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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T141532
DTEND;TZID=America/Phoenix:20220327T000000
DTSTAMP:20260920T141532
CREATED:20220228T223800Z
LAST-MODIFIED:20241029T230450Z
UID:4748-0-1648339200@asuartmuseum.org
SUMMARY:Highlights from the Print Study Room
DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu . \nImage Credit: Alberto Beltrán\, “Manuela Sanchez\, Spanish guerilla-mujeres con la revolución\,” c. 1950\, linoleum print\, 16 x 20 in. Gift of Dr. and Mrs. Jules Heller. \n\n\n\n\n\n https://asuevents.asu.edu/content/highlights-print-study-room\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T141532
DTEND;TZID=America/Phoenix:20070217T000000
DTSTAMP:20260920T141532
CREATED:20180330T035600Z
LAST-MODIFIED:20241029T210723Z
UID:4549-0-1171670400@asuartmuseum.org
SUMMARY:GARDENING WITH OSCAR OIWA: New Paintings
DESCRIPTION:October 13\, noon\nPublic Gallery Talk: Marilyn Zeitlin\, Thomas Cohn and Oscar Oiwa \nOctober 13\, 6-8pm\nPublic Reception \nGARDENING WITH OSCAR OIWA: New Paintings \nThis exhibition of Oscar Oiwa’s paintings\, the first in a U.S. art museum\, is another installment in the ASU Art Museum’s expanded initiatives for exhibiting and interpreting Latin-American art. Oiwa\, a Brazilian artist of Japanese heritage\, studied in Japan and the United Kingdom. He currently lives in New York. \nWith considerable technical expertise\, Oiwa records the impact of globalization with beautiful paintings about cultural collision\, environmental degradation\, dehumanizing slums and violence through attrition. His vision portrays a world on the precarious edge of oblivion. Influences in his work come from Japanese art – both the  byobu screen with multiple panels and contemporary manga\, and from the West in varied forms\, including Anselm Kiefer\, Claude Monet and science fiction film. \nAbout the Artist \nOscar Oiwa\, a native of São Paulo\, studied in Japan and London. In 2002 he was the recipient of a Guggenheim Fellowship\, which took him to New York. The artist is represented by Thomas Cohn Gallery\, São Paulo. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, Gardening with Oscar Oiwa will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location and will be the artist’s first U.S. museum solo exhibition. \nDuration \nGardening with Oscar Oiwa: New Paintings (October 14\, 2006 through February 17\, 2007) is open at the ASU Art Museum:\nTuesday: 10 a.m. – 9 p.m.\nWednesday – Saturday: 10 a.m. – 5 p.m. \nSupport\nOrganized by the ASU Art Museum and made possible\, in part\, by the Elizabeth Firestone Graham Foundation and the Friends of the ASU Art Museum. 2005-2006 curatorial research and development is made possible in part by in-kind sponsorship support from TAM Brazilian Airlines.
URL:https://asuartmuseum.org/event-exhibition/gardening-with-oscar-oiwa-new-paintings/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T141532
DTEND;TZID=America/Phoenix:20080427T000000
DTSTAMP:20260920T141532
CREATED:20180330T014900Z
LAST-MODIFIED:20241029T232206Z
UID:4226-0-1209254400@asuartmuseum.org
SUMMARY:A HUMAN IMPULSE: Figuration from the Diane and Sandy Besser Collection
DESCRIPTION:Friday Conversations on Exhibitions\nFriday\, February 1\, 11 a.m.\nPeter Held\, curator  \nPublic Reception\nFriday\, February 22\, 8:30 – 10:30pm\nFollowing Gala Weekend lecture \nA HUMAN IMPULSE: \nFiguration from the Diane and Sandy Besser Collection\nPassionate collectors since 1964\, Diane and Sandy Besser have amassed a major collection of ceramics that initially started with vessel forms and teapots. Their interest became more focused on figurative ceramic sculpture\, an area they felt was being overlooked and under appreciated. The Bessers have supported both established and emerging artists – the works offering varying perspectives on the human condition\, ranging from political commentary and psychological drama to humorous observations of daily life. \nAfter Diane’s death\, Sandy visited the ASU Art Museum Ceramics Research Center. He found that his aspirations for the collection were matched by the Center’s initiatives in increased public accessibility. Since 2003\, Besser has donated more than 150 works\, providing significant depth in figurative ceramic sculpture. The exhibition highlights 65 works and is accompanied by a color catalogue. \nExhibition Artists\nArtists represented in the exhibition include: Wesley Anderegg\, Skuja Braden\, Robert Brady\, Christie Brown\, Beth Cavener Stichter\, Jimon Choi\, Linda Cordell\, Marko Fields\, Michael Gross\, Margaret Israel\, John Jensen\, Michael Lucero\, Joe Mariscal\, Megumi Naitoh\, Eric Nelsen\, Koi Neng Liew\, Tom Rippon\, Akio Takamori\, Peter Vanden Berge\, Kristine Veith\, Stan Welsh\, Elizabeth Zacher\, Arnold Zimmerman\, Bob Rose\, Chris Antemann\, Renee Audette\, Adrian Arleo\, Tom Bartel\, Anthony Bennett\, Russell Biles\, Christyl Boger\, Neil Brownsword\, Jim Budde\, John Byrd\, Lisa Clauge\, Richard Cleaver\, Paul Day\, Jack Earl\, Ed Eberle\, Doug Jeck\, Margaret Keelan\, Max Lehman\, Jean-Pierre Laroque\, Jan Mars Wunderlich\, Andy Nasisse\, Ted Saupe\, Scott Schoenherr\, Dirk Staschke\, James Tisdale\, Tip Toland\, Monica Vanden Dool\, Noi Volkov\, George Walker\, Jason Walker\, Maryann Webster\, Sun-Koo Yuh and Wanxin Zhang. \nASU Art Museum Presentation\nOrganized by Peter Held\, A HUMAN IMPULSE: Figuration from the Diane and Sandy Besser Collection\, is installed in the ASU Art Museum’s Nelson Fine Arts Center at Arizona State University. \nDuration \nA HUMAN IMPULSE: Figuration from the Diane and Sandy Besser Collection (January 26-April 27\, 2008) Tuesday through Saturday from 11a.m.-5p.m.\, Sunday from 1-5 p.m.\, closed Monday. \nSUPPORT\nThis exhibition is supported by the members of CLA\, the Herberger College of the Arts Ceramics Enrichment Fund\, Kathryn Boeckaman Howd\, Duncan and Elizabeth Boeckman and anonymous donors.
URL:https://asuartmuseum.org/event-exhibition/a-human-impulse-figuration-from-the-diane-and-sandy-besser-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T141532
DTEND;TZID=America/Phoenix:20150621T000000
DTSTAMP:20260920T141532
CREATED:20170307T003600Z
LAST-MODIFIED:20241029T235340Z
UID:4308-0-1434844800@asuartmuseum.org
SUMMARY:The Gift: Selections from the Armstrong-Prior Archive
DESCRIPTION:John Armstrong and Joan Prior\, through their firm Armstrong-Prior\, Inc.\, have a rich history of working with local and international contemporary artists\, donors\, collectors\, community organizations and museums. Armstrong-Prior is both a fine arts printing studio – with John’s proficient execution of various print media – and an art consulting organization – with Joan’s professional advisement and placement of art in prominent collections. After many years of print projects\, Armstrong-Prior has built an impressive archive of contemporary prints and the ASU Art Museum is very fortunate to have received this archive as a gift from John and Joan.\nThe Jules Heller Print Study Room at the ASU Art Museum houses a collection of more than 5\,000 prints\, ranging from a 14th century printed page to work by living artists. Generous gifts like the Armstrong-Prior archive have grown the collection to be a rich resource for ASU students and community members\, and for exhibitions\, loans and research.\nThis exhibition was curated by Jean Makin\, print collection manager\, working with Herberger Institute for Design and the Arts student Tiernan Warner who contributed to exhibition texts through researching the archive’s artists and interviewing John and Joan about their life and work. Support for the exhibition is from the Evelyn Smith Exhibition Fund and members of the ASU Art Museum with additional generous support for the printed gallery brochure from Kate and Hank Timmerman and The Cavanagh Law Firm. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Feb. 20\, 2015 — Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/the-gift-selections-from-the-armstrong-prior-archive/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T141532
DTEND;TZID=America/Phoenix:20150719T000000
DTSTAMP:20260920T141532
CREATED:20170306T232400Z
LAST-MODIFIED:20241029T230625Z
UID:4313-0-1437264000@asuartmuseum.org
SUMMARY:Recorded Matter: Ceramics in Motion
DESCRIPTION:Featuring the work of Jason Lee Starin\, Joseph Kamm\, Cheyenne Rudolph\, Man Yau\, Sam Brennan\, Thomas Schmidt\, Jeffrey Miller\, Eva Vogelsang\, Roberto Lugo\, Forrest Sincoff Gard and Ben Harle. \nThis exhibition showcases the work of 11 young artists who effortlessly integrate video into their studio practice. Some artists use cameras to document their work being used (or abused). Others use video to document a process that is perhaps more important to them than finished\, fired objects. All of these pieces have a life of their own on the Internet\, where they can be shared in ways that physical objects cannot. \nThe artists represented in this exhibition are well aware of video pioneers like Bruce Nauman\, who was a student of ceramic artist Robert Arneson\, and Nam Jun Paik\, but most wear the mantle lightly\, using video as one more tool in their arsenal. Thrill to the sheer diversity of approaches on view – from persona to process\, and from the politics of consumption to surprising ways that clay can behave (or misbehave). \nRecorded Matter is the first exhibition curated by the ASU Art Museum Ceramics Research Center’s new curator\, Garth Johnson\, who has spent his career documenting artists who combine craft media\, performance and transgressive impulses. The exhibition is supported by the Centering on the Future campaign contributors and members of the ASU Art Museum Ceramics Research Center. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/recorded-matter-ceramics-in-motion/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T141532
DTEND;TZID=America/Phoenix:20150802T000000
DTSTAMP:20260920T141532
CREATED:20170306T231700Z
LAST-MODIFIED:20241029T230104Z
UID:4315-0-1438473600@asuartmuseum.org
SUMMARY:Family Matters
DESCRIPTION:The contemporary view of what constitutes a family is more expansive that ever before. Whatever their composition\, families still matter. Homes\, pets\, good times and bad are all embraced as part of family life. Family Matters puts families and the many things that matter to them in focus. Games\, books and a photo booth in the exhibition invite your family to join in the fun. \nThis exhibition is supported by the Evelyn Smith Exhibition Fund\, members of the ASU Art Museum and the Stulgaitis Family Scholastic Award in honor of Helen Flecha Poline. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/family-matters/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T141532
DTEND;TZID=America/Phoenix:20160522T000000
DTSTAMP:20260920T141532
CREATED:20160321T211900Z
LAST-MODIFIED:20241029T234420Z
UID:4329-0-1463875200@asuartmuseum.org
SUMMARY:In the Stacks: Print Wikipedia
DESCRIPTION:Hayden Library\, Level 1\n\n\n\n\n\n“Print Wikipedia” is a both a utilitarian visualization of the largest accumulation of human knowledge and a poetic gesture towards the futility of the scale of big data. Michael Mandiberg wrote software that parsed the entirety of the English-language Wikipedia database (in April 2015) and programmatically laid out thousands of volumes\, complete with covers\, and then uploaded them for print-on-demand. Built on what is likely the largest appropriation ever made\, it is also a work of found poetry that draws attention to the sheer size of the encyclopedia’s content and the impossibility of rendering Wikipedia as a material object in fixed form: Once a volume is printed it is already out of date. The work is also a reflection on the actual transparency or completeness of knowledge containers and history. \nThe exhibition at Hayden Library will include a selection of 61 Wikipedia volumes and schematic wallpaper showing what the scale would be of an entire print library of Wikipedia volumes. These will be located near the Encyclopedia Section on Level 1 of Hayden Library. The 36 volume Wikipedia Contributors Appendix will be on view on the entrance level\, which will also feature a projected scroll simulating all of the volumes and the articles they span. \n  \nMichael Mandiberg (born 1977\, Detroit) is an interdisciplinary artist\, scholar\, and educator. He received his M.F.A. from the California Institute of the Arts and his B.A. from Brown University. His work traces the lines of political and symbolic power online\, working on the internet in order to comment on and intercede in the real flows of information. A recipient of residencies and commissions from Eyebeam\, Rhizome.org \, and Turbulence.org \, his work has been exhibited at the New Museum\, Ars Electronica\, ZKM\, and Transmediale. He directs the New York Arts Practicum\, and is a co-founder of the Art+Feminism Wikipedia Edit-a-thon. He is Associate Professor at the College of Staten Island/ CUNY and a member of the Doctoral Faculty at the CUNY Graduate Center. His work has been written about widely\, including in The New York Times\, Berliner Zeitung\, ARTNews\, and Artforum. He lives and works in Brooklyn; his work lives at Mandiberg.com . \nThe ASU Libraries is pleased to present this exhibition of Michael Mandiberg’s work in partnership with the the ASU Art Museum\, Herberger School of Art\, and Denny Gallery in New York City. \n\n\n\n\nContact:\n\nJennifer Duvernay\n\n\n\n\n https://asuevents.asu.edu/content/stacks-print-wikipedia\n\n\n\nPhone:\n\n480-727-7636\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudents\, Faculty\, Alumni\, Friend/Fan
URL:https://asuartmuseum.org/event-exhibition/in-the-stacks-print-wikipedia/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T141532
DTEND;TZID=America/Phoenix:20260920T141532
DTSTAMP:20260920T141532
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195815Z
UID:4340-0-0@asuartmuseum.org
SUMMARY:Energy Charge: Connecting to Ana Mendieta
DESCRIPTION:Cuban-born American artist Ana Mendieta brilliantly synthesized and advanced emergent art forms of the early 1970s\, such as performance\, body art\, land art and film\, with personal and political explorations of the gendered and raced body\, ancient cultures and belonging. The many threads in her work continue to play a dominant role in contemporary art. \nThis exhibition will include an iconic selection of Mendieta’s work in conversation with major installations by Ana Teresa Fernández\, Kate Gilmore\, Simone Leigh\, Gina Osterloh and Antonia Wright\, artists working today in ways that trace back to Mendieta’s innovations. \nFor a full list of exhibition performances and programs visit  asuartmuseum.asu.edu/energy-charge. \nSupported by the Diane and Bruce Halle Foundation. \nAdditional support from The Andy Warhol Foundation for the Visual Arts\, Helme Prinzen Endowment\, Herberger Institute for Design and the Arts\, Diane Harrison\, ASU Art Museum Creative Impact Board and the members of the ASU Art Museum. Special thanks to the exhibiting artists and lenders\, and the Estate of Ana Mendieta. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \nASU Art Museum Hours:\nOpen Tuesday–Saturday 11 a.m.–5 p.m.\nThursday 11 a.m.–8 p.m. during academic semesters\nClosed Sunday\, Monday and university holidays \nImage credit: Detail: Ana Mendieta\, “Untitled (from Silueta Series in Mexico)\,” 1973-77/1991 © The Estate of Ana Mendieta Collection\, LLC\n Courtesy of Galerie Lelong\, New York and Paris and the Collection of Diane and Bruce Halle.  \n\n\n\n\n\n https://asuevents.asu.edu/content/energy-charge-connecting-ana-mendieta\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudent\, Faculty\, Staff\, Alumni\, Friend/Fan\, Donor
URL:https://asuartmuseum.org/event-exhibition/energy-charge-connecting-to-ana-mendieta/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T141532
DTEND;TZID=America/Phoenix:20260920T141532
DTSTAMP:20260920T141532
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195832Z
UID:4698-0-0@asuartmuseum.org
SUMMARY:Soul Mining
DESCRIPTION:The border wall is a frequent topic in today’s headlines\, yet its history dates back to the turn of the century. After the Chinese Exclusion Act of 1882\, there were calls for a fence along the southern United States border to deter Chinese immigrants from re-entering the country. As a result\, most moved south and created their own communities throughout Latin America. This exhibition looks broadly at the influence of Asian labor and culture in the Americas with artists from Latin America\, the United States and Asia\, exploring the body and soul of forced migrations. \nSupported by the Diane and Bruce Halle Foundation. \nVisit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Eamon Ore-Giron\, “Morococha\,” 2015. 2-channel HD video\,13 mins. Courtesy of the artist. \n\n\n\n\n\n https://asuevents.asu.edu/content/soul-mining\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nAlumni\nStaff\nFaculty\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/soul-mining/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260920T141532
DTEND;TZID=America/Phoenix:20260920T141532
DTSTAMP:20260920T141532
CREATED:20180330T031300Z
LAST-MODIFIED:20241030T000731Z
UID:4570-0-0@asuartmuseum.org
SUMMARY:SHORT-TERM LOAN ALERT: Louise Bourgeois Drawings
DESCRIPTION:
URL:https://asuartmuseum.org/event-exhibition/short-term-loan-alert-louise-bourgeois-drawings/
CATEGORIES:Exhibition
END:VEVENT
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