knowledge to modernist and contemporary structures. Through travel\, documentation and collection\, Salinas generates a poetic narrative that is both personal and political. The works presented in this exhibition address topics ranging from the proliferation of images\, the myth and the construction of national identity\, to gender issues and the current water crisis in Mexico City. Her work has been exhibited at the Whitney Museum of American Art (2018); Broad Art Museum at Michigan State University (2018); Museo de Arte Carrillo Gil (2015); Queens Museum of Art (2012); Museo de Arte de Puerto Rico (2006); and El Museo del Barrio (2005) in New York. \n“Metzilocan” will include new work by Salinas produced while in residence at the ASU Art Museum International Residency Program and ASU Teotihuacan Research Laboratory\, with an extension of the exhibition showing at the ASU School of Human Evolution and Social Change Innovation Gallery. \nThis exhibition is supported by Galeria Curro and Embajada\, as well as the Windgate Charitable Foundation as part of the Windgate Contemporary Craft Initiative at ASU Art Museum. Visit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Claudia Peña Salinas\, “Cueyatl\,” 2017\, Brass\, dyed cotton\, concrete frog\, 24 1/2 x 24 x 61 inches\, Collection of Ignacio Lopez & Laura Guerra\, Photo by Adam Reich\, Courtesy of the artist and Embajada\, San Juan. \n\n\n\n\n\n https://asuevents.asu.edu/content/metzilocan-claudia-pe%C3%B1a-salinas\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nThe Arts\nBring the kids\nLearn something\n\n\n\nAudience:\n\nDonor\nMedia\nStaff\nCampus student\nFaculty\nFoundation\nAlumni\nstudent\n\n\n\nCollege Unit:\n\nHerberger Institute for Design and the Arts\nASU Art Museum\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/metzilocan-claudia-pena-salinas/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20190302T000000
DTEND;TZID=America/Phoenix:20190601T000000
DTSTAMP:20260919T145417
CREATED:20190119T010000Z
LAST-MODIFIED:20241029T230630Z
UID:4715-1551484800-1559347200@asuartmuseum.org
SUMMARY:Rogue Objects: Koki Tanaka and Kumie Tsuda
DESCRIPTION:“Rogue Objects” highlights more than one hundred ceramic works that have never been publicly shown\, along with new artwork by Japanese-based artists Koki Tanaka and Kumie Tsuda. Tanaka and Tsuda are the first visual artists to work with the ASU Art Museum’s Ceramic Research Center archives\, specifically focusing on the archive of artist and historian Susan Peterson. Both artists were influenced by the correspondence between Peterson and Japanese ceramic artist Shōji Hamada. Sifting through ephemera\, photography and film\, Tanaka has created a new experimental video titled “Mashiko\, Arizona\,” based on the relationship between Peterson and Hamada. Tsuda researched ceramic pieces from the ASU Art Museum’s 5\,000 plus collection to develop an installation entitled “Still There” that questions museum practices on caring for a collection. \n“Rogue Objects” is part of ASU Art Museum’s Encounter series\, which invites artists and scholars to reimagine and recontextualize the museum collection to address larger issues related to the current social and cultural climate of Arizona\, and the world at large. The project is funded by the Windgate Contemporary Craft Initiative. \nImage credit: Kumie Tsuda\, “I can’t say who I am\,” Ceramic and paper bag\, 15 3/8 x 6 1/4 x 7 1/8 inches\, 2013\, Courtesy of artist and Rena Bransten Gallery. \n\n\n\n\n\n https://asuevents.asu.edu/content/rogue-objects-koki-tanaka-and-kumie-tsuda\n\n\n\nPhone:\n\n480-727-8170\n\n\n\nWebsite:\n\n https://asuartmuseum.asu.edu/visit/ceramics-research-center\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\nLearn something\n\n\n\nAudience:\n\nDonor\nMedia\nStaff\nFaculty\nParent\nAlumni\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/rogue-objects-koki-tanaka-and-kumie-tsuda/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20190209T000000
DTEND;TZID=America/Phoenix:20190720T000000
DTSTAMP:20260919T145417
CREATED:20181229T012100Z
LAST-MODIFIED:20241029T233133Z
UID:4714-1549670400-1563580800@asuartmuseum.org
SUMMARY:Talking to Action: Art\, Pedagogy\, and Activism in the Americas
DESCRIPTION:“Talking to Action: Art\, Pedagogy\, and Activism in the Americas” investigates contemporary\, community-based social art practices from Argentina\, Brazil\, Chile\, Colombia\, Ecuador\, Mexico and the U.S. Featuring drawings\, archival documents\, sculptures\, installations\, films and videos\, the artists’ practices blur the lines between object-making\, activism and community organizing to address critical social-political issues. \nArtists: Liliana Angulo (Bogotá\, Colombia)\, Efraín Astorga Garay (Ciudad Juarez\, Mexico)\, BijaRi (São Paulo\, Brazil)\, Bulbo and Galatea audio/visual (Tijuana\, Mexico)\, Giacomo Castagnola (Lima\, Peru / Mexico City\, Mexico)\, Cog●nate Collective (Tijuana\, Mexico and Southern California\, US)\, Grupo Contrafilé (São Paulo\, Brazil)\, Sandra de la Loza and Eduardo Molinari (California\, US and Buenos Aires\, Argentina)\, Dignicraft (Tijuana\, Mexico)\, Etcétera (Buenos Aires\, Argentina)\, Frente 3 de Fevereiro (São Paulo\, Brazil)\, Colectivo FUGA (Otavalo\, Equador)\, Clara Ianni and Débora Maria da Silva (São Paulo\, Brazil)\, Iconoclasistas (Buenos Aires\, Argentina)\, Kolectivo de Restauración Territorial (Gonzalo Cueto Vera\, Jorge A. Olave Riveros\, Cristian Wenuvil Peiñan) (Temuco\, Chile)\, Suzanne Lacy (Wasco\, California\, US)\, Alfadir Luna (Mexico City\, Mexico)\, Taniel Morales (Mexico City\, Mexico)\, Andrés Padilla Domene and Ivan Puig Domene (Mexico City\, Mexico)\, POLEN (Tijuana\, Mexico)\, Gala Porras-Kim (Bogotá\, Colombia and Los Angeles\, US)\, Beatriz Santiago Muñoz (Puerto Rico) and Ultra-red and School of Echoes Los Angeles (California\, US). \nThis exhibition is curated by Bill Kelley\, Jr.\, Curator and Lead Researcher with Karen Moss\, Consulting Curator. “Talking to Action” is organized by Ben Maltz Gallery at Otis College of Art and Design as part of Pacific Standard Time: LA/LA\, and managed as a traveling exhibition by Independent Curators International (ICI). The exhibition and tour are made possible\, in part\, with the generous support of the Getty Foundation\, PST: LA/LA presenting sponsor Bank of America\, the ICI Board of Trustees and ICI’s International Forum. \nAdditional funding for this presentation is provided by Cattryn Somers and Michael Cafiso\, Projecting All Voices\, the Windgate Charitable Foundation\, and the Helme Prinzen Endowment. \nImage credit: Frente 3 de Fevereiro\, Nou Pap Obeyi [No Vamos Obedecer / We Will Not Obey] action\, 2015. Photo: Daniel Lima. \n\n\n\n\n\n https://asuevents.asu.edu/content/talking-action-art-pedagogy-and-activism-americas\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nasuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\nLearn something\n\n\n\nAudience:\n\nDonor\nCampus student\nFaculty\nParent\nAlumni\nstudent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/talking-to-action-art-pedagogy-and-activism-in-the-americas/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20181020T000000
DTEND;TZID=America/Phoenix:20190504T000000
DTSTAMP:20260919T145417
CREATED:20180602T045800Z
LAST-MODIFIED:20241029T210405Z
UID:4713-1539993600-1556928000@asuartmuseum.org
SUMMARY:Decomiso: Faivovich and Goldberg
DESCRIPTION:“Decomiso” is an installation-based exhibition by the Argentinian contemporary artist duo Guillermo Faivovich and Nicolas Goldberg. Since 2006\, Faivovich and Goldberg have been engaged in an intensive and wide-ranging research project — “A Guide to Campo del Cielo” — that forms the basis of their practice. Campo del Cielo is located in northern Argentina and was the site of a meteor shower an estimated 4\,000 years ago. \nMore recently\, the artists have been in residence at ASU Art Museum’s Artist Residency\, working with the ASU Center for Meteorite Studies using microphotography to produce images of thinly sliced sections of a meteorite. \nFor “Decomiso” (which translates to seizure )\, the artists have designed a unique installation that features video\, sound\, sculpture and 405 photographs. \nThis exhibit is supported by the Andy Warhol Foundation for the Visual Arts\, ASU Design and the Arts Library and Paramo Gallery. Visit the museum website for  directions and hours  and information about bringing classes to  tour exhibitions  or meet with curators. \nImage credit: Faivovich and Goldberg\, “May 11\, 2016. Seized Campo del Cielo meteorites at the State’s Attorney Office\, Santiago del Estero\, Argentina.”  Courtesy of Coleccion Alec Oxenford\, Buenos Aires. \n\n\n\n\n\n https://asuevents.asu.edu/content/decomiso\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nStaff\nFaculty\nAlumni\nCommunity\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nScience\nSpace exploration
URL:https://asuartmuseum.org/event-exhibition/decomiso-faivovich-and-goldberg/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20181006T000000
DTEND;TZID=America/Phoenix:20190209T000000
DTSTAMP:20260919T145417
CREATED:20181020T021100Z
LAST-MODIFIED:20241029T210125Z
UID:4712-1538784000-1549670400@asuartmuseum.org
SUMMARY:From Darkness to Light: Figurative Works from the Permanent Collection
DESCRIPTION:Drawn from ASU Art Museum’s permanentcollections\, this exhibition highlights the work of 31 internationally andnationally known artists who represent the human form in order to convey avast range of emotions. A breadth of emotions are explored in the works ondisplay ranging from lightheartedness and humor to anguish and despair.”From Darkness to Light​” features ​both ceramic and print media\,representing two of ​ASU Art Museum’s ​largest and ​strongest holdings.Notably\, the prints selected for the exhibition are all by artists who​ workprimarily in ceramics. \nThis exhibition is generously supported by theCeramics Research Center\, Armstrong-Prior Inc. and CMI Moulding. \nVisitthe museum website for CeramicsResearch Center directions and hours and information about bringingclasses to tourexhibitions or meet with curators. \nPublic Lecture: Oct. 22\, 2018 at6:30 p.m. \nIn conjunction with the exhibition\, visiting artist ClaireCurneen (also highlighted in the exhibition) will be giving a public lectureon Monday\, Oct. 22\, at 6:30 p.m. at the Ceramics Research Center at theBrickyard. \nClaire Curneen’s work is distinct for its figurativerepresentation. As one of the U.K.’s foremost ceramic artists\, Curneendraws us into a world of narrative where the tension between the real andthe imagined is played out before us. Her ceramic figures have an imposingpresence which tap into our desires\, fears and mysteries. \nThis lectureis supported by the Windgate Charitable Foundation as part of the WindgateContemporary Craft Initiative at ASU Art Museum. \nImage Credit: Claire Curneen (Irish\, active in UK b. 1968)\, StandingWoman\, Ceramic\, 25 x 10 in.\, Gift of Sara and David Lieberman. \n\n\n\n\n\n https://asuevents.asu.edu/content/darkness-light-figurative-works-permanent-collection\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nStaff\nFaculty\nAlumni\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/from-darkness-to-light-figurative-works-from-the-permanent-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20180915T000000
DTEND;TZID=America/Phoenix:20190223T000000
DTSTAMP:20260919T145417
CREATED:20180602T045800Z
LAST-MODIFIED:20241029T204637Z
UID:4711-1536969600-1550880000@asuartmuseum.org
SUMMARY:A Bigger Plan
DESCRIPTION:“A Bigger Plan” is a two-part solo exhibition of Euan MacDonald\, a Los Angeles-based artist whose works span a wide range of artistic disciplines\, from video to painting. \nThe first part of the exhibition\, “Side B\,” is on view July 28 through Sept. 1\, and the second part\, “Side A\,” is on view Sept. 15 through Feb. 23. \n“Side B” marks the first survey of MacDonald’s videos and includes formative and groundbreaking works that explore the dynamics of change and the effects of time\, sound\, duration and chance on pictorial and social conditions. \nThe second part of the exhibition\, “Side A\,” features an immersive video installation that layers pre-psychedelic patterning from the end pages of 18th\, 19th and early 20th century books from the open stacks of ASU Hayden Library. \nSupported by the Helme Prinzen Endowment\, Canada Council for the Arts and ASU Design and the Arts Library. \nVisit the museum website for  directions and hours  and information about bringing classes to  tour exhibitions  or meet with curators. \n Image credit: Euan MacDonald\, “Untitled (End Pages)\,” 2018\, Paper collage\, 28 x 40 inches. Courtesy of the artist. \n\n\n\n\n\n https://asuevents.asu.edu/content/bigger-plan\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nStaff\nFaculty\nAlumni\nCommunity\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nFilm\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/a-bigger-plan/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20180825T000000
DTEND;TZID=America/Phoenix:20190323T000000
DTSTAMP:20260919T145417
CREATED:20180602T045800Z
LAST-MODIFIED:20241030T000000Z
UID:4710-1535155200-1553299200@asuartmuseum.org
SUMMARY:Funk: Viola Frey
DESCRIPTION:“Funk: Viola Frey” is on view until March 23\, 2019. \nThis exhibition features work by Viola Frey\, an artist who worked on the fringe of the Funk Art movement\, which she called a “boys club.” Frey’s brash\, figurative sculptures are larger than life. Drawing inspiration from art history\, her collection of flea market treasures\, and her personal experiences as a woman in the male-dominated art world\, Frey helped elevate ceramics from “craft” to fine art. \nSupported by the Evelyn Smith Exhibition Fund. Visit the museum website for  directions and hours  and information about bringing classes to  tour exhibitions  or meet with curators.  \nImage credit: Viola Frey\, “Untitled Group\,” 1987. Ceramic\, 54-by-35-by-20 inches. Gift of Stéphane Janssen and R. Michael Johns. \n\n\n\n\n\n https://asuevents.asu.edu/content/popfunk-warhol-and-frey\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nFaculty\nAlumni\nCommunity\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nPopular Culture\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/funk-viola-frey/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20180728T000000
DTEND;TZID=America/Phoenix:20181215T000000
DTSTAMP:20260919T145417
CREATED:20180602T045800Z
LAST-MODIFIED:20241029T231705Z
UID:4709-1532736000-1544832000@asuartmuseum.org
SUMMARY:Indwelling
DESCRIPTION:“Indwelling” is a solo exhibition of Yuri Kobayashi\, a contemporary artist who combines traditional woodworking practices and refined Japanese aesthetics to create sculptures that reflect her identity\, experiences and thoughts. \nIn the five artworks in “Indwelling\,” Kobayashi strives to embody the surprise and wonder found in the impalpable and often illogical world in which we live. \nWith multiple wooden components\, handcrafted with close attention to detail\, each work represents an attempt to decipher and represent\, in abstract form\, this perpetual desire to represent the ineffable. \nThe most recent installation was created while Kobayashi participated in ASU Art Museum’s Artist Residency. \nThis exhibit is supported by the Windgate Charitable Foundation as part of the Windgate Contemporary Craft Initiative at ASU Art Museum. Visit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Yuri Kobayashi\, “Curio\,” 2015. Ash\, 31-by-30-by-31 inches. Courtesy of the artist. \n\n\n\n\n\n https://asuevents.asu.edu/content/indwelling\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nStaff\nFaculty\nCommunity\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/indwelling/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20180623T000000
DTEND;TZID=America/Phoenix:20180929T000000
DTSTAMP:20260919T145417
CREATED:20180602T045800Z
LAST-MODIFIED:20241029T231050Z
UID:4708-1529712000-1538179200@asuartmuseum.org
SUMMARY:Beyond Beyond
DESCRIPTION:“Beyond Beyond” is a solo exhibition of Ai Kijima\, a contemporary artist whose riotous collages of figures\, patterns and colors are made from meticulously pieced and fused textiles. \nIn her work from the early 2000s\, she used scraps of bed sheets\, curtains\, clothing and dish towels collected from thrift stores to create artworks that depict a variety of characters ranging from American cartoons to Japanese anime. Born and raised in Tokyo\, Japan\, Kijima is fascinated by the patterns and imagery of fabrics from around the globe. \n“Beyond Beyond” reflects Kijima’s interest in how the melding of traditional craft and popular imagery reflects a culture’s history\, preoccupations and social politics. \nSupported by the Windgate Charitable Foundation as part of the Windgate Contemporary Craft Initiative at ASU Art Museum. \nVisit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Ai Kijima\, “Rebel to the End\,” 2012. Mixed media\, 54-by-65 inches. Courtesy of the artist. \n\n\n\n\n\n https://asuevents.asu.edu/content/beyond-beyond\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nStaff\nFaculty\nCommunity\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nPopular Culture\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/beyond-beyond/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20180324T000000
DTEND;TZID=America/Phoenix:20180915T000000
DTSTAMP:20260919T145417
CREATED:20180104T234500Z
LAST-MODIFIED:20241029T230608Z
UID:4707-1521849600-1536969600@asuartmuseum.org
SUMMARY:The Good Making of Good Things: Craft Horizons Magazine 1941–1979
DESCRIPTION:During its nearly 40 years in print\, Craft Horizons documented the craft movement as it happened. This exhibition pairs works from ASU Art Museum’s collection that were made by artists featured in the magazine with articles\, reviews and letters from readers to illustrate the essential role Craft Horizons played in the development of craft in the United States from 1941–1979. \nThis exhibition is curated by the 2017 Center for Craft Curatorial Fellows Elizabeth Essner\, Lily Kane and Meaghan Roddy and was originally organized by the Center for Craft. It is supported by the Windgate Charitable Foundation as part of the Windgate Contemporary Craft Initiative at ASU Art Museum. \nVisit the museum website for Ceramics Research Center directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: courtesy of the American Craft Council and provided courtesy of the ACC Library & Archives. \n\n\n\n\n\n https://asuevents.asu.edu/content/good-making-good-things-craft-horizons-magazine-1941%E2%80%931979\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nDonor\nStaff\nFaculty\nAlumni\nCommunity\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/the-good-making-of-good-things-craft-horizons-magazine-1941-1979/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20180317T000000
DTEND;TZID=America/Phoenix:20180630T000000
DTSTAMP:20260919T145417
CREATED:20171215T084000Z
LAST-MODIFIED:20241029T230713Z
UID:4706-1521244800-1530316800@asuartmuseum.org
SUMMARY:SABER ACOMODAR
DESCRIPTION:In the last several years\, contemporary artists from Guadalajara have been gaining global attention from the city’s new arts and crafts movement. ” SABER ACOMODAR” is a landmark exhibition that\, for the first time\, tells the story of art from the state of Jalisco in Mexico. \nFocusing on the last hundred years of production\, the exhibition showcases collaborations between artists and artisans (potters\, carpenters\, blacksmiths\, jewelers\, sign painters and printmakers) who work and live in western Mexico. The result of these intersections is the integration of contemporary ideas\, precolonial techniques and methods introduced by the Spanish. \nRecently\, artists have employed traditional materials and practices to produce complex conceptual objects and installations. \nComprised of work by 25 artists\, the majority of whom are from Guadalajara\, the exhibition explores the integration of contemporary ideas with traditional techniques. \nThis exhibition is guest curated by Patrick Charpenel\, the recently-appointed executive director of El Museo del Barrio in New York. It is co-organized by the MCA Denver and co-sponsored by CALA Alliance\, with support from the Helme Prinzen Endowment\, Maestro Dobel Tequila\, Cattryn Somers and Michael Cafiso\, Mary Byrd\, Jeff and Mary Ehret\, Diane Harrison\, Laura and Herb Roskind\, and Sharisse Johnson. \nVisit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Jorge Pardo\, “Untitled\,” 2014. Seven hand-painted ceramic light fixtures\, dimensions variable. Courtesy the artist and Cerámica Suro. \n\n\n\n\n\n https://asuevents.asu.edu/content/saber-acomodar\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nDonor\nStaff\nFaculty\nAlumni\nCommunity\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nMexico\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/saber-acomodar/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20180316T000000
DTEND;TZID=America/Phoenix:20180420T000000
DTSTAMP:20260919T145417
CREATED:20171220T232200Z
LAST-MODIFIED:20241029T230721Z
UID:4705-1521158400-1524182400@asuartmuseum.org
SUMMARY:To See the Words Unspoken
DESCRIPTION:Through objects and a series of related performances\, artist Shannon Ludington explores the community and rituals surrounding textiles traditionally made by women. The gallery will function as Ludington’s studio and serve as a space for ongoing conversations as the artist invites viewers to join with her in making. \nPerformances will occur at 8 p.m. on March 16\, 23\, 30 and April 6. Schedule an appointment with the artist Wednesday–Saturday by emailing  wordsunspokenexhibition@gmail.com. \nThis exhibition is a component of Ludington’s ASU Master of Fine Arts thesis. Supported by ASU Herberger Institute for Design and the Arts. \nVisit the museum website for Project Space directions and hours. \nImage credit: Shannon Ludington \n\n\n\n\n\n https://asuevents.asu.edu/content/see-words-unspoken\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nStaff\nFaculty\nAlumni\nstudent\nFriend/Fan\n\n\n\nCollege Unit:\n\nSchool of Art\nASU Art Museum\nHerberger Institute for Design and the Arts\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/to-see-the-words-unspoken/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20180202T000000
DTEND;TZID=America/Phoenix:20180309T000000
DTSTAMP:20260919T145417
CREATED:20171220T232200Z
LAST-MODIFIED:20241029T234514Z
UID:4704-1517529600-1520553600@asuartmuseum.org
SUMMARY:Elena
DESCRIPTION:Music producer Felicita of PC Music and artist Matt Copson embark on an interdisciplinary project to restore an ancient animatronic doll\, originally discovered in 1925 within the grounds of the Desert Botanical Garden in Phoenix. \nAs part of their residency at ASU Art Museum\, the artists will present archival material\, screen unreleased PC Music footage\, host a workshop with Phoenix Children’s Chorus and perform live at Project Space during the Feb. 2 reception. \nSupported by BRAVO Tip or Pay\, PC Music and the Desert Botanical Garden. \nVisit the museum website for Project Space directions and hours. \nImage credit: Felicita \n\n\n\n\n\n https://asuevents.asu.edu/content/elena\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nStaff\nFaculty\nAlumni\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/elena/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20180120T000000
DTEND;TZID=America/Phoenix:20180602T000000
DTSTAMP:20260919T145417
CREATED:20171213T223400Z
LAST-MODIFIED:20241029T232927Z
UID:4703-1516406400-1527897600@asuartmuseum.org
SUMMARY:A Dream on a Dream: Encounter with Claudio Dicochea
DESCRIPTION:What does the American dream mean today? Texas-based artist Claudio Dicochea grapples with this question in an exhibition of work from ASU Art Museum’s diverse collection of Cuban\, Pop Art\, Native American and African-American work. \nThe title of the exhibition comes from Robert Colescott’s 1990 painting and also references the current DACA/Dreamers crisis. This exhibition is part of ASU Art Museum’s Encounter series\, which invites artists and scholars to curate exhibitions of work from the museum’s collection. \nSupported by the Evelyn Smith Exhibition Fund. \nVisit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Claudio Dicochea\, “de Agent Smith y Noa Noa\, el joven conductor sistemico (from Agent Smith and Noa Noa\, the Systemic Youth Conductor)\,” 2013. Acrylic\, graphite\, charcoal\, ink\, and transfer on wood\, 48 x 36 x 2 1/8 in. Courtesy of artist and Lisa Sette Gallery. \n\n\n\n\n\n https://asuevents.asu.edu/content/dream-dream-encounter-claudio-dicochea\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nDonor\nStaff\nFaculty\nAlumni\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/a-dream-on-a-dream-encounter-with-claudio-dicochea/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20180102T000000
DTEND;TZID=America/Phoenix:20180811T000000
DTSTAMP:20260919T145417
CREATED:20171215T084000Z
LAST-MODIFIED:20241029T232930Z
UID:4702-1514851200-1533945600@asuartmuseum.org
SUMMARY:Bajo Presión/Under Pressure
DESCRIPTION:Early and mid-20th-century Mexican art is characterized by a powerful blend of politics and revolutionary spirit\, pre-Columbian and indigenous art influences\, and modernism in both art and life. \nDrawn from ASU Art Museum’s collection\, “Bajo Presión/Under Pressure” features paintings and prints by Diego Rivera\, David Alfaro Siqueiros\, Leopoldo Méndez and Rufino Tamayo among others. \nSupported by the Evelyn Smith Exhibition Fund. \nVisit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: David Alfaro Siqueiros\, “Naturaleza Viva\,” 1963. Oil on board\, 23 ¼ x 29 ¼ in. Gift of Elaine and Arnold Horwitch. \n\n\n\n\n\n https://asuevents.asu.edu/content/bajo-presi%C3%B3nunder-pressure\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nDonor\nStaff\nFaculty\nAlumni\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nMexico\nMexican\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/bajo-presion-under-pressure/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20171111T000000
DTEND;TZID=America/Phoenix:20180203T000000
DTSTAMP:20260919T145417
CREATED:20170902T045200Z
LAST-MODIFIED:20241029T225902Z
UID:4701-1510358400-1517616000@asuartmuseum.org
SUMMARY:Terrestrial
DESCRIPTION:From iconic 1970s land art to contemporary interpretations of the landscape\, this exhibition from the permanent collection features artists who have built new relationships with their environments. “Terrestrial” looks at how artists perceive urban and rural spaces\, especially in relation to human intervention and the passing of time. \nSupported by the Evelyn Smith Exhibition Fund. \nVisit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Alan Sonfist\, ‘Views of New York City: Ancient and Contemporary.” Serigraph\, 26.25 x 26.25 in. Gift of Kimberly Cramer. \n\n\n\n\n\n https://asuevents.asu.edu/content/terrestrial\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nAlumni\nCommunity\nDonor\nStaff\nFaculty\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts
URL:https://asuartmuseum.org/event-exhibition/terrestrial/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20171021T000000
DTEND;TZID=America/Phoenix:20180203T000000
DTSTAMP:20260919T145418
CREATED:20170909T012900Z
LAST-MODIFIED:20241029T210358Z
UID:4700-1508544000-1517616000@asuartmuseum.org
SUMMARY:Spielraum 122: Art Meets Industry
DESCRIPTION:In 2014\, the Neue Porzellanfabrik Triptis GmbH invited five artists\, including Helmut Frank\, Patrick Loughran\, Lyn Riccardo\, Arnie Zimmerman and Lida Tarakhosky\, to work in their porcelain factory in Triptis\, Germany. These artists\, with their diverse skillsets and backgrounds\, began an ongoing collaboration that has probed porcelain’s cultural meanings and material possibilities. \nThis project is part of the Windgate Contemporary Craft Initiative at ASU Art Museum and is supported by the Windgate Charitable Foundation. Additional support from the Eschenbach Porzellan Group and the artists. \nVisit the museum website for Ceramics Research Center directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Patrick Loughran\, “Vases\,” 2014. Porcelain. Photo by Guido Werner. \n\n\n\n\n\n https://asuevents.asu.edu/content/spielraum-122-art-meets-industry\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nAlumni\nCommunity\nDonor\nStaff\nFaculty\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts
URL:https://asuartmuseum.org/event-exhibition/spielraum-122-art-meets-industry/
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR