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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010630T000000
DTEND;TZID=America/Phoenix:20010930T000000
DTSTAMP:20260916T021808
CREATED:20180407T044900Z
LAST-MODIFIED:20241029T231031Z
UID:4140-993859200-1001808000@asuartmuseum.org
SUMMARY:Ties That Bind Ed Rossbach and Katherine Westphal
DESCRIPTION:Ties That Bind: Ed Rossbach and Katherine Westphal  \nFeaturing husband and wife artists\, Ed Rossbach and Katherine Westphal\, Ties that Bindbrings together several decades of their work from baskets to garments. Rossbach’s and Westphal’s unpredictable\, vibrant and diverse creations have had a major impact on contemporary basket making and fiber art in general. Rossbach\, a weaver\, is interested in structure\, and Westphal\, a painter\, in surface design. Shared themes in their work include a reverence for the past\, pushing of boundaries and the influence of the many different cultures encountered through study and travel. Their careers as artists\, professors\, writers and lecturers have spanned the entire history of what is now called the contemporary fiber arts movement. \n\n\nASU Art Museum Presentation \nOrganized by Heather Lineberry\, Ties That Bind: Ed Rossbach and Katherine Westphal will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nTies That Bind: Ed Rossbach and Katherine Westphal (June 30 – September 30\, 2001) is open Tuesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nSpecial thanks to Daphne Farago and Mobilia Gallery\, Cambridge. Additional support from the Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/ties-that-bind-ed-rossbach-and-katherine-westphal/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010622T000000
DTEND;TZID=America/Phoenix:20010826T000000
DTSTAMP:20260916T021808
CREATED:20180602T021047Z
LAST-MODIFIED:20241029T231349Z
UID:4139-993168000-998784000@asuartmuseum.org
SUMMARY:Alfredo Manzo Cedeno: The Boys of Summer
DESCRIPTION:Exhibition
URL:https://asuartmuseum.org/event-exhibition/alfredo-manzo-cedeno-the-boys-of-summer/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010609T000000
DTEND;TZID=America/Phoenix:20010916T000000
DTSTAMP:20260916T021808
CREATED:20180407T041000Z
LAST-MODIFIED:20241029T230927Z
UID:4138-992044800-1000598400@asuartmuseum.org
SUMMARY:Shirin Neshat: Rapture Film Installation and Photographs
DESCRIPTION:Shirin Neshat: Rapture — Film Installation and Photographs This exhibition by internationally renowned artist\, Shirin Neshat\, features the film installation and photographs from her work Rapture. The social and psychological experience of gender in contemporary Islamic society is explored in this powerful\, poetic media installation. Two opposing projections present men and women kept apart but locked in a balance of polarities.\nEssay from Gallery Guide \nASU Art Museum Presentation \nOrganized by John Spiak\, Shirin Neshat: Rapture will be installed in the 2\,800-square-foot Kresge Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nShirin Neshat: Rapture (June 9 — September 16\, 2001) is open Tuesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/shirin-neshat-rapture-film-installation-and-photographs/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010602T000000
DTEND;TZID=America/Phoenix:20010826T000000
DTSTAMP:20260916T021808
CREATED:20180407T045100Z
LAST-MODIFIED:20241029T231402Z
UID:4137-991440000-998784000@asuartmuseum.org
SUMMARY:What I Did on My Summer Vacation Annual Family Exhibition
DESCRIPTION:What I Did on My Summer Vacation  \nHave you ever put together a photo album of what you did on your summer vacation? What I Did on My Summer Vacation presents works of art from the ASU Art Museum’s permanent collection\, hung in the gallery like snapshots on a photo-album page illustrating various summer vacation activities. Among the “album pages” on exhibit is “Take me out to the Ballpark” which has legendary baseball figures and a dug-out – all created in papier maché. There is a hands-on activity area in the gallery designated as Camp ASUAM which is also the theme of the Family Day at the ASU Art Museum. Create craft things\, do portraits\, see demonstrations – have fun in a cool environment and best of all\, it’s free! \n\n\nFamily Day at Camp ASUAM \nOn Saturday\, July 7\, the ASU Art Museum (ASUAM) will present its second annual summer family day of hands-on activities and events. For What I did on My Summer Vacation the Arizona State University Art Museum will be converted to Camp ASUAM\, with fun activites from 10:00 am to 2:00 pm. \nASU Art Museum Presentation  \nOrganized by Jean Makin\, What I Did on My Summer Vacation will be installed in the Top Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration  \nWhat I Did on My Summer Vacation (June 2 – August 26\, 2001) is open Tuesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport  \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/what-i-did-on-my-summer-vacation-annual-family-exhibition/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010303T000000
DTEND;TZID=America/Phoenix:20010610T000000
DTSTAMP:20260916T021808
CREATED:20180407T033900Z
LAST-MODIFIED:20241029T230603Z
UID:4479-983577600-992131200@asuartmuseum.org
SUMMARY:Contemporary Art Furniture: Sam Maloof\, John Cederquist\, Wendy Maruyama
DESCRIPTION:Contemporary Art Furniture \n\nThis exhibition will present the work of three contemporary furniture makers — Sam Maloof\, John Cederquist and Wendy Maruyama — who work in widely varying styles. Each has had significant impact on the field and continues to do so. Maloof creates functional furniture with uncluttered design\, rhythm and flow. Cederquist’s works combine elements of historic furniture with illusionistic effects of tromp l’oeil (“fool the eye”) surface painting\, references to art history\, and humor. Maruyama’s work combines training in traditional techniques with a commitment to sculpture shapes\, painted surfaces and expressive content. \nAbout the Artists \nSam Maloof (b.1916) started making furniture immediately after World War II\, when there was little demand for the handmade object. His functional work appears deceptively simple with its uncluttered design\, unassuming and natural qualities\, and its exceptional technical mastery. John Cederquist (b. 1946) references historic furniture in his work but freely interprets traditional forms with illusionistic effects of trompe lõoeil surface painting\, references to art history and humor. Wendy Maruyama (b.1952) discovered woodworking in the late 1960s\, when craft programs were expanding throughout the country. Her work combines training in traditional techniques with a commitment to sculptural shapes\, painted surfaces and expressive content. \nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, Contemporary Art Furniture will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nContemporary Art Furniture (March 3 – June 10\, 2001) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport \nThe exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/contemporary-art-furniture-sam-maloof-john-cederquist-wendy-maruyama/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010223T000000
DTEND;TZID=America/Phoenix:20010505T000000
DTSTAMP:20260916T021808
CREATED:20180407T042500Z
LAST-MODIFIED:20241029T234453Z
UID:4478-982886400-989020800@asuartmuseum.org
SUMMARY:The Wayfarer's Journey A Film Installation by Gita Farid
DESCRIPTION:The Wayfarer’s Journey: A Film Installation by Gita Farid  \nInterpreting “The Seven Valleys” a mystical Bahaíi treatise on attaining spiritual fulfillment through detachment\, artist Gita Faridís installation is inspired by the tale of a Eastern wayfarer\, Majnun\, on his quest to be reunited with his beloved\, Layli\, from whom he has been separated. Travelling through various metaphorical valleys\, the wayfarer reaches a state of pure conscience and utter spiritual thrall\, a realization that occurs at the end of his journey. A musical soundtrack that dramatically expresses the emotions of this non-narrated work accompanies the projected image. \nAbout the Artist \n Gita Farid received her BA from London College of Fashion\, England\, and went on to study at the New York Film Academy and with the Korean Independent Film Association. Her recent film and video projects include The Capture of a Mermaid \, Perivision \, The Businessmanís Proposal \, and Papaís Got a Brand New Bag . This will be the artist’s first museum project. \nASU Art Museum Presentation \n Organized by John D. Spiak\, The Wayfarer’s Journey will be installed in the 2\,400-square-foot Experimental Gallery of the Arizona State University Art Museum at Matthews Center. The work\, originally shot in 16mm film\, will be presented in video format. \nDuration \n The Wayfarer’s Journey (February 23 – May 5\, 2001) is open Tuesday through Saturday from 10 am to 5 pm. \nSupport\n\nThe exhibition at the Arizona State University Art Museum’s Experimental Gallery at Matthews Center is supported in part by Friends of the Arizona State University Art Museum. \nProject support for the artist provided by Alex Mitchell and Crew\, Gary Bulkin of B & B Communications\, CJís Film Studio\, Reel Men Lighting Equipment\, Vincent Pascoe and the Bahaíi Community of the Valley. \n \nSuggested Reading\n\n The Seven Valleys of Bahaíuíllah \nThis text is available on the Baha’i Academics Resource Library website. \n\nLink to Images of the Project in Progress  \nVisit the following site to see images of the work in progress with stills from the location filming of  The Wayfarer’s Journey  . There are four pages of images with the link starting on the fourth page. Use the arrow at the top right of the page to visit the other three pages. These images have been provided by John Kittelsrud.
URL:https://asuartmuseum.org/event-exhibition/the-wayfarers-journey-a-film-installation-by-gita-farid/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010210T000000
DTEND;TZID=America/Phoenix:20010513T000000
DTSTAMP:20260916T021808
CREATED:20180407T040800Z
LAST-MODIFIED:20241029T234658Z
UID:4477-981763200-989712000@asuartmuseum.org
SUMMARY:Rhapsody Selections from Valley Collections
DESCRIPTION:LECTURE BY EMMA AMOS\nFriday\, April 20\, 2001 at 7:30pm\nArchitecture Building\, AED 60 \n \n\nRhapsody: Selections from Valley Collections  \nThis exhibition will highlight the exceptional work\, found here in the Valley\, by some of the more renowned African-American artists. Most are contemporary artists such as Lorna Simpson\, Kara Walker and Radcliffe Bailey. But there is also work by their predecessors\, artists that broke barriers and influenced this new generation\, such as Romare Bearden\, Jacob Lawrence and Faith Ringgold. Rhapsody continues the museum’s dialogue on work by African-American artists begun with the museum’s exhibition Face Off: Jean-Michel Basquiat and Michael Ray Charles and its collaboration with the Scottsdale Museum of Contemporary Art programs for Looking Forward Looking Black. \nArtists \nRhapsody includes works by Emma Amos\, Benny Andrews\, Radcliffe Bailey\, Jean-Michel Basquiat\, Romare Bearden\, John Biggers\, Elizabeth Catlett\, Michael Ray Charles\, Robert Colescott\, Renée Cox\, Charles Gaines\, Sam Gilliam\, Eugene Grigsby\, Artis Lane\, Jacob Lawrence\, Stephen Marc\, Kerry James Marshall\, Richard Mayhew\, Beverly McIver\, Faith Ringgold\, Betye Saar\, Lezley Saar\, Charles Sebree\, Lorna Simpson\, Therman Statom\, Kara Walker\, Carrie Mae Weems\, Charles White\, Hale Woodruff and Rip Woods. \nASU Art Museum Presentation \nOrganized by Jean Makin\, ASU Art Museum\, Beverly McIver\, ASU School of Art\, Stephen Marc\, ASU School of Art\, and Kim Curry-Evans\, Scottsdale Museum of Contemporary Art\, Rhapsodywill be installed in the Top Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nRhapsody (February 10 – May 13\, 2001) is open Tuesday from 10am to 5pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/rhapsody-selections-from-valley-collections/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010127T000000
DTEND;TZID=America/Phoenix:20010520T000000
DTSTAMP:20260916T021808
CREATED:20180407T045400Z
LAST-MODIFIED:20241029T232200Z
UID:4133-980553600-990316800@asuartmuseum.org
SUMMARY:William Kentridge
DESCRIPTION:William Kentridge: Works from Valley Collections\n \nDrawn from local collections\, this exhibition of work by internationally renowned South Africa artist\, William Kentridge\, features drawings\, prints\, film and preparatory drawings for films. Kentridge’s moody\, powerful and expressive work tells the story of a post-industrial society that is in disrepair – similar to the current state of South Africa as it copes with the scars of apartheid. \n\nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, the William Kentridge exhibition will be installed in the 2\,800-square-foot Kresge Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration\n\nWilliam Kentridge (January 27 – May 20\, 2001) is open Tuesday from 10am to 5pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/william-kentridge/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20001203T000000
DTEND;TZID=America/Phoenix:20010210T000000
DTSTAMP:20260916T021808
CREATED:20180407T033400Z
LAST-MODIFIED:20241029T235334Z
UID:4132-975801600-981763200@asuartmuseum.org
SUMMARY:Collectors' Choice
DESCRIPTION:In conjunction with the reception and gallery talk for Dwelling \, a video installation by Corina Gamma at the ASU Art Museum’s Matthews Center\, Experimental Gallery location. \n Collectors’ Choice \nWhy do people decide to collect art? How do they make their choices? These are questions that will be addressed by collectors from the Valley who also share an interest in the ASU Art Museum. Each participating collector will show work from his or her collection as well as selecting works\, from local galleries and artists\, that they would enjoy adding to their collections. \nASU Art Museum Presentation\nOrganized by the ASU Art Museum Curatorial Staff\, Collectors’ Choice will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration\nCollectors’ Choice (December 3 – February 10\, 2001) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport\nThe exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/collectors-choice/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20001202T000000
DTEND;TZID=America/Phoenix:20010203T000000
DTSTAMP:20260916T021808
CREATED:20180407T032600Z
LAST-MODIFIED:20241029T235343Z
UID:4131-975715200-981158400@asuartmuseum.org
SUMMARY:Dwelling A Video Installation by Corina Gamma
DESCRIPTION:Dwelling A Video Installation by Corina Gamma\nWhile driving through a city\, one can often make visual assumptions and connections just by looking at the transitions that exist between urban spaces. By examining the architectural boundaries in which people seek refuge\, the human need for privacy and personal space – as well as the illusory fantasies attached to “moving up in the world” – becomes apparent.Dwelling\, a video installation\, addresses the psychological trappings of lifestyle and the fragile realities connected with the concept of home. It visually explores the peculiarly American passion for seeking a better dwelling\, moving up in status and upscaling one’s house and\, by extension\, one’s self and community. \n\nAbout the Artist \nCorina Gamma received her BA from University of California\, Riverside in 1996 and went on to receive an MFA from Claremont Graduate University\, Claremont\, CA. She has recently exhibited at Danioth-Ring in Switzerland\, Gallery Paradiso in Costa Mesa\, Kohn Turner Gallery in Los Angeles and Pasadena City College Art Museum in Pasadena. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Dwelling will be installed in the 2\,400-square-foot Experimental Gallery of the Arizona State University Art Museum at Matthews Center. \nDuration \nDwelling (December 2\, 2000 – February 3\, 2001) is open Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nThe exhibition at the Arizona State University Art Museum’s Experimental Gallery at Matthews Center is supported in part by Friends of the Arizona State University Art Museum. \nFunding to the artist for the completion of the project was provided by The Durfee Foundation\, Santa Monica\, CA.
URL:https://asuartmuseum.org/event-exhibition/dwelling-a-video-installation-by-corina-gamma/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20001118T000000
DTEND;TZID=America/Phoenix:20010128T000000
DTSTAMP:20260916T021808
CREATED:20180407T032300Z
LAST-MODIFIED:20241029T225858Z
UID:4130-974505600-980640000@asuartmuseum.org
SUMMARY:2000-2001 Arizona State University School of Art Faculty Exhibition
DESCRIPTION:An annual exhibition of work by Arizona State University School of Art Faculty.\n \nA reception for this exhibition will take place\nFriday\, November 17\, 2000\n7-9 P.M.  \nASU Art Museum Presentation  \nArizona State University School of Art Faculty Exhibition will be installed in the 2\,500-square-foot Lower Lobby South Gallery of the Arizona State University Art Museum. \n \nDuration   \nArizona State University School of Art Faculty Exhibition (November 18\, 2000 – January 28\, 2001) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \n Support\n \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum\, Arizona State University School of Art and the Arizona State University Katherine K. Herberger College of the Arts.\n \n\nFor more information contact John Spiak atspiak@asu.edu. \n 
URL:https://asuartmuseum.org/event-exhibition/2000-2001-arizona-state-university-school-of-art-faculty-exhibition/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20001008T000000
DTEND;TZID=America/Phoenix:20010107T000000
DTSTAMP:20260916T021808
CREATED:20180407T053700Z
LAST-MODIFIED:20241029T210536Z
UID:4129-970963200-978825600@asuartmuseum.org
SUMMARY:No Absolutes Contemporary Art from the Region
DESCRIPTION:No Absolutes: Contemporary Art from the Region  \nNo Absolutes is part of an ongoing series of regional exhibitions initiated by community meetings in 1996 to determine how the museum could meet its goal to serve and present contemporary regional art. For No Absolutes\, three curators at the Museum – Marilyn Zeitlin\, Heather Lineberry and John Spiak – brought their different perspectives to select artists who are producing strong and innovative work in the Southwest. \nSome of the artists have never exhibited in the area; others have produced new and exciting work; and several are creating site specific pieces. The exhibition and the work in it reflect the contemporary Zeitgeist of questioning boundaries. The work ranges from painting to video installation\, with many of the artists changing their media to suit the content of each piece. Many works address issues of ethnic identity or personal and political history. Viewed together the work raises questions about the idea of regionalism: What does “regional” mean? Isn’t everywhere a region? Is your work inevitably regional? \nThe artists will be involved in public programs as well as designing educational materials for school groups and museum visitors. The Museum’s staff is currently fundraising for a catalogue to accompany the exhibition with essays by the curators and images of the work. \nThe Artists\nNo Absolutes includes the work of Robert Adams (Phoenix)\, Connie Arismendi (Texas)\, Colin Cook (Southern California)\, Kim Cridler (Tempe)\, Luis Gutierrez (Texas)\, Jon Haddock (Tempe)\, Leslie Hill and Helen Paris (Tempe and London)\, Craig Smith (Phoenix)\, and Joe Willie Smith (Phoenix). \nASU Art Museum Presentation\nOrganized by Marilyn A. Zeitlin\, Heather Sealy Lineberry and John D. Spiak\, No Absolutes will be installed in the Top and Kresge Galleries of the Arizona State University Art Museum’s Nelson Fine Arts Center\, with a project by Jon Haddock in the Experimental Gallery at Matthews Center. \nDuration \nNo Absolutes (October 8\, 2000 – January 7\, 2001) is open Tuesday through Saturday from 10 am to 5 pm\, Sunday from 1 pm to 5 pm. \nSupport \nThe exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/no-absolutes-contemporary-art-from-the-region/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20001008T000000
DTEND;TZID=America/Phoenix:20001105T000000
DTSTAMP:20260916T021808
CREATED:20180407T052900Z
LAST-MODIFIED:20241029T205432Z
UID:4128-970963200-973382400@asuartmuseum.org
SUMMARY:Fragile Monuments
DESCRIPTION:Fragile Monuments: Paper Sculpute by Jyung Mee Park  \nJyung Mee Park creates sculpture with thousands of pieces of rice paper. Each sheet of paper is folded by hand with the assistance of students and community groups. The artist then creates the installations on site by layering the sheets of paper\, one by one\, into a larger form without adhesives. \nThe sculptures are influenced by archetypal forms in nature\, forms rooted in ritual practices (Buddhist lanterns\, mandalas) and forms derived from daily labor in agricultural communities (thatched roofs\, haystacks). Many of these traditional structures were meant to be impermanent and seasonal\, but now are replaced by industrial processes and materials. The works explore traditional craft practices while participating in the dialog on contemporary art and installation art. \nIn a past project at P.S.1 in New York City\, the artist involved over 400 high school students. The artist will be in residence on weekdays from September 21 through October 6\, 2000\, working with students and school groups and installing the sculptures in the Turk Gallery open to the view of visitors. Plan to visit the Museum during this time to see the installation in progress. \nAbout the Artist \nJyung Mee Park received her BFA from Parsons School of Design in 1986 and went on to receive an MFA from the Rhode Island School of Design. She has recently exhibited at P.S.1 in New York\, Corcoran Gallery of Art in Washington\, D.C. and Seoul Arts Center in Korea. \nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, Fragile Monuments will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nFragile Monuments (October 8 – November 5\, 2000) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport\n\nThe exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/fragile-monuments/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000902T000000
DTEND;TZID=America/Phoenix:20001104T000000
DTSTAMP:20260916T021808
CREATED:20180407T054800Z
LAST-MODIFIED:20241029T204442Z
UID:4127-967852800-973296000@asuartmuseum.org
SUMMARY:Screenshots A project by Jon Haddock for the exhibition No Absolutes
DESCRIPTION:Screenshots : A Project by Jon Haddock for the exhibition No Absolutes \nA series of drawings from an isometric perspective\, in the style of a computer game\, are the new body of work by Tempe-based artist Jon Haddock. The subject of each drawing is the image\, or images\, that created a popular cultural event. Historical events like the assassination of Martin Luther King Jr. at the Lorraine Motel are used interchangeably with fictionalized events like the death of Fredo scene from The Godfather: Part II \, questioning the role and influence of the image in today’s technology-driven society.\n \n\nAbout the Artist \nJon Haddock received his BFA from Arizona State University in 1986 and went on to receive an MFA and MA from the University of Iowa. He has recently exhibited at Roberts and Tilton in Los Angeles\, Rena Bransten in San Francisco and Howard House in Seattle. \nASU Art Museum Presentation\nOrganized by John D. Spiak\, Screenshots will be installed in the 2\,400-square-foot Experimental Gallery of the Arizona State University Art Museum at Matthews Center. \nDuration\nScreenshots (September 2 – November 4\, 2000) is open Tuesday through Saturday from 10 am to 5 pm. \nSupport\nThe exhibition at the Arizona State University Art Museum’s Experimental Gallery at Matthews Center is supported in part by Friends of the Arizona State University Art Museum. \nNo Absolutes\nNo Absolutes \, an exhibition of contemporary art from the region\, includes work by the following artists: Robert Adams (Phoenix)\, Connie Arismendi (Texas)\, Colin Cook (Southern California)\, Kim Cridler (Tempe)\, Luis Gutierrez (Texas)\, Jon Haddock (Tempe)\, Leslie Hill and Helen Paris (Tempe and London)\, Craig Smith (Phoenix)\, and Joe Willie Smith (Phoenix).
URL:https://asuartmuseum.org/event-exhibition/screenshots-a-project-by-jon-haddock-for-the-exhibition-no-absolutes/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000805T000000
DTEND;TZID=America/Phoenix:20001029T000000
DTSTAMP:20260916T021808
CREATED:20180407T054000Z
LAST-MODIFIED:20241029T235621Z
UID:4126-965433600-972777600@asuartmuseum.org
SUMMARY:Oyvind Fahlstrom
DESCRIPTION:Oyvind Fahlstrom: The Complete Multiples  \nOyvind Fahlstrom: The Complete Multiples is a comprehensive survey of Fahlstrom’s graphic work\, including twenty-seven prints as well as four multiple editions in three-dimensional object and book format. \nAbout the Artist \nA multi-media artist\, Oyvind Fahlstrom (1928-1976) produced works in film\, performance\, installation\, sculpture\, print\, and painting. His influences were diverse\, including the Dadaists and Surrealists\, pre-Columbian manuscripts and modern Mexican art\, john Cage\, and underground American comic books. Using text and imagery to convey complex information about the world around him\, Fahlstrom’s work brings to life psychodramas that investigate the historical context of political\, social\, and economic concerns. Aesthetically\, the interaction between artist\, the art object and its viewer is explored through game-theory\, maps\, puzzles\, performance\, and installations. \nASU Art Museum Presentation \nOrganized by The University of Illinois at Chicago\, Oyvind Fahlstrom: The Complete Multiples will be installed in the 2\,500-square-foot Lower Lobby South Gallery of the Arizona State University Art Museum. \nDuration \nOyvind Fahlstrom: The Complete Multiples (August 5 – October 29\, 2000) is open Tuesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/oyvind-fahlstrom/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000701T000000
DTEND;TZID=America/Phoenix:20000917T000000
DTSTAMP:20260916T021808
CREATED:20180407T053100Z
LAST-MODIFIED:20241029T232001Z
UID:4125-962409600-969148800@asuartmuseum.org
SUMMARY:Frogs and Dogs
DESCRIPTION:Frogs and Dogs: David Gilhooly and Roy De Forest \n Frogs and Dogs combines the constructed\, whimsical world of David Gilhooly’s comical ceramic sculptures of food and frogs and Roy De Forest’s fanciful story-like environments\, inhabited by imaginary people\, animals and dogs on canvas and paper. Humor is blended with the bold colors and cartoon-like forms\, creating rich visual images open for the viewers interpretation and enjoyment. Colleagues from the University of California\, Davis\, Gilhooly and De Forest have been categorized as part of the California “Funk” movement from the 1960-70s with Robert Arneson\, Robert Hudson\, William T. Wiley\, Bruce Conner and Joan Brown. Though Gilhooly was influenced by De Forest’s work\, each has developed their own “Funky” style.\n\nFrog and Dog Day of Summer \n On July 8th\, from 10am to 2pm\, the Museum will present Frog and Dog Day of Summer \, a family day with activites in the planning to include story telling\, performances and a pet picture sharing wall.  \nASU Art Museum Presentation \n Organized by Heather Sealy Lineberry and Jean Makin\, Frogs and Dogs will be installed in the Top and Kresge Galleries of the Arizona State University Art Museum’s Nelson Fine Arts Center.  \nDuration \n Frogs and Dogs (July 1 – September 17\, 2000) is open Tuesday through Saturday from 10 am to 5 pm\, Sunday from 1 pm to 5 pm.  \nSupport \n The exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/frogs-and-dogs/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000513T000000
DTEND;TZID=America/Phoenix:20000730T000000
DTSTAMP:20260916T021808
CREATED:20180407T055300Z
LAST-MODIFIED:20241029T230214Z
UID:4124-958176000-964915200@asuartmuseum.org
SUMMARY:Spectrum: An Idea of History
DESCRIPTION:Spectrum: An Idea of History \nThis exhibition\, using contemporary and archival photographs from Cuba\, considers ways in which images can be manipulated and then can manipulate the idea of history: what is remembered and what is forgotten; the visual paradigms that come to stand for entire complexes of events and ideas. \nASU Art Museum Presentation\nOrganized by Marilyn A. Zeitlin\, Spectrum: An Idea of History will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Art Center. \nDuration\nSpectrum: An Idea of History (May 13 – July 30\, 2000) is open Tuesday through Saturday from 10 am to 5 pm\, Sunday from 1 pm to 5 pm. \nSupport\nThe exhibition at the Arizona State University Art Museum in collaboration with Fundacion Ludwig de Cuba and is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/spectrum-an-idea-of-history/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000401T000000
DTEND;TZID=America/Phoenix:20000520T000000
DTSTAMP:20260916T021808
CREATED:20180407T054500Z
LAST-MODIFIED:20241030T000804Z
UID:4466-954547200-958780800@asuartmuseum.org
SUMMARY:PHACAEANS
DESCRIPTION:PHACAEANS  \nPhoenix has rapidly developed from a desert landscape of saguaro\, buttes and roaming wildlife to its current cityscape of over three million people. Desktop video artist Sloane McFarland superimposes an Homeric tale on this melding of desert land and optic-linked people: Odysseus’ encounter with the Phaeacian people. PHACAEANS \, a desktop video/laptop installation\, assumes the perspective of one living from and through a desert metropolis; one who – using calculus and memory – recognizes that surroundings constantly transmute. \nAbout the Artist \nSloane McFarland currently resides in Phoenix\, Arizona\, where he is a desktop video/installation artist\, making videos with a consumer-available camera and computer. He received his Bachelor of Arts in Philosophy and Mathematics from St. John’s College of Santa Fe\, New Mexico\, in 1995. \nHis recent projects include: Spine \, a desktop video/sound installation as the inaugural exhibition of Jennifer Katell’s Guard Shack space at Bergamont Station\, Santa Monica\, California; T-West \, a desktop video/performance/installation at Barlow & Straker\, Phoenix\, Arizona; and NAUSAKKAA \, a desktop video/laptop installation for the one-hundred artist exhibition The Spurgeon Experience \, Santa Ana\, California\, curated by Mike McGee and Max Presneill. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, PHACAEANS will be installed in the 2\,400-square-foot Experimental Gallery of the Arizona State University Art Museum at Matthews Center. The installation will include more than two dozen desktop videos presented on laptop computers\, heard on wireless headsets. \nDuration \nPHACAEANS (April 1 – May 20\, 2000) is open from 10 am to 5 pm\, Tuesday through Saturday. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum. \nSuggested Reading \nThe Odyssey by Homer\nBook VI through XIII \ntranslated by Samuel Butler available on The Internet Classics Archive
URL:https://asuartmuseum.org/event-exhibition/phacaeans/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000319T000000
DTEND;TZID=America/Phoenix:20000422T000000
DTSTAMP:20260916T021808
CREATED:20180407T053400Z
LAST-MODIFIED:20241029T230708Z
UID:4465-953424000-956361600@asuartmuseum.org
SUMMARY:Helme Prinzen: Sky Maps
DESCRIPTION:Helme Prinzen: Sky Maps \nThis exhibition presents work by an artist influenced by a broad range of traditions that span from minimalism to the spiritual devices for meditation used in Buddhism and Native American practices. Helme Prinzen explores and expands her notion of the mandala\, sometimes drawing it toward the sky map\, at other times to the microcosm of a flower. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, Helme Prinzen: Sky Maps will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Art Center. \nDuration \nHelme Prinzen: Sky Maps (March 19 – April 22\, 2000) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, Sunday from 1 pm to 5 pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/helme-prinzen-sky-maps/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000304T000000
DTEND;TZID=America/Phoenix:20000604T000000
DTSTAMP:20260916T021808
CREATED:20180407T060900Z
LAST-MODIFIED:20241029T230447Z
UID:4464-952128000-960076800@asuartmuseum.org
SUMMARY:Jim Campbell: Transforming Time\, Electronic Works 1990-1999
DESCRIPTION:Jim Campbell has pioneered the use of electronic media for installations and sculptures that react to the visitor. Campbell’s works utilize the appeal and capacities of electronic media to enhance the contemplation of human experience-memory\, recollection\, hallucination and the passage of time. The exhibition features two new installations made on campus\, as well as works from throughout the 1990s. \nSymposium\nThursday through Saturday\, October 7 – 9\, 1999\, Location Varies \nCIRCUIT BREAKERS: ART AND TECHNOLOGY\nIn conjunction with the “Jim Campbell: Transforming Time\, Electronic Works 1990-1999” exhibition\, the ASU Art Museum is co-sponsoring a symposium on current issues in artworks and performance that utilize new technology. Co-sponsors of the event include the Phoenix Arts Commission\, ASU Institute for Studies in the Arts\, ASU Partnership for Research in Stereo Modeling(PRISM)\, Scottsdale Museum of Contemporary Art\, and Business Volunteers for the Arts. Call (480) 965-2787 for brochure. \nGallery Talk by Jim Cambell\nFriday\, October 8\, 12 noon\, Nelson Fine Arts Center \nPanel – Computing the Potential of New Technology\nFriday\, October 8\, 7:30noon\, Nelson Fine Arts Center\nPanel includes Jim Cambell\, Alan Rath\, Mary Lucier and Regina Cornwell.
URL:https://asuartmuseum.org/event-exhibition/jim-campbell-transforming-time-electronic-works-1990-1999/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000205T000000
DTEND;TZID=America/Phoenix:20000305T000000
DTSTAMP:20260916T021808
CREATED:20180407T050700Z
LAST-MODIFIED:20241029T234246Z
UID:4463-949708800-952214400@asuartmuseum.org
SUMMARY:1999-2000 Arizona State University School of Art Faculty Exhibition
DESCRIPTION:ARTISTS INCLUDE:\nLew Alquist\, Mary P. Bates\, Daniel R. Britton\, Robert D. Cocke\, Daniel L. Collins\, Nick de Matties\, Tom Eckert\, Mary Erickson\, Ron Gasowski\, Denis Gillingwater\, James Hajicek\, Tamarra Kaida\, Mark Klett\, Muriel Magenta\, Stephen Marc\, Kathryn Maxwell\, Beverly McIver\, Ellen Murray Meissinger\, Jeanne Otis\, Anthony Pessler\, James Pile\, Janice M. Pittsley\, John Risseuw\, Virginia Sardi\, Donald Schaumburg\, Randall Schmidt\, Jerry Schutte\, Jon Sharer\, Mary Stokrocki\, J. Gray Sweeney\, Clare Verstegen\, Kurt Weiser\, James R. White and Diane Wolfthal. \nA reception for this exhibition will take place Friday\, February 11\, 2000\n7-9 P.M. \nSupport for the reception generously provided by: Gentle Strength Cooperative\, Four Peaks Brewery and Pepsi.
URL:https://asuartmuseum.org/event-exhibition/1999-2000-arizona-state-university-school-of-art-faculty-exhibition/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000129T000000
DTEND;TZID=America/Phoenix:20000312T000000
DTSTAMP:20260916T021808
CREATED:20180407T052300Z
LAST-MODIFIED:20241029T232115Z
UID:4118-949104000-952819200@asuartmuseum.org
SUMMARY:Club Extra
DESCRIPTION:Club Extra\n“Beauty” is spandex on a perfectly toned thigh\, perspiration on an upper lip\, sweaty underarms of live artists in action. A fitness club\, a performance venue\, and an art museum are all spaces of objects and subjects of beauty. All share the promise that their institution might help us transcend the physical to the ethereal. We sweat\, we critique\, we long to be a part of these institutions of absolute beauty. \nClub Extra is inspired by the similarities between health fitness clubs and art museums. We become members\, bring friends\, grapple with beauty\, carry attitude\, and gaze at what we want (or wish we had) while trying to achieve profound aesthetic connections. The vaporous sweat of art enthusiasts and health fanatics will fill the space of a major art institution. \nClub Extra Operates on Three Different Levels \nSpecial one-hour exercise classes will be held in the Experimental Gallery of the Arizona State University Art Museum throughout the exhibition. Participants are invited to work off “Art Ass” or observe others work it off for them. The classes will be complete with an instructor\, loud music\, All-Sport power drinks and a towel girl/boy. “Angie\,” the Fitness Coordinator of Club Extra\, will facilitate all classes and club activities. Angie doesn’t have a degree in cardiovascular performance\, but she knows how to “turn it on” and she wants others to reach that higher state of performance. \nWhile riding a stationary bicycle or developing inner thigh muscles\, participants can listen to “Walkin’ to Concepts” and “Sweatin’ for Academia.” Participants not interested in “collaborative” performance can visit the interactive installation and check out a headset of “Theory-on-Tape.” \nUsing the strategy of local fitness clubs\, there will be brochures and free membership opportunities at major sites around the Tempe/Phoenix area. Temporary membership cards will be distributed in the exhibition invitation. \nComplimentary\nTemporary Membership Card: \n   \nAbout the Artist\nAngela Ellsworth currently resides in Phoenix\, Arizona\, where she is a visual and performance artist. She received her Master of Fine Arts in Painting and Performance from Rutgers State University of New Jersey in 1993. \nHer recent projects include: performance/installation at the Salt Lake Art Center for Out of the Closet which also included three of Ellsworth’s mixed media works; performance/installation at Barlow & Straker in Phoenix with Tina Takemoto as Her/She Senses entitled Squeak and Clean</em>; and waist/waste room\, a performance for the opening reception of the Arizona State University Art Museum exhibition Art on the Edge of Fashion. \nEllsworth’s writing will be published in the upcoming performance book\, Women’s Comedy: Cross-Cultural Perspectives on Gender and Humour\, edited by Lizbeth Goodman (Cambridge: Polity Press) and an issue of Contemporary Theatre Review on performance and disability with a paper entitled Performing Illness: Crisis\, Collaboration and Resistance. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Club Extra will be installed in the 2\,400-square-foot Experimental Gallery of the Arizona State University Art Museum at Matthews Center. \n \nDuration\nClub Extra (January 29 – March 12\, 2000) is open from 10 am to 5 pm\, Tuesday through Saturday. Special one-hour exercise classes will be offered during the run of the exhibition. Club Extra will be open from 1pm – 5pm on Sunday\, March 12\, to accommodate attendees of the Performance Studies International Conference that will take place March 9 through March 12 on the ASU campus. \nSupport\nThe exhibition at the Arizona State University Art Museum is supported in part by L.A.P. (Live Art Platform) and Friends of the Arizona State University Art Museum. Support for the opening reception generously provided by Trader Joe’s\, Surf City Squeeze and Pepsi. \n Please Note: Individuals workout and use equipment at their own risk.   \nPerformances by Angela Ellsworth at ASU Art Museum \nActual Odor at Token City reception \nwaist/waste room at Art on the Edge of Fashion reception \nFor more information contact John Spiak at spiak@asu.edu or 480.965.2787.
URL:https://asuartmuseum.org/event-exhibition/club-extra/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:19991210T000000
DTEND;TZID=America/Phoenix:20000410T000000
DTSTAMP:20260916T021808
CREATED:20180407T060700Z
LAST-MODIFIED:20241029T235450Z
UID:4461-944784000-955324800@asuartmuseum.org
SUMMARY:Face Off:
DESCRIPTION:“Censorship is to art\nwhat lynching is to justice.”\n-Henry Louis Gates\, Jr.\, 1990 \nTwo of the most prominent African-American painters of their respective\ngenerations\, Jean-Michel Basquiat and Michael Ray Charles make works that\ndraw from complex cultural sources. Some of these sources are shared— the\nheritage of Africa\, and the American black experience of slavery\,\nexploitation\, and racism— and some are unique to each. They are both\ninformed and energized by resistance to persistent colonial stereotyping. \nBasquiat\, a controversial figure who painted for only eight years\, is of\nCaribbean ancestry\, a New Yorker who participated in the street culture of\nthe graffiti artists (he was SAMO)\, and soared to fame in the high-rolling\n80s\, dying at the age of 27. The debate is open that questions who\nexpolited whom. Was the market-driven art world of the 80s duped by the\ninfant terrible or did that art world\, in which money and the cult of personality\ncan so easily become focal\, create and then turn its back on Basquiat the victim? \nCharles is keenly aware of the dangers of exploitation. But unlike\nBasquiat\, whose reactions seem to beat an immediate gut level\, Charles\nanalyzes the traditions and sources of sterotypes. He does meticulous\nresearch into sources to find the origins of the caricatured images. He\nuses the imagery of advertising that puts forth black figures — athletes\,\nentertainers — to sell products\, bringing into question the role of a double-edged\nexploitation\, of both the consumer and the figure used to sell the product. \nStylistically\, the two artists are diametrically different. Basquiat\,\nworking in an intentionally primitivist manner\, is close to the abstract\nexpressionists in his use of paint and the directness with which he goes\nfrom feeling to canvas and in the texts that emerge from free association.\nCharles uses the skills and strategies of the graphic tradition he draws on\,\nmaking pastiches of circus banners\, and advertising signage with a\nrelentless wit. His unmasking of visual and textual stereotypes turn\nintention and meanings against themselves. Like other black artists of his\ngeneration\, he challenges the audience by keeping the often insulting\nstereotypes before our eyes so that they continue to be the subject of\nanalysis. His work does not romanticize or apologize for these images\,\nrather his work puts them under a microscope to seek the roots of racism\nrather than to hide its persistence.
URL:https://asuartmuseum.org/event-exhibition/face-off/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:19991120T000000
DTEND;TZID=America/Phoenix:20000213T000000
DTSTAMP:20260916T021808
CREATED:20180407T062600Z
LAST-MODIFIED:20241029T225849Z
UID:4460-943056000-950400000@asuartmuseum.org
SUMMARY:The Eye of the Collector: Works from the Lipman Collection of American Art
DESCRIPTION:Howard and Jean Lipman lived with their collection which embraced both classics of modernism and folk art. The works in this exhibition were for their eyes only\, the work that they lived with in their apartment and home. The spirit of their untrammeled collection is apparent in their choices and in the dynamic confluence of the two sides of their collector personalities. \nThe exhibition includes works by Alexander Calder\, Louise Nevelson\, David Smith\, Roy Lichtenstein\, Claes Oldenburg\, Lucas Samaras\, Robert Morris and will feature folk art and jewelry. \nA Public Reception for this exhibition was held Sunday\, November 21\, 1999 at the Nelson Fine Arts Center. \nThank you to Gentle Strength Cooperative and Starbucks Coffee for their generous contributions.
URL:https://asuartmuseum.org/event-exhibition/the-eye-of-the-collector-works-from-the-lipman-collection-of-american-art/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:19991015T000000
DTEND;TZID=America/Phoenix:19991128T000000
DTSTAMP:20260916T021808
CREATED:20180407T062900Z
LAST-MODIFIED:20241029T210718Z
UID:4115-939945600-943747200@asuartmuseum.org
SUMMARY:The Mix: Permanent Collection and Loans
DESCRIPTION:
URL:https://asuartmuseum.org/event-exhibition/the-mix-permanent-collection-and-loans/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:19990903T000000
DTEND;TZID=America/Phoenix:19991205T000000
DTSTAMP:20260916T021808
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195746Z
UID:4114-936316800-944352000@asuartmuseum.org
SUMMARY:Bob Carey
DESCRIPTION:Often using himself as the subject\, photographer Bob Carey takes the viewer from pain to pleasure. He evokes a self-examination and confrontation with issues that each of us faces\, bringing forward the realms of identity and gender. \nPanel Discussion – Photographic Prosperity:\nCreating for Commercial and Fine Art Venues\nFriday\, September 24\, 12noon\, Matthews Center – Experimental Gallery \nPanelists: \nAnn Clemonts Borum\nCurator and Co-owner CHROMATICS Photo Imaging. Nashville and New York\nBob Carey\nArtist\, Phoenix\nJennifer Friedman Kirshner\nDirector of Photography\, Lisa Sette Gallery\, Scottsdale\nStephen Marc\nArtist\, Associate Professor of Photography\, ASU School of Art\nMary Virginia Swanson\nFounding Director\, Swanstock Agency\, Tucson \nSeating limited to 60
URL:https://asuartmuseum.org/event-exhibition/bob-carey/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:19990828T000000
DTEND;TZID=America/Phoenix:19991031T000000
DTSTAMP:20260916T021808
CREATED:20180407T062000Z
LAST-MODIFIED:20241029T235919Z
UID:4113-935798400-941328000@asuartmuseum.org
SUMMARY:Resonating: Denise Green
DESCRIPTION:Resonating: Denise Green presents eighteen paintings and a selection of works on paper by an artist who explores various aspects of abstraction. The artist has experimented during the past two decades with the relationship between expressionism\nand object-derived imagery. \nGallery Talk by Denise Green\nTuesday\, September 21\, 7:30pm\, Nelson Fine Arts Center \nWorkshop with Denise Green\nWednesday\, September 22\, 12noon\, Nelson Fine Arts Center \nARTIST IN THE ROLE OF PRODUCER WORKSHOP\nDenise Green will conduct a workshop oriented primarily to artists and art students. She will discuss innovative approaches to building a professional relationship with art institutions\, the press\, and supporters. Seating is limited to 60. Call 965-2787 for reservation.
URL:https://asuartmuseum.org/event-exhibition/resonating-denise-green/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:19990619T000000
DTEND;TZID=America/Phoenix:19990822T000000
DTSTAMP:20260916T021808
CREATED:20180602T022721Z
LAST-MODIFIED:20241029T231516Z
UID:4456-929750400-935280000@asuartmuseum.org
SUMMARY:Stephane Janssen - Works from the Collection
DESCRIPTION:Exhibition
URL:https://asuartmuseum.org/event-exhibition/stephane-janssen-works-from-the-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:19990409T000000
DTEND;TZID=America/Phoenix:19990529T000000
DTSTAMP:20260916T021808
CREATED:20180602T022916Z
LAST-MODIFIED:20241030T000340Z
UID:4455-923616000-927936000@asuartmuseum.org
SUMMARY:Veiled Memories
DESCRIPTION:Exhibition
URL:https://asuartmuseum.org/event-exhibition/veiled-memories/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:19990317T000000
DTEND;TZID=America/Phoenix:19990501T000000
DTSTAMP:20260916T021808
CREATED:20180602T022109Z
LAST-MODIFIED:20241029T230720Z
UID:4110-921628800-925516800@asuartmuseum.org
SUMMARY:ASU Alumni Print Show
DESCRIPTION:
URL:https://asuartmuseum.org/event-exhibition/asu-alumni-print-show/
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR