
BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ASU Art Museum - ECPv6.15.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:ASU Art Museum
X-ORIGINAL-URL:https://asuartmuseum.org
X-WR-CALDESC:Events for ASU Art Museum
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Phoenix
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:19690101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T124551
DTEND;TZID=America/Phoenix:20160522T000000
DTSTAMP:20260920T124551
CREATED:20160321T211900Z
LAST-MODIFIED:20241029T234420Z
UID:4329-0-1463875200@asuartmuseum.org
SUMMARY:In the Stacks: Print Wikipedia
DESCRIPTION:Hayden Library\, Level 1\n\n\n\n\n\n“Print Wikipedia” is a both a utilitarian visualization of the largest accumulation of human knowledge and a poetic gesture towards the futility of the scale of big data. Michael Mandiberg wrote software that parsed the entirety of the English-language Wikipedia database (in April 2015) and programmatically laid out thousands of volumes\, complete with covers\, and then uploaded them for print-on-demand. Built on what is likely the largest appropriation ever made\, it is also a work of found poetry that draws attention to the sheer size of the encyclopedia’s content and the impossibility of rendering Wikipedia as a material object in fixed form: Once a volume is printed it is already out of date. The work is also a reflection on the actual transparency or completeness of knowledge containers and history. \nThe exhibition at Hayden Library will include a selection of 61 Wikipedia volumes and schematic wallpaper showing what the scale would be of an entire print library of Wikipedia volumes. These will be located near the Encyclopedia Section on Level 1 of Hayden Library. The 36 volume Wikipedia Contributors Appendix will be on view on the entrance level\, which will also feature a projected scroll simulating all of the volumes and the articles they span. \n  \nMichael Mandiberg (born 1977\, Detroit) is an interdisciplinary artist\, scholar\, and educator. He received his M.F.A. from the California Institute of the Arts and his B.A. from Brown University. His work traces the lines of political and symbolic power online\, working on the internet in order to comment on and intercede in the real flows of information. A recipient of residencies and commissions from Eyebeam\, Rhizome.org \, and Turbulence.org \, his work has been exhibited at the New Museum\, Ars Electronica\, ZKM\, and Transmediale. He directs the New York Arts Practicum\, and is a co-founder of the Art+Feminism Wikipedia Edit-a-thon. He is Associate Professor at the College of Staten Island/ CUNY and a member of the Doctoral Faculty at the CUNY Graduate Center. His work has been written about widely\, including in The New York Times\, Berliner Zeitung\, ARTNews\, and Artforum. He lives and works in Brooklyn; his work lives at Mandiberg.com . \nThe ASU Libraries is pleased to present this exhibition of Michael Mandiberg’s work in partnership with the the ASU Art Museum\, Herberger School of Art\, and Denny Gallery in New York City. \n\n\n\n\nContact:\n\nJennifer Duvernay\n\n\n\n\n https://asuevents.asu.edu/content/stacks-print-wikipedia\n\n\n\nPhone:\n\n480-727-7636\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudents\, Faculty\, Alumni\, Friend/Fan
URL:https://asuartmuseum.org/event-exhibition/in-the-stacks-print-wikipedia/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T124551
DTEND;TZID=America/Phoenix:20260920T124551
DTSTAMP:20260920T124551
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195815Z
UID:4340-0-0@asuartmuseum.org
SUMMARY:Energy Charge: Connecting to Ana Mendieta
DESCRIPTION:Cuban-born American artist Ana Mendieta brilliantly synthesized and advanced emergent art forms of the early 1970s\, such as performance\, body art\, land art and film\, with personal and political explorations of the gendered and raced body\, ancient cultures and belonging. The many threads in her work continue to play a dominant role in contemporary art. \nThis exhibition will include an iconic selection of Mendieta’s work in conversation with major installations by Ana Teresa Fernández\, Kate Gilmore\, Simone Leigh\, Gina Osterloh and Antonia Wright\, artists working today in ways that trace back to Mendieta’s innovations. \nFor a full list of exhibition performances and programs visit  asuartmuseum.asu.edu/energy-charge. \nSupported by the Diane and Bruce Halle Foundation. \nAdditional support from The Andy Warhol Foundation for the Visual Arts\, Helme Prinzen Endowment\, Herberger Institute for Design and the Arts\, Diane Harrison\, ASU Art Museum Creative Impact Board and the members of the ASU Art Museum. Special thanks to the exhibiting artists and lenders\, and the Estate of Ana Mendieta. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \nASU Art Museum Hours:\nOpen Tuesday–Saturday 11 a.m.–5 p.m.\nThursday 11 a.m.–8 p.m. during academic semesters\nClosed Sunday\, Monday and university holidays \nImage credit: Detail: Ana Mendieta\, “Untitled (from Silueta Series in Mexico)\,” 1973-77/1991 © The Estate of Ana Mendieta Collection\, LLC\n Courtesy of Galerie Lelong\, New York and Paris and the Collection of Diane and Bruce Halle.  \n\n\n\n\n\n https://asuevents.asu.edu/content/energy-charge-connecting-ana-mendieta\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudent\, Faculty\, Staff\, Alumni\, Friend/Fan\, Donor
URL:https://asuartmuseum.org/event-exhibition/energy-charge-connecting-to-ana-mendieta/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T124551
DTEND;TZID=America/Phoenix:20260920T124551
DTSTAMP:20260920T124551
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195832Z
UID:4698-0-0@asuartmuseum.org
SUMMARY:Soul Mining
DESCRIPTION:The border wall is a frequent topic in today’s headlines\, yet its history dates back to the turn of the century. After the Chinese Exclusion Act of 1882\, there were calls for a fence along the southern United States border to deter Chinese immigrants from re-entering the country. As a result\, most moved south and created their own communities throughout Latin America. This exhibition looks broadly at the influence of Asian labor and culture in the Americas with artists from Latin America\, the United States and Asia\, exploring the body and soul of forced migrations. \nSupported by the Diane and Bruce Halle Foundation. \nVisit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Eamon Ore-Giron\, “Morococha\,” 2015. 2-channel HD video\,13 mins. Courtesy of the artist. \n\n\n\n\n\n https://asuevents.asu.edu/content/soul-mining\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nAlumni\nStaff\nFaculty\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/soul-mining/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T124551
DTEND;TZID=America/Phoenix:20260920T124551
DTSTAMP:20260920T124551
CREATED:20180330T031300Z
LAST-MODIFIED:20241030T000731Z
UID:4570-0-0@asuartmuseum.org
SUMMARY:SHORT-TERM LOAN ALERT: Louise Bourgeois Drawings
DESCRIPTION:
URL:https://asuartmuseum.org/event-exhibition/short-term-loan-alert-louise-bourgeois-drawings/
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR