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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030208T000000
DTEND;TZID=America/Phoenix:20030511T000000
DTSTAMP:20260916T005146
CREATED:20180405T044000Z
LAST-MODIFIED:20241029T233630Z
UID:4165-1044662400-1052611200@asuartmuseum.org
SUMMARY:CoBrA From the Collection of Stéphane Janssen
DESCRIPTION:CoBrA: From the Collection of Stéphane Janssen\nNamed for Copenhagen\, Brussels\, and Amsterdam\, from which the original group reflects post-war malaise and shifts in philosophical thought that prefigure post-modernism. The artists of CoBrA took stock of their culture in the aftershock of the horrors of Nazi genocide and the extermination camps. Their work demonstrates a recasting of European traditions and innovation\, creating a visual vocabulary for expression of a new worldview. The group existed under the CoBrA rubric for only the period of 1945-51; but associations among them preceded and endured after\, and works from before and after will be shown in this major exhibition. \nArtists in the Exhibition\nWorks by the following artist are included in this exhibition: Asger Jorn\, Pierre Alechinsky\, Karel Appel\, Constant\, Corneille\, Christian Dotremont\, Henry Heerup\, Serge Vandercam\, Reinhoud\, and work by other artists still to be confirmed. \nExhibition Gallery Guide Essay\nView ASU Director/Chief Curator\, Marilyn A. Zeitlin’s\, exhibition gallery guide text online. \nOpening Reception \nOn Saturday\, February 8\, the ASU Art Museum will present receptions for CoBrA: From the Collection of Stéphane Janssen and Shared Passion from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, CoBrA: From the Collection of Stéphane Janssen will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location. \nDuration\nCoBrA: From the Collection of Stéphane Janssen (February 8 – May 11\, 2003) is open at the Nelson Fine Arts Center Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/cobra-from-the-collection-of-stephane-janssen/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030110T000000
DTEND;TZID=America/Phoenix:20030531T000000
DTSTAMP:20260916T005146
CREATED:20180405T052700Z
LAST-MODIFIED:20241029T233101Z
UID:4163-1042156800-1054339200@asuartmuseum.org
SUMMARY:SUE COE The Tragedy of War Series
DESCRIPTION:SUE COE: The Tragedy of War Series\nSue Coe is an important social/political artist working and residing in the United States. She creates visual commentaries on current political events and persons in power; on the inhumane treatment of animals in factory farms\, slaughterhouses\, and laboratories; and on the victims of AIDS\, Apartheid and war. She does this in a media that allows distribution to the widest audience: prints. In this exhibition of twenty-four works\, Coe exhaustively examines the Tragedy of War in our contemporary world– the political players\, atrocities\, and victims. \nAbout the Artist \nSue Coe was born in Tamworth\, England in 1951. She studied at the Royal College of Art\, London from 1970-1973. \nHer work has been exhibited at the Hirshhorn Museum and Sculpture Garden\, Washington\, DC; Georges Pompidou Center\, Paris; The Museum of Modern Art\, NY; United Nations\, New York\, NY; Art Institute of Chicago\, IL; Los Angeles County Museum of Art\, Los Angeles\, CA; The Drawing Center\, New York\, NY; Contemporary Arts Museum\, Houston\, TX; Santa Monica Museum of Art\, Santa Monica\, CA; and is represented by Galerie St. Etienne\, New York\, NY. Coe has written and created images for eight books. \nThe Arizona State University Art Museum maintains in its print archive a complete inventory of Coe’s etchings and lithographs. \nASU Art Museum Presentation \nOrganized by Jean Makin\, SUE COE: The Tragedy of War Series will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location. \nDuration\nSUE COE: The Tragedy of War Series (January 10 – May 31\, 2003) is open at the Nelson Fine Arts Center Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Mikki and Stanley Weithorn and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/sue-coe-the-tragedy-of-war-series/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20021123T000000
DTEND;TZID=America/Phoenix:20030112T000000
DTSTAMP:20260916T005146
CREATED:20180405T054400Z
LAST-MODIFIED:20241029T225757Z
UID:4162-1038009600-1042329600@asuartmuseum.org
SUMMARY:2002-2003 Arizona State University Herberger School of Art Faculty Exhibition
DESCRIPTION:ASU Herberger School of Art Faculty Exhibition\nAn annual exhibition of work by Arizona State University Herberger School of Art Faculty. \nA reception for this exhibition will take place\nFriday\, November 22\, 2003\n7:00 pm – 9:00 pm \nASU Art Museum Presentation\nArizona State University Herberger School of Art Faculty Exhibition will be installed in the Top Gallery of the Arizona State University Art Museum. \nDuration\nArizona State University Herberger School of Art Faculty Exhibition (November 23\, 2002 – January 12\, 2003) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport\nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum\, Arizona State University School of Art and the Arizona State University Katherine K. Herberger College of the Arts.
URL:https://asuartmuseum.org/event-exhibition/2002-2003-arizona-state-university-herberger-school-of-art-faculty-exhibition/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20021109T000000
DTEND;TZID=America/Phoenix:20030112T000000
DTSTAMP:20260916T005146
CREATED:20180407T025700Z
LAST-MODIFIED:20241029T210827Z
UID:4160-1036800000-1042329600@asuartmuseum.org
SUMMARY:The History of American Printmaking
DESCRIPTION:The History of American Printmaking:\nSelections from the Permanent Collection  \nRecently the ASU Art Museum received a gift of 190 prints from Melvin and Ellen Hellwitz. At the core of this gift are many examples of the best American printmakers from the early half of the 20th century. This gift created an opportunity to highlight that time period. The Museum now presents selections from that gift and other prints from the permanent collection. \nThough there are a few prints from the 1920s\, the focus of the exhibition is the volatile time of the 1930s-1940s. The nation was in a period of isolationism during the Great Depression and was bracing for the possibility of entering the Second World War. Roosevelt’s New Deal generated temporary economic reforms which incorporated support for American art and artists through government programs that brought art into the public sector\, schools and government buildings: the Section of Painting and Sculpture in the Treasury Department and the Federal Art Project in the Works in Progress Administration. As a result of the government support\, there was renewed interest in printmaking as a medium that could reach a broad segment of the population and the artists of the period were encouraged to produce works with a distinctly American spirit.\nThe resulting work was categorized as the American Scene movement\, divided by some critics into two branches: the Regionalists and the Social Realists. Regionalists reflected rural America\, romanticized views of country life as seen in the work by Thomas Hart Benton\, Slow Train through Arkansas\, 1941; John Steuart Curry\, Sanctuary\, 1944; and Grant Wood\, Shrine Quartet\, c. 1939. Social Realists depicted life in the American city\, often with social and political commentary\, such as in Margaret Lowengrund’s Breadline\, 1930s and Rockwell Kent’s\, And Now Where\, 1936. \nPrivate presses and publishing firms were also very important in the development and propagation of the American Scene prints. The Associated American Artists (AAA) published etchings and lithographs by American artists and advertised their purchase – for $5. each – on the back of periodicals. This increased access to prints from the city art markets to a larger American audience brought prints to more urban areas\, such as Arizona. Many of the prints included in this exhibition were produced by AAA and acquired by the Hellwitzs and other donors such as Oliver B. James\, Mr. & Mrs. Read Mullan\, Helen Shipley\, Mr. & Mrs. Orme Lewis\, and Robert Bell and Stirling Puck. \nThe American Scene movement declined with the insurgence of aesthetic influences from European artists escaping World War II. But the movement continues through this collection of prints\, gifted to the ASU Art Museum by its generous supporters.ASU Art Museum Presentation \nOrganized by Jean Makin\, The History of American Printmaking will be installed in the Multi-Purpose Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nThe History of American Printmaking: Selection from the Permanent Collection (November 9\, 2002 – January 12\, 2003) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/the-history-of-american-printmaking/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20021109T000000
DTEND;TZID=America/Phoenix:20030112T000000
DTSTAMP:20260916T005146
CREATED:20180405T053900Z
LAST-MODIFIED:20241029T225733Z
UID:4161-1036800000-1042329600@asuartmuseum.org
SUMMARY:Adam Chodzko Limbo Land and A Place for 'The End'
DESCRIPTION:Adam Chodzko: Limbo Land and A Place for ‘The End’\nAs human beings we are in a constant state of transition. Adam Chodzko’s DVD/sound installation Limbo Land and still photography/DVD installation A Place for ‘The End’\, allow the viewer an attempt to define or imagine an ending\, or what may actually be a new beginning. Through sight\, sound and image\, with gaps between each\, he allows emotions to come forward\, building possibilities of where we go from here and just what ‘the end’ may bring. \nProgram\nGallery Talk by Adam Chodzko\nTuesday\, November 12\, 2002\nASU Art Museum \nAbout the Artist \nAdam Chodzko lives and works in Whitstable\, Kent and London. His work has been exhibited in solo exhibitions at Sandroni Rey\, Venice\, CA; Ikon Gallery\, Birmingham\, England; Cubitt\, London; Lotta Hammer\, London; Galleria Franco Noero\, Turin; Els Hanappe Underground\, Athens; and Accademia Britannica\, Rome. His work has been included in the group exhibitions Brilliant!\, Walker Arts Center\, Minneapolis; Sensation\, Royal Academy\, London (toured); Bright Paradise\, 1st Auckland Triennial\, Auckland Art Gallery\, New Zealand; and in exhibitions at the Venice Biennale; Deste Foundation\, Athens; De Appel\, Amsterdam; Dundee Contemporary Arts\, Dundee\, Scottland; and Project Art Centre\, Dublin. Recent publications this year include a catalogue published by Film and Video Umbrella and a book published by Bookworks. \nFollowing his exhibition at the Arizona State University Art Museum\, Adam Chodzko will present a solo exhibition at the Plains Art Museum as part of their series known as The Verge. \nGallery Guide Essay \nThe exhibition includes a gallery guide available at the museum at no cost.\nCLICK HERE TO VIEW THE ESSAY ONLINE. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Adam Chodzko: Limbo Land and A Place for ‘The End’ will be installed in the Kresege Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nChodzko: Limbo Land and A Place for ‘The End’ (November 9\, 2002 – January 12\, 2003) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by the British Council and friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/adam-chodzko-limbo-land-and-a-place-for-the-end/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020921T000000
DTEND;TZID=America/Phoenix:20030105T000000
DTSTAMP:20260916T005146
CREATED:20180407T024700Z
LAST-MODIFIED:20241029T204434Z
UID:4159-1032566400-1041724800@asuartmuseum.org
SUMMARY:Touring Exhibitions
DESCRIPTION:Subjectivity: Photography of Themselves\nThe artists in this exhibition use their own bodies as their subject. In a variety of ways\, the work reflects the degree to which the self can be defined and constructed\, the ways in which the vision of the body can be conflated with landscape or machine. \nPrograms\nSlide lecture by Anthony Goicolea\n7:30 pm\, Thursday\, November 7\nASU Architecture (AED 60) \nGallery talk by Anthony Goicolea\nNoon\, Friday\, November 8\nASU Art Museum \nGallery talk by Arno Minkkinen\n7:30 pm\, Tuesday\, November 19\nASU Art Museum \nArtists in the Exhibition \nZhao Bandi\, Bob Carey\, Anthony Goicolea\, Zhang Huan\, Arno Minkkinen\, Yasumasa Morimura\, and Cindy Sherman. \nSeason Opening Reception \nOn Friday\, September 20\, the ASU Art Museum will present receptions for Mark Klett: Ideas About Time\, Pipilotti Rist: Sip My Ocean and other videos\, Embracing Night: New Ceramics by Farraday Newsome Sredl\, and The Aftermath\, (911): Photogrpahs by Janis Lewin from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, Subjectivity: Photography of Themselves will be installed in the Turk Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nSubjectivity: Photography of Themselves (September 21\, 2002 – January 5\, 2003) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/touring-exhibitions/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020831T000000
DTEND;TZID=America/Phoenix:20021110T000000
DTSTAMP:20260916T005146
CREATED:20180407T022900Z
LAST-MODIFIED:20241029T235637Z
UID:4501-1030752000-1036886400@asuartmuseum.org
SUMMARY:Mark Klett Ideas About Time
DESCRIPTION:Mark Klett: Ideas About Time\nThe idea of returning to a place to encapsulate change over time is central to Klett’s work. It is an elliptical commentary on ecological change\, but also a melancholy observation on mutability and human intrusion. The exhibition will include works from throughout Klett’s career that reflect on the ways in which time can be shaped and redefined. \nPrograms\nGallery talk by Mark Klett\nNoon\, Friday\, September 20\nASU Art Museum\nMayo Clinic lecture by Mark Klett\nNoon\, Friday\, October 18\nMayo Clinic Scottsdale\n13400 E. Shea Blvd.\nScottsdale\, AZ 85259 \nAbout the Artist \nMark Klett lives and works in Tempe\, Arizona and is a faculty member of the Herberger School of Art at Arizona State University. He received a BS in Geology from St. Lawrence University in Canton\, New York and went on to receive a MFA in Photography from the State University of New York at Buffalo\, Program at the Visual Studies Workshop\, Rochester\, New York. A selected list of solo exhibitions include shows at Palm Beach Photographic Center\, Palm Beach\, Florida; The Huntington\, San Marino\, California; Cleveland Museum of Art\, Cleveland\, Ohio; Galerie Fotohof\, Salzburg\, Austria; Lisa Sette Gallery\, Scottsdale\, Arizona; George Washington University\, Washington\, D.C.; Pace Wildenstein Macgill Gallery\, New York\, New York; National Museum of American Art\, Smithsonian Institute\, Washington\, D.C.; Laguna Gloria Art Museum\, Austin\, Texas; Photo Gallery International\, Tokyo\, Japan; Center for Creative Photography\, Tucson\, Arizona; Museum of Contemporary Photography\, Chicago\, Illinois; Art Institute of Chicago\, Chicago\, Illinois. \nHis work was included in the selected group exhibitions Breathless! Photography and Time\, Victoria and Albert Museum\, London; Made in California: Art\, Image\, and Identity\, 1900-2000\, Los Angeles County Museum of Art; Witness to an Occupied Land\, University of Wyoming Art Museum\, Laramie\, Wyoming; The Nature of Things\, Photographic Resource Center\, Boston University\, Boston\, Massachusetts; Shifting Ground: Transformed Views of the American Landscape\, Henry Gallery\, University of Washington\, Seattle\, Washington; Innovation\, Imagination: 50 Years of Polaroid Photography\, Friends of Photography\, San Francisco\, California; The Altered Landscape\, Nevada Museum of Art\, Reno\, Nevada; Telling Stories\, George Eastman House\, Rochester\, New York; Under the Dark Cloth: The View Camera in Contemporary Photography\, Museum of Photographic Arts\, San Diego\, California; Crossing the Frontier: Photographs of the Developing West\, 1849 to the Present\, San Francisco Museum of Modern Art\, San Francisco\, California; Terras do Norte\, Encontros de Fotografia\, Universidade de Coimbra\, Combra\, Portugal; The Experience of Place: Travel and Photography\, Saint Louis Art Museum\, Saint Louis\, Missouri; Critical Landscapes\, Tokyo Metropolitan Museum of Photography\, Tokyo\, Japan; Motion and Document\, Sequence and Time\, Presentation House\, Vancouver\, British Columbia; and Panorama des Panoramas\, Centre National de la Photographie\, Paris\, France. \nSeason Opening Reception \nOn Friday\, September 20\, the ASU Art Museum will present receptions for Pipilotti Rist: Sip My Ocean and other videos\, Subjectivity: Photographs of Themselves\, Embracing Night: New Ceramics by Farraday Newsome Sredl\, and The Aftermath (911): Photogrpahs by Janis Lewinfrom 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin and Heather Sealy Lineberry\, Mark Klett: Ideas About Time will be installed in the Top Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nMark Klett: Ideas About Time (August 31 – November 10\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/mark-klett-ideas-about-time/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020831T000000
DTEND;TZID=America/Phoenix:20021027T000000
DTSTAMP:20260916T005146
CREATED:20180407T024400Z
LAST-MODIFIED:20241029T235633Z
UID:4157-1030752000-1035676800@asuartmuseum.org
SUMMARY:Pipilotti Rist: Sip My Ocean and other videos
DESCRIPTION:Pipilotti Rist: Sip My Ocean and other videos\nLulling the viewer with song and visual\, Pipilotti Rist creates a sensual lure of pleasure with her video installation Sip My Ocean. Beautiful underwater ocean shots\, peaceful submerging figures\, and objects slowing floating down the projected image seduce the viewer’s eyes as Rist’s version of Chris Isaak’s pop song “Wicked Game” soothes the ears. But sometimes paradise\, love and desire may not be all that they promise. \nAlso being presented are Rist’s videos I’m Not the Girl Who Misses Much and Pickelporno\, providing a brief overview of her work from 1986 through 1996. \nPrograms\nGallery Lecture by Pipilotti Rist\nOctober 22\, 2002\nASU Art Museum \nAbout the Artist \nPipilotti Rist was born in Rheintal\, Switzerland. She studied at the Institute of Applied Arts in Vienna and the School of Design in Basel. Her work was exhibited at the Louisiana Museum for Modern Art and Museum of Contemporary Art\, Chicago in 1996; Venice Biennial\, Kwangju Biennial\, SITE Santa Fe and Kunsthalle\, Vienna in 1997; Art Gallery of New South Wales\, Solomon R. Guggenheim Museum\, Kunstwerke Berlin in 1998; Museum Ludwig and Musee d’Art Moderne de la Vile de Paris in 1999; ZKM Karlsruhe\, Hirshhorn Museum\, Istanbul Biennial and Metropolitan Museum of Modern Art\, Tokyo in 2000; Museum Boijmans van Beuningen\, Stedelijk Museum voor Actuele Kunst and Luhring Augustine in 2001. \nGallery Guide Essay\nRead the gallery guide essay by the exhibition curator \nSeason Opening Reception \nOn Friday\, September 20\, the ASU Art Museum will present receptions fo r Mark Klett: Ideas About Time\, Subjectivity: Photographs of Themselves\, Embracing Night: New Ceramics by Farraday Newsome Sredl\, and The Aftermath\, (911): Photogrpahs by Janis Lewin from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nASU Art Museum Presentation\nOrganized by John D. Spiak\, Pipilotti Rist: Sip My Ocean and other videos will be installed in the Kresege Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location.\n\nDuration \nPipilotti Rist: Sip My Ocean and other videos (August 31 – October 27\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm.\n\nSupport \nThe exhibition and educational programs are generously supported by Howard and Donna Stone and by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/pipilotti-rist-sip-my-ocean-and-other-videos/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020828T000000
DTEND;TZID=America/Phoenix:20021214T000000
DTSTAMP:20260916T005146
CREATED:20180405T054700Z
LAST-MODIFIED:20241029T235916Z
UID:4156-1030492800-1039824000@asuartmuseum.org
SUMMARY:Embracing Night New Ceramics by Farraday Newsome Sredl
DESCRIPTION:Embracing Night: New Ceramics by Farraday Newsome Sredl\nFarraday Newsome Sredl is well-known nationally for her work in the traditional majolica technique. Her vessels are covered in bold and abundant patterns of fruit\, plants and animals\, with infusions of desert plantlife from her experience here in Phoenix. Her new work shows a surprising shift to a black and white palette that allows for more detailed and personally expressive imagery. Both bodies of work will be included in the exhibition to graphically illustrate the changes and consistencies in an artist’s work over time. \nAbout the Artist \nFarraday Newsome Sredl lives and works in Apache Junction\, Arizona. She received a BA form the University of California at Santa Cruz and went on to receive a MA from San Francisco State University. Her work has exhibited at Jill Spanbauer Gallery\, Naples\, Florida; Katie Gingrass Gallery\, Milwaukee\, Wisconsin; Twist\, Portland\, Oregon; John Michael Kohler Arts Center\, Sheboygan\, Wisconsin; Joanne Rapp Gallery\, Scottsdale\, Arizona; Virginia Breier Gallery\, San Francisco\, California; and the Javier Puig Gallery\, Minneapolis\, Minnesota. \nHer work was included in the selected group exhibitions Collectors Choice II\, Arizona State University Art Museum; SOFA\, Ferrin Gallery\, Chicago\, Illinois; Contemporary Maiolica\, The Arkansas Arts Center Decorative Arts Museum\, Little Rock\, Arkansas; Seduced by Colour: Contemporary International Maiolica Ceramics\, George R. Gardiner Museum of Ceramic Art\, Toronto\, Canada; Tureens\, Gallerymateria\, Scottsdale\, Arizona; ’99 Cups\, Galeria Mesa\, Mesa\, Arizona; On the Surface: An Exhibition of Painterly Clay\, The Ohio Craft Museum\, Columbus\, Ohio; International Ceramics Exhibition II\, Cesky Krumlov\, Czech Republic; Fish Out of Water\, California Crafts Museum\, San Francisco\, CA; and Vessels\, an Eclectic View\, The Clay Studio\, Philadelphia\, Pennslyvania. \nSeason Opening Reception \nOn Friday\, September 20\, the ASU Art Museum will present receptions for Mark Klett: Ideas About Time\, Subjectivity: Photographs of Themselves\, Pipilotti Rist: Sip My Ocean and other videos\, and The Aftermath\, (911): Photographs by Janis Lewin from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, Embracing Night: New Ceramics by Farraday Newsom Serdl will be installed in the Main Gallery of the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration\nEmbracing Night: New Ceramics by Farraday Newsome Sredl\n(August 28 – December 14\, 2002) is open Wednesday through Saturday from 12am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/embracing-night-new-ceramics-by-farraday-newsome-sredl/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020817T000000
DTEND;TZID=America/Phoenix:20021020T000000
DTSTAMP:20260916T005146
CREATED:20180407T024900Z
LAST-MODIFIED:20241030T000217Z
UID:4155-1029542400-1035072000@asuartmuseum.org
SUMMARY:The Aftermath (9/11)
DESCRIPTION:The Aftermath (9/11): Photographs by Janis Lewin\nAn artist living in New York City\, Janis Lewin walked around the city in the aftermath of September 11\, capturing on film the shrines\, faces of the lost and the reflections of the living. This exhibition is a memorial to that tragic day. \nAbout the Artist \nJanis Lewin lives and works in New York City. She received a BA from the University of California at Berkeley and went on to study at the International Center of Photography in New York. Her work has been included in exhibitions at El Museo del Barrio\, New York; HBO Gallery\, New York; and as part of the exhibition Top 100 Photographers\, Maine Photographic Workshops Golden Light Competition. She has been working on a long-term project photographing in Cuba for over a decade. \nSeason Opening Reception \nOn Friday\, September 20\, the ASU Art Museum will present receptions for Mark Klett: Ideas About Time\, Subjectivity: Photographs of Themselves\, Embracing Night: New Ceramics by Farraday Newsome Sredl\, and Pipilotti Rist: Sip My Ocean and other videos from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramic Research Center. \nASU Art Museum Presentation \nOrganized by Jean Makin\, The Aftermath (9/11): Photographs by Janis Lewin will be installed in the Multi-Purpose Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nThe Aftermath (9/11): Photographs by Janis Lewin (August 17 – October 20\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/the-aftermath-9-11/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020518T000000
DTEND;TZID=America/Phoenix:20020811T000000
DTSTAMP:20260916T005146
CREATED:20180405T055600Z
LAST-MODIFIED:20241029T230152Z
UID:4497-1021680000-1029024000@asuartmuseum.org
SUMMARY:Lindsay Hebberd Cultural Portraits of India
DESCRIPTION:Lindsay Hebberd: Cultural Portraits of India\nCultural Portraits of India is the work of Lindsay Hebberd\, a photographer who has traveled throughout the subcontinent recording everyday life and festivals\, and people from all levels of society\, over a period of many years. Because of her intimate knowledge of the country\, Hebberd was able to work in areas that are normally restricted. The exhibition coincides with an Indian festival in the Valley. \nOpening Reception \nOn Friday\, May 17\, the ASU Art Museum will present an opening reception for Lindsay Hebberd: Cultural Portraits from India from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nASU Art Museum Presentation \nOrganized by Marilyn Zeitlin\, Lindsay Hebberd: Cultural Portraits from India will be installed in the Turk Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nLindsay Hebberd: Cultural Portraits of India (May 18 – August 11\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/lindsay-hebberd-cultural-portraits-of-india/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020323T000000
DTEND;TZID=America/Phoenix:20020505T000000
DTSTAMP:20260916T005146
CREATED:20180407T031900Z
LAST-MODIFIED:20241029T230620Z
UID:4153-1016841600-1020556800@asuartmuseum.org
SUMMARY:2001-2002 Arizona State University School of Art Faculty Exhibition
DESCRIPTION:An annual exhibition of work by Arizona State University School of Art Faculty. \nA reception for this exhibition will take place Friday\, March 22\, 2002\n7-9 P.M. \nASU Art Museum Presentation \nArizona State University School of Art Faculty Exhibition will be installed in the 2\,800-square-foot Kresege Gallery of the Arizona State University Art Museum. \nDuration \nArizona State University School of Art Faculty Exhibition (March 23 – May 5\, 2002) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum\, Arizona State University School of Art and the Arizona State University Katherine K. Herberger College of the Arts.
URL:https://asuartmuseum.org/event-exhibition/2001-2002-arizona-state-university-school-of-art-faculty-exhibition/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020303T000000
DTEND;TZID=America/Phoenix:20020511T000000
DTSTAMP:20260916T005146
CREATED:20180602T020500Z
LAST-MODIFIED:20241029T230505Z
UID:4152-1015113600-1021075200@asuartmuseum.org
SUMMARY:Selections from Valley Collections\, Inaugural Exhibition in the Ceramics Research Center
DESCRIPTION:ASU Art Museum\, Ceramics Research Center\n\n\n\n\n\nInaugural Exhibition in the Ceramics Research Center
URL:https://asuartmuseum.org/event-exhibition/selections-from-valley-collections-inaugural-exhibition-in-the-ceramics-research-center/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020202T000000
DTEND;TZID=America/Phoenix:20020505T000000
DTSTAMP:20260916T005146
CREATED:20180407T030500Z
LAST-MODIFIED:20241029T234551Z
UID:4151-1012608000-1020556800@asuartmuseum.org
SUMMARY:Topsy Turvy Sculpture by Alison Saar
DESCRIPTION:Topsy Turvy: Sculpture by Alison Saar\nAlison Saar creates powerful figures carved from wood\, patinaed and encrusted with found objects and ornamental ceiling tin. Her narrative works are poignant explorations of her personal experiences as a mixed race woman. Her works tell of her rich African American heritage – African art\, myths and African American stories – and the difficulty of living with racial stereotypes. \nAbout the Artist\nSaar received a BA from Claremont\, Scripps College\, in 1978 and her MFA three years later from Otis Art Institute in Los Angeles\, where she continues to live and work. She has been the recipient of a John Simon Guggenheim Memorial Foundation Fellowship\, a New York Foundation for the Arts Fellowship\, and two artist fellowships from the National Endowment for the Arts. Her solo exhibition venues include the High Museum of Art\, the Hirshorn Museum and Sculpture Garden\, and the Museum of Contemporary Art in Chicago; and her group show venues include the Denver Art Museum\, the Whitney Museum\, and the Studio Museum of Harlem. \nOpening Reception\nOn Friday\, February 1\, the ASU Art Museum will present dual receptions for Topsy Turvy: Sculpture by Alison Saar and Hung Liu: New Paintings from 7 – 9pm at the Arizona State University Art Museum’s\nNelson Fine Arts Center location. \nASU Art Museum Presentation\nOrganized by Heather Lineberry\, Topsy Turvy: Sculpture by Alison Saar will be installed in the Turk Gallery and Lobby of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nTopsy Turvy: Sculpture by Alison Saar (February 2 – May 5\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from\n10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Mikki and Stanley Weithorn; the Arizona Commission on the Arts\, with funding from the State of Arizona and the National Endowment for the Arts; and the Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/topsy-turvy-sculpture-by-alison-saar/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020126T000000
DTEND;TZID=America/Phoenix:20020428T000000
DTSTAMP:20260916T005146
CREATED:20180504T050400Z
LAST-MODIFIED:20241029T232807Z
UID:4492-1012003200-1019952000@asuartmuseum.org
SUMMARY:SuperBowls - Contemporary Ceramics
DESCRIPTION:Art Exhibition and Sale\nThe ASU Art Museum presented the SuperBowls Art Exhibition and Sale as part of the SuperBowl XXX activities. SuperBowl themed Art Objects were exhibited at the museum. These ceramic art objects were produced by internationally known ceramic artists from the U.S. and Canada and commissioned especially for this show and sale. This show and sale ran through January 28\,1996. \nFor further information about any of these objects\, contact the ASU Art Museum at (602)965-ARTS\, or send email to the curator of this exhibition\, HeatherLineberry\, c/o the museum at:asuartmuseum@asu.edu \nOPENING RECEPTION\nFriday\, February 1\, 2002\n7:00 pm – 9:00 pm\nDual Reception with the exhibition\n  Topsy Turvy: Sculpute by Alison Saar   \n Strange Fruit: New Paintings by Hung Liu  \nHung Liu’s paintings are loosely based on photographs of historic China\, many taken by early 20th century Western visitors. Liu was born in China in 1948 and underwent the rigorous re-education of Mao´s Cultural Revolution\, eventually studying to be a mural painter. Later she received an MFA at the University of San Diego. Now Liu reinterprets these historic images\, some of daily life and others of restrictive Chinese social traditions. She reinterprets and enhances these subjects in expressive\, multi-layered paintings. She has been the recipient of an artists fellowship from the National Endowment for the Arts and an International Art Critic´s Award. \nOpening Reception \nOn Friday\, February 1\, the ASU Art Museum will present dual receptions for Strange Fruit: New Paintings by Hung Liu and Topsy Turvy: Sculpture by Alison Saar from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, Strange Fruit: New Paintings by Hung Liu will be installed in the Top Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. Co-organized by Boise Art Museum and co-curated by Sandy Harthorn.\n*Touring nationally with catalogue available. \nDuration \nStrange Fruit (January 26 – April 28\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm and Sunday from 1pm to 5pm. \nSupport \nThe exhibition and related programs are supported in part by Mikki and Stanley Weithorn; the Arizona Commission on the Arts\, with funding from the State of Arizona and the National Endowment for the Arts; and the Friends of the ASU Art Museum. The catalog was made possible by Rena Bransten and the Rena Bransten Gallery\, San Francisco. \n\n\n\n\nCollege Unit:\n\nASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/superbowls-contemporary-ceramics/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020126T000000
DTEND;TZID=America/Phoenix:20020428T000000
DTSTAMP:20260916T005146
CREATED:20180405T055300Z
LAST-MODIFIED:20241029T232815Z
UID:4493-1012003200-1019952000@asuartmuseum.org
SUMMARY:Hung Liu New Paintings
DESCRIPTION:Hung Liu: New Paintings\n Hung Liu’s paintings are loosely based on photographs of historic China\, most taken by early 20th century Western visitors. Liu was born in China in 1948 and underwent the rigorous re-education of the Maoist regime\, eventually studying to be a mural painter. Later she received an MFA at the University of San Diego. Now Liu reinterprets these historic images\, some of daily life and others of restrictive Chinese social traditions.She reinterprets and enhances these subjects in expressive\,multi-layered paintings. \nOpening Reception\nOn Friday\, February 1\, the ASU Art Museum will present dual receptions for Hung Liu: New Paintings and Topsy Turvy: Sculpture by Alison Saar from 7 – 9pm at the Arizona State University Art Museum’s\nNelson Fine Arts Center location. \nASU Art Museum Presentation\nOrganized by Heather Lineberry\, Senior Curator and Sandy Harthorn\, Curator\, Boise Art Museum\, Hung Liu: New Paintings will be installed in the Top Gallery of the Arizona State University Art Museum’s\nNelson Fine Arts Center location. \nDuration\nHung Liu (January 26 – April 28\, 2002) is open Tuesday from 10 a.m. – 9 p.m.\, Wednesday through Saturday from 10 a.m. to 5 p.m.\,\nand Sunday from 1 p.m. to 5 p.m. \nSupport\nThe exhibition at the Arizona State University Art Museum is supported in part by the Arizona Commisssion on the Arts and Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/hung-liu-new-paintings/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20011215T000000
DTEND;TZID=America/Phoenix:20020303T000000
DTSTAMP:20260916T005146
CREATED:20180407T024200Z
LAST-MODIFIED:20241029T235430Z
UID:4491-1008374400-1015113600@asuartmuseum.org
SUMMARY:Not Quite Myself Today Video Works by Eight Artists
DESCRIPTION:ARTISTS RECEPTION\nDecember 15\, 2001\n7-9 P.M. Nelson Fine Arts Center \nWhile the artists included in Not Quite Myself Today most definitely have a personal presence in their videos\, their work is not synonymous with their true selves or with their chosen role as artists. Rather\, their work reflects an interest in how perceptions about artists in general are formed – not only by others\, but also by the individual artists themselves. The works in the exhibition address the stereotypes\, processes\, development and struggles associated with being an artist in today’s media-competitive world. They explore a variety of lingering questions with respect to artistic identity:\n“Who am I?;” “how do others perceive me?;” “how did I get this way?;” and “who do I wish I could be?” \nThe Artists \nNot Quite Myself Today includes the work of: \nAlex Bag (NY)\nS.E. Barnet (LA)\nSanford Biggers (NY)\nMatt Marello (NY)\nJennifer Reeder (CHI)\nGuy Richards Smit (NY)\nKerry Tribe (LA)\nJennifer Zackin (NY) \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Not Quite Myself Today will be installed in the 2\,800-square-foot Kresge Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nNot Quite Myself Today (December 15\, 2001 – March 3\, 2002) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, Sunday from 1 pm to 5 pm. \nAcknowledgments \nNot Quite Myself Today is supported in part by Friends of the Arizona State University Art Museum. \nThe Arizona State University Art Museum would like to thank the following for their help in recognizing this exhibition: \nThe Artists – Alex Bag\, S.E. Barnet\, Sanford Biggers\, Matt Marello\, Jennifer Reeder\, Guy Richards Smit\, Jennifer Zackin and Kerry Tribe for her work Double\, the original inspiration for this exhibition. \nJerome Jacobs at Aeroplastics\, Joel Beck and Christian Viveros-Faune at Roebling Hall\, Kathleen Vanesian\, Tyler Stallings at Laguna Art Museum\, Thelma Golden and Christine Y. Kim at The Studio Museum in Harlem\, Vikki Dempsey at Access Tucson\, John Thomson at Electronic Arts Intermix (E.A.I.)\, Chris Bogia at American Fine Arts\, Martin Durazo at Miller Durazo Fine Arts\, Bill Maynes Gallery\, NFA Space and Julia Friedman Gallery. \nThe ASU Art Museum Preparator Staff – Stephen Johnson\, Ted Troxel\, Bill Brauckman\, Emily Winters and James Freeman.
URL:https://asuartmuseum.org/event-exhibition/not-quite-myself-today-video-works-by-eight-artists/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20011123T000000
DTEND;TZID=America/Phoenix:20020106T000000
DTSTAMP:20260916T005146
CREATED:20180407T041600Z
LAST-MODIFIED:20241029T225840Z
UID:4147-1006473600-1010275200@asuartmuseum.org
SUMMARY:The Edward Jacobson Collection of Turned-Wood Bowls
DESCRIPTION:The Edward Jacobson Collection of Turned-Wood Bowls \nEdward Jacobson assembled the first comprehensive collection of turned-wood bowls by contemporary American artists and generously gave that collection to the ASU Art Museum in 1989. The collection has since traveled internationally and continues to be recognized as the benchmark of quality in the field. In conjunction with this showing of the collection\,the museum will present recent acquisitions that continue the\nJacobson legacy. \nASU Art Museum Presentation \nOrganized by Marilyn Zeitlin\, The Edward Jacobson Collection of Turned-Wood Bowlswill be installed in the Top Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nThe Edward Jacobson Collection of Turned-Wood Bowls (November 23\, 2001 – January 6\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/the-edward-jacobson-collection-of-turned-wood-bowls/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20011027T000000
DTEND;TZID=America/Phoenix:20020106T000000
DTSTAMP:20260916T005146
CREATED:20180405T055100Z
LAST-MODIFIED:20241029T210310Z
UID:4146-1004140800-1010275200@asuartmuseum.org
SUMMARY:Eugene Grigsby Works on Paper
DESCRIPTION:Eugene Grigsby: Works on Paper\nEugene Grigsby has been an influential educator and artist in the valley art community for over fifty years. In the early years Grigsby started an art department at the segregated George Washington Carver high school and later taught at ASU in the School of Art from 1966-1988. Active in many organizations including the National Art Education Association\, Grigsby has been concerned with leadership opportunities and with creating better teaching environments and social structures for people of color for many years. His works on paper – woodcuts\, lithographs\, screen prints and paintings – reflect his concern for the conditions under which people live and his search to better understand his African heritage. This show\, with the exhibition The Art of Eugene Grigsby simultaneously on view at the Phoenix Art Museum\, is in tribute to Dr. Grigsby’s lifelong contributions and achievements in art and art education. \nASU Art Museum Presentation \nOrganized by Jean Makin\, Eugene Grigsby: Works on Paper will be installed in the MP Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nEugene Grigsby: Works on Paper (October 27\, 2001 – January 6\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from\n10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/eugene-grigsby-works-on-paper/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20011020T000000
DTEND;TZID=America/Phoenix:20020112T000000
DTSTAMP:20260916T005146
CREATED:20180407T033600Z
LAST-MODIFIED:20241029T210551Z
UID:4488-1003536000-1010793600@asuartmuseum.org
SUMMARY:Arizona State University Art Museum at the Nelson Fine Arts Center
DESCRIPTION:Collectors’ Choice II   \nSelected works from Local Collectors\nSidney and Elaine Cohen\nJoan and David Lincoln\nCraig Pearson\nCyndi Coon and Jeremy Briddell \nMEMBERS PREVIEW\nSaturday\, October 20\, 2001\n6-7 P.M. \nPUBLIC RECEPTION\nSaturday\, October 20\, 2001\n7-9 P.M. \nIn conjunction with the public reception\, a gallery talk by the collectors will take place at 7:30 P.M. \n Collectors’ Choice  \nWhy do people decide to collect art? How do they make their choices? These are questions that will be addressed by collectors from the Valley who also share an interest in the ASU Art Museum. The collections range in focus from emerging to established\, from local to internationally recognized artists. \nASU Art Museum Presentation  \nOrganized by the John Spiak\, Collectors’ Choice II will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration  \nCollectors’ Choice II (October 20\, 2001 – January 12\, 2002) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \n  \nSupport  \nThe exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/arizona-state-university-art-museum-at-the-nelson-fine-arts-center/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20011006T000000
DTEND;TZID=America/Phoenix:20011202T000000
DTSTAMP:20260916T005147
CREATED:20180407T040600Z
LAST-MODIFIED:20241029T210136Z
UID:4144-1002326400-1007251200@asuartmuseum.org
SUMMARY:Joel-Peter Witkin: Photographs Works from a Valley Collection
DESCRIPTION:Joel-Peter Witkin: Photographs – Works from a Valley Collection\nThis exhibition of photographs by Joel-Peter Witkin explores the strands of aesthetic tradition mirrored in his work. Known best for the grotesque use of the figure\, Witkin also draws upon traditions as varied as the still life or memento mori\, the set-up studio shot of the Victorian portrait or voluptuous figure\, and that of the Mexican practice of photographing deceased infants placed in the context and costumes of angelitos. \nASU Art Museum Presentation\nOrganized by Marilyn A. Zeitlin\, Joel-Peter Witkin: Photographs will be installed in the 2\,800-square-foot Kresge Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration\nJoel-Peter Witkin: Photographs (October 6 – December 2\, 2001) is open Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/joel-peter-witkin-photographs-works-from-a-valley-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010915T000000
DTEND;TZID=America/Phoenix:20011104T000000
DTSTAMP:20260916T005147
CREATED:20180407T034100Z
LAST-MODIFIED:20241029T204646Z
UID:4143-1000512000-1004832000@asuartmuseum.org
SUMMARY:Cops and Robbers
DESCRIPTION:Cops and Robbers: Drawings by Lucio Muniain \nMuniain draws images taken from the newspaper of the violence of everyday life in his home town of Mexico City. He embellishes them with phrases from the street language\, cynical observations that reveal his sense that we have become inured to the unspeakable because the forces of economics have made us nearly powerless. \nOpening Reception \nOn Friday\, September 14\, the ASU Art Museum will open the 2001-2002 season with dual receptions for Cops and Robbers: Drawings by Lucio Munian and Nooks and Crannies from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nASU Art Museum Presentation\nOrganized by Marilyn Zeitlin\, Cops and Robbers will be installed in the Top Gallery of the Arizona State University Art Museumís Nelson Fine Arts Center location. \nDuration \nCops and Robbers (September 15 – November 4\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum. \nASU Art Museum Exhibitions\nSelected past exhibitions at the ASU Art Museum include:\nContemporary Art from Cuba: Irony and Survival on the Utopian Island\nWilliam Kentridge: Ubu Tells the Truth and Other Stories\nOyvind Fahlstrom: The Complete Multiples\nScreenshots: Digital Drawings by Jon Haddock\nSpectrum: An Idea of History\nFace Off: Michael Ray Charles and Jean-Michel Basquiat\nCodex Mendez: Prints by Leopoldo Mendez \nFor more information contact John Spiak at  spiak@asu.edu.
URL:https://asuartmuseum.org/event-exhibition/cops-and-robbers/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010908T000000
DTEND;TZID=America/Phoenix:20011109T000000
DTSTAMP:20260916T005147
CREATED:20241029T195136Z
LAST-MODIFIED:20241029T195718Z
UID:4142-999907200-1005264000@asuartmuseum.org
SUMMARY:Lathe-Turned Objects: "Challenge IV"
DESCRIPTION:Exhibition
URL:https://asuartmuseum.org/event-exhibition/lathe-turned-objects-challenge-iv/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010722T000000
DTEND;TZID=America/Phoenix:20010916T000000
DTSTAMP:20260916T005147
CREATED:20180407T032900Z
LAST-MODIFIED:20241029T231757Z
UID:4141-995760000-1000598400@asuartmuseum.org
SUMMARY:Andreas Gursky: Photographs
DESCRIPTION:Andreas Gursky: Photographs \nAn exhibition of seven works by German artist Andreas Gursky\, world-renowned for his striking\, large-scale images. Gursky’s photographs use the large-scale format to show vast images of a world transformed by high-tech industry\, global markets and slick commerce — a world in which the individual is pictured as tiny and insignificant. Some photographs in the exhibition are as large as 10 by 17 feet. \nGursky\, born in Leipzig\, Germany in 1955\, studied at Germany’s Leading school of traditional photography\, the Folkwangschule in Essen. He also studied with photographic artist Bernd Becher at the Kunstakademi in Dusseldorf.  \nExhibition History \nAndreas Gursky’s work has recently exhibited at the Museum of Modern Art in New York\, Regen Projects in Los Angeles\, Matthew Marks Gallery in New York\, Sepentine Gallery in London\, Kunsthalle in Dusseldorf\, Walker Art Center in Minneapolis\, and the Museum of Contemporary Art in Chicago. His work was also presented in the ‘Aperto’ of the 1990 Venice Biennale.  \n\nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, Andreas Gursky: Photographs will be installed in the 2\,800-square-foot Lower Lobby Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nAndreas Gursky: Photographs (July 22 – September 16\, 2001) is open Tuesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/andreas-gursky-photographs/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010630T000000
DTEND;TZID=America/Phoenix:20010930T000000
DTSTAMP:20260916T005147
CREATED:20180407T044900Z
LAST-MODIFIED:20241029T231031Z
UID:4140-993859200-1001808000@asuartmuseum.org
SUMMARY:Ties That Bind Ed Rossbach and Katherine Westphal
DESCRIPTION:Ties That Bind: Ed Rossbach and Katherine Westphal  \nFeaturing husband and wife artists\, Ed Rossbach and Katherine Westphal\, Ties that Bindbrings together several decades of their work from baskets to garments. Rossbach’s and Westphal’s unpredictable\, vibrant and diverse creations have had a major impact on contemporary basket making and fiber art in general. Rossbach\, a weaver\, is interested in structure\, and Westphal\, a painter\, in surface design. Shared themes in their work include a reverence for the past\, pushing of boundaries and the influence of the many different cultures encountered through study and travel. Their careers as artists\, professors\, writers and lecturers have spanned the entire history of what is now called the contemporary fiber arts movement. \n\n\nASU Art Museum Presentation \nOrganized by Heather Lineberry\, Ties That Bind: Ed Rossbach and Katherine Westphal will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nTies That Bind: Ed Rossbach and Katherine Westphal (June 30 – September 30\, 2001) is open Tuesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nSpecial thanks to Daphne Farago and Mobilia Gallery\, Cambridge. Additional support from the Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/ties-that-bind-ed-rossbach-and-katherine-westphal/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010622T000000
DTEND;TZID=America/Phoenix:20010826T000000
DTSTAMP:20260916T005147
CREATED:20180602T021047Z
LAST-MODIFIED:20241029T231349Z
UID:4139-993168000-998784000@asuartmuseum.org
SUMMARY:Alfredo Manzo Cedeno: The Boys of Summer
DESCRIPTION:Exhibition
URL:https://asuartmuseum.org/event-exhibition/alfredo-manzo-cedeno-the-boys-of-summer/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010609T000000
DTEND;TZID=America/Phoenix:20010916T000000
DTSTAMP:20260916T005147
CREATED:20180407T041000Z
LAST-MODIFIED:20241029T230927Z
UID:4138-992044800-1000598400@asuartmuseum.org
SUMMARY:Shirin Neshat: Rapture Film Installation and Photographs
DESCRIPTION:Shirin Neshat: Rapture — Film Installation and Photographs This exhibition by internationally renowned artist\, Shirin Neshat\, features the film installation and photographs from her work Rapture. The social and psychological experience of gender in contemporary Islamic society is explored in this powerful\, poetic media installation. Two opposing projections present men and women kept apart but locked in a balance of polarities.\nEssay from Gallery Guide \nASU Art Museum Presentation \nOrganized by John Spiak\, Shirin Neshat: Rapture will be installed in the 2\,800-square-foot Kresge Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nShirin Neshat: Rapture (June 9 — September 16\, 2001) is open Tuesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/shirin-neshat-rapture-film-installation-and-photographs/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010602T000000
DTEND;TZID=America/Phoenix:20010826T000000
DTSTAMP:20260916T005147
CREATED:20180407T045100Z
LAST-MODIFIED:20241029T231402Z
UID:4137-991440000-998784000@asuartmuseum.org
SUMMARY:What I Did on My Summer Vacation Annual Family Exhibition
DESCRIPTION:What I Did on My Summer Vacation  \nHave you ever put together a photo album of what you did on your summer vacation? What I Did on My Summer Vacation presents works of art from the ASU Art Museum’s permanent collection\, hung in the gallery like snapshots on a photo-album page illustrating various summer vacation activities. Among the “album pages” on exhibit is “Take me out to the Ballpark” which has legendary baseball figures and a dug-out – all created in papier maché. There is a hands-on activity area in the gallery designated as Camp ASUAM which is also the theme of the Family Day at the ASU Art Museum. Create craft things\, do portraits\, see demonstrations – have fun in a cool environment and best of all\, it’s free! \n\n\nFamily Day at Camp ASUAM \nOn Saturday\, July 7\, the ASU Art Museum (ASUAM) will present its second annual summer family day of hands-on activities and events. For What I did on My Summer Vacation the Arizona State University Art Museum will be converted to Camp ASUAM\, with fun activites from 10:00 am to 2:00 pm. \nASU Art Museum Presentation  \nOrganized by Jean Makin\, What I Did on My Summer Vacation will be installed in the Top Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration  \nWhat I Did on My Summer Vacation (June 2 – August 26\, 2001) is open Tuesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport  \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/what-i-did-on-my-summer-vacation-annual-family-exhibition/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010303T000000
DTEND;TZID=America/Phoenix:20010610T000000
DTSTAMP:20260916T005147
CREATED:20180407T033900Z
LAST-MODIFIED:20241029T230603Z
UID:4479-983577600-992131200@asuartmuseum.org
SUMMARY:Contemporary Art Furniture: Sam Maloof\, John Cederquist\, Wendy Maruyama
DESCRIPTION:Contemporary Art Furniture \n\nThis exhibition will present the work of three contemporary furniture makers — Sam Maloof\, John Cederquist and Wendy Maruyama — who work in widely varying styles. Each has had significant impact on the field and continues to do so. Maloof creates functional furniture with uncluttered design\, rhythm and flow. Cederquist’s works combine elements of historic furniture with illusionistic effects of tromp l’oeil (“fool the eye”) surface painting\, references to art history\, and humor. Maruyama’s work combines training in traditional techniques with a commitment to sculpture shapes\, painted surfaces and expressive content. \nAbout the Artists \nSam Maloof (b.1916) started making furniture immediately after World War II\, when there was little demand for the handmade object. His functional work appears deceptively simple with its uncluttered design\, unassuming and natural qualities\, and its exceptional technical mastery. John Cederquist (b. 1946) references historic furniture in his work but freely interprets traditional forms with illusionistic effects of trompe lõoeil surface painting\, references to art history and humor. Wendy Maruyama (b.1952) discovered woodworking in the late 1960s\, when craft programs were expanding throughout the country. Her work combines training in traditional techniques with a commitment to sculptural shapes\, painted surfaces and expressive content. \nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, Contemporary Art Furniture will be installed in the 2\,500-square-foot Turk Gallery of the Arizona State University Art Museum at the Nelson Fine Arts Center. \nDuration \nContemporary Art Furniture (March 3 – June 10\, 2001) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport \nThe exhibition is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/contemporary-art-furniture-sam-maloof-john-cederquist-wendy-maruyama/
CATEGORIES:Exhibition
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DTSTART;TZID=America/Phoenix:20010223T000000
DTEND;TZID=America/Phoenix:20010505T000000
DTSTAMP:20260916T005147
CREATED:20180407T042500Z
LAST-MODIFIED:20241029T234453Z
UID:4478-982886400-989020800@asuartmuseum.org
SUMMARY:The Wayfarer's Journey A Film Installation by Gita Farid
DESCRIPTION:The Wayfarer’s Journey: A Film Installation by Gita Farid  \nInterpreting “The Seven Valleys” a mystical Bahaíi treatise on attaining spiritual fulfillment through detachment\, artist Gita Faridís installation is inspired by the tale of a Eastern wayfarer\, Majnun\, on his quest to be reunited with his beloved\, Layli\, from whom he has been separated. Travelling through various metaphorical valleys\, the wayfarer reaches a state of pure conscience and utter spiritual thrall\, a realization that occurs at the end of his journey. A musical soundtrack that dramatically expresses the emotions of this non-narrated work accompanies the projected image. \nAbout the Artist \n Gita Farid received her BA from London College of Fashion\, England\, and went on to study at the New York Film Academy and with the Korean Independent Film Association. Her recent film and video projects include The Capture of a Mermaid \, Perivision \, The Businessmanís Proposal \, and Papaís Got a Brand New Bag . This will be the artist’s first museum project. \nASU Art Museum Presentation \n Organized by John D. Spiak\, The Wayfarer’s Journey will be installed in the 2\,400-square-foot Experimental Gallery of the Arizona State University Art Museum at Matthews Center. The work\, originally shot in 16mm film\, will be presented in video format. \nDuration \n The Wayfarer’s Journey (February 23 – May 5\, 2001) is open Tuesday through Saturday from 10 am to 5 pm. \nSupport\n\nThe exhibition at the Arizona State University Art Museum’s Experimental Gallery at Matthews Center is supported in part by Friends of the Arizona State University Art Museum. \nProject support for the artist provided by Alex Mitchell and Crew\, Gary Bulkin of B & B Communications\, CJís Film Studio\, Reel Men Lighting Equipment\, Vincent Pascoe and the Bahaíi Community of the Valley. \n \nSuggested Reading\n\n The Seven Valleys of Bahaíuíllah \nThis text is available on the Baha’i Academics Resource Library website. \n\nLink to Images of the Project in Progress  \nVisit the following site to see images of the work in progress with stills from the location filming of  The Wayfarer’s Journey  . There are four pages of images with the link starting on the fourth page. Use the arrow at the top right of the page to visit the other three pages. These images have been provided by John Kittelsrud.
URL:https://asuartmuseum.org/event-exhibition/the-wayfarers-journey-a-film-installation-by-gita-farid/
CATEGORIES:Exhibition
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