BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ASU Art Museum - ECPv6.15.17.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://asuartmuseum.org X-WR-CALDESC:Events for ASU Art Museum REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Phoenix BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20030101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070504T000000 DTEND;TZID=America/Phoenix:20070904T000000 DTSTAMP:20260915T205134 CREATED:20180330T051200Z LAST-MODIFIED:20241029T225941Z UID:4217-1178236800-1188864000@asuartmuseum.org SUMMARY:Renegade Clay: Five Views from the West DESCRIPTION:Renegade Clay: Five Views from the West \nThis exhibition uncovers the work of five artists from western states who are defining a new generation of clay workers: Rebekah Bogard\, Neveda; Shay Church\, California; Max Lehman\, New Mexico; Thomas Muller\, California; and Christina West\, Montana. \nIn an increasingly hybrid\, cross-disciplinary\, globalized world; new technologies and approaches are influencing the ceramics field. The traditional disciplines of art\, design and craft have blurred in the last decade with a fluidity of movement never witnessed before. Not beholden to the past\, these emerging and under-recognized artists showcase a wide range of approaches: installation\, mixed media and use of new materials. \nASU Art Museum Presentation:\nOrganized by the ASU Art Museum\, this exhibition curated by Peter Held and is made possible in part through the Ceramics Leaders of ASU (CLA) and Friends of the ASU Art Museum. Renegade Clay: Five Views from the West will be installed in the ASU Art Museum Ceramics Research Center at Arizona State University. \nDuration:\nRenegade Clay: Five Views from the West runs May 4 – Sept. 4\, 2007 at the ASU Art Museum Ceramics Research Center. Hours: Tuesday – Saturday from 11 a.m. to 5 p.m. \nSupport \nThe exhibitions and related programs are made possible in part through the Ceramics Leaders of ASU (CLA) and Friends of the ASU Art Museum. \nASU Art Museum Exhibitions\nSelected past exhibitions at the ASU Art Museum include:\nBETWEEN CLOUDS OF MEMORY: Akio Takamori \nWIT AND WINE\nDESERT CLASSICS\nBritish Ceramic Masterworks: Highlights from the Anne and Sam Davis\nHUMOR\, IRONY AND WIT: Ceramic Funk from the Sixties and Beyond\nShared Passion: Sara and David Lieberman Collection of Contemporary Ceramics and Craft\nLuo Xiaoping: The Time Square Series\nBeyond Boundries: The Yixing Influence on Contemporary American Ceramics\nEmbracing Night: New Ceramics by Farraday Newsome Sredl URL:https://asuartmuseum.org/event-exhibition/renegade-clay-five-views-from-the-west/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070414T000000 DTEND;TZID=America/Phoenix:20070828T000000 DTSTAMP:20260915T205134 CREATED:20180330T055000Z LAST-MODIFIED:20241030T000749Z UID:4215-1176508800-1188259200@asuartmuseum.org SUMMARY:ASU Herberger College School of Art Faculty: 2006-2007 Exhibition DESCRIPTION:ASU Herberger College School of Art Faculty:\n2006-2007 Exhibition\nRecent works created by the faculty will be exhibited in the bi-annual ASU Herberger College School of Art Faculty Exhibition at the ASU Art Museum\, April 14 – Sept. 9\, 2007. The bi-annual show offers students and the public an opportunity to see the respected talents of the ASU Herberger College School of Art faculty. This year’s exhibition features works by more than 35 art faculty members in media as diverse as painting\, photography\, drawing\, sculpture\, inter-media\, fiber and ceramics\, as well as research by art history and art education professors. \nARTISTS IN THE EXHIBITION: \n\n\n\n \nJulie Anand\n\n \nMary Bates Neubauer\n\n \nSusan Beiner\n\n \nDaniel Britton\n\n\n\n\n\n \nBecky I. Chader (McDonah)\n\n \nJulie Codell\n\n \nDan Collins\n\n \nTom Eckert\n\n\n\n\n\n \nAngela Ellsworth\n\n \nRon Gasowski\n\n \nDenis Gillingwater\n\n \nJames Hajicek and Carol Panaro-Smith\n\n\n\n\n\n \nHilary Harp and Suzie Silver\n\n \nJules Heller\n\n \nMary Hood\n\n \nWilliam Jenkins\n\n\n\n\n\n \nMark Klett\n\n \nJohn Jota Leaños\n\n \nMuriel Magenta\n\n \nStephen Marc\n\n\n\n\n\n \nKathryn Maxwell\n\n \nBeverly McIver\n\n \nJeanne Otis\n\n\nJanice M. Pittsley\n\n\n\n\n\n \nMark Pomilio\n\n \nJohn Risseeuw\n\n \nBetsy Schneider\n\n \nJerry Schutte\n\n\n\n\n\n \nForrest Solis\n\n \nMary Stokrocki\n\n \nClare Verstegen\n\n \nJames R. White\n\n\n\n\n\n \nDiane Wolfthal\n\n\n\n\n\n\n\n\n\n \nASU Art Museum Presentation \nOrganized by ASU Art Museum curator John Spiak\, ASU Herberger College School of Art Faculty: 2006-2007. Exhibition will be installed in the ASU Art Museum’s Nelson Fine Arts Center at Arizona State University\, Tempe. \nDuration\nASU Herberger College School Of Art Faculty: 2006-2007 Exhibition (April 14 – Sept. 29\, 2007) is open at the ASU Art Museum: Tuesday through Saturday from 10 a.m. to 5 p.m. during the summer. During the academic year\, Tuesday hours extend\, 10 a.m. – 9 p.m. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum\, ASU Herberger College of the Arts and its School of Art. URL:https://asuartmuseum.org/event-exhibition/asu-herberger-college-school-of-art-faculty-2006-2007-exhibition/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070414T000000 DTEND;TZID=America/Phoenix:20070929T000000 DTSTAMP:20260915T205134 CREATED:20180330T034900Z LAST-MODIFIED:20241030T000739Z UID:4554-1176508800-1191024000@asuartmuseum.org SUMMARY:Connectivity Stage 1 DESCRIPTION:Opening reception\nFriday\, April 13\, 7-9 p.m. \nJoint reception with the exhibitions:\nConnivences: Stefan de Jager / Stéphane Janssen\nASU Herberger College School Of Art Faculty: 2006-2007 Exhibition \nArtist Talk \nFriday\, April 6\, noon – 1 p.m.\n Connectivity Stage 1 Interlab is an interactive\, digital installation created in response to four masterworks from the permanent collection on display in the ASU Art Museum Americas Gallery: Alexander Calder’s Many Pierced Disks\, 1950; Edward Hopper’s House by a Road\, circa 1942; Hung Liu’s The Trophy\, 2001; and John Frederick Peto’s The Rack\, 1882. Visitors’ behavior on the installation “stage” affects the media responses they experience. \nArtists in the Exhibition:\nThis innovative exhibition\, designed by ASU Arts\, Media and Engineering (AME) assistant professor David Birchfield\, research assistants Aaron Cuthbertson \, Sarah Hatton\,Brandon Mechtley and Chris Todd\, includes interactive video\, 3-D graphics\, audio and gesture components contributed by Phoenix Metropolitan Arts Institute high school students and their instructor\, Aaron Abbott. Other contributors include ASU Art Museum Windgate Curatorial Intern Andrea Feller\, AME faculty member Gang Qian and research assistant Huan Jin. \nASU Art Museum Presentation\nOrganized by ASU Art Museum Curator of Education Laura Stewart and Windgate Curatorial Intern Andrea Feller\, Connectivity Stage 1 Interlabwill be installed in the Americas Gallery\, ASU Art Museum’s Nelson Fine Arts Center at Arizona State University\, Tempe. \nDuration\nConnectivity Stage 1 Interlab (April 14 – Sept. 29\, 2007) is open at the ASU Art Museum: Tuesday from 11 a.m. to 9 p.m.\, Wednesday through Saturday from 11 a.m. to 5 p.m.\, and Sunday from 1 p.m. to 5 p.m. \nSupport\nConnectivity Stage 1 Interlab was made possible in part through generous funding received from the Phoenix Youth and Education Commission’s “Focus on Results” youth grant\, the Arizona Commission on the Arts\, Arizona American Masterpieces\, and the National Endowment for the Arts American Masterpieces Program. \nMore information: Laura Stewart\, laura.stewart@asu.edu URL:https://asuartmuseum.org/event-exhibition/connectivity-stage-1/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070414T000000 DTEND;TZID=America/Phoenix:20070623T000000 DTSTAMP:20260915T205134 CREATED:20180330T040300Z LAST-MODIFIED:20241030T000743Z UID:4213-1176508800-1182556800@asuartmuseum.org SUMMARY:DRAWING FROM HISTORY: Permanent Collection and Loans DESCRIPTION:Drawing from History: Permanent Collection and Loans presents 20 works by contemporary artists who are influenced by and quote from art history. The exhibition focuses on work in the ASU Art Museum’s collection\, including new acquisitions and loans from local collections. The exhibition also includes historic works that provide inspiration and reveal sources. \nArtist in the Exhibition\nThe contemporary artists in this exhibition use their knowledge of art history in different ways to inspire their work. The work includes paintings\, prints\, photographs\, sculptures and installations. Artists in the exhibition include Pierre Alechinsky\, Pedro Alvarez\, John James Audubon\, Sandow Birk\, Tiago Carneiro da Cunha\, Franklin Cassaro\, Enrique Chagoya\, Gordon Cheung\, Sue Coe\, Gustav Dore\, Walton Ford\, Nicholas Herrera\, David Huffman\, William Kentridge\, Vik Muniz\, Giovanni Piranesi and Claudette Schreuders. \nASU Art Museum Presentation\nThe exhibition is organized by Heather Lineberry\, senior curator\, ASU Art Museum\, and is installed in the ASU Art Museum’s Nelson Fine Arts Center at Arizona State University in Tempe\, Arizona. \nDuration \nDrawing from History: Permanent Collection and Loans (April 14 through June 23\, 2007) is open at the ASU Art Museum: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nSupport for this exhibition is provided by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/drawing-from-history-permanent-collection-and-loans/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070303T000000 DTEND;TZID=America/Phoenix:20070312T000000 DTSTAMP:20260915T205134 CREATED:20180330T035300Z LAST-MODIFIED:20241029T230501Z UID:4212-1172880000-1173657600@asuartmuseum.org SUMMARY:Connivences: Stefan De Jaeger / Stéphane Janssen A history of art\, family and friends DESCRIPTION:March 3 – May 12\, 2007 \nFriday\, March 2\, noon\nTour with Stéphane Janssen and Marilyn Zeitlin \nFriday\, April 13\, 7-9 p.m.\nPublic reception \nA personal conversation about this exhibition between ASU Art Museum director Marilyn A. Zeitlin and collector Stéphane Janssen can be downloaded at the following links. Please download these files on your portable player and enjoy them as you tour the exhibition. \nKresge Gallery [MP3\, 30MB]\nTop Gallery [MP3\, 15MB] \nConnivences: Stefan De Jaeger / Stéphane Janssen\nA history of art\, family and friends\nStéphane Janssen has collected art for nearly 60 years. At the age of 16\, he bought his first work: a painting by Spanish artist Oscar Dominguez. It was the beginning of many friendships and a monumental collection. After World War II\, Janssen amassed one of the outstanding CoBrA collections in the world. \nWhen he came to the U.S. in 1975\, Janssen’s aesthetic opened in response to the free atmosphere of California. When he met his partner Michael Johns\, they began to collect works by well-known artists such as Basquiat\, O’Keeffe and Witkin\, but also explored the work of emerging artists. \nJanssen met photographer Stefan De Jaeger through Belgian cartoonist Hergé . De Jaegerbegan to photograph the artists whose works Janssen and Johns collected\, as well as Janssen’s family and friends\, creating a parallel history through portraiture. \nConnivences presents works from the collection with the 20 years of portraits by De Jaeger of the artists and members of Janssen’s family. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, Connivences: Stefan De Jaeger/Stéphane Janssen\, will be installed in the ASU Art Museum’s Nelson Fine Arts Center on the Tempe campus of Arizona State University. \nDuration \nConnivences: Stefan De Jaeger/Stéphane Janssen\, March 3 – May 12\, 2007\, is open at the ASU Art Museum:\nTuesday: 10 a.m. – 9 p.m.\nWednesday – Saturday: 10 a.m. – 5 p.m. \nSupport \nThe exhibition\, and the publication that accompanies it\, originated in collaboration with the Musée d’Ixelles\, Belgium. URL:https://asuartmuseum.org/event-exhibition/connivences-stefan-de-jaeger-stephane-janssen-a-history-of-art-family-and-friends/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070112T000000 DTEND;TZID=America/Phoenix:20070421T000000 DTSTAMP:20260915T205134 CREATED:20180330T042500Z LAST-MODIFIED:20241029T233058Z UID:4211-1168560000-1177113600@asuartmuseum.org SUMMARY:RAKU: Origins\, Impact and Contemporary Expression DESCRIPTION:Public opening reception Friday\, Jan. 19\, 6-8 p.m. \nGallery talk by guest curator Jim Romberg Friday\, Jan. 19\, 7 p.m. \nTeacher workshop Saturday\, Jan. 20\, 10 a.m. – 1 p.m. \nJapanese Friendship Garden Tour Saturday\, April 7\, 9:30 a.m. – 12:20 p.m. Margaret T. Hance Park\, 1125 N. 3rd Avenue\, Phoenix Tea ceremony\, lecture and lunch included. $50 per person\, limited to 40 participants. Call (602) 256-3204\, or email Japanese.friendship.garden.pks@phoenix.gov for reservations. \nRAKU: Origins\, Impact and Contemporary Expression\nRaku is a centuries-old technique of Japanese pottery characterized by low firing temperatures and the dramatic effects of removing the works from the kiln while glowing hot\, then submerged in either sawdust or straw which combust to achieve unique patterns on the clay’s surface. A number of American ceramists in the 1960s revived and adapted the technique to suit their personal aesthetic\, with the use of a reduction chamber at the end of the raku firing. This technique was introcuded by artist and teacher Paul Soldner. \nArtists in the Exhibition:\nParticipating artists include: Tim Andrews\, Jean Biagini\, Steve Branfman\, Ching-Yuan Chang\, Patrick Crabb\, Aline Favre\, Nick Geankopolis\, Fabienne Gloria\, Rick Hirsch\, Dave Jones\, Toshio Ohi\, Jim Romberg\, Paul Soldner. \nASU Art Museum Presentation:\nOrganized by the ASU Art Museum\, this exhibition is guest-curated by Jim Romberg and is made possible in part through investment by the Eagleheart Center for Art and Inquiry\, Ceramics Leaders of ASU (CLA) and Friends of the ASU Art Museum. RAKU: Origins\, Impact and Contemporary Expression will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration:\nRAKU: Origins\, Impact and Contemporary Expression ( January 12 through April 21\, 2007) is open at the ASU Art Museum: Tuesday through Saturday from 10am to 5pm. \nSupport \nThe exhibitions and related programs are made possible in part through investment by the Eagleheart Center for Art and Inquiry\, Ceramics Leaders of ASU (CL?) and Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/raku-origins-impact-and-contemporary-expression/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20061021T000000 DTEND;TZID=America/Phoenix:20061230T000000 DTSTAMP:20260915T205134 CREATED:20180330T042800Z LAST-MODIFIED:20241029T210402Z UID:4210-1161388800-1167436800@asuartmuseum.org SUMMARY:Regalos Magnificos: Introducing Donations from the Collection of Peter P. Cecere DESCRIPTION:Regalos Magnificos: Introducing Donations from the Collection of Peter P. Cecere \nIn 2005\, collector Pete Cecere donated nearly 1\,000 works of Latin American folk art to the ASU Art Museum. The collection\, amassed over a period of more than 30 years in the diplomatic service\, reflects his passion for the people and the objects they made. A few select works from the donation celebrates the annual meeting of the Folk Art Society of America being held in Phoenix in 2006. \nASU Art Museum Presentation\nOrganized by Marilyn A. Zeitlin\, Regalos Magnificos will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location. \nDuration\nRegalos Magnificos: Introducing Donations from the Collection of Peter P. Cecere (October 21 – December 30\, 2006) is open at the Nelson Fine Arts Center: Tuesday from 10 a.m. – 9 p.m.; Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nOrganized by the ASU Art Museum and is made possible by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/regalos-magnificos-introducing-donations-from-the-collection-of-peter-p-cecere/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20060909T000000 DTEND;TZID=America/Phoenix:20070127T000000 DTSTAMP:20260915T205134 CREATED:20241029T195136Z LAST-MODIFIED:20241029T195443Z UID:4548-1157760000-1169856000@asuartmuseum.org SUMMARY:NEW AMERICAN CITY: Artists Look Forward DESCRIPTION:PUBLIC OPENING RECEPTION/ STUDENT WELCOME BACK PARTY:\nSept. 8th – 7-10 p.m.\nLocal Bands Playing on Plaza – 8-10 p.m. \nPUBLIC PROGRAMS:\nA number of public events including lectures\, book signing\, workshops and tours will take place throughout the run of the exhibition. Please see information below and sign-up for the ASU Art Museum e-nnouncement mailing list. \nEXHIBITION CATALOGUE:\nAvailable October 28th\, 2006 \n NEW AMERICAN CITY: ARTISTS LOOK FORWARD \nFew models exist for the future of metropolitan Phoenix. According to urban planners\, geographers\, community leaders\, economists and activists\, what distinguishes the Phoenix area from other cities is its youth\, astronomical growth\, geographic limitations\, desert environment and its active arts community. \nThe city has a growing cultural infrastructure with artists living and working throughout the city. The downtown art scene draws thousands of visitors each month in addition to weekly art walks at the Scottsdale galleries\, and contemporary art exhibitions open regularly at non-profit spaces across the Valley. Artists are playing an active role in envisioning the city’s future\, developing clusters of studios\, co-ops and galleries and revitalizing neighborhoods in the process. \nNew American City: Artists Look Forward explores the role of artists and the art being produced in this context. What is the role of art and visual culture in the city’s current development\, and in its future? Installed in four galleries\, the nymphaeum and throughout the museum space for a total of over 9\,500 square feet\, the exhibition features twenty-three artists who live and work in Maricopa County. Their work demonstrates a marked level of experimentation and investigation\, exploring media\, processes and styles to comment on the here and now. The artists re-imagine the possibilities of art as we re-imagine our city. \nARTISTS IN THE EXHIBITION: \n\n\n\n \nSherry Ahrentzen\n\n \nDaniel Britton\n\n \nSue Chenoweth\n\n \nDan Collins\n\n\n\n\n\n \nFrank Ekeberg\n\n \nErnesto Fonseca\n\n \nLiza Hita\n\n \nMayme Kratz\n\n\n\n\n\n \nPaho Mann\n\n \nCarrie Marill\n\n \nMelissa McGurgan\n\n \nSherrie Medina\n\n\n\n\n\n \nMatthew Moore\n\n \nMatthew Paweski\n\n \nHelen Raleigh\n\n \nChristina Ramirez\n\n\n\n\n\n \nWellington Reiter\n\n \nKade Twist\n\n \nMaria Salenger\n\n \nMatthew Salenger\n\n\n\n\n\n \nBetsy Schneider\n\n \nRandy Slack\n\n \nManuel Zarate\n\n\n\n\n\nSCOPE OF THE PROJECT:\nOur goal is for New American City: Artists Look Forward to become a platform for conversations about the possibilities and opportunities for the integration of art in the development of Phoenix. After meeting with art\, design\, business and political leaders across the metropolitan area\, it has become clear that our programs need to focus on this issue. Our community discussions and formal partnerships with community organizations will guide the development of programs to benefit and engage a broad community. \nTHE ART AND ARTISTS SELECTION PROCESS:\nThe process of selecting the art involved multiple steps to facilitate an open\, respectful dialog that will continue beyond the exhibition. In addition to consulting with art and design professionals on recommendations\, an open call was made to locate unknown and under-represented artists who are living and working in Maricopa County. The curators reviewed over one hundred and fifty submissions\, selecting more than eighty artists for studio visits. The art in the exhibition matches the liveliness and complexity of the city. It ranges from painting and photography to installations of land art and art with new technologies. All of the work reflects upon the city\, whether personal impressions of living and working here\, or broader questions and aspirations for our future. \nEXHIBITION CATALOGUE:\nA 56-page\, color catalogue documenting the art in the exhibition and the conversations generated by its presentation with essays by the curators\, artist Kate Twist and geographer Patricia Gober. In order to photo document the installations in the exhibition\, the catalogue will first be available at a Book Launch Event on October 28. See information below. \nTUESDAY NIGHT LECTURE SERIES: \nSeptember 26\, 2006\, 7:30pm\nLocation: TBA\nIlluminating the Mirror – Reflections on WaterFire by Barnaby Evans\, artist\, Providence\, Rhode Island\nIntroduction and response by Dean Wellington Reiter\, ASU College of Design\nSponsored by the ASU College of Design \nJanuary 23\, 2007\, 7:30pm\nLocation: ASU Art Museum\nLecture by Mark Robbins\, dean\, School of Architecture\, Syracuse University\, New York\nIntroduction by Dr. Renata Hejduk\, professor of Architecture\, ASU College of Design\nSupported by the Maurice R. and Meta G. Gross Foundation \nOctober 17\, 2006\, 7:30pm\nLocation: ASU Art Museum\nLecture by Matthew Coolidge\, Founder/Director of the Center for Land Use Interpretation\, Los Angeles\nSupported by the Maurice R. and Meta G. Gross Foundation \nFor more complete details on all programs\, visit the New American City Public Programs \nSATURDAY BRUNCH SERIES: \nOctober 28\, 2006\, 10:30am\nLocation: ASU Art Museum\nThe New American City Book Launch with Dr. Patricia Gober\, professor and co-director of the Decision Center for a Desert City\, ASU\nOther recent publications on Phoenix and their authors will be available\, including fiction writer Jon Talton. \nJanuary 13\, 2007\, 10:30am\nLocation: ASU Art Museum\nWhy is Creative Capital in Arizona? by Ruby Lerner\, executive director of Creative Capital\, Inc.\, with grant recipients Liz Cohen\, John Leaños\, Beverly McIver and Mark Newport.\nSupported by the Maurice R. and Meta G. Gross Foundation \nJanuary 27\, 2007\, 10:30am\nLocation: ASU Art Museum\nExhibition Closing/Dialog Just Beginning by Dr. Nan Ellin\, Director\, Urban & Metropolitan Studies Program\, School of Public Affairs. \nFor more complete details on all programs\, visit the New American City Public Programs. \nFRIDAY NOON LUNCHTIME SERIES: \nSeptember 22\, 12noon\nLocation: Eye Lounge Gallery\, Phoenix\nKate Timmerman \nSeptember 29\, 12noon\nLocation: ASU Art Museum\nMatt Moore\, Carrie Marill \nOctober 6\, 12noon\nLocation: ASU Art Museum\nSherrie Medina\, Liza Cohen Hita\, Ernesto Fonseca \nOctober 20\, 11:30am\nLocation: Phoenix Urban Research Laboratory (PURL)\, Security Building\, 234 N. Central Avenue\, 8th Floor\, Phoenix\nWellington Reiter \nNovember 17\, 12noon\nLocation: ASU Art Museum\nMayme Kratz\, Dan Britton and Randy Slack \nDecember 1\, 12noon\nLocation: ASU Art Museum\nDavid Foster \nDecember 8\, 12noon\nLocation: ASU Art Museum\nGreg Esser \nDecember 15\, 12noon\nLocation: ASU Art Museum\nRenata Hejduk \nFor more complete details on all programs\, visit the New American City Public Programs. \nSELECTED INNOVATIVE PROGRAMS: \n\nCity tours that explore a diverse range of urban art spaces with an onboard expert guest lecturer\, such as visits to artist-generated developments and studio/warehouse districts;\n\n\nLectures by national and local leaders in urban issues and the arts with local respondents;\n\n\nNetworking and professional programs to benefit artists and design professionals living in the Valley\, drawing upon the list of 150 original submitting artists and partnerships to market such opportunities;\n\n\nArt InterAct program\, an innovative video project with high schools from across the Valley will introduce students to contemporary art and artists\, issues of their city\, and to opportunities for personal achievement at the university;\n\n\n56-page\, color catalogue documenting the art in the exhibition and the conversations generated by its presentation with essays by the curators\, artist Kate Twist and geographer Patricia Gober\n\nFor more complete details on all programs\, visit the New American City Public Programs. \nSUPPORT:\nOrganized by the Arizona State University Art Museum and is made possible in part through an investment by Najafi Companies. \nInvestment support also provided by an anonymous donation\, Maurice R. and Meta G. Gross Foundation\, Hillstone Restaurant Group\, Wespac Construction\, Michael Levine\, Inc.\, Arizona Commission on the Arts\, Lori and Howard Hirsch\, Treg Bradley\, Libby Decker and T.J. Decker\, Cindy Dach and Greg Esser\, The Katherine K. Herberger College of the Arts Dean’s Investment Fund\, and Friends of the ASU Art Museum. Additional financial support provided by Beth and Pat Moroney\, Robin and Bill Charles\, Sharon and Paul Fannin\, Ellyce and Eddie Shea\, and Tana and Ridge Smidt. \nIn kind support provided by The Lavidge Company\, Eddie Shea Design\, Item Magazine\, ASU College of Design\, Changing Hands Bookstore\, Interlingua and the ASU College of Law\, Art Advocacy Program and Center for Law\, Leadership and Management. \nASU ART MUSEUM’S MISSION AND VISION:\nOur vision for the ASU Art Museum is to be recognized as a global force in exploring art in contemporary society. Founded in 1951\, the ASU Art Museum is one of the region’s oldest and most respected museums. With over 12\,000 objects in the collection and a schedule of twenty exhibitions per year\, the Museum provides a dynamic arena for the discovery of art\, artists\, and ideas to educate and engage the global community. It collects\, preserves\, interprets and exhibits works of contemporary art\, especially the work of artists from the United States and Latin America. Our programs reach adult and youth populations across demographics\, and stress education and the communal role of the arts in building bridges and understanding among peoples. \nASU ART MUSEUM PRESENTATION: \nCo-curated by Heather Lineberry and John D. Spiak\, New American City: Artists Look Forwardwill be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDURATION: \nNew American City: Artists Look Forward is open at the ASU Art Museum:\nSeptember 9\, 2006 through January 27\, 2007\nTuesdays\, 10 a.m. – 9 p.m;\nWednesdays – Saturdays\, 10 a.m. – 5 p.m;\nSunday and Monday – closed. URL:https://asuartmuseum.org/event-exhibition/new-american-city-artists-look-forward/ CATEGORIES:blue,Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20060404T000000 DTEND;TZID=America/Phoenix:20070310T000000 DTSTAMP:20260915T205134 CREATED:20180330T033200Z LAST-MODIFIED:20241030T000352Z UID:4547-1144108800-1173484800@asuartmuseum.org SUMMARY:Art Inspires Music DESCRIPTION:ART INSPIRES MUSIC: Interdisciplinary Gallery Project 3 \nLocal musicians Yolanda Bejarano\, Aaron Gerwien\, Steven Reker and Robin Vining created musical compositions inspired by works of art from the ASU Art Museum permanent collection for Art Inspires Music Museum visitors engage in both music and visual art at listening stations within the interdisciplinary space of the museum’s Americas Gallery. \nAbout the Musicians\nYolanda Bejarano composed her song in her native Spanish. She currently fronts a band called Snowsongs\, and has worked with the bands Chula and The Slow Down. She is an alumnus of ASU. \nSteven Reker plays under the name wonderful wednesday and also sings in the touring band Reindeer/Tiger Team. Reker is in his final semester as dance major at ASU. \nAaron Gerwien currently fronts a band called Black Feet and was a founding member of The Go Reflex. \nRobin Vining has been playing music in the Phoenix area for over a decade. He currently plays a wide variety of instruments for his bands Sweet Bleeders\, Colorstore\, Fatigo and also fills out the sound of a number of other local bands. \nArtists in the Exhibition:\nRon Wagner\, Ben Goo\, 1974\n(Musician: Yolanda Bejarano) \nJohn Allen Dawson\, Untitled (woman with lips)\, 1973\n(Musician: Steven Reker) \nLeonard Baskin\, Worchester\, 1953\n(Musician: Aaron Gerwien) \nRussell Crotty\, Towers and Dishes\, 1992\n(Musician: Robin Vining) \nAbout the Curator\nGuest Curator Kimber Lanning is the owner of Stinkweeds New and Used Music\, director of Modified Arts and co-founder of Arizona Chain Reaction. \nSupport \nThe project is made possible with in-kind support from Modified Arts\, Jerry Audio/Video\, 513 Analog Recording\, Inc. and Friends of the ASU Art Museum. \nThe Art Inspires Music project is facilitated by Jennifer Chao\, Windgate curatorial intern at the ASU Art Museum. \nInterdisciplinary Gallery\nThe Interdisciplinary Gallery is a space within the museum designated for guest curators to select works from the ASU Art Museum’s rapidly growing permanent collection to open dialogues between the visual arts and other disciplines. It is a unique project among museums in the region. URL:https://asuartmuseum.org/event-exhibition/art-inspires-music/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20051025T000000 DTEND;TZID=America/Phoenix:20060128T000000 DTSTAMP:20260915T205134 CREATED:20180405T022700Z LAST-MODIFIED:20241029T210318Z UID:4546-1130198400-1138406400@asuartmuseum.org SUMMARY:JAUNE QUICK-TO-SEE SMITH: Paintings and Prints DESCRIPTION:JAUNE QUICK-TO-SEE SMITH: Paintings and Prints\nThrough a rich combination of abstract and realistic imagery Jaune Quick-To-See Smith: Paintings and Prints highlights her concern for the destruction of the environment and government devastation of native cultures and myths. This exhibition and Contemporary Native American Ceramics from Local Collections at the Ceramics Research Center are offered in conjunction with the Native American Art Studies Association (NAASA) conference hosted by Arizona State University and the Heard Museum\, October 26-29\, 2005. \nAbout the Artist\nJaune Quick-To-See Smith was born in 1940. She received her BA in art education at Farmingham State College in Massachusetts before earning an MA in Art from the University of New Mexico. Her work is in permanent museum collections around the world\, including the Arizona State University Art Museum. \nASU Art Museum Presentation \nOrganized by Jean Makin\, Jaune Quick-To-See Smith: Paintings and Prints will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nJaune Quick-To-See Smith: Paintings and Prints (October 25\, 2005 through January 28\, 2006) is open at the ASU Art Museum: Tuesday from 10 a.m. to 9 p.m.\, and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/jaune-quick-to-see-smith-paintings-and-prints/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20050924T000000 DTEND;TZID=America/Phoenix:20051224T000000 DTSTAMP:20260915T205134 CREATED:20241029T195137Z LAST-MODIFIED:20241029T195825Z UID:4203-1127520000-1135382400@asuartmuseum.org SUMMARY:REGENERATION: Contemporary Chinese Art from China and the U.S. DESCRIPTION:Regeneration: Contemporary Chinese Art from China and the U.S. \nRegeneration: Contemporary Chinese Art from China and the U.S. surveys the exciting and rapidly changing field of contemporary Chinese art in drawing\, installation\, painting\, photography\, video\, prints and sculpture. The exhibition features the work of 26 artists\, living in the U.S. and in China. Some have been prominent on the international scene during the last decade; others are new to Western audiences. \nMany of the artists share thematic concerns in their use and appropriation of traditional Chinese art forms in new ways or their investigation of the momentous\, ongoing social and cultural transformations in China. All the artists represent the vital and rapid regeneration of contemporary life and culture in contemporary China. \nThe exhibition was organized by the Samek Art Gallery\, Bucknell University. The exhibition has been traveling nationally to positive response and reviews. Regeneration is accompanied by a four-color catalogue with an essay by distinguished Chinese avant-garde art critic and curator\, Li Xianting. \nArtist in the Exhibition \nArtists include Ai Weiwei\, Chen Lingyang\, Hai Bo\, Hong Hao\, Li Yongbin\, Lin Tianmiao\, Liu Wei\, Liu Xiaodong\, Qiu Zhijie\, Yu Hong\, Zhang Dali\, Zhang Xiaogang\, Zhang Yajie\, Zhao Liang; Chen Shaoxiong\, Liang Juhui; Hong Lei\, Hu Jieming\, Xu Zhen\, Zhou Xiaohu; and Cai Jin\, Wenda Gu\, Xiaoze Xie\, Xu Bing\, Yun-Fei Ji\, Zhang Huan. \nExhibition Catalogue\nRegeneration is accompanied by a four-color catalogue with an essay by distinguished Chinese avant-garde art critic and curator\, Li Xianting that is available in the ASU Art Museum Store. \nASU Art Museum Presentation\nThe exhibition was organized by the Samek Art Gallery\, Bucknell University. ASU Art Museum’s participation in the tour of this exhibition was organized by Heather Lineberry and will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nRegeneration: Contemporary Chinese Art from China and the U.S. ( September 24 through December 24\, 2005) is open at the ASU Art Museum: Tuesday from 10am to 9pm\, and Wednesday through Saturday from 10am to 5pm. \nSupport \nThe ASU Art Museum presentation is sponsored in part by Friends of the ASU Art Museum. The exhibition and programming is sponsored in part by a grant from the Pennsylvania Council on the Arts\, a state agency\, which is supported by the National Endowment for the Arts\, a federal agency; the Association for the Arts of Bucknell University; office of the vice president of academic affairs; Chinese Culture Association; and the departments of art and art history\, and East Asian studies. “Look East\,” the ASU Art Museum’s Fall 2005 Art InterAct education program\, is partially funded by the City of Tempe. URL:https://asuartmuseum.org/event-exhibition/regeneration-contemporary-chinese-art-from-china-and-the-u-s/ CATEGORIES:blue,Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20050909T000000 DTEND;TZID=America/Phoenix:20060114T000000 DTSTAMP:20260915T205134 CREATED:20241029T195136Z LAST-MODIFIED:20241029T195709Z UID:4544-1126224000-1137196800@asuartmuseum.org SUMMARY:Between Clouds of Memory: Akio Takamori\, A Mid-Career Survey DESCRIPTION:Akio Takamori Public Lecture\nFriday\, October 7\, 7 p.m.\nNeeb Hall \nAkio Takamori Ceramic Demonstration\nSaturday\, October 8\, 10 a.m.-4 p.m.\nCeramics Studio at the Mesa Arts Center \nMembers and Invited Guests Reception\nSaturday\, October 8\, 7-9 p.m.\nASU Art Museum \nBetween Clouds of Memory: Akio Takamori\, A Mid-Career Survey\nThe Arizona State University Art Museum’s Ceramics Research Center is organizing the first major mid-career survey exhibition on the ceramic art of Japanese-born artist Akio Takamori\, currently residing in Seattle\, Washington. This hallmark exhibition\, spanning thirty years of creative excellence\, is comprised of forty-eight sculptures and nine prints and drawings drawn from the Museum’s collection\, as well as private and public collections nationwide. A 156-page hardcover catalogue assesses the talents of this renowned artist. \nAbout the Artist \nMr. Takamori studied at Kansas City Art Institute receiving his B.F.A. in 1976. He received his M.F.A. from New York State College of Ceramics\, Alfred University in 1978. His work is represented in many public collections including Carnegie Institute Art Museum\, Los Angeles County Museum\, American Craft Museum\, Victoria & Albert Museum\, and Taipei Fine Arts Museum. He was awarded National Endowment for the Art grants in 1986\,1988 and 1992. Akio Takamori is Associate Professor of Art in the Ceramics Department at the University of Washington. He lives in Seattle\, Washington where he has a studio. \nASU Art Museum Presentation\nOrganized by Peter Held\, Between Clouds of Memory: Akio Takamori\, A Mid-Career Surveywill be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nBetween Clouds of Memory: Akio Takamori\, A Mid-Career Survey (September 9\, 2005 through January 14\, 2006) is open at the ASU Art Museum: Tuesday from 10 a.m. to 9 p.m.\, and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nFunders of this project include: E. Rhodes and Leona B. Carpenter Foundation\, Friends of Contemporary Ceramics\, The Blakemore Foundation\, HBB Foundation\, Zaltec Familian and Lilian Levinson Foundation\, the Ceramic Leaders at ASU and Artist Advisory Committee from the Ceramics Research Center\, University of Washington Research Office\, Garth Clark and Mark Del Vecchio\, Garth Clark Gallery\, New York; Frank Lloyd\, Frank Lloyd Gallery\, Santa Monica\, Armstrong Prior\, Inc.\, Dale and Doug Anderson\, Joanne and James Rapp\, Kurt Weiser\, Sid and Elaine Cohen\, Midge and Jerry Golner\, and Wendy Haas\, Cervini Haas Gallery/Gallery Materia\, Scottsdale. “Look East\,” the ASU Art Museum’s Fall 2005 Art InterAct education program\, is partially funded by the City of Tempe. URL:https://asuartmuseum.org/event-exhibition/between-clouds-of-memory-akio-takamori-a-mid-career-survey/ CATEGORIES:blue,Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20050901T000000 DTEND;TZID=America/Phoenix:20051119T000000 DTSTAMP:20260915T205134 CREATED:20180405T025000Z LAST-MODIFIED:20241029T205417Z UID:4201-1125532800-1132358400@asuartmuseum.org SUMMARY:STELLA LAI: Let's Stop Pretending DESCRIPTION:STELLA LAI: Let’s Stop Pretending\nHong Kong was returned to China in the year 1997\, after 155 years as a British Colony. Reflecting on this shift in history\, San Francisco based artist Stella Lai examines the architecture\, language and memories\, which attempt to define the identities and culture of her homeland. Through a newly developed series of paintings and wall installations\, Lai reflects on a Hong Kong that is neither British nor Chinese\, but more of a hyper-accelerated city in a new global dialogue. Organized by the Arizona State University Art Museum\, Stella Lai: Let’s Stop Pretending will be the artist’s first museum solo exhibition. \nComplete Gallery Guide Text \nAbout the Artist \nStella Lai was born in 1975\, in Hong Kong\, and currently lives and works in San Francisco. Lai received her BFA from the California College of Arts and Crafts in San Francisco. The artist has recently exhibited at the following venues: Lizabeth Oliveria Gallery\, Los Angeles\, CA; Howard House Gallery\, Seattle\, WA; Luggage Store Gallery\, San Francisco\, CA; Cassius King Gallery\, San Diego\, CA; Institute of Contemporary Art\, San Jose\, CA; and will be part of a two person show with artist Iona Rozeal Brown at Saltworks Gallery\, Atlanta\, GA in fall of 2005. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Stella Lai: Let’s Stop Pretending will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location and will be the artist’s first museum solo exhibition. \nDuration \nStella Lai: Let’s Stop Pretending (September 1 through November 19\, 2005) is open at the ASU Art Museum: Tuesday from 10am to 9pm\, and Wednesday through Saturday from 10am to 5pm. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum. “Look East\,” the ASU Art Museum’s Fall 2005 Art InterAct education program\, is partially funded by the City of Tempe. URL:https://asuartmuseum.org/event-exhibition/stella-lai-lets-stop-pretending/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20050806T000000 DTEND;TZID=America/Phoenix:20051008T000000 DTSTAMP:20260915T205134 CREATED:20180404T065800Z LAST-MODIFIED:20241029T235618Z UID:4200-1123286400-1128729600@asuartmuseum.org SUMMARY:ARACELI HERRERA: Mexico through the Lens DESCRIPTION:ARACELI HERRERA: Mexico Through the Lens\nIn collaboration with ASU’s Virginia G. Piper Center for Creative Writing\, the ASU Art Museum is proud to host Araceli Herrera: Mexico Through the Lens\, an exhibition featuring several black and white images of Mexican life as seen by photojournalist Araceli Herrera. Organized by Dr. Miriam Haddu\, lecturer in Hispanic Studies at the University of London\, both Dr. Haddu and the artist will be visiting ASU this fall in conjunction with the exhibition and Piper Center programming. \nFilm Screening\nOn September 13\, the documentary film\, Return to Chiapas – a photographer on the road\,featuring Herrera and filmed and directed by Athena Mandis of the David Glass Ensemble will be shown at Hayden Library\, followed by a reception and Curator/Artist- led gallery talk at the ASU Art Museum\, 8:30-9:30 p.m. \nASU Art Museum Presentation\nOriginally organized by Dr. Miriam Haddu\, lecturer in Hispanic Studies at the University of London\, Araceli Herrera: Mexico Through the Lens will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location\, multi-purpose room. \nDuration \nAraceli Herrera: Mexico Through the Lens (Aug. 6 through Oct. 8\, 2005) is open at the ASU Art Museum: Tuesday from 10 a.m. to 9 p.m.\, and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by ASU’s Virginia G. Piper Center for Creative Writing and Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/araceli-herrera-mexico-through-the-lens/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20050625T000000 DTEND;TZID=America/Phoenix:20050903T000000 DTSTAMP:20260915T205134 CREATED:20180405T023800Z LAST-MODIFIED:20241029T231039Z UID:4199-1119657600-1125705600@asuartmuseum.org SUMMARY:MARK NEWPORT: Super Heroics DESCRIPTION:Opening Reception:\nFriday\, June 24\, 7-9 p.m. \nStudent Welcome Back Party:\nTuesday\, August 30 \nMARK NEWPORT: Super Heroics\nFor centuries\, knitting has been associated with the feminine — from medieval portraits of the Virgin Mary beatifically purling to Grandma’s treasured knit afghans. Arizona artist Mark Newport\, however\, views knitting and related domestic textile arts in quite a different way. For him\, they are symbols for understanding masculinity and brute strength — and the unlikely means by which he is able to create the iconic wardrobes of the superhero. Through methods traditionally associated with female cultural identity\, Newport expresses his own ideas about male identity in American society in this\, the very first museum solo exhibition of his work. \n \nAbout the artist\nMark Newport was born in 1964 in Amsterdam\, New York\, and currently lives in Mesa\, Arizona and works in Tempe\, Arizona as a member of the faculty of the ASU School of Art. The artist did his undergraduate studies at Kansas City Art Institute (’86) and went on to earn an MFA from the School of the Art Institute of Chicago (’91). The artist has recently exhibited at the following venues: Greg Kucera Gallery\, Seattle\, Washington; Lyons Wier Gallery\, Chicago\, Illinois; John Michael Kohler Arts Center\, Sheboygan. Wisconsin; Regina Gouger Miller Gallery\, Carnegie Mellon University\, Pittsburgh\, Pennsylvania; Galerie Edward Mitterrand\, Geneva\, Switzerland; Western Washington University Gallery\, Bellingham\, Washington; The Lusty Lady Gallery\, Seattle\, Washington; Archer Gallery\, Clark College\, Vancouver\, Washington. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, MARK NEWPORT: Super Heroics will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nMARK NEWPORT: Super Heroics (June 25 through September 3\, 2005) is open at the ASU Art Museum: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum. \nAcknowledgements\nThe artist gratefully acknowledges the support of Creative Capital\, the Corporation of Yaddo\, Greg Kucera Gallery\, and the Herberger College of the Arts. URL:https://asuartmuseum.org/event-exhibition/mark-newport-super-heroics/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20050514T000000 DTEND;TZID=America/Phoenix:20050806T000000 DTSTAMP:20260915T205134 CREATED:20180405T022100Z LAST-MODIFIED:20241029T230205Z UID:4198-1116028800-1123286400@asuartmuseum.org SUMMARY:FUR\, FEATHERS AND FAMILY: OUR RELATIONSHIP WITH ANIMALS DESCRIPTION:FUR\, FEATHERS AND FAMILY: OUR RELATIONSHIP WITH ANIMALS\nDo you have a favorite animal? A favorite pet? What kind of pet do you have? Come see how artists have depicted their favorite animals and pets – even a rhinoceros – in prints\, paintings\, ceramics\, and sculpture. There’s even a place where you can draw a picture of your favorite pet! \nAnimals have an important place in human lives as companions and dependable workers. Kids can learn more about animals – how to care for them\, the history of domestication\, and how to pick a pet – through educational materials in the exhibition. \nArtists in the Exhibition \nArtists represented in the exhibition include Henry Alken\, Karel Appel\, Thomas Hart Benton\, Wilson Bigaud\, Ernest Leonard Blumenschein\, Walter E. Bohl\, Edward Borein\, Joe Bova\, Glen Brill\, Sarah Chamberlain\, Sue Coe\, A Elmer Crowell\, Currier and Ives\, John Steuart Curry\, Lew Davis\, Roy De Forest\, Grant Dolge\, Peter Drake\, John Dunstall\, Mabel Dwight\, Edward Eberle\, Celestine Faustin\, Lesta Frank\, David Gilhooly\, Sergio Gonzalez-Tornero\, Joel Greene\, Hamilton Hamilton\, J. Harris\, Eugene Higgins\, Jacques Hnizodovsky\, Luis Jimenez\, Sir Edwin Henry Landseer\, R. Milford\, Richard Notkin\, Josiah Paine\, Andree Richmond\, Charles Russell\, Kiyoshi Saito\, Fritz Scholder\, K. Sletter\, James Stephenson\, Beth Cavener Stichter\, James Swaim\, John L. Swenson\, James Thom\, Beth Van Hoesen\, William Wegman and J. Alden Weir. \nAnnual Family Fun Day\nFor more fun\, this year’s Family Fun Day (Saturday\, July 16\, 10 a.m. – 2 p.m.)\, in conjunction with the Fur\, Feathers and Family exhibition\, will offer free hands-on activities plus a visit from a favorite PBS animal friend (courtesy of KAET) and the Arizona Humane Society mobile adoption center! \nASU Art Museum Presentation \nExhibition organized by Jean Makin and Rudy Navarro\, educational outreach organized by Laura Stewart. FUR\, FEATHERS AND FAMILY: OUR RELATIONSHIP WITH ANIMALS will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location. \nDuration \nFUR\, FEATHERS AND FAMILY: OUR RELATIONSHIP WITH ANIMALS (May 14 – August 6\, 2005) is open at the Nelson Fine Arts Center\, Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/fur-feathers-and-family-our-relationship-with-animals/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20050415T000000 DTEND;TZID=America/Phoenix:20050827T000000 DTSTAMP:20260915T205134 CREATED:20180405T023200Z LAST-MODIFIED:20241030T000517Z UID:4197-1113523200-1125100800@asuartmuseum.org SUMMARY:LOOK ALIKES: The Decal Plates of Howard Kottler DESCRIPTION:LOOK ALIKES: The Decal Plates of Howard Kottler\nOrganized by the Tacoma Art Museum\, LOOK ALIKES: The Decal Plates of Howard Kottler\, is a nationally traveling exhibition of significant works by prominent American ceramist Howard Kottler. \nThis original body of work\, which consists of 60 porcelain plates created by Kottler between the 1960s and 1980s\, has never been analyzed as a whole until now. The exhibition illustrates the wit and irony of this notable Northwest artist whose works challenged conventional notions of gender\, politics\, religion and art. \nLook Alikes presents a survey of Kottler’s decal plates that impart multiple messages and reflect the rebellious spirit of the time. The combination of Kottler’s nonconformist medium and sardonic messages implies a rejection of tradition and conventional social norms. \nAbout the Artist \nHoward Kottler (1930–1989)\, a former University of Washington professor\, is known for rejecting traditional studio ceramic practices that emphasized and valued hand-made objects. \nContrary to the studio potters who wedged clay and calculated glazes for plate-making\, Kottler created his works with mass-produced\, store-bought plates and commercial decals. \nThe decals he chose included reproductions of well-known images such as Leonardo DaVinci’s The Last Supper and Grant Wood’s American Gothic. Kottler altered these images\, often with political intent\, by cutting and combining the decals and then affixing them to inexpensive white porcelain plates\, which he purchased in bulk. \nASU Art Museum Presentation \nOrganized by Vicki Halper\, independent curator\, LOOK ALIKES: The Decal Plates of Howard Kottler will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration \nLOOK ALIKES: The Decal Plates of Howard Kottler (April 15 through August 27\, 2005) is open at the ASU Art Museum: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nOriginal funding for the exhibition provided by the Howard Kottler Testamentary Trust. The ASU Art Museum presentation of this exhibition and programs are supported in part by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/look-alikes-the-decal-plates-of-howard-kottler/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20050305T000000 DTEND;TZID=America/Phoenix:20050820T000000 DTSTAMP:20260915T205134 CREATED:20180405T024100Z LAST-MODIFIED:20241029T230444Z UID:4196-1109980800-1124496000@asuartmuseum.org SUMMARY:RAMPA: Signaling New Latin American Art Initiatives DESCRIPTION:RAMPA: Signaling New Latin American Art Initiatives\nLatin American art entered the Arizona State University Art Museum among its earliest acquisitions. The Latin American collection is comprised of over 800 works. Plans are now developing to expand the collection to include work by artists of the Southern Cone. A seminal part of the Museum’s collection for over a half century\, Latin American art’s vitality and its relevance to our geographic location and to contemporary themes of globalization make it an engaging focus and a dynamic strategy to the advancement of the Museum. \nIn March 2005\, the ASU Art Museum will showcase works from the Latin American collection\, complemented by works on loan from Arizona collectors and beyond. The project reflects the ongoing commitment of the ASU Art Museum to present new and challenging work\, and to create exhibitions that engage the audience in new ways\, bringing the museum toward “social embeddedness\,” a University priority. Its emphasis on Latin American artists reflects the University commitment to Pan-American initiatives and the expansion of the museum exhibition\, education\, and collecting programs to works of art from that region. \nThe exhibited works will be as diverse in content\, in materials used\, historically\, and in artists’ geographic origins as the countries referenced when referring to Latin America. Those nationalistic boundaries continue to be blurred as evidenced by the work produced by artists responding to personal\, economic\, social\, and political issues of the human condition. \nThe Museum’s expanded Latin American initiatives in educational and exhibition programming and in collecting are signaled by the inclusion of works by Brazilian artists\, which is a result of the first patron and curatorial research trip to Brazil in October 2004. A second trip is scheduled for September 2005. Latin American art entered the Arizona State University Art Museum among its earliest acquisitions. A seminal part of the Museum’s collection for over a half century\, Latin American art is more relevant than ever in the Southwest and the context of globalization. \nLatin America continues to produce lively work of excellent quality. This exhibition presents works diverse in content and the geographic origins of the artists within Latin America. No single theme or stylistic tendency unifies them other than a certain vitality and freshness. \nArtists in the Exhibition and Lenders:\nThe exhibition includes work from the Museum’s permanent collection\, including recent acquisitions of works by Brazilians Efrain Almeida\, Tiago Carneiro da Cunha\, and Oscar Oiwa and by Cuban artists José Emilio Fuentes\, Aimée Garcia\, and Carlos Montes de Oca. Collectors both from this region and internationally have generously lent twentieth century and contemporary works by Carlos Alfonzo\, Belkis Ayón\, Ricardo Basbaum\, José Bechara\, Magdalena Campos Pons\, Los Carpinteros\, Franklin Cassaro\, Enrique Chagoya\, Martín Chambi\, Flor Garduño\, Luis Gonzales Palma\, Felix Gonzales-Torres\, Jarbas Lopes\, Jorge Macchi\, Raul Mourão\, Lucio Muniain\, Rivane Neuenschwander\, Rosana Palazyan\, Miguel Rio Branco\, Fernando Rodríguez\, David Alfaro Siquieros\, Valeska Soares\, José A. Toirac\, Tunga\, Pedro Vizcaino\, and Nahum Zenil. Collectors lending works include Rea Bennett and Jim Kaufman\, Sandy and Steve Davis\, Diane and Bruce Halle\, Linda Hirshman and David Forkosh\, Laurie and George Jackson\, Stéphane Janssen\, Sara and David Lieberman\, Fran and Steve Magee\, Gail and Steve Rineberg\, Donna and Howard Stone\, Neil and Monique de los Rios Urban\, Abby Whitenack\, Judy and Sid Zuber\, and anonymous lenders. \nASU Art Museum Presentation \nOrganized by the Arizona State University Art Museum and made possible in part by Peter Shikany/PS Studios\, Lisa Sette/Lisa Sette Gallery\, Fran and Steve Magee\, the Museum’s Advisory Board of Directors\, and Friends of the ASU Art Museum. In kind support provided by Ben Franklin Press\, Marilou George\, Tatiana Hensley\, and Interlingua Language School\, with invaluable support and assistance from Marilyn and Brad Brados\, Arizona’s Brazilian Consul. \nDuration \nRampa: Signaling New Latin American Art Initiatives (March 5 through August 20\, 2005) is open at the ASU Art Museum: Tuesday from 10am – 9pm\, and Wednesday through Saturday from 10am to 5pm. \nSupport \nOrganized by the Arizona State University Art Museum and made possible in part by Peter Shikany/PS Studios\, Lisa Sette/Lisa Sette Gallery\, Fran and Steve Magee\, and Friends of the ASU Art Museum. In kind support provided by Interlingua\, Tatiana Hensley\, and Marilou George. \nSpecial thanks to staff members affiliated with the following organizations for their generosity and assistance: ASU President Michael Crow’s Office of Pan American Initiatives; A Gentil Carioca and L.U.R.I.X.S. Gallery in Rio de Janeiro; Thomas Cohn Gallery\, Museum of Contemporary Art at the University of São Paulo\, and Fortes Vilaça Gallery in São Paulo; and to Masterpiece International\, Ltd. Fine Art Shipping\, El Segundo\, CA. \n2004-05 and 2005-06 curatorial research and development is made possible in part through in-kind sponsorship support from TAM Brazilian Airlines. URL:https://asuartmuseum.org/event-exhibition/rampa-signaling-new-latin-american-art-initiatives/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20050305T000000 DTEND;TZID=America/Phoenix:20050604T000000 DTSTAMP:20260915T205134 CREATED:20180404T065400Z LAST-MODIFIED:20241029T230442Z UID:4537-1109980800-1117843200@asuartmuseum.org SUMMARY:ANTHONY GOICOLEA: Photographs\, Videos and Drawings DESCRIPTION:ANTHONY GOICOLEA: Photographs\, Videos and Drawings\nAnthony Goicolea’s dream-like photographs are peopled with multiple self-portraits. Using digital manipulation\, Goicolea clones himself and creates scenarios in which he acts out both humorous and horrific childhood incidents. \nHis photographs are simultaneously rooted in the complexities of social conventions\, nostalgia and science fiction\, and fall somewhere between fantasy and nightmare. This solo exhibition will include photographs\, drawings and videos primarily from the collection of Stéphane Janssen. \nAbout the Artist \nAnthony Goicolea lives and works in Williamsburg\, New York. The artist did his undergraduate studies in art history (’92)\, drawing and painting (’94) at the University of Georgia and went on to earn an MFA in sculpture and painting (’96) from Pratt Institute in New York. \nThe artist has recently exhibited at the following venues: Galerie Aurel Scheibler. Cologne\, Germany; Sandroni-Rey Gallery\, Los Angeles\, CA; Torch Gallery\, Amsterdam\, The Netherlands; Madison Avenue Calvin Klein Space\, New York\, NY; The John Michael Kohler Arts Center\, Sheboygan. WI; Gow Langford\, Sydney\, Australia; Cotthem Gallery\, Brussels\, Belgium; Casa de America\, Madrid\, Spain; Contemporary Center of Photography\, Melbourne\, Australia; The Sargeant Gallery\, Wanganui\, New Zealand; RARE Gallery\, New York\, NY; and The Museum of Contemporary Photography\, Chicago\, IL. \nASU Art Museum Presentation \nOrganized by Heather S. Lineberry\, ANTHONY GOICOLEA: Photographs\, Videos and Drawingswill be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nANTHONY GOICOLEA: Photographs\, Videos and Drawings (March 5 through June 4\, 2005) is open at the ASU Art Museum: Tuesday from 10 a.m. to 9 p.m.\, and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum. \n2004-05 and 2005-06 curatorial research and development is made possible in part through in-kind sponsorship support from TAM Brazilian Airlines. URL:https://asuartmuseum.org/event-exhibition/anthony-goicolea-photographs-videos-and-drawings/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20050226T000000 DTEND;TZID=America/Phoenix:20050430T000000 DTSTAMP:20260915T205134 CREATED:20180405T022500Z LAST-MODIFIED:20241029T234415Z UID:4194-1109376000-1114819200@asuartmuseum.org SUMMARY:HERBERGER COLLEGE SCHOOL OF ART FACULTY: 2004-2005 Exhibition DESCRIPTION:HERBERGER COLLEGE SCHOOL OF ART FACULTY: 2004-2005 Exhibition\nRecent works created by the faculty will be exhibited in the bi- annual Herberger College School of Art Faculty Exhibition at the ASU Art Museum\, February 26 through April 30\, 2005. The bi-annual show offers students and the public an opportunity to see the respected talents of the Herberger College School of Art faculty. This year’s exhibition features works by approximately 25 art faculty members in media as diverse as painting\, photography\, drawing\, sculpture\, intermedia\, fiber and ceramics\, as well as research by art history and art education professors. \nArtists in the Exhibition:\nLewis Alquist\, Daniel R. Britton\, Julie Codell\, Tom Eckert\, Mary Erickson\, Denis Gillingwater\, James Hajicek\, Jules Heller\, Mary Hood \, William Jenkins\, Muriel Magenta\, Stephen Marc\, Kathryn Maxwell\, Beverly McIver\, Ellen Murray Meissinger\, Mary Bates Neubauer\, Mark Newport\, James Pile\, Janice M. Pittsley\, Betsy Schneider\, Jerry Schutte\, Gray Sweeney\, Clare Verstegen\, James R. White and Diane Wolfthal. \nASU Art Museum Presentation \nOrganized by Jean Makin\, Herberger College School of Art Faculty: 2004-2005 Exhibition will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nHerberger College School Of Art Faculty: 2004-2005 Exhibition (February 26 through April 30\, 2005) is open at the ASU Art Museum: Tuesday from 10 a.m. to 9 p.m. and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum\, Herberger College of the Arts and School of Art. URL:https://asuartmuseum.org/event-exhibition/herberger-college-school-of-art-faculty-2004-2005-exhibition/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20050205T000000 DTEND;TZID=America/Phoenix:20050402T000000 DTSTAMP:20260915T205135 CREATED:20180405T021800Z LAST-MODIFIED:20241029T234243Z UID:4535-1107561600-1112400000@asuartmuseum.org SUMMARY:DESERT CLASSICS: Ceramics in Arizona & Focus on Don Reitz DESCRIPTION:DESERT CLASSICS: Ceramics in Arizona\nThis exhibition will highlight four Arizona ceramic artists\, Rose Cabat\, Susan Peterson\, and Edwin and Mary Scheier\, who developed their individual ceramics styles out of the mid-20th century studio pottery tradition. A focus exhibition of Don Reitz’s work will coincide with Desert Classics at the Ceramics Research Center. This exhibition will utilize works from the Museum’s permanent collection\, local private collections\, as well as the artists’ personal holdings. \nWell into their 90s\, Ed and Mary Scheier produced ceramics for more than six decades\, generating an impressive body of work. During their long career\, they became known for their well-crafted functional ceramics and collaborative practices. As individual artists\, their work is distinctive and representative of their personal interests. \nMary did most of the throwing\, producing traditional thin walled vessels with luminescent glazes. Ed’s emphasis was on decoration\, enlivening the vessels with his narrative imagery of fertility goddesses or creation stories. During his career\, Ed branched out into different mediums such as drawing\, carved wood\, and textiles. Today\, he continues to experiment and adapt\, recreating his narratives as computer generated prints. \nA contemporary to the Scheiers\, Tucson artist Rose Cabat began her career later in life. A self-taught artist\, Rose and her late husband Erni invented the famous “feelie\,” which they coined to describe the smooth tactile surface created by the glaze. Her signature teardrop vessels developed from traditional vase forms\, thrown on the wheel in her home studio. Rose still works six to eight hours a day\, producing the delicate porcelain vessels in a wide variety of “feelie” colors. \nFrom the 1950s until her retirement in 1994\, Susan Peterson followed an academic career as well as an artistic one. As a studio potter\, she is known for her glaze techniques\, reproducing glazes mastered by the Chinese duplicating the purples and reds of the Ch’ing Dynasty porcelains. \nAs a ceramic educator\, she has been a catalyst and a facilitator\, starting five ceramics programs at universities around the country. Her students comprise a virtual who’s who of American ceramic masters and include John Mason\, Ken Price and Beatrice Wood. She has authored more than 15 books and continues to dedicate her life to the field. \nThe Ceramics Research Center is fortunate to be the recipient of the Susan Harnly Peterson Archive\, comprising her ceramics library of rare books brought back from her travels in the field\, the slides and videotape she gathered documenting works of ceramic art\, kiln sites\, processes\, and interviews with ceramists. \nIn the exuberant tradition of Peter Voulkos\, Don Reitz has emerged as an important figure in contemporary studio ceramics. His work is wide ranging\, from functional plates and pitchers\, to his distinctive large-scale\, slab built vessels. Perhaps his greatest contribution to the field has been his technological advancements and innovations to the salt-glaze process. Like Susan Peterson\, Don has dedicated his life to teaching ceramics and continues to inspire emerging artists through his workshops. \nArtists in the Exhibition:\nArtists in the exhibition include Edwin and Mary Scheier\, Susan Harnly Peterson\, Rose Cabat\, and Don Reitz \nASU Art Museum Presentation \nOrganized by Peter Held and Tiffany A. Fairall\, DESERT CLASSICS: Ceramics in Arizona will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration\nDESERT CLASSICS: Ceramics in Arizona (February 5 through April 2\, 2005) is open at the ASU Art Museum Ceramics Research Center: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Ceramics Leaders of ASU (CLA). URL:https://asuartmuseum.org/event-exhibition/desert-classics-ceramics-in-arizona-focus-on-don-reitz/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20050122T000000 DTEND;TZID=America/Phoenix:20050423T000000 DTSTAMP:20260915T205135 CREATED:20180405T025300Z LAST-MODIFIED:20241029T232825Z UID:4534-1106352000-1114214400@asuartmuseum.org SUMMARY:THE OTHER MAINSTREAM: Selections from the Collection of Mikki and Stanley Weithorn DESCRIPTION:Opening Reception:\nFriday\, January 21\, 7-9 p.m. \nVik Muniz Public Lecture:\nTuesday\, February 15\, 7:30 p.m.\nNeeb Hall\, Free \nTHE OTHER MAINSTREAM: Selections from the Collection of Mikki and Stanley Weithorn\nThis is a selection of dynamic works from the collection of Mikki and Stanley Weithorn\, demonstrating their commitment to social and political issues and artists of color. \nAlthough their collecting focuses on the contemporary\, both well-known and emerging artists\, selected historic pieces show the breadth of their interest and the roots of socially conscious work in the early 20th century. Artists in the Exhibition: \nArtists in the exhibition include: Robert Arneson\, Belkis Ayón\, John Bankston\, Sandow Birk\, Willie Birch\, Enrique Chagoya\, Sue Coe\, Robert Colescott\, Brett Cook-Dizney\, Ric Glazer-Danay\, E. V. Day\, Marita Dingus\, Peter Drake\, Marcel Dzama\, Leon Golub\, Kojo Griffin\, William Gropper\, Jon Haddock\, Gottfried Helnwein\, John King\, Jacob Lawrence\, Don Smith “Lelooska”\, Francisco Larios Osuna\, Kerry James Marshall\, Vik Muniz\, Beverly McIver\, Takashi Murakami\, Justin Novak\, Tom Otterness\, Faith Ringgold\, Larry Rivers\, Sabastiao Salgado\, Sol ‘Sax\, Joyce Scott\, Travis Somerville\, Joe Tilson\, Kara Walker and Wahxin Zhang. \nLecture\nVik Muniz will be lecturing in conjunction with the exhibition on February 15\, 7:30 p.m. at Neeb Hall. \nCatalogue\nA 48-page\, full-color catalogue is available for this exhibition. The catalogue includes an essay by ASU Art Museum Director Marilyn A. Zeitlin and an interview conducted by ASU Art Museum Senior Curator Heather Lineberry with Mikki and Stanley Weithorn.\nInformation regarding the catalogue can be found on the ASU Art Museum publications page. \nASU Art Museum Presentation \nOrganized by Heather S. Lineberry\, THE OTHER MAINSTREAM: Selections from the Collection of Mikki and Stanley Weithorn will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nTHE OTHER MAINSTREAM: Selections from the Collection of Mikki and Stanley Weithorn(January 22 through April 23\, 2005) is open at the ASU Art Museum: Tuesday\, 11 a.m. – 8 p.m. (summer hours: Tuesday\, 11 a.m. – 5 p.m.); Wednesday – Saturday\, 11 a.m. – 5 p.m.; Sunday\, 1-5 p.m.; Closed Monday and holidays \nSupport\nThe exhibition and related programs are supported in part by Eddie Shea and Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/the-other-mainstream-selections-from-the-collection-of-mikki-and-stanley-weithorn/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20041211T000000 DTEND;TZID=America/Phoenix:20050212T000000 DTSTAMP:20260915T205135 CREATED:20180405T024800Z LAST-MODIFIED:20241029T235446Z UID:4533-1102723200-1108166400@asuartmuseum.org SUMMARY:SELECTIONS FROM POINT OF VIEW: An Anthology of the Moving Image DESCRIPTION:SELECTIONS FROM POINT OF VIEW: An Anthology of the Moving Image\nPoint of View: An Anthology of the Moving Image is a DVD collection featuring 11 of the most important artists worldwide working in film\, video\, and digital imagery today. Each DVD features the artist’s newly commissioned project; an in-depth interview with the artist conducted by Dan Cameron\, senior curator at the New Museum of Contemporary Art\, curator Hans Ulrich Obrist of the Musee d’Art Moderne de la Ville de Paris\, or Richard Meyer\, Associate Professor\, Department of Art History\, University of Southern California; an image library of the artist’s previous work; and biographical material. \nWorks in the Exhibition: \nFrancis Alys\, El Gringo (2003) \nIn El Gringo\, viewers experience the discomfort of being an outsider when the camera is confronted by a pack of snarling dogs. \nDavid Claerbout\, Le Moment (2003)\nClaerbout uses cinematic techniques to create a suspenseful journey through a dimly lit forest that reaches an unexpected conclusion. \nAnri Sala\, Time After Time (2003)\nLiterally depicting Point of View\, Sala stimulates the viewers’ senses of sight and sound by forcing them to concentrate on a single puzzling image until it is revealed in a surprise ending. \nASU Art Museum Presentation\nSELECTIONS FROM POINT OF VIEW: An Anthology of the Moving Image will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nSELECTIONS FROM POINT OF VIEW: An Anthology of the Moving Image (December 11\, 2004 through February 12\, 2005) is open at the ASU Art Museum: Tuesday from 10 a.m. to 9 p.m.\, and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nPoint of View: An Anthology of the Moving Image was produced by the New Museum of Contemporary Art\, NY. Executive Producers: Jumex Collection\, Mexico and Blink Digital. Sponsor: The New Art Trust San Francisco \nAn edition of the DVD collection was purchased by ASU Art Museum for its permanent collection. \nThe ASU Art Museum presentation of this exhibition and related programs are supported in part by Friends of the ASU Art Museum. \nASU Art Museum Exhibitions URL:https://asuartmuseum.org/event-exhibition/selections-from-point-of-view-an-anthology-of-the-moving-image/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20041022T000000 DTEND;TZID=America/Phoenix:20050205T000000 DTSTAMP:20260915T205135 CREATED:20180405T021600Z LAST-MODIFIED:20241029T210357Z UID:4190-1098403200-1107561600@asuartmuseum.org SUMMARY:DENNIS OPPENHEIM: Alternative Current DESCRIPTION:DENNIS OPPENHEIM: Alternate Current\nOppenheim’s career from 1967 to the present is reflected in this exhibition of 37 works of sculpture\, models\, drawings and photo documents. An early pioneer of conceptual art as an alternative to object-based art\, Oppenheim was crucial to the development of land art\, body art\, performance and video. One of the most important post abstract expressionist artists in America\, Oppenheim shaped his art through the language and objects of everyday life\, bringing conceptualism into the public sphere. The artist will be present at the opening reception. \nAbout the Artist \nDennis Oppenheim was born in Electric City\, Washington\, 1938. He currently lives and works in New York City. The artist was educated at the School of Arts and Crafts\, Oakland\, California (B.F.A.\, 1965) and Stanford University\, Palo Alto\, California (M.F.A.\, 1965). The artist has recently exhibited at the following venues: Ludwig Forum\, Aachen\, Germany; Musee des Beaux-Arts d’Arras\, France; Irish Museum of Modern Art\, Dublin; and Marlborough Gallery\, New York. Recent commissions include: City of Buenaventura\, California; Parque de la Memoria\, Buenos Aires; Venice Biennale\, Italy; City of Leoben\, Austria; City of Valladolid\, Spain; University of Freiburg\, Germany; and Europos Parkas\, Vilniaus\, Lithuania. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, Dennis Oppenheim:Alternate Current will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nDENNIS OPPENHEIM: Alternate Current (October 22\, 2004 through February 5\, 2005) is open at the ASU Art Museum: Tuesday from 10am – 9pm\, and Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/dennis-oppenheim-alternative-current/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20041016T000000 DTEND;TZID=America/Phoenix:20050108T000000 DTSTAMP:20260915T205135 CREATED:20180405T035700Z LAST-MODIFIED:20241029T210711Z UID:4531-1097884800-1105142400@asuartmuseum.org SUMMARY:WIT AND WINE: A New Look at Ancient Iranian Ceramics from the Arthur M. Sackler Foundation DESCRIPTION:WIT AND WINE: A New Look at Ancient Iranian Ceramics from the Arthur M. Sackler Foundation\nWit and Wine is the first major exhibition of ancient Iranian ceramics in more than a decade. Curated by Trudy S. Kawami\, Ph.D.\, Director of Research for the Arthur M. Sackler Foundation\, the exhibition features forty-five sophisticated\, beautiful and often amusing pieces that illustrate the 5\,000-year ceramic tradition that flourished in ancient\, pre-Islamic Iran until 100 BCE. \nASU Art Museum Presentation\nPeter Held organized the ASU Art Museum participation in this touring exhibition. Wit and Wine: A New Look at Ancient Iranian Ceramics from the Arthur M. Sackler Foundation will be installed in the Arizona State University Art Museum’s Ceramic Research Center location. \nDuration \nWIT AND WINE:\nA New Look at Ancient Iranian Ceramics from the Arthur M. Sackler Foundation (October 16\, 2004 through January 8\, 2005) is open at the ASU Art Museum: Tuesday through Saturday from 10am to 5pm. \nSupport\nOrganized by the Arthur M. Sackler Foundation\, New York. Local presentation is made possible in part by Friends of the ASU Art Museum and CLA. URL:https://asuartmuseum.org/event-exhibition/wit-and-wine-a-new-look-at-ancient-iranian-ceramics-from-the-arthur-m-sackler-foundation/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20040831T000000 DTEND;TZID=America/Phoenix:20041119T000000 DTSTAMP:20260915T205135 CREATED:20180405T021200Z LAST-MODIFIED:20241029T235629Z UID:4188-1093910400-1100822400@asuartmuseum.org SUMMARY:DEMOCRACY IN AMERICA: Political Satire Then and Now DESCRIPTION:Welcome Back Students Party:\nTuesday\, August 31\, 5-8 p.m. \nPublic Reception:\nFriday\, October 22\, 7-9 p.m. \nDEMOCRACY IN AMERICA: Political Satire Then and Now\nThe exhibition presents works that depict political figures and events\, some reverential but most satirical. Contemporary works are placed in historical context to demonstrate the persistence of the satiric spirit in political discourse and the recurrence of similar concerns from the 17th century to the present. The exhibition presents a variety of media by regional and nationally known artists\, and a wide variety of points of view. \nThe goal of the project is to encourage discussion and raise awareness of the privilege and responsibility of voting. The exhibition offers the opportunity to bring children to learn about the election process through Kids Voting. \nPlus\, you can register to vote at the museum through October 2\, then VOTE on November 2! \nArtists in the Exhibition\nArtists in the exhibition include: Eric Avery\, Russell Barnett Aitken\, Jim Budde\, Enrique Chagoya\, Colin Chillag\, Sue Coe\, Dan Collins\, Robbie Conal\, William Coupon\, Honoré Daumier\, Linda Eddy\, Arthur Habegger\, Heide Hesse\, William Hogarth\,\, John Haddock\, Charles Howe\, Benito Huerta\, Peter Kuper\, Carolyn Lavender\, Roy Lichtenstein\, Larry Litt\, Leopoldo Mendez\, Thomas Nast\, Mark Newport\, Luo Xiao Ping\, James Poppitz\, Alfred Quiroz\, Lynn Randolph\, Michael Rich\, John Risseeuw\, Mike Ritter\, Norman Rockwell\, Barb Ross\, William Sartain\, Julian Schnabel\, Gregg and Evan Spiridellis\, Paul Szep\, Einar and Janex de la Torre and Betty Wells. \nExhibition Organization\nOrganized by Peter Held\, Heather Sealy Lineberry\, Jean Makin\, John Spiak\, Marilyn Zeitlin\, with education/outreach programs by Ted Decker and Laura Stewart\, Democracy in Americawill be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nHours\nDemocracy in America: Political Satire Then and Now (August 31 – November 19\, 2004) is open at the ASU Art Museum: Tuesday from 10am – 9pm\, and Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/democracy-in-america-political-satire-then-and-now/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20040710T000000 DTEND;TZID=America/Phoenix:20041002T000000 DTSTAMP:20260915T205135 CREATED:20180405T033700Z LAST-MODIFIED:20241029T231958Z UID:4187-1089417600-1096675200@asuartmuseum.org SUMMARY:OUT OF THE WOODS DESCRIPTION:OUT OF THE WOODS\nDrawn from the ASU Art Museum’s permanent collection and local collections\, this exhibition presents artworks made of wood or derived from natural resources. It will examine ecological issues connected to those materials and the environmental challenges of such practices as deforestation and debates over proper conservation. \nFamily Day at Camp ASUAM\nOn Saturday\, July 10\, the ASU Art Museum will present its forth annual summer family day of hands-on activities and events. For Out of the Woods the Arizona State University Art Museum will be filled with interactive art making experiences for the entire family from 10 a.m. to 2 p.m. \nASU Art Museum Presentation \nOrganized by Jean Makin\, OUT OF THE WOODS will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location.\n\nDuration \nOUT OF THE WOODS (July 10 – October 2\, 2004) is open at the Nelson Fine Arts Center: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/out-of-the-woods/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20040625T000000 DTEND;TZID=America/Phoenix:20040925T000000 DTSTAMP:20260915T205135 CREATED:20180405T031000Z LAST-MODIFIED:20241029T231045Z UID:4186-1088121600-1096070400@asuartmuseum.org SUMMARY:BRITISH CERAMIC MASTERWORKS: Highlights from the Anne and Sam Davis Collection DESCRIPTION:British Ceramic Masterworks: Highlights from the Anne and Sam Davis Collection\nThis summer\, the Ceramics Research Center at the\nASU Art Museum will celebrate the donation that launched\nits collection to new heights six years ago\, when it presents\nBritish Ceramic Masterworks: Highlights from the Anne\nand Sam Davis Collection. The exhibition will present a\nselection of work from the 315-piece collection donated by\nthe Davises in 1998. The donation took the ASU Art Museum’s\nceramics collection to an international level\, adding depth\nand breadth to its already substantial holdings of work by late\n20th century American ceramists. \nCurated by Peter Held\, the ASU Art Museum’s curator of\nceramics\, this exhibition will illustrate the depth and variety of\nBritish ceramics created since the 1950s\, ranging from functional\npottery to figurative sculpture. Held has selected works with a\nspecial emphasis on the relationships between the work of\nteachers and students\, sometimes exploring this through three\ngenerations. Despite the wide range of styles and techniques\nused by the British ceramists in this exhibition\, many of them\nwere connected by the institutes at which they studied and by\nthe ceramic artists who taught them. \nAnne and Sam Davis selected the ASU Art Museum as the\nrecipient of their collection for three major reasons. They wanted\nit to stay in the western United States and to make a significant\ndifference to the collection that received it. They also knew their\ncollection would not only complement and enhance the Museum’s\ncollection\, but would balance the entire holdings. \nArtists in the Exhibition\nMany influential British studio potters are highlighted in the\nexhibition: Bernard Leach\, Michael Cardew\, Lucie Rie\, Hans\nCoper\, Angus Suttie\, Alison Britton\, Joanna Constantinidis\,\nStephen Dixon\, Nicholas Homoky\, Peter Lane\, Alan Caiger-Smith\,\nGeoffrey Swindell and George Walker\, among others. \nASU Art Museum Presentation \nOrganized by Peter Held\, British Ceramic Masterworks: Highlights from the Anne and Sam Davis Collection will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration \nBritish Ceramic Masterworks: Highlights from the Anne and Sam Davis Collection (June 25 – September 25\, 2004) is open at the Ceramics Research Center: Tuesday through Saturday from 10am to 5pm. \nSupport \nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/british-ceramic-masterworks-highlights-from-the-anne-and-sam-davis-collection/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20040522T000000 DTEND;TZID=America/Phoenix:20040911T000000 DTSTAMP:20260915T205135 CREATED:20180405T035400Z LAST-MODIFIED:20241029T230055Z UID:4185-1085184000-1094860800@asuartmuseum.org SUMMARY:WHEN I GROW UP... DESCRIPTION:OPENING RECEPTION\nSaturday\, May 22\, 2004\n7-9 p.m. \nThe battle lines have been drawn. It always seems to be between “them” and “us” — those darn snowbirds\, those seniors on the highway driving so slowly\, bluehairs in the supermarket line with all those time-consuming coupons. \nBut who’s kidding whom? In reality\, we are “them” and they are “us.” Both factions harbor concerns about rent or mortgage\, health care\, fitness\, entertainment and perceptions of self by people outside of immediate family. So why is it that the two camps hardly ever communicate about these issues? Most multi-generational conversations\, when they actually happen with someone other than our own relatives\, focus on the past and much less on contemporary issues of daily life. \nTaking brief glimpses at the current lives of seniors existing in a variety of communities and living situations\, When I Grow up… examines issues every human deals with\, in one way or another\, during his or her lifetime. The work by the five artists appearing in this exhibition addresses such universal subjects as independence\, the creative thinking process\, dependency\, displacement\, physical fitness\, racism\, and attempts to impose order on one’s own surroundings. \nExhibition Artist \nThis exhibition includes work by:\nDanielle Abrams\nTroy Aossey\nVincent Goudreau\nDavid Greenberger (The Duplex Planet)\nJessica Ingram \nPresentation\nOrganized by John Spiak\, WHEN I GROW UP… will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nInstallation Images \nWarm-up and Opening Reception Images \nDuration\nWHEN I GROW UP… (May 22 – September 11\, 2004) is open at the Nelson Fine Arts Center: Tuesday through Saturday from 10 a.m.-5 p.m. \nSupport\nIn-kind support for this exhibition provided by LA-Z-BOY Furniture Galleries.\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/when-i-grow-up/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20040320T000000 DTEND;TZID=America/Phoenix:20040619T000000 DTSTAMP:20260915T205135 CREATED:20180405T034800Z LAST-MODIFIED:20241029T230628Z UID:4184-1079740800-1087603200@asuartmuseum.org SUMMARY:THE LONG DAY Sculpture by Claudette Schreuders DESCRIPTION:THE LONG DAY: Sculpture by Claudette Schreuders\nThe ASU Art Museum presents the first solo exhibition of sculpture and prints by South African artist Claudette Schreuders in an American museum. \nThe Long Day features eleven new sculptures\, lithographs and drawings by South African artist Claudette Schreuders. Schreuders is best known for her autobiographical figurative sculpture inspired by family photographs and memories and by the specific social experience of growing up white\, female and Afrikaans in the broader political context of South Africa. Assembled from carved and painted wood\, the works often include other materials such as iron\, leather\, nails and found objects\, reflecting the influence of African sculpture. Schreuders’ accessible but moody works convey the revolutionary changes in South Africa and of individuals grappling with the country’s inscrutable past. “(The) sense of (my) dislocation was not only the result of a European heritage within an African context\, but also the marginalization that formed part of a restrictive society that set limits and threatened to reject those who did not conform.” * \nThe new body of work for The Long Day is more complex. With continued emphasis on personal\, individual experience\, Schreuders reflects on the burden of representing contemporary South African political and social realities. Her allegorical figures range from works inspired by family history to anonymous figures observed in private moments that become political in a public space – like reading the newspaper about Rwanda in a park. Schreuders draws for inspiration from the iconography and style of African tribal art\, the Colon figures of West Africa of European colonials\, and Western traditions of religious woodcarving\, particularly Northern and Spanish baroque sources. Taken together the works form a compelling exhibition. \n* From the artist’s statement in Liberated Voices: Contemporary Art from South Africa\, The Museum for African Art\, New York \, 2000.\n\nAbout the Artist \nClaudette Schreuders received a Master of Fine Arts degree at the University of Cape Town in 1997. Her work has been exhibited in numerous group exhibitions in South Africa\, Japan\, Germany\, Great Britain and the United States\, and solo exhibitions at the Jack Shainman Gallery in New York. \nExhibition Catalogue\nA full color catalogue is available for this exhibition.\nInformation on the catalogue can be found at the\nASU Art Museum publications page. \nExhibition Tour\nAfter the premiere of the exhibition at the ASU Art Museum\, this exhibition will be available for touring to other institutions. Tour information. \nPresentation\nThe exhibition was jointly organized by the ASU Art Museum and San Diego State University Art Gallery\, and co-curated by Heather S. Lineberry and Tina Yapelli. The\nexhibition will travel nationally. \nDuration\nTHE LONG DAY: Sculpture by Claudette Schreuders (March 20 – June 19\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10am to 9pm and Wednesday through Saturday from 10am to 5pm. \nSupport\nExhibition\, catalogue and education programs sponsored in part by Mikki and Stanley Weithorn\, the Tides Foundation\, Evelyn Smith Family Endowment and the Friends of the ASU Art Museum. Special thanks to Jack Shainman and the Jack Shainman Gallery\, New York. URL:https://asuartmuseum.org/event-exhibition/the-long-day-sculpture-by-claudette-schreuders/ CATEGORIES:Exhibition END:VEVENT END:VCALENDAR