BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ASU Art Museum - ECPv6.15.17.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:ASU Art Museum X-ORIGINAL-URL:https://asuartmuseum.org X-WR-CALDESC:Events for ASU Art Museum REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Phoenix BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20060101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20100109T000000 DTEND;TZID=America/Phoenix:20100410T000000 DTSTAMP:20260915T193248 CREATED:20180221T050700Z LAST-MODIFIED:20241029T232048Z UID:4245-1262995200-1270857600@asuartmuseum.org SUMMARY:Altered States: Paintings by Gordon Cheung from the Stéphane Janssen Collection DESCRIPTION:Arizona State University Art Museum will present the first solo exhibition by British artist Gordon Cheung in a U.S. museum. The ASU Art Museum is recognized for presenting groundbreaking contemporary artists and art forms\, often in their first museum exhibition. \nCheung’s paintings explore our world in fantastic landscapes. He combines collage\, Japanese ink brushwork\, photographic transfers\, oil and spray paint on top of stock listings from the distinctively pink London Financial Times; the contrast of Cheung’s images with streams of numbers seem to predict the recent global financial crisis. The exhibition will also present four new video works by the artist. \nCheung was born in London in 1975 to Chinese parents and earned his MA from the Royal College of Art in 2001.He currently lives and works in London. \nPast Exhibitions: \nDefining Sustainability: From the ASU Art Museum Collection URL:https://asuartmuseum.org/event-exhibition/altered-states-paintings-by-gordon-cheung-from-the-stephane-janssen-collection/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20091215T000000 DTEND;TZID=America/Phoenix:20100219T000000 DTSTAMP:20260915T193248 CREATED:20180221T051500Z LAST-MODIFIED:20241029T235353Z UID:4244-1260835200-1266537600@asuartmuseum.org SUMMARY:Strange Brew: The Gerry and Daphina Cramer Teapot Collection DESCRIPTION:The ASU Art Museum Ceramics Research Center is pleased to present Strange Brew: the Gerald and Daphna Cramer Teapot Collection. The collection is comprised of more than 50 teapots that range from the utilitarian to decorative and sculptural works of art. The collection is on loan but will be gifted to the museum in the near future. \nThe teapot form\, used for centuries for brewing tea\, is one of the most familiar household objects. Easily accessible\, audiences will take delight in the myriad shapes and aesthetic approaches artists take for this exhibition. While rich in history and tradition\, contemporary teapots have long held a fascination with ceramic artists in that they are challenging to construct: the spout\, handle\, body and lid must all be integrated into a unified whole. A variety of techniques have been incorporated in the Cramer Collection including hand-built\, wheel-thrown or molded. Conceptually\, the works on exhibition range from whimsy\, humor or social satire. Artists Ted Saupe\, Bob Rose\, Noi Volkov and Chuck Aydlett use their teapots as a canvas to draw on\, creating a narrative storyline while Wally Keeler\, Ken Ferguson and James Lawton are still committed to working within the history of function. \nArtists represented in the collection range from established and under-recognized American ceramists and those from abroad. Some of the artists represented in the Cramer Collection include Ralph Bacerra\, Ken Ferguson\, Wally Keeler (U.K.)\, Julia Galloway\, Jeff Oestreich and George Walker (U.K.). Phoenix-area artists include Farraday Newsome\, Jeffrey Reich\, Sandra Luehrsen and Junya Shao. \nThe Cramer Collection was formerly owned by Santa Fe resident Sandy Besser\, recognized as a pioneering art collector who amassed one of the finest ceramic teapot collections in the U.S. in the 1970s and 80s. According to Besser\, “the collection has nothing to do with the function of the teapot or any fascination with the ritual of the tea ceremony. The concern is with the varied approaches to a single form within the same medium. Interpretation is unrestrained except for the constants of container\, handle\, lid and spout.” \nGerald Cramer\, an internationally-recognized financier\, has long ties to Arizona State University; he has been a frequent lecturer at the business school. In 1973 he founded and is currently Chairman Emeritus of Cramer Rosenthal McGlynn\, an investment management firm based in New York. He has been a winter resident of Phoenix for more than 25 years. His wife\, Daphna\, born in Israel\, served in the Israeli Air Force and is a former Miss Israel. \nOn behalf of the ASU Art Museum and Ceramics Research Center\, we extend our gratitude to the Cramers for their willingness to share the collection for future generations. \nPast Exhibitions: Native Confluence: Sustaining Cultures URL:https://asuartmuseum.org/event-exhibition/strange-brew-the-gerry-and-daphina-cramer-teapot-collection/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20091107T000000 DTEND;TZID=America/Phoenix:20091201T000000 DTSTAMP:20260915T193248 CREATED:20180221T052000Z LAST-MODIFIED:20241029T225751Z UID:4243-1257552000-1259625600@asuartmuseum.org SUMMARY:Canalscape for Metro Phoenix: Installation and Exhibition DESCRIPTION:Canalscape proposes the creation of vital urban hubs where canals meet major streets. This mixed-use “urban infill” would provide highly desirable places to gather by the water as well as an alternative to sprawl. Unlike Amsterdam and Venice\, much smaller cities with urbanized canals throughout\, Phoenix’s trademark would be distributed canalscape\, reflecting its unique quality of being a “network” city as well as a region that creatively intersperses urban living into a breathtaking desert landscape. Canalscape would contribute to a sustainable and authentic Desert Urbanism for Metro Phoenix. \nDr. Nan Ellin and her students will create a canalscape in the museum’s entryway and Nymphaeum. Water features and plants will create an environment to view project ideas and information about the history of Phoenix’s canals and prospects for the future. \nFor more information\, see: ASU Office of the President podcast on Canalscape: http://president.asu.edu/node/667 ASU Canalscape website: http://canalscape.asu.edu/ AIA Canalscape Competition: http://aia-phoenixmetro.org/wp-content/uploads/2009/03/canal-comp-rules.pdf \nOpening Reception: Nov. 10\, 6-8 p.m. Dance performance by Dulce Dance Company\, choreography by Mary Fitzgerald (ASU)\, music by Julian Peterson. \nClosing: panel discussion\, “The Tao of Canalscape” – moderated by Nan Ellin\, Director\, Planning\, ASU Dec. 1\, 6 p.m. Panel includes: Eric Iwerson\, Planner\, City of Tempe James Labar\, Historian\, ASU and Salt River Project Laurie Lundquist\, Artist Mark Stapp\, Director\, Masters of Real Estate Development\, ASU URL:https://asuartmuseum.org/event-exhibition/canalscape-for-metro-phoenix-installation-and-exhibition/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20091010T000000 DTEND;TZID=America/Phoenix:20100220T000000 DTSTAMP:20260915T193248 CREATED:20180221T053000Z LAST-MODIFIED:20241029T210818Z UID:4242-1255132800-1266624000@asuartmuseum.org SUMMARY:Nowhere to Hide: Three Artists in the Desert DESCRIPTION:Nowhere to Hide presents the work of three artists who live in Phoenix and have explored definitions of sustainability in their multi-media artworks. Their approaches range from photography to sound sculpture and gouache paintings. \nJulie Anand’s brilliantly-hued photographs present her found objects like specimens and begin to tell stories of the people who have traveled along the same path – their habits and preoccupations. \nRichard Lerman is a well-known sound artist whose work often explores the inevitable trade-offs in our interaction with the land\, how even green systems and solutions impact our environment. \nCarrie Marill has created a series of gouache paintings which represent environmental problems and solutions brought on and devised by humans. \nAll of the artists in the exhibition grapple with issues of personal responsibility and control\, sustainable systems that inevitably require compromise and the complex\, global challenges of humans living on earth. \nVisit the About section of our Web site or our blog for project details. \nAdditional Events: Season Opening Reception Oct. 9\, 7-9 PM URL:https://asuartmuseum.org/event-exhibition/nowhere-to-hide-three-artists-in-the-desert/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20090919T000000 DTEND;TZID=America/Phoenix:20100130T000000 DTSTAMP:20260915T193248 CREATED:20180221T054000Z LAST-MODIFIED:20241029T204449Z UID:4577-1253318400-1264809600@asuartmuseum.org SUMMARY:Defining Sustainability: From the ASU Art Museum Collection DESCRIPTION:Students from the Herberger Institute for Design and the Arts and the School of Sustainability will work with Dr. Claudia Mesch\, art history\, and Julie Anand\, photography\, from the School of Art\, to explore art and sustainability issues raised by artworks in the ASU Art Museum’s permanent collection. The exhibition will include both past and present examples of artists exploring human interaction with the land\, urbanization\, natural and manmade materials\, pollution\, cultural sustainability and sustainable processes\, and will explore how artists have brought issues of sustainability to a broader community\, encouraged participation and dialog\, and proposed creative solutions. \nThe exhibition\, curated by Mesch and Heather Lineberry\, Senior Curator and Interim Director of the ASU Art Museum\, will include historic precedents\, like the 19th century Hudson River school painters who painted classic American landscapes with encroaching signs of industrialization\, as well as selections of work by contemporary artists like Matthew Moore\, who has created compelling land art works on his family’s farm in the middle of the suburbs in West Phoenix\, and Eddie Dominguez\, who uses ceramics to explore human history and impact on the earth. \nThe students in the seminar will bring their different disciplines to their discussions and research. As the conversation deepens\, the projects that emerge from the class will be accessible to the public in the gallery on a class bulletin board and on the website including a class blog. Class sessions with guest speakers from the fields of art\, science and the humanities will be open to the public. The students in the seminar will also interact with the artists in residence during the larger fall season. \nVisit the About section of our Web site or our blog for project details. URL:https://asuartmuseum.org/event-exhibition/defining-sustainability-from-the-asu-art-museum-collection/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20090919T000000 DTEND;TZID=America/Phoenix:20091212T000000 DTSTAMP:20260915T193248 CREATED:20180221T054600Z LAST-MODIFIED:20241029T204451Z UID:4578-1253318400-1260576000@asuartmuseum.org SUMMARY:I'm Keeping an Eye on You DESCRIPTION:Through personal\, established relationships\, casual encounters\, forced institutional interactions or contact from a safe distance\, we often overstep our boundaries. Whether we are conscious or not of our boundary breaking\, at one time or another we are all guilty of intruding into other people’s lives and space. What may pass as uneventful for one individual may be the cause of great anxiety and fear for another. I’m Keeping an Eye on Youexplores the broad and lasting effects of our curiosity and intrusions upon others. \nArtists featured in I’m Keeping an Eye on You include: Mounira Al Solh (Amsterdam/Beirut); Rachel Garfield (London); Charlotte Ginsborg (London); Pia Greschner (Berlin); Myung-Soo Kim (Tempe); Yaron Lapid (London); Jeff Luckey (New York/Berlin); Johnna MacArthur (Los Angeles); Michael Mohan (Los Angeles); and Corinna Schnitt (Hamburg). \nOrganized by John Spiak\, ASU Art Museum curator\, I’m Keeping an Eye on You premiered as a Video Project Space at Aqua Art Miami in December 2008. This project is made possible by the generosity of Aqua Art Miami and Friends of the Arizona State University Art Museum. \nThe Moving Targets initiative builds on the museum’s long history of exploring the role of new media in the arts. The museum presented its first media exhibition in 1993\, Nam June Paik: Time for Change and represented the U.S. at the 1995 Venice Biennale\, Italy art exhibition with the work of five installations by Bill Viola. The ASU Art Museum supports emerging artists and critically acclaimed practitioners of new genres through solo exhibitions\, including William Kentridge\, Shirin Neshat\, Jim Campbell\, Pipilotti Rist\, Gary Hill and Francesco Torres. In 1997\, the museum developed an annual short film and video festival\, which continues to present the work of international artists. The ASU Art Museum Short Film and Video Festival is held each April; look for its 14th annual screening during April 2010. As technology penetrates all aspects of art\, the museum strives to present the most innovative and engaging works. \nPast Exhibitions: \nSocial Studies: Project 5 – Alone Together in the Dark\, by artist Jillian McDonald Social Studies: Project 4- Giambarra\, with artist Paulo Nenflidio ASU Art Museum Short Film and Video Festivals URL:https://asuartmuseum.org/event-exhibition/im-keeping-an-eye-on-you/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20090829T000000 DTEND;TZID=America/Phoenix:20091129T000000 DTSTAMP:20260915T193248 CREATED:20180221T055400Z LAST-MODIFIED:20241029T235909Z UID:4576-1251504000-1259452800@asuartmuseum.org SUMMARY:Native Confluence: Sustaining Cultures DESCRIPTION:For centuries\, native peoples have practiced sustainable living\, having a cultural and spiritual connection to the environment and a deep respect for the balance of natural and rhythmic cycles of plant\, animal and human life which has always been nurtured and guarded. In Native Confluence\, three Native American artists (or groups of artists) from Arizona and New Mexico will each spend one week per month in residence. \nPrior to opening\, all of the artists together will conceptualize a theme or direction for the project\, which will then be continually developing throughout their residencies at the museum\, inspired through the lens of the collective. The first artist in residence will start the project knowing that later artists will add or subtract to the piece over a period of time. In the end\, there will be a true collaborative installation that has been inspired by material\, cultural and personal creativity. \nThe project will include an installation in progress within the gallery at the CRC as well as seep outside onto the exterior walls of the building. It is anticipated that materials to be used will include clay\, adobe\, dirt\, stone\, branches and other organic materials. \nNative Confluence speaks to a native worldview in terms of inter-generational methods of practicing sustainability. It’s this approach to organic materials – tools from ancestral traditions – that allow new doors to open. This idea is holistic in its approach; the idea of sustainability is consciousness about the whole – whole community\, world and self. \nParticipating artists:\nNora Naranjo Morse\, Espanola\, NM\nAthena & Bill Steen\, Canelo Project\, Elgin\, AZ\nThe Postcommodity Collective (Kade Twist\, Steven Yazzie\, Nathan Young and Raven Chacon) \nTentative residency schedule: \nAug. 24-29\, First artist residency – The Postcommodity Collective. Exhibition project opens to the public August 29 \nSept. 21-25\, 2nd residency – Nora Naranjo Morse\, who will return for opening reception Oct. 9 \nNov. 9-14\, 3rd residency-Athena & Bill Steen\, in conjunction with the Green build conference (tours at museum on Friday & Saturday) \nVisit the About section of our Web site or our blog for project details. URL:https://asuartmuseum.org/event-exhibition/native-confluence-sustaining-cultures/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20090627T000000 DTEND;TZID=America/Phoenix:20101029T000000 DTSTAMP:20260915T193248 CREATED:20180221T060100Z LAST-MODIFIED:20241029T231034Z UID:4238-1246060800-1288310400@asuartmuseum.org SUMMARY:Hits from the 60s & 70s: Selections from the ASU Art Museum Print Collection DESCRIPTION:Hits from the 60s & 70s highlights prints made by internationally known artists from the ASU Art Museum Print Collection. Artists include John Chamberlin\, Jasper Johns\, Robert Indiana\, Roy Lichtenstein\, Louise Nevelson\, Frank Stella and Andy Warhol. \nVisit the About section of our Web site or our blog for project details. URL:https://asuartmuseum.org/event-exhibition/hits-from-the-60s-70s-selections-from-the-asu-art-museum-print-collection/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20081018T000000 DTEND;TZID=America/Phoenix:20090125T000000 DTSTAMP:20260915T193248 CREATED:20180330T024100Z LAST-MODIFIED:20241029T210604Z UID:4236-1224288000-1232841600@asuartmuseum.org SUMMARY:NADIA HIRONAKA: The Late Show DESCRIPTION:Conversations @ 11\nFriday\, Oct. 17\, 11 a.m. – Artist Nadia Hironaka\n\nOpening Reception\nFriday\, Oct. 17\, 7-9 p.m. \n \nNADIA HIRONAKA: The Late Show \nIn her multi-channel video installation\, The Late Show\, Nadia Hironaka expands the cinematic experience into the realm of the gallery environment. Synthesizing video projection\, videos on monitors and audio\, Hironaka entices the viewer to imagine characters leaving the confines of the projected image and entering the real space of the gallery. Using an abandoned drive-in movie theater as her point of departure to examine the convergence of cinematic and real space\, Hironaka also asks us to reflect on how mood and emotion are constructed within the context of film. \nAbout the artist\nNadia Hironaka currently lives in Philadelphia. She is currently teaching full time at The Maryland Institute College of Art\, in the Video Department and did her undergraduate studies at The University of the Arts\, Penn. (’97). She went on to earn an MFA from the School of the Art Institute of Chicago (’99). Hironaka’s work has recently exhibited at the following venues: Vox Populi\, Philadelphia (solo); The Pennsylvania Academy of Fine Arts\, Philadelphia (solo); Caracas Museum of Art\, Caracas\, Venezuela; The Fabric Workshop and Museum\, Philadelphia; Art Space\, Richmond\, Virginia; Moore College of Art and Design\, Philadelphia; The Brattleboro Museum of Art\, Brattleboro\, Vermont; and was included in the 2001 ASU Art Museum Short Film and Video Festival. \nASU Art Museum Presentation\nOrganized by John Spiak\, ASU Art Museum Curator\, The Late Show will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nNadia Hironaka: The Late Show\, organized by curator John Spiak\, is an ASU Art Museum Moving Targets initiative. Support for this exhibition provided by the ASU Art Museum Advisory Board\, the FUNd at Arizona State University and the Friends of the ASU Art Museum. In-kind support provided by Executive Flooring Systems\, Inc.\, Phoenix\, Arizona. \nDuration \nThe Late Show (October 18\, 2008 – January 25\, 2009) is open at the ASU Art Museum: Tuesday\, 11 a.m. – 8 p.m. (summer hours: Tuesday\, 11 a.m. – 5 p.m.); Wednesday – Saturday\, 11 a.m. – 5 p.m.; Sunday\, 1-5 p.m.; Closed Monday and holidays \nMore information: John Spiak\, spiak@asu.edu. URL:https://asuartmuseum.org/event-exhibition/nadia-hironaka-the-late-show/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20081018T000000 DTEND;TZID=America/Phoenix:20090125T000000 DTSTAMP:20260915T193248 CREATED:20180330T020400Z LAST-MODIFIED:20241029T210658Z UID:4237-1224288000-1232841600@asuartmuseum.org SUMMARY:ASU Herberger College School of Art Faculty Exhibition DESCRIPTION:Recent works created by the faculty will be exhibited in the bi-annual ASU Herberger College School of Art Faculty Exhibition at the ASU Art Museum. The exhibition offers students and the public an opportunity to see the talents of the ASU Herberger College School of Art faculty. This year’s exhibition will feature work in media as diverse as painting\, photography\, drawing\, sculpture\, intermedia\, fiber and ceramics\, as well as research by art history and art education professors. \nParticipating faculty: Julie Anand\, Susan Beiner\, Jerry Bleem\, Daniel R. Britton\, Becky I. Chader\, Sam Chung\, Julie Codell\, Dan Collins\, Tom Eckert\, Angela Ellsworth\, Ron Gasowski\, Denis Gillingwater\, J. Eugene Grigsby\, Jr.\, James Hajicek\, Hilary Harp\,\nMary Hood\, William Jenkins\, Mark Klett\, Muriel Magenta\, Stephen Marc\, Kathryn Maxwell\, Ellen Murray Meissinger\, Mary Neubauer\, John Obuck\, Mark Pomilio\,\nJohn Risseeuw\, Gregory Sale\, Betsy Schneider\, Jerry Schutte\, Nancy Serwint\, Forrest Solis\, Mary Stokrocki\, Clare Verstegen\, James R. White. URL:https://asuartmuseum.org/event-exhibition/asu-herberger-college-school-of-art-faculty-exhibition/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20080607T000000 DTEND;TZID=America/Phoenix:20080928T000000 DTSTAMP:20260915T193248 CREATED:20180330T030600Z LAST-MODIFIED:20241029T230932Z UID:4572-1212796800-1222560000@asuartmuseum.org SUMMARY:Selections from the Ovitz Family Collection DESCRIPTION:NOW: Selections from the Ovitz Family Collection \nNOW: Selections from the Ovitz Family Collection presents works by international contemporary artists. Dating from 2006 to 2008\, the works illustrate recent trends in contemporary art that are fresh from the artists’ studios. These works are also recent acquisitions to the Ovitz Family Collection that highlights both established and emerging artists. Michael and Judy Ovitz began collecting art in the 1970s\, and are listed among the world’s top collectors by publications such as ARTNews and Art & Antiquities. \nExhibition Artists\nArtists featured in NOW include Mark Bradford\, Rachel Harrison\, Richard Hughes\, Jamie Isenstein\, Katy Moran\, Anselm Reyle\, Stephen G. Rhodes\, Sterling Ruby\, Andro Wekua\, and Thomas Zipp. Richard Hughes and Andro Wekua will also be part of Life on Mars: 55th Carnegie International opening in May 2008. Rachel Harrison is featured in the 2008 Whitney Biennial. \nASU Art Museum Presentation\nOrganized by Andrea Feller\, ASU Art Museum Interim Curator of Education\, will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nNOW: Selections from the Ovitz Family Collection (June 7 through September 28\, 2008) is open at the ASU Art Museum: Tuesday\, 11 a.m. – 8 p.m. (summer hours: Tuesday\, 11 a.m. – 5 p.m.); Wednesday – Saturday\, 11 a.m. – 5 p.m.; Sunday\, 1-5 p.m.; Closed Monday and holidays URL:https://asuartmuseum.org/event-exhibition/selections-from-the-ovitz-family-collection/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20080517T000000 DTEND;TZID=America/Phoenix:20080928T000000 DTSTAMP:20260915T193248 CREATED:20180330T022000Z LAST-MODIFIED:20241029T230156Z UID:4233-1210982400-1222560000@asuartmuseum.org SUMMARY:EXPLORING DREAMS: Images from the Permanent Collection DESCRIPTION:9th ANNUAL FAMILY FUN DAY\nSaturday\, July 12\n10am – 2pm \nEXPLORING DREAMS: Images from the Permanent Collection\nThroughout history\, dreams have inspired artists to capture their spirit and bring the imaginary to life. Exploring Dreams presents artwork that echoes the dreamlike\, surreal images encountered in the depths of sleep and in the shades of waking. The exhibition examines the concepts and science of dreams: what dreams are and their purpose and meanings. To further enhance viewer’s experience during the visit\, hands-on and informational activities at the gallery are specially designed to encourage visitors to explore their own dreams through images and text. \nThe annual Family Exhibition at the ASU Art Museum is part of the museum’s InterLab initiative that presents projects that involve collaboration with multiple disciplines\, infusing a multi-level appreciation of the artwork\, enriching the viewing experience and demonstrating the relevance of art to people’s lives. \nThis summer’s dream-inspired theme is also highlighted by this year’s Family Fun Day on Saturday\, July 12\, 2008\, 10 a.m. – 2 p.m. Family Fun Day celebrates rich arts and cultural environments in local communities and encourages increasing community engagements for valley families year round. Free to the pubic\, this year’s Family Fun Day provides hands-on activities\, such as making dream-catcher and other dream-inspired arts and craft; it also entertains families and visitors with dance\, music and theatrical performances suitable for all ages. CONDER Dance\, AZ Opera in a Box and other local groups and volunteers will showcase their best performances throughout the day\, spreading all the fun and joy across gallery spaces. \nChannel Eight\, Arizona PBS (KAET)\, brings Sister Bear of the Berenstain Bears for photos with children and offers children a fun activity to do. Rocky and the Puckpatrol from the Phoenix Roadrunners will also be here! China Mist offers free refreshments. \nExhibition Artists\nArtists represented in the exhibition include: Steve Adams\, Larry Anderson\, Karel Appel\, Alexander Archipenko\, Arnold Belkin\, Stephen Bird\, Emil Bisttram\, Louis Bouche\, Robert Brady\, Enrique Arciniega Campos\, Beth Cavener-Stichter\, Marc Chagall\, Enrique Chagoya\, Sally Chandler\, Jiman Choi\, Chema Cobo\, Van Deren Coke\, Alejandro Colunga\, Sam Coronado\, Philip Curtis\, Salvador Dali\, Alan Davie\, James G. Davis\, Roy De Forest\, W.P. Eggers\, Fritz Eichenberg\, John Flannagan\, Mary Frank\, L. Gazari\, David Gilhooly\, Oscar Gillespie\, Leonel Gongora\, Denise Green\, Bernard Greenwald\, Arthur Hahn\, Bernard Jager\, Tamarra Kaida\, Stephanie Kaldis\, Kurt Kranz\, Max Lehman\, Los Carpinteros\, Michael Lucero\, Andy Nasisse\, Dagoberto Nolasco\, Wolfgang Oppermann\, Charles Rain\, Don Reitz\, John Rise\, Claudette Schreuders\, Larry Schuh\, Brad Shanks\, Jaune Quick-to-See Smith\, Sergio Soave\, Frederic Taubes\, Petar Topljak\, Agnese Udinotti\, Jerry Uelsmann\, Beth Van Hoesen\, Jindra Vikova\, Andy Villarreal\, Jan Voss\, Ron Wagner\, Paul Wonner\, and Janis Wunderlich. \nASU Art Museum Presentation\nOrganized by Justin Germain\, ASU Art Museum Windgate Curatorial Intern and Jean Makin\, ASU Art Museum Print Curator \, Exploring Dreams will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nExploring Dreams (May 17 through September 28\, 2008) is open at the ASU Art Museum: Tuesday\, 11 a.m. – 8 p.m. (summer hours: Tuesday\, 11 a.m. – 5 p.m.); Wednesday – Saturday\, 11 a.m. – 5 p.m.; Sunday\, 1-5 p.m.; Closed Monday and holidays \nSupport\nThe Annual Family Exhibition — Exploring Dreams: Images from the Permanent Collection is made possible in part through an investment by the ASU Art Museum Advisory Board\, IKEA\, Changing Hands Bookstore\, China Mist\, and the Friends of the ASU Art Museum. \n \nMore information contact John Spiak at spiak@asu.edu.\nback to current exhibitions \n\n\n\n\nCollege Unit:\n\nASU Art Museum URL:https://asuartmuseum.org/event-exhibition/exploring-dreams-images-from-the-permanent-collection/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20080315T000000 DTEND;TZID=America/Phoenix:20080802T000000 DTSTAMP:20260915T193248 CREATED:20180330T032500Z LAST-MODIFIED:20241029T230917Z UID:4231-1205539200-1217635200@asuartmuseum.org SUMMARY:SUSAN BEINER: SYNTHETIC REALITY DESCRIPTION:Friday Conversation On Exhibitions \nFriday\, March 28\, 11 a.m.\nASU Herberger College School of Art assistant professor and artist Susan Beiner\nA gallery talk about the artist’s work and her current ceramics installation. Organized by Peter Held\, Susan Beiner: Synthetic Reality takes place in the ASU Art Museum Ceramic Research Center. \nArtist Reception\nFriday\, March 28\, 7-9 p.m.\nSusan Beiner: Synthetic Reality holds a joint reception with Josh Greene: Some Parts Might Be Greater Than the Whole and Carl Andre/Tim Hawkinson. The artist reception is in both the ASU Art Museum and its Ceramics Research Center. The evening includes Night Acts: Transfix organized by ASU Herberger College School of Theatre and Film assistant professors Rachel Bowditch and Jacob Pinholster. \nSUSAN BEINER: SYNTHETIC REALITY\nWhat you see is not always what you get. In our digitized\, photo-shopped world\, reality is often altered and manipulated. Reality television shows seem unreal. With today’s technology\, many products we use daily are manufactured with artificial materials or manipulated DNA aided by scientific processes\, reshaping what was once all natural. Biotechnology allows for genetically altered foods grown in controlled environments\, gene splicing produces cloned animals and hybridization of consumer products has changed our lives forever. Ethical issues continue to challenge these advancements. What are the costs of scientific efficiency versus environmental and health concerns? \nTaking more than a year to complete\, Synthetic Reality is the most ambitious mixed-media installation project created by Arizona State University Herberger College School of Art ceramic faculty member Susan Beiner. A childhood interest in the sciences\, stimulated by her father’s vocation as a chemist\, has lead to a recent fascination with making what is organic into synthetic. Clay and ceramic materials are natural materials mined from the earth; additional industrial materials (foam\, Plexiglas and rubber) assist the artist in making an engineered environment. A fascination with opposites is employed as an artistic strategy: natural and contrived; minimal to baroque; and handmade versus industrial. “My interest is fueled by elements of layering\, fragmentation\, multiplication\, juxtaposition and complication collecting in a room-sized gallery\,” Beiner says. \nThis project is composed primarily of slip-cast porcelain forms that are altered and glazed with a luscious palette of colors. Seductive in materials\, saturated hues of green\, blue\, yellow and peach activate the high-relief “plant life.” Colors flux together\, mirroring the activities of microbes\, leech ponds or aerial topography. The walls and floor of the gallery are encrusted with organic ceramic forms that interlock with one another\, enveloping the viewer in a teeming sea of barnacled life. The repetition of forms\, similar to cloning\, becomes an artificial environment transporting the viewer into another world\, at times familiar\, yet foreign. \nTrained in classical ceramic forms\, Beiner’s career has steadily progressed from an object maker influenced by 18th-century European court porcelains to the creation of large-scale environments. A trend in the ceramics field\, where artists are not confined to the past\, but embrace an interdisciplinary postmodernist approach to their studio practice\, Beiner’s latest tour de force is a heroic effort to enlighten us on the growing complexities of our lives. \nPeter Held\, curator of ceramics in ASU Art Museum Ceramics Research Center\, curates this exhibition. \nASU Art Museum Presentation\nOrganized by Peter Held\, Susan Beiner: Synthetic Reality takes take place in the ASU Art Museum Ceramic Research Center at Arizona State University. \nDuration \nSusan Beiner: Synthetic Reality (March 15-August 2\, 2008) is open at ASU Art Museum Ceramic Research Center at Arizona State University Tuesday\, 11 a.m. – 8 p.m. (summer hours: Tuesday\, 11 a.m. – 5 p.m.); Wednesday – Saturday\, 11 a.m. – 5 p.m.; Sunday\, 1-5 p.m.; Closed Monday and holidays. \nSupport\nThis exhibition is supported by the Independence Foundation\, Philadelphia\, a Herberger College of the Arts Research & Creativity grant and members of CLA. URL:https://asuartmuseum.org/event-exhibition/susan-beiner-synthetic-reality/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20080315T000000 DTEND;TZID=America/Phoenix:20080907T000000 DTSTAMP:20260915T193248 CREATED:20180330T023800Z LAST-MODIFIED:20241029T230723Z UID:4568-1205539200-1220745600@asuartmuseum.org SUMMARY:MONUMENTAL PROPORTIONS: Selections from the permanent Collection DESCRIPTION:Reception\nFriday\, March 28\, 7-9pm\nJoint reception at both the Main Museum and Ceramics Research Center\nlocations for the exhibitions: \nMarch 28 evening includes NightActs \nMONUMENTAL PROPORTIONS\nA selection of monumental works from the Arizona State University Art Museum and loans for the community. \nArtists Work Scheduled For Exhibition \nLeon Golub\, Nam June Paik\, Adriana Verajão\, Enrique Chagoya\, Oscar Oiwa\, Pierre Alechinsky\, Karel Appel\, Derek Boshier\, Deborah Butterfield\, Sandra Ramos Lorenzo\,\nJosé Bechara and Jun Kaneko. \nASU ART Museum Presentation \nOrganized by Curatorial Assistant Elisa Benavidez\, Monumental Proportions will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location. \nDuration\nMonumental Proportions (March 15 through September 7\, 2008) is open Tuesday\, 11 a.m. – 8 p.m. (summer hours: Tuesday\, 11 a.m. – 5 p.m.); Wednesday – Saturday\, 11 a.m. – 5 p.m.; Sunday\, 1-5 p.m.; Closed Monday and holidays. \nSupport\nThis exhibition is made possible by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/monumental-proportions-selections-from-the-permanent-collection/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20080218T000000 DTEND;TZID=America/Phoenix:20080518T000000 DTSTAMP:20260915T193248 CREATED:20180330T023000Z LAST-MODIFIED:20241029T234604Z UID:4229-1203292800-1211068800@asuartmuseum.org SUMMARY:JOSH GREENE: SOME PARTS MIGHT BE GREATER THAN THE WHOLE DESCRIPTION:FRIDAY CONVERSATION ON EXHIBITIONS\nFriday\, March 21\, 11 a.m.\nJosh Greene\, Artist and John Spiak\, Curator\, ASU Art Museum\nA gallery talk about the artists’ work and his current Social Studies project at the museum. \nARTIST RECEPTION\nFriday\, March 28\, 7-9 p.m.\nJosh Greene: Some Parts Might Be Greater Than the Whole holds a joint reception with Carl Andre/Tim Hawkinson and Susan Beiner: Synthetic Reality . The artist reception is in both the ASU Art Museum and its Ceramics Research Center. The evening includes Night Acts Transfixorganized by ASU Herberger College School of Theatre and Film assistant professors Rachel Bowditch and Jacob Pinholster. \n JOSH GREENE: SOME PARTS MIGHT BE GREATER THAN THE WHOLE \nSan Francisco-based artist Josh Greene is the second artist in residence for the Social Studies initiative of the ASU Art Museum\, an exhibition series in which the Museum turns over a complete gallery to an artist to explore their social interactive approach. \nGreene’s Some Parts Might Be Greater than the Whole is an exploration of how and where inspiration is found. Through community engagement\, the artist will use the “safe zone” of the Museum gallery to allow relationships to move forward and develop. Unlike traditional public space in the United States where contact and relationship building with strangers is often contrary to social norm\, or even a traditional Museum exhibition in which interactions mostly occur between viewer and object\, the space provided is continually adjusted by Greene to encourage social interactions. Through this community engagement\, one of the most important ASU commitments\, the results of these interactions takes the work and the artist beyond the Museum’s traditional exhibition structure. \nIt is often said by Museum visitors that a work of art inspires them\, but is it the actual work of art that inspires or is it the artist’s vision and inspiration? In traditional art world models\, a work of art is created in the solitude of an artist’s studio\, shipped to an exhibition space\, installed by preparators\, and when that process is complete\, allowed to be viewed by the patron. Within that format the “human factor” of each work on exhibition is often present only in text form\, with credit and wall panels providing brief background on the artist and possible motive for creation of that work. \nThe artist residencies of the Social Studies initiative are an attempt to open the creative process\, making the “human factor” relevant beyond didactic labels and documentation\, creating actual relationships through artistic practice. This is a unifying theme throughout Greene’s past projects. Often using the source of labor\, work and play\, Greene has developed such projects as Service-Works\, which provides a monthly project grant to individuals\, the amount of each month’s grant determined by how much money he earns as a waiter on a specific night in a fine-dining restaurant in San Francisco; Unlicensed Therapist which consisted of creating a venue dedicated to conversation; Luncheon\, a weekly luncheon prepared for the administrators of an alternative art space in San Francisco; and Sophie Calle’s Bed\, in which the artist wrote to artist Sophie Calle and asked to borrow her bed to help him through a break-up process. \nDuring an initial exploratory visit to Arizona in January of 2008\, Greene met with individuals throughout the community and visited sites of interest. He conceptualized possibilities of projects that might be realized\, but is extremely interested in interactions and the generation of ideas with Museum visitors. \nIn The Artists Own Words:\n“This is kind of a unique set up in that it is a refined institutional setting\, but the Museum has made it into a laboratory of sorts where there is room for things to evolve and change.” \n“I am doing a number of different projects during my stay in Arizona. Some projects will be ephemeral gestures\, while others will be more involved. I want to leave room to respond to the environment\, the viewers and my own experiences. The list of potential ideas and current projects is growing and evolving. Some things will definitely happen\, others will likely not.” \nCOMPLETED \nSee Josh interviewed for 3TV’s Good Morning Arizona show. \nWatch the video created by Arizona Republic reporter Chad Graham: \nThe Arizona State University Art Museum invites you to be part of the creative process by engaging with Greene from February 18 through April 4. \nFor more information on the artist please visit his website at:\nhttp://www.josh-greene.com \nExhibition Catalogue\nAn exhibition catalogue documenting the residency and project will be available in fall of 2008. \nASU Art Museum Presentation\nOrganized by John Spiak\, Josh Greene: Some Parts Might Be Greater Than the Wholewill take place in the Arizona State University Art Museum’s Nelson Fine Arts Center. \nDuration \nJosh Greene: Some Parts Might Be Greater Than the Whole (February 18 through May 18\, 2008) is open at the ASU Art Museum: Tuesday\, 11 a.m. to 9 p.m.\, Wednesday through Saturday from 11 a.m. to 5 p.m.\, and Sunday 1 p.m. to 5 p.m.\, closed Monday. Josh Greene will be in residence February 18 through April 4. \nSupport\nThis exhibition was supported in part by Friends of the ASU Art Museum. \nMore information contact John Spiak at spiak@asu.edu. URL:https://asuartmuseum.org/event-exhibition/josh-greene-some-parts-might-be-greater-than-the-whole/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20080216T000000 DTEND;TZID=America/Phoenix:20080518T000000 DTSTAMP:20260915T193248 CREATED:20180330T022600Z LAST-MODIFIED:20241029T234655Z UID:4228-1203120000-1211068800@asuartmuseum.org SUMMARY:HOGARTH LOOKS AT HANDEL'S LONDON DESCRIPTION:Full List of Public Programs Listed Below \n HOGARTH LOOKS AT HANDEL’S LONDON \nHogarth Looks at Handel’s London is an exhibition of British eighteenth century engravings by William Hogarth (1697-1764)\, who was a friend of George Frideric Handel (1685-1759). Among the highlights are: \n\nAn engraving of the famous Hogarth self-portrait.\nThe series “The Rake’s Progress\,” including a character reputed to be Handel.\nPrints displaying the interrelationship of the arts and the cosmopolitan environment in 18th-century London.\n\nThe exhibition is in collaboration with the program “Discovering Handel\,” which celebrates the work of the German-born composer. The program\, consisting of a symposium\, several concerts\, and Handel Day\, was organized by the Arizona State University School of Music. \nParticipation in the “Discovering Handel” program exemplifies ASU Art Museum’s InterLab initiative. InterLab is an experimental idea dedicated to presenting projects that span multiple disciplines. Project creators interpret art from the ASU Art Museum permanent collection in a context that places the works in new intellectual environments. \nThe exhibition of prints by William Hogarth selected from the ASU Art Museum print collection complements the “Discovering Handel” program organized by David Schildkret\, director of the ASU Chorus in the Herberger College School of Music. Curated by Dr. Anthony Gully\, professor in the Herberger School of Art\, and Jean Makin\, print collection manager in the ASU Art Museum\, the prints bring to life English society in the 18th century. Labels written by Dr. Gully and graduate student Sarah Somer will further highlight the cultural environment of Handel and Hogarth. Professor Roger Adelson\, a British diplomatic historian\, assisted with the text panels providing an historical overview of London in this period. This collaboration between the various departments in the InterLab format creates a multi-level appreciation of this particular time and the artwork produced\, enriching the viewing experience and demonstrating the relevance of art to people’s lives. \nPUBLIC EVENTS \n Symposium: Handel’s London \, Monday\, February 11\, 2008\, 6:30p.m.\nPulliam Auditorium\, Burton Barr Central Library\nFour members of the ASU faculty explore various aspects of cultural life in eighteenth-century London\, one of the world’s great cities. \nConcert: Handel Gems \, Thursday\, February 21\, 2008\, 7:30p.m.\nOrgan Hall\, ASU School of Music\nThe ASU Chamber Orchestra presents an evening of instrumental works by Handel. \nLyric Opera Theatre: Giulio Cesare\, Feb. 22-23\, 29 & March 1\, 2008\, 7:30p.m.\n Evelyn Smith Music Theatre \, ASU School of Music \n Handel Day \, Tuesday\, February 26\, 2008\, 10a.m. – 2:30p.m.\nASU Herberger College of the Arts\nAdmission Free\, Registration required by February 21\, 2008 with Janet Cape ( janet.cape@asu.edu)\nSpend the day with the students and faculty of the Herberger College of the Arts as they introduce various aspects of Handel’s music! Activities include a gallery talk on the print exhibition and performances by singers and musicians of selected works by Handel. \nConcert: Messiah\nWednesday\, March 5\, 2008\, 7p.m.\nEvelyn Smith Music Theatre\, ASU School of Music\nThursday\, March 6\, 2008\, 7p.m.\nTrinity Episcopal Cathedral \nOrgan Concert: Going for Baroque!\, March 9\, 2:30p.m.\n Organ Hall \, ASU School of Music\nKimberly Marshall\, Goldman Professor of Organ and Director of the School of Music\, presents an afternoon of Baroque music by Handel and his contemporaries. \nFriday Conversations: Hogarth Looks at Handel’s London\, March 14\, 2008\, 11a.m.\nDr. Anthony Gully\, art historian\, gives a gallery talk on Hogarth Looks at Handel’s London in the Multipurpose Room gallery at ASU Art Museum. \nFor more information on the programs please visit:\n http://music.asu.edu/handel/events.php \nINTERLAB\nInterLab (Interdisciplinary Laboratory) is a program that invites faculty\, graduate students and others with special interest and expertise to presentation projects that span two or more disciplines. Project proposers from any discipline within the University or community interpret art from the ASU Art Museum Permanent Collection\, possibly augmented by outside work\, in a context that places works of art in new intellectual environments; gives the works of art historical context or demonstrates the ways in which various vocabularies of expression can illuminate an idea. The goal is to open dialogue among people with interests in the visual arts and other disciplines\, to enrich the viewing experience of all visitors\, and to demonstrate the relevance of art to people’s lives. \nASU Art Museum Presentation\nOrganized by Jean Makin\, Hogarth Looks at Handel’s London will take place in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nHogarth Looks at Handel’s London (February 16 through May 18\, 2008) is open at the ASU Art Museum: Tuesday\, 11am to 9pm\, Wednesday through Saturday from 11am to 5pm\, and Sunday 1pm to 5pm\, closed Monday. \nSUPPORT\nThis exhibition was supported in part by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/hogarth-looks-at-handels-london/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20080126T000000 DTEND;TZID=America/Phoenix:20080427T000000 DTSTAMP:20260915T193248 CREATED:20180330T021200Z LAST-MODIFIED:20241029T232208Z UID:4227-1201305600-1209254400@asuartmuseum.org SUMMARY:CARL ANDRE / TIM HAWKINSON DESCRIPTION:FRIDAY CONVERSATION ON EXHIBITIONS\nFriday\, January 25\, 11am\nHeather Lineberry\, Senior Curator and Interim Director\, ASU Art Museum \nFRIDAY CONVERSATION ON EXHIBITIONS\nFriday\, February 8\, 11am\nAn Overview of Minimalism\, lecture by Dr. Claudia Mesch\, Associate Professor\, ASU School of Art. \nARTIST RECEPTION\nFriday\, March 28\, 7-9pm\nCarl Andre/Tim Hawkinson holds a joint reception with Josh Greene: Some Parts Might Be Greater Than the Whole and Susan Beiner: Synthetic Reality . The artist reception is in both the ASU Art Museum and its Ceramics Research Center. The evening includes Night Acts Transfix organized by ASU Herberger College School of Theatre and Film assistant professors Rachel Bowditch and Jacob Pinholster. \nCARL ANDRE / TIM HAWKINSON \nThis exhibition compares work by two of the most important contemporary American sculptors – Carl Andre and Tim Hawkinson. Both artists are actively working today but they are a generation apart. Carl Andre was beginning his career when Tim Hawkinson was born. Andre was one of the founders of the minimalist movement in American art in the 1960s; Tim Hawkinson studied the minimalists at university. While the differences between their sculptural styles and philosophies are stark\, there are fascinating similarities as well. \nCarl Andre\, represented in the exhibition by the monumental Glarus Steel Slant\, made his first metal plate floor piece in 1967 and invited viewers to walk on it. Along with other minimalist artists\, including Donald Judd and Robert Morris\, Andre championed a style that was characterized by multiple units making up a larger whole\, industrial materials\, and de-emphasizing personal and emotional content. His floor pieces revolutionized the way that viewers interacted with sculpture in a museum or gallery setting\, adding a physical\, tangible experience. Minimalism would dominate much of American sculpture through the 1970s. \nTim Hawkinson was born in 1960 and his idiosyncratic and inventive work cannot be linked to a distinct movement. He prefers representational forms\, like the human body\, and recognizable materials\, like string and plastic detergent bottles. Illustrated by the three works in the exhibition\, his work ranges in scale from miniatures to warehouse-sized installations. Hawkinson’s favorite subject is the human body\, explored from the inside out. He has created huge internal organs out of balloons or tiny works cast from his body or literally made from his body with his fingernail parings and hair. His work has a distinctive handmade quality due to his unusual materials and his willingness to learn and use whatever process is necessary for his idea. Unlike Andre\, Hawkinson patently explores the individual’s place\, his own place\, in the universe. \nThis exhibition is an opportunity to explore two poles of contemporary American sculpture\, and in the process consider larger societal influences and art movements. \nASU Art Museum Presentation\nOrganized by Heather Lineberry\, CARL ANDRE / TIM HAWKINSON will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center. \nDuration \nCARL ANDRE / TIM HAWKINSON (January 26 through April 27\, 2008) is open at the ASU Art Museum: Tuesday\, 11 a.m. to 9 p.m.\, Wednesday through Saturday from 11 a.m. to 5 p.m.\, and Sunday 1 p.m. to 5 p.m.\, closed Monday. \nSupport\nThis exhibition was supported in part by the Ovitz Family Collection and PaceWildenstein Gallery\, New York. \n\n\n\n\nCollege Unit:\n\nASU Art Museum URL:https://asuartmuseum.org/event-exhibition/carl-andre-tim-hawkinson/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20071020T000000 DTEND;TZID=America/Phoenix:20080224T000000 DTSTAMP:20260915T193248 CREATED:20180330T041500Z LAST-MODIFIED:20241029T210548Z UID:4225-1192838400-1203811200@asuartmuseum.org SUMMARY:MOULTHROP GENERATIONS: Turned Wood Vessels by Ed\, Philip\, and Matt Moulthrop DESCRIPTION:Moulthrop Generations: \n Turned Wood Vessels by Ed\, Philip\, and Matt Moulthrop \nThe Moulthrops are a dynasty of artists – grandfather\, son\, and grandson – who have made significant contributions to the field of wood turning and share a consistency of vision and process. Ed began turning as a teenager in the 1930s; Philip began turning in the 1970s; Matt\, who has spent his life around wood\, is just beginning his career. Philip and Matt both apprenticed with Ed in Atlanta\, Georgia\, where each now has his own studio. Moulthrop Generations: Turned Wood Vessels by Ed\, Philip\, and Matt Moulthrop presents more than seventy turned wood vessels from 1979 until today by the three artists. \nThe ASU Art Museum has a long history of presenting and collecting contemporary turned wood\, beginning with the landmark gift of the Edward “Bud” Jacobson collection in 1989. Wood turning refers to the use of a lathe to make three-dimensional round forms. A lathe enables an artist to use a stationary blade to carve a revolving block of wood evenly. In the 1960s and 70s\, wood turning emerged with other contemporary craft forms as a process and medium for the individual in a studio to express ideas\, whether in vessel or sculptural form. Contemporary wood turners use lathes to carve one-of-a-kind wooden bowls or sculptures often removed from traditional functions. \nTogether the Moulthrops’ careers frame and exemplify the emergence of wood turning as an art form. The Moulthrops are known for their concentration on the inherent beauty of local woods\, elegant vessel forms\, and innovations in surface treatment and turning technique. Ed Moulthrop began turning when\, in a well-known story\, he scraped the money together from delivering magazines to buy his first lathe for $16.95. Now considered one of the grandfathers of contemporary wood turning\, he quietly and consistently produced a body of work that meditated on the most perfect form possible with the lathe and the variety of wood found in his home state of Georgia. These preoccupations are the basis of Philip’s and now Matt’s work\, with individual variations. Their works are immediately recognizable for the primacy of the wood and the refined vessel forms. \nWhile the Moulthrops are well represented in national and international museum collections\, Moulthrop Generations is the first major museum exhibition to bring the three generations together. Moulthrop Generations presents the breadth of their work\, and reveals their important place within the field of wood turning and contemporary craft. \nExhibition Catalogue\nA color catalogue for the exhibition is available in the ASU Art Museum Store. Call 480-965-9076 to place an order. \nASU Art Museum Presentation\nThe majority of works in the exhibition are drawn from private collections in Phoenix\, Arizona. Moulthrop Generations: Turned Wood Bowls by Ed\, Philip\, and Matt Moulthrop was organized by the Arizona State University Art Museum and curated by Senior Curator Heather Sealy Lineberry. \nDuration \nMoulthrop Generations: Turned Wood Bowls by Ed\, Philip\, and Matt Moulthrop (October 20\, 2007 through February 24\, 2008) is open at the ASU Art Museum: Tuesday from 11am to 9pm; Wednesday through Saturday from 11am to 5pm; and Sunday from 1pm – 5pm. \nSUPPORT\nThe exhibition and catalog were supported by an anonymous donor and the Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/moulthrop-generations-turned-wood-vessels-by-ed-philip-and-matt-moulthrop/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070922T000000 DTEND;TZID=America/Phoenix:20080106T000000 DTSTAMP:20260915T193248 CREATED:20180330T041200Z LAST-MODIFIED:20241029T195841Z UID:4562-1190419200-1199577600@asuartmuseum.org SUMMARY:FOLLOWING THE RHYTHMS OF LIFE: The Ceramic Art of David Shaner DESCRIPTION:Gallery talk by Ann Shaner\nFriday\, September 28\, Noon – 1pm\nCeramics Research Center \nPublic Reception\nFriday\, September 28\, 7-9pm\nwith book signing with peter Held and Jack Troy\nCeramics Research Center \nCall 480-965-2787 for details and registration \nFollowing the Rhythms of Life: \nThe Ceramic Art of David Shaner\nDavid Shaner was one of the foremost ceramic artists of the late 20th century. This retrospective exhibition traces his career and features 70 masterworks from public and private collections\, providing an in-depth overview of his life’s work. Trained at Alfred University School of Ceramics\, Shaner became resident director of the famed Archie Bray Foundation for the Ceramic Arts. He left in 1970 to establish his private studio in Bigfork\, Montana. \nA passionate teacher\, Shaner held workshops nationwide. He was an ardent environmentalist and gardener who integrated the patterns of daily living with his art. Over the course of his remarkable career\, Shaner pursued an uncommon vision — following the rhythms of life\, while leaving a visual legacy for future generations. \nAbout the Artist\nSelect exhibitions of the artists work include: Craftsman USA\, Museum of Contemporary Crafts\, New York\, New York\, 1960; International Ceramics USIA\, Buenos Aires\, Argentina\, 1962; XXIV Ceramic National\, Everson Museum of Art\, Syracuse\, New York\, 1966; Wichita Biennial\, Wichita Art Center\, Wichita\, Kansas\, 1966; Ceramics by Dave Shaner\, Yellowstone Art Center\, Billings\, Montana\, 1966; National Ceramic Arts\, USA\, Skokie\, Illinois\, 1966; David Shaner\, Craft Alliance Gallery\, St. Louis\, Missouri\, 1976; Eight Independent Production Potters\, Kansas City Art Institute\, Kansas City\, Missouri\, 1976; National Invitational\, Nelson Gallery\, Kansas City Art Institute\, Kansas City\, Missouri\, 1977; A Century of American Ceramics 1878-1978\, Everson Museum\, Syracuse\, New York and Smithsonian Institute\, Washington D.C.\, 1979; 8th Chunichi International Exhibition of Ceramic Arts\, Tokyo\, Japan\, 1980; The Arts-Montana’s Cultural Ambassador to Japan\, Kumamoto\, Japan\, 1988; Craft Today USA\, 1989 International Tour: Finland\, Sweden\, Switzerland\, Poland\, Russia\, France\, Italy\, Germany\, Turkey\, Greece\, Holland ; NCECA Conference 1991\, Ceramists from the Gallery’s First 20 Years\, Joanne Rapp Gallery\, Scottsdale\, Arizona; Holter Museum of Art\, Helena\, Montana\, 1994; The Legacy of the Archie Bray Foundation: A Celebration of Ceramics. 1951-1993\, Archie Bray Foundation\, Helena\, Montana\, and Bellevue Art Museum\, Bellevue\, Washington\, 1993; Fifty Years of MFA Ceramic Art at Alfred\, New Art Forms: Chicago International Exposition\, Navy Pier\, Chicago\, Illinois\, 1993; David Shaner: The Gifts He has Made\, The Schein-Joseph International Museum of Ceramic Art\, Alfred\, New York; David Shaner at the Archie Bray Foundation\, Helena\, Montana\, 2001; Ceramics Faculty Selects: Clay from the Permanent Collection\, Arizona State University Art Museum\, Ceramics Research Center\, 2003; In Memoriam: Celebrating the Lives and Work of David Shaner\, Bill Stockton and Peter Voulkos\, Yellowstone Art Museum\, Billings\, Montana\, 2003; A Ceramic Continuum: Fifty Years of the Archie Bray Influence\, University of Kentucky Art Museum\, Lexington\, Kentucky\, 2004; David Shaner: A Retrospective\, Hockaday Museum of Art\, Kalispell\, Montana\, 2005. \nExhibition Catalogue\nA 124-page color catalogue is available at the museum’s store for $35. Call 480-965-9076 to place an order. \nASU Art Museum Presentation\nOrganized by Peter Held\, Following the Rhythms of Life: The Ceramic Art of David Shaner\, will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration \nFollowing the Rhythms of Life: The Ceramic Art of David Shaner (September 22\, 2007 through January 6\, 2008) is open at the ASU Art Museum Ceramic Research Center: Tuesday through Saturday from 11am to 5pm. \nSupport URL:https://asuartmuseum.org/event-exhibition/following-the-rhythms-of-life-the-ceramic-art-of-david-shaner/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070915T000000 DTEND;TZID=America/Phoenix:20071209T000000 DTSTAMP:20260915T193248 CREATED:20180330T033900Z LAST-MODIFIED:20241029T204642Z UID:4223-1189814400-1197158400@asuartmuseum.org SUMMARY:BUSINESS AS USUAL: New Video from China/Cao Fei and Yang Fudong DESCRIPTION:Opening reception\nFriday\, September 14\, 7 p.m. – 9 p.m.\n*dual reception with Jarbas Lopes: Cicloviaérea \nPublic Programs:\n\nTuesday\, October 2\, 7pm\nScreening of the Chinese film masterpiece\, Spring in a Small Town (1948).\nYang Fudong draws inspiration for his videos from the style and content of early-twentieth-century Chinese films. Director Mu Fei made Spring in a Small Town as China was recovering from the long war with Japan (WWII) and moving into its Communist revolution. Mu’s film aroused some condemnation because of its concern with the individual and the personal. The film revolves around an isolated family group\, relics of the class system\, burdened by the past and trying to find their way into the future. The screening is introduced by ASU visiting professor Yu Zou\, a specialist in Chinese film and civilization\, who will address the history of the film’s reception in China and its relationship to Yang Fudong’s work. \nFriday\, November 9\, noon\nAnother Cultural Revolution: Art in Today’s China\nBrownbag lecture by ASU Art Museum Director Marilyn A. Zeitlin\nContemporary art from China expresses the new values in a country both rapidly changing and intensely aware of its past. How these artists have both absorbed art from the West and redefined tradition is reflected in painting\, sculpture\, and video that also tests the limits of the new permissiveness in expression. \n BUSINESS AS USUAL: \n New Video from China / Cao Fei and Yang Fudong \n Business As Usual is an opportunity to examine two of the most prominent contemporary Chinese video artists. Both Cao Fei and Yang Fudong address the emergence of a new middle class in China. Contemporary artists in China employ a range of media to explore the experience of living in a rapidly changing urban environment. Globalization has brought them into contact with Western contemporary art\, which explains the increasing visual similarity\, but their concerns remain unique to present-day China. \nIn Whose Utopia\, Cao Fei portrays workers who left their small hometowns to pursue life in the big city. They took with them dreams to be dancers and singers\, and ended up in factories. Working with employees in a light bulb factory\, Cao Fei has the workers dress in the garb of their dreams and perform within the environment of their actual lives\, the factory. \nYang Fudong’s film and video work portrays his generation of people in their late 20s and 30s who are part of the emerging middle class in China and who hover between the past and present. Fudong’s work epitomizes how the recent and rapid modernization of China has overthrown traditional values and culture. He skillfully balances this dichotomy to create works endowed with classic beauty and timelessness. \nThe exhibition is co-curated by Marilyn A. Zeitlin\, director and chief curator\, and Heather S. Lineberry\, Senior Curator\, of the ASU Art Museum. \nAll works in the exhibition are drawn from the Haudenschild Collection\, San Diego. \nThis exhibition available for tour. \nAbout the Artists \nCao Fei\nSelect recent solo exhibitions include: 2006: SIEMENS Art Project 2006: What Are You Doing Here? Fu Shan OSRAM factory\, Guangzhou; HIP HOP\, Lombard-Freid Project\, New York. 2005: Cosplayers\, Lombard-Freid Fine Arts\, New York and CourtYard Gallery\, Beijing. Recent select group exhibitions include: 2006: 15th Sydney Biennale\, Sydney. 2005: Art Basel Miami Beach Art Video Lounge: A Kind of a Portraiture Program\, Miami; Joy\, Casino Luxembourg\, Luxembourg.; Exchange Value of Pleasure\, Busan Museum of Modern Art\, Busan\, Korea; The 2nd Guangzhou Triennial: BEYOND an Extraordinary Space of Experimentation for Modernization\, Guangdong Museum of Art\, Guangzhou (cat.); Tirana Biennale\,National Gallery of Arts\, Tirana\, Albania; Trouble with Fantasy\,Kunsthalle Nurnberg\, Nurnberg\, Germany; Out of Sight\, De Appel Foundation of Amsterdam\, Amsterdam\, Holland; The 3rd Fukuoka Asian Art Triennial 2005: Parallel Realities – Asian Art Now\, Fukuoka Asian Art Museum\, Fukuoka\, Japan; Between Past and Future: New Photography and Video from China\,The Victoria and Albert Museum\, London; Follow Me! Contemporary Chinese Art at the Threshold of the Millennium\, Mori Museum\, Tokyo; China! China!! China!!!Grace Alexander Contemporary Art Gallery\, Zurich; I Still Believe in Miracles Part II: Derrière I’ horizon\, Musee d’ Art Moderne de la ville de Paris\, Paris; Emergency Biennale in Chechnya: A suitcase from Paris to Grosny\, Palais de Tokyo\, Paris; The 1st Moscow Biennale of Contemporary Art: Dialectics of Hope\, Moscow\, Russia (cat.); Water Event (as a part of Yoko Ono: Horizontal Memories)\, Astrup Fearnley Museum\, Oslo\, Norway (cat.); London + China Film Festival 2005\, SOAS (The School of Oriental and African Studies\, University of London)\, London. 2004: Past in Reverse: Contemporary Art of East Asia\, San Diego Museum of Art\, California (cat.); Die Chinesen: Fotografie und Video aus China (The Chinese: Photography and Video from China)\,Kunstmuseum Wolfsburg\, Germany (cat.); The 5th Shanghai Biennale: Techniques of the Visible\, Shanghai Art Museum\, Shanghai (cat .); à I’ est du sud de I’ Ouest / à I’ ouest du sud de I’ Est (West of the South of the East / East of the South of the West)\, Sète / Villa Arson\, Nice\, France; Between Past and Future: New Photography and Video From China\, International Center of Photography (ICP) and Asia Society\, New York (cat.); China Now\, MoMa Film at the Gramercy Theater\, New York; Chine: Generation Video\, Maison Européenne de la Photogrqaphie (MEP)\, Paris; Out the Window: Spaces of Distraction\, The Japan Foundation Asia’ Center\, Tokyo (cat.) \nYang Fudong\nSelect recent solo exhibitions of the work of Cao Fei include: 2005: Yang Fudong\, Castello di Rivoli\, Italy; Don’t worry\, it will be better…\, Kunsthalle Wien\, Austria; Marian Goodman Gallery\, Paris; Yang Fudong\, Stedelijk Museum\, Amsterdam\, Netherlands. 2004: FACT Liverpool (Liverpool Biennial 2004)\, Great Britain; 5 Films\, The Renaissance Society\, Chicago; Recent Works\, Redcat\, Roy and Etna Disney Cal Arts Theater\, Los Angeles; Breeze\, Galerie Judin Belot\, Zuerich\, Switzerland; Drei Filme\, Gesellschaft für Aktuelle Kunst\, Bremen\, Germany; Galleria Raucci Santamaria\, Napoli\, Italy; Sketch the Gallery\, London; Yang Fudong\, Trans>Area\, New York; BüroFriedrich\, Berlin. 2003: Seven Intellectuals in Bamboo and Selected Works on Video\, The Moore Space\, Miami; Movie night at MK2\, Paris\, France. Recent select group exhibitions include: 2005: Internationale Sharjah Biennale 7\,UAE; Fukuoka Triennial\, Japan; The Wall-Reshaping Contemporary Chinese Art\, Albright-Knox Art Gallery\, University at Buffalo Art Galleries\, Buffalo\, New York and Millennium Art Museum\, Beijing; Follow Me! Contemporary Chinese Art at the Threshold of the Millenium\, Mori Art Museum\, Tokyo; The Forest: Politics\, Poetics\, and Practice\, inaugural exhibition\, Nasher Museum of Art at Duke University\, Durham\, NC; LE INVASIONI BARBARICHE\, Galleria Continua\, San Gimignano\, Italy; First Moscow Biennale of Contemporary Art\, Moscow Biennale\, Moskva\, Russia; Shanghai Constructions\, Shanghai Gallery of Art\, Shanghai\, China. 2004: Shanghai Surprise\, lothringer dreizehn\, München\, Germany; Past in Reverse: Contemporary Art of East Asia\, San Diego Museum of Art\, San Diego; Caméra\, National Museum of Contemporary Art (MNAC)\, Bucuresti\, Romania; Dreaming of the Dragon’s Nation: Contemporary Art from China\, IMMA Irish Museum of Modern Art\, Dublin\, Ireland; Do You Believe in Reality? 2004 Taipei Biennial\, Taipei Fine Arts Museum – Taipei Biennial\, Taipei; Spread in Prato 2004\, Dryphoto Arte Contemporanea\, Prato\, Italy; Shanghai Modern\, Villa Stuck\, Munchen\, Germany; Die Chinesen: Fotografie und Video aus China\, Kunstmuseum Wolfsburg\, Wolfsburg\, Germany; Techniques of the Visible\, 5th Shanghai Biennale\, Shanghai Art Museum\, Shanghai; Time Zones:Recent Film and Video\, Tate Modern\, London; Carnegie International\, Carnegie Museum of Art\, Pittsburgh\, PA; Conditional being\, Metrònom\, Barcelona\, Spain; Encounters in the 21st Century : Polyphony – Emerging Resonances\, 21st Century Museum of Contemporary Art\, Kanazawa\, Japan; Museum Inauguration\, 21st Century Museum of Contemporary Art\, Kanazawa\, Japan; Light as Fuck! Shanghai Assemblage 2000-2004\, The National Museum of Contemporary Art\, Oslo\, Norway; Slow Rushes\, SMC.CAC Contemporary Art Centre\, Vilnius\, Lithuania; 62761232\, BizArt Art Center\, Shanghai\, China; Busan Biennale 2004\, Busan Metropolitan Art Museum\, Busan\, Korea. \nASU Art Museum Presentation\nThe exhibition is curated by Heather S. Lineberry\, Senior Curator\, Arizona State University Art Museum. \nDuration \n BUSINESS AS USUAL: New Video from China / Cao Fei and Yang Fudong (September 15 through December 9\, 2007) is open at the ASU Art Museum: Tuesday 11 a.m. – 9 p.m.\, Wednesday through Saturday 11 a.m. to 5 p.m.\, and Sunday 1 p.m. – 5 p.m.; closed Monday. \nSupport \nAll works in the exhibition are drawn from the Haudenschild Collection\, San Diego. Exhibition is available for tour. URL:https://asuartmuseum.org/event-exhibition/business-as-usual-new-video-from-china-cao-fei-and-yang-fudong/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070907T000000 DTEND;TZID=America/Phoenix:20071230T000000 DTSTAMP:20260915T193248 CREATED:20241029T195137Z LAST-MODIFIED:20241029T195729Z UID:4222-1189123200-1198972800@asuartmuseum.org SUMMARY:JARBAS LOPES: Cicloviaérea DESCRIPTION:Tuesday\, October 30\, 6pm\nFreedom\, Fear and Creativity\nWhen expectations are removed and new freedom\nis welcomed\, how do we respond?\n http://asuartmuseum.asu.edu/jarbaslopes/dialoguecontinues \nTuesday\, November 20\, 6pm\nCommunities Engaging/ Unlikely Places\nCan a Museum be a place for active participation\nin the creative process ?\n http://asuartmuseum.asu.edu/jarbaslopes/dialoguecontinues \nTuesday\, December 4\, 6pm\nWhat happened here\, and now what?\nReflecting on the experience and moving forward.\n http://asuartmuseum.asu.edu/jarbaslopes/dialoguecontinues \nDecember 4\, following dialogue\nStay to celebrate the project one more time with\nNight Moves\, a collaboration of ASU Dance and\nBroadmor Elementary School dancers.\n http://asuartmuseum.asu.edu/nightseries \nGallery Talk\nFriday\, September 14\, noon to 1 p.m. \nGallery talk with Jarbas Lopes\, Marcio Botner\, Marilyn Zeitlin\nand John Spiak. Marcio Botner is an artist\, teacher\, and director\nof A Gentil Carioca\, an artist-run gallery and experimental art space\nin Rio de Janeiro. Marilyn Zeitlin and John Spiak are co-curators of\nthe project for the ASU Art Museum. \nReception introducing Jarbas Lopes\nFriday\, September 14\, 7 p.m. – 9 p.m.\n*dual reception with Business As Usual: Video from China \nEnd of residency party with Jarbas Lopes:\nFriday\, October 12\, 7 p.m. – 9 p.m.\n*sponsored by LatinoFuture Magazine \nExhibition continues:\nOctober 13 through December 30\, 2007 \nOngoing:\n– Bike Saviours Cooperative repair shop in a gallery turned studio-workshop\n– Opportunities to meet\, talk with and work with the artist as he\nexplores and redefines the bicycle as an object of aesthetic beauty\,\na solution to ecological challenges\, and a source of enjoyment. \n JARBAS LOPES: Cicloviaérea \nOn September 7\, Brazilian artist Jarbas Lopes kicks off the Social Studies residency program at the Museum making his work—in the Museum. He invites you— artists\, students\, children\, bicycle enthusiasts and anyone else interested in learning about his creative process— to join him. Jarbas Lopes of Rio de Janeiro will work in one Museum gallery space converted into a workshop-studio\, using the space as a laboratory for creativity and community. Museum visitors engage the process to explore his utopia of alternative transportation. Using bicycles\, sculpture\, drawing\, installation\, video and performance\, Lopes builds the work within the gallery and then takes it into our city. \nLopes’s project Cicloviaérea proposes the bicycle as an alternative for transportation\, as a source of enjoyment\, and as an object that balances function with aesthetic beauty. His project is the first in the series Social Studies\, a program of international artist residencies under the Museum’s new Global Arizona initiative. The focus of these projects is to explore the often unseen creative process that underlies what visitors see in an exhibition of finished works of art. It offers an open environment within which community can participate in the art-making process. Tools\, equipment\, art supplies and the artist will be in the space when the residency begins\, with the interactions and relationships developed during the course of the residency guiding the work forward. In the case of Jarbas Lopes\, that could mean repairing your bicycle or embellishing it; drawing\, painting\, making video\, music\, writing poetry or other unforeseen creative production that will occur. \nAbout the Artist\nJarbas Lopes is an artist who lives in a small town north of Rio de Janeiro. He works in the tradition of such artist-activists as Joseph Beuys\, whose notion of “social sculpture” views art as a means through which people can shape their society and views social interaction as an art form as well. Jarbas uses whatever art medium and materials suit his purposes including sculpture and drawing. His informal drawings are often made collaboratively\, frequently with his own children as co-authors. He uses performance\, video\, music\, and poetry\, all of which will be welcomed in this project. \nHis work has been exhibited at the following venues: 2007: Novas Utopias – Jarbas Lopes\, Museu de Arte Moderna Aloísio Magalhães – MAMAM\, Recife; Cómo vivir juntos\, MAC Museo de Arte Contemporáneo. Universidad de Chile\, Santiago de Cile. 2006: 27° Bienal de São Paulo \, Fundação Bienal de São Paulo\, São Paulo. 2005: Rampa – Signaling New Latin American Art Initiatives \, Arizona State University Art Museum\, Tempe\, AZ; Colecoes VI – 17 Foros – 18 Artistas \, Galeria Luisa Strina\, São Paulo. 2004: Instinctive \, Andrea Rosen Gallery\, New York\, NY; Unbound \, Parasol unit\, Londra (Inghilterra); Gambiarra – New Art from Brazil \, Firstsite\, Colchester (Inghilterra). 2003: 8. Bienal de La Habana \, La Bienal de La Habana\, Habana; Gambiarra \, Gasworks\, Londra (Inghilterra). 2002: Off the Grid; Works on Paper \, Lehmann Maupin Gallery\, New York\, NY. \nASU Art Museum Presentation\nThe exhibition is co-curated by Marilyn Zeitlin and John Spiak of ASU Art Museum in collaboration with Marcio Botner\, director of A Gentil Carioca\, Rio de Janeiro. \nDuration \n JARBAS LOPES: Cicloviaérea (September 7 through December 30\, 2007) is open at the ASU Art Museum: Tuesday 11 a.m. – 9 p.m.\, Wednesday through Saturday 11 a.m. to 5 p.m.\, and Sunday 1 p.m. – 5 p.m.; closed Monday. \nSupport\nThis project is made possible through a partnership with the Institute for Arts\, Media and Culture at ASU. Additional support provided by Sharon Figarelli/Latin American Art Gallery\, Scottsdale; Lori and Howard Hirsch; The Maurice R. and Meta G. Gross Foundation; Phyllis and Stuart Steckler; and Friends of the ASU Art Museum. Bicycle repair shop sponsored by Bike Saviours Cooperative\, Inc\, Tempe. Bicycle and parts generously donated by City of Tempe’s Tempe in Motion; Bike Barn\, Phoenix; and Desert Industries\, Mesa. \nEnd of residency party with Jarbas Lopes sponsored by LatinoFuture Magazine URL:https://asuartmuseum.org/event-exhibition/jarbas-lopes-cicloviaerea/ CATEGORIES:blue,Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070714T000000 DTEND;TZID=America/Phoenix:20080105T000000 DTSTAMP:20260915T193248 CREATED:20180330T040700Z LAST-MODIFIED:20241029T231947Z UID:4221-1184371200-1199491200@asuartmuseum.org SUMMARY:Everyday Miracles: Latin American Folk Art from the Cecere Collection DESCRIPTION:Programs: \nGallery talk with guest curator Joanne Stuhr\nSep. 7\, 2007\, noon \nReception at which Pete Cecere will be present\nNov. 16\, 2007\, 7-9 p.m. \nBrunch conversation:\nSaturday\, Nov. 17\, 2007 9:30-11 a.m.\nPete Cecere\, guest curator Joanne Stuhr\, and museum director Marilyn A. Zeitlin meet with visitors to discuss contemporary impacts on Latin American Folk Art. Coffee and Danish served. \n EVERYDAY MIRACLES : \n Latin American Folk Art from the Cecere Collection \nEveryday Miracles: Latin American Folk Art from the Cecere Collection presents objects that illuminate the secular and sacred and ways they intersect. The exhibition pays tribute to the life experience of the Latin American indigenous cultures from which these cultural traditions emerge. \nIn 2005\, the ASU Art Museum received a donation of nearly 1\,000 pieces of folk art from noted collector Peter P. Cecere. Cecere lives at the foot the Shenandoah Mountains\, in the woods of western Virginia\, in a pumpkin-colored house he designed for himself and 12\,000 of his closed friends: his collection of folk art\, most of it from Latin America. \nTo celebrate this generous gift\, the ASU Art Museum has mounted an exhibition of approximately 60 pieces from Mexico\, Guatemala\, Venezuela\, Paraguay\, El Salvador\, Peru\, Ecuador and Bolivia. The exhibition examines the interaction between secular and sacred – specifically the complex interplay between the realm of the ordinary and the realm of the divine – in Latin America. Through object and text\, the exhibition looks at indigenous traditions that are interwoven with Christian influences that arrived with the conquistadors. It reflects popular piety and evidence of syncretism in folk practices. It includes art that is made for\, or that depicts; ceremony\, ritual and magic. \nASU Art Museum Presentation\nThe exhibition is guest curated by Joanne Stuhr and is installed in the ASU Art Museum at Arizona State University. \nDuration \nEveryday Miracles: Latin American Folk Art from the Cecere Collection (July 14\, 2007 – January 5\, 2008) is open at the ASU Art Museum: Tuesday from 11 a.m. to 9 p.m.\, Wednesday through Saturday from 11 a.m. to 5 p.m.\, and Sunday from 1 p.m. to 5 p.m. \nSupport \nSupport for this exhibition is provided by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/everyday-miracles-latin-american-folk-art-from-the-cecere-collection/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070602T000000 DTEND;TZID=America/Phoenix:20070929T000000 DTSTAMP:20260915T193248 CREATED:20180330T051600Z LAST-MODIFIED:20241029T231357Z UID:4558-1180742400-1191024000@asuartmuseum.org SUMMARY:Sean Duffy: The Grove DESCRIPTION:Target Family Fun Day!\nSaturday\, July 14\, 10 a.m. – 2 p.m. \nWelcome Back Student Party and Artist Reception:\nTuesday\, August 28\, 6–8 p.m. \nb3 In The Grove: A Reaction to the Installation by Sean Duffy\n6 DJs\, 18 Turntables\, 400 Speakers\, 1 Night \nTuesday\, September 25\, 7:30 p.m. \nSEAN DUFFY: The Grove\nSean Duffy’s newest installation seeks to gather people in a highly participatory experience. The Grove consists of 18 turntables\, each linked to 20 speakers suspended from the ceiling. A selection of albums by instrumental and vocal performers at each turntable allows participants to interactively change the sound environment. With close to 400 speakers\, the installation creates a canopy of sound from a collective-community orchestration of ever-evolving musical compositions. \nAbout the Artist\nSean Duffy was born in 1966\, in San Diego\, and currently lives and works in Newhall\, California. Duffy received his B.A. in Visual Arts and Political Science from the University of California at San Diego and his M.F.A. from the University of California at Irvine. The artist has recently exhibited solo exhibitions at the Susanne Vielmetter Berlin Projects\, Berlin\, Germany; Luckman Fine Arts Complex\, California State University\, Los Angeles; California 101 Building\, San Francisco; Susanne Vielmetter Los Angeles Projects\, Culver City\, California; Howard House\, Seattle; and the Santa Barbara Contemporary Arts Forum\, Santa Barbara\, California. His work has been included in the select group exhibitions: Greetings from the American Dream\, Riverside Art Museum\, Riverside\, California; Realm of the Senses\, James Cohan Gallery\, New York; California Biennial\, Orange County Museum of Art\, Newport Beach\, California; Black Belt\, Studio Museum\, Harlem; Remix/Experimenter\, Museum of Modern Art\, San Salvador. \nASU Art Museum Presentation\nThe exhibition is co-organized by John D. Spiak\, ASU Art Museum and Julie Joyce\, Luckman Fine Arts Complex\, California State University\, Los Angeles\, and will be installed in the ASU Art Museum’s Nelson Fine Arts Center on the Arizona State University Tempe campus. \nDuration\nSEAN DUFFY: The Grove (June 2 through September 29\, 2007) is open at the ASU Art Museum: Tuesday from 11 a.m. to 9 p.m.\, Wednesday through Saturday from 11 a.m. to 5 p.m.\, and Sunday from 1 p.m. to 5 p.m. \nSupport \nThe exhibition and related programs are made possible in part by Stinkweeds Music (Phoenix)\, Modified Arts (Phoenix)\, an Artists’ Resource for Completion grant from the Durfee Foundation (Los Angeles)\, and Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/sean-duffy-the-grove/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070602T000000 DTEND;TZID=America/Phoenix:20070828T000000 DTSTAMP:20260915T193248 CREATED:20180330T051900Z LAST-MODIFIED:20241029T231359Z UID:4557-1180742400-1188259200@asuartmuseum.org SUMMARY:Visual Melodies: Selections from the Permanent Collection DESCRIPTION:Target Family Fun Day! \nSaturday\, July 14\, 2007\n10 a.m. – 2 p.m. \nExhibition\nVisual Melodies is an orchestra of images with violins\, pianos\, horns and drums playing a silent melody for all to see. Music is part of everyone’s life. From rock to classical\, music inspires artists to capture its visual essence. The ASU Art Museum partnered with the School of Music and ArtsWork in creating free\, hands-on activities in the gallery. \n Target Family Fun Day \nOn Target Family Fun Day\, there are free hands-on activities\, free performances and Eight\, Arizona PBS\, brings “Arthur” for photos with children. A children’s music-themed literacy workshop is presented\, and each child receives a free book. \nASU Art Museum Presentation\nOrganized by ASU Art Museum Print Collection Manager Jean Makin\, Curator of Education Laura Stewart\, Windgate Curatorial Intern Andrea Feller\, School of Music Professor Sandra Stauffer\, and doctorial student Michelle McConkey\, Visual Melodies will be installed in the Kresge Gallery\, ASU Art Museum’s Nelson Fine Arts Center at Arizona State University\, Tempe. \nDuration\nVisual Melodies: Selections from the Permanent Collection (June 2 – August 28\, 2007) is open at the ASU Art Museum: Tuesday through Saturday from 10 a.m. to 5 p.m. during the summer. During the academic year\, Tuesday hours extend\, 10 a.m. – 9 p.m. \nSupport\nSupport for the Target Family Fun Day is provided by Target \nVisual Melodies is made possible in part through an investment by Changing Hands Bookstore\, Arizona Opera\, KAET 8\, and the Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/visual-melodies-selections-from-the-permanent-collection/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070504T000000 DTEND;TZID=America/Phoenix:20070904T000000 DTSTAMP:20260915T193248 CREATED:20180330T051200Z LAST-MODIFIED:20241029T225941Z UID:4217-1178236800-1188864000@asuartmuseum.org SUMMARY:Renegade Clay: Five Views from the West DESCRIPTION:Renegade Clay: Five Views from the West \nThis exhibition uncovers the work of five artists from western states who are defining a new generation of clay workers: Rebekah Bogard\, Neveda; Shay Church\, California; Max Lehman\, New Mexico; Thomas Muller\, California; and Christina West\, Montana. \nIn an increasingly hybrid\, cross-disciplinary\, globalized world; new technologies and approaches are influencing the ceramics field. The traditional disciplines of art\, design and craft have blurred in the last decade with a fluidity of movement never witnessed before. Not beholden to the past\, these emerging and under-recognized artists showcase a wide range of approaches: installation\, mixed media and use of new materials. \nASU Art Museum Presentation:\nOrganized by the ASU Art Museum\, this exhibition curated by Peter Held and is made possible in part through the Ceramics Leaders of ASU (CLA) and Friends of the ASU Art Museum. Renegade Clay: Five Views from the West will be installed in the ASU Art Museum Ceramics Research Center at Arizona State University. \nDuration:\nRenegade Clay: Five Views from the West runs May 4 – Sept. 4\, 2007 at the ASU Art Museum Ceramics Research Center. Hours: Tuesday – Saturday from 11 a.m. to 5 p.m. \nSupport \nThe exhibitions and related programs are made possible in part through the Ceramics Leaders of ASU (CLA) and Friends of the ASU Art Museum. \nASU Art Museum Exhibitions\nSelected past exhibitions at the ASU Art Museum include:\nBETWEEN CLOUDS OF MEMORY: Akio Takamori \nWIT AND WINE\nDESERT CLASSICS\nBritish Ceramic Masterworks: Highlights from the Anne and Sam Davis\nHUMOR\, IRONY AND WIT: Ceramic Funk from the Sixties and Beyond\nShared Passion: Sara and David Lieberman Collection of Contemporary Ceramics and Craft\nLuo Xiaoping: The Time Square Series\nBeyond Boundries: The Yixing Influence on Contemporary American Ceramics\nEmbracing Night: New Ceramics by Farraday Newsome Sredl URL:https://asuartmuseum.org/event-exhibition/renegade-clay-five-views-from-the-west/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070414T000000 DTEND;TZID=America/Phoenix:20070828T000000 DTSTAMP:20260915T193248 CREATED:20180330T055000Z LAST-MODIFIED:20241030T000749Z UID:4215-1176508800-1188259200@asuartmuseum.org SUMMARY:ASU Herberger College School of Art Faculty: 2006-2007 Exhibition DESCRIPTION:ASU Herberger College School of Art Faculty:\n2006-2007 Exhibition\nRecent works created by the faculty will be exhibited in the bi-annual ASU Herberger College School of Art Faculty Exhibition at the ASU Art Museum\, April 14 – Sept. 9\, 2007. The bi-annual show offers students and the public an opportunity to see the respected talents of the ASU Herberger College School of Art faculty. This year’s exhibition features works by more than 35 art faculty members in media as diverse as painting\, photography\, drawing\, sculpture\, inter-media\, fiber and ceramics\, as well as research by art history and art education professors. \nARTISTS IN THE EXHIBITION: \n\n\n\n \nJulie Anand\n\n \nMary Bates Neubauer\n\n \nSusan Beiner\n\n \nDaniel Britton\n\n\n\n\n\n \nBecky I. Chader (McDonah)\n\n \nJulie Codell\n\n \nDan Collins\n\n \nTom Eckert\n\n\n\n\n\n \nAngela Ellsworth\n\n \nRon Gasowski\n\n \nDenis Gillingwater\n\n \nJames Hajicek and Carol Panaro-Smith\n\n\n\n\n\n \nHilary Harp and Suzie Silver\n\n \nJules Heller\n\n \nMary Hood\n\n \nWilliam Jenkins\n\n\n\n\n\n \nMark Klett\n\n \nJohn Jota Leaños\n\n \nMuriel Magenta\n\n \nStephen Marc\n\n\n\n\n\n \nKathryn Maxwell\n\n \nBeverly McIver\n\n \nJeanne Otis\n\n\nJanice M. Pittsley\n\n\n\n\n\n \nMark Pomilio\n\n \nJohn Risseeuw\n\n \nBetsy Schneider\n\n \nJerry Schutte\n\n\n\n\n\n \nForrest Solis\n\n \nMary Stokrocki\n\n \nClare Verstegen\n\n \nJames R. White\n\n\n\n\n\n \nDiane Wolfthal\n\n\n\n\n\n\n\n\n\n \nASU Art Museum Presentation \nOrganized by ASU Art Museum curator John Spiak\, ASU Herberger College School of Art Faculty: 2006-2007. Exhibition will be installed in the ASU Art Museum’s Nelson Fine Arts Center at Arizona State University\, Tempe. \nDuration\nASU Herberger College School Of Art Faculty: 2006-2007 Exhibition (April 14 – Sept. 29\, 2007) is open at the ASU Art Museum: Tuesday through Saturday from 10 a.m. to 5 p.m. during the summer. During the academic year\, Tuesday hours extend\, 10 a.m. – 9 p.m. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum\, ASU Herberger College of the Arts and its School of Art. URL:https://asuartmuseum.org/event-exhibition/asu-herberger-college-school-of-art-faculty-2006-2007-exhibition/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070414T000000 DTEND;TZID=America/Phoenix:20070929T000000 DTSTAMP:20260915T193248 CREATED:20180330T034900Z LAST-MODIFIED:20241030T000739Z UID:4554-1176508800-1191024000@asuartmuseum.org SUMMARY:Connectivity Stage 1 DESCRIPTION:Opening reception\nFriday\, April 13\, 7-9 p.m. \nJoint reception with the exhibitions:\nConnivences: Stefan de Jager / Stéphane Janssen\nASU Herberger College School Of Art Faculty: 2006-2007 Exhibition \nArtist Talk \nFriday\, April 6\, noon – 1 p.m.\n Connectivity Stage 1 Interlab is an interactive\, digital installation created in response to four masterworks from the permanent collection on display in the ASU Art Museum Americas Gallery: Alexander Calder’s Many Pierced Disks\, 1950; Edward Hopper’s House by a Road\, circa 1942; Hung Liu’s The Trophy\, 2001; and John Frederick Peto’s The Rack\, 1882. Visitors’ behavior on the installation “stage” affects the media responses they experience. \nArtists in the Exhibition:\nThis innovative exhibition\, designed by ASU Arts\, Media and Engineering (AME) assistant professor David Birchfield\, research assistants Aaron Cuthbertson \, Sarah Hatton\,Brandon Mechtley and Chris Todd\, includes interactive video\, 3-D graphics\, audio and gesture components contributed by Phoenix Metropolitan Arts Institute high school students and their instructor\, Aaron Abbott. Other contributors include ASU Art Museum Windgate Curatorial Intern Andrea Feller\, AME faculty member Gang Qian and research assistant Huan Jin. \nASU Art Museum Presentation\nOrganized by ASU Art Museum Curator of Education Laura Stewart and Windgate Curatorial Intern Andrea Feller\, Connectivity Stage 1 Interlabwill be installed in the Americas Gallery\, ASU Art Museum’s Nelson Fine Arts Center at Arizona State University\, Tempe. \nDuration\nConnectivity Stage 1 Interlab (April 14 – Sept. 29\, 2007) is open at the ASU Art Museum: Tuesday from 11 a.m. to 9 p.m.\, Wednesday through Saturday from 11 a.m. to 5 p.m.\, and Sunday from 1 p.m. to 5 p.m. \nSupport\nConnectivity Stage 1 Interlab was made possible in part through generous funding received from the Phoenix Youth and Education Commission’s “Focus on Results” youth grant\, the Arizona Commission on the Arts\, Arizona American Masterpieces\, and the National Endowment for the Arts American Masterpieces Program. \nMore information: Laura Stewart\, laura.stewart@asu.edu URL:https://asuartmuseum.org/event-exhibition/connectivity-stage-1/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070414T000000 DTEND;TZID=America/Phoenix:20070623T000000 DTSTAMP:20260915T193248 CREATED:20180330T040300Z LAST-MODIFIED:20241030T000743Z UID:4213-1176508800-1182556800@asuartmuseum.org SUMMARY:DRAWING FROM HISTORY: Permanent Collection and Loans DESCRIPTION:Drawing from History: Permanent Collection and Loans presents 20 works by contemporary artists who are influenced by and quote from art history. The exhibition focuses on work in the ASU Art Museum’s collection\, including new acquisitions and loans from local collections. The exhibition also includes historic works that provide inspiration and reveal sources. \nArtist in the Exhibition\nThe contemporary artists in this exhibition use their knowledge of art history in different ways to inspire their work. The work includes paintings\, prints\, photographs\, sculptures and installations. Artists in the exhibition include Pierre Alechinsky\, Pedro Alvarez\, John James Audubon\, Sandow Birk\, Tiago Carneiro da Cunha\, Franklin Cassaro\, Enrique Chagoya\, Gordon Cheung\, Sue Coe\, Gustav Dore\, Walton Ford\, Nicholas Herrera\, David Huffman\, William Kentridge\, Vik Muniz\, Giovanni Piranesi and Claudette Schreuders. \nASU Art Museum Presentation\nThe exhibition is organized by Heather Lineberry\, senior curator\, ASU Art Museum\, and is installed in the ASU Art Museum’s Nelson Fine Arts Center at Arizona State University in Tempe\, Arizona. \nDuration \nDrawing from History: Permanent Collection and Loans (April 14 through June 23\, 2007) is open at the ASU Art Museum: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nSupport for this exhibition is provided by Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/drawing-from-history-permanent-collection-and-loans/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070303T000000 DTEND;TZID=America/Phoenix:20070312T000000 DTSTAMP:20260915T193248 CREATED:20180330T035300Z LAST-MODIFIED:20241029T230501Z UID:4212-1172880000-1173657600@asuartmuseum.org SUMMARY:Connivences: Stefan De Jaeger / Stéphane Janssen A history of art\, family and friends DESCRIPTION:March 3 – May 12\, 2007 \nFriday\, March 2\, noon\nTour with Stéphane Janssen and Marilyn Zeitlin \nFriday\, April 13\, 7-9 p.m.\nPublic reception \nA personal conversation about this exhibition between ASU Art Museum director Marilyn A. Zeitlin and collector Stéphane Janssen can be downloaded at the following links. Please download these files on your portable player and enjoy them as you tour the exhibition. \nKresge Gallery [MP3\, 30MB]\nTop Gallery [MP3\, 15MB] \nConnivences: Stefan De Jaeger / Stéphane Janssen\nA history of art\, family and friends\nStéphane Janssen has collected art for nearly 60 years. At the age of 16\, he bought his first work: a painting by Spanish artist Oscar Dominguez. It was the beginning of many friendships and a monumental collection. After World War II\, Janssen amassed one of the outstanding CoBrA collections in the world. \nWhen he came to the U.S. in 1975\, Janssen’s aesthetic opened in response to the free atmosphere of California. When he met his partner Michael Johns\, they began to collect works by well-known artists such as Basquiat\, O’Keeffe and Witkin\, but also explored the work of emerging artists. \nJanssen met photographer Stefan De Jaeger through Belgian cartoonist Hergé . De Jaegerbegan to photograph the artists whose works Janssen and Johns collected\, as well as Janssen’s family and friends\, creating a parallel history through portraiture. \nConnivences presents works from the collection with the 20 years of portraits by De Jaeger of the artists and members of Janssen’s family. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, Connivences: Stefan De Jaeger/Stéphane Janssen\, will be installed in the ASU Art Museum’s Nelson Fine Arts Center on the Tempe campus of Arizona State University. \nDuration \nConnivences: Stefan De Jaeger/Stéphane Janssen\, March 3 – May 12\, 2007\, is open at the ASU Art Museum:\nTuesday: 10 a.m. – 9 p.m.\nWednesday – Saturday: 10 a.m. – 5 p.m. \nSupport \nThe exhibition\, and the publication that accompanies it\, originated in collaboration with the Musée d’Ixelles\, Belgium. URL:https://asuartmuseum.org/event-exhibition/connivences-stefan-de-jaeger-stephane-janssen-a-history-of-art-family-and-friends/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20070112T000000 DTEND;TZID=America/Phoenix:20070421T000000 DTSTAMP:20260915T193248 CREATED:20180330T042500Z LAST-MODIFIED:20241029T233058Z UID:4211-1168560000-1177113600@asuartmuseum.org SUMMARY:RAKU: Origins\, Impact and Contemporary Expression DESCRIPTION:Public opening reception Friday\, Jan. 19\, 6-8 p.m. \nGallery talk by guest curator Jim Romberg Friday\, Jan. 19\, 7 p.m. \nTeacher workshop Saturday\, Jan. 20\, 10 a.m. – 1 p.m. \nJapanese Friendship Garden Tour Saturday\, April 7\, 9:30 a.m. – 12:20 p.m. Margaret T. Hance Park\, 1125 N. 3rd Avenue\, Phoenix Tea ceremony\, lecture and lunch included. $50 per person\, limited to 40 participants. Call (602) 256-3204\, or email Japanese.friendship.garden.pks@phoenix.gov for reservations. \nRAKU: Origins\, Impact and Contemporary Expression\nRaku is a centuries-old technique of Japanese pottery characterized by low firing temperatures and the dramatic effects of removing the works from the kiln while glowing hot\, then submerged in either sawdust or straw which combust to achieve unique patterns on the clay’s surface. A number of American ceramists in the 1960s revived and adapted the technique to suit their personal aesthetic\, with the use of a reduction chamber at the end of the raku firing. This technique was introcuded by artist and teacher Paul Soldner. \nArtists in the Exhibition:\nParticipating artists include: Tim Andrews\, Jean Biagini\, Steve Branfman\, Ching-Yuan Chang\, Patrick Crabb\, Aline Favre\, Nick Geankopolis\, Fabienne Gloria\, Rick Hirsch\, Dave Jones\, Toshio Ohi\, Jim Romberg\, Paul Soldner. \nASU Art Museum Presentation:\nOrganized by the ASU Art Museum\, this exhibition is guest-curated by Jim Romberg and is made possible in part through investment by the Eagleheart Center for Art and Inquiry\, Ceramics Leaders of ASU (CLA) and Friends of the ASU Art Museum. RAKU: Origins\, Impact and Contemporary Expression will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration:\nRAKU: Origins\, Impact and Contemporary Expression ( January 12 through April 21\, 2007) is open at the ASU Art Museum: Tuesday through Saturday from 10am to 5pm. \nSupport \nThe exhibitions and related programs are made possible in part through investment by the Eagleheart Center for Art and Inquiry\, Ceramics Leaders of ASU (CL?) and Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/raku-origins-impact-and-contemporary-expression/ CATEGORIES:Exhibition END:VEVENT END:VCALENDAR