BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ASU Art Museum - ECPv6.15.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:ASU Art Museum
X-ORIGINAL-URL:https://asuartmuseum.org
X-WR-CALDESC:Events for ASU Art Museum
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Phoenix
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:19990101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020303T000000
DTEND;TZID=America/Phoenix:20020511T000000
DTSTAMP:20260916T013118
CREATED:20180602T020500Z
LAST-MODIFIED:20241029T230505Z
UID:4152-1015113600-1021075200@asuartmuseum.org
SUMMARY:Selections from Valley Collections\, Inaugural Exhibition in the Ceramics Research Center
DESCRIPTION:ASU Art Museum\, Ceramics Research Center\n\n\n\n\n\nInaugural Exhibition in the Ceramics Research Center
URL:https://asuartmuseum.org/event-exhibition/selections-from-valley-collections-inaugural-exhibition-in-the-ceramics-research-center/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020202T000000
DTEND;TZID=America/Phoenix:20020505T000000
DTSTAMP:20260916T013118
CREATED:20180407T030500Z
LAST-MODIFIED:20241029T234551Z
UID:4151-1012608000-1020556800@asuartmuseum.org
SUMMARY:Topsy Turvy Sculpture by Alison Saar
DESCRIPTION:Topsy Turvy: Sculpture by Alison Saar\nAlison Saar creates powerful figures carved from wood\, patinaed and encrusted with found objects and ornamental ceiling tin. Her narrative works are poignant explorations of her personal experiences as a mixed race woman. Her works tell of her rich African American heritage – African art\, myths and African American stories – and the difficulty of living with racial stereotypes. \nAbout the Artist\nSaar received a BA from Claremont\, Scripps College\, in 1978 and her MFA three years later from Otis Art Institute in Los Angeles\, where she continues to live and work. She has been the recipient of a John Simon Guggenheim Memorial Foundation Fellowship\, a New York Foundation for the Arts Fellowship\, and two artist fellowships from the National Endowment for the Arts. Her solo exhibition venues include the High Museum of Art\, the Hirshorn Museum and Sculpture Garden\, and the Museum of Contemporary Art in Chicago; and her group show venues include the Denver Art Museum\, the Whitney Museum\, and the Studio Museum of Harlem. \nOpening Reception\nOn Friday\, February 1\, the ASU Art Museum will present dual receptions for Topsy Turvy: Sculpture by Alison Saar and Hung Liu: New Paintings from 7 – 9pm at the Arizona State University Art Museum’s\nNelson Fine Arts Center location. \nASU Art Museum Presentation\nOrganized by Heather Lineberry\, Topsy Turvy: Sculpture by Alison Saar will be installed in the Turk Gallery and Lobby of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nTopsy Turvy: Sculpture by Alison Saar (February 2 – May 5\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from\n10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Mikki and Stanley Weithorn; the Arizona Commission on the Arts\, with funding from the State of Arizona and the National Endowment for the Arts; and the Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/topsy-turvy-sculpture-by-alison-saar/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020126T000000
DTEND;TZID=America/Phoenix:20020428T000000
DTSTAMP:20260916T013118
CREATED:20180504T050400Z
LAST-MODIFIED:20241029T232807Z
UID:4492-1012003200-1019952000@asuartmuseum.org
SUMMARY:SuperBowls - Contemporary Ceramics
DESCRIPTION:Art Exhibition and Sale\nThe ASU Art Museum presented the SuperBowls Art Exhibition and Sale as part of the SuperBowl XXX activities. SuperBowl themed Art Objects were exhibited at the museum. These ceramic art objects were produced by internationally known ceramic artists from the U.S. and Canada and commissioned especially for this show and sale. This show and sale ran through January 28\,1996. \nFor further information about any of these objects\, contact the ASU Art Museum at (602)965-ARTS\, or send email to the curator of this exhibition\, HeatherLineberry\, c/o the museum at:asuartmuseum@asu.edu \nOPENING RECEPTION\nFriday\, February 1\, 2002\n7:00 pm – 9:00 pm\nDual Reception with the exhibition\n  Topsy Turvy: Sculpute by Alison Saar   \n Strange Fruit: New Paintings by Hung Liu  \nHung Liu’s paintings are loosely based on photographs of historic China\, many taken by early 20th century Western visitors. Liu was born in China in 1948 and underwent the rigorous re-education of Mao´s Cultural Revolution\, eventually studying to be a mural painter. Later she received an MFA at the University of San Diego. Now Liu reinterprets these historic images\, some of daily life and others of restrictive Chinese social traditions. She reinterprets and enhances these subjects in expressive\, multi-layered paintings. She has been the recipient of an artists fellowship from the National Endowment for the Arts and an International Art Critic´s Award. \nOpening Reception \nOn Friday\, February 1\, the ASU Art Museum will present dual receptions for Strange Fruit: New Paintings by Hung Liu and Topsy Turvy: Sculpture by Alison Saar from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, Strange Fruit: New Paintings by Hung Liu will be installed in the Top Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. Co-organized by Boise Art Museum and co-curated by Sandy Harthorn.\n*Touring nationally with catalogue available. \nDuration \nStrange Fruit (January 26 – April 28\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm and Sunday from 1pm to 5pm. \nSupport \nThe exhibition and related programs are supported in part by Mikki and Stanley Weithorn; the Arizona Commission on the Arts\, with funding from the State of Arizona and the National Endowment for the Arts; and the Friends of the ASU Art Museum. The catalog was made possible by Rena Bransten and the Rena Bransten Gallery\, San Francisco. \n\n\n\n\nCollege Unit:\n\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/superbowls-contemporary-ceramics/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020126T000000
DTEND;TZID=America/Phoenix:20020428T000000
DTSTAMP:20260916T013118
CREATED:20180405T055300Z
LAST-MODIFIED:20241029T232815Z
UID:4493-1012003200-1019952000@asuartmuseum.org
SUMMARY:Hung Liu New Paintings
DESCRIPTION:Hung Liu: New Paintings\n Hung Liu’s paintings are loosely based on photographs of historic China\, most taken by early 20th century Western visitors. Liu was born in China in 1948 and underwent the rigorous re-education of the Maoist regime\, eventually studying to be a mural painter. Later she received an MFA at the University of San Diego. Now Liu reinterprets these historic images\, some of daily life and others of restrictive Chinese social traditions.She reinterprets and enhances these subjects in expressive\,multi-layered paintings. \nOpening Reception\nOn Friday\, February 1\, the ASU Art Museum will present dual receptions for Hung Liu: New Paintings and Topsy Turvy: Sculpture by Alison Saar from 7 – 9pm at the Arizona State University Art Museum’s\nNelson Fine Arts Center location. \nASU Art Museum Presentation\nOrganized by Heather Lineberry\, Senior Curator and Sandy Harthorn\, Curator\, Boise Art Museum\, Hung Liu: New Paintings will be installed in the Top Gallery of the Arizona State University Art Museum’s\nNelson Fine Arts Center location. \nDuration\nHung Liu (January 26 – April 28\, 2002) is open Tuesday from 10 a.m. – 9 p.m.\, Wednesday through Saturday from 10 a.m. to 5 p.m.\,\nand Sunday from 1 p.m. to 5 p.m. \nSupport\nThe exhibition at the Arizona State University Art Museum is supported in part by the Arizona Commisssion on the Arts and Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/hung-liu-new-paintings/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20011215T000000
DTEND;TZID=America/Phoenix:20020303T000000
DTSTAMP:20260916T013118
CREATED:20180407T024200Z
LAST-MODIFIED:20241029T235430Z
UID:4491-1008374400-1015113600@asuartmuseum.org
SUMMARY:Not Quite Myself Today Video Works by Eight Artists
DESCRIPTION:ARTISTS RECEPTION\nDecember 15\, 2001\n7-9 P.M. Nelson Fine Arts Center \nWhile the artists included in Not Quite Myself Today most definitely have a personal presence in their videos\, their work is not synonymous with their true selves or with their chosen role as artists. Rather\, their work reflects an interest in how perceptions about artists in general are formed – not only by others\, but also by the individual artists themselves. The works in the exhibition address the stereotypes\, processes\, development and struggles associated with being an artist in today’s media-competitive world. They explore a variety of lingering questions with respect to artistic identity:\n“Who am I?;” “how do others perceive me?;” “how did I get this way?;” and “who do I wish I could be?” \nThe Artists \nNot Quite Myself Today includes the work of: \nAlex Bag (NY)\nS.E. Barnet (LA)\nSanford Biggers (NY)\nMatt Marello (NY)\nJennifer Reeder (CHI)\nGuy Richards Smit (NY)\nKerry Tribe (LA)\nJennifer Zackin (NY) \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Not Quite Myself Today will be installed in the 2\,800-square-foot Kresge Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nNot Quite Myself Today (December 15\, 2001 – March 3\, 2002) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, Sunday from 1 pm to 5 pm. \nAcknowledgments \nNot Quite Myself Today is supported in part by Friends of the Arizona State University Art Museum. \nThe Arizona State University Art Museum would like to thank the following for their help in recognizing this exhibition: \nThe Artists – Alex Bag\, S.E. Barnet\, Sanford Biggers\, Matt Marello\, Jennifer Reeder\, Guy Richards Smit\, Jennifer Zackin and Kerry Tribe for her work Double\, the original inspiration for this exhibition. \nJerome Jacobs at Aeroplastics\, Joel Beck and Christian Viveros-Faune at Roebling Hall\, Kathleen Vanesian\, Tyler Stallings at Laguna Art Museum\, Thelma Golden and Christine Y. Kim at The Studio Museum in Harlem\, Vikki Dempsey at Access Tucson\, John Thomson at Electronic Arts Intermix (E.A.I.)\, Chris Bogia at American Fine Arts\, Martin Durazo at Miller Durazo Fine Arts\, Bill Maynes Gallery\, NFA Space and Julia Friedman Gallery. \nThe ASU Art Museum Preparator Staff – Stephen Johnson\, Ted Troxel\, Bill Brauckman\, Emily Winters and James Freeman.
URL:https://asuartmuseum.org/event-exhibition/not-quite-myself-today-video-works-by-eight-artists/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20011123T000000
DTEND;TZID=America/Phoenix:20020106T000000
DTSTAMP:20260916T013118
CREATED:20180407T041600Z
LAST-MODIFIED:20241029T225840Z
UID:4147-1006473600-1010275200@asuartmuseum.org
SUMMARY:The Edward Jacobson Collection of Turned-Wood Bowls
DESCRIPTION:The Edward Jacobson Collection of Turned-Wood Bowls \nEdward Jacobson assembled the first comprehensive collection of turned-wood bowls by contemporary American artists and generously gave that collection to the ASU Art Museum in 1989. The collection has since traveled internationally and continues to be recognized as the benchmark of quality in the field. In conjunction with this showing of the collection\,the museum will present recent acquisitions that continue the\nJacobson legacy. \nASU Art Museum Presentation \nOrganized by Marilyn Zeitlin\, The Edward Jacobson Collection of Turned-Wood Bowlswill be installed in the Top Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nThe Edward Jacobson Collection of Turned-Wood Bowls (November 23\, 2001 – January 6\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/the-edward-jacobson-collection-of-turned-wood-bowls/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20011027T000000
DTEND;TZID=America/Phoenix:20020106T000000
DTSTAMP:20260916T013118
CREATED:20180405T055100Z
LAST-MODIFIED:20241029T210310Z
UID:4146-1004140800-1010275200@asuartmuseum.org
SUMMARY:Eugene Grigsby Works on Paper
DESCRIPTION:Eugene Grigsby: Works on Paper\nEugene Grigsby has been an influential educator and artist in the valley art community for over fifty years. In the early years Grigsby started an art department at the segregated George Washington Carver high school and later taught at ASU in the School of Art from 1966-1988. Active in many organizations including the National Art Education Association\, Grigsby has been concerned with leadership opportunities and with creating better teaching environments and social structures for people of color for many years. His works on paper – woodcuts\, lithographs\, screen prints and paintings – reflect his concern for the conditions under which people live and his search to better understand his African heritage. This show\, with the exhibition The Art of Eugene Grigsby simultaneously on view at the Phoenix Art Museum\, is in tribute to Dr. Grigsby’s lifelong contributions and achievements in art and art education. \nASU Art Museum Presentation \nOrganized by Jean Makin\, Eugene Grigsby: Works on Paper will be installed in the MP Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nEugene Grigsby: Works on Paper (October 27\, 2001 – January 6\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from\n10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/eugene-grigsby-works-on-paper/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20011020T000000
DTEND;TZID=America/Phoenix:20020112T000000
DTSTAMP:20260916T013118
CREATED:20180407T033600Z
LAST-MODIFIED:20241029T210551Z
UID:4488-1003536000-1010793600@asuartmuseum.org
SUMMARY:Arizona State University Art Museum at the Nelson Fine Arts Center
DESCRIPTION:Collectors’ Choice II   \nSelected works from Local Collectors\nSidney and Elaine Cohen\nJoan and David Lincoln\nCraig Pearson\nCyndi Coon and Jeremy Briddell \nMEMBERS PREVIEW\nSaturday\, October 20\, 2001\n6-7 P.M. \nPUBLIC RECEPTION\nSaturday\, October 20\, 2001\n7-9 P.M. \nIn conjunction with the public reception\, a gallery talk by the collectors will take place at 7:30 P.M. \n Collectors’ Choice  \nWhy do people decide to collect art? How do they make their choices? These are questions that will be addressed by collectors from the Valley who also share an interest in the ASU Art Museum. The collections range in focus from emerging to established\, from local to internationally recognized artists. \nASU Art Museum Presentation  \nOrganized by the John Spiak\, Collectors’ Choice II will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration  \nCollectors’ Choice II (October 20\, 2001 – January 12\, 2002) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \n  \nSupport  \nThe exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/arizona-state-university-art-museum-at-the-nelson-fine-arts-center/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20011006T000000
DTEND;TZID=America/Phoenix:20011202T000000
DTSTAMP:20260916T013118
CREATED:20180407T040600Z
LAST-MODIFIED:20241029T210136Z
UID:4144-1002326400-1007251200@asuartmuseum.org
SUMMARY:Joel-Peter Witkin: Photographs Works from a Valley Collection
DESCRIPTION:Joel-Peter Witkin: Photographs – Works from a Valley Collection\nThis exhibition of photographs by Joel-Peter Witkin explores the strands of aesthetic tradition mirrored in his work. Known best for the grotesque use of the figure\, Witkin also draws upon traditions as varied as the still life or memento mori\, the set-up studio shot of the Victorian portrait or voluptuous figure\, and that of the Mexican practice of photographing deceased infants placed in the context and costumes of angelitos. \nASU Art Museum Presentation\nOrganized by Marilyn A. Zeitlin\, Joel-Peter Witkin: Photographs will be installed in the 2\,800-square-foot Kresge Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration\nJoel-Peter Witkin: Photographs (October 6 – December 2\, 2001) is open Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/joel-peter-witkin-photographs-works-from-a-valley-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010915T000000
DTEND;TZID=America/Phoenix:20011104T000000
DTSTAMP:20260916T013119
CREATED:20180407T034100Z
LAST-MODIFIED:20241029T204646Z
UID:4143-1000512000-1004832000@asuartmuseum.org
SUMMARY:Cops and Robbers
DESCRIPTION:Cops and Robbers: Drawings by Lucio Muniain \nMuniain draws images taken from the newspaper of the violence of everyday life in his home town of Mexico City. He embellishes them with phrases from the street language\, cynical observations that reveal his sense that we have become inured to the unspeakable because the forces of economics have made us nearly powerless. \nOpening Reception \nOn Friday\, September 14\, the ASU Art Museum will open the 2001-2002 season with dual receptions for Cops and Robbers: Drawings by Lucio Munian and Nooks and Crannies from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nASU Art Museum Presentation\nOrganized by Marilyn Zeitlin\, Cops and Robbers will be installed in the Top Gallery of the Arizona State University Art Museumís Nelson Fine Arts Center location. \nDuration \nCops and Robbers (September 15 – November 4\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum. \nASU Art Museum Exhibitions\nSelected past exhibitions at the ASU Art Museum include:\nContemporary Art from Cuba: Irony and Survival on the Utopian Island\nWilliam Kentridge: Ubu Tells the Truth and Other Stories\nOyvind Fahlstrom: The Complete Multiples\nScreenshots: Digital Drawings by Jon Haddock\nSpectrum: An Idea of History\nFace Off: Michael Ray Charles and Jean-Michel Basquiat\nCodex Mendez: Prints by Leopoldo Mendez \nFor more information contact John Spiak at  spiak@asu.edu.
URL:https://asuartmuseum.org/event-exhibition/cops-and-robbers/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010908T000000
DTEND;TZID=America/Phoenix:20011109T000000
DTSTAMP:20260916T013119
CREATED:20241029T195136Z
LAST-MODIFIED:20241029T195718Z
UID:4142-999907200-1005264000@asuartmuseum.org
SUMMARY:Lathe-Turned Objects: "Challenge IV"
DESCRIPTION:Exhibition
URL:https://asuartmuseum.org/event-exhibition/lathe-turned-objects-challenge-iv/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010722T000000
DTEND;TZID=America/Phoenix:20010916T000000
DTSTAMP:20260916T013119
CREATED:20180407T032900Z
LAST-MODIFIED:20241029T231757Z
UID:4141-995760000-1000598400@asuartmuseum.org
SUMMARY:Andreas Gursky: Photographs
DESCRIPTION:Andreas Gursky: Photographs \nAn exhibition of seven works by German artist Andreas Gursky\, world-renowned for his striking\, large-scale images. Gursky’s photographs use the large-scale format to show vast images of a world transformed by high-tech industry\, global markets and slick commerce — a world in which the individual is pictured as tiny and insignificant. Some photographs in the exhibition are as large as 10 by 17 feet. \nGursky\, born in Leipzig\, Germany in 1955\, studied at Germany’s Leading school of traditional photography\, the Folkwangschule in Essen. He also studied with photographic artist Bernd Becher at the Kunstakademi in Dusseldorf.  \nExhibition History \nAndreas Gursky’s work has recently exhibited at the Museum of Modern Art in New York\, Regen Projects in Los Angeles\, Matthew Marks Gallery in New York\, Sepentine Gallery in London\, Kunsthalle in Dusseldorf\, Walker Art Center in Minneapolis\, and the Museum of Contemporary Art in Chicago. His work was also presented in the ‘Aperto’ of the 1990 Venice Biennale.  \n\nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, Andreas Gursky: Photographs will be installed in the 2\,800-square-foot Lower Lobby Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nAndreas Gursky: Photographs (July 22 – September 16\, 2001) is open Tuesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/andreas-gursky-photographs/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010630T000000
DTEND;TZID=America/Phoenix:20010930T000000
DTSTAMP:20260916T013119
CREATED:20180407T044900Z
LAST-MODIFIED:20241029T231031Z
UID:4140-993859200-1001808000@asuartmuseum.org
SUMMARY:Ties That Bind Ed Rossbach and Katherine Westphal
DESCRIPTION:Ties That Bind: Ed Rossbach and Katherine Westphal  \nFeaturing husband and wife artists\, Ed Rossbach and Katherine Westphal\, Ties that Bindbrings together several decades of their work from baskets to garments. Rossbach’s and Westphal’s unpredictable\, vibrant and diverse creations have had a major impact on contemporary basket making and fiber art in general. Rossbach\, a weaver\, is interested in structure\, and Westphal\, a painter\, in surface design. Shared themes in their work include a reverence for the past\, pushing of boundaries and the influence of the many different cultures encountered through study and travel. Their careers as artists\, professors\, writers and lecturers have spanned the entire history of what is now called the contemporary fiber arts movement. \n\n\nASU Art Museum Presentation \nOrganized by Heather Lineberry\, Ties That Bind: Ed Rossbach and Katherine Westphal will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nTies That Bind: Ed Rossbach and Katherine Westphal (June 30 – September 30\, 2001) is open Tuesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nSpecial thanks to Daphne Farago and Mobilia Gallery\, Cambridge. Additional support from the Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/ties-that-bind-ed-rossbach-and-katherine-westphal/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010622T000000
DTEND;TZID=America/Phoenix:20010826T000000
DTSTAMP:20260916T013119
CREATED:20180602T021047Z
LAST-MODIFIED:20241029T231349Z
UID:4139-993168000-998784000@asuartmuseum.org
SUMMARY:Alfredo Manzo Cedeno: The Boys of Summer
DESCRIPTION:Exhibition
URL:https://asuartmuseum.org/event-exhibition/alfredo-manzo-cedeno-the-boys-of-summer/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010609T000000
DTEND;TZID=America/Phoenix:20010916T000000
DTSTAMP:20260916T013119
CREATED:20180407T041000Z
LAST-MODIFIED:20241029T230927Z
UID:4138-992044800-1000598400@asuartmuseum.org
SUMMARY:Shirin Neshat: Rapture Film Installation and Photographs
DESCRIPTION:Shirin Neshat: Rapture — Film Installation and Photographs This exhibition by internationally renowned artist\, Shirin Neshat\, features the film installation and photographs from her work Rapture. The social and psychological experience of gender in contemporary Islamic society is explored in this powerful\, poetic media installation. Two opposing projections present men and women kept apart but locked in a balance of polarities.\nEssay from Gallery Guide \nASU Art Museum Presentation \nOrganized by John Spiak\, Shirin Neshat: Rapture will be installed in the 2\,800-square-foot Kresge Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nShirin Neshat: Rapture (June 9 — September 16\, 2001) is open Tuesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/shirin-neshat-rapture-film-installation-and-photographs/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010602T000000
DTEND;TZID=America/Phoenix:20010826T000000
DTSTAMP:20260916T013119
CREATED:20180407T045100Z
LAST-MODIFIED:20241029T231402Z
UID:4137-991440000-998784000@asuartmuseum.org
SUMMARY:What I Did on My Summer Vacation Annual Family Exhibition
DESCRIPTION:What I Did on My Summer Vacation  \nHave you ever put together a photo album of what you did on your summer vacation? What I Did on My Summer Vacation presents works of art from the ASU Art Museum’s permanent collection\, hung in the gallery like snapshots on a photo-album page illustrating various summer vacation activities. Among the “album pages” on exhibit is “Take me out to the Ballpark” which has legendary baseball figures and a dug-out – all created in papier maché. There is a hands-on activity area in the gallery designated as Camp ASUAM which is also the theme of the Family Day at the ASU Art Museum. Create craft things\, do portraits\, see demonstrations – have fun in a cool environment and best of all\, it’s free! \n\n\nFamily Day at Camp ASUAM \nOn Saturday\, July 7\, the ASU Art Museum (ASUAM) will present its second annual summer family day of hands-on activities and events. For What I did on My Summer Vacation the Arizona State University Art Museum will be converted to Camp ASUAM\, with fun activites from 10:00 am to 2:00 pm. \nASU Art Museum Presentation  \nOrganized by Jean Makin\, What I Did on My Summer Vacation will be installed in the Top Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration  \nWhat I Did on My Summer Vacation (June 2 – August 26\, 2001) is open Tuesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport  \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/what-i-did-on-my-summer-vacation-annual-family-exhibition/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010303T000000
DTEND;TZID=America/Phoenix:20010610T000000
DTSTAMP:20260916T013119
CREATED:20180407T033900Z
LAST-MODIFIED:20241029T230603Z
UID:4479-983577600-992131200@asuartmuseum.org
SUMMARY:Contemporary Art Furniture: Sam Maloof\, John Cederquist\, Wendy Maruyama
DESCRIPTION:Contemporary Art Furniture \n\nThis exhibition will present the work of three contemporary furniture makers — Sam Maloof\, John Cederquist and Wendy Maruyama — who work in widely varying styles. Each has had significant impact on the field and continues to do so. Maloof creates functional furniture with uncluttered design\, rhythm and flow. Cederquist’s works combine elements of historic furniture with illusionistic effects of tromp l’oeil (“fool the eye”) surface painting\, references to art history\, and humor. Maruyama’s work combines training in traditional techniques with a commitment to sculpture shapes\, painted surfaces and expressive content. \nAbout the Artists \nSam Maloof (b.1916) started making furniture immediately after World War II\, when there was little demand for the handmade object. His functional work appears deceptively simple with its uncluttered design\, unassuming and natural qualities\, and its exceptional technical mastery. John Cederquist (b. 1946) references historic furniture in his work but freely interprets traditional forms with illusionistic effects of trompe lõoeil surface painting\, references to art history and humor. Wendy Maruyama (b.1952) discovered woodworking in the late 1960s\, when craft programs were expanding throughout the country. Her work combines training in traditional techniques with a commitment to sculptural shapes\, painted surfaces and expressive content. \nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, Contemporary Art Furniture will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nContemporary Art Furniture (March 3 – June 10\, 2001) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport \nThe exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/contemporary-art-furniture-sam-maloof-john-cederquist-wendy-maruyama/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010223T000000
DTEND;TZID=America/Phoenix:20010505T000000
DTSTAMP:20260916T013119
CREATED:20180407T042500Z
LAST-MODIFIED:20241029T234453Z
UID:4478-982886400-989020800@asuartmuseum.org
SUMMARY:The Wayfarer's Journey A Film Installation by Gita Farid
DESCRIPTION:The Wayfarer’s Journey: A Film Installation by Gita Farid  \nInterpreting “The Seven Valleys” a mystical Bahaíi treatise on attaining spiritual fulfillment through detachment\, artist Gita Faridís installation is inspired by the tale of a Eastern wayfarer\, Majnun\, on his quest to be reunited with his beloved\, Layli\, from whom he has been separated. Travelling through various metaphorical valleys\, the wayfarer reaches a state of pure conscience and utter spiritual thrall\, a realization that occurs at the end of his journey. A musical soundtrack that dramatically expresses the emotions of this non-narrated work accompanies the projected image. \nAbout the Artist \n Gita Farid received her BA from London College of Fashion\, England\, and went on to study at the New York Film Academy and with the Korean Independent Film Association. Her recent film and video projects include The Capture of a Mermaid \, Perivision \, The Businessmanís Proposal \, and Papaís Got a Brand New Bag . This will be the artist’s first museum project. \nASU Art Museum Presentation \n Organized by John D. Spiak\, The Wayfarer’s Journey will be installed in the 2\,400-square-foot Experimental Gallery of the Arizona State University Art Museum at Matthews Center. The work\, originally shot in 16mm film\, will be presented in video format. \nDuration \n The Wayfarer’s Journey (February 23 – May 5\, 2001) is open Tuesday through Saturday from 10 am to 5 pm. \nSupport\n\nThe exhibition at the Arizona State University Art Museum’s Experimental Gallery at Matthews Center is supported in part by Friends of the Arizona State University Art Museum. \nProject support for the artist provided by Alex Mitchell and Crew\, Gary Bulkin of B & B Communications\, CJís Film Studio\, Reel Men Lighting Equipment\, Vincent Pascoe and the Bahaíi Community of the Valley. \n \nSuggested Reading\n\n The Seven Valleys of Bahaíuíllah \nThis text is available on the Baha’i Academics Resource Library website. \n\nLink to Images of the Project in Progress  \nVisit the following site to see images of the work in progress with stills from the location filming of  The Wayfarer’s Journey  . There are four pages of images with the link starting on the fourth page. Use the arrow at the top right of the page to visit the other three pages. These images have been provided by John Kittelsrud.
URL:https://asuartmuseum.org/event-exhibition/the-wayfarers-journey-a-film-installation-by-gita-farid/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010210T000000
DTEND;TZID=America/Phoenix:20010513T000000
DTSTAMP:20260916T013119
CREATED:20180407T040800Z
LAST-MODIFIED:20241029T234658Z
UID:4477-981763200-989712000@asuartmuseum.org
SUMMARY:Rhapsody Selections from Valley Collections
DESCRIPTION:LECTURE BY EMMA AMOS\nFriday\, April 20\, 2001 at 7:30pm\nArchitecture Building\, AED 60 \n \n\nRhapsody: Selections from Valley Collections  \nThis exhibition will highlight the exceptional work\, found here in the Valley\, by some of the more renowned African-American artists. Most are contemporary artists such as Lorna Simpson\, Kara Walker and Radcliffe Bailey. But there is also work by their predecessors\, artists that broke barriers and influenced this new generation\, such as Romare Bearden\, Jacob Lawrence and Faith Ringgold. Rhapsody continues the museum’s dialogue on work by African-American artists begun with the museum’s exhibition Face Off: Jean-Michel Basquiat and Michael Ray Charles and its collaboration with the Scottsdale Museum of Contemporary Art programs for Looking Forward Looking Black. \nArtists \nRhapsody includes works by Emma Amos\, Benny Andrews\, Radcliffe Bailey\, Jean-Michel Basquiat\, Romare Bearden\, John Biggers\, Elizabeth Catlett\, Michael Ray Charles\, Robert Colescott\, Renée Cox\, Charles Gaines\, Sam Gilliam\, Eugene Grigsby\, Artis Lane\, Jacob Lawrence\, Stephen Marc\, Kerry James Marshall\, Richard Mayhew\, Beverly McIver\, Faith Ringgold\, Betye Saar\, Lezley Saar\, Charles Sebree\, Lorna Simpson\, Therman Statom\, Kara Walker\, Carrie Mae Weems\, Charles White\, Hale Woodruff and Rip Woods. \nASU Art Museum Presentation \nOrganized by Jean Makin\, ASU Art Museum\, Beverly McIver\, ASU School of Art\, Stephen Marc\, ASU School of Art\, and Kim Curry-Evans\, Scottsdale Museum of Contemporary Art\, Rhapsodywill be installed in the Top Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nRhapsody (February 10 – May 13\, 2001) is open Tuesday from 10am to 5pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/rhapsody-selections-from-valley-collections/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010127T000000
DTEND;TZID=America/Phoenix:20010520T000000
DTSTAMP:20260916T013119
CREATED:20180407T045400Z
LAST-MODIFIED:20241029T232200Z
UID:4133-980553600-990316800@asuartmuseum.org
SUMMARY:William Kentridge
DESCRIPTION:William Kentridge: Works from Valley Collections\n \nDrawn from local collections\, this exhibition of work by internationally renowned South Africa artist\, William Kentridge\, features drawings\, prints\, film and preparatory drawings for films. Kentridge’s moody\, powerful and expressive work tells the story of a post-industrial society that is in disrepair – similar to the current state of South Africa as it copes with the scars of apartheid. \n\nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, the William Kentridge exhibition will be installed in the 2\,800-square-foot Kresge Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration\n\nWilliam Kentridge (January 27 – May 20\, 2001) is open Tuesday from 10am to 5pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/william-kentridge/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20001203T000000
DTEND;TZID=America/Phoenix:20010210T000000
DTSTAMP:20260916T013119
CREATED:20180407T033400Z
LAST-MODIFIED:20241029T235334Z
UID:4132-975801600-981763200@asuartmuseum.org
SUMMARY:Collectors' Choice
DESCRIPTION:In conjunction with the reception and gallery talk for Dwelling \, a video installation by Corina Gamma at the ASU Art Museum’s Matthews Center\, Experimental Gallery location. \n Collectors’ Choice \nWhy do people decide to collect art? How do they make their choices? These are questions that will be addressed by collectors from the Valley who also share an interest in the ASU Art Museum. Each participating collector will show work from his or her collection as well as selecting works\, from local galleries and artists\, that they would enjoy adding to their collections. \nASU Art Museum Presentation\nOrganized by the ASU Art Museum Curatorial Staff\, Collectors’ Choice will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration\nCollectors’ Choice (December 3 – February 10\, 2001) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport\nThe exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/collectors-choice/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20001202T000000
DTEND;TZID=America/Phoenix:20010203T000000
DTSTAMP:20260916T013119
CREATED:20180407T032600Z
LAST-MODIFIED:20241029T235343Z
UID:4131-975715200-981158400@asuartmuseum.org
SUMMARY:Dwelling A Video Installation by Corina Gamma
DESCRIPTION:Dwelling A Video Installation by Corina Gamma\nWhile driving through a city\, one can often make visual assumptions and connections just by looking at the transitions that exist between urban spaces. By examining the architectural boundaries in which people seek refuge\, the human need for privacy and personal space – as well as the illusory fantasies attached to “moving up in the world” – becomes apparent.Dwelling\, a video installation\, addresses the psychological trappings of lifestyle and the fragile realities connected with the concept of home. It visually explores the peculiarly American passion for seeking a better dwelling\, moving up in status and upscaling one’s house and\, by extension\, one’s self and community. \n\nAbout the Artist \nCorina Gamma received her BA from University of California\, Riverside in 1996 and went on to receive an MFA from Claremont Graduate University\, Claremont\, CA. She has recently exhibited at Danioth-Ring in Switzerland\, Gallery Paradiso in Costa Mesa\, Kohn Turner Gallery in Los Angeles and Pasadena City College Art Museum in Pasadena. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Dwelling will be installed in the 2\,400-square-foot Experimental Gallery of the Arizona State University Art Museum at Matthews Center. \nDuration \nDwelling (December 2\, 2000 – February 3\, 2001) is open Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nThe exhibition at the Arizona State University Art Museum’s Experimental Gallery at Matthews Center is supported in part by Friends of the Arizona State University Art Museum. \nFunding to the artist for the completion of the project was provided by The Durfee Foundation\, Santa Monica\, CA.
URL:https://asuartmuseum.org/event-exhibition/dwelling-a-video-installation-by-corina-gamma/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20001118T000000
DTEND;TZID=America/Phoenix:20010128T000000
DTSTAMP:20260916T013119
CREATED:20180407T032300Z
LAST-MODIFIED:20241029T225858Z
UID:4130-974505600-980640000@asuartmuseum.org
SUMMARY:2000-2001 Arizona State University School of Art Faculty Exhibition
DESCRIPTION:An annual exhibition of work by Arizona State University School of Art Faculty.\n \nA reception for this exhibition will take place\nFriday\, November 17\, 2000\n7-9 P.M.  \nASU Art Museum Presentation  \nArizona State University School of Art Faculty Exhibition will be installed in the 2\,500-square-foot Lower Lobby South Gallery of the Arizona State University Art Museum. \n \nDuration   \nArizona State University School of Art Faculty Exhibition (November 18\, 2000 – January 28\, 2001) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \n Support\n \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum\, Arizona State University School of Art and the Arizona State University Katherine K. Herberger College of the Arts.\n \n\nFor more information contact John Spiak atspiak@asu.edu. \n 
URL:https://asuartmuseum.org/event-exhibition/2000-2001-arizona-state-university-school-of-art-faculty-exhibition/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20001008T000000
DTEND;TZID=America/Phoenix:20010107T000000
DTSTAMP:20260916T013119
CREATED:20180407T053700Z
LAST-MODIFIED:20241029T210536Z
UID:4129-970963200-978825600@asuartmuseum.org
SUMMARY:No Absolutes Contemporary Art from the Region
DESCRIPTION:No Absolutes: Contemporary Art from the Region  \nNo Absolutes is part of an ongoing series of regional exhibitions initiated by community meetings in 1996 to determine how the museum could meet its goal to serve and present contemporary regional art. For No Absolutes\, three curators at the Museum – Marilyn Zeitlin\, Heather Lineberry and John Spiak – brought their different perspectives to select artists who are producing strong and innovative work in the Southwest. \nSome of the artists have never exhibited in the area; others have produced new and exciting work; and several are creating site specific pieces. The exhibition and the work in it reflect the contemporary Zeitgeist of questioning boundaries. The work ranges from painting to video installation\, with many of the artists changing their media to suit the content of each piece. Many works address issues of ethnic identity or personal and political history. Viewed together the work raises questions about the idea of regionalism: What does “regional” mean? Isn’t everywhere a region? Is your work inevitably regional? \nThe artists will be involved in public programs as well as designing educational materials for school groups and museum visitors. The Museum’s staff is currently fundraising for a catalogue to accompany the exhibition with essays by the curators and images of the work. \nThe Artists\nNo Absolutes includes the work of Robert Adams (Phoenix)\, Connie Arismendi (Texas)\, Colin Cook (Southern California)\, Kim Cridler (Tempe)\, Luis Gutierrez (Texas)\, Jon Haddock (Tempe)\, Leslie Hill and Helen Paris (Tempe and London)\, Craig Smith (Phoenix)\, and Joe Willie Smith (Phoenix). \nASU Art Museum Presentation\nOrganized by Marilyn A. Zeitlin\, Heather Sealy Lineberry and John D. Spiak\, No Absolutes will be installed in the Top and Kresge Galleries of the Arizona State University Art Museum’s Nelson Fine Arts Center\, with a project by Jon Haddock in the Experimental Gallery at Matthews Center. \nDuration \nNo Absolutes (October 8\, 2000 – January 7\, 2001) is open Tuesday through Saturday from 10 am to 5 pm\, Sunday from 1 pm to 5 pm. \nSupport \nThe exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/no-absolutes-contemporary-art-from-the-region/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20001008T000000
DTEND;TZID=America/Phoenix:20001105T000000
DTSTAMP:20260916T013119
CREATED:20180407T052900Z
LAST-MODIFIED:20241029T205432Z
UID:4128-970963200-973382400@asuartmuseum.org
SUMMARY:Fragile Monuments
DESCRIPTION:Fragile Monuments: Paper Sculpute by Jyung Mee Park  \nJyung Mee Park creates sculpture with thousands of pieces of rice paper. Each sheet of paper is folded by hand with the assistance of students and community groups. The artist then creates the installations on site by layering the sheets of paper\, one by one\, into a larger form without adhesives. \nThe sculptures are influenced by archetypal forms in nature\, forms rooted in ritual practices (Buddhist lanterns\, mandalas) and forms derived from daily labor in agricultural communities (thatched roofs\, haystacks). Many of these traditional structures were meant to be impermanent and seasonal\, but now are replaced by industrial processes and materials. The works explore traditional craft practices while participating in the dialog on contemporary art and installation art. \nIn a past project at P.S.1 in New York City\, the artist involved over 400 high school students. The artist will be in residence on weekdays from September 21 through October 6\, 2000\, working with students and school groups and installing the sculptures in the Turk Gallery open to the view of visitors. Plan to visit the Museum during this time to see the installation in progress. \nAbout the Artist \nJyung Mee Park received her BFA from Parsons School of Design in 1986 and went on to receive an MFA from the Rhode Island School of Design. She has recently exhibited at P.S.1 in New York\, Corcoran Gallery of Art in Washington\, D.C. and Seoul Arts Center in Korea. \nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, Fragile Monuments will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nFragile Monuments (October 8 – November 5\, 2000) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport\n\nThe exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/fragile-monuments/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000902T000000
DTEND;TZID=America/Phoenix:20001104T000000
DTSTAMP:20260916T013119
CREATED:20180407T054800Z
LAST-MODIFIED:20241029T204442Z
UID:4127-967852800-973296000@asuartmuseum.org
SUMMARY:Screenshots A project by Jon Haddock for the exhibition No Absolutes
DESCRIPTION:Screenshots : A Project by Jon Haddock for the exhibition No Absolutes \nA series of drawings from an isometric perspective\, in the style of a computer game\, are the new body of work by Tempe-based artist Jon Haddock. The subject of each drawing is the image\, or images\, that created a popular cultural event. Historical events like the assassination of Martin Luther King Jr. at the Lorraine Motel are used interchangeably with fictionalized events like the death of Fredo scene from The Godfather: Part II \, questioning the role and influence of the image in today’s technology-driven society.\n \n\nAbout the Artist \nJon Haddock received his BFA from Arizona State University in 1986 and went on to receive an MFA and MA from the University of Iowa. He has recently exhibited at Roberts and Tilton in Los Angeles\, Rena Bransten in San Francisco and Howard House in Seattle. \nASU Art Museum Presentation\nOrganized by John D. Spiak\, Screenshots will be installed in the 2\,400-square-foot Experimental Gallery of the Arizona State University Art Museum at Matthews Center. \nDuration\nScreenshots (September 2 – November 4\, 2000) is open Tuesday through Saturday from 10 am to 5 pm. \nSupport\nThe exhibition at the Arizona State University Art Museum’s Experimental Gallery at Matthews Center is supported in part by Friends of the Arizona State University Art Museum. \nNo Absolutes\nNo Absolutes \, an exhibition of contemporary art from the region\, includes work by the following artists: Robert Adams (Phoenix)\, Connie Arismendi (Texas)\, Colin Cook (Southern California)\, Kim Cridler (Tempe)\, Luis Gutierrez (Texas)\, Jon Haddock (Tempe)\, Leslie Hill and Helen Paris (Tempe and London)\, Craig Smith (Phoenix)\, and Joe Willie Smith (Phoenix).
URL:https://asuartmuseum.org/event-exhibition/screenshots-a-project-by-jon-haddock-for-the-exhibition-no-absolutes/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000805T000000
DTEND;TZID=America/Phoenix:20001029T000000
DTSTAMP:20260916T013119
CREATED:20180407T054000Z
LAST-MODIFIED:20241029T235621Z
UID:4126-965433600-972777600@asuartmuseum.org
SUMMARY:Oyvind Fahlstrom
DESCRIPTION:Oyvind Fahlstrom: The Complete Multiples  \nOyvind Fahlstrom: The Complete Multiples is a comprehensive survey of Fahlstrom’s graphic work\, including twenty-seven prints as well as four multiple editions in three-dimensional object and book format. \nAbout the Artist \nA multi-media artist\, Oyvind Fahlstrom (1928-1976) produced works in film\, performance\, installation\, sculpture\, print\, and painting. His influences were diverse\, including the Dadaists and Surrealists\, pre-Columbian manuscripts and modern Mexican art\, john Cage\, and underground American comic books. Using text and imagery to convey complex information about the world around him\, Fahlstrom’s work brings to life psychodramas that investigate the historical context of political\, social\, and economic concerns. Aesthetically\, the interaction between artist\, the art object and its viewer is explored through game-theory\, maps\, puzzles\, performance\, and installations. \nASU Art Museum Presentation \nOrganized by The University of Illinois at Chicago\, Oyvind Fahlstrom: The Complete Multiples will be installed in the 2\,500-square-foot Lower Lobby South Gallery of the Arizona State University Art Museum. \nDuration \nOyvind Fahlstrom: The Complete Multiples (August 5 – October 29\, 2000) is open Tuesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/oyvind-fahlstrom/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000701T000000
DTEND;TZID=America/Phoenix:20000917T000000
DTSTAMP:20260916T013119
CREATED:20180407T053100Z
LAST-MODIFIED:20241029T232001Z
UID:4125-962409600-969148800@asuartmuseum.org
SUMMARY:Frogs and Dogs
DESCRIPTION:Frogs and Dogs: David Gilhooly and Roy De Forest \n Frogs and Dogs combines the constructed\, whimsical world of David Gilhooly’s comical ceramic sculptures of food and frogs and Roy De Forest’s fanciful story-like environments\, inhabited by imaginary people\, animals and dogs on canvas and paper. Humor is blended with the bold colors and cartoon-like forms\, creating rich visual images open for the viewers interpretation and enjoyment. Colleagues from the University of California\, Davis\, Gilhooly and De Forest have been categorized as part of the California “Funk” movement from the 1960-70s with Robert Arneson\, Robert Hudson\, William T. Wiley\, Bruce Conner and Joan Brown. Though Gilhooly was influenced by De Forest’s work\, each has developed their own “Funky” style.\n\nFrog and Dog Day of Summer \n On July 8th\, from 10am to 2pm\, the Museum will present Frog and Dog Day of Summer \, a family day with activites in the planning to include story telling\, performances and a pet picture sharing wall.  \nASU Art Museum Presentation \n Organized by Heather Sealy Lineberry and Jean Makin\, Frogs and Dogs will be installed in the Top and Kresge Galleries of the Arizona State University Art Museum’s Nelson Fine Arts Center.  \nDuration \n Frogs and Dogs (July 1 – September 17\, 2000) is open Tuesday through Saturday from 10 am to 5 pm\, Sunday from 1 pm to 5 pm.  \nSupport \n The exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/frogs-and-dogs/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000513T000000
DTEND;TZID=America/Phoenix:20000730T000000
DTSTAMP:20260916T013119
CREATED:20180407T055300Z
LAST-MODIFIED:20241029T230214Z
UID:4124-958176000-964915200@asuartmuseum.org
SUMMARY:Spectrum: An Idea of History
DESCRIPTION:Spectrum: An Idea of History \nThis exhibition\, using contemporary and archival photographs from Cuba\, considers ways in which images can be manipulated and then can manipulate the idea of history: what is remembered and what is forgotten; the visual paradigms that come to stand for entire complexes of events and ideas. \nASU Art Museum Presentation\nOrganized by Marilyn A. Zeitlin\, Spectrum: An Idea of History will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Art Center. \nDuration\nSpectrum: An Idea of History (May 13 – July 30\, 2000) is open Tuesday through Saturday from 10 am to 5 pm\, Sunday from 1 pm to 5 pm. \nSupport\nThe exhibition at the Arizona State University Art Museum in collaboration with Fundacion Ludwig de Cuba and is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/spectrum-an-idea-of-history/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20000401T000000
DTEND;TZID=America/Phoenix:20000520T000000
DTSTAMP:20260916T013119
CREATED:20180407T054500Z
LAST-MODIFIED:20241030T000804Z
UID:4466-954547200-958780800@asuartmuseum.org
SUMMARY:PHACAEANS
DESCRIPTION:PHACAEANS  \nPhoenix has rapidly developed from a desert landscape of saguaro\, buttes and roaming wildlife to its current cityscape of over three million people. Desktop video artist Sloane McFarland superimposes an Homeric tale on this melding of desert land and optic-linked people: Odysseus’ encounter with the Phaeacian people. PHACAEANS \, a desktop video/laptop installation\, assumes the perspective of one living from and through a desert metropolis; one who – using calculus and memory – recognizes that surroundings constantly transmute. \nAbout the Artist \nSloane McFarland currently resides in Phoenix\, Arizona\, where he is a desktop video/installation artist\, making videos with a consumer-available camera and computer. He received his Bachelor of Arts in Philosophy and Mathematics from St. John’s College of Santa Fe\, New Mexico\, in 1995. \nHis recent projects include: Spine \, a desktop video/sound installation as the inaugural exhibition of Jennifer Katell’s Guard Shack space at Bergamont Station\, Santa Monica\, California; T-West \, a desktop video/performance/installation at Barlow & Straker\, Phoenix\, Arizona; and NAUSAKKAA \, a desktop video/laptop installation for the one-hundred artist exhibition The Spurgeon Experience \, Santa Ana\, California\, curated by Mike McGee and Max Presneill. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, PHACAEANS will be installed in the 2\,400-square-foot Experimental Gallery of the Arizona State University Art Museum at Matthews Center. The installation will include more than two dozen desktop videos presented on laptop computers\, heard on wireless headsets. \nDuration \nPHACAEANS (April 1 – May 20\, 2000) is open from 10 am to 5 pm\, Tuesday through Saturday. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum. \nSuggested Reading \nThe Odyssey by Homer\nBook VI through XIII \ntranslated by Samuel Butler available on The Internet Classics Archive
URL:https://asuartmuseum.org/event-exhibition/phacaeans/
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR