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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110827T000000
DTEND;TZID=America/Phoenix:20120127T000000
DTSTAMP:20260915T182231
CREATED:20180220T230200Z
LAST-MODIFIED:20241029T235924Z
UID:4606-1314403200-1327622400@asuartmuseum.org
SUMMARY:Just Animals
DESCRIPTION:The word animal evokes many impressions: everything from friendly pets\, like dogs and cats\, to wild creatures like bears and elephants. The word brings to mind images (fur\, eyes\, tails)\, sounds (purr\, bark) and events (family zoo trip\, pet adoption center visit). We all have memories that make recognizing animals in art easy. But sometimes artists will add something extra. Maybe it is a little humor\, as in Walton Ford’s reflection on Audubon’s nature studies in his print Nila\, or a more serious commentary on our ecological destruction\, as in Oscar’s monoprint Pooch. Or it can be the remarkable ability to capture a personality on paper\, as Beth Van Hoesen does in Puff.
URL:https://asuartmuseum.org/event-exhibition/just-animals/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110827T000000
DTEND;TZID=America/Phoenix:20111231T000000
DTSTAMP:20260915T182231
CREATED:20180220T225700Z
LAST-MODIFIED:20241029T235928Z
UID:4605-1314403200-1325289600@asuartmuseum.org
SUMMARY:Dulce: Bisque Without Borders
DESCRIPTION:San Antonio-based artist Franco Mondini-Ruiz\, winner of the Rome Prize and featured in the 2000 Whitney Biennial\, mines the ASU Art Museum’s ceramics collection\, bringing together both favorite gems and objects that have been in storage for decades to create Dulce: Bisque Without Borders. \nAlso included in this three-part project is Limpia: Revisiting the Collection\, a re-installation of the collection in open storage. Limpia\, or “cleaning\,” highlights the best works in the collection in a new and exciting format. \nAnd\, during the reception weekend (Friday\, Sept. 30 from 7 to 9 p.m. and Saturday\, Sept. 31 from 11 .m. to 5 p.m.)\, join us for Tienda Franco\, a performance/party/market where Mondini-Ruiz will be peddling his readymade objects and making art affordable for all. \nThis exhibition is funded by the Joseph Dung Ceramics Initiative\, the HBB Foundation and by members of the Ceramics Research Center’s Artists’ Advisory Committee. The reception is funded in part by Armstrong/Prior.
URL:https://asuartmuseum.org/event-exhibition/dulce-bisque-without-borders/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110702T000000
DTEND;TZID=America/Phoenix:20110827T000000
DTSTAMP:20260915T182231
CREATED:20180220T232200Z
LAST-MODIFIED:20241029T231810Z
UID:4604-1309564800-1314403200@asuartmuseum.org
SUMMARY:By Myself and With My Friends
DESCRIPTION:In By myself and with my friends . . . six artists explore the complexities of human nature by looking at some of the things we have in common with animals\, from our herd mentality to our moments of solace. Featuring videos by Krista Birnbaum\, Donna Conlon\, Rivane Neuenschwander\, Corinna Schnitt and Connie Samaras.
URL:https://asuartmuseum.org/event-exhibition/by-myself-and-with-my-friends/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110604T000000
DTEND;TZID=America/Phoenix:20110903T000000
DTSTAMP:20260915T182231
CREATED:20180220T232600Z
LAST-MODIFIED:20241029T231025Z
UID:4603-1307145600-1315008000@asuartmuseum.org
SUMMARY:12th Annual Summer Family Exhibition -- Words of Art: Selections from the ASU Art Museum      Collection
DESCRIPTION:Visit the ASU Art Museum’s summer exhibition Words of Art to see how the written word is teamed up with a variety of visual arts. Hands-on activities throughout the exhibition inspire children through reading\, writing and\, of course\, art. \nOur annual Family Fun Day brings the family exhibition even more to life. This free event is scheduled for July 9\, 2011\, from 10 a.m. – 2 p.m.\, and features art making projects\, performances and a visit from a PBS character from Eight/KAET. \nSupport for this family exhibition and event is provided by the Windgate Charitable Foundation\, ASU Art Museum Advisory Board\, Friends of the ASU Art Museum\, the Scottsdale League for the Arts\, Tempe Municipal Arts Commission\, Valley Metro\, Eight/KAET and Changing Hands Bookstore. \nThe exhibition is organized by Rory O’Neill Schmitt\, Windgate intern\, and Jean Makin\, print collection manager\, with educational outreach organized by Andrea Feller\, curator of education.
URL:https://asuartmuseum.org/event-exhibition/12th-annual-summer-family-exhibition-words-of-art-selections-from-the-asu-art-museum-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110521T000000
DTEND;TZID=America/Phoenix:20110827T000000
DTSTAMP:20260915T182231
CREATED:20180220T233100Z
LAST-MODIFIED:20241029T230101Z
UID:4265-1305936000-1314403200@asuartmuseum.org
SUMMARY:Self-Referential: Art Looking at Art
DESCRIPTION:Artists often address the world of art – its traditions\, histories and economies – in their own work. This self-reflective strategy provides grounds for sharp critique as well as for playful conversations as artists riff off one another.
URL:https://asuartmuseum.org/event-exhibition/self-referential-art-looking-at-art/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110513T000000
DTEND;TZID=America/Phoenix:20110513T000000
DTSTAMP:20260915T182231
CREATED:20180221T011700Z
LAST-MODIFIED:20241029T230206Z
UID:4601-1305244800-1305244800@asuartmuseum.org
SUMMARY:Collecting Contemporary Art: The FUNd at ASU Art Museum
DESCRIPTION:Collecting Contemporary Art features a selection of works acquired in part or in whole by the FUNd at ASU Art Museum\, an endowment established by the Elizabeth Firestone Graham Foundation. From monumental found-object installations to print portfolios of etchings and lithographs\, the international pieces share a current of experimentation and an exploration of social and political concerns. The exhibition charts the Museum’s collecting goals and exhibition history over the past 15 years\, with significant representation of Latin American and Latino artists\, artists from Arizona and artists in residence at the Museum. Artists represented include Kim Abeles (Los Angeles)\, John Ahearn (New York)\, Abel Barroso (Cuba)\, Sandow Birk (Los Angeles)\, Xu Bing (China)\, Deborah Butterfield (Montana/Hawaii)\, Enrique Chagoya (born in Mexico\, active in the U.S.)\, Colin Chillag (Phoenix)\, Sue Coe (born in England\, active in the U.S.)\, Jon Haddock (Tempe)\, Kcho (Cuba)\, Los Carpinteros (Cuba)\, Aimee Garcia Marrero (Cuba)\, Paulo Nenflidio (Brazil)\, Adriana Varejao (Brazil) and Kurt Weiser (Tempe).
URL:https://asuartmuseum.org/event-exhibition/collecting-contemporary-art-the-fund-at-asu-art-museum/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110430T000000
DTEND;TZID=America/Phoenix:20110806T000000
DTSTAMP:20260915T182231
CREATED:20180220T234000Z
LAST-MODIFIED:20241030T000500Z
UID:4600-1304121600-1312588800@asuartmuseum.org
SUMMARY:A Legacy Continued: New Acquisitions from the Stéphane Janssen & R. Michael Johns      Collection
DESCRIPTION:In 2004 the ASU Art Museum announced that it would be the recipient of over 600 works of contemporary ceramics from Arizona resident and Belgian native St éphane Janssen\, considered one of the world’s leading collectors of contemporary art. \nThis exhibition will highlight a grouping of 80 works given in 2010\, including master works by Robert Arneson\, Ken Price\, Lucie Rie\, David Gilhooly and Beatrice Wood\, as well as stellar examples of early Peter Voulkos\, Ron Nagle and Michael Frimkess.
URL:https://asuartmuseum.org/event-exhibition/a-legacy-continued-new-acquisitions-from-the-stephane-janssen-r-michael-johns-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110408T000000
DTEND;TZID=America/Phoenix:20110611T000000
DTSTAMP:20260915T182231
CREATED:20180220T234500Z
LAST-MODIFIED:20241030T000344Z
UID:4599-1302220800-1307750400@asuartmuseum.org
SUMMARY:Muntadas: About Academia
DESCRIPTION:About Academia is the latest project by renowned international artist Antoni Muntadas\, who is the subject of a major retrospective this fall at the Museo Nacional Reina Sofia\, Madrid. About Academia is an inquiry into the problematic relations between the production of knowledge and economic power in our universities. Over the course of three years\, Muntadas and his team of collaborators researched the history of “academia” as an institution in the Western world\, from its beginnings to the present challenges\, and then proceeded to interview faculty members at Harvard and other U.S. research universities\, including Noam Chomsky\, Carol Becker\, Howard Zinn\, Bradley Epps\, Mark Wigley\, Thomas Cummins\, Doris Sommer\, John Coatsworth and David Harvey\, among others. \nAbout Academia premiered at the Carpenter Center for Visual Arts at Harvard University. The exhibition is co-sponsored by the Carpenter Center and the David Rockefeller Center for Latin American Studies at Harvard University\, and Arizona State University Art Museum. The ASU Art Museum’s presentation is curated by Gordon Knox\, director\, and was made possible by the Evelyn Smith Exhibition Fund; Twin Palms Hotel\, Tempe; and the Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/muntadas-about-academia/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110305T000000
DTEND;TZID=America/Phoenix:20110806T000000
DTSTAMP:20260915T182231
CREATED:20180221T004300Z
LAST-MODIFIED:20241029T230332Z
UID:4261-1299283200-1312588800@asuartmuseum.org
SUMMARY:Andy Warhol: Who\, What\, Where
DESCRIPTION:Andy Warhol’s black and white photographs in this exhibition reveal the people\, things and places that spontaneously captured his attention and fed his larger body of work. The legendary artist used photographs throughout his silkscreen paintings\, drawings and prints. \nThe ASU Art Museum received 155 Polaroid photographs and gelatin silver prints from The Andy Warhol Photographic Legacy Program\, which donated more than 28\,500 works to educational institutions across the United States. For more information:  www.warholfoundation.org/legacy/biography.html
URL:https://asuartmuseum.org/event-exhibition/andy-warhol-who-what-where/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110219T000000
DTEND;TZID=America/Phoenix:20110430T000000
DTSTAMP:20260915T182231
CREATED:20180221T005600Z
LAST-MODIFIED:20241029T234554Z
UID:4260-1298073600-1304121600@asuartmuseum.org
SUMMARY:Re-Thinking the Faculty Exhibition 2011
DESCRIPTION:This year\, the faculty show takes a new direction. It represents the beginning of an exciting set of possible partnerships\, exchanges and experiments between the School of Art and the ASU Art Museum. It’s also the first instance of the museum’s rethinking and revitalizing the way we do things\, as part of our Re-Thinking the Museum initiative. \nArt historian and writer Robert Atkins was selected to open Re-Thinking the Museum as juror/curator of the ASU School of Art Faculty Biennial Exhibition. During the month of November\, Atkins reviewed submissions\, visited artists’ studios and discussed opportunities for site-specific installations as he selected work for the 2011 exhibition. \nFaculty Artists: Julie Anand\, Peter Bugg\, Christopher Colville\, Claudio Dicochea\, Angela Ellsworth\, Jon Haddock\, Hilary Harp\, Marc Klett\, Lisa C. von Koch\, Michael Lundgren\, Muriel Magenta\, Stephen Marc\, John Obuck\, Anthony Pessler\, Janice Pittsley\, Mark Pomilio\, Forrest Solis \nView the Re-Thinking the Faculty Exhibition 2011 website for more information about the exhibition including artists’ biographies\, artwork and statements\, and a special comment section for viewer responses. \nSeason Opening Reception: Feb. 18\, 7–9 p.m. Refreshments will be available. \nSpecial preview tour with Robert Atkins\, guest curator\, following introduction by Gordon Knox\, director of the ASU Art Museum\, and Adriene Jenik\, director of the ASU School of Art in the Herberger Institute for Design and the Arts at 6 p.m. \nAngela Ellsworth performance: Where The Skies Are Blue at 7–8:30 p.m. \nSpecial thanks to the SpringHill Suites Tempe at Arizona Mills Mall and the Hyatt Place Tempe/Phoenix Airport Fiesta Resort & Conference Center for their support.
URL:https://asuartmuseum.org/event-exhibition/re-thinking-the-faculty-exhibition-2011/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110218T000000
DTEND;TZID=America/Phoenix:20110218T000000
DTSTAMP:20260915T182231
CREATED:20180221T005900Z
LAST-MODIFIED:20241029T234600Z
UID:4259-1297987200-1297987200@asuartmuseum.org
SUMMARY:ASU Art Museum Spring 2011 Season Opening Reception
DESCRIPTION:Join us for refreshments\, performances and merriment at a reception to mark the opening of our spring season\,which includes Citadel: An Installation by Patricia Sannit at the Ceramics Research Center and Re-Thinking the Faculty Exhibition 2011 at the museum. \nAt 6 p.m.\, before the reception begins\, ASU Art Museum Director Gordon Knox and Adriene Jenik\, director of the School of Art\, HIDA\, will introduce the faculty exhibition\, followed by a special preview tour of the exhibition with guest curator Robert Atkins. From 7 p.m. to 8:30 p.m.\, during the reception\, artist Angela Ellsworth and company will perform Where the Skies Are Blue. \nSupported by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museum-spring-2011-season-opening-reception/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110205T000000
DTEND;TZID=America/Phoenix:20110409T000000
DTSTAMP:20260915T182231
CREATED:20180221T010700Z
LAST-MODIFIED:20241029T234239Z
UID:4258-1296864000-1302307200@asuartmuseum.org
SUMMARY:Citadel: An Installation by Patricia Sannit
DESCRIPTION:Patricia Sannit\, a Phoenix-based artist whose vessels are influenced by cultures worldwide\, is literally breaking new ground for her installation Citadel— with the assistance of scores of community volunteers. Citadel is a 10-foot diameter structure inspired by an Iraqi archeological site called the Citadel at Erbil\, in the Kurdish region. Sannit’s new direction explores the layering of time and history through the medium of clay. \nThis exhibition is funded by an Artist Project grant from the Arizona Commission on the Arts\, by the Joseph Dung Ceramics Initiative and by members of CLA.
URL:https://asuartmuseum.org/event-exhibition/citadel-an-installation-by-patricia-sannit/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110201T000000
DTEND;TZID=America/Phoenix:20110514T000000
DTSTAMP:20260915T182231
CREATED:20180221T010900Z
LAST-MODIFIED:20241029T234707Z
UID:4257-1296518400-1305331200@asuartmuseum.org
SUMMARY:It's not just black and white: Gregory Sale - Social Studies Project 6
DESCRIPTION:It’s not just black and white will create a framework to consider Arizona’s criminal justice system and contemporary practices of punishment and discipline. Social Studies challenges the traditional exhibition format by opening with an empty gallery and an artist in residence who considers social interaction a crucial part of their work. Visitors are invited into the gallery to observe\, question and participate with the artist. Through public/private partnerships with multiple ASU departments\, schools and community organizations\, the project brings Museum visitors into the process\, invites extensive collaboration with community and university students\, and greatly enhances the Museum’s role as a vital gathering place. \nThis exhibition is supported by a grant from The Andy Warhol Foundation for the Visual Arts.
URL:https://asuartmuseum.org/event-exhibition/its-not-just-black-and-white-gregory-sale-social-studies-project-6/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20101008T000000
DTEND;TZID=America/Phoenix:20110129T000000
DTSTAMP:20260915T182231
CREATED:20180221T011900Z
LAST-MODIFIED:20241029T205429Z
UID:4256-1286496000-1296259200@asuartmuseum.org
SUMMARY:Open for Business
DESCRIPTION:Free public lectures and conversations throughout the run of the exhibition.\nLecture: Copyright Law for Arts/Business (VLAA): Tuesday\, Oct. 19\, 6 p.m. at the ASU Art Museum\nLecture: Trademark Law for Arts/Business (VLAA): Thursday\, Nov. 4\, 6 p.m. at Monti’s\nPanel Conversation: Open for Business: Tuesday\, Nov. 9\, 6 p.m. at the ASU Art Museum \nArizona State University Art Museum & Downtown Tempe Businesses\nCurator: John D. Spiak \nOpen for Business calls attention to the importance of local artists\, businesses and organizations. Simultaneously taking place in downtown Tempe businesses and an interrelated exhibition at the ASU Art Museum\, this project features the work of sixteen Valley artists who address the purpose of each business\, providing opportunities for audience members to interact with the physical space of each location and to discover\, or rediscover\, new aspects of their own community. \nIndividuals will be guided by maps available at the ASU Art Museum to art installations at downtown Tempe business including La Bocca\, Rula Bula\, Caffé Boa\, The Shoe Mill\, Brand X Custom T-Shirts\, Monti’s La Casa Vieja\, Mood Swings Salon\, Fascinations\, Cartel Coffee Lab\, Buffalo Exchange\, The Bicycle Cellar\, The Headquarters\, and Downtown Tempe Community\, Inc. (Public Parking Structures). \nThe list of Valley artists participating in the exhibition include both internationally established and rising stars of our community\, including Peter Bugg in collaboration with Ryan Peter Miller\, Cyndi Coon\, Wendy Furman\, Jon Haddock\, Saskia Jorda\, Tania Katan\, Mary Lucking\, Matthew Mosher\, Adam Murray\, Marco Rosichelli\, Erin V. Sotak\, David Tinapple\, Chris Todd\, Jen Urso\, Nic Wiesinger\, and Whitney Zamá. \nTo insure the success and outreach of the project\, the ASU Art Museum has partnered with Tempe Chamber of Commerce\, Tempe Convention and Visitors Bureau\, Downtown Tempe Community (DTC)\, Local First Arizona\, Valley Forward Association\, Creative Connect\, Comerica Bank (Tempe\, Mill)\, *Scottsdale Public Art\, and Volunteer Legal Assistance for Artists (VLAA). \nThis project is generously supported by a grant from the Tempe Municipal Arts Commission\, ASU Art Museum Advisory Board\, and the Wilhelmine Prinzen Endowed Fund for Emerging Artists. In-kind support provided by Phoenix NewTimes\, Ben Franklin Press\, Inc.\, Melissa McGurgan Design\, and Mannington Commercial. \nThe ASU Art Museum is a community incubator re-thinking the museum through sustainability\, diversity of knowledge and shared human experience – recognizing we are more similar than different. \n*Scottsdale Public Art is organizing the store front project IN FLUX in downtown Scottsdale that will occur during the same time period. In a collaborative effort\, both institutions will combine efforts to create cross-over audience and awareness. A map showing both Downtown’s will be available at locations in Tempe\, Scottsdale and the ASU Art Museum. \nFor more information on Open for Business\, please call ASU Art Museum: 480.965.2787 or visit the ASU Art Museum blog. \nAbout the Artist: Sixteen Valley Artists
URL:https://asuartmuseum.org/event-exhibition/open-for-business/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100917T000000
DTEND;TZID=America/Phoenix:20110208T000000
DTSTAMP:20260915T182231
CREATED:20180221T012400Z
LAST-MODIFIED:20241029T204633Z
UID:4255-1284681600-1297123200@asuartmuseum.org
SUMMARY:A Chosen Path: the Ceramic Art of Karen Karnes
DESCRIPTION:For more than 60 years\, Karen Karnes (b. 1925) has been at the forefront of the studio pottery movement. A Chosen Path: The Ceramic Art of Karen Karnes \, her first major retrospective\, will highlight 69 masterworks from this pioneering artist.
URL:https://asuartmuseum.org/event-exhibition/a-chosen-path-the-ceramic-art-of-karen-karnes/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100904T000000
DTEND;TZID=America/Phoenix:20101231T000000
DTSTAMP:20260915T182231
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195735Z
UID:4254-1283558400-1293753600@asuartmuseum.org
SUMMARY:Gravity was Everywhere Back Then\, A New Installation by Brent Green
DESCRIPTION:This fall\, the ASU Art Museum will host a new exhibition by well-known artist and filmmaker Brent Green titled\, Gravity Was Everywhere Back Then. The project is inspired by the true story of an idiosyncratic house in Louisville\, owned by hardware store clerk Leonard Wood. When his wife Mary was diagnosed with cancer\, Leonard started building the house room by room\, with the tragic hope that his labor would save his wife. Even after Mary’s death\, Wood continued to build the house. Over the next 20 years\, he strove to bring something as tangible and powerful as his love for Mary into the world. \nGravity Was Everywhere Back Then will feature Green’s version of Wood’s house\, transplanted and reconstructed from the artist’s studio in rural Pennsylvania. The house\, along with sculptural elements and structures\, will be installed in one of the ASU Art Museum’s galleries\, where it will appear to be both constricted by and bursting out of the space. Video and sound pieces will be shown inside and around the house to create an immersive environment. \nGreen will be in residence for three weeks at the ASU Art Museum\, Aug. 16 – Sept. 3\, installing the exhibition and interacting with students and school groups. Students from MetroArts High School in Phoenix\, guided by Sue Chenoweth\, and ASU Intermedia students\, guided by Angela Ellsworth and Gregory Sale\, will work closely with Green in the gallery as he installs his house\, sculpture and films. \nGreen lives and works in a barn in Cressona\, PA. His work is a regular feature at Sundance and he has performed at The Hammer Museum\, The Wexner Center and The Getty Museum of Art. In 2007\, Green screened three works and performed a live soundtrack at the 11th Annual ASU Art Museum Short Film and Video Festival. Recent solo shows include Site Santa Fe (2009) and the Contemporary Art Museum\, St. Louis (2008). Upcoming exhibitions and performances include the Museum of Modern Art\, New York; Berkeley Museum of Art\, CA; Site Santa Fe Biennial; the American Visionary Art Museum\, Baltimore; and Diverse Works\, Houston. As part of MoMA’s exhibition of Creative Capital artists (Green is a 2005 Creative Capital Grant recipient)\, the Museum will host a screening of several of Green’s short films followed by a live performance with members of the music group Califone and indie rock legends Fugazi. \nFor more information\, contact Heather Lineberry\, Senior Curator and Interim Associate Director of the ASU Art Museum\, 480.965.5272 and heather.lineberry@asu.edu . \nAbout the Artist: Brent Green in residence: Aug. 16 – Sept. 3\, 2010
URL:https://asuartmuseum.org/event-exhibition/gravity-was-everywhere-back-then-a-new-installation-by-brent-green/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100828T000000
DTEND;TZID=America/Phoenix:20101127T000000
DTSTAMP:20260915T182231
CREATED:20180221T013300Z
LAST-MODIFIED:20241029T235912Z
UID:4253-1282953600-1290816000@asuartmuseum.org
SUMMARY:Lasting Impressions: Japanese Prints from the ASU Art Museum
DESCRIPTION:Lasting Impressions will feature approximately 60 Japanese prints spanning from the 18th century to contemporary artists. It also includes essays on the prints researched by the fall 2009 Japanese Art History Seminar class taught by Dr. Claudia Brown\, professor of Asian art history\, School of Art\, Herberger Institute of Design and the Arts. This project continues the museum’s efforts to transcend the students’ traditional experiences at ASU with direct curatorial experience beyond classroom walls. This will be the first Japanese print exhibition from the print collection of the ASU Art Museum\, Jules Heller Print Study Room.
URL:https://asuartmuseum.org/event-exhibition/lasting-impressions-japanese-prints-from-the-asu-art-museum/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100529T000000
DTEND;TZID=America/Phoenix:20100807T000000
DTSTAMP:20260915T182231
CREATED:20180221T013900Z
LAST-MODIFIED:20241029T230047Z
UID:4589-1275091200-1281139200@asuartmuseum.org
SUMMARY:11th Annual Family Exhibition - What Moves Us: Art of Transportation from the Permanent      Collection
DESCRIPTION:What moves you? How do you get from one place to another? \nWalking\, driving a car\, riding a bike and traveling by train are all ways to move from here to there. This exhibition highlights these and other modes of transportation in paintings\, sculpture and prints. Hands-on activities throughout the exhibition will get your imagination (creativity?) moving\, too! \nA special event each summer\, the annual Family Fun Day is a day of fun that brings our family exhibition even more to life. This free event is scheduled for July 10\, from 10 a.m. – 2 p.m.\, and annually draws more than 1\,000 visitors for art making projects\, performances and a visit from a PBS character from Eight/KAET. \nSupport for this annual family exhibition and event is provided by the Scottsdale Art League. The 2010 family exhibition and Family Fun Day are organized by Heather Findling\, Windgate intern\, and Jean Makin\, print collection manager\, with educational outreach organized by Andrea Feller\, interim curator of education. \nFor more information contact Jean Makin at 480.965.2787 or jean.makin @asu.edu.
URL:https://asuartmuseum.org/event-exhibition/11th-annual-family-exhibition-what-moves-us-art-of-transportation-from-the-permanent-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100501T000000
DTEND;TZID=America/Phoenix:20100918T000000
DTSTAMP:20260915T182231
CREATED:20180221T014300Z
LAST-MODIFIED:20241029T230222Z
UID:4251-1272672000-1284768000@asuartmuseum.org
SUMMARY:Signs and Signals from the Periphery\, an Installation by Dinh Q Lê
DESCRIPTION:Signs and Signals from the Periphery is an installation of new work by internationally acclaimed multimedia artist Dinh Q Lê. It features a series of photographs and sculptures inspired by the lively and inventive street commerce in Vietnamese cities. The works document and recreate the system of signs that signal the availability of certain goods and services. Transported on bicycles and motorbikes\, they are quickly assembled on sidewalks and curbs each day. Le’s installation explores the rapidly changing economy of Vietnam\, which favors small and transient businesses\, and larger issues of global economies and labor. \nThis exhibition was made possible by the Helme Prinzen Endowment\, Mikki and Stanley Weithorn and the Elizabeth Leach Gallery\, Portland.
URL:https://asuartmuseum.org/event-exhibition/signs-and-signals-from-the-periphery-an-installation-by-dinh-q-le/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100410T000000
DTEND;TZID=America/Phoenix:20100824T000000
DTSTAMP:20260915T182231
CREATED:20180221T014700Z
LAST-MODIFIED:20241030T000802Z
UID:4250-1270857600-1282608000@asuartmuseum.org
SUMMARY:Ceramic Design: Manufactured Brilliance and Beauty in Daily Life
DESCRIPTION:Ceramic Design: Manufactured Brilliance and Beauty in Daily Life \, guest curated by Bobby Silverman\, demonstrates how artists and industrial designers use an intimate understanding of ceramic materials and manufacturing processes combined with an intelligent and witty attitude to produce works that are both functional and beautifully crafted as well as conceptually challenging. The exhibition challenges basic assumptions and long held beliefs that many associate with the ceramic arts.
URL:https://asuartmuseum.org/event-exhibition/ceramic-design-manufactured-brilliance-and-beauty-in-daily-life/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100324T000000
DTEND;TZID=America/Phoenix:20100626T000000
DTSTAMP:20260915T182231
CREATED:20180221T015200Z
LAST-MODIFIED:20241029T230611Z
UID:4249-1269388800-1277510400@asuartmuseum.org
SUMMARY:From the Headlines: Selections from the Print Collection at ASU Art Museum
DESCRIPTION:This selection of prints from the ASU Art Museum collection focuses on works on paper that deal with topics addressed in news media. Currently available to view in the museum’s multipurpose room\, this exhibition closing date is subject to change.
URL:https://asuartmuseum.org/event-exhibition/from-the-headlines-selections-from-the-print-collection-at-asu-art-museum/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100313T000000
DTEND;TZID=America/Phoenix:20100515T000000
DTSTAMP:20260915T182231
CREATED:20180221T045800Z
LAST-MODIFIED:20241029T230919Z
UID:4248-1268438400-1273881600@asuartmuseum.org
SUMMARY:From the ASU Art Museum Permanent Collection
DESCRIPTION:Selected pieces of contemporary art from the ASU Art Museum permanent collection.
URL:https://asuartmuseum.org/event-exhibition/from-the-asu-art-museum-permanent-collection/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100220T000000
DTEND;TZID=America/Phoenix:20100529T000000
DTSTAMP:20260915T182231
CREATED:20180221T050100Z
LAST-MODIFIED:20241029T234505Z
UID:4247-1266624000-1275091200@asuartmuseum.org
SUMMARY:Forged Power: Ferran Mendoza\, Alvaro Sau and William Wylie. A Moving Targets initiative.
DESCRIPTION:Feb. 19: Friday Conversations @11 with curator John Spiak\, 11 a.m. \nFeb. 19: Spring Season Reception\, from 7-9pm. Free and open to the public. \nFerran Mendoza & Alvaro Sau\, Outdoors\, High Definition Video\, 2009 William Wylie\, Carrara series\, Cavatori\, The Block\, Dust\, Friction\, Digital Video\, 2006 \nIn the digital age\, the way we engage with physical work has drastically shifted. Such shifts are not new and have occurred over the course of human history – from the invention of simple tools to the industrial revolution\, to our current digital society. But as technologies continue to advance\, our control and power appear to diminish not only in our work\, but also of our bodies. The body’s relationship to work continues to be less physical. We use mechanical arms to lift both heavy and light objects into place and vacuums now roam floors on their own. A document that once took the entire use of one’s arm to hand write can now be created with light touches of computer keys. With voice activation and eye-tracking technologies entering the mainstream consumer market\, the hand may soon be removed altogether from the process of work. \nSpanish artists Ferran Mendoza and Alvaro Sau traveled the Basque-French border region. The artists refer to it as “this kind of frontier land which we call the outdoors\,” a territory of Europe where the “most archaic ways of living coexist with the omnipresent industrial world.” Using their cameras\, Mendoza and Sau captured in high definition video the residents of this seemingly isolated region in their daily routines and surroundings. The result of their journey is the video Outdoors (2008)\, a 56-minute work that delivers a composition of portraits. These portraits provide fleeting glimpses of individuals who take pride in their independence\, work and know-how. Their knowledge of their tools\, their environment and how their bodies interact with each is clear and poetic; they perform their tasks as if every specific activity or action has been choreographed. \nIn the historic quarries of Carrara\, Italy\, the cavatori (stonecutters) have worked for centuries excavating large slabs of white marble from the earth. Through a fellowship exchange\, artist William Wylie was provided the opportunity to spend time observing the everyday operations and interactions of the men who work in these famous quarries\, the very quarries used by artists from Michelangelo to Louise Bourgeois. What at first appears to be a focus on machinery is soon realized to be a study of human activity and control. While trucks and machinery within these digital videos appear to struggle and battle to complete tasks\, the cavatori work with their hands – making precision measurements and chiseling slight grooves. The artist captures in his Carrara series\, Cavatori\, The Block\, Dust\, and Friction (2006)\, the gestural engagements of the hand and body as the stonecutters work together\, using signals and whistles\, to coordinate their movements within the noise and chaos of the industrial site. Together these four videos demonstrate that the actions of work can be perceived as beautiful in and of themselves. \nThe individuals captured in these videos control their own actions by working with their hands and bodies. They do more than just push a button; they exert human energy and create an effect through the power of their own body. Retaining the capability of doing work or accomplishing tasks with the use of the physical body\, their forged power is a reaffirmation of human capability. \nThe exhibition will feature five video works by the artists. William Wylie will be in attendance at ASU Art Museum to present a free lecture on a yet to be determined date. He will also meet with students and classes while in Tempe. \nThis exhibition and programs are generously supported by Helme Prinzen Endowment\, ASU Art Museum Advisory Board\, ASU School of Art and the Department of Photography\, and Northlight Gallery at ASU. \nForged Power is an ASU Art Museum Moving Targets Initiative.
URL:https://asuartmuseum.org/event-exhibition/forged-power-ferran-mendoza-alvaro-sau-and-william-wylie-a-moving-targets-initiative/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100130T000000
DTEND;TZID=America/Phoenix:20100501T000000
DTSTAMP:20260915T182231
CREATED:20180221T050500Z
LAST-MODIFIED:20241029T232104Z
UID:4246-1264809600-1272672000@asuartmuseum.org
SUMMARY:Wanxin Zhang: A Ten Year Survey
DESCRIPTION:Wanxin Zhang: A Ten Year Survey provides an in-depth survey of San Francisco-based artist Wanxin Zhang. \nInspired by the soldiers of the Qin terra cotta army unearthed in Xian\, China in 1974\, Zhang’s large-scale terra cotta figures cross over from history into today’s culture. His works are marked at once by a collision of cultures; manner of dress\, hair fashion and calligraphy are drawn from Chinese culture while American peculiarities are added as ironic twists.
URL:https://asuartmuseum.org/event-exhibition/wanxin-zhang-a-ten-year-survey/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100109T000000
DTEND;TZID=America/Phoenix:20100410T000000
DTSTAMP:20260915T182231
CREATED:20180221T050700Z
LAST-MODIFIED:20241029T232048Z
UID:4245-1262995200-1270857600@asuartmuseum.org
SUMMARY:Altered States: Paintings by Gordon Cheung from the Stéphane Janssen Collection
DESCRIPTION:Arizona State University Art Museum will present the first solo exhibition by British artist Gordon Cheung in a U.S. museum. The ASU Art Museum is recognized for presenting groundbreaking contemporary artists and art forms\, often in their first museum exhibition. \nCheung’s paintings explore our world in fantastic landscapes. He combines collage\, Japanese ink brushwork\, photographic transfers\, oil and spray paint on top of stock listings from the distinctively pink London Financial Times</i>; the contrast of Cheung’s images with streams of numbers seem to predict the recent global financial crisis. The exhibition will also present four new video works by the artist. \nCheung was born in London in 1975 to Chinese parents and earned his MA from the Royal College of Art in 2001.He currently lives and works in London. \nPast Exhibitions: \nDefining Sustainability: From the ASU Art Museum Collection
URL:https://asuartmuseum.org/event-exhibition/altered-states-paintings-by-gordon-cheung-from-the-stephane-janssen-collection/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20091215T000000
DTEND;TZID=America/Phoenix:20100219T000000
DTSTAMP:20260915T182231
CREATED:20180221T051500Z
LAST-MODIFIED:20241029T235353Z
UID:4244-1260835200-1266537600@asuartmuseum.org
SUMMARY:Strange Brew: The Gerry and Daphina Cramer Teapot Collection
DESCRIPTION:The ASU Art Museum Ceramics Research Center is pleased to present Strange Brew: the Gerald and Daphna Cramer Teapot Collection. The collection is comprised of more than 50 teapots that range from the utilitarian to decorative and sculptural works of art. The collection is on loan but will be gifted to the museum in the near future. \nThe teapot form\, used for centuries for brewing tea\, is one of the most familiar household objects. Easily accessible\, audiences will take delight in the myriad shapes and aesthetic approaches artists take for this exhibition. While rich in history and tradition\, contemporary teapots have long held a fascination with ceramic artists in that they are challenging to construct: the spout\, handle\, body and lid must all be integrated into a unified whole. A variety of techniques have been incorporated in the Cramer Collection including hand-built\, wheel-thrown or molded. Conceptually\, the works on exhibition range from whimsy\, humor or social satire. Artists Ted Saupe\, Bob Rose\, Noi Volkov and Chuck Aydlett use their teapots as a canvas to draw on\, creating a narrative storyline while Wally Keeler\, Ken Ferguson and James Lawton are still committed to working within the history of function. \nArtists represented in the collection range from established and under-recognized American ceramists and those from abroad. Some of the artists represented in the Cramer Collection include Ralph Bacerra\, Ken Ferguson\, Wally Keeler (U.K.)\, Julia Galloway\, Jeff Oestreich and George Walker (U.K.). Phoenix-area artists include Farraday Newsome\, Jeffrey Reich\, Sandra Luehrsen and Junya Shao. \nThe Cramer Collection was formerly owned by Santa Fe resident Sandy Besser\, recognized as a pioneering art collector who amassed one of the finest ceramic teapot collections in the U.S. in the 1970s and 80s. According to Besser\, “the collection has nothing to do with the function of the teapot or any fascination with the ritual of the tea ceremony. The concern is with the varied approaches to a single form within the same medium. Interpretation is unrestrained except for the constants of container\, handle\, lid and spout.” \nGerald Cramer\, an internationally-recognized financier\, has long ties to Arizona State University; he has been a frequent lecturer at the business school. In 1973 he founded and is currently Chairman Emeritus of Cramer Rosenthal McGlynn\, an investment management firm based in New York. He has been a winter resident of Phoenix for more than 25 years. His wife\, Daphna\, born in Israel\, served in the Israeli Air Force and is a former Miss Israel. \nOn behalf of the ASU Art Museum and Ceramics Research Center\, we extend our gratitude to the Cramers for their willingness to share the collection for future generations. \nPast Exhibitions: Native Confluence: Sustaining Cultures
URL:https://asuartmuseum.org/event-exhibition/strange-brew-the-gerry-and-daphina-cramer-teapot-collection/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20091107T000000
DTEND;TZID=America/Phoenix:20091201T000000
DTSTAMP:20260915T182231
CREATED:20180221T052000Z
LAST-MODIFIED:20241029T225751Z
UID:4243-1257552000-1259625600@asuartmuseum.org
SUMMARY:Canalscape for Metro Phoenix: Installation and Exhibition
DESCRIPTION:Canalscape proposes the creation of vital urban hubs where canals meet major streets. This mixed-use “urban infill” would provide highly desirable places to gather by the water as well as an alternative to sprawl. Unlike Amsterdam and Venice\, much smaller cities with urbanized canals throughout\, Phoenix’s trademark would be distributed canalscape\, reflecting its unique quality of being a “network” city as well as a region that creatively intersperses urban living into a breathtaking desert landscape. Canalscape would contribute to a sustainable and authentic Desert Urbanism for Metro Phoenix. \nDr. Nan Ellin and her students will create a canalscape in the museum’s entryway and Nymphaeum. Water features and plants will create an environment to view project ideas and information about the history of Phoenix’s canals and prospects for the future. \nFor more information\, see: ASU Office of the President podcast on Canalscape:  http://president.asu.edu/node/667 ASU Canalscape website: http://canalscape.asu.edu/ AIA Canalscape Competition:  http://aia-phoenixmetro.org/wp-content/uploads/2009/03/canal-comp-rules.pdf \nOpening Reception: Nov. 10\, 6-8 p.m. Dance performance by Dulce Dance Company\, choreography by Mary Fitzgerald (ASU)\, music by Julian Peterson. \nClosing: panel discussion\, “The Tao of Canalscape” – moderated by Nan Ellin\, Director\, Planning\, ASU Dec. 1\, 6 p.m. Panel includes: Eric Iwerson\, Planner\, City of Tempe James Labar\, Historian\, ASU and Salt River Project Laurie Lundquist\, Artist Mark Stapp\, Director\, Masters of Real Estate Development\, ASU
URL:https://asuartmuseum.org/event-exhibition/canalscape-for-metro-phoenix-installation-and-exhibition/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20091010T000000
DTEND;TZID=America/Phoenix:20100220T000000
DTSTAMP:20260915T182231
CREATED:20180221T053000Z
LAST-MODIFIED:20241029T210818Z
UID:4242-1255132800-1266624000@asuartmuseum.org
SUMMARY:Nowhere to Hide: Three Artists in the Desert
DESCRIPTION:Nowhere to Hide presents the work of three artists who live in Phoenix and have explored definitions of sustainability in their multi-media artworks. Their approaches range from photography to sound sculpture and gouache paintings. \nJulie Anand’s brilliantly-hued photographs present her found objects like specimens and begin to tell stories of the people who have traveled along the same path – their habits and preoccupations. \nRichard Lerman is a well-known sound artist whose work often explores the inevitable trade-offs in our interaction with the land\, how even green systems and solutions impact our environment. \nCarrie Marill has created a series of gouache paintings which represent environmental problems and solutions brought on and devised by humans. \nAll of the artists in the exhibition grapple with issues of personal responsibility and control\, sustainable systems that inevitably require compromise and the complex\, global challenges of humans living on earth. \nVisit the About section of our Web site or our blog for project details. \nAdditional Events: Season Opening Reception Oct. 9\, 7-9 PM
URL:https://asuartmuseum.org/event-exhibition/nowhere-to-hide-three-artists-in-the-desert/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20090919T000000
DTEND;TZID=America/Phoenix:20100130T000000
DTSTAMP:20260915T182231
CREATED:20180221T054000Z
LAST-MODIFIED:20241029T204449Z
UID:4577-1253318400-1264809600@asuartmuseum.org
SUMMARY:Defining Sustainability: From the ASU Art Museum Collection
DESCRIPTION:Students from the Herberger Institute for Design and the Arts and the School of Sustainability will work with Dr. Claudia Mesch\, art history\, and Julie Anand\, photography\, from the School of Art\, to explore art and sustainability issues raised by artworks in the ASU Art Museum’s permanent collection. The exhibition will include both past and present examples of artists exploring human interaction with the land\, urbanization\, natural and manmade materials\, pollution\, cultural sustainability and sustainable processes\, and will explore how artists have brought issues of sustainability to a broader community\, encouraged participation and dialog\, and proposed creative solutions. \nThe exhibition\, curated by Mesch and Heather Lineberry\, Senior Curator and Interim Director of the ASU Art Museum\, will include historic precedents\, like the 19th century Hudson River school painters who painted classic American landscapes with encroaching signs of industrialization\, as well as selections of work by contemporary artists like Matthew Moore\, who has created compelling land art works on his family’s farm in the middle of the suburbs in West Phoenix\, and Eddie Dominguez\, who uses ceramics to explore human history and impact on the earth. \nThe students in the seminar will bring their different disciplines to their discussions and research. As the conversation deepens\, the projects that emerge from the class will be accessible to the public in the gallery on a class bulletin board and on the website including a class blog. Class sessions with guest speakers from the fields of art\, science and the humanities will be open to the public. The students in the seminar will also interact with the artists in residence during the larger fall season. \nVisit the About section of our Web site or our blog for project details.
URL:https://asuartmuseum.org/event-exhibition/defining-sustainability-from-the-asu-art-museum-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20090919T000000
DTEND;TZID=America/Phoenix:20091212T000000
DTSTAMP:20260915T182231
CREATED:20180221T054600Z
LAST-MODIFIED:20241029T204451Z
UID:4578-1253318400-1260576000@asuartmuseum.org
SUMMARY:I'm Keeping an Eye on You
DESCRIPTION:Through personal\, established relationships\, casual encounters\, forced institutional interactions or contact from a safe distance\, we often overstep our boundaries. Whether we are conscious or not of our boundary breaking\, at one time or another we are all guilty of intruding into other people’s lives and space. What may pass as uneventful for one individual may be the cause of great anxiety and fear for another. I’m Keeping an Eye on Youexplores the broad and lasting effects of our curiosity and intrusions upon others. \nArtists featured in I’m Keeping an Eye on You include: Mounira Al Solh (Amsterdam/Beirut); Rachel Garfield (London); Charlotte Ginsborg (London); Pia Greschner (Berlin); Myung-Soo Kim (Tempe); Yaron Lapid (London); Jeff Luckey (New York/Berlin); Johnna MacArthur (Los Angeles); Michael Mohan (Los Angeles); and Corinna Schnitt (Hamburg). \nOrganized by John Spiak\, ASU Art Museum curator\, I’m Keeping an Eye on You premiered as a Video Project Space at Aqua Art Miami in December 2008. This project is made possible by the generosity of Aqua Art Miami and Friends of the Arizona State University Art Museum. \nThe Moving Targets initiative builds on the museum’s long history of exploring the role of new media in the arts. The museum presented its first media exhibition in 1993\, Nam June Paik: Time for Change and represented the U.S. at the 1995 Venice Biennale\, Italy art exhibition with the work of five installations by Bill Viola. The ASU Art Museum supports emerging artists and critically acclaimed practitioners of new genres through solo exhibitions\, including William Kentridge\, Shirin Neshat\, Jim Campbell\, Pipilotti Rist\, Gary Hill and Francesco Torres. In 1997\, the museum developed an annual short film and video festival\, which continues to present the work of international artists. The ASU Art Museum Short Film and Video Festival is held each April; look for its 14th annual screening during April 2010. As technology penetrates all aspects of art\, the museum strives to present the most innovative and engaging works. \nPast Exhibitions: \nSocial Studies: Project 5 – Alone Together in the Dark\, by artist Jillian McDonald Social Studies: Project 4- Giambarra\, with artist Paulo Nenflidio ASU Art Museum Short Film and Video Festivals
URL:https://asuartmuseum.org/event-exhibition/im-keeping-an-eye-on-you/
CATEGORIES:Exhibition
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