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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20050901T000000
DTEND;TZID=America/Phoenix:20051119T000000
DTSTAMP:20260915T220748
CREATED:20180405T025000Z
LAST-MODIFIED:20241029T205417Z
UID:4201-1125532800-1132358400@asuartmuseum.org
SUMMARY:STELLA LAI: Let's Stop Pretending
DESCRIPTION:STELLA LAI: Let’s Stop Pretending\nHong Kong was returned to China in the year 1997\, after 155 years as a British Colony. Reflecting on this shift in history\, San Francisco based artist Stella Lai examines the architecture\, language and memories\, which attempt to define the identities and culture of her homeland. Through a newly developed series of paintings and wall installations\, Lai reflects on a Hong Kong that is neither British nor Chinese\, but more of a hyper-accelerated city in a new global dialogue. Organized by the Arizona State University Art Museum\, Stella Lai: Let’s Stop Pretending will be the artist’s first museum solo exhibition. \nComplete Gallery Guide Text \nAbout the Artist \nStella Lai was born in 1975\, in Hong Kong\, and currently lives and works in San Francisco. Lai received her BFA from the California College of Arts and Crafts in San Francisco. The artist has recently exhibited at the following venues: Lizabeth Oliveria Gallery\, Los Angeles\, CA; Howard House Gallery\, Seattle\, WA; Luggage Store Gallery\, San Francisco\, CA; Cassius King Gallery\, San Diego\, CA; Institute of Contemporary Art\, San Jose\, CA; and will be part of a two person show with artist Iona Rozeal Brown at Saltworks Gallery\, Atlanta\, GA in fall of 2005. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Stella Lai: Let’s Stop Pretending will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location and will be the artist’s first museum solo exhibition. \nDuration \nStella Lai: Let’s Stop Pretending (September 1 through November 19\, 2005) is open at the ASU Art Museum: Tuesday from 10am to 9pm\, and Wednesday through Saturday from 10am to 5pm. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum. “Look East\,” the ASU Art Museum’s Fall 2005 Art InterAct education program\, is partially funded by the City of Tempe.
URL:https://asuartmuseum.org/event-exhibition/stella-lai-lets-stop-pretending/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20050806T000000
DTEND;TZID=America/Phoenix:20051008T000000
DTSTAMP:20260915T220748
CREATED:20180404T065800Z
LAST-MODIFIED:20241029T235618Z
UID:4200-1123286400-1128729600@asuartmuseum.org
SUMMARY:ARACELI HERRERA: Mexico through the Lens
DESCRIPTION:ARACELI HERRERA: Mexico Through the Lens\nIn collaboration with ASU’s Virginia G. Piper Center for Creative Writing\, the ASU Art Museum is proud to host Araceli Herrera: Mexico Through the Lens\, an exhibition featuring several black and white images of Mexican life as seen by photojournalist Araceli Herrera. Organized by Dr. Miriam Haddu\, lecturer in Hispanic Studies at the University of London\, both Dr. Haddu and the artist will be visiting ASU this fall in conjunction with the exhibition and Piper Center programming. \nFilm Screening\nOn September 13\, the documentary film\, Return to Chiapas – a photographer on the road\,featuring Herrera and filmed and directed by Athena Mandis of the David Glass Ensemble will be shown at Hayden Library\, followed by a reception and Curator/Artist- led gallery talk at the ASU Art Museum\, 8:30-9:30 p.m. \nASU Art Museum Presentation\nOriginally organized by Dr. Miriam Haddu\, lecturer in Hispanic Studies at the University of London\, Araceli Herrera: Mexico Through the Lens will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location\, multi-purpose room. \nDuration \nAraceli Herrera: Mexico Through the Lens (Aug. 6 through Oct. 8\, 2005) is open at the ASU Art Museum: Tuesday from 10 a.m. to 9 p.m.\, and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by ASU’s Virginia G. Piper Center for Creative Writing and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/araceli-herrera-mexico-through-the-lens/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20050625T000000
DTEND;TZID=America/Phoenix:20050903T000000
DTSTAMP:20260915T220748
CREATED:20180405T023800Z
LAST-MODIFIED:20241029T231039Z
UID:4199-1119657600-1125705600@asuartmuseum.org
SUMMARY:MARK NEWPORT: Super Heroics
DESCRIPTION:Opening Reception:\nFriday\, June 24\, 7-9 p.m. \nStudent Welcome Back Party:\nTuesday\, August 30 \nMARK NEWPORT: Super Heroics\nFor centuries\, knitting has been associated with the feminine — from medieval portraits of the Virgin Mary beatifically purling to Grandma’s treasured knit afghans. Arizona artist Mark Newport\, however\, views knitting and related domestic textile arts in quite a different way. For him\, they are symbols for understanding masculinity and brute strength — and the unlikely means by which he is able to create the iconic wardrobes of the superhero. Through methods traditionally associated with female cultural identity\, Newport expresses his own ideas about male identity in American society in this\, the very first museum solo exhibition of his work. \n \nAbout the artist\nMark Newport was born in 1964 in Amsterdam\, New York\, and currently lives in Mesa\, Arizona and works in Tempe\, Arizona as a member of the faculty of the ASU School of Art. The artist did his undergraduate studies at Kansas City Art Institute (’86) and went on to earn an MFA from the School of the Art Institute of Chicago (’91). The artist has recently exhibited at the following venues: Greg Kucera Gallery\, Seattle\, Washington; Lyons Wier Gallery\, Chicago\, Illinois; John Michael Kohler Arts Center\, Sheboygan. Wisconsin; Regina Gouger Miller Gallery\, Carnegie Mellon University\, Pittsburgh\, Pennsylvania; Galerie Edward Mitterrand\, Geneva\, Switzerland; Western Washington University Gallery\, Bellingham\, Washington; The Lusty Lady Gallery\, Seattle\, Washington; Archer Gallery\, Clark College\, Vancouver\, Washington. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, MARK NEWPORT: Super Heroics will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nMARK NEWPORT: Super Heroics (June 25 through September 3\, 2005) is open at the ASU Art Museum: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum. \nAcknowledgements\nThe artist gratefully acknowledges the support of Creative Capital\, the Corporation of Yaddo\, Greg Kucera Gallery\, and the Herberger College of the Arts.
URL:https://asuartmuseum.org/event-exhibition/mark-newport-super-heroics/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20050514T000000
DTEND;TZID=America/Phoenix:20050806T000000
DTSTAMP:20260915T220748
CREATED:20180405T022100Z
LAST-MODIFIED:20241029T230205Z
UID:4198-1116028800-1123286400@asuartmuseum.org
SUMMARY:FUR\, FEATHERS AND FAMILY: OUR RELATIONSHIP WITH ANIMALS
DESCRIPTION:FUR\, FEATHERS AND FAMILY: OUR RELATIONSHIP WITH ANIMALS\nDo you have a favorite animal? A favorite pet? What kind of pet do you have? Come see how artists have depicted their favorite animals and pets – even a rhinoceros – in prints\, paintings\, ceramics\, and sculpture. There’s even a place where you can draw a picture of your favorite pet! \nAnimals have an important place in human lives as companions and dependable workers. Kids can learn more about animals – how to care for them\, the history of domestication\, and how to pick a pet – through educational materials in the exhibition. \nArtists in the Exhibition \nArtists represented in the exhibition include Henry Alken\, Karel Appel\, Thomas Hart Benton\, Wilson Bigaud\, Ernest Leonard Blumenschein\, Walter E. Bohl\, Edward Borein\, Joe Bova\, Glen Brill\, Sarah Chamberlain\, Sue Coe\, A Elmer Crowell\, Currier and Ives\, John Steuart Curry\, Lew Davis\, Roy De Forest\, Grant Dolge\, Peter Drake\, John Dunstall\, Mabel Dwight\, Edward Eberle\, Celestine Faustin\, Lesta Frank\, David Gilhooly\, Sergio Gonzalez-Tornero\, Joel Greene\, Hamilton Hamilton\, J. Harris\, Eugene Higgins\, Jacques Hnizodovsky\, Luis Jimenez\, Sir Edwin Henry Landseer\, R. Milford\, Richard Notkin\, Josiah Paine\, Andree Richmond\, Charles Russell\, Kiyoshi Saito\, Fritz Scholder\, K. Sletter\, James Stephenson\, Beth Cavener Stichter\, James Swaim\, John L. Swenson\, James Thom\, Beth Van Hoesen\, William Wegman and J. Alden Weir. \nAnnual Family Fun Day\nFor more fun\, this year’s Family Fun Day (Saturday\, July 16\, 10 a.m. – 2 p.m.)\, in conjunction with the Fur\, Feathers and Family exhibition\, will offer free hands-on activities plus a visit from a favorite PBS animal friend (courtesy of KAET) and the Arizona Humane Society mobile adoption center! \nASU Art Museum Presentation \nExhibition organized by Jean Makin and Rudy Navarro\, educational outreach organized by Laura Stewart. FUR\, FEATHERS AND FAMILY: OUR RELATIONSHIP WITH ANIMALS will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location. \nDuration \nFUR\, FEATHERS AND FAMILY: OUR RELATIONSHIP WITH ANIMALS (May 14 – August 6\, 2005) is open at the Nelson Fine Arts Center\, Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/fur-feathers-and-family-our-relationship-with-animals/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20050415T000000
DTEND;TZID=America/Phoenix:20050827T000000
DTSTAMP:20260915T220748
CREATED:20180405T023200Z
LAST-MODIFIED:20241030T000517Z
UID:4197-1113523200-1125100800@asuartmuseum.org
SUMMARY:LOOK ALIKES: The Decal Plates of Howard Kottler
DESCRIPTION:LOOK ALIKES: The Decal Plates of Howard Kottler\nOrganized by the Tacoma Art Museum\, LOOK ALIKES: The Decal Plates of Howard Kottler\, is a nationally traveling exhibition of significant works by prominent American ceramist Howard Kottler. \nThis original body of work\, which consists of 60 porcelain plates created by Kottler between the 1960s and 1980s\, has never been analyzed as a whole until now. The exhibition illustrates the wit and irony of this notable Northwest artist whose works challenged conventional notions of gender\, politics\, religion and art. \nLook Alikes presents a survey of Kottler’s decal plates that impart multiple messages and reflect the rebellious spirit of the time. The combination of Kottler’s nonconformist medium and sardonic messages implies a rejection of tradition and conventional social norms. \nAbout the Artist \nHoward Kottler (1930–1989)\, a former University of Washington professor\, is known for rejecting traditional studio ceramic practices that emphasized and valued hand-made objects. \nContrary to the studio potters who wedged clay and calculated glazes for plate-making\, Kottler created his works with mass-produced\, store-bought plates and commercial decals. \nThe decals he chose included reproductions of well-known images such as Leonardo DaVinci’s The Last Supper and Grant Wood’s American Gothic. Kottler altered these images\, often with political intent\, by cutting and combining the decals and then affixing them to inexpensive white porcelain plates\, which he purchased in bulk. \nASU Art Museum Presentation \nOrganized by Vicki Halper\, independent curator\, LOOK ALIKES: The Decal Plates of Howard Kottler will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration \nLOOK ALIKES: The Decal Plates of Howard Kottler (April 15 through August 27\, 2005) is open at the ASU Art Museum: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nOriginal funding for the exhibition provided by the Howard Kottler Testamentary Trust. The ASU Art Museum presentation of this exhibition and programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/look-alikes-the-decal-plates-of-howard-kottler/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20050305T000000
DTEND;TZID=America/Phoenix:20050820T000000
DTSTAMP:20260915T220748
CREATED:20180405T024100Z
LAST-MODIFIED:20241029T230444Z
UID:4196-1109980800-1124496000@asuartmuseum.org
SUMMARY:RAMPA: Signaling New Latin American Art Initiatives
DESCRIPTION:RAMPA: Signaling New Latin American Art Initiatives\nLatin American art entered the Arizona State University Art Museum among its earliest acquisitions. The Latin American collection is comprised of over 800 works. Plans are now developing to expand the collection to include work by artists of the Southern Cone. A seminal part of the Museum’s collection for over a half century\, Latin American art’s vitality and its relevance to our geographic location and to contemporary themes of globalization make it an engaging focus and a dynamic strategy to the advancement of the Museum. \nIn March 2005\, the ASU Art Museum will showcase works from the Latin American collection\, complemented by works on loan from Arizona collectors and beyond. The project reflects the ongoing commitment of the ASU Art Museum to present new and challenging work\, and to create exhibitions that engage the audience in new ways\, bringing the museum toward “social embeddedness\,” a University priority. Its emphasis on Latin American artists reflects the University commitment to Pan-American initiatives and the expansion of the museum exhibition\, education\, and collecting programs to works of art from that region. \nThe exhibited works will be as diverse in content\, in materials used\, historically\, and in artists’ geographic origins as the countries referenced when referring to Latin America. Those nationalistic boundaries continue to be blurred as evidenced by the work produced by artists responding to personal\, economic\, social\, and political issues of the human condition. \nThe Museum’s expanded Latin American initiatives in educational and exhibition programming and in collecting are signaled by the inclusion of works by Brazilian artists\, which is a result of the first patron and curatorial research trip to Brazil in October 2004. A second trip is scheduled for September 2005. Latin American art entered the Arizona State University Art Museum among its earliest acquisitions. A seminal part of the Museum’s collection for over a half century\, Latin American art is more relevant than ever in the Southwest and the context of globalization. \nLatin America continues to produce lively work of excellent quality. This exhibition presents works diverse in content and the geographic origins of the artists within Latin America. No single theme or stylistic tendency unifies them other than a certain vitality and freshness. \nArtists in the Exhibition and Lenders:\nThe exhibition includes work from the Museum’s permanent collection\, including recent acquisitions of works by Brazilians Efrain Almeida\, Tiago Carneiro da Cunha\, and Oscar Oiwa and by Cuban artists José Emilio Fuentes\, Aimée Garcia\, and Carlos Montes de Oca. Collectors both from this region and internationally have generously lent twentieth century and contemporary works by Carlos Alfonzo\, Belkis Ayón\, Ricardo Basbaum\, José Bechara\, Magdalena Campos Pons\, Los Carpinteros\, Franklin Cassaro\, Enrique Chagoya\, Martín Chambi\, Flor Garduño\, Luis Gonzales Palma\, Felix Gonzales-Torres\, Jarbas Lopes\, Jorge Macchi\, Raul Mourão\, Lucio Muniain\, Rivane Neuenschwander\, Rosana Palazyan\, Miguel Rio Branco\, Fernando Rodríguez\, David Alfaro Siquieros\, Valeska Soares\, José A. Toirac\, Tunga\, Pedro Vizcaino\, and Nahum Zenil. Collectors lending works include Rea Bennett and Jim Kaufman\, Sandy and Steve Davis\, Diane and Bruce Halle\, Linda Hirshman and David Forkosh\, Laurie and George Jackson\, Stéphane Janssen\, Sara and David Lieberman\, Fran and Steve Magee\, Gail and Steve Rineberg\, Donna and Howard Stone\, Neil and Monique de los Rios Urban\, Abby Whitenack\, Judy and Sid Zuber\, and anonymous lenders. \nASU Art Museum Presentation \nOrganized by the Arizona State University Art Museum and made possible in part by Peter Shikany/PS Studios\, Lisa Sette/Lisa Sette Gallery\, Fran and Steve Magee\, the Museum’s Advisory Board of Directors\, and Friends of the ASU Art Museum. In kind support provided by Ben Franklin Press\, Marilou George\, Tatiana Hensley\, and Interlingua Language School\, with invaluable support and assistance from Marilyn and Brad Brados\, Arizona’s Brazilian Consul. \nDuration \nRampa: Signaling New Latin American Art Initiatives (March 5 through August 20\, 2005) is open at the ASU Art Museum: Tuesday from 10am – 9pm\, and Wednesday through Saturday from 10am to 5pm. \nSupport \nOrganized by the Arizona State University Art Museum and made possible in part by Peter Shikany/PS Studios\, Lisa Sette/Lisa Sette Gallery\, Fran and Steve Magee\, and Friends of the ASU Art Museum. In kind support provided by Interlingua\, Tatiana Hensley\, and Marilou George. \nSpecial thanks to staff members affiliated with the following organizations for their generosity and assistance: ASU President Michael Crow’s Office of Pan American Initiatives; A Gentil Carioca and L.U.R.I.X.S. Gallery in Rio de Janeiro; Thomas Cohn Gallery\, Museum of Contemporary Art at the University of São Paulo\, and Fortes Vilaça Gallery in São Paulo; and to Masterpiece International\, Ltd. Fine Art Shipping\, El Segundo\, CA. \n2004-05 and 2005-06 curatorial research and development is made possible in part through in-kind sponsorship support from TAM Brazilian Airlines.
URL:https://asuartmuseum.org/event-exhibition/rampa-signaling-new-latin-american-art-initiatives/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20050305T000000
DTEND;TZID=America/Phoenix:20050604T000000
DTSTAMP:20260915T220748
CREATED:20180404T065400Z
LAST-MODIFIED:20241029T230442Z
UID:4537-1109980800-1117843200@asuartmuseum.org
SUMMARY:ANTHONY GOICOLEA: Photographs\, Videos and Drawings
DESCRIPTION:ANTHONY GOICOLEA: Photographs\, Videos and Drawings\nAnthony Goicolea’s dream-like photographs are peopled with multiple self-portraits. Using digital manipulation\, Goicolea clones himself and creates scenarios in which he acts out both humorous and horrific childhood incidents. \nHis photographs are simultaneously rooted in the complexities of social conventions\, nostalgia and science fiction\, and fall somewhere between fantasy and nightmare. This solo exhibition will include photographs\, drawings and videos primarily from the collection of Stéphane Janssen. \nAbout the Artist \nAnthony Goicolea lives and works in Williamsburg\, New York. The artist did his undergraduate studies in art history (’92)\, drawing and painting (’94) at the University of Georgia and went on to earn an MFA in sculpture and painting (’96) from Pratt Institute in New York. \nThe artist has recently exhibited at the following venues: Galerie Aurel Scheibler. Cologne\, Germany; Sandroni-Rey Gallery\, Los Angeles\, CA; Torch Gallery\, Amsterdam\, The Netherlands; Madison Avenue Calvin Klein Space\, New York\, NY; The John Michael Kohler Arts Center\, Sheboygan. WI; Gow Langford\, Sydney\, Australia; Cotthem Gallery\, Brussels\, Belgium; Casa de America\, Madrid\, Spain; Contemporary Center of Photography\, Melbourne\, Australia; The Sargeant Gallery\, Wanganui\, New Zealand; RARE Gallery\, New York\, NY; and The Museum of Contemporary Photography\, Chicago\, IL. \nASU Art Museum Presentation \nOrganized by Heather S. Lineberry\, ANTHONY GOICOLEA: Photographs\, Videos and Drawingswill be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nANTHONY GOICOLEA: Photographs\, Videos and Drawings (March 5 through June 4\, 2005) is open at the ASU Art Museum: Tuesday from 10 a.m. to 9 p.m.\, and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum. \n2004-05 and 2005-06 curatorial research and development is made possible in part through in-kind sponsorship support from TAM Brazilian Airlines.
URL:https://asuartmuseum.org/event-exhibition/anthony-goicolea-photographs-videos-and-drawings/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20050226T000000
DTEND;TZID=America/Phoenix:20050430T000000
DTSTAMP:20260915T220748
CREATED:20180405T022500Z
LAST-MODIFIED:20241029T234415Z
UID:4194-1109376000-1114819200@asuartmuseum.org
SUMMARY:HERBERGER COLLEGE SCHOOL OF ART FACULTY: 2004-2005 Exhibition
DESCRIPTION:HERBERGER COLLEGE SCHOOL OF ART FACULTY: 2004-2005 Exhibition\nRecent works created by the faculty will be exhibited in the bi- annual Herberger College School of Art Faculty Exhibition at the ASU Art Museum\, February 26 through April 30\, 2005. The bi-annual show offers students and the public an opportunity to see the respected talents of the Herberger College School of Art faculty. This year’s exhibition features works by approximately 25 art faculty members in media as diverse as painting\, photography\, drawing\, sculpture\, intermedia\, fiber and ceramics\, as well as research by art history and art education professors. \nArtists in the Exhibition:\nLewis Alquist\, Daniel R. Britton\, Julie Codell\, Tom Eckert\, Mary Erickson\, Denis Gillingwater\, James Hajicek\, Jules Heller\, Mary Hood \, William Jenkins\, Muriel Magenta\, Stephen Marc\, Kathryn Maxwell\, Beverly McIver\, Ellen Murray Meissinger\, Mary Bates Neubauer\, Mark Newport\, James Pile\, Janice M. Pittsley\, Betsy Schneider\, Jerry Schutte\, Gray Sweeney\, Clare Verstegen\, James R. White and Diane Wolfthal. \nASU Art Museum Presentation \nOrganized by Jean Makin\, Herberger College School of Art Faculty: 2004-2005 Exhibition will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nHerberger College School Of Art Faculty: 2004-2005 Exhibition (February 26 through April 30\, 2005) is open at the ASU Art Museum: Tuesday from 10 a.m. to 9 p.m. and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum\, Herberger College of the Arts and School of Art.
URL:https://asuartmuseum.org/event-exhibition/herberger-college-school-of-art-faculty-2004-2005-exhibition/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20050205T000000
DTEND;TZID=America/Phoenix:20050402T000000
DTSTAMP:20260915T220748
CREATED:20180405T021800Z
LAST-MODIFIED:20241029T234243Z
UID:4535-1107561600-1112400000@asuartmuseum.org
SUMMARY:DESERT CLASSICS: Ceramics in Arizona & Focus on Don Reitz
DESCRIPTION:DESERT CLASSICS: Ceramics in Arizona\nThis exhibition will highlight four Arizona ceramic artists\, Rose Cabat\, Susan Peterson\, and Edwin and Mary Scheier\, who developed their individual ceramics styles out of the mid-20th century studio pottery tradition. A focus exhibition of Don Reitz’s work will coincide with Desert Classics at the Ceramics Research Center. This exhibition will utilize works from the Museum’s permanent collection\, local private collections\, as well as the artists’ personal holdings. \nWell into their 90s\, Ed and Mary Scheier produced ceramics for more than six decades\, generating an impressive body of work. During their long career\, they became known for their well-crafted functional ceramics and collaborative practices. As individual artists\, their work is distinctive and representative of their personal interests. \nMary did most of the throwing\, producing traditional thin walled vessels with luminescent glazes. Ed’s emphasis was on decoration\, enlivening the vessels with his narrative imagery of fertility goddesses or creation stories. During his career\, Ed branched out into different mediums such as drawing\, carved wood\, and textiles. Today\, he continues to experiment and adapt\, recreating his narratives as computer generated prints. \nA contemporary to the Scheiers\, Tucson artist Rose Cabat began her career later in life. A self-taught artist\, Rose and her late husband Erni invented the famous “feelie\,” which they coined to describe the smooth tactile surface created by the glaze. Her signature teardrop vessels developed from traditional vase forms\, thrown on the wheel in her home studio. Rose still works six to eight hours a day\, producing the delicate porcelain vessels in a wide variety of “feelie” colors. \nFrom the 1950s until her retirement in 1994\, Susan Peterson followed an academic career as well as an artistic one. As a studio potter\, she is known for her glaze techniques\, reproducing glazes mastered by the Chinese duplicating the purples and reds of the Ch’ing Dynasty porcelains. \nAs a ceramic educator\, she has been a catalyst and a facilitator\, starting five ceramics programs at universities around the country. Her students comprise a virtual who’s who of American ceramic masters and include John Mason\, Ken Price and Beatrice Wood. She has authored more than 15 books and continues to dedicate her life to the field. \nThe Ceramics Research Center is fortunate to be the recipient of the Susan Harnly Peterson Archive\, comprising her ceramics library of rare books brought back from her travels in the field\, the slides and videotape she gathered documenting works of ceramic art\, kiln sites\, processes\, and interviews with ceramists. \nIn the exuberant tradition of Peter Voulkos\, Don Reitz has emerged as an important figure in contemporary studio ceramics. His work is wide ranging\, from functional plates and pitchers\, to his distinctive large-scale\, slab built vessels. Perhaps his greatest contribution to the field has been his technological advancements and innovations to the salt-glaze process. Like Susan Peterson\, Don has dedicated his life to teaching ceramics and continues to inspire emerging artists through his workshops. \nArtists in the Exhibition:\nArtists in the exhibition include Edwin and Mary Scheier\, Susan Harnly Peterson\, Rose Cabat\, and Don Reitz \nASU Art Museum Presentation \nOrganized by Peter Held and Tiffany A. Fairall\, DESERT CLASSICS: Ceramics in Arizona will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration\nDESERT CLASSICS: Ceramics in Arizona (February 5 through April 2\, 2005) is open at the ASU Art Museum Ceramics Research Center: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Ceramics Leaders of ASU (CLA).
URL:https://asuartmuseum.org/event-exhibition/desert-classics-ceramics-in-arizona-focus-on-don-reitz/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20050122T000000
DTEND;TZID=America/Phoenix:20050423T000000
DTSTAMP:20260915T220748
CREATED:20180405T025300Z
LAST-MODIFIED:20241029T232825Z
UID:4534-1106352000-1114214400@asuartmuseum.org
SUMMARY:THE OTHER MAINSTREAM: Selections from the Collection of Mikki and Stanley Weithorn
DESCRIPTION:Opening Reception:\nFriday\, January 21\, 7-9 p.m. \nVik Muniz Public Lecture:\nTuesday\, February 15\, 7:30 p.m.\nNeeb Hall\, Free \nTHE OTHER MAINSTREAM: Selections from the Collection of Mikki and Stanley Weithorn\nThis is a selection of dynamic works from the collection of Mikki and Stanley Weithorn\, demonstrating their commitment to social and political issues and artists of color. \nAlthough their collecting focuses on the contemporary\, both well-known and emerging artists\, selected historic pieces show the breadth of their interest and the roots of socially conscious work in the early 20th century. Artists in the Exhibition: \nArtists in the exhibition include: Robert Arneson\, Belkis Ayón\, John Bankston\, Sandow Birk\, Willie Birch\, Enrique Chagoya\, Sue Coe\, Robert Colescott\, Brett Cook-Dizney\, Ric Glazer-Danay\, E. V. Day\, Marita Dingus\, Peter Drake\, Marcel Dzama\, Leon Golub\, Kojo Griffin\, William Gropper\, Jon Haddock\, Gottfried Helnwein\, John King\, Jacob Lawrence\, Don Smith “Lelooska”\, Francisco Larios Osuna\, Kerry James Marshall\, Vik Muniz\, Beverly McIver\, Takashi Murakami\, Justin Novak\, Tom Otterness\, Faith Ringgold\, Larry Rivers\, Sabastiao Salgado\, Sol ‘Sax\, Joyce Scott\, Travis Somerville\, Joe Tilson\, Kara Walker and Wahxin Zhang. \nLecture\nVik Muniz will be lecturing in conjunction with the exhibition on February 15\, 7:30 p.m. at Neeb Hall. \nCatalogue\nA 48-page\, full-color catalogue is available for this exhibition. The catalogue includes an essay by ASU Art Museum Director Marilyn A. Zeitlin and an interview conducted by ASU Art Museum Senior Curator Heather Lineberry with Mikki and Stanley Weithorn.\nInformation regarding the catalogue can be found on the ASU Art Museum publications page. \nASU Art Museum Presentation \nOrganized by Heather S. Lineberry\, THE OTHER MAINSTREAM: Selections from the Collection of Mikki and Stanley Weithorn will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nTHE OTHER MAINSTREAM: Selections from the Collection of Mikki and Stanley Weithorn(January 22 through April 23\, 2005) is open at the ASU Art Museum: Tuesday\, 11 a.m. – 8 p.m. (summer hours: Tuesday\, 11 a.m. – 5 p.m.); Wednesday – Saturday\, 11 a.m. – 5 p.m.; Sunday\, 1-5 p.m.; Closed Monday and holidays \nSupport\nThe exhibition and related programs are supported in part by Eddie Shea and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/the-other-mainstream-selections-from-the-collection-of-mikki-and-stanley-weithorn/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20041211T000000
DTEND;TZID=America/Phoenix:20050212T000000
DTSTAMP:20260915T220749
CREATED:20180405T024800Z
LAST-MODIFIED:20241029T235446Z
UID:4533-1102723200-1108166400@asuartmuseum.org
SUMMARY:SELECTIONS FROM POINT OF VIEW: An Anthology of the Moving Image
DESCRIPTION:SELECTIONS FROM POINT OF VIEW: An Anthology of the Moving Image\nPoint of View: An Anthology of the Moving Image is a DVD collection featuring 11 of the most important artists worldwide working in film\, video\, and digital imagery today. Each DVD features the artist’s newly commissioned project; an in-depth interview with the artist conducted by Dan Cameron\, senior curator at the New Museum of Contemporary Art\, curator Hans Ulrich Obrist of the Musee d’Art Moderne de la Ville de Paris\, or Richard Meyer\, Associate Professor\, Department of Art History\, University of Southern California; an image library of the artist’s previous work; and biographical material. \nWorks in the Exhibition: \nFrancis Alys\, El Gringo (2003) \nIn El Gringo\, viewers experience the discomfort of being an outsider when the camera is confronted by a pack of snarling dogs. \nDavid Claerbout\, Le Moment (2003)\nClaerbout uses cinematic techniques to create a suspenseful journey through a dimly lit forest that reaches an unexpected conclusion. \nAnri Sala\, Time After Time (2003)\nLiterally depicting Point of View\, Sala stimulates the viewers’ senses of sight and sound by forcing them to concentrate on a single puzzling image until it is revealed in a surprise ending. \nASU Art Museum Presentation\nSELECTIONS FROM POINT OF VIEW: An Anthology of the Moving Image will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nSELECTIONS FROM POINT OF VIEW: An Anthology of the Moving Image (December 11\, 2004 through February 12\, 2005) is open at the ASU Art Museum: Tuesday from 10 a.m. to 9 p.m.\, and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nPoint of View: An Anthology of the Moving Image was produced by the New Museum of Contemporary Art\, NY. Executive Producers: Jumex Collection\, Mexico and Blink Digital. Sponsor: The New Art Trust San Francisco \nAn edition of the DVD collection was purchased by ASU Art Museum for its permanent collection. \nThe ASU Art Museum presentation of this exhibition and related programs are supported in part by Friends of the ASU Art Museum. \nASU Art Museum Exhibitions
URL:https://asuartmuseum.org/event-exhibition/selections-from-point-of-view-an-anthology-of-the-moving-image/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20041022T000000
DTEND;TZID=America/Phoenix:20050205T000000
DTSTAMP:20260915T220749
CREATED:20180405T021600Z
LAST-MODIFIED:20241029T210357Z
UID:4190-1098403200-1107561600@asuartmuseum.org
SUMMARY:DENNIS OPPENHEIM: Alternative Current
DESCRIPTION:DENNIS OPPENHEIM: Alternate Current\nOppenheim’s career from 1967 to the present is reflected in this exhibition of 37 works of sculpture\, models\, drawings and photo documents. An early pioneer of conceptual art as an alternative to object-based art\, Oppenheim was crucial to the development of land art\, body art\, performance and video. One of the most important post abstract expressionist artists in America\, Oppenheim shaped his art through the language and objects of everyday life\, bringing conceptualism into the public sphere. The artist will be present at the opening reception. \nAbout the Artist \nDennis Oppenheim was born in Electric City\, Washington\, 1938. He currently lives and works in New York City. The artist was educated at the School of Arts and Crafts\, Oakland\, California (B.F.A.\, 1965) and Stanford University\, Palo Alto\, California (M.F.A.\, 1965). The artist has recently exhibited at the following venues: Ludwig Forum\, Aachen\, Germany; Musee des Beaux-Arts d’Arras\, France; Irish Museum of Modern Art\, Dublin; and Marlborough Gallery\, New York. Recent commissions include: City of Buenaventura\, California; Parque de la Memoria\, Buenos Aires; Venice Biennale\, Italy; City of Leoben\, Austria; City of Valladolid\, Spain; University of Freiburg\, Germany; and Europos Parkas\, Vilniaus\, Lithuania. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, Dennis Oppenheim:Alternate Current will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nDENNIS OPPENHEIM: Alternate Current (October 22\, 2004 through February 5\, 2005) is open at the ASU Art Museum: Tuesday from 10am – 9pm\, and Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/dennis-oppenheim-alternative-current/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20041016T000000
DTEND;TZID=America/Phoenix:20050108T000000
DTSTAMP:20260915T220749
CREATED:20180405T035700Z
LAST-MODIFIED:20241029T210711Z
UID:4531-1097884800-1105142400@asuartmuseum.org
SUMMARY:WIT AND WINE: A New Look at Ancient Iranian Ceramics from the Arthur M. Sackler      Foundation
DESCRIPTION:WIT AND WINE: A New Look at Ancient Iranian Ceramics from the Arthur M. Sackler Foundation\nWit and Wine is the first major exhibition of ancient Iranian ceramics in more than a decade. Curated by Trudy S. Kawami\, Ph.D.\, Director of Research for the Arthur M. Sackler Foundation\, the exhibition features forty-five sophisticated\, beautiful and often amusing pieces that illustrate the 5\,000-year ceramic tradition that flourished in ancient\, pre-Islamic Iran until 100 BCE. \nASU Art Museum Presentation\nPeter Held organized the ASU Art Museum participation in this touring exhibition. Wit and Wine: A New Look at Ancient Iranian Ceramics from the Arthur M. Sackler Foundation will be installed in the Arizona State University Art Museum’s Ceramic Research Center location. \nDuration \nWIT AND WINE:\nA New Look at Ancient Iranian Ceramics from the Arthur M. Sackler Foundation (October 16\, 2004 through January 8\, 2005) is open at the ASU Art Museum: Tuesday through Saturday from 10am to 5pm. \nSupport\nOrganized by the Arthur M. Sackler Foundation\, New York. Local presentation is made possible in part by Friends of the ASU Art Museum and CLA.
URL:https://asuartmuseum.org/event-exhibition/wit-and-wine-a-new-look-at-ancient-iranian-ceramics-from-the-arthur-m-sackler-foundation/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040831T000000
DTEND;TZID=America/Phoenix:20041119T000000
DTSTAMP:20260915T220749
CREATED:20180405T021200Z
LAST-MODIFIED:20241029T235629Z
UID:4188-1093910400-1100822400@asuartmuseum.org
SUMMARY:DEMOCRACY IN AMERICA: Political Satire Then and Now
DESCRIPTION:Welcome Back Students Party:\nTuesday\, August 31\, 5-8 p.m. \nPublic Reception:\nFriday\, October 22\, 7-9 p.m. \nDEMOCRACY IN AMERICA: Political Satire Then and Now\nThe exhibition presents works that depict political figures and events\, some reverential but most satirical. Contemporary works are placed in historical context to demonstrate the persistence of the satiric spirit in political discourse and the recurrence of similar concerns from the 17th century to the present. The exhibition presents a variety of media by regional and nationally known artists\, and a wide variety of points of view. \nThe goal of the project is to encourage discussion and raise awareness of the privilege and responsibility of voting. The exhibition offers the opportunity to bring children to learn about the election process through Kids Voting. \nPlus\, you can register to vote at the museum through October 2\, then VOTE on November 2! \nArtists in the Exhibition\nArtists in the exhibition include: Eric Avery\, Russell Barnett Aitken\, Jim Budde\, Enrique Chagoya\, Colin Chillag\, Sue Coe\, Dan Collins\, Robbie Conal\, William Coupon\, Honoré Daumier\, Linda Eddy\, Arthur Habegger\, Heide Hesse\, William Hogarth\,\, John Haddock\, Charles Howe\, Benito Huerta\, Peter Kuper\, Carolyn Lavender\, Roy Lichtenstein\, Larry Litt\, Leopoldo Mendez\, Thomas Nast\, Mark Newport\, Luo Xiao Ping\, James Poppitz\, Alfred Quiroz\, Lynn Randolph\, Michael Rich\, John Risseeuw\, Mike Ritter\, Norman Rockwell\, Barb Ross\, William Sartain\, Julian Schnabel\, Gregg and Evan Spiridellis\, Paul Szep\, Einar and Janex de la Torre and Betty Wells. \nExhibition Organization\nOrganized by Peter Held\, Heather Sealy Lineberry\, Jean Makin\, John Spiak\, Marilyn Zeitlin\, with education/outreach programs by Ted Decker and Laura Stewart\, Democracy in Americawill be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nHours\nDemocracy in America: Political Satire Then and Now (August 31 – November 19\, 2004) is open at the ASU Art Museum: Tuesday from 10am – 9pm\, and Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/democracy-in-america-political-satire-then-and-now/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040710T000000
DTEND;TZID=America/Phoenix:20041002T000000
DTSTAMP:20260915T220749
CREATED:20180405T033700Z
LAST-MODIFIED:20241029T231958Z
UID:4187-1089417600-1096675200@asuartmuseum.org
SUMMARY:OUT OF THE WOODS
DESCRIPTION:OUT OF THE WOODS\nDrawn from the ASU Art Museum’s permanent collection and local collections\, this exhibition presents artworks made of wood or derived from natural resources. It will examine ecological issues connected to those materials and the environmental challenges of such practices as deforestation and debates over proper conservation. \nFamily Day at Camp ASUAM\nOn Saturday\, July 10\, the ASU Art Museum will present its forth annual summer family day of hands-on activities and events. For Out of the Woods the Arizona State University Art Museum will be filled with interactive art making experiences for the entire family from 10 a.m. to 2 p.m. \nASU Art Museum Presentation \nOrganized by Jean Makin\, OUT OF THE WOODS will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location.\n\nDuration \nOUT OF THE WOODS (July 10 – October 2\, 2004) is open at the Nelson Fine Arts Center: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/out-of-the-woods/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040625T000000
DTEND;TZID=America/Phoenix:20040925T000000
DTSTAMP:20260915T220749
CREATED:20180405T031000Z
LAST-MODIFIED:20241029T231045Z
UID:4186-1088121600-1096070400@asuartmuseum.org
SUMMARY:BRITISH CERAMIC MASTERWORKS: Highlights from the Anne and Sam Davis Collection
DESCRIPTION:British Ceramic Masterworks: Highlights from the Anne and Sam Davis Collection\nThis summer\, the Ceramics Research Center at the\nASU Art Museum will celebrate the donation that launched\nits collection to new heights six years ago\, when it presents\nBritish Ceramic Masterworks: Highlights from the Anne\nand Sam Davis Collection. The exhibition will present a\nselection of work from the 315-piece collection donated by\nthe Davises in 1998. The donation took the ASU Art Museum’s\nceramics collection to an international level\, adding depth\nand breadth to its already substantial holdings of work by late\n20th century American ceramists. \nCurated by Peter Held\, the ASU Art Museum’s curator of\nceramics\, this exhibition will illustrate the depth and variety of\nBritish ceramics created since the 1950s\, ranging from functional\npottery to figurative sculpture. Held has selected works with a\nspecial emphasis on the relationships between the work of\nteachers and students\, sometimes exploring this through three\ngenerations. Despite the wide range of styles and techniques\nused by the British ceramists in this exhibition\, many of them\nwere connected by the institutes at which they studied and by\nthe ceramic artists who taught them. \nAnne and Sam Davis selected the ASU Art Museum as the\nrecipient of their collection for three major reasons. They wanted\nit to stay in the western United States and to make a significant\ndifference to the collection that received it. They also knew their\ncollection would not only complement and enhance the Museum’s\ncollection\, but would balance the entire holdings. \nArtists in the Exhibition\nMany influential British studio potters are highlighted in the\nexhibition: Bernard Leach\, Michael Cardew\, Lucie Rie\, Hans\nCoper\, Angus Suttie\, Alison Britton\, Joanna Constantinidis\,\nStephen Dixon\, Nicholas Homoky\, Peter Lane\, Alan Caiger-Smith\,\nGeoffrey Swindell and George Walker\, among others. \nASU Art Museum Presentation \nOrganized by Peter Held\, British Ceramic Masterworks: Highlights from the Anne and Sam Davis Collection will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration \nBritish Ceramic Masterworks: Highlights from the Anne and Sam Davis Collection (June 25 – September 25\, 2004) is open at the Ceramics Research Center: Tuesday through Saturday from 10am to 5pm. \nSupport \nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/british-ceramic-masterworks-highlights-from-the-anne-and-sam-davis-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040522T000000
DTEND;TZID=America/Phoenix:20040911T000000
DTSTAMP:20260915T220749
CREATED:20180405T035400Z
LAST-MODIFIED:20241029T230055Z
UID:4185-1085184000-1094860800@asuartmuseum.org
SUMMARY:WHEN I GROW UP...
DESCRIPTION:OPENING RECEPTION\nSaturday\, May 22\, 2004\n7-9 p.m. \nThe battle lines have been drawn. It always seems to be between “them” and “us” — those darn snowbirds\, those seniors on the highway driving so slowly\, bluehairs in the supermarket line with all those time-consuming coupons. \nBut who’s kidding whom? In reality\, we are “them” and they are “us.” Both factions harbor concerns about rent or mortgage\, health care\, fitness\, entertainment and perceptions of self by people outside of immediate family. So why is it that the two camps hardly ever communicate about these issues? Most multi-generational conversations\, when they actually happen with someone other than our own relatives\, focus on the past and much less on contemporary issues of daily life. \nTaking brief glimpses at the current lives of seniors existing in a variety of communities and living situations\, When I Grow up… examines issues every human deals with\, in one way or another\, during his or her lifetime. The work by the five artists appearing in this exhibition addresses such universal subjects as independence\, the creative thinking process\, dependency\, displacement\, physical fitness\, racism\, and attempts to impose order on one’s own surroundings. \nExhibition Artist \nThis exhibition includes work by:\nDanielle Abrams\nTroy Aossey\nVincent Goudreau\nDavid Greenberger (The Duplex Planet)\nJessica Ingram \nPresentation\nOrganized by John Spiak\, WHEN I GROW UP… will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nInstallation Images \nWarm-up and Opening Reception Images \nDuration\nWHEN I GROW UP… (May 22 – September 11\, 2004) is open at the Nelson Fine Arts Center: Tuesday through Saturday from 10 a.m.-5 p.m. \nSupport\nIn-kind support for this exhibition provided by LA-Z-BOY Furniture Galleries.\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/when-i-grow-up/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040320T000000
DTEND;TZID=America/Phoenix:20040619T000000
DTSTAMP:20260915T220749
CREATED:20180405T034800Z
LAST-MODIFIED:20241029T230628Z
UID:4184-1079740800-1087603200@asuartmuseum.org
SUMMARY:THE LONG DAY Sculpture by Claudette Schreuders
DESCRIPTION:THE LONG DAY: Sculpture by Claudette Schreuders\nThe ASU Art Museum presents the first solo exhibition of sculpture and prints by South African artist Claudette Schreuders in an American museum. \nThe Long Day features eleven new sculptures\, lithographs and drawings by South African artist Claudette Schreuders. Schreuders is best known for her autobiographical figurative sculpture inspired by family photographs and memories and by the specific social experience of growing up white\, female and Afrikaans in the broader political context of South Africa. Assembled from carved and painted wood\, the works often include other materials such as iron\, leather\, nails and found objects\, reflecting the influence of African sculpture. Schreuders’ accessible but moody works convey the revolutionary changes in South Africa and of individuals grappling with the country’s inscrutable past. “(The) sense of (my) dislocation was not only the result of a European heritage within an African context\, but also the marginalization that formed part of a restrictive society that set limits and threatened to reject those who did not conform.” * \nThe new body of work for The Long Day is more complex. With continued emphasis on personal\, individual experience\, Schreuders reflects on the burden of representing contemporary South African political and social realities. Her allegorical figures range from works inspired by family history to anonymous figures observed in private moments that become political in a public space – like reading the newspaper about Rwanda in a park. Schreuders draws for inspiration from the iconography and style of African tribal art\, the Colon figures of West Africa of European colonials\, and Western traditions of religious woodcarving\, particularly Northern and Spanish baroque sources. Taken together the works form a compelling exhibition. \n* From the artist’s statement in Liberated Voices: Contemporary Art from South Africa\, The Museum for African Art\, New York \, 2000.\n\nAbout the Artist \nClaudette Schreuders received a Master of Fine Arts degree at the University of Cape Town in 1997. Her work has been exhibited in numerous group exhibitions in South Africa\, Japan\, Germany\, Great Britain and the United States\, and solo exhibitions at the Jack Shainman Gallery in New York. \nExhibition Catalogue\nA full color catalogue is available for this exhibition.\nInformation on the catalogue can be found at the\nASU Art Museum publications page. \nExhibition Tour\nAfter the premiere of the exhibition at the ASU Art Museum\, this exhibition will be available for touring to other institutions. Tour information. \nPresentation\nThe exhibition was jointly organized by the ASU Art Museum and San Diego State University Art Gallery\, and co-curated by Heather S. Lineberry and Tina Yapelli. The\nexhibition will travel nationally. \nDuration\nTHE LONG DAY: Sculpture by Claudette Schreuders (March 20 – June 19\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10am to 9pm and Wednesday through Saturday from 10am to 5pm. \nSupport\nExhibition\, catalogue and education programs sponsored in part by Mikki and Stanley Weithorn\, the Tides Foundation\, Evelyn Smith Family Endowment and the Friends of the ASU Art Museum. Special thanks to Jack Shainman and the Jack Shainman Gallery\, New York.
URL:https://asuartmuseum.org/event-exhibition/the-long-day-sculpture-by-claudette-schreuders/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040227T000000
DTEND;TZID=America/Phoenix:20040605T000000
DTSTAMP:20260915T220749
CREATED:20180405T033000Z
LAST-MODIFIED:20241029T234409Z
UID:4525-1077840000-1086393600@asuartmuseum.org
SUMMARY:HUMOR\, IRONY AND WIT: Ceramic Funk from the Sixties and Beyond
DESCRIPTION:HUMOR\, IRONY AND WIT: Ceramic Funk from the Sixties and Beyond\nDrawn from the Ceramics Research Center’s permanent collection as well as other private and public collections\, this exhibition unfolds the compelling and often humorous story of the development of Funk ceramics that emerged from the San Francisco Bay area during the 1960s. Robert Arneson led the charge of this movement from the University of California\, Davis. Some of his students included David Gilhooly\, Richard Notkin\, Peter Vandenberge\, Chris Unterseher and Margaret Dodd. The artists showed little respect for traditional craftsmanship in pottery and created work that drew inspiration from Dada\, Surrealism\, Pop Art and the Beat culture. The term Funk was coined in 1966 by Peter Selz for a show he organized at the University of California Art Museum in Berkeley\, California. \nArtists in the Exhibition \nRobert Arneson\, Clayton Bailey\, Fred Bauer\, Margaret Dodd\, David Gilhooly\, Stephen Kaltenbach\, Richard Notkin\, Tom Rippon\, Richard Shaw\, Chris Unterseher\, Peter Vandenberge and Patti Warashina. \nPresentation\nOrganized by Peter Held\, HUMOR\, IRONY AND WIT: Ceramic Funk from the Sixties and Beyond will be installed in the ASU Art Museum’s Ceramics Research Center location. \nDuration\nHUMOR\, IRONY AND WIT: Ceramic Funk from the Sixties and Beyond (February 27 – June 5\, 2004) is open at the Ceramics Research Center: Tuesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by CLA (Ceramics Leaders of ASU) and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/humor-irony-and-wit-ceramic-funk-from-the-sixties-and-beyond/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040207T000000
DTEND;TZID=America/Phoenix:20040619T000000
DTSTAMP:20260915T220749
CREATED:20180405T033400Z
LAST-MODIFIED:20241029T234237Z
UID:4179-1076112000-1087603200@asuartmuseum.org
SUMMARY:PEDRO ALVAREZ: LANDSCAPE IN THE FIREPLACE
DESCRIPTION:LANDSCAPE IN THE FIREPLACE: Paintings by Pedro Alvarez\nPedro Alvarez conflates old and new painting styles and ideological positions. He quotes 19th century costumbrista painting by Europeans who came to Cuba and created the vocabulary of Romantic clichés that characterized the island as exotic and sensuous. He overlays these images with American advertising illustration from the mid-50s. His content reflects layering of global influences that converge\, underlining the disparities between the source and the recipient of transmitted culture. \nAlvarez combines references to Cuban\, African and American culture. American monuments and heroes of its Revolution attest to principles of democracy and equality ensconced in the American social contract. Jolting the temporal sense are the famed fotingos\, American cars in Cuba at the time of the 1959 Cuban Revolution that have been gradually tropicalized by Cuban invented parts. In the lush Cuban landscape\, black slaves gaze on\, puzzled by the juxtapositions. Over all is a monochrome green of American money\, the currency of exchange on an island that officially despises capitalism. \nAbout the Artist\nPedro Alvarez is of the generation of Cuban artists who emerged in the 1990s who gained international recognition for their fresh approach to art-making in a political context in which free speech was not to be taken for granted. The use of irony and oblique references created the space for expression. Alvarez spends his time between his native Havana and Malaga\, Spain. His work has been shown in the Istanbul Biennial\, the Havana Bienal\, and was featured in the exhibition organized by the ASU Art Museum  Contemporary Art from Cuba: Irony and Survival on the Utopian Island which toured nationally. \nExhibition Tour\nAfter the premiere of the exhibition at the ASU Art Museum\, this exhibition will be available for touring to other institutions. \nPresentation\nOrganized by Marilyn Zeitlin\, LANDSCAPE IN THE FIREPLACE: Paintings by Pedro Alvarez will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\n LANDSCAPE IN THE FIREPLACE: Paintings by Pedro Alvarez  (February 7 – June 19\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10 a.m. to 9 p.m. and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/pedro-alvarez-landscape-in-the-fireplace/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040207T000000
DTEND;TZID=America/Phoenix:20040501T000000
DTSTAMP:20260915T220749
CREATED:20180405T030400Z
LAST-MODIFIED:20241029T233637Z
UID:4180-1076112000-1083369600@asuartmuseum.org
SUMMARY:BLUE MEMORY: Paintings by Tran Trong Vu
DESCRIPTION:BLUE MEMORY: Paintings by Tran Trong Vu\nTran’s striking paintings of schematic figures on suspended sheets of plastic explore what it means to be Asian and Vietnamese within the context of an increasingly westernized global culture. His paintings are peopled by androgynous Asian figures against a backdrop of the signs of a modernized Hanoi (like cameras\, Western toilets and street signs). Generic Asian male and female figures are painted on life-size sheets of plastic; a material found everywhere in the streets of Hanoi. Suspended from the ceiling\, the paintings fill the space and form a labyrinth through which the viewer must walk. The figures hold cameras to their faces or are framed by televisions\, products associated with contemporary Asia. Sometimes they are surrounded by slogans that Tran has drawn from banners in Hanoi or by fragments of his father’s poetry. Tran’s work explores both the westernization of Vietnamese daily life and the way Vietnamese culture is viewed by the West. Tran’s work contrasts markedly with more sanctioned\, romanticized paintings by Vietnamese artists.\n\nAbout the Artist \nTran Trong Vu was born in Hanoi in 1964\, the youngest son of Tran Dan\, one of the best known dissident writers of the 1950s. Tran graduated first in his class at the Hanoi School of Fine Arts in 1987 and in 1989 won a scholarship to study painting at the Ecole Nationale des Beaux-Arts in Paris. Tran now lives and works in Paris. \nGallery Guide Essay\nClick here for complete gallery guide essay . \nExhibition Tour\nAfter the premiere of the exhibition at the ASU Art Museum\, this exhibition will be available for touring to other institutions. Tour information. \nPresentation \nOrganized by Heather Lineberry\, BLUE MEMORY: Paintings by TRAN TRONG VU will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration \nBLUE MEMORY: Paintings by TRAN TRONG VU (February 7 – May 1\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10 a.m. to 9 p.m. and Wednesday through Saturday from 10am to 5pm. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/blue-memory-paintings-by-tran-trong-vu/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040207T000000
DTEND;TZID=America/Phoenix:20040306T000000
DTSTAMP:20260915T220749
CREATED:20180405T034000Z
LAST-MODIFIED:20241029T233640Z
UID:4181-1076112000-1078531200@asuartmuseum.org
SUMMARY:PERSONAL DOPING: Video Installations by Agnieszka Kalinowska
DESCRIPTION:Exhibition and related programs supported by the Polish Cultural Institute \n   \nOPENING RECEPTION\nSaturday\, February 7\, 2004\n7:00 pm – 9:00 pm \nPersonal Doping: Video Installations by Agnieszka Kalinowska\nAll my projects essentially consist of observing human behavior in extreme situations. I try to freeze very short moments of extreme physical and mental tension. Decisions made under such a pressure have strategic impact not only on our nearest future but also might influence our whole lives. Under pressure we expand our self-consciousness and therefore intensify the next choices we make in our lives. That’s why\, during those short moments\, we are able to mobilize our whole potential and let go of the energy we never dreamed we might possess. – Agnieszka Kalinowska \nProgram\nGallery Talk by Agnieszka Kalinowska to be announced. \nAbout the Artist \nAgnieszka Kalinowska lives and works in Warsaw\, Poland. She is a graduate of the\nPainting Department of Academy of Fine Arts in Poznan. Poland. Her work has been\nexhibited in exhibitions at Centre for Contemporary Art\, Warsaw; Baltic Gallery of\nContemporary Art; Wyspa Gallery\, Gdansk; On Gallery\, Poznan; Institute for Contemporary Art\, Dunaujvaros\, Hungary; Krolkarnia\, Warsaw; and most recently her sculpture work was presented in the group exhibition “Architectures of Gender” at the Sculpture Center\, New York. \nWorks in this exhibition were produced through the support of the Center of Contemporary Art Ujazdowski Castel in Warsaw. \nThis will be the first solo exhibition of Agnieszka Kalinowska’s work in the United States. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Personal Doping: Video Installations by Agnieszka Kalinowskawill be installed in the Kresege Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \n Duration\nPersonal Doping: Video Installations by Agnieszka Kalinowska (February 7 – March 6\, 2004) is open Tuesday from 10am – 9pm\, and Wednesday through Saturday from 10am to 5pm. \n Support\nThe exhibition and related programs are supported in part by the Polish Cultural Institute\, \nA-1 Carpet and Upholstery Cleaning Inc of Phoenix and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/personal-doping-video-installations-by-agnieszka-kalinowska/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040101T000000
DTEND;TZID=America/Phoenix:20040501T000000
DTSTAMP:20260915T220749
CREATED:20180405T032200Z
LAST-MODIFIED:20241029T233128Z
UID:4521-1072915200-1083369600@asuartmuseum.org
SUMMARY:Chicano(a) Art: from the M.A.R.S. Collection
DESCRIPTION:THE M.A.R.S. ARTSPACE LEGACY: Prints by M.A.R.S. & SelfHelp Graphics\nIn 1978 a group of artists and community leaders formed an artists’ cooperative\, Movimiento Artistico del Rio Salado (M.A.R.S.) to promote visual and performing arts by contemporary Arizona\, Mexican-American and Chicano artists. Nomadically exhibiting in a variety of spaces\, their permanent gallery\, M.A.R.S. Artspace\, opened in central Phoenix in 1981. M.A.R.S. Artspace exhibited members’ artwork and served as a showcase for poets\, writers\, performance and video artists. To help provide operational support\, M.A.R.S. members created limited editioned prints that sold through the gallery. Although their doors have recently closed\, M.A.R.S. left an impressive legacy by donating forty-three prints to the ASU Art Museum. Though this gift is a mixture of work produced by both M.A.R.S. and Self-Help Graphics (a silkscreen print collective in Los Angeles)\, these screenprints\, lithographs and monoprints convey the cultural identity\, pride and artistic achievement by some of the best Mexican-American and Chicano artists. \nList of Artists\nWork by the following artists will be included in the exhibition: José Antonio Aguirre\, David (Rivas) Botello\, Paul Botello\, Rudy M. Fernández\, Jr.\, Carmen Lomas Garza\, Pat Gómez\, Luis A. Jiménez\, Jr.\, Leo Limón\, Gilbert “Magú” Luján\, César Augusto Martínez\, Tony Ortega\, Arturo Urista\, John M. Valdez\, Larry Yáñez\, Frank Ybarra\, \nPresentation \nOrganized by Jean Makin\, THE M.A.R.S. ARTSPACE LEGACY will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nTHE M.A.R.S. ARTSPACE LEGACY (January – May\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10am to 9pm; Wednesday through Saturday from 10am to 5pm. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/chicanoa-art-from-the-m-a-r-s-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20031025T000000
DTEND;TZID=America/Phoenix:20040125T000000
DTSTAMP:20260915T220749
CREATED:20180405T044500Z
LAST-MODIFIED:20241029T210351Z
UID:4177-1067040000-1074988800@asuartmuseum.org
SUMMARY:GARY HILL Language Willing
DESCRIPTION:PUBLIC LECTURE\nTuesday\, October 28\, 2003\n7:30 p.m.\nlocation TBA \nARTIST RECEPTION\nSaturday\, November 1\, 2003\n7 p.m. – 9 p.m. \nHIGH SCHOOL OUTREACH\nVIDEO PROGRAM\nJanuary 20\, 2004\n7:30 p.m. \nGARY HILL: Language Willing\nGary Hill: Language Willing presents four new works by one of the founders of video installation art. For more than 20 years\, Hill has used video imagery with computer manipulation to create powerful installations that interact with the viewer. Hill’s “time based sculptures” focus on sound\, the human body and speaking in different combinations. The ASU Art Museum has a history of bringing internationally recognized and emerging new-media artists to Valley audiences for the first time. \nAbout the Artist \nGary Hill was born in Santa Monica\, Calf.\, in 1951 and now resides in Seattle\, Wash. Recent solo exhibitions have included Gary Hill: Selected Works\, Kunstmuseum Wolfsburg\, Wolsfburg\, Germany;  Hill(scape)\, Hong Kong Cultural Centre\, Hong Kong; Gary Hill: The Performative Image\, The Watari Museum of Contemporary Art\, Tokyo\, Japan; Sprengel Museum\, Hannover\, Germany; Donald Young Gallery\, Chicago\, Ill.; Whitney Museum of American Art\, New York; Capp Street Projects\, San Francisco\, Calf.; and the Center for Contemporary Images\, Saint-Gervais Geneve\, Geneva\, Switzerland. His work has been included in group exhibitions at the following selected venues: The National Museum of Contemporary Art\, Oslo\, Norway; National Gallery of Australia\, Canberra\, Australia; Vancouver Art Gallery\, Vancouver\, British Columbia; ZKM/Center for Art and Media\, Karlsruhe\, Germany; Museum of Contemporary Art\, San Diego\, Calf.; The Corcoran Gallery of Art\, Washington\, D.C.; The Museum of Modern Art\, New York; and the Venice Biennale. He has been the recipient of a Guggenheim Fellowsip\, John D. and Catherine T. MacArthur Foundation Grant\, Rockefeller Intercultural Media Arts Fellowship\, National Endowment for the Arts Fellowship and was awarded the Leone díOro prize for sculpture at the 1995 Venice Biennale. \nHigh School Outreach Video Program\nGary Hill was one of the founders of video installation art and his thirty-year\ncareer in the field has been one of great innovations and renown. Students\nstudied Hill’s work and video installation in an outreach program developed\nby museum staff and high school teachers\, including Sally Boyle\, Rick Engelmann\,\nKen Keene\, Robin McNulty and Anna Vida. Selected works will are being presented\nby each school and awards\, juried by a panel of professors\, curators and artists\,\nwill be presented at the end of the evening. \nThis project is generously supported by the Arizona Commission on the Arts \nSpecial thanks to video artist Sean Ross for his participation and support of this project. \nClick Here to see the program of works created by the students \nPresentation\nGary Hill: Language Willing was organized by the Boise Art Museum. The ASU Art Museum presentation was organized by Heather Lineberry and will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nGARY HILL: Language Willing (October 25\, 2003 – January 25\, 2004) is open at the Nelson Fine Arts Center\, Tuesday from 10 a.m. to 9 p.m. and Wednesday – Saturday from 10 a.m. to 5 p.m. \nSupport\nThis project is supported in part by grants from The National Endowment for the Arts and The Allen Foundation for the Arts. The ASU Art Museum presentation is supported in part by the Herberger College Institute for Studies in the Arts and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/gary-hill-language-willing/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20031011T000000
DTEND;TZID=America/Phoenix:20040306T000000
DTSTAMP:20260915T220749
CREATED:20180405T032500Z
LAST-MODIFIED:20241029T210815Z
UID:4176-1065830400-1078531200@asuartmuseum.org
SUMMARY:CUBAN ART FROM THE PERMANENT COLLECTION
DESCRIPTION:CUBAN ART FROM THE PERMANENT COLLECTION\nIn 1999\, five-year old Elian Gonzalez became the focus of international conflict. His mother had drowned in the effort to leave Cuba\, and little Elian was rescued only to become the center of a tug-of-war over whether he should be given permanent status in the United States or returned to his father in Cuba. During a residency at Arizona State University\, Cuban artists José Angel Toirac and Meira Marrero worked with American artist Patricia Clark to make La Edad de Oro (The Golden Age)\, a video triptych that juxtaposes American and Cuban coverage of the daily vicissitudes in this child’s life. A series of objects that reflect the tension between his experience and “normal” childhood complement the triptych. \nThis work is included in an exhibition of works from the permanent collection\, which includes a focus on contemporary art from Cuba. The exhibition includes works added since the origination of the exhibition Contemporary Art from Cuba: Irony and Survival on the Utopian Island\, with the triptych among works commissioned by the Museum. \nArtists in the Exhibition\nIncluded in the exhibition are works by Pedro Alvarez\, Belkis Ayón\, Abel Barroso\, Jacqueline Brito\, Yamilys Brito\, Patricia Clark\, Carlos Estévez\, René Francisco\, Carlos Garaicoa\, Luis Gómez\, Kcho\, Los Carpinteros\, Meira Marrero\, Sandra Ramos\, Fernando Rodríguez\, Esterio Segura\, José A. Toirac\, Tonel (Antonio Eligio Fernández)\, and Osvaldo Yero. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, CUBAN ART FROM THE PERMANENT COLLECTION will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nCUBAN ART FROM THE PERMANENT COLLECTION (October 11\, 2003 — March 6\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum and the ASU Art Museum Store.
URL:https://asuartmuseum.org/event-exhibition/cuban-art-from-the-permanent-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20031003T000000
DTEND;TZID=America/Phoenix:20040207T000000
DTSTAMP:20260915T220749
CREATED:20180405T051100Z
LAST-MODIFIED:20241029T210252Z
UID:4518-1065139200-1076112000@asuartmuseum.org
SUMMARY:LUO XIAOPING: Time Square Series
DESCRIPTION:LUO XIAOPING: Time Square Series\nLuo Xiaoping is an internationally renowned Chinese artist living in Yixing\, Jiangsu Province as well as spending time in Arizona working in ceramics. Time Square Series will showcase twenty-four figures of world political leaders. Given the current turmoil in the world political arena\, this timely show will help audiences put a face to the forces that influence our global communities. \n“In this series I have sculpted some of the most powerful people in the world today\, using only clay and paint. This is a political image spectrum installed on the Square of Time. Some of these figures may never\, in reality\, stand together\, but today I have brought them together on one single stage. Here\, I can scoff at them\, myself and the world.” \nAbout the Artist\nLuo Xiaoping was born in Jiangxi\, China in 1960. He attended the Sculpture Department of Jingdezhen Ceramics College in 1983 and became a teacher of the Architecture Faculty of Tongji University\, Shanghai after graduation. After five years as a teacher\, he resigned from the university and set up Xiaoping Studio in Yixing\, and has hosted ceramic artists from around the world\, exposing them to the rich pottery traditions of Yixing. Since 1994\, Luo Xiaoping has attended dozens of exhibitions at home and abroad and held his solo exhibitions in the United States\, New Zealand and China. At the same time he has been awarded many domestic and international prizes for his work. \nASU Art Museum Presentation \nOrganized by Peter Held\, LUO XIAOPING: Time Square Series will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration\nLUO XIAOPING: Time Square Series (October 3\, 2003 – February 7\, 2004) is open at the Ceramics Research Center: Tuesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/luo-xiaoping-time-square-series/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20031003T000000
DTEND;TZID=America/Phoenix:20040207T000000
DTSTAMP:20260915T220749
CREATED:20180405T042900Z
LAST-MODIFIED:20241029T210258Z
UID:4174-1065139200-1076112000@asuartmuseum.org
SUMMARY:BEYOND BOUNDRIES: The Yixing Influence on Contemporary American Ceramics
DESCRIPTION:BEYOND BOUNDRIES: The Yixing Influence on Contemporary American Ceramics\nBeyond Boundaries: The Yixing Influence on Contemporary American Ceramics will present the work of six American ceramic artists influenced by the pottery traditions of Yixing\, China. Yixing is a county in Southeast China and been a center of ceramic production for over one thousand years. The teapot form was most revered by Chinese tea masters dating back to the 16th century when they commissioned potters to create works depicting the natural world. The vessels transcended their functionality and incorporated many art forms including calligraphy\, poetry and painting. \nThe American leader in raising the awareness of the Yixing traditions is Richard Notkin\, an internationally acclaimed artist who first traveled to China in 1991. His work has been greatly influenced by Yixing ware and mixes social and political imagery that speaks to our society’s current situations. His sense of proportion\, attention to detail\, and use of the format for storytelling are in harmony with the Eastern antecedents. \nArtists in the Exhibition\nParticipating artists include: Gayle Fichtinger\, Beth Lo\, Richard Notkin\, Richard Swanson\, Eric Van Eimiren\, Geo Lastimirsky\, and Kathleen Royster. Many of these artists have traveled to China and are involved with an ongoing dialogue and exchange of ideas and techniques. While their work finds a common source of inspiration\, their work demonstrates a highly individual approach to scale\, subject matter\, and aesthetic approach. \nASU Art Museum Presentation \nOrganized by Peter Held\, Beyond Boundries: The Yixing Influence on Contemporary American Ceramics will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration\nBeyond Boundries: The Yixing Influence on Contemporary American Ceramics\n(October 3\, 2003 – February 7\, 2004) is open at the Ceramics Research Centerr: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/beyond-boundries-the-yixing-influence-on-contemporary-american-ceramics/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030913T000000
DTEND;TZID=America/Phoenix:20040104T000000
DTSTAMP:20260915T220749
CREATED:20180405T051600Z
LAST-MODIFIED:20241029T204652Z
UID:4516-1063411200-1073174400@asuartmuseum.org
SUMMARY:MEXICAN FOLK ART IN CONTEXT Selections from the Vanesian Collection
DESCRIPTION:OPENING RECEPTION\nSaturday\, September 13\, 2003\n7- 9 p.m. \nLECTURES\nArtist/Educator Kurt Weiser\nFriday\, September 5\nTime and Location TBA \nMexican Folk Art In Context: Selections from the Vanesian Collection\nSelected from more than 300 works collected over more than 25 years\, the exhibition demonstrates ways in which folk artists reflect and comment on both enduring and changing aspects of their world. Some things remain constant\, such as mythology\, but that mythology may take on new meaning in response to the impact of political\, ecological and cultural upheaval. The exhibition places works of art in the context of the makers’ particular worlds as well\, with photographic references gathered by the Vanesians as they collected throughout the Mexican republic. \nSelections from the exhibition \nArtists in the Exhibition\nFolk artists in the exhibition represent the regions of Tlaquepaque\, Jalisco; Metepec\, Michoacan; Ochumichu\, Michoacan; Tzintzuntzan\, Michoacan; Olinalá; Patamban\, Michoacan; Mexico City\, D.F.; Barrio de la Luz\, Puebla; Metepec\, State of Mexico; Etla\, Oaxaca; and Oaxaca City\, Oaxaca. \nExhibition Catalogue\nA full color catalogue is available for this exhibition. The publication include essays by\nKathleen Vanesian and a foreward by Marilyn A. Zeitlin. Information regarding the catalogue can be found on the ASU Art Museum Publications Page. \nOpening Reception Images \nASU Art Museum Presentation \nOrganized by Marilyn Zeitlin and John Spiak\, MEXICAN FOLK ART IN CONTEXT: Selections from the Vanesian Collection will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nMEXICAN FOLK ART IN CONTEXT: Selections from the Vanesian Collection (September 13\, 2003 – January 4\, 2004) is open at the Nelson Fine Arts Center: Tuesday through Saturday\, from 10 a.m. — 5 p.m. \nSupport\nThe exhibition\, catalogue and related programs are supported in part by Eddie Shea\, The ASU Art Museum Store and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/mexican-folk-art-in-context-selections-from-the-vanesian-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030823T000000
DTEND;TZID=America/Phoenix:20031206T000000
DTSTAMP:20260915T220749
CREATED:20180503T060142Z
LAST-MODIFIED:20241030T000010Z
UID:4172-1061596800-1070668800@asuartmuseum.org
SUMMARY:The Painters' Craft: Renaissance and Baroque Paintings in the Permanent Collection
DESCRIPTION:The Painters’ Craft: Renaissance and Baroque Paintings in the Permanent Collection will open Aug. 23 and run through Dec. 6. The exhibition in the museum’s multi-purpose room features 12 paintings and was designed for a Herberger College art history class. The exhibition also provides an opportunity for other museum visitors to view these works and examine them in a new light.
URL:https://asuartmuseum.org/event-exhibition/the-painters-craft-renaissance-and-baroque-paintings-in-the-permanent-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030621T000000
DTEND;TZID=America/Phoenix:20030913T000000
DTSTAMP:20260915T220749
CREATED:20180405T041100Z
LAST-MODIFIED:20241029T231352Z
UID:4171-1056153600-1063411200@asuartmuseum.org
SUMMARY:ANDY WARHOL AND THE POP AESTHETIC Permanent Collection and Loans
DESCRIPTION:Andy Warhol and the Pop Aesthetic: Permanent Collection and Loans\nFive early drawings and a classic screenprint of Mao Tse-tung by Andy Warhol anchor this exhibition of artists who were associated with the American pop art movement of the early 1960s. Drawn from the ASU Art Museum’s permanent collection with loans from private collections\, the exhibition includes works by Jasper Johns\, Robert Rauschenberg\, Tom Wesselman\, Ed Ruscha\, Robert Indiana and Roy Lichtenstein. \nPop art emerged as mass advertising and television became predominant forces in American life\, accompanied by a heightened consumer culture. In 1962\,  Time reported that the average American was exposed to about 1\,600 advertisements per day. Pop artists drew from new and pervasive sources of advertisements\, billboards\, comic books and mass produced items. Their hard-edged and brightly colored works represented a radical shift in American art from the Abstract Expressionists of the 1950s who drew upon their own subconscious for their expressive abstract or figurative paintings. \nPop art was largely concerned with the way the individual processed all of this information\, its universality and its impact upon values. Andy Warhol and Roy Lichtenstein pulled the imagery and even the techniques at random\, disassociating the image from its original meaning. Other artists\, like James Rosenquist or Tom Wesselman\, selected\, juxtaposed or manipulated media images for more obvious social and political commentar. \nArtists in the Exhibition \nArtists represented in the exhibition include: Alfredo Manzo Cedeno\, Roy DeForest\, James Dine\, Vernon Fisher\, Robert Indiana\, Jasper Johns\, Roy Lichtenstein\, Robert Rauschenberg\, James Rosenquist\, Edward Ruscha\, Andy Warhol\,\nTom Wesselmann and William Wiley. \nASU Art Museum Presentation \nOrganized by Heather Lineberry\, Andy Warhol and the Pop Aesthetic will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nAndy Warhol and the Pop Aesthetic (June 21 – Sep. 13\, 2003) is open at the Nelson Fine Arts Center: Tuesday through Saturday\, 10 a.m – 5 p.m. \n Support\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/andy-warhol-and-the-pop-aesthetic-permanent-collection-and-loans/
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR