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DTSTART:20010101T000000
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20041016T000000
DTEND;TZID=America/Phoenix:20050108T000000
DTSTAMP:20260915T233201
CREATED:20180405T035700Z
LAST-MODIFIED:20241029T210711Z
UID:4531-1097884800-1105142400@asuartmuseum.org
SUMMARY:WIT AND WINE: A New Look at Ancient Iranian Ceramics from the Arthur M. Sackler      Foundation
DESCRIPTION:WIT AND WINE: A New Look at Ancient Iranian Ceramics from the Arthur M. Sackler Foundation\nWit and Wine is the first major exhibition of ancient Iranian ceramics in more than a decade. Curated by Trudy S. Kawami\, Ph.D.\, Director of Research for the Arthur M. Sackler Foundation\, the exhibition features forty-five sophisticated\, beautiful and often amusing pieces that illustrate the 5\,000-year ceramic tradition that flourished in ancient\, pre-Islamic Iran until 100 BCE. \nASU Art Museum Presentation\nPeter Held organized the ASU Art Museum participation in this touring exhibition. Wit and Wine: A New Look at Ancient Iranian Ceramics from the Arthur M. Sackler Foundation will be installed in the Arizona State University Art Museum’s Ceramic Research Center location. \nDuration \nWIT AND WINE:\nA New Look at Ancient Iranian Ceramics from the Arthur M. Sackler Foundation (October 16\, 2004 through January 8\, 2005) is open at the ASU Art Museum: Tuesday through Saturday from 10am to 5pm. \nSupport\nOrganized by the Arthur M. Sackler Foundation\, New York. Local presentation is made possible in part by Friends of the ASU Art Museum and CLA.
URL:https://asuartmuseum.org/event-exhibition/wit-and-wine-a-new-look-at-ancient-iranian-ceramics-from-the-arthur-m-sackler-foundation/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040831T000000
DTEND;TZID=America/Phoenix:20041119T000000
DTSTAMP:20260915T233201
CREATED:20180405T021200Z
LAST-MODIFIED:20241029T235629Z
UID:4188-1093910400-1100822400@asuartmuseum.org
SUMMARY:DEMOCRACY IN AMERICA: Political Satire Then and Now
DESCRIPTION:Welcome Back Students Party:\nTuesday\, August 31\, 5-8 p.m. \nPublic Reception:\nFriday\, October 22\, 7-9 p.m. \nDEMOCRACY IN AMERICA: Political Satire Then and Now\nThe exhibition presents works that depict political figures and events\, some reverential but most satirical. Contemporary works are placed in historical context to demonstrate the persistence of the satiric spirit in political discourse and the recurrence of similar concerns from the 17th century to the present. The exhibition presents a variety of media by regional and nationally known artists\, and a wide variety of points of view. \nThe goal of the project is to encourage discussion and raise awareness of the privilege and responsibility of voting. The exhibition offers the opportunity to bring children to learn about the election process through Kids Voting. \nPlus\, you can register to vote at the museum through October 2\, then VOTE on November 2! \nArtists in the Exhibition\nArtists in the exhibition include: Eric Avery\, Russell Barnett Aitken\, Jim Budde\, Enrique Chagoya\, Colin Chillag\, Sue Coe\, Dan Collins\, Robbie Conal\, William Coupon\, Honoré Daumier\, Linda Eddy\, Arthur Habegger\, Heide Hesse\, William Hogarth\,\, John Haddock\, Charles Howe\, Benito Huerta\, Peter Kuper\, Carolyn Lavender\, Roy Lichtenstein\, Larry Litt\, Leopoldo Mendez\, Thomas Nast\, Mark Newport\, Luo Xiao Ping\, James Poppitz\, Alfred Quiroz\, Lynn Randolph\, Michael Rich\, John Risseeuw\, Mike Ritter\, Norman Rockwell\, Barb Ross\, William Sartain\, Julian Schnabel\, Gregg and Evan Spiridellis\, Paul Szep\, Einar and Janex de la Torre and Betty Wells. \nExhibition Organization\nOrganized by Peter Held\, Heather Sealy Lineberry\, Jean Makin\, John Spiak\, Marilyn Zeitlin\, with education/outreach programs by Ted Decker and Laura Stewart\, Democracy in Americawill be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nHours\nDemocracy in America: Political Satire Then and Now (August 31 – November 19\, 2004) is open at the ASU Art Museum: Tuesday from 10am – 9pm\, and Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/democracy-in-america-political-satire-then-and-now/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040710T000000
DTEND;TZID=America/Phoenix:20041002T000000
DTSTAMP:20260915T233201
CREATED:20180405T033700Z
LAST-MODIFIED:20241029T231958Z
UID:4187-1089417600-1096675200@asuartmuseum.org
SUMMARY:OUT OF THE WOODS
DESCRIPTION:OUT OF THE WOODS\nDrawn from the ASU Art Museum’s permanent collection and local collections\, this exhibition presents artworks made of wood or derived from natural resources. It will examine ecological issues connected to those materials and the environmental challenges of such practices as deforestation and debates over proper conservation. \nFamily Day at Camp ASUAM\nOn Saturday\, July 10\, the ASU Art Museum will present its forth annual summer family day of hands-on activities and events. For Out of the Woods the Arizona State University Art Museum will be filled with interactive art making experiences for the entire family from 10 a.m. to 2 p.m. \nASU Art Museum Presentation \nOrganized by Jean Makin\, OUT OF THE WOODS will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location.\n\nDuration \nOUT OF THE WOODS (July 10 – October 2\, 2004) is open at the Nelson Fine Arts Center: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/out-of-the-woods/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040625T000000
DTEND;TZID=America/Phoenix:20040925T000000
DTSTAMP:20260915T233201
CREATED:20180405T031000Z
LAST-MODIFIED:20241029T231045Z
UID:4186-1088121600-1096070400@asuartmuseum.org
SUMMARY:BRITISH CERAMIC MASTERWORKS: Highlights from the Anne and Sam Davis Collection
DESCRIPTION:British Ceramic Masterworks: Highlights from the Anne and Sam Davis Collection\nThis summer\, the Ceramics Research Center at the\nASU Art Museum will celebrate the donation that launched\nits collection to new heights six years ago\, when it presents\nBritish Ceramic Masterworks: Highlights from the Anne\nand Sam Davis Collection. The exhibition will present a\nselection of work from the 315-piece collection donated by\nthe Davises in 1998. The donation took the ASU Art Museum’s\nceramics collection to an international level\, adding depth\nand breadth to its already substantial holdings of work by late\n20th century American ceramists. \nCurated by Peter Held\, the ASU Art Museum’s curator of\nceramics\, this exhibition will illustrate the depth and variety of\nBritish ceramics created since the 1950s\, ranging from functional\npottery to figurative sculpture. Held has selected works with a\nspecial emphasis on the relationships between the work of\nteachers and students\, sometimes exploring this through three\ngenerations. Despite the wide range of styles and techniques\nused by the British ceramists in this exhibition\, many of them\nwere connected by the institutes at which they studied and by\nthe ceramic artists who taught them. \nAnne and Sam Davis selected the ASU Art Museum as the\nrecipient of their collection for three major reasons. They wanted\nit to stay in the western United States and to make a significant\ndifference to the collection that received it. They also knew their\ncollection would not only complement and enhance the Museum’s\ncollection\, but would balance the entire holdings. \nArtists in the Exhibition\nMany influential British studio potters are highlighted in the\nexhibition: Bernard Leach\, Michael Cardew\, Lucie Rie\, Hans\nCoper\, Angus Suttie\, Alison Britton\, Joanna Constantinidis\,\nStephen Dixon\, Nicholas Homoky\, Peter Lane\, Alan Caiger-Smith\,\nGeoffrey Swindell and George Walker\, among others. \nASU Art Museum Presentation \nOrganized by Peter Held\, British Ceramic Masterworks: Highlights from the Anne and Sam Davis Collection will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration \nBritish Ceramic Masterworks: Highlights from the Anne and Sam Davis Collection (June 25 – September 25\, 2004) is open at the Ceramics Research Center: Tuesday through Saturday from 10am to 5pm. \nSupport \nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/british-ceramic-masterworks-highlights-from-the-anne-and-sam-davis-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040522T000000
DTEND;TZID=America/Phoenix:20040911T000000
DTSTAMP:20260915T233201
CREATED:20180405T035400Z
LAST-MODIFIED:20241029T230055Z
UID:4185-1085184000-1094860800@asuartmuseum.org
SUMMARY:WHEN I GROW UP...
DESCRIPTION:OPENING RECEPTION\nSaturday\, May 22\, 2004\n7-9 p.m. \nThe battle lines have been drawn. It always seems to be between “them” and “us” — those darn snowbirds\, those seniors on the highway driving so slowly\, bluehairs in the supermarket line with all those time-consuming coupons. \nBut who’s kidding whom? In reality\, we are “them” and they are “us.” Both factions harbor concerns about rent or mortgage\, health care\, fitness\, entertainment and perceptions of self by people outside of immediate family. So why is it that the two camps hardly ever communicate about these issues? Most multi-generational conversations\, when they actually happen with someone other than our own relatives\, focus on the past and much less on contemporary issues of daily life. \nTaking brief glimpses at the current lives of seniors existing in a variety of communities and living situations\, When I Grow up… examines issues every human deals with\, in one way or another\, during his or her lifetime. The work by the five artists appearing in this exhibition addresses such universal subjects as independence\, the creative thinking process\, dependency\, displacement\, physical fitness\, racism\, and attempts to impose order on one’s own surroundings. \nExhibition Artist \nThis exhibition includes work by:\nDanielle Abrams\nTroy Aossey\nVincent Goudreau\nDavid Greenberger (The Duplex Planet)\nJessica Ingram \nPresentation\nOrganized by John Spiak\, WHEN I GROW UP… will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nInstallation Images \nWarm-up and Opening Reception Images \nDuration\nWHEN I GROW UP… (May 22 – September 11\, 2004) is open at the Nelson Fine Arts Center: Tuesday through Saturday from 10 a.m.-5 p.m. \nSupport\nIn-kind support for this exhibition provided by LA-Z-BOY Furniture Galleries.\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/when-i-grow-up/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040320T000000
DTEND;TZID=America/Phoenix:20040619T000000
DTSTAMP:20260915T233201
CREATED:20180405T034800Z
LAST-MODIFIED:20241029T230628Z
UID:4184-1079740800-1087603200@asuartmuseum.org
SUMMARY:THE LONG DAY Sculpture by Claudette Schreuders
DESCRIPTION:THE LONG DAY: Sculpture by Claudette Schreuders\nThe ASU Art Museum presents the first solo exhibition of sculpture and prints by South African artist Claudette Schreuders in an American museum. \nThe Long Day features eleven new sculptures\, lithographs and drawings by South African artist Claudette Schreuders. Schreuders is best known for her autobiographical figurative sculpture inspired by family photographs and memories and by the specific social experience of growing up white\, female and Afrikaans in the broader political context of South Africa. Assembled from carved and painted wood\, the works often include other materials such as iron\, leather\, nails and found objects\, reflecting the influence of African sculpture. Schreuders’ accessible but moody works convey the revolutionary changes in South Africa and of individuals grappling with the country’s inscrutable past. “(The) sense of (my) dislocation was not only the result of a European heritage within an African context\, but also the marginalization that formed part of a restrictive society that set limits and threatened to reject those who did not conform.” * \nThe new body of work for The Long Day is more complex. With continued emphasis on personal\, individual experience\, Schreuders reflects on the burden of representing contemporary South African political and social realities. Her allegorical figures range from works inspired by family history to anonymous figures observed in private moments that become political in a public space – like reading the newspaper about Rwanda in a park. Schreuders draws for inspiration from the iconography and style of African tribal art\, the Colon figures of West Africa of European colonials\, and Western traditions of religious woodcarving\, particularly Northern and Spanish baroque sources. Taken together the works form a compelling exhibition. \n* From the artist’s statement in Liberated Voices: Contemporary Art from South Africa\, The Museum for African Art\, New York \, 2000.\n\nAbout the Artist \nClaudette Schreuders received a Master of Fine Arts degree at the University of Cape Town in 1997. Her work has been exhibited in numerous group exhibitions in South Africa\, Japan\, Germany\, Great Britain and the United States\, and solo exhibitions at the Jack Shainman Gallery in New York. \nExhibition Catalogue\nA full color catalogue is available for this exhibition.\nInformation on the catalogue can be found at the\nASU Art Museum publications page. \nExhibition Tour\nAfter the premiere of the exhibition at the ASU Art Museum\, this exhibition will be available for touring to other institutions. Tour information. \nPresentation\nThe exhibition was jointly organized by the ASU Art Museum and San Diego State University Art Gallery\, and co-curated by Heather S. Lineberry and Tina Yapelli. The\nexhibition will travel nationally. \nDuration\nTHE LONG DAY: Sculpture by Claudette Schreuders (March 20 – June 19\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10am to 9pm and Wednesday through Saturday from 10am to 5pm. \nSupport\nExhibition\, catalogue and education programs sponsored in part by Mikki and Stanley Weithorn\, the Tides Foundation\, Evelyn Smith Family Endowment and the Friends of the ASU Art Museum. Special thanks to Jack Shainman and the Jack Shainman Gallery\, New York.
URL:https://asuartmuseum.org/event-exhibition/the-long-day-sculpture-by-claudette-schreuders/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040227T000000
DTEND;TZID=America/Phoenix:20040605T000000
DTSTAMP:20260915T233201
CREATED:20180405T033000Z
LAST-MODIFIED:20241029T234409Z
UID:4525-1077840000-1086393600@asuartmuseum.org
SUMMARY:HUMOR\, IRONY AND WIT: Ceramic Funk from the Sixties and Beyond
DESCRIPTION:HUMOR\, IRONY AND WIT: Ceramic Funk from the Sixties and Beyond\nDrawn from the Ceramics Research Center’s permanent collection as well as other private and public collections\, this exhibition unfolds the compelling and often humorous story of the development of Funk ceramics that emerged from the San Francisco Bay area during the 1960s. Robert Arneson led the charge of this movement from the University of California\, Davis. Some of his students included David Gilhooly\, Richard Notkin\, Peter Vandenberge\, Chris Unterseher and Margaret Dodd. The artists showed little respect for traditional craftsmanship in pottery and created work that drew inspiration from Dada\, Surrealism\, Pop Art and the Beat culture. The term Funk was coined in 1966 by Peter Selz for a show he organized at the University of California Art Museum in Berkeley\, California. \nArtists in the Exhibition \nRobert Arneson\, Clayton Bailey\, Fred Bauer\, Margaret Dodd\, David Gilhooly\, Stephen Kaltenbach\, Richard Notkin\, Tom Rippon\, Richard Shaw\, Chris Unterseher\, Peter Vandenberge and Patti Warashina. \nPresentation\nOrganized by Peter Held\, HUMOR\, IRONY AND WIT: Ceramic Funk from the Sixties and Beyond will be installed in the ASU Art Museum’s Ceramics Research Center location. \nDuration\nHUMOR\, IRONY AND WIT: Ceramic Funk from the Sixties and Beyond (February 27 – June 5\, 2004) is open at the Ceramics Research Center: Tuesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by CLA (Ceramics Leaders of ASU) and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/humor-irony-and-wit-ceramic-funk-from-the-sixties-and-beyond/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040207T000000
DTEND;TZID=America/Phoenix:20040619T000000
DTSTAMP:20260915T233201
CREATED:20180405T033400Z
LAST-MODIFIED:20241029T234237Z
UID:4179-1076112000-1087603200@asuartmuseum.org
SUMMARY:PEDRO ALVAREZ: LANDSCAPE IN THE FIREPLACE
DESCRIPTION:LANDSCAPE IN THE FIREPLACE: Paintings by Pedro Alvarez\nPedro Alvarez conflates old and new painting styles and ideological positions. He quotes 19th century costumbrista painting by Europeans who came to Cuba and created the vocabulary of Romantic clichés that characterized the island as exotic and sensuous. He overlays these images with American advertising illustration from the mid-50s. His content reflects layering of global influences that converge\, underlining the disparities between the source and the recipient of transmitted culture. \nAlvarez combines references to Cuban\, African and American culture. American monuments and heroes of its Revolution attest to principles of democracy and equality ensconced in the American social contract. Jolting the temporal sense are the famed fotingos\, American cars in Cuba at the time of the 1959 Cuban Revolution that have been gradually tropicalized by Cuban invented parts. In the lush Cuban landscape\, black slaves gaze on\, puzzled by the juxtapositions. Over all is a monochrome green of American money\, the currency of exchange on an island that officially despises capitalism. \nAbout the Artist\nPedro Alvarez is of the generation of Cuban artists who emerged in the 1990s who gained international recognition for their fresh approach to art-making in a political context in which free speech was not to be taken for granted. The use of irony and oblique references created the space for expression. Alvarez spends his time between his native Havana and Malaga\, Spain. His work has been shown in the Istanbul Biennial\, the Havana Bienal\, and was featured in the exhibition organized by the ASU Art Museum  Contemporary Art from Cuba: Irony and Survival on the Utopian Island which toured nationally. \nExhibition Tour\nAfter the premiere of the exhibition at the ASU Art Museum\, this exhibition will be available for touring to other institutions. \nPresentation\nOrganized by Marilyn Zeitlin\, LANDSCAPE IN THE FIREPLACE: Paintings by Pedro Alvarez will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\n LANDSCAPE IN THE FIREPLACE: Paintings by Pedro Alvarez  (February 7 – June 19\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10 a.m. to 9 p.m. and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/pedro-alvarez-landscape-in-the-fireplace/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040207T000000
DTEND;TZID=America/Phoenix:20040501T000000
DTSTAMP:20260915T233201
CREATED:20180405T030400Z
LAST-MODIFIED:20241029T233637Z
UID:4180-1076112000-1083369600@asuartmuseum.org
SUMMARY:BLUE MEMORY: Paintings by Tran Trong Vu
DESCRIPTION:BLUE MEMORY: Paintings by Tran Trong Vu\nTran’s striking paintings of schematic figures on suspended sheets of plastic explore what it means to be Asian and Vietnamese within the context of an increasingly westernized global culture. His paintings are peopled by androgynous Asian figures against a backdrop of the signs of a modernized Hanoi (like cameras\, Western toilets and street signs). Generic Asian male and female figures are painted on life-size sheets of plastic; a material found everywhere in the streets of Hanoi. Suspended from the ceiling\, the paintings fill the space and form a labyrinth through which the viewer must walk. The figures hold cameras to their faces or are framed by televisions\, products associated with contemporary Asia. Sometimes they are surrounded by slogans that Tran has drawn from banners in Hanoi or by fragments of his father’s poetry. Tran’s work explores both the westernization of Vietnamese daily life and the way Vietnamese culture is viewed by the West. Tran’s work contrasts markedly with more sanctioned\, romanticized paintings by Vietnamese artists.\n\nAbout the Artist \nTran Trong Vu was born in Hanoi in 1964\, the youngest son of Tran Dan\, one of the best known dissident writers of the 1950s. Tran graduated first in his class at the Hanoi School of Fine Arts in 1987 and in 1989 won a scholarship to study painting at the Ecole Nationale des Beaux-Arts in Paris. Tran now lives and works in Paris. \nGallery Guide Essay\nClick here for complete gallery guide essay . \nExhibition Tour\nAfter the premiere of the exhibition at the ASU Art Museum\, this exhibition will be available for touring to other institutions. Tour information. \nPresentation \nOrganized by Heather Lineberry\, BLUE MEMORY: Paintings by TRAN TRONG VU will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration \nBLUE MEMORY: Paintings by TRAN TRONG VU (February 7 – May 1\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10 a.m. to 9 p.m. and Wednesday through Saturday from 10am to 5pm. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/blue-memory-paintings-by-tran-trong-vu/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040207T000000
DTEND;TZID=America/Phoenix:20040306T000000
DTSTAMP:20260915T233201
CREATED:20180405T034000Z
LAST-MODIFIED:20241029T233640Z
UID:4181-1076112000-1078531200@asuartmuseum.org
SUMMARY:PERSONAL DOPING: Video Installations by Agnieszka Kalinowska
DESCRIPTION:Exhibition and related programs supported by the Polish Cultural Institute \n   \nOPENING RECEPTION\nSaturday\, February 7\, 2004\n7:00 pm – 9:00 pm \nPersonal Doping: Video Installations by Agnieszka Kalinowska\nAll my projects essentially consist of observing human behavior in extreme situations. I try to freeze very short moments of extreme physical and mental tension. Decisions made under such a pressure have strategic impact not only on our nearest future but also might influence our whole lives. Under pressure we expand our self-consciousness and therefore intensify the next choices we make in our lives. That’s why\, during those short moments\, we are able to mobilize our whole potential and let go of the energy we never dreamed we might possess. – Agnieszka Kalinowska \nProgram\nGallery Talk by Agnieszka Kalinowska to be announced. \nAbout the Artist \nAgnieszka Kalinowska lives and works in Warsaw\, Poland. She is a graduate of the\nPainting Department of Academy of Fine Arts in Poznan. Poland. Her work has been\nexhibited in exhibitions at Centre for Contemporary Art\, Warsaw; Baltic Gallery of\nContemporary Art; Wyspa Gallery\, Gdansk; On Gallery\, Poznan; Institute for Contemporary Art\, Dunaujvaros\, Hungary; Krolkarnia\, Warsaw; and most recently her sculpture work was presented in the group exhibition “Architectures of Gender” at the Sculpture Center\, New York. \nWorks in this exhibition were produced through the support of the Center of Contemporary Art Ujazdowski Castel in Warsaw. \nThis will be the first solo exhibition of Agnieszka Kalinowska’s work in the United States. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Personal Doping: Video Installations by Agnieszka Kalinowskawill be installed in the Kresege Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \n Duration\nPersonal Doping: Video Installations by Agnieszka Kalinowska (February 7 – March 6\, 2004) is open Tuesday from 10am – 9pm\, and Wednesday through Saturday from 10am to 5pm. \n Support\nThe exhibition and related programs are supported in part by the Polish Cultural Institute\, \nA-1 Carpet and Upholstery Cleaning Inc of Phoenix and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/personal-doping-video-installations-by-agnieszka-kalinowska/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040101T000000
DTEND;TZID=America/Phoenix:20040501T000000
DTSTAMP:20260915T233201
CREATED:20180405T032200Z
LAST-MODIFIED:20241029T233128Z
UID:4521-1072915200-1083369600@asuartmuseum.org
SUMMARY:Chicano(a) Art: from the M.A.R.S. Collection
DESCRIPTION:THE M.A.R.S. ARTSPACE LEGACY: Prints by M.A.R.S. & SelfHelp Graphics\nIn 1978 a group of artists and community leaders formed an artists’ cooperative\, Movimiento Artistico del Rio Salado (M.A.R.S.) to promote visual and performing arts by contemporary Arizona\, Mexican-American and Chicano artists. Nomadically exhibiting in a variety of spaces\, their permanent gallery\, M.A.R.S. Artspace\, opened in central Phoenix in 1981. M.A.R.S. Artspace exhibited members’ artwork and served as a showcase for poets\, writers\, performance and video artists. To help provide operational support\, M.A.R.S. members created limited editioned prints that sold through the gallery. Although their doors have recently closed\, M.A.R.S. left an impressive legacy by donating forty-three prints to the ASU Art Museum. Though this gift is a mixture of work produced by both M.A.R.S. and Self-Help Graphics (a silkscreen print collective in Los Angeles)\, these screenprints\, lithographs and monoprints convey the cultural identity\, pride and artistic achievement by some of the best Mexican-American and Chicano artists. \nList of Artists\nWork by the following artists will be included in the exhibition: José Antonio Aguirre\, David (Rivas) Botello\, Paul Botello\, Rudy M. Fernández\, Jr.\, Carmen Lomas Garza\, Pat Gómez\, Luis A. Jiménez\, Jr.\, Leo Limón\, Gilbert “Magú” Luján\, César Augusto Martínez\, Tony Ortega\, Arturo Urista\, John M. Valdez\, Larry Yáñez\, Frank Ybarra\, \nPresentation \nOrganized by Jean Makin\, THE M.A.R.S. ARTSPACE LEGACY will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nTHE M.A.R.S. ARTSPACE LEGACY (January – May\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10am to 9pm; Wednesday through Saturday from 10am to 5pm. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/chicanoa-art-from-the-m-a-r-s-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20031025T000000
DTEND;TZID=America/Phoenix:20040125T000000
DTSTAMP:20260915T233201
CREATED:20180405T044500Z
LAST-MODIFIED:20241029T210351Z
UID:4177-1067040000-1074988800@asuartmuseum.org
SUMMARY:GARY HILL Language Willing
DESCRIPTION:PUBLIC LECTURE\nTuesday\, October 28\, 2003\n7:30 p.m.\nlocation TBA \nARTIST RECEPTION\nSaturday\, November 1\, 2003\n7 p.m. – 9 p.m. \nHIGH SCHOOL OUTREACH\nVIDEO PROGRAM\nJanuary 20\, 2004\n7:30 p.m. \nGARY HILL: Language Willing\nGary Hill: Language Willing presents four new works by one of the founders of video installation art. For more than 20 years\, Hill has used video imagery with computer manipulation to create powerful installations that interact with the viewer. Hill’s “time based sculptures” focus on sound\, the human body and speaking in different combinations. The ASU Art Museum has a history of bringing internationally recognized and emerging new-media artists to Valley audiences for the first time. \nAbout the Artist \nGary Hill was born in Santa Monica\, Calf.\, in 1951 and now resides in Seattle\, Wash. Recent solo exhibitions have included Gary Hill: Selected Works\, Kunstmuseum Wolfsburg\, Wolsfburg\, Germany;  Hill(scape)\, Hong Kong Cultural Centre\, Hong Kong; Gary Hill: The Performative Image\, The Watari Museum of Contemporary Art\, Tokyo\, Japan; Sprengel Museum\, Hannover\, Germany; Donald Young Gallery\, Chicago\, Ill.; Whitney Museum of American Art\, New York; Capp Street Projects\, San Francisco\, Calf.; and the Center for Contemporary Images\, Saint-Gervais Geneve\, Geneva\, Switzerland. His work has been included in group exhibitions at the following selected venues: The National Museum of Contemporary Art\, Oslo\, Norway; National Gallery of Australia\, Canberra\, Australia; Vancouver Art Gallery\, Vancouver\, British Columbia; ZKM/Center for Art and Media\, Karlsruhe\, Germany; Museum of Contemporary Art\, San Diego\, Calf.; The Corcoran Gallery of Art\, Washington\, D.C.; The Museum of Modern Art\, New York; and the Venice Biennale. He has been the recipient of a Guggenheim Fellowsip\, John D. and Catherine T. MacArthur Foundation Grant\, Rockefeller Intercultural Media Arts Fellowship\, National Endowment for the Arts Fellowship and was awarded the Leone díOro prize for sculpture at the 1995 Venice Biennale. \nHigh School Outreach Video Program\nGary Hill was one of the founders of video installation art and his thirty-year\ncareer in the field has been one of great innovations and renown. Students\nstudied Hill’s work and video installation in an outreach program developed\nby museum staff and high school teachers\, including Sally Boyle\, Rick Engelmann\,\nKen Keene\, Robin McNulty and Anna Vida. Selected works will are being presented\nby each school and awards\, juried by a panel of professors\, curators and artists\,\nwill be presented at the end of the evening. \nThis project is generously supported by the Arizona Commission on the Arts \nSpecial thanks to video artist Sean Ross for his participation and support of this project. \nClick Here to see the program of works created by the students \nPresentation\nGary Hill: Language Willing was organized by the Boise Art Museum. The ASU Art Museum presentation was organized by Heather Lineberry and will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nGARY HILL: Language Willing (October 25\, 2003 – January 25\, 2004) is open at the Nelson Fine Arts Center\, Tuesday from 10 a.m. to 9 p.m. and Wednesday – Saturday from 10 a.m. to 5 p.m. \nSupport\nThis project is supported in part by grants from The National Endowment for the Arts and The Allen Foundation for the Arts. The ASU Art Museum presentation is supported in part by the Herberger College Institute for Studies in the Arts and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/gary-hill-language-willing/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20031011T000000
DTEND;TZID=America/Phoenix:20040306T000000
DTSTAMP:20260915T233201
CREATED:20180405T032500Z
LAST-MODIFIED:20241029T210815Z
UID:4176-1065830400-1078531200@asuartmuseum.org
SUMMARY:CUBAN ART FROM THE PERMANENT COLLECTION
DESCRIPTION:CUBAN ART FROM THE PERMANENT COLLECTION\nIn 1999\, five-year old Elian Gonzalez became the focus of international conflict. His mother had drowned in the effort to leave Cuba\, and little Elian was rescued only to become the center of a tug-of-war over whether he should be given permanent status in the United States or returned to his father in Cuba. During a residency at Arizona State University\, Cuban artists José Angel Toirac and Meira Marrero worked with American artist Patricia Clark to make La Edad de Oro (The Golden Age)\, a video triptych that juxtaposes American and Cuban coverage of the daily vicissitudes in this child’s life. A series of objects that reflect the tension between his experience and “normal” childhood complement the triptych. \nThis work is included in an exhibition of works from the permanent collection\, which includes a focus on contemporary art from Cuba. The exhibition includes works added since the origination of the exhibition Contemporary Art from Cuba: Irony and Survival on the Utopian Island\, with the triptych among works commissioned by the Museum. \nArtists in the Exhibition\nIncluded in the exhibition are works by Pedro Alvarez\, Belkis Ayón\, Abel Barroso\, Jacqueline Brito\, Yamilys Brito\, Patricia Clark\, Carlos Estévez\, René Francisco\, Carlos Garaicoa\, Luis Gómez\, Kcho\, Los Carpinteros\, Meira Marrero\, Sandra Ramos\, Fernando Rodríguez\, Esterio Segura\, José A. Toirac\, Tonel (Antonio Eligio Fernández)\, and Osvaldo Yero. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, CUBAN ART FROM THE PERMANENT COLLECTION will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nCUBAN ART FROM THE PERMANENT COLLECTION (October 11\, 2003 — March 6\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum and the ASU Art Museum Store.
URL:https://asuartmuseum.org/event-exhibition/cuban-art-from-the-permanent-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20031003T000000
DTEND;TZID=America/Phoenix:20040207T000000
DTSTAMP:20260915T233201
CREATED:20180405T051100Z
LAST-MODIFIED:20241029T210252Z
UID:4518-1065139200-1076112000@asuartmuseum.org
SUMMARY:LUO XIAOPING: Time Square Series
DESCRIPTION:LUO XIAOPING: Time Square Series\nLuo Xiaoping is an internationally renowned Chinese artist living in Yixing\, Jiangsu Province as well as spending time in Arizona working in ceramics. Time Square Series will showcase twenty-four figures of world political leaders. Given the current turmoil in the world political arena\, this timely show will help audiences put a face to the forces that influence our global communities. \n“In this series I have sculpted some of the most powerful people in the world today\, using only clay and paint. This is a political image spectrum installed on the Square of Time. Some of these figures may never\, in reality\, stand together\, but today I have brought them together on one single stage. Here\, I can scoff at them\, myself and the world.” \nAbout the Artist\nLuo Xiaoping was born in Jiangxi\, China in 1960. He attended the Sculpture Department of Jingdezhen Ceramics College in 1983 and became a teacher of the Architecture Faculty of Tongji University\, Shanghai after graduation. After five years as a teacher\, he resigned from the university and set up Xiaoping Studio in Yixing\, and has hosted ceramic artists from around the world\, exposing them to the rich pottery traditions of Yixing. Since 1994\, Luo Xiaoping has attended dozens of exhibitions at home and abroad and held his solo exhibitions in the United States\, New Zealand and China. At the same time he has been awarded many domestic and international prizes for his work. \nASU Art Museum Presentation \nOrganized by Peter Held\, LUO XIAOPING: Time Square Series will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration\nLUO XIAOPING: Time Square Series (October 3\, 2003 – February 7\, 2004) is open at the Ceramics Research Center: Tuesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/luo-xiaoping-time-square-series/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20031003T000000
DTEND;TZID=America/Phoenix:20040207T000000
DTSTAMP:20260915T233201
CREATED:20180405T042900Z
LAST-MODIFIED:20241029T210258Z
UID:4174-1065139200-1076112000@asuartmuseum.org
SUMMARY:BEYOND BOUNDRIES: The Yixing Influence on Contemporary American Ceramics
DESCRIPTION:BEYOND BOUNDRIES: The Yixing Influence on Contemporary American Ceramics\nBeyond Boundaries: The Yixing Influence on Contemporary American Ceramics will present the work of six American ceramic artists influenced by the pottery traditions of Yixing\, China. Yixing is a county in Southeast China and been a center of ceramic production for over one thousand years. The teapot form was most revered by Chinese tea masters dating back to the 16th century when they commissioned potters to create works depicting the natural world. The vessels transcended their functionality and incorporated many art forms including calligraphy\, poetry and painting. \nThe American leader in raising the awareness of the Yixing traditions is Richard Notkin\, an internationally acclaimed artist who first traveled to China in 1991. His work has been greatly influenced by Yixing ware and mixes social and political imagery that speaks to our society’s current situations. His sense of proportion\, attention to detail\, and use of the format for storytelling are in harmony with the Eastern antecedents. \nArtists in the Exhibition\nParticipating artists include: Gayle Fichtinger\, Beth Lo\, Richard Notkin\, Richard Swanson\, Eric Van Eimiren\, Geo Lastimirsky\, and Kathleen Royster. Many of these artists have traveled to China and are involved with an ongoing dialogue and exchange of ideas and techniques. While their work finds a common source of inspiration\, their work demonstrates a highly individual approach to scale\, subject matter\, and aesthetic approach. \nASU Art Museum Presentation \nOrganized by Peter Held\, Beyond Boundries: The Yixing Influence on Contemporary American Ceramics will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration\nBeyond Boundries: The Yixing Influence on Contemporary American Ceramics\n(October 3\, 2003 – February 7\, 2004) is open at the Ceramics Research Centerr: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/beyond-boundries-the-yixing-influence-on-contemporary-american-ceramics/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030913T000000
DTEND;TZID=America/Phoenix:20040104T000000
DTSTAMP:20260915T233201
CREATED:20180405T051600Z
LAST-MODIFIED:20241029T204652Z
UID:4516-1063411200-1073174400@asuartmuseum.org
SUMMARY:MEXICAN FOLK ART IN CONTEXT Selections from the Vanesian Collection
DESCRIPTION:OPENING RECEPTION\nSaturday\, September 13\, 2003\n7- 9 p.m. \nLECTURES\nArtist/Educator Kurt Weiser\nFriday\, September 5\nTime and Location TBA \nMexican Folk Art In Context: Selections from the Vanesian Collection\nSelected from more than 300 works collected over more than 25 years\, the exhibition demonstrates ways in which folk artists reflect and comment on both enduring and changing aspects of their world. Some things remain constant\, such as mythology\, but that mythology may take on new meaning in response to the impact of political\, ecological and cultural upheaval. The exhibition places works of art in the context of the makers’ particular worlds as well\, with photographic references gathered by the Vanesians as they collected throughout the Mexican republic. \nSelections from the exhibition \nArtists in the Exhibition\nFolk artists in the exhibition represent the regions of Tlaquepaque\, Jalisco; Metepec\, Michoacan; Ochumichu\, Michoacan; Tzintzuntzan\, Michoacan; Olinalá; Patamban\, Michoacan; Mexico City\, D.F.; Barrio de la Luz\, Puebla; Metepec\, State of Mexico; Etla\, Oaxaca; and Oaxaca City\, Oaxaca. \nExhibition Catalogue\nA full color catalogue is available for this exhibition. The publication include essays by\nKathleen Vanesian and a foreward by Marilyn A. Zeitlin. Information regarding the catalogue can be found on the ASU Art Museum Publications Page. \nOpening Reception Images \nASU Art Museum Presentation \nOrganized by Marilyn Zeitlin and John Spiak\, MEXICAN FOLK ART IN CONTEXT: Selections from the Vanesian Collection will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nMEXICAN FOLK ART IN CONTEXT: Selections from the Vanesian Collection (September 13\, 2003 – January 4\, 2004) is open at the Nelson Fine Arts Center: Tuesday through Saturday\, from 10 a.m. — 5 p.m. \nSupport\nThe exhibition\, catalogue and related programs are supported in part by Eddie Shea\, The ASU Art Museum Store and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/mexican-folk-art-in-context-selections-from-the-vanesian-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030823T000000
DTEND;TZID=America/Phoenix:20031206T000000
DTSTAMP:20260915T233201
CREATED:20180503T060142Z
LAST-MODIFIED:20241030T000010Z
UID:4172-1061596800-1070668800@asuartmuseum.org
SUMMARY:The Painters' Craft: Renaissance and Baroque Paintings in the Permanent Collection
DESCRIPTION:The Painters’ Craft: Renaissance and Baroque Paintings in the Permanent Collection will open Aug. 23 and run through Dec. 6. The exhibition in the museum’s multi-purpose room features 12 paintings and was designed for a Herberger College art history class. The exhibition also provides an opportunity for other museum visitors to view these works and examine them in a new light.
URL:https://asuartmuseum.org/event-exhibition/the-painters-craft-renaissance-and-baroque-paintings-in-the-permanent-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030621T000000
DTEND;TZID=America/Phoenix:20030913T000000
DTSTAMP:20260915T233201
CREATED:20180405T041100Z
LAST-MODIFIED:20241029T231352Z
UID:4171-1056153600-1063411200@asuartmuseum.org
SUMMARY:ANDY WARHOL AND THE POP AESTHETIC Permanent Collection and Loans
DESCRIPTION:Andy Warhol and the Pop Aesthetic: Permanent Collection and Loans\nFive early drawings and a classic screenprint of Mao Tse-tung by Andy Warhol anchor this exhibition of artists who were associated with the American pop art movement of the early 1960s. Drawn from the ASU Art Museum’s permanent collection with loans from private collections\, the exhibition includes works by Jasper Johns\, Robert Rauschenberg\, Tom Wesselman\, Ed Ruscha\, Robert Indiana and Roy Lichtenstein. \nPop art emerged as mass advertising and television became predominant forces in American life\, accompanied by a heightened consumer culture. In 1962\,  Time reported that the average American was exposed to about 1\,600 advertisements per day. Pop artists drew from new and pervasive sources of advertisements\, billboards\, comic books and mass produced items. Their hard-edged and brightly colored works represented a radical shift in American art from the Abstract Expressionists of the 1950s who drew upon their own subconscious for their expressive abstract or figurative paintings. \nPop art was largely concerned with the way the individual processed all of this information\, its universality and its impact upon values. Andy Warhol and Roy Lichtenstein pulled the imagery and even the techniques at random\, disassociating the image from its original meaning. Other artists\, like James Rosenquist or Tom Wesselman\, selected\, juxtaposed or manipulated media images for more obvious social and political commentar. \nArtists in the Exhibition \nArtists represented in the exhibition include: Alfredo Manzo Cedeno\, Roy DeForest\, James Dine\, Vernon Fisher\, Robert Indiana\, Jasper Johns\, Roy Lichtenstein\, Robert Rauschenberg\, James Rosenquist\, Edward Ruscha\, Andy Warhol\,\nTom Wesselmann and William Wiley. \nASU Art Museum Presentation \nOrganized by Heather Lineberry\, Andy Warhol and the Pop Aesthetic will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nAndy Warhol and the Pop Aesthetic (June 21 – Sep. 13\, 2003) is open at the Nelson Fine Arts Center: Tuesday through Saturday\, 10 a.m – 5 p.m. \n Support\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/andy-warhol-and-the-pop-aesthetic-permanent-collection-and-loans/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030607T000000
DTEND;TZID=America/Phoenix:20030913T000000
DTSTAMP:20260915T233201
CREATED:20180405T043600Z
LAST-MODIFIED:20241029T230934Z
UID:4170-1054944000-1063411200@asuartmuseum.org
SUMMARY:CERAMIC FACULTY SELECTS Clay from the Permanent Collection
DESCRIPTION:image credit: Rudy Autio\, Two Women and a Dog\, 1981\, Ceramic\, 23 x 19 ½ x 12″ Collection of the ASU Art Museum; Gift of Anne I. Davis \nCLOSING RECEPTION\nSaturday\, September 13\, 2003\n7- 9 p.m. \nLECTURES\nArtist/Educator Kurt Weiser\nFriday\, September 5\nTime and Location TBA \nCeramics Faculty Selects: Clay from the Permanent Collection\nWith nearly a century of combined experience as artists and educators the Herberger College’s ceramics faculty members Jeanne Otis\, Randy Schmidt and Kurt Weiser have selected 36 art works drawn from the permanent collection at the ASU Art Museum’s Ceramics Research Center. The selected objects demonstrate the full range of technique and stylistic possibilities within the ceramic field\, from historical work to wheel-thrown functional pottery to avant-garde sculpture. \nArtists in the Exhibition \nArtists represented in the exhibition include Robert Arneson\, Rudy Autio\, Ruth Duckworth\, Maria Martinez\, David Shaner\, Toshiko Takaezu\, Peter Voulkos and Betty Woodman. Each faculty member will have one of their own pieces on exhibit to illustrate their personal work. \nASU Art Museum Presentation\nOrganized by Peter Held\,  CERAMICS FACULTY SELECTS: Clay from the Permanent Collection  will be installed in the ASU Art Museums Ceramic Research Center. \nDuration\nCERAMICS FACULTY SELECTS: Clay from the Permanent Collection (June 7 — September 13\, 2003) is open at the Ceramics Research Center\, Tuesday through Saturday from 10 a.m. — 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum and CLA.
URL:https://asuartmuseum.org/event-exhibition/ceramic-faculty-selects-clay-from-the-permanent-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030607T000000
DTEND;TZID=America/Phoenix:20030824T000000
DTSTAMP:20260915T233201
CREATED:20180405T044200Z
LAST-MODIFIED:20241029T231021Z
UID:4169-1054944000-1061683200@asuartmuseum.org
SUMMARY:GADGETS AND GIZMOS
DESCRIPTION:FAMILY DAY\nSaturday\, June 28\n10 a.m. – 2 p.m.\nFREE ACTIVITIES FOR THE ENTIRE FAMILY \nGADGETS AND GIZMOS\nGadgets and Gizmos is this year’s annual summer family exhibition. Using high technology\, like a small video camera\, or low technology\, like the hand-carved wooden cuckoo clocks by Abel Barroso\, artists have combined pieces and parts into intriguing works of art. Whether conceptually complex\, visually appealing and/or whimsical\, these works present an unique art experience for viewers of any age. \nArtists in the Exhibition\nArtists represented in the exhibition include Kim Abeles\, Lew Alquist\, Abel Barroso\, Feliciano Bejar\, Thomas Hart Benton\, Deborah Butterfield\, Jim Campbell\, Dan Collins\, Kim Cridler\, Tom Eckert\, Rene Francisco\, Denis Gillingwater\, Steve Gompf\, Jenny Holzer\, Hans Kooi\, Heidi Kumao and Robert Strini. \nFamily Day \nOn Saturday\, June 28\, the ASU Art Museum will present its third annual summer family day filled with hands-on activities and events. For Gadgets and Gizmos\, the Art Museum will be filled with interactive art-making experiences for the entire family from 10 a.m. to 2 p.m.\n\nASU Art Museum Presentation \nOrganized by Jean Makin\, GADGETS AND GIZMOS will be installed in the ASU Art Museum Nelson Fine Arts Center location. \nDuration\nGADGETS AND GIZMOS (June 7 – August 31\, 2003) is open at the Nelson Fine Arts Center: Tuesday through Saturday\, 10 a.m. – 5 p.m. \n Support\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/gadgets-and-gizmos/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030531T000000
DTEND;TZID=America/Phoenix:20030913T000000
DTSTAMP:20260915T233201
CREATED:20180405T052200Z
LAST-MODIFIED:20241029T225946Z
UID:4168-1054339200-1063411200@asuartmuseum.org
SUMMARY:PHILIPPE BRADSHAW Chains and Videos
DESCRIPTION:CLOSING RECEPTION\nSaturday\, September 13\, 2003\n7- 9 p.m. \nPHILIPPE BRADSHAW: Chains and Videos\nMade from anodised aluminum chains\, Philippe Bradshaw’s rendition of Mona Lisa hangs from the gallery ceiling like colorful beaded curtains or macramé from the early 70s. Video projections onto the chain surface create unlikely pairings. From video art and the Mona Lisa\, to driving dance club music and a museum setting\, Bradshaw re-examines traditional perception and environmental settings. \nAbout the Artist\nPhilippe Bradshaw was born in Lincolnshire\, UK\, in 1965. He studied at Leicester Polytechnic from 1984-85\, and at Goldsmith’s College from 1985-88. From 1993-98 he worked with Andrea Mason as the collaborative partnership Andrea + Philippe. Their work involved numerous site-specific non-gallery projects\, most famously glazing the apertures of wartime bunkers around the countryside\, culminating in the solo show Landfill at the Independent Art Space\, London\, 1997\, where they created a faux estate agent to sell the concept. Bradshaw has been working independently since 1998. In 2000 he was named one of the recipients of the prestigious Paul Hamlyn Foundation Award. Solo shows have included: The Waiting Room\, Wolverhampton\, 1998; The Showroom\, London\, 1999; and Deitch Projects\, New York\, 2001. Philippe Bradshaw lives and works in London and is represented by Galeria Thaddaeus Ropac in Paris. \nThis will be Philippe Bradshaw’s first solo exhibition in a U.S. Museum. \nCurator’s Essay \nASU Art Museum Presentation \nOrganized by John Spiak\, PHILIPPE BRADSHAW: Chains and Videos will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nPHILIPPE BRADSHAW: Chains and Videos (May 31 – September 13\, 2003) is open at the Nelson Fine Arts Center: Tuesday through from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Claudio Cesar\, the Cesar Foundation for the Preservation of Digital Art Media and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/philippe-bradshaw-chains-and-videos/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030531T000000
DTEND;TZID=America/Phoenix:20030913T000000
DTSTAMP:20260915T233201
CREATED:20180405T051900Z
LAST-MODIFIED:20241029T225948Z
UID:4167-1054339200-1063411200@asuartmuseum.org
SUMMARY:THE MUSEUM STORE COLLECTS
DESCRIPTION:CLOSING RECEPTION\nSaturday\, September 13\, 2003\n7 – 9 p.m. \nMUSEUM STORE COLLECTS\nThe ASU Art Museum Store\, run entirely by dedicated museum docents under the leadership of LaReal Eyring\, has consistently been named as outstanding Museum Store by The New Times and other publications for the exceptional quality and rarity of what it offers. Members receive a discount on purchases. Proceeds from sales support the museum’s acquisition program. This exhibition presents a selection of works purchased with Museum Store funds\, a tribute to its role in bringing community support to the collection. A more recent acquisition made possible with store funds is the above painting by Hung Liu. \nArtists in the Exhibition \nArtists represented in the exhibition include Hung Liu\, John Ahearn\, Jon Haddock\, H.C. Westermann\, Abel Barroso\, Paul Manship\, Jacqueline Brito\, Sean Scully\, Enrique Martinez-Celaya\, John Biggers\, Hendrik Goltizius\, Enrique Chagoya\, Sue Coe\, Kenneth Miller\, C.N. Cochin\, Francisco Goya\, Leopoldo Mendez\, Currier and Ives\, George Bellows\, Einar and Jamex De La Torre\, David Gilhooly\, Martin Mull\, Robin Winters\, Russell Crotty\, Juan Llaguno\, Tracey Moffat\, Denise Green\, Ed Rossbach\, Bob Stockdale\, Kay Sekimachi\, Elsa Rady\, Burlon B. Craig\, Val Cushing\, Edwin and Mary Scheier\, Therman Statom\, Karen Karnes\, James Makins\, Kurt Weiser\, Dorothy Torivio\, Christopher Staley\, Jeff Oestreich\, Xavier Toubes\, Los Carpinteros\, Alfredo Manzo\, Maria Clemente and Jack Earl. \nASU Art Museum Presentation \nOrganized by Heather Lineberry\, THE MUSEUM STORE COLLECTS will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nTHE MUSEUM STORE COLLECTS (May 31 – September 14\, 2003) is open at the Nelson Fine Arts Center: Tuesday through Saturday\, 10 a.m. – 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum\, The Museum Store and The Museum Store patrons throughout the years.
URL:https://asuartmuseum.org/event-exhibition/the-museum-store-collects/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030510T000000
DTEND;TZID=America/Phoenix:20030807T000000
DTSTAMP:20260915T233201
CREATED:20180503T055200Z
LAST-MODIFIED:20241029T230216Z
UID:4166-1052524800-1060214400@asuartmuseum.org
SUMMARY:Hearts by Helen Frankenthaler
DESCRIPTION:Curatorial exhibition
URL:https://asuartmuseum.org/event-exhibition/hearts-by-helen-frankenthaler/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030208T000000
DTEND;TZID=America/Phoenix:20030518T000000
DTSTAMP:20260915T233201
CREATED:20180405T052500Z
LAST-MODIFIED:20241029T233627Z
UID:4164-1044662400-1053216000@asuartmuseum.org
SUMMARY:Shared Passion: Sara and David Lieberman Collection of Contemporary Ceramics and Craft
DESCRIPTION:OPENING RECEPTION\nSaturday\, February 8\, 2003\n7:00 pm – 9:00 pm \nLECTURES\nKen Price\, artist\, Friday\, February 7\, 7:30pm\nJane Sauer\, artist\, Saturday\, February 8\, 2pm\nJosh DeWeese\, artist\, February 9\, 1pm \nShared Passion: Sara and David Lieberman Collection of Contemporary Ceramics and Craft\nThe Sara and David Lieberman Collection of more than 200 contemporary ceramics works was recently promised to the ASU Art Museum. Selections from this Who’s Who of contemporary ceramics will be on display in the Ceramics Research Center. The exhibition will continue in the Nelson Fine Arts Center with selections from the Liebermans’ other great collections of contemporary craft. \n\nArtists in the Exhibition \n(CERAMICS) Rudy Autio\, Ralph Bacerra\, Gordon Baldwin\, Christie Brown\, Claire Curneen\, Josh DeWeese\, Richard Devore\, Rick Dillingham\, Stephen Dixon\, Ruth Duckworth\, Anita Fields\, Andrea Gill\, Jun Kaneko\, Karen Koblitz\, Jean-Paul Laroque\, Michael Lucero\, Warren MacKenzie\, Beverly Mayeri\, Ron Nagle\, Nora Naranjo-Morse\, Nobuhito Nishigawara\, Magdelen Odundo\, Adrian Saxe\, Patricia Sannitt\, Betsy Rosenmiller\, Don Reitz\, Ken Price\, Virgil Ortiz\, Juan Quezada\, David Regan\, Edwin Scheier\, Bobby Silverman\, Jacquie Stevens\, Suzuki Goro\, Roxanne Swentzell\, Akio Takamori\, Toshiko Takezu\, Peter Voulkos\, Kurt Weiser\, Beatrice Wood\, Betty Woodman \n(NON-CERAMIC) Hank Murta Adams\, Jeanette Ahlgren\, Adela Akers\, Jane Balsgaard\, James Bassler\, Dorothy Gill Barnes\, Gary Knox Bennett\, Jamie Bennett\, Gail Bird\, Sandra Brewer\, Johnson\, K. Brown\, Anthony Bryant\, Barbara Cooper\, Carol Eckert\, Tom Eckert\, Lillian Elliott\, Arline Fisch\, Margaret Ford\, John Garrett\, Mary Giles\, Tim Harding\, Elsie Holiday\, Kazuaki Honma\, Jan Hopkins\, Todd Hoyer\, Torii Ippo\, Kiyomi Iwata\, Ferne Jacobs\, Yazzie Johnson\, Richard Jolley\, Christine Joy\, Nancy Koenigsberg\, Clarence Lee\, Nel Linssen\, Charles Loloma\, John McQueen\, Linda Mendelson\, Mary Merkel-Hess\, Norma Minkowitz\, Ed Moulthrop\, Kenichi Nagakura\, Shinji Nakaba\, Leon Niehues\, Ritsuko Ogura\, Judy Onofrio\, Joanne Parcher\, Opocensky Pavel\, Maria Phillips\, Fran Reed\, Ed Rossbach\, Jane Sauer\, June Schwarcz\, Kiff Slemmons\, Tribal Works\, Karin Wagner\, Denise Wallace\, S. Yeh\, Toots Zynsky. \nExhibition Catalogue\nA full color catalogue is available for this exhibition. The publication include essays by\nPeter Held and Susan Peterson as well as a DVD interview with Sara and David Lieberman. Information regarding the catalogue can be found on the ASU Art Museum Publications Page. \nExhibition Catalogue Essay\nClick here to view ASU Curator of Ceramics\, Peter Held’s\, exhibition catalogue text online. \nOpening Reception \nOn Saturday\, February 8\, the ASU Art Museum will present receptions for Shared Passion and CoBrA: From the Collection of Stephane Janssen from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nLectures\nKen Price\, artist\, Friday\, February 7\, 7:30pm\nJane Sauer\, artist\, Saturday\, February 8\, 2pm\nJosh DeWeese\, artist\, Sunday\, February 9\, 1pm \nASU Art Museum Presentation \nOrganized by Peter Held\, ASU Art Museum’s new Curator of Ceramics\, Shared Passion: Sara and David Lieberman Collection of Contemporary Ceramics and Craft will be installed in the Arizona State University Art Museum’s Ceramics Research Center and Nelson Fine Arts Center locations. \nDuration\nShared Passion: Sara & David Lieberman Collection of Contemporary Ceramics and Craft(February 8 – May 18\, 2003) is open at the Ceramics Research Center Wednesday through Saturday from 1pm – 5pm and at the Nelson Fine Arts Center Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/shared-passion-sara-and-david-lieberman-collection-of-contemporary-ceramics-and-craft/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030208T000000
DTEND;TZID=America/Phoenix:20030511T000000
DTSTAMP:20260915T233201
CREATED:20180405T044000Z
LAST-MODIFIED:20241029T233630Z
UID:4165-1044662400-1052611200@asuartmuseum.org
SUMMARY:CoBrA From the Collection of Stéphane Janssen
DESCRIPTION:CoBrA: From the Collection of Stéphane Janssen\nNamed for Copenhagen\, Brussels\, and Amsterdam\, from which the original group reflects post-war malaise and shifts in philosophical thought that prefigure post-modernism. The artists of CoBrA took stock of their culture in the aftershock of the horrors of Nazi genocide and the extermination camps. Their work demonstrates a recasting of European traditions and innovation\, creating a visual vocabulary for expression of a new worldview. The group existed under the CoBrA rubric for only the period of 1945-51; but associations among them preceded and endured after\, and works from before and after will be shown in this major exhibition. \nArtists in the Exhibition\nWorks by the following artist are included in this exhibition: Asger Jorn\, Pierre Alechinsky\, Karel Appel\, Constant\, Corneille\, Christian Dotremont\, Henry Heerup\, Serge Vandercam\, Reinhoud\, and work by other artists still to be confirmed. \nExhibition Gallery Guide Essay\nView ASU Director/Chief Curator\, Marilyn A. Zeitlin’s\, exhibition gallery guide text online. \nOpening Reception \nOn Saturday\, February 8\, the ASU Art Museum will present receptions for CoBrA: From the Collection of Stéphane Janssen and Shared Passion from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, CoBrA: From the Collection of Stéphane Janssen will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location. \nDuration\nCoBrA: From the Collection of Stéphane Janssen (February 8 – May 11\, 2003) is open at the Nelson Fine Arts Center Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/cobra-from-the-collection-of-stephane-janssen/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030110T000000
DTEND;TZID=America/Phoenix:20030531T000000
DTSTAMP:20260915T233201
CREATED:20180405T052700Z
LAST-MODIFIED:20241029T233101Z
UID:4163-1042156800-1054339200@asuartmuseum.org
SUMMARY:SUE COE The Tragedy of War Series
DESCRIPTION:SUE COE: The Tragedy of War Series\nSue Coe is an important social/political artist working and residing in the United States. She creates visual commentaries on current political events and persons in power; on the inhumane treatment of animals in factory farms\, slaughterhouses\, and laboratories; and on the victims of AIDS\, Apartheid and war. She does this in a media that allows distribution to the widest audience: prints. In this exhibition of twenty-four works\, Coe exhaustively examines the Tragedy of War in our contemporary world– the political players\, atrocities\, and victims. \nAbout the Artist \nSue Coe was born in Tamworth\, England in 1951. She studied at the Royal College of Art\, London from 1970-1973. \nHer work has been exhibited at the Hirshhorn Museum and Sculpture Garden\, Washington\, DC; Georges Pompidou Center\, Paris; The Museum of Modern Art\, NY; United Nations\, New York\, NY; Art Institute of Chicago\, IL; Los Angeles County Museum of Art\, Los Angeles\, CA; The Drawing Center\, New York\, NY; Contemporary Arts Museum\, Houston\, TX; Santa Monica Museum of Art\, Santa Monica\, CA; and is represented by Galerie St. Etienne\, New York\, NY. Coe has written and created images for eight books. \nThe Arizona State University Art Museum maintains in its print archive a complete inventory of Coe’s etchings and lithographs. \nASU Art Museum Presentation \nOrganized by Jean Makin\, SUE COE: The Tragedy of War Series will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location. \nDuration\nSUE COE: The Tragedy of War Series (January 10 – May 31\, 2003) is open at the Nelson Fine Arts Center Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Mikki and Stanley Weithorn and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/sue-coe-the-tragedy-of-war-series/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20021123T000000
DTEND;TZID=America/Phoenix:20030112T000000
DTSTAMP:20260915T233201
CREATED:20180405T054400Z
LAST-MODIFIED:20241029T225757Z
UID:4162-1038009600-1042329600@asuartmuseum.org
SUMMARY:2002-2003 Arizona State University Herberger School of Art Faculty Exhibition
DESCRIPTION:ASU Herberger School of Art Faculty Exhibition\nAn annual exhibition of work by Arizona State University Herberger School of Art Faculty. \nA reception for this exhibition will take place\nFriday\, November 22\, 2003\n7:00 pm – 9:00 pm \nASU Art Museum Presentation\nArizona State University Herberger School of Art Faculty Exhibition will be installed in the Top Gallery of the Arizona State University Art Museum. \nDuration\nArizona State University Herberger School of Art Faculty Exhibition (November 23\, 2002 – January 12\, 2003) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport\nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum\, Arizona State University School of Art and the Arizona State University Katherine K. Herberger College of the Arts.
URL:https://asuartmuseum.org/event-exhibition/2002-2003-arizona-state-university-herberger-school-of-art-faculty-exhibition/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20021109T000000
DTEND;TZID=America/Phoenix:20030112T000000
DTSTAMP:20260915T233201
CREATED:20180407T025700Z
LAST-MODIFIED:20241029T210827Z
UID:4160-1036800000-1042329600@asuartmuseum.org
SUMMARY:The History of American Printmaking
DESCRIPTION:The History of American Printmaking:\nSelections from the Permanent Collection  \nRecently the ASU Art Museum received a gift of 190 prints from Melvin and Ellen Hellwitz. At the core of this gift are many examples of the best American printmakers from the early half of the 20th century. This gift created an opportunity to highlight that time period. The Museum now presents selections from that gift and other prints from the permanent collection. \nThough there are a few prints from the 1920s\, the focus of the exhibition is the volatile time of the 1930s-1940s. The nation was in a period of isolationism during the Great Depression and was bracing for the possibility of entering the Second World War. Roosevelt’s New Deal generated temporary economic reforms which incorporated support for American art and artists through government programs that brought art into the public sector\, schools and government buildings: the Section of Painting and Sculpture in the Treasury Department and the Federal Art Project in the Works in Progress Administration. As a result of the government support\, there was renewed interest in printmaking as a medium that could reach a broad segment of the population and the artists of the period were encouraged to produce works with a distinctly American spirit.\nThe resulting work was categorized as the American Scene movement\, divided by some critics into two branches: the Regionalists and the Social Realists. Regionalists reflected rural America\, romanticized views of country life as seen in the work by Thomas Hart Benton\, Slow Train through Arkansas\, 1941; John Steuart Curry\, Sanctuary\, 1944; and Grant Wood\, Shrine Quartet\, c. 1939. Social Realists depicted life in the American city\, often with social and political commentary\, such as in Margaret Lowengrund’s Breadline\, 1930s and Rockwell Kent’s\, And Now Where\, 1936. \nPrivate presses and publishing firms were also very important in the development and propagation of the American Scene prints. The Associated American Artists (AAA) published etchings and lithographs by American artists and advertised their purchase – for $5. each – on the back of periodicals. This increased access to prints from the city art markets to a larger American audience brought prints to more urban areas\, such as Arizona. Many of the prints included in this exhibition were produced by AAA and acquired by the Hellwitzs and other donors such as Oliver B. James\, Mr. & Mrs. Read Mullan\, Helen Shipley\, Mr. & Mrs. Orme Lewis\, and Robert Bell and Stirling Puck. \nThe American Scene movement declined with the insurgence of aesthetic influences from European artists escaping World War II. But the movement continues through this collection of prints\, gifted to the ASU Art Museum by its generous supporters.ASU Art Museum Presentation \nOrganized by Jean Makin\, The History of American Printmaking will be installed in the Multi-Purpose Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nThe History of American Printmaking: Selection from the Permanent Collection (November 9\, 2002 – January 12\, 2003) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/the-history-of-american-printmaking/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20021109T000000
DTEND;TZID=America/Phoenix:20030112T000000
DTSTAMP:20260915T233201
CREATED:20180405T053900Z
LAST-MODIFIED:20241029T225733Z
UID:4161-1036800000-1042329600@asuartmuseum.org
SUMMARY:Adam Chodzko Limbo Land and A Place for 'The End'
DESCRIPTION:Adam Chodzko: Limbo Land and A Place for ‘The End’\nAs human beings we are in a constant state of transition. Adam Chodzko’s DVD/sound installation Limbo Land and still photography/DVD installation A Place for ‘The End’\, allow the viewer an attempt to define or imagine an ending\, or what may actually be a new beginning. Through sight\, sound and image\, with gaps between each\, he allows emotions to come forward\, building possibilities of where we go from here and just what ‘the end’ may bring. \nProgram\nGallery Talk by Adam Chodzko\nTuesday\, November 12\, 2002\nASU Art Museum \nAbout the Artist \nAdam Chodzko lives and works in Whitstable\, Kent and London. His work has been exhibited in solo exhibitions at Sandroni Rey\, Venice\, CA; Ikon Gallery\, Birmingham\, England; Cubitt\, London; Lotta Hammer\, London; Galleria Franco Noero\, Turin; Els Hanappe Underground\, Athens; and Accademia Britannica\, Rome. His work has been included in the group exhibitions Brilliant!\, Walker Arts Center\, Minneapolis; Sensation\, Royal Academy\, London (toured); Bright Paradise\, 1st Auckland Triennial\, Auckland Art Gallery\, New Zealand; and in exhibitions at the Venice Biennale; Deste Foundation\, Athens; De Appel\, Amsterdam; Dundee Contemporary Arts\, Dundee\, Scottland; and Project Art Centre\, Dublin. Recent publications this year include a catalogue published by Film and Video Umbrella and a book published by Bookworks. \nFollowing his exhibition at the Arizona State University Art Museum\, Adam Chodzko will present a solo exhibition at the Plains Art Museum as part of their series known as The Verge. \nGallery Guide Essay \nThe exhibition includes a gallery guide available at the museum at no cost.\nCLICK HERE TO VIEW THE ESSAY ONLINE. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Adam Chodzko: Limbo Land and A Place for ‘The End’ will be installed in the Kresege Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nChodzko: Limbo Land and A Place for ‘The End’ (November 9\, 2002 – January 12\, 2003) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by the British Council and friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/adam-chodzko-limbo-land-and-a-place-for-the-end/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020921T000000
DTEND;TZID=America/Phoenix:20030105T000000
DTSTAMP:20260915T233201
CREATED:20180407T024700Z
LAST-MODIFIED:20241029T204434Z
UID:4159-1032566400-1041724800@asuartmuseum.org
SUMMARY:Touring Exhibitions
DESCRIPTION:Subjectivity: Photography of Themselves\nThe artists in this exhibition use their own bodies as their subject. In a variety of ways\, the work reflects the degree to which the self can be defined and constructed\, the ways in which the vision of the body can be conflated with landscape or machine. \nPrograms\nSlide lecture by Anthony Goicolea\n7:30 pm\, Thursday\, November 7\nASU Architecture (AED 60) \nGallery talk by Anthony Goicolea\nNoon\, Friday\, November 8\nASU Art Museum \nGallery talk by Arno Minkkinen\n7:30 pm\, Tuesday\, November 19\nASU Art Museum \nArtists in the Exhibition \nZhao Bandi\, Bob Carey\, Anthony Goicolea\, Zhang Huan\, Arno Minkkinen\, Yasumasa Morimura\, and Cindy Sherman. \nSeason Opening Reception \nOn Friday\, September 20\, the ASU Art Museum will present receptions for Mark Klett: Ideas About Time\, Pipilotti Rist: Sip My Ocean and other videos\, Embracing Night: New Ceramics by Farraday Newsome Sredl\, and The Aftermath\, (911): Photogrpahs by Janis Lewin from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, Subjectivity: Photography of Themselves will be installed in the Turk Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nSubjectivity: Photography of Themselves (September 21\, 2002 – January 5\, 2003) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/touring-exhibitions/
CATEGORIES:Exhibition
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END:VCALENDAR