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X-ORIGINAL-URL:https://asuartmuseum.org
X-WR-CALDESC:Events for ASU Art Museum
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TZID:America/Phoenix
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TZOFFSETFROM:-0700
TZOFFSETTO:-0700
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DTSTART:20090101T000000
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120929T000000
DTEND;TZID=America/Phoenix:20130201T000000
DTSTAMP:20260915T175516
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195750Z
UID:4618-1348876800-1359676800@asuartmuseum.org
SUMMARY:Trajectory: Miguel Palma
DESCRIPTION:Visiting artist Miguel Palma (Portugal) has developed a “Desert Initiative Remote Shuttle” that investigates ways in which meaning of place\, particularly in remote desert environments\, is created and communicated. Palma’s work in this exhibition engages issues through the lens of exploration: military history in Arizona and the Southwest\, the military’s role in desert preservation\, the history of Manifest Destiny and colonialism in populated places\, strategies of adaptation and the role of technology in desert survival. \nThe artist will be present for the exhibition opening Sept. 28 and 29. \nThis exhibition is supported in part by the FUNd at ASU Art Museum\, the ASU Art Museum Advisory Board and Friends and Margarita and Willie Joffroy.
URL:https://asuartmuseum.org/event-exhibition/trajectory-miguel-palma/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120825T000000
DTEND;TZID=America/Phoenix:20121201T000000
DTSTAMP:20260915T175516
CREATED:20180216T000000Z
LAST-MODIFIED:20241030T000003Z
UID:4617-1345852800-1354320000@asuartmuseum.org
SUMMARY:Ant Farm Media Van v.08 [Time Capsule]
DESCRIPTION:The ASU Art Museum presents the Ant Farm Media Van v.08 [Time Capsule]\, 2008\, by Chip Lord\, Curtis Schreier and Bruce Tomb. (Lord and Schreier were partners in the legendary art and technology cooperative Ant Farm\, active from 1968-1978.) \nThe Media Van is a repurposed 1972 Chevy with interior modifications including vintage Ant Farm videos\, a conversation pit and a media HUQQUH. The HUQQUH will create a digital time capsule of images and music randomly donated by the public through the process of plugging in a personal digital device such as a camera\, MP3 player or Smartphone. \nThe project revisits the 1970 Ant Farm Media Van and mixes it up with digital media culture\, consumerism and popular culture. At the center of the Media Van v.08 is the social condition created by a small group of people sitting around shared media\, and contributing to the making of a new artwork: the ASU Time Capsule Triptych. Also on view are remnants from the original Truckstop Tour\, 1970\, and a previous digital Time Capsule\, the SFMOMA Time Capsule Triptych. \nAnt Farm Media Van v.08 was commissioned by SFMOMA in 2008 and curated for the ASU Art Museum by Gordon Knox. The exhibition is supported by the Wilhelmine Prinzen Endowment\, Peter Shikany and PS Studios\, Inc.\, the ASU Art Museum Advisory Board\, Kitchell-Perez\, Mikki and Stanley Weithorn\, and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/ant-farm-media-van-v-08-time-capsule/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120714T000000
DTEND;TZID=America/Phoenix:20120908T000000
DTSTAMP:20260915T175516
CREATED:20180216T000800Z
LAST-MODIFIED:20241029T231945Z
UID:4616-1342224000-1347062400@asuartmuseum.org
SUMMARY:Bad Manners
DESCRIPTION:This show of selections from the Museum’s permanent collection introduces two new acquisitions — de Guantanamera y Playero Giron\, El Mito (of Guantanamera and Bay of Pigs\, El Mythos)\, a painting by Claudio Dicochea\, and Bad Manners\, a ceramic installation piece by Marilyn Lysohir — and presents a behind-the-scenes look at how museum registrars accession an item\, and what steps they have to take to bring it into the permanent collection.
URL:https://asuartmuseum.org/event-exhibition/bad-manners/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120609T000000
DTEND;TZID=America/Phoenix:20120929T000000
DTSTAMP:20260915T175516
CREATED:20180216T001200Z
LAST-MODIFIED:20241029T230924Z
UID:4615-1339200000-1348876800@asuartmuseum.org
SUMMARY:Collecting Arizona
DESCRIPTION:Collecting Arizona is the ASU Art Museum’s tribute to the state in honor of its Centennial\, featuring artists from the region and a wide range of artwork about Arizona\, including photography\, painting and sculpture. \nThe summer exhibition also feaatures free Family Fun Day – Saturday\, July 14\, from 10 a.m. – 2 p.m. – when children of all ages are invited to enjoy a variety of art making projects\, educational booths and performances by local musicians\, dancers\, magicians and puppeteers. \nThanks to generous community support and sponsorship\, admission to Family Fun Day remains free. \nSupport for Collecting Arizona was provided by the ASU Art Museum Advisory Board and the Stulgaitis Family Scholastic Award in honor of Helen Flecha Polina. \nCommunity partners include KAET PBS/8\, Valley Metro and Changing Hands Bookstore.
URL:https://asuartmuseum.org/event-exhibition/collecting-arizona/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120410T000000
DTEND;TZID=America/Phoenix:20120825T000000
DTSTAMP:20260915T175516
CREATED:20180216T003300Z
LAST-MODIFIED:20241030T000757Z
UID:4614-1334016000-1345852800@asuartmuseum.org
SUMMARY:Emerge: Redesigning the Future
DESCRIPTION:Science and technology are changing our lives. They are transforming our minds\, our possessions and the landscapes we inhabit. In which directions are they heading? What kinds of societies\, cities\, homes – even people – will they lead to? Are these the futures that we want? \nOn March 1–3\, 2012\, Arizona State University hosted Emerge\, a campus-wide event that united artists\, engineers\, bioscientists\, social scientists\, storytellers and designers to build\, draw\, write and play with the future. This interactive exhibition at the ASU Art Museum offers Emerge’s discoveries and creations\, giving you an opportunity to get a taste of the futures discussed. \nJoin us for the opening reception Tuesday\, April 17\, from 5-8 p.m.\, sponsored by the ASU Global Institute of Sustainability. Free and open to the public. \nSponsors and partners:\nHerberger Institute for Design and the Arts\nThe Center for Nanotechnology in Society\nASU Office of the President\nThe Prevail Project of the Sandra Day O’Connor College of Law\nSchool of Sustainability\nIra A. Fulton Schools of Engineering\nASU LightWorks\nASU Art Museum \nEmerge exhibition team:\nDaragh Byrne\, School of Arts\, Media + Engineering in the Herberger Institute\nSarah Davies\, Center for Nanotechnology in Society\nAisling Kelliher\, School of Arts\, Media + Engineering and The Design School in the Herberger Institute\nCynthia Selin\, School of Sustainability\, Consortium for Science\, Policy and Outcomes
URL:https://asuartmuseum.org/event-exhibition/emerge-redesigning-the-future/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120407T000000
DTEND;TZID=America/Phoenix:20120804T000000
DTSTAMP:20260915T175516
CREATED:20180216T003500Z
LAST-MODIFIED:20241030T000348Z
UID:4613-1333756800-1344038400@asuartmuseum.org
SUMMARY:10 for 10 x 2: 10th Anniversary New Acquisitions
DESCRIPTION:Collecting contemporary ceramics has an illustrious five-decades-long history at the ASU Art Museum\, and we are excited to be celebrating the Ceramics Research Center’s 10th anniversary in its current facility. Our reputation and commitment to this medium is unparalleled in the United States. \nIn honor of this milestone\, we asked ceramic collectors and artists nationwide to consider donating a work to fill gaps in the collection: artists who are not currently represented (both utilitarian and sculptural) or international artists from Asia and Europe. \nThe response was very enthusiastic\, as this exhibition demonstrates. Included are two masterworks from Tatsuo Shimaoka\, a national living treasure from Japan; an iconic hare charger by Ken Ferguson\, who was an influential artist and educator at the Kansas City Art Institute; a dramatic vase with explosive surfaces by British artist Gareth Mason; and a striking\, eloquent figure by Santa Clara Pueblo artist Rose B. Simpson\, among others. \nOn behalf of the museum staff\, we would like to express our gratitude to the following collectors and artists who have made these generous gifts possible: Hope and Mel Barkan (Massachusetts); Elaine and Sidney Cohen (Arizona); Joyce Cooper (Arizona); Paul and Sharon Dauer (California); Skippy and Manny Gerard (New York); Marc and Diane Grainer (Maryland); Carlos Enrique Prado Herrera (Cuba); Jason Jacques Gallery (New York); Stéphane Janssen (Arizona); Darien Johnson (New York); Sara and David Lieberman (Arizona); Pucker Gallery (Massachusetts); Mindy Solomon Gallery (Florida); Bill Stewart (New York) and Rob and Jossline Wood (Virginia).
URL:https://asuartmuseum.org/event-exhibition/10-for-10-x-2-10th-anniversary-new-acquisitions/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120204T000000
DTEND;TZID=America/Phoenix:20120519T000000
DTSTAMP:20260915T175516
CREATED:20180216T005900Z
LAST-MODIFIED:20241029T234257Z
UID:4612-1328313600-1337385600@asuartmuseum.org
SUMMARY:Performing for the Camera
DESCRIPTION:Performing for the Camera presents 50 photographs by artists who use performance as a central part of their process. With elaborate costumes and masquerades\, large groups of people\, theatrical settings\, serial images and cinematic framing\, the artists create photographs that are often ambiguous\, dreamlike\, uncanny or campy. These works blur fact and fiction by staging images for a medium associated with truth — teasing and inspiring us to complete the story for ourselves. \nSupported by the Advisory Board of the ASU Art Museum and Friends of the ASU Art Museum. \nSpecial thanks to Stéphane Janssen for lending most of the works in the exhibition from his deep and significant collection. \nThe exhibition was curated by Heather Sealy Lineberry\, senior curator and associate director of the ASU Art Museum\, with ASU School of Art faculty members and photographers Julie Anand and Elizabeth Schneider; Ann Sanchez\, curator of the Stéphane Janssen collection; Nicole Herden\, curatorial assistant and curatorial intern Meredith Bonnett. \nArtists included in the exhibition: AES+F\, Dieter Appelt\, Liu Bolin\, Gregory Crewdson\, Philip-Lorca diCorcia\, Gao Brothers\, Aimeé García Marrero\, Anthony Goicolea\, Zhang Huan\, Teresa Hubbard and Alexander Birchler\, Ellen Kooi\, Oleg Kulik\, Duane Michals\, Arno Minkkinen\, Tracey Moffatt\, Yasumasa Morimura\, Shirin Neshat\, Robert and Shana ParkeHarrison\, Pierre + Gilles\, Cindy Sherman\, Sandy Skoglund\, Pepe Smit\, Kwong Chi Tseng\, Spencer Tunick\, Carrie Mae Weems\, Charlie White and Kimiko Yoshida.
URL:https://asuartmuseum.org/event-exhibition/performing-for-the-camera/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120127T000000
DTEND;TZID=America/Phoenix:20120303T000000
DTSTAMP:20260915T175516
CREATED:20180216T011200Z
LAST-MODIFIED:20241029T232126Z
UID:4611-1327622400-1330732800@asuartmuseum.org
SUMMARY:Soaring Voices: Recent Ceramics by Women from Japan
DESCRIPTION:For thousands of years\, women have been highly active in the production of ceramics\, but their names have largely been unknown. Soaring Voices demonstrates the shift in Japanese society toward individual women artists becoming recognized in an artistic realm traditionally dominated by men. This traveling exhibition features 87 works by 25 exceptional women artists who reflect Japan’s rich and innovative ceramic culture. \nSoaring Voices was developed by The Shigaraki Ceramic Cultural Park\, Shiga Prefecture\, and hus-10\, Inc.\, Tokyo\, Japan; the tour was organized by International Arts & Artists\, Washington\, D.C.\, and generously supported in part by the E. Rhodes & Leona B. Carpenter Foundation and the S&R Foundation.\nSupport for Soaring Voices at the ASU Art Museum Ceramics Research Center was provided by a generous grant from the Japan Foundation\, New York\, and by Ron and Masako Berman\, Elaine and Sidney Cohen\, and Sara and David Lieberman. \nIn connection with the exhibition\, the CRC will host Ceram-A-Rama Yaki\, Jan. 26-28\, 2012. To register for Ceram-A-Rama Yaki or for more information\, contact the event’s coordinator\, Cyndi Coon\, at 480.734.5178 or cyndi.coon@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/soaring-voices-recent-ceramics-by-women-from-japan/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120121T000000
DTEND;TZID=America/Phoenix:20120602T000000
DTSTAMP:20260915T175516
CREATED:20180216T012000Z
LAST-MODIFIED:20241029T232920Z
UID:4610-1327104000-1338595200@asuartmuseum.org
SUMMARY:Miracle Report: Julianne Swartz and Ken Landauer\, Social Studies 8
DESCRIPTION:Julianne Swartz and Ken Landauer spent their Social Studies residency at the ASU Art Museum looking for miracles. The artists explored the miraculous through people’s perceptions of it in their lives\, interviewing students\, school children and community members of all ages and backgrounds. They combined their findings in an installation of fleeting vignettes playing on all of the available sound and video equipment in the museum’s possession. In the words of the artists\, “Our installation will strive to embody some beauty\, some hocus-pocus and some unexplainable magic.” \nThis project is supported by a grant from The Andy Warhol Foundation for the Visual Arts as part of the Social Studies series. Initiated by John D. Spiak\, the exhibition is curated by Heather Sealy Lineberry with Nicole Herden. \n\n\n\n\nCurator:\n\nHeather Sealy Lineberry
URL:https://asuartmuseum.org/event-exhibition/miracle-report-julianne-swartz-and-ken-landauer-social-studies-8/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20111001T000000
DTEND;TZID=America/Phoenix:20111231T000000
DTSTAMP:20260915T175516
CREATED:20180220T223700Z
LAST-MODIFIED:20241029T210824Z
UID:4609-1317427200-1325289600@asuartmuseum.org
SUMMARY:Securing a free state: The Second Amendment Project – Jennifer Nelson\, Social Studies 7
DESCRIPTION:Securing a free state: The Second Amendment Project explores the dance between individual and collective rights as they relate to the Second Amendment of the U.S. Constitution. In this project\, artist Jennifer Nelson focused on the personal motivations and dignity of citizens on both sides of the debate by exploring how people find security\, individually and collectively. These questions were considered from the point of view of those who feel the need to arm themselves in order to feel secure and free\, as well as from the perspective of those who must regain a sense of security and freedom after having their security violated. Visitors participated in the project throughout the artist’s residency through open gallery events\, a panel discussion and field trips to a prosthetics design facility\, sniper training school and a mental rehabilitation center. The events and activities that took place during the artist residency informed a number of video and sculptural installations made during the artist’s visit. \nThis exhibition\, which continues through December\, is supported by a grant from The Andy Warhol Foundation for the Visual Arts
URL:https://asuartmuseum.org/event-exhibition/securing-a-free-state-the-second-amendment-project-jennifer-nelson-social-studies-7/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110924T000000
DTEND;TZID=America/Phoenix:20111231T000000
DTSTAMP:20260915T175516
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195820Z
UID:4608-1316822400-1325289600@asuartmuseum.org
SUMMARY:Juan Downey: The Invisible Architect
DESCRIPTION:Juan Downey: The Invisible Architect is the first U.S. museum survey of the work of Chilean artist Juan Downey (1940-1993)\, an unsung video-art pioneer whose career Artforum magazine calls “brilliant and idiosyncratic.” \nWorking in a variety of media\, Downey anticipates our current interest in urbanism\, post-colonial theory and locality in contemporary art. He explores the intellectual and historical myths of European culture\, as well as the roots of Latin American identity\, through videos and installations that use associative visual metaphors\, collage-like techniques and non-linear narrative. \nThe Invisible Architect was organized by the MIT List Visual Arts Center and the Bronx Museum of the Arts. The exhibition is supported by the Andy Warhol Foundation for the Visual Arts\, the National Endowment for the Arts; Martin E. Zimmerman; the Dedalus Foundation; the Milton & Sally Avery Arts Foundation; and Fundacion Cisneros/Coleccion Patricia Phelps de Cisneros. The ASU Art Museum presentation is made possible by a generous grant from the Bruce T. Halle Family Foundation and with additional support from the Helme Prinzen Endowment and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/juan-downey-the-invisible-architect/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110903T000000
DTEND;TZID=America/Phoenix:20111126T000000
DTSTAMP:20260915T175516
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195739Z
UID:4607-1315008000-1322265600@asuartmuseum.org
SUMMARY:100 Museums: Paintings of Buildings That Have Paintings Inside
DESCRIPTION:Rico Solinas’ decision to use metal saw blades as the canvas for his portraits of art museums is the artist’s tribute to the American work ethic. Thirteen years in the making and featuring buildings from the Louvre to the Hermitage to ASU’s own art museum\, this exhibition reflects Solinas’ belief that an artist should never replicate what is already in a museum\, but should instead create something unique and entirely new.
URL:https://asuartmuseum.org/event-exhibition/100-museums-paintings-of-buildings-that-have-paintings-inside/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110827T000000
DTEND;TZID=America/Phoenix:20120127T000000
DTSTAMP:20260915T175516
CREATED:20180220T230200Z
LAST-MODIFIED:20241029T235924Z
UID:4606-1314403200-1327622400@asuartmuseum.org
SUMMARY:Just Animals
DESCRIPTION:The word animal evokes many impressions: everything from friendly pets\, like dogs and cats\, to wild creatures like bears and elephants. The word brings to mind images (fur\, eyes\, tails)\, sounds (purr\, bark) and events (family zoo trip\, pet adoption center visit). We all have memories that make recognizing animals in art easy. But sometimes artists will add something extra. Maybe it is a little humor\, as in Walton Ford’s reflection on Audubon’s nature studies in his print Nila\, or a more serious commentary on our ecological destruction\, as in Oscar’s monoprint Pooch. Or it can be the remarkable ability to capture a personality on paper\, as Beth Van Hoesen does in Puff.
URL:https://asuartmuseum.org/event-exhibition/just-animals/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110827T000000
DTEND;TZID=America/Phoenix:20111231T000000
DTSTAMP:20260915T175516
CREATED:20180220T225700Z
LAST-MODIFIED:20241029T235928Z
UID:4605-1314403200-1325289600@asuartmuseum.org
SUMMARY:Dulce: Bisque Without Borders
DESCRIPTION:San Antonio-based artist Franco Mondini-Ruiz\, winner of the Rome Prize and featured in the 2000 Whitney Biennial\, mines the ASU Art Museum’s ceramics collection\, bringing together both favorite gems and objects that have been in storage for decades to create Dulce: Bisque Without Borders. \nAlso included in this three-part project is Limpia: Revisiting the Collection\, a re-installation of the collection in open storage. Limpia\, or “cleaning\,” highlights the best works in the collection in a new and exciting format. \nAnd\, during the reception weekend (Friday\, Sept. 30 from 7 to 9 p.m. and Saturday\, Sept. 31 from 11 .m. to 5 p.m.)\, join us for Tienda Franco\, a performance/party/market where Mondini-Ruiz will be peddling his readymade objects and making art affordable for all. \nThis exhibition is funded by the Joseph Dung Ceramics Initiative\, the HBB Foundation and by members of the Ceramics Research Center’s Artists’ Advisory Committee. The reception is funded in part by Armstrong/Prior.
URL:https://asuartmuseum.org/event-exhibition/dulce-bisque-without-borders/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110702T000000
DTEND;TZID=America/Phoenix:20110827T000000
DTSTAMP:20260915T175516
CREATED:20180220T232200Z
LAST-MODIFIED:20241029T231810Z
UID:4604-1309564800-1314403200@asuartmuseum.org
SUMMARY:By Myself and With My Friends
DESCRIPTION:In By myself and with my friends . . . six artists explore the complexities of human nature by looking at some of the things we have in common with animals\, from our herd mentality to our moments of solace. Featuring videos by Krista Birnbaum\, Donna Conlon\, Rivane Neuenschwander\, Corinna Schnitt and Connie Samaras.
URL:https://asuartmuseum.org/event-exhibition/by-myself-and-with-my-friends/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110604T000000
DTEND;TZID=America/Phoenix:20110903T000000
DTSTAMP:20260915T175516
CREATED:20180220T232600Z
LAST-MODIFIED:20241029T231025Z
UID:4603-1307145600-1315008000@asuartmuseum.org
SUMMARY:12th Annual Summer Family Exhibition -- Words of Art: Selections from the ASU Art Museum      Collection
DESCRIPTION:Visit the ASU Art Museum’s summer exhibition Words of Art to see how the written word is teamed up with a variety of visual arts. Hands-on activities throughout the exhibition inspire children through reading\, writing and\, of course\, art. \nOur annual Family Fun Day brings the family exhibition even more to life. This free event is scheduled for July 9\, 2011\, from 10 a.m. – 2 p.m.\, and features art making projects\, performances and a visit from a PBS character from Eight/KAET. \nSupport for this family exhibition and event is provided by the Windgate Charitable Foundation\, ASU Art Museum Advisory Board\, Friends of the ASU Art Museum\, the Scottsdale League for the Arts\, Tempe Municipal Arts Commission\, Valley Metro\, Eight/KAET and Changing Hands Bookstore. \nThe exhibition is organized by Rory O’Neill Schmitt\, Windgate intern\, and Jean Makin\, print collection manager\, with educational outreach organized by Andrea Feller\, curator of education.
URL:https://asuartmuseum.org/event-exhibition/12th-annual-summer-family-exhibition-words-of-art-selections-from-the-asu-art-museum-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110521T000000
DTEND;TZID=America/Phoenix:20110827T000000
DTSTAMP:20260915T175516
CREATED:20180220T233100Z
LAST-MODIFIED:20241029T230101Z
UID:4265-1305936000-1314403200@asuartmuseum.org
SUMMARY:Self-Referential: Art Looking at Art
DESCRIPTION:Artists often address the world of art – its traditions\, histories and economies – in their own work. This self-reflective strategy provides grounds for sharp critique as well as for playful conversations as artists riff off one another.
URL:https://asuartmuseum.org/event-exhibition/self-referential-art-looking-at-art/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110513T000000
DTEND;TZID=America/Phoenix:20110513T000000
DTSTAMP:20260915T175516
CREATED:20180221T011700Z
LAST-MODIFIED:20241029T230206Z
UID:4601-1305244800-1305244800@asuartmuseum.org
SUMMARY:Collecting Contemporary Art: The FUNd at ASU Art Museum
DESCRIPTION:Collecting Contemporary Art features a selection of works acquired in part or in whole by the FUNd at ASU Art Museum\, an endowment established by the Elizabeth Firestone Graham Foundation. From monumental found-object installations to print portfolios of etchings and lithographs\, the international pieces share a current of experimentation and an exploration of social and political concerns. The exhibition charts the Museum’s collecting goals and exhibition history over the past 15 years\, with significant representation of Latin American and Latino artists\, artists from Arizona and artists in residence at the Museum. Artists represented include Kim Abeles (Los Angeles)\, John Ahearn (New York)\, Abel Barroso (Cuba)\, Sandow Birk (Los Angeles)\, Xu Bing (China)\, Deborah Butterfield (Montana/Hawaii)\, Enrique Chagoya (born in Mexico\, active in the U.S.)\, Colin Chillag (Phoenix)\, Sue Coe (born in England\, active in the U.S.)\, Jon Haddock (Tempe)\, Kcho (Cuba)\, Los Carpinteros (Cuba)\, Aimee Garcia Marrero (Cuba)\, Paulo Nenflidio (Brazil)\, Adriana Varejao (Brazil) and Kurt Weiser (Tempe).
URL:https://asuartmuseum.org/event-exhibition/collecting-contemporary-art-the-fund-at-asu-art-museum/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110430T000000
DTEND;TZID=America/Phoenix:20110806T000000
DTSTAMP:20260915T175516
CREATED:20180220T234000Z
LAST-MODIFIED:20241030T000500Z
UID:4600-1304121600-1312588800@asuartmuseum.org
SUMMARY:A Legacy Continued: New Acquisitions from the Stéphane Janssen & R. Michael Johns      Collection
DESCRIPTION:In 2004 the ASU Art Museum announced that it would be the recipient of over 600 works of contemporary ceramics from Arizona resident and Belgian native St éphane Janssen\, considered one of the world’s leading collectors of contemporary art. \nThis exhibition will highlight a grouping of 80 works given in 2010\, including master works by Robert Arneson\, Ken Price\, Lucie Rie\, David Gilhooly and Beatrice Wood\, as well as stellar examples of early Peter Voulkos\, Ron Nagle and Michael Frimkess.
URL:https://asuartmuseum.org/event-exhibition/a-legacy-continued-new-acquisitions-from-the-stephane-janssen-r-michael-johns-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110408T000000
DTEND;TZID=America/Phoenix:20110611T000000
DTSTAMP:20260915T175516
CREATED:20180220T234500Z
LAST-MODIFIED:20241030T000344Z
UID:4599-1302220800-1307750400@asuartmuseum.org
SUMMARY:Muntadas: About Academia
DESCRIPTION:About Academia is the latest project by renowned international artist Antoni Muntadas\, who is the subject of a major retrospective this fall at the Museo Nacional Reina Sofia\, Madrid. About Academia is an inquiry into the problematic relations between the production of knowledge and economic power in our universities. Over the course of three years\, Muntadas and his team of collaborators researched the history of “academia” as an institution in the Western world\, from its beginnings to the present challenges\, and then proceeded to interview faculty members at Harvard and other U.S. research universities\, including Noam Chomsky\, Carol Becker\, Howard Zinn\, Bradley Epps\, Mark Wigley\, Thomas Cummins\, Doris Sommer\, John Coatsworth and David Harvey\, among others. \nAbout Academia premiered at the Carpenter Center for Visual Arts at Harvard University. The exhibition is co-sponsored by the Carpenter Center and the David Rockefeller Center for Latin American Studies at Harvard University\, and Arizona State University Art Museum. The ASU Art Museum’s presentation is curated by Gordon Knox\, director\, and was made possible by the Evelyn Smith Exhibition Fund; Twin Palms Hotel\, Tempe; and the Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/muntadas-about-academia/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110305T000000
DTEND;TZID=America/Phoenix:20110806T000000
DTSTAMP:20260915T175516
CREATED:20180221T004300Z
LAST-MODIFIED:20241029T230332Z
UID:4261-1299283200-1312588800@asuartmuseum.org
SUMMARY:Andy Warhol: Who\, What\, Where
DESCRIPTION:Andy Warhol’s black and white photographs in this exhibition reveal the people\, things and places that spontaneously captured his attention and fed his larger body of work. The legendary artist used photographs throughout his silkscreen paintings\, drawings and prints. \nThe ASU Art Museum received 155 Polaroid photographs and gelatin silver prints from The Andy Warhol Photographic Legacy Program\, which donated more than 28\,500 works to educational institutions across the United States. For more information:  www.warholfoundation.org/legacy/biography.html
URL:https://asuartmuseum.org/event-exhibition/andy-warhol-who-what-where/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110219T000000
DTEND;TZID=America/Phoenix:20110430T000000
DTSTAMP:20260915T175516
CREATED:20180221T005600Z
LAST-MODIFIED:20241029T234554Z
UID:4260-1298073600-1304121600@asuartmuseum.org
SUMMARY:Re-Thinking the Faculty Exhibition 2011
DESCRIPTION:This year\, the faculty show takes a new direction. It represents the beginning of an exciting set of possible partnerships\, exchanges and experiments between the School of Art and the ASU Art Museum. It’s also the first instance of the museum’s rethinking and revitalizing the way we do things\, as part of our Re-Thinking the Museum initiative. \nArt historian and writer Robert Atkins was selected to open Re-Thinking the Museum as juror/curator of the ASU School of Art Faculty Biennial Exhibition. During the month of November\, Atkins reviewed submissions\, visited artists’ studios and discussed opportunities for site-specific installations as he selected work for the 2011 exhibition. \nFaculty Artists: Julie Anand\, Peter Bugg\, Christopher Colville\, Claudio Dicochea\, Angela Ellsworth\, Jon Haddock\, Hilary Harp\, Marc Klett\, Lisa C. von Koch\, Michael Lundgren\, Muriel Magenta\, Stephen Marc\, John Obuck\, Anthony Pessler\, Janice Pittsley\, Mark Pomilio\, Forrest Solis \nView the Re-Thinking the Faculty Exhibition 2011 website for more information about the exhibition including artists’ biographies\, artwork and statements\, and a special comment section for viewer responses. \nSeason Opening Reception: Feb. 18\, 7–9 p.m. Refreshments will be available. \nSpecial preview tour with Robert Atkins\, guest curator\, following introduction by Gordon Knox\, director of the ASU Art Museum\, and Adriene Jenik\, director of the ASU School of Art in the Herberger Institute for Design and the Arts at 6 p.m. \nAngela Ellsworth performance: Where The Skies Are Blue at 7–8:30 p.m. \nSpecial thanks to the SpringHill Suites Tempe at Arizona Mills Mall and the Hyatt Place Tempe/Phoenix Airport Fiesta Resort & Conference Center for their support.
URL:https://asuartmuseum.org/event-exhibition/re-thinking-the-faculty-exhibition-2011/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110218T000000
DTEND;TZID=America/Phoenix:20110218T000000
DTSTAMP:20260915T175516
CREATED:20180221T005900Z
LAST-MODIFIED:20241029T234600Z
UID:4259-1297987200-1297987200@asuartmuseum.org
SUMMARY:ASU Art Museum Spring 2011 Season Opening Reception
DESCRIPTION:Join us for refreshments\, performances and merriment at a reception to mark the opening of our spring season\,which includes Citadel: An Installation by Patricia Sannit at the Ceramics Research Center and Re-Thinking the Faculty Exhibition 2011 at the museum. \nAt 6 p.m.\, before the reception begins\, ASU Art Museum Director Gordon Knox and Adriene Jenik\, director of the School of Art\, HIDA\, will introduce the faculty exhibition\, followed by a special preview tour of the exhibition with guest curator Robert Atkins. From 7 p.m. to 8:30 p.m.\, during the reception\, artist Angela Ellsworth and company will perform Where the Skies Are Blue. \nSupported by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museum-spring-2011-season-opening-reception/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110205T000000
DTEND;TZID=America/Phoenix:20110409T000000
DTSTAMP:20260915T175516
CREATED:20180221T010700Z
LAST-MODIFIED:20241029T234239Z
UID:4258-1296864000-1302307200@asuartmuseum.org
SUMMARY:Citadel: An Installation by Patricia Sannit
DESCRIPTION:Patricia Sannit\, a Phoenix-based artist whose vessels are influenced by cultures worldwide\, is literally breaking new ground for her installation Citadel— with the assistance of scores of community volunteers. Citadel is a 10-foot diameter structure inspired by an Iraqi archeological site called the Citadel at Erbil\, in the Kurdish region. Sannit’s new direction explores the layering of time and history through the medium of clay. \nThis exhibition is funded by an Artist Project grant from the Arizona Commission on the Arts\, by the Joseph Dung Ceramics Initiative and by members of CLA.
URL:https://asuartmuseum.org/event-exhibition/citadel-an-installation-by-patricia-sannit/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110201T000000
DTEND;TZID=America/Phoenix:20110514T000000
DTSTAMP:20260915T175517
CREATED:20180221T010900Z
LAST-MODIFIED:20241029T234707Z
UID:4257-1296518400-1305331200@asuartmuseum.org
SUMMARY:It's not just black and white: Gregory Sale - Social Studies Project 6
DESCRIPTION:It’s not just black and white will create a framework to consider Arizona’s criminal justice system and contemporary practices of punishment and discipline. Social Studies challenges the traditional exhibition format by opening with an empty gallery and an artist in residence who considers social interaction a crucial part of their work. Visitors are invited into the gallery to observe\, question and participate with the artist. Through public/private partnerships with multiple ASU departments\, schools and community organizations\, the project brings Museum visitors into the process\, invites extensive collaboration with community and university students\, and greatly enhances the Museum’s role as a vital gathering place. \nThis exhibition is supported by a grant from The Andy Warhol Foundation for the Visual Arts.
URL:https://asuartmuseum.org/event-exhibition/its-not-just-black-and-white-gregory-sale-social-studies-project-6/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20101008T000000
DTEND;TZID=America/Phoenix:20110129T000000
DTSTAMP:20260915T175517
CREATED:20180221T011900Z
LAST-MODIFIED:20241029T205429Z
UID:4256-1286496000-1296259200@asuartmuseum.org
SUMMARY:Open for Business
DESCRIPTION:Free public lectures and conversations throughout the run of the exhibition.\nLecture: Copyright Law for Arts/Business (VLAA): Tuesday\, Oct. 19\, 6 p.m. at the ASU Art Museum\nLecture: Trademark Law for Arts/Business (VLAA): Thursday\, Nov. 4\, 6 p.m. at Monti’s\nPanel Conversation: Open for Business: Tuesday\, Nov. 9\, 6 p.m. at the ASU Art Museum \nArizona State University Art Museum & Downtown Tempe Businesses\nCurator: John D. Spiak \nOpen for Business calls attention to the importance of local artists\, businesses and organizations. Simultaneously taking place in downtown Tempe businesses and an interrelated exhibition at the ASU Art Museum\, this project features the work of sixteen Valley artists who address the purpose of each business\, providing opportunities for audience members to interact with the physical space of each location and to discover\, or rediscover\, new aspects of their own community. \nIndividuals will be guided by maps available at the ASU Art Museum to art installations at downtown Tempe business including La Bocca\, Rula Bula\, Caffé Boa\, The Shoe Mill\, Brand X Custom T-Shirts\, Monti’s La Casa Vieja\, Mood Swings Salon\, Fascinations\, Cartel Coffee Lab\, Buffalo Exchange\, The Bicycle Cellar\, The Headquarters\, and Downtown Tempe Community\, Inc. (Public Parking Structures). \nThe list of Valley artists participating in the exhibition include both internationally established and rising stars of our community\, including Peter Bugg in collaboration with Ryan Peter Miller\, Cyndi Coon\, Wendy Furman\, Jon Haddock\, Saskia Jorda\, Tania Katan\, Mary Lucking\, Matthew Mosher\, Adam Murray\, Marco Rosichelli\, Erin V. Sotak\, David Tinapple\, Chris Todd\, Jen Urso\, Nic Wiesinger\, and Whitney Zamá. \nTo insure the success and outreach of the project\, the ASU Art Museum has partnered with Tempe Chamber of Commerce\, Tempe Convention and Visitors Bureau\, Downtown Tempe Community (DTC)\, Local First Arizona\, Valley Forward Association\, Creative Connect\, Comerica Bank (Tempe\, Mill)\, *Scottsdale Public Art\, and Volunteer Legal Assistance for Artists (VLAA). \nThis project is generously supported by a grant from the Tempe Municipal Arts Commission\, ASU Art Museum Advisory Board\, and the Wilhelmine Prinzen Endowed Fund for Emerging Artists. In-kind support provided by Phoenix NewTimes\, Ben Franklin Press\, Inc.\, Melissa McGurgan Design\, and Mannington Commercial. \nThe ASU Art Museum is a community incubator re-thinking the museum through sustainability\, diversity of knowledge and shared human experience – recognizing we are more similar than different. \n*Scottsdale Public Art is organizing the store front project IN FLUX in downtown Scottsdale that will occur during the same time period. In a collaborative effort\, both institutions will combine efforts to create cross-over audience and awareness. A map showing both Downtown’s will be available at locations in Tempe\, Scottsdale and the ASU Art Museum. \nFor more information on Open for Business\, please call ASU Art Museum: 480.965.2787 or visit the ASU Art Museum blog. \nAbout the Artist: Sixteen Valley Artists
URL:https://asuartmuseum.org/event-exhibition/open-for-business/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100917T000000
DTEND;TZID=America/Phoenix:20110208T000000
DTSTAMP:20260915T175517
CREATED:20180221T012400Z
LAST-MODIFIED:20241029T204633Z
UID:4255-1284681600-1297123200@asuartmuseum.org
SUMMARY:A Chosen Path: the Ceramic Art of Karen Karnes
DESCRIPTION:For more than 60 years\, Karen Karnes (b. 1925) has been at the forefront of the studio pottery movement. A Chosen Path: The Ceramic Art of Karen Karnes \, her first major retrospective\, will highlight 69 masterworks from this pioneering artist.
URL:https://asuartmuseum.org/event-exhibition/a-chosen-path-the-ceramic-art-of-karen-karnes/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100904T000000
DTEND;TZID=America/Phoenix:20101231T000000
DTSTAMP:20260915T175517
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195735Z
UID:4254-1283558400-1293753600@asuartmuseum.org
SUMMARY:Gravity was Everywhere Back Then\, A New Installation by Brent Green
DESCRIPTION:This fall\, the ASU Art Museum will host a new exhibition by well-known artist and filmmaker Brent Green titled\, Gravity Was Everywhere Back Then. The project is inspired by the true story of an idiosyncratic house in Louisville\, owned by hardware store clerk Leonard Wood. When his wife Mary was diagnosed with cancer\, Leonard started building the house room by room\, with the tragic hope that his labor would save his wife. Even after Mary’s death\, Wood continued to build the house. Over the next 20 years\, he strove to bring something as tangible and powerful as his love for Mary into the world. \nGravity Was Everywhere Back Then will feature Green’s version of Wood’s house\, transplanted and reconstructed from the artist’s studio in rural Pennsylvania. The house\, along with sculptural elements and structures\, will be installed in one of the ASU Art Museum’s galleries\, where it will appear to be both constricted by and bursting out of the space. Video and sound pieces will be shown inside and around the house to create an immersive environment. \nGreen will be in residence for three weeks at the ASU Art Museum\, Aug. 16 – Sept. 3\, installing the exhibition and interacting with students and school groups. Students from MetroArts High School in Phoenix\, guided by Sue Chenoweth\, and ASU Intermedia students\, guided by Angela Ellsworth and Gregory Sale\, will work closely with Green in the gallery as he installs his house\, sculpture and films. \nGreen lives and works in a barn in Cressona\, PA. His work is a regular feature at Sundance and he has performed at The Hammer Museum\, The Wexner Center and The Getty Museum of Art. In 2007\, Green screened three works and performed a live soundtrack at the 11th Annual ASU Art Museum Short Film and Video Festival. Recent solo shows include Site Santa Fe (2009) and the Contemporary Art Museum\, St. Louis (2008). Upcoming exhibitions and performances include the Museum of Modern Art\, New York; Berkeley Museum of Art\, CA; Site Santa Fe Biennial; the American Visionary Art Museum\, Baltimore; and Diverse Works\, Houston. As part of MoMA’s exhibition of Creative Capital artists (Green is a 2005 Creative Capital Grant recipient)\, the Museum will host a screening of several of Green’s short films followed by a live performance with members of the music group Califone and indie rock legends Fugazi. \nFor more information\, contact Heather Lineberry\, Senior Curator and Interim Associate Director of the ASU Art Museum\, 480.965.5272 and heather.lineberry@asu.edu . \nAbout the Artist: Brent Green in residence: Aug. 16 – Sept. 3\, 2010
URL:https://asuartmuseum.org/event-exhibition/gravity-was-everywhere-back-then-a-new-installation-by-brent-green/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100828T000000
DTEND;TZID=America/Phoenix:20101127T000000
DTSTAMP:20260915T175517
CREATED:20180221T013300Z
LAST-MODIFIED:20241029T235912Z
UID:4253-1282953600-1290816000@asuartmuseum.org
SUMMARY:Lasting Impressions: Japanese Prints from the ASU Art Museum
DESCRIPTION:Lasting Impressions will feature approximately 60 Japanese prints spanning from the 18th century to contemporary artists. It also includes essays on the prints researched by the fall 2009 Japanese Art History Seminar class taught by Dr. Claudia Brown\, professor of Asian art history\, School of Art\, Herberger Institute of Design and the Arts. This project continues the museum’s efforts to transcend the students’ traditional experiences at ASU with direct curatorial experience beyond classroom walls. This will be the first Japanese print exhibition from the print collection of the ASU Art Museum\, Jules Heller Print Study Room.
URL:https://asuartmuseum.org/event-exhibition/lasting-impressions-japanese-prints-from-the-asu-art-museum/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100529T000000
DTEND;TZID=America/Phoenix:20100807T000000
DTSTAMP:20260915T175517
CREATED:20180221T013900Z
LAST-MODIFIED:20241029T230047Z
UID:4589-1275091200-1281139200@asuartmuseum.org
SUMMARY:11th Annual Family Exhibition - What Moves Us: Art of Transportation from the Permanent      Collection
DESCRIPTION:What moves you? How do you get from one place to another? \nWalking\, driving a car\, riding a bike and traveling by train are all ways to move from here to there. This exhibition highlights these and other modes of transportation in paintings\, sculpture and prints. Hands-on activities throughout the exhibition will get your imagination (creativity?) moving\, too! \nA special event each summer\, the annual Family Fun Day is a day of fun that brings our family exhibition even more to life. This free event is scheduled for July 10\, from 10 a.m. – 2 p.m.\, and annually draws more than 1\,000 visitors for art making projects\, performances and a visit from a PBS character from Eight/KAET. \nSupport for this annual family exhibition and event is provided by the Scottsdale Art League. The 2010 family exhibition and Family Fun Day are organized by Heather Findling\, Windgate intern\, and Jean Makin\, print collection manager\, with educational outreach organized by Andrea Feller\, interim curator of education. \nFor more information contact Jean Makin at 480.965.2787 or jean.makin @asu.edu.
URL:https://asuartmuseum.org/event-exhibition/11th-annual-family-exhibition-what-moves-us-art-of-transportation-from-the-permanent-collection/
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR