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DTSTART:20200101T000000
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20210409T000000
DTEND;TZID=America/Phoenix:20211203T000000
DTSTAMP:20260920T155228
CREATED:20210408T041700Z
LAST-MODIFIED:20241030T000337Z
UID:4740-1617926400-1638489600@asuartmuseum.org
SUMMARY:Pilot Projects: Hugh Hayden\, 'Pillory'
DESCRIPTION:ASU Art Museum is proud to present “Pillory\,” the latest work in the museum’s Pilot Projects: Art. Response. Now. initiative\, on view beginning April 9\, 2021. Hugh Hayden’s sculpture “Pillory” (2020) addresses power\, control and justice\, themes that are achingly relevant in the wake of the murder of George Floyd in May 2020 as well as many others\, including Trayvon Martin\, Tamir Rice\, Michael Brown\, Eric Garner\, Philando Castile\, Breonna Taylor\, Ahmaud Arbery\, Tony McDade and Dion Johnson. Of this mix between a modern-day police barricade and a pillory — a medieval punishment device — Hayden remarked\, “I’d call the piece a doppelgänger or the synthesis of a pair of state functioned doppelgängers of oppression that are centuries apart.” \nPilot Projects is an institutional initiative that emerged from ASU Art Museum’s unique ability as a university art museum to be adaptive and experimental. Arising from the 2020 COVID-19 pandemic\, Black Lives Matter protests and a nationwide call for museums to address racial and social justice\, Pilot Projects is a vehicle to center art and artists in the service of creative free expression and community well-being. \nAbout the artist \nHugh Hayden is a sculptor raised in Dallas\, Texas\, and trained as an architect. He uses natural elements and recognizable objects — discarded wood\, rare indigenous timbers\, souvenir African sculptures — to create works that challenge viewers’ perceptions of themselves\, others and the environment. \nHayden was born in Dallas\, Texas\, in 1983 and lives and works in New York City. He holds an MFA from Columbia University and a Bachelor of Architecture from Cornell University. His work was the subject of a solo exhibition at White Columns in New York in 2018. His work has been included in numerous group exhibitions\, including at JTT\, New York (2018); Clearing\, New York (2018); Tanya Bonakdar Gallery (2018); PPOW Gallery\, New York (2017); Gavin Brown’s enterprise\, New York (2017); Postmasters Gallery\, New York (2016); MoMA PS1\, Rockaway Beach\, New York (2014); Socrates Sculpture Park\, New York (2014); and Abrons Art Center\, New York (2013)\, among others. He is the recipient of residencies at Glenfiddich in Dufftown\, Scotland (2014); Abrons Art Center and Socrates Sculpture Park (both 2012) and Lower Manhattan Cultural Council (2011). \n  \nImage credit: Hugh Hayden\, “Pillory\,” 2020. Milk paint on cedar with stainless steel hardware and locks\, 44 x 96 x 42 inches. \n\n\n\n\n\n https://asuevents.asu.edu/content/pilot-projects-hugh-hayden-pillory\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nTicketing:\n\nFree tickets!\n\n\n\nRegistration/Tickets/RSVP:\n\nhttps://bit.ly/30to8l8\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/pilot-projects-hugh-hayden-pillory/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20210430T000000
DTEND;TZID=America/Phoenix:20210630T000000
DTSTAMP:20260920T155228
CREATED:20210508T034400Z
LAST-MODIFIED:20241030T000357Z
UID:4741-1619740800-1625011200@asuartmuseum.org
SUMMARY:Pilot Projects: Text as Image
DESCRIPTION:As part of Pilot Projects \, ASU Art Museum presents “Text as Image\,” an outdoor public exhibition of text-based art. Artists have long used text in artworks as a tool for social and political dialogue. Located in the museum’s underground courtyard and in front of the building\, “Text as Image” brings together four artists: Jacob Meders (Phoenix)\, Kristin Bauer (Tempe)\, Hugh Hayden (New York) and Iván Argote (Paris). \nMeders’ vending machine of prints\, “Warbird Press” (2014–present)\, asks us to consider how the legacy of colonialism affects indigenous people today and asks us to imagine new possibilities. Bauer’s banner installation\, “Dia/Chronic” (2021)\, explores the way language and meaning evolve\, with a focus on the history of propaganda. The work also challenges systems of oppression such as male dominance and white supremacy. Hayden’s “Pillory” (2020)\, addresses power\, control and justice in a sculpture that mixes a modern-day police barricade with a medieval punishment device to ask whether ideologies of punishment have changed or stayed the same. Argote’s “Tiernos\, We\, Somos and Strong” (2018–2019)\, comprises concrete chairs inscribed with keywords that bring viewers together to question how we relate to one another through affection\, emotions and humor in increasingly polarized times. Together\, these text-based works address current events\, giving voice to the social and political movements happening today around colonialism\, racial justice\, femicide and freedom of speech. \nPilot Projects is an initiative that emerged from ASU Art Museum’s unique ability as a university art museum to be adaptive and experimental. Arising from the 2020 COVID-19 pandemic\, Black Lives Matter protests and a nationwide call for museums to address racial and social justice\, Pilot Projects is a vehicle to center art and artists in the service of creative free expression and community well-being. \nImage credit: Kristin Bauer\, “Dia/Chronic\,” 2021\, dye sublimation eco inks on poly nylon banner. Photo by Grey Shed Studio. \n\n\n\n\n\n https://asuevents.asu.edu/content/pilot-projects-text-image\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/pilot-projects-text-as-image/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20210910T000000
DTEND;TZID=America/Phoenix:20220212T000000
DTSTAMP:20260920T155228
CREATED:20210706T231400Z
LAST-MODIFIED:20241029T205414Z
UID:4742-1631232000-1644624000@asuartmuseum.org
SUMMARY:Undoing Time: Art and Histories of Incarceration
DESCRIPTION:“Undoing Time: Art and Histories of Incarceration” considers the foundational roots of confinement from philosophical\, sociological\, theological and art historical perspectives to better understand the fact that today’s mass incarceration crisis is centuries in the making. “Undoing Time” traces history’s images that contribute to the entrenched cultural beliefs associated with today’s carceral system. The exhibition commissions new works of contemporary art based on the analysis of art historical images of incarceration. The 12 contemporary artists in the exhibition invest in community collaboration\, work in an expansive range of media and rethink traditional archival research to consider how artistic expression reveals the underlying logics of criminality and correction. For the first time in ASU Art Museum’s history\, “Undoing Time” will engage all galleries\, dedicating the entire museum to this one large-scale exhibition and public programming. \n“Undoing Time” is organized by Miki Garcia\, Heather Sealy Lineberry\, Matthew Villar Miranda and Julio César Morales\, and features artists Carolina Aranibar-Fernández\, Juan Brenner\, Raven Chacon\, Sandra de la Loza\, Ashley Hunt\, Cannupa Hanska Luger\, Michael Rohd\, Paul Rucker\, Xaviera Simmons\, Stephanie Syjuco\, Vincent Valdez and Mario Ybarra Jr. \n“Undoing Time: Art and Histories of Incarceration” is generously supported by the Art for Justice Fund\, a sponsored project of Rockefeller Philanthropy Advisors. The ASU Art Museum’s presentation of “Undoing Time: Art and Histories of Incarceration” is made possible with additional support from the ASU Art Museum’s International Residency Program and the Windgate Foundation Endowment\, the ASU Herberger Institute for Design and the Arts’ Mellon Projecting All Voices Fellowship\, Olga Viso and Cameron Gainer\, Cloth and Flame and the Flinn Foundation. \nImage designed by Ambush Studios. \n\n\n\n\n\n https://asuevents.asu.edu/content/undoing-time-art-and-histories-incarceration\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/undoing-time-art-and-histories-of-incarceration/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20211001T000000
DTEND;TZID=America/Phoenix:20220213T000000
DTSTAMP:20260920T155228
CREATED:20211001T093600Z
LAST-MODIFIED:20241029T210819Z
UID:4743-1633046400-1644710400@asuartmuseum.org
SUMMARY:Art in Focus: Journeys Toward Healing
DESCRIPTION:At the ASU Art Museum\, we recognize that art has the power to inspire our minds and bodies\, cultivate a shared sense of community\, aid in healing and foster social change. “Art in Focus: Journeys Toward Healing” provides an interlude — mental and physical — for contemplating ideas of wholeness and wellbeing. The artworks in this gallery respond to the exhibition on view\, Undoing Time: Art and Histories of Incarceration\, by presenting images that can change how we view and imagine incarceration. Instead of focusing on images of oppression\, black and white stripes or barbed wires\, the curators center images of nature\, renewal\, connection and recovery. This exhibition suggests that art can serve as a source of healing and point to more restorative solutions to critical community issues. \nThe exhibition is organized by Mary-Beth Buesgen\, Curator of the Ceramics Research Center Collection and Archives; Sarah Kelly\, Windgate Curator of Contemporary Craft and Design; Julio César Morales\, Senior Curator; Brittany Corrales\, Curator; Matthew Villar Miranda\, LACMA-ASU Curatorial Fellow; and Diem Lanakai\, Windgate Curatorial Assistant. “Journeys Toward Healing” highlights works on paper\, ceramics\, baskets and wood objects from the museum’s collection. \nImage credit: John Dowell\, “Healing\,” 1999\, 17 x 20″\, color lithograph on paper. Image courtesy ASU Art Museum. \n\n\n\n\nContact:\n\nASU Art Museum\n\n\n\n\n https://asuevents.asu.edu/content/art-focus-journeys-toward-healing\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\n https://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\n\n\n\nAudience:\n\nAlumni\n\n\n\nCollege Unit:\n\nHerberger Institute for Design and the Arts\nASU Art Museum\n\n\n\nInterests:\n\nArts
URL:https://asuartmuseum.org/event-exhibition/art-in-focus-journeys-toward-healing/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20211008T000000
DTEND;TZID=America/Phoenix:20211008T000000
DTSTAMP:20260920T155228
CREATED:20211001T093612Z
LAST-MODIFIED:20241029T205425Z
UID:4738-1633651200-1633651200@asuartmuseum.org
SUMMARY:DinnerWhere
DESCRIPTION:Drawn entirely from ASU Art Museum’s permanent collection\, “DinnerWhere” highlights a variety of plates\, cups and bowls\, and even a life-size dinner table. The exhibition and its title refers to the ways in which these objects encourage critical conversations around national identity\, ceremony\, nutrition and food access in the United States. Artists featured include Claydies\, Eddie Dominguez\, Marilyn Lysohir\, Russell Wright\, Isaac Scott\, Justin Rothshank and the Democratic Cup Project. \nThe objects featured in “DinnerWhere” have communal and symbolic associations with coming together for meals. For some\, these artworks inspire memories of the place where we nourish ourselves\, celebrate important milestones\, share experiences and create new understandings through conversation. For others\, the works in the exhibition can be a reminder of cultural assimilation and the loss of traditions. \nWhat will you bring to the table to shape the future? \nTo ensure the well-being of all our visitors and staff\, we ask that you please comply with our new ASU and city guidelines to keep all of us safe. \n \n“DinnerWhere” is generously sponsored by Elaine and Sidney Cohen. \nImage credit: Claydies\, “True feelings\,” 2011\, Glazed porcelain\, Purchased with funds provided by the Windgate Charitable Foundation\, Photo by Morgan Morell. \n\n\n\n\n\n https://asuevents.asu.edu/content/dinnerwhere\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/dinnerwhere/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220217
DTEND;VALUE=DATE:20220905
DTSTAMP:20260920T155228
CREATED:20220811T234022Z
LAST-MODIFIED:20220922T220806Z
UID:112-1645056000-1662335999@asuartmuseum.org
SUMMARY:Art in Focus: New Acquisitions
DESCRIPTION:“Art in Focus: New Acquisitions” turned the curatorial process over to the Museum Ambassadors\, our front-of-house staff of student workers. This process allowed them to participate in the exhibition-making process\, rather than just sharing the final product with our visitors. From a collection of over 13\,000 objects\, the students narrowed their focus to highlight a few works that have entered the museum’s collection in the last five years. Many of the works selected are representative of our collection strengths\, as well as our goal of creating an archive of our exhibition history. We are thrilled to include recent acquisitions by artists including José Clemente Orozco\, Michael Sherrill\, June Wayne\, Kumi Tsuda\, Julie Heffernan\, Courtney Leonard\, Cannupa Hanska Luger\, Henry Pim\, Susan Collett\, Justin Rothshank\, Isaac Scott and Marina Perez Simão.
URL:https://asuartmuseum.org/event-exhibition/art-in-focus-new-acquisitions/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/08/art_in_focus_new_aq_web_image_2021_005_011.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220217T000000
DTEND;TZID=America/Phoenix:20220904T000000
DTSTAMP:20260920T155228
CREATED:20220827T063100Z
LAST-MODIFIED:20241029T234609Z
UID:4746-1645056000-1662249600@asuartmuseum.org
SUMMARY:Art in Focus: New Acquisitions
DESCRIPTION:“Art in Focus: New Acquisitions” turned the curatorial process over to the Museum Ambassadors\, our front-of-house staff of student workers. This process allowed them to participate in the exhibition-making process\, rather than just sharing the final product with our visitors. From a collection of more than 13\,000 objects\, the students narrowed their focus to highlight a few works that have entered the museum’s collection in the last five years. Many of the works selected are representative of our collection strengths\, as well as our goal of creating an archive of our exhibition history. We are thrilled to include recent acquisitions by artists including José Clemente Orozco\, Michael Sherrill\, June Wayne\, Kumi Tsuda\, Julie Heffernan\, Courtney Leonard\, Cannupa Hanska Luger\, Henry Pim\, Susan Collett\, Justin Rothshank\, Isaac Scott and Marina Perez Simão. \nImage credit: June Wayne\, Serge Lozingot\, French Printer\, “Nature Morte\,” 1970\, lithograph\, 29 in. x 23 in. Courtesy of Robert Conway. \n\n\n\n\n\n https://asuevents.asu.edu/content/art-focus-new-acquisitions\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/art-in-focus-new-acquisitions-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220305T000000
DTEND;TZID=America/Phoenix:20220403T000000
DTSTAMP:20260920T155228
CREATED:20220301T054300Z
LAST-MODIFIED:20241029T230323Z
UID:4749-1646438400-1648944000@asuartmuseum.org
SUMMARY:Look See Draw Sketches Tempe
DESCRIPTION:Experience a pop-up exhibition of Aileen Martinez from Look See Draw. She will be in the space drawing every Friday and Saturday during her residency in our Artists’ Workshop space! See her sketching March 5\, 6\, 11\, 13\, 18\, 19\, 26\, 27 and April 2 and 3\, each day from 1–5 p.m. \nLearn more about her work at:  http://lookseedraw.com. \nImage credit: Look See Draw\, Aileen Martinez. Image courtesy of the artist. \n\n\n\n\n\n https://asuevents.asu.edu/content/look-see-draw-sketches-tempe\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nEasy on the wallet\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/look-see-draw-sketches-tempe-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220305T000000
DTEND;TZID=America/Phoenix:20220403T000000
DTSTAMP:20260920T155228
CREATED:20220301T054300Z
LAST-MODIFIED:20241029T230326Z
UID:4751-1646438400-1648944000@asuartmuseum.org
SUMMARY:Video Preview: 'Teeter-Totter Wall' by Ronald Rael + Virginia San Fratello with Colectivo      Chopeke
DESCRIPTION:“Teeter-Totter Wall” is a preview video screening for the upcoming exhibition “A Country is not a House: Ronald Rael + Virginia San Fratello\,” opening May 7\, 2022 at ASU Art Museum. Fusing design with activism\, architecture studio Rael San Fratello has been questioning the border that separates Mexico from the United States for over a decade. On July 28\, 2019\, Rael San Fratello placed three bright pink teeter-totters into gaps in the steel border wall dividing El Paso\, Texas and Ciudad Juárez\, Mexico. Using the border as a support\, the seesaws were installed for just under 20 minutes\, bridging two communities divided by the politically manipulated boundary. Named the 2020 Beazley Design of the Year by the London Design Museum\, “Teeter-Totter Wall” offers a point of connection between families and cultures — an opportunity for play\, a reminder of our need for cross-border collaboration and a challenge to systems of separation. Learn more about Rael San Fratello’s work at  https://www.rael-sanfratello.com  . \nImage credit: Still from “Teeter-Totter Wall\, 2019\, single-channel video with sound\, 3:00 min. Courtesy of Rael San Fratello. \n\n\n\n\n\n https://asuevents.asu.edu/content/video-preview-teetertotter-wall-ronald-rael-virginia-san-fratello-colectivo-chopeke\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/video-preview-teeter-totter-wall-by-ronald-rael-virginia-san-fratello-with-colectivo-chopeke/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20220404
DTSTAMP:20260920T155228
CREATED:20220922T220349Z
LAST-MODIFIED:20220922T220349Z
UID:878-1646438400-1649030399@asuartmuseum.org
SUMMARY:Look See Draw Sketches Tempe
DESCRIPTION:Experience a pop-up exhibition of Aileen Martinez from Look See Draw. She will be in the space drawing every Friday and Saturday during her residency in our Artists’ Workshop space! See her sketching March 5\, 6\, 11\, 13\, 18\, 19\, 26\, 27 and April 2 and 3\, each day from 1–5 p.m. \nLearn more about her work at: http://lookseedraw.com.
URL:https://asuartmuseum.org/event-exhibition/look-see-draw-sketches-tempe/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220305T000000
DTEND;TZID=America/Phoenix:20221231T000000
DTSTAMP:20260920T155228
CREATED:20220224T073800Z
LAST-MODIFIED:20241029T230318Z
UID:4750-1646438400-1672444800@asuartmuseum.org
SUMMARY:ASU Art Museum's Public Art
DESCRIPTION:Explore the ASU Art Museum’s public art with works by Leo Villareal\, Robert Arneson\, Luis Jimenez and Eduardo Sarabia. \nImage Credit: Eduardo Sarabia\, “Snake Skin Boots with Snake Heads\,” 2011\, white quarry stone\, 74 13/16 x 35 x71 in. Courtesy of the artist and Proyectos Monclova\, Mexico City. \n\n\n\n\n\n https://asuevents.asu.edu/content/asu-art-museum%E2%80%99s-public-art\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nEasy on the wallet\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/asu-art-museums-public-art-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20230404
DTSTAMP:20260920T155228
CREATED:20220811T234946Z
LAST-MODIFIED:20220922T220018Z
UID:124-1646438400-1680566399@asuartmuseum.org
SUMMARY:Video Preview: 'Teeter-Totter Wall' by Ronald Rael + Virginia San Fratello with Colectivo Chopeke
DESCRIPTION:“Teeter-Totter Wall” is a preview video screening for the upcoming exhibition “A Country is not a House: Ronald Rael + Virginia San Fratello\,” opening May 7\, 2022 at ASU Art Museum. Fusing design with activism\, architecture studio Rael San Fratello has been questioning the border that separates Mexico from the United States for over a decade. On July 28\, 2019\, Rael San Fratello placed three bright pink teeter-totters into gaps in the steel border wall dividing El Paso\, Texas and Ciudad Juárez\, Mexico. Using the border as a support\, the seesaws were installed for just under 20 minutes\, bridging two communities divided by the politically manipulated boundary. Named the 2020 Beazley Design of the Year by the London Design Museum\, “Teeter-Totter Wall” offers a point of connection between families and cultures — an opportunity for play\, a reminder of our need for cross-border collaboration and a challenge to systems of separation. Learn more about Rael San Fratello’s work at https://www.rael-sanfratello.com.
URL:https://asuartmuseum.org/event-exhibition/teeter-totter-wall/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/08/teeter-totter.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20250301
DTSTAMP:20260920T155228
CREATED:20220912T183003Z
LAST-MODIFIED:20240812T175244Z
UID:609-1646438400-1740787199@asuartmuseum.org
SUMMARY:ASU Art Museum’s Public Art
DESCRIPTION:Made possible with a gift from Robert and Avery Moric\, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett\, The Honors College Class of 2023) and the ASU President’s Club. \nCommissioned by Arizona State University Art Museum with funding by The Diane and Bruce Halle Foundation with additional funding by the Herberger Institute Dean’s Creativity Council. \n“Art has a much bigger role to play in society. Everyone needs access to art\, and at this time\, we need art even more.” -Leo Villareal \n“Point Cloud (ASU)” is a commissioned artwork by Leo Villareal designed specifically for the ASU Art Museum in the Nelson Fine Arts Center. During his visit to the ASU Art Museum\, Villareal was inspired by the museum’s architecture\, designed by Antoine Predock in 1987. “The building defines a journey\, a procession; it defines options and potentials rather than particular paths. It is an open matrix of possibilities rather than particular paths. It is an open matrix of possibilities for engagement both vertically and horizontally\,” Predock said on the experience of walking through the building. Inspired by this phenomenon\, Villareal worked with Kaarta\, the mobile 3D scan technology company\, to map both the inside and outside of the building\, creating over 200\,000\,000 data points. With the accumulated information\, the artist manipulated the data points by employing his custom software to create this public artwork\, seeking to deconstruct and reconstruct architectural rules and systems. “Point Cloud (ASU)” is the first instance Villareal has used actual data sampled from a location as part of an artwork. \nIn “Point Cloud (ASU)\,” Villareal focuses on the blurred boundaries between abstraction\, recognition\, and perception through monolithic screens mounted within the museum’s existing architecture. Through moving layers of light\, Villareal renders the museum’s mapped spaces to reveal details of architecture that are not recognizable to the naked eye. The ever-changing lumens\, slowly panning up and down stairs\, through hallways and colonnades\, echo a sort of procession throughout the museum. At times\, the dots\, lines\, and planes create a recognizable image\, but often\, viewers are taken on a journey that dissolves into abstraction. The ongoing movement prompts consideration for deeper understandings of the masses and forms around us\, questioning what we can see in front of us and what is ephemeral. “Point Cloud (ASU)” serves as a meditation on Predock’s work\, revealing the deep layers and references embedded in the architecture as it ascends toward the heavens and descends into the earth. \nExplore the ASU Art Museum’s public art with works by Leo Villareal\, Robert Arneson\, Luis Jimenez and Eduardo Sarabia.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museums-public-art/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/09/asuam-exhibitions-image-for-public-art-section.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220318
DTEND;VALUE=DATE:20230220
DTSTAMP:20260920T155228
CREATED:20220811T234821Z
LAST-MODIFIED:20220912T181940Z
UID:122-1647561600-1676851199@asuartmuseum.org
SUMMARY:Embrace 
by ARENA
DESCRIPTION:“The desert is defined by the blazing sun and the need to find shelter from it. The arts center (ASU Art Museum) acknowledges this duality by linking earth and sky. The main entrance descends into the earth in search of coolness and psychological distance from the fierce sun above.” –Antoine Predock\, ASU Art Museum Building architect\, 1989 \nIn today’s day and age\, art museum lobbies tend to look the same\, promoting a kind of high-class taste. They often rely on designs that use modern furniture; cold\, hard floors; classical music; and other signals (like Italian coffees in their cafes and expensive gift items in their shops) that are familiar to some populations and alienating to others. As a museum that strives to be inclusive and to acknowledge people from all walks of life\, ASU Art Museum commissioned ARENA (the artist duo Mario Gallego and Jorge Ignacio Torres) to reimagine the visitor experience. This artistic intervention\, titled “Embrace\,” focuses on themes of welcome\, placemaking and placekeeping\, and the activation of the five senses. ARENA (the Spanish word that translates to sand) was directly influenced by the landscape of the Sonoran desert and the building architect’s use of space and light. \nAbout the artists: \nJorge Ignacio Torres works at the intersection of art\, design and culture. His interdisciplinary practice focuses on how our experiences\, both everyday and ritualized\, can speak to contemporary society and how it is perceived. He is the founder of Palabra in Phoenix\, a space that houses and cultivates art\, music and culinary arts.  \nMario Gallego is a creative brand strategist with an emphasis on design and art. He bridges various cultures through curated experiences as a multifaceted creative strategist\, and he authentically connects community to art and design. 
URL:https://asuartmuseum.org/event-exhibition/embrace-by-arena/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/08/embrace-tempe_1900_butte.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220327
DTEND;VALUE=DATE:20220328
DTSTAMP:20260920T155228
CREATED:20220811T204704Z
LAST-MODIFIED:20220922T220136Z
UID:103-1648339200-1648425599@asuartmuseum.org
SUMMARY:Highlights from the Print Study Room
DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu.
URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Event
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/08/highlights.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220409T000000
DTEND;TZID=America/Phoenix:20220925T000000
DTSTAMP:20260920T155228
CREATED:20220224T074400Z
LAST-MODIFIED:20241030T000335Z
UID:4752-1649462400-1664064000@asuartmuseum.org
SUMMARY:New Earthworks
DESCRIPTION:“New Earthworks” presents work by eight contemporary artists who explore our interconnectedness with the earth. Artists David Brooks\, Carolina Caycedo\, Desert Artlab (April Bojorquez and Matt Garcia)\, Hope Ginsburg\, Scott Hocking\, Mary Mattingly\, Sam Van Aken and Steven Yazzie take on issues of biodiversity and environmental equity\, reassert indigenous knowledge and envision new systems to address climate change. Similar to earthwork artists of the 1960s and 70s\, they utilize site and non-site systems of experiential installations or events in the landscape with sculpture\, photographs\, films\, drawings\, texts and objects created in the studio. The dialectic of site-specific and gallery locations\, inclusive experience and discrete objects\, provides an array of chances to rethink our understanding of the earth and propose new modalities at a time when it has never been more pressing to do so. \nThe exhibition is co-curated by artist Mark Dion and ASU Art Museum Curator Emeritus Heather Sealy Lineberry. “New Earthworks” is supported by the Diane and Bruce Halle Foundation and is sponsored by the Patti Parsons Foundation\, Helme Prinzen Endowment and Joan D. Cremin. Additional support for artist installations provided by Lettuce Grow\, an initiative of The Farm Project\, and the UrbanFarm Fruit Tree Program. \nSave the date! Join us at the museum for the opening reception on Saturday\, April 9\, from 3–5 p.m.\, featuring an artist panel moderated by co-curator Heather Sealy Lineberry. More details will be announced on our website at asuartmuseum.asu.edu. \nImage credit: DesertArtLAB\, Mobile ECO-STUDIO. Image courtesy of the artists. \n\n\n\n\n\n https://asuevents.asu.edu/content/new-earthworks\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nEasy on the wallet\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/new-earthworks-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220409
DTEND;VALUE=DATE:20220926
DTSTAMP:20260920T155228
CREATED:20220912T181425Z
LAST-MODIFIED:20220912T181425Z
UID:598-1649462400-1664150399@asuartmuseum.org
SUMMARY:New Earthworks
DESCRIPTION:“New Earthworks” presents work by eight contemporary artists who explore our interconnectedness with the Earth. Artists David Brooks\, Carolina Caycedo\, Desert Artlab (April Bojorquez and Matt Garcia)\, Hope Ginsburg\, Scott Hocking\, Mary Mattingly\, Sam Van Aken and Steven Yazzie take on issues of biodiversity and environmental equity\, reassert Indigenous knowledge and envision new systems to address climate change. Similar to earthwork artists of the 1960s and ’70s\, they utilize site and non-site systems of experiential installations or events in the landscape with sculpture\, photographs\, films\, drawings\, texts and objects created in the studio. The dialectic of site-specific and gallery locations\, inclusive experience and discrete objects\, provides an array of chances to rethink our understanding of the Earth and propose new modalities at a time when it has never been more pressing to do so. \nThe exhibition is co-curated by artist Mark Dion and ASU Art Museum Curator Emeritus Heather Sealy Lineberry. “New Earthworks” is supported by the Diane and Bruce Halle Foundation and is sponsored by the Patti Parsons Foundation\, Helme Prinzen Endowment and Joan D. Cremin. Additional support for artist installations is provided by Lettuce Grow\, an initiative of The Farm Project\, and the UrbanFarm Fruit Tree Program. \nSave the date! Join us at the museum for the opening reception on Friday\, April 8 from 6–8 p.m. More details will be announced on our website at asuartmuseum.asu.edu.
URL:https://asuartmuseum.org/event-exhibition/new-earthworks/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/09/new_earthworks_web_image.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220507T000000
DTEND;TZID=America/Phoenix:20221030T000000
DTSTAMP:20260920T155228
CREATED:20220319T051900Z
LAST-MODIFIED:20241029T225905Z
UID:4753-1651881600-1667088000@asuartmuseum.org
SUMMARY:A Country is Not a House: Ronald Rael + Virginia San Fratello
DESCRIPTION:Fusing design with activism\, Ronald Rael and Virginia San Fratello have spent over a decade questioning the implications and contradictions of the border wall that divides the United States from Mexico. Structurally and conceptually\, the artists undermine and dismantle the wall itself — a symbol of xenophobia and fear — through speculative explorations that promote social\, economic and ecological reparations. Their inventive and poignant commentary is a protest against the wall\, our most politically polarizing architectural feature\, and a projection about its future. Offering new imaginaries the exhibition features drawings\, prints\, models\, videos and newly commissioned sculptural installations inspired by our region that serve as a reminder of how human beings can transcend the forces that seek to divide us. \n“A Country is Not a House: Ronald Rael + Virginia San Fratello\,” curated by ASU Art Museum Curator Brittany Corrales\, is supported by the Graham Foundation for Advanced Studies in the Fine Arts with major support from Falcon Designs. Sponsors include Elizabeth and Shane Ginsberg. \nAbout the artists:  \nProfessor Ronald Rael is the Eva Li Memorial Chair in Architecture in the Department of Architecture in the College of Environmental Design at the University of California Berkeley. \nVirginia San Fratello is professor and chair of the Department of Design at San José State University. \nLearn more about Rael San Fratello’s work at  rael-sanfratello.com  . \nSave the date!  \nJoin us for the opening reception on Saturday\, May 7. Additional details will be announced on our website  asuartmuseum.asu.edu. \nImage credit: Rael San Fratello\, “Cactus Wall\,” 2013\, inkjet print. Image courtesy of the artists. \n  \n\n\n\n\n\n https://asuevents.asu.edu/content/country-not-house-ronald-rael-virginia-san-fratello\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu/\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nEasy on the wallet\nOpen to the public\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment\nArchitectural Studies\nDesign\nThe Design School
URL:https://asuartmuseum.org/event-exhibition/a-country-is-not-a-house-ronald-rael-virginia-san-fratello-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220507
DTEND;VALUE=DATE:20221031
DTSTAMP:20260920T155228
CREATED:20220912T172757Z
LAST-MODIFIED:20220912T172858Z
UID:592-1651881600-1667174399@asuartmuseum.org
SUMMARY:A Country is Not a House: Ronald Rael + Virginia San Fratello
DESCRIPTION:Fusing design with activism\, Ronald Rael and Virginia San Fratello have spent more than a decade questioning the implications and contradictions of the border wall that divides the United States from Mexico. Structurally and conceptually\, the artists undermine and dismantle the wall itself — a symbol of xenophobia and fear — through speculative explorations that promote social\, economic and ecological reparations. Their inventive and poignant commentary is a protest against the wall\, our most politically polarizing architectural feature\, and a projection about its future. Offering new imaginaries\, the exhibition features drawings\, prints\, models\, videos and newly commissioned sculptural installations inspired by our region that serve as a reminder of how human beings can transcend the forces that seek to divide us. \n“A Country is Not a House: Ronald Rael + Virginia San Fratello\,” curated by ASU Art Museum curator Brittany Corrales\, is supported by the Graham Foundation for Advanced Studies in the Fine Arts with major support from Falcon Designs. Sponsors include Elizabeth and Shane Ginsberg. \nAbout the artists:  \nProfessor Ronald Rael is the Eva Li Memorial Chair in Architecture in the Department of Architecture in the College of Environmental Design at the University of California\, Berkeley. \nVirginia San Fratello is professor and chair of the Department of Design at San José State University. \nLearn more about Rael San Fratello’s work at rael-sanfratello.com.
URL:https://asuartmuseum.org/event-exhibition/a-country-is-not-a-house-ronald-rael-virginia-san-fratello/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/09/acinah-main-image.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220610T000000
DTEND;TZID=America/Phoenix:20230108T000000
DTSTAMP:20260920T155228
CREATED:20220611T042900Z
LAST-MODIFIED:20241029T231527Z
UID:4745-1654819200-1673136000@asuartmuseum.org
SUMMARY:Luster and Light
DESCRIPTION:“Luster and Light” creates space to reflect on the value of craft and craft-adjacent works in art museum settings. How is the idea of value interpreted in various spaces and contexts by individuals and institutions? This exhibition examines works that feature specific lustrous materials to relay cultural or social symbols\, often to call attention to abuses of wealth and authority. One example is the use of gold for its historic associations with social and economic power\, like in Alison Saar’s “Hi Yella” (1991). Another is Adrian Saxe’s use of luster glaze\, a paintable coating containing precious metals like gold and silver\, in ceramics to reference the lavishness of the Baroque and Rococo periods in art. Curated primarily from the ASU Art Museum’s permanent collections\, the exhibition encourages reflection on museums as systems of power and cultural production. How have they upheld hierarchical systems\, such as those evidenced by their collections and exhibition histories? Visitors are asked to engage by reflecting on what they value in their own lives. \n“Luster and LIght” is curated by Windgate Curator of Contemporary Craft and Design Sarah Kelly and generously supported by the Windgate Foundation. \nThe Ceramics Research Center is temporarily open by appointment only. Please use the tour request form to schedule an appointment at least one week in advance.  \nImage credit: Rick Strini\, “12 Goblets\,” 1987\, 9″ x 3 3/8″\, hand-blown glass. Gift of James and Joanne Rapp. Image courtesy of the ASU Art Museum. \n\n\n\n\n\n https://asuevents.asu.edu/content/luster-and-light-0\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/luster-and-light-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220610
DTEND;VALUE=DATE:20230109
DTSTAMP:20260920T155228
CREATED:20220909T235724Z
LAST-MODIFIED:20221007T223154Z
UID:585-1654819200-1673222399@asuartmuseum.org
SUMMARY:Luster and Light
DESCRIPTION:“Luster and Light” creates space to reflect on the value of craft and craft-adjacent works in art museum settings. How is the idea of value interpreted in various spaces and contexts by individuals and institutions? This exhibition examines works that feature specific lustrous materials to relay cultural or social symbols\, often to call attention to abuses of wealth and authority. One example is the use of gold for its historic associations with social and economic power\, like in Alison Saar’s “Hi Yella” (1991). Another is Adrian Saxe’s use of luster glaze\, a paintable coating containing precious metals like gold and silver\, in ceramics to reference the lavishness of the Baroque and Rococo periods in art. Curated primarily from the ASU Art Museum’s permanent collections\, the exhibition encourages reflection on museums as systems of power and cultural production. How have they upheld hierarchical systems\, such as those evidenced by their collections and exhibition histories? Visitors are asked to engage by reflecting on what they value in their own lives. \n“Luster and Light” is curated by Windgate Curator of Contemporary Craft and Design Sarah Kelly and generously supported by the Windgate Foundation.
URL:https://asuartmuseum.org/event-exhibition/luster-and-light/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/09/Luster-and-Light-1988.016.0001_2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220916T170000
DTEND;TZID=America/Phoenix:20220916T200000
DTSTAMP:20260920T155228
CREATED:20220912T183752Z
LAST-MODIFIED:20220912T220415Z
UID:612-1663347600-1663358400@asuartmuseum.org
SUMMARY:Mexican Independence Day Celebration
DESCRIPTION:Join us for our fourth annual Mexican Independence Day Celebration to honor the contributions and culture of the Mexican and Mexican American communities as well as acknowledging independence days across the Americas. In partnership with The Consulate General of Mexico and CALA Alliance\, the event features a traditional Aztec performance from Grupo Coatlicue\, El Grito from the Consul General and Deputy Consul General\, artmaking activities\, How I Became an Artista book making workshop with artist Karen Nazario Moranchel\, poetry reading from writer and educator Anna Flores\, printmaking activity designed by artist Cruz Ortiz\, lotería games\, salsa lessons with ASU Salsa Club\, music from DJ CRVNT3S and food from SuperFarm SuperTruck. \n\n5 p.m. Artmaking activities start\n5:30 p.m. Aztec dance performance from Grupo Coatlicue\nEl Grito from Mexican Consulate\n6 p.m. How I Became an Artista: Karen Nazario Moranchel; book making workshop\nLotería begins\n6:30–6:45 p.m. Poetry reading with writer and educator Anna Flores\n7–7:30 p.m. Salsa lessons with ASU Salsa Club\n7:30–8 p.m. Open dance floor
URL:https://asuartmuseum.org/event-exhibition/mexican-independence-day-celebration/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,green
ATTACH;FMTTYPE=image/png:https://storage.googleapis.com/asuartmuseum/2022/09/mexican-independence-screen_shot_2022-08-31_at_12.04.17_pm.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220917T000000
DTEND;TZID=America/Phoenix:20230226T000000
DTSTAMP:20260920T155228
CREATED:20220818T005600Z
LAST-MODIFIED:20241029T204455Z
UID:4755-1663372800-1677369600@asuartmuseum.org
SUMMARY:The Malevolent and the Serene: Japanese Tea Bowls and Prints from the Collection
DESCRIPTION:Art in Focus highlights works from the museum’s permanent collections. This exhibition presents Japanese ceramics and prints\, with a focus on ghost stories and tea ceremonies. Woodblock prints by Tsukioka Yoshitoshi are accompanied by ceramic tea bowls and cups from Living National Treasures artists offering audiences an opportunity to learn and appreciate Japans’ contributions to printmaking and craft. \nThe curatorial team includes Mary-Beth Buesgen curator of collection and archives\, Amelia Hay\, learning and co-creation specialist and Colin Pearson\, Ceramics Research Center academic intern. Special thanks to the Japanese Friendship Garden for their collaboration. \nImage credit: Tsukioka Yoshitoshi\, “The Greedy Old Woman (Don’yoku no baba)\,” 1865\, woodblock print\, 14 5/16 × 9 7/16 in. Gift of Darlene Goto. \n\n\n\n\n\n https://asuevents.asu.edu/content/malevolent-and-serene-japanese-tea-bowls-and-prints-collection\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nOpen to the public\nLearn something\nThe Arts\nEasy on the wallet\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nFriend/Fan\nParent\nDonor\nFaculty\nStaff\nAlumni\nstudent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/the-malevolent-and-the-serene-japanese-tea-bowls-and-prints-from-the-collection-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220917
DTEND;VALUE=DATE:20230227
DTSTAMP:20260920T155228
CREATED:20220912T182239Z
LAST-MODIFIED:20220912T182433Z
UID:605-1663372800-1677455999@asuartmuseum.org
SUMMARY:The Malevolent and the Serene: Japanese Tea Bowls and Prints from the Collection
DESCRIPTION:Art in Focus highlights works from the museum’s permanent collections. This exhibition presents Japanese ceramics and prints\, with a focus on ghost stories and tea ceremonies. Woodblock prints by Tsukioka Yoshitoshi are accompanied by ceramic tea bowls and cups from Living National Treasures artists offering audiences an opportunity to learn and appreciate Japans’ contributions to printmaking and craft. \nThe curatorial team includes Mary-Beth Buesgen curator of collection and archives\, Amelia Hay\, learning and co-creation specialist and Colin Pearson\, Ceramics Research Center academic intern. Special thanks to the Japanese Friendship Garden for their collaboration.
URL:https://asuartmuseum.org/event-exhibition/the-malevolent-and-the-serene-japanese-tea-bowls-and-prints-from-the-collection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/09/malevolent-art_in_focus_exhibition.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20221028T180000
DTEND;TZID=America/Phoenix:20221028T220000
DTSTAMP:20260920T155228
CREATED:20220912T185932Z
LAST-MODIFIED:20220912T220414Z
UID:619-1666980000-1666994400@asuartmuseum.org
SUMMARY:VIP Dinner and Auction celebrating "Lucha Libre: Beyond the Arenas"
DESCRIPTION:Join us for a VIP Dinner and Auction celebrating “Lucha Libre: Beyond the Arenas.” Dining experience by Cloth & Flame. More details to follow\, time and location are tentative\, stay tuned! \nFor early table and ticket information\, please contact lauren.passey@asu.edu.
URL:https://asuartmuseum.org/event-exhibition/vip-dinner-and-auction-celebrating-lucha-libre-beyond-the-arenas/
CATEGORIES:Event,pink
ATTACH;FMTTYPE=image/png:https://storage.googleapis.com/asuartmuseum/2022/09/lucha_libre_evite_header.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20221029T000000
DTEND;TZID=America/Phoenix:20230507T000000
DTSTAMP:20260920T155228
CREATED:20221001T061400Z
LAST-MODIFIED:20241029T210301Z
UID:4756-1667001600-1683417600@asuartmuseum.org
SUMMARY:Lucha Libre: Beyond the Arenas
DESCRIPTION:“Lucha Libre: Beyond the Arenas” opens on Oct. 29\, 2022\, and is on view through May 7\, 2023. Senior Curator Julio Cesar Morales\, Assistant Curator at the Museum of Modern Art\, Mexico City Fernanda Ramos and Consulting Curator Sharon Gesund are organizing this groundbreaking exhibition\, which features painting\, photography and mixed media artworks by internationally recognized Mexican and Chicanx contemporary artists along with collectors’ items\, film posters and other memorabilia from some of the sport’s most famous wrestlers. This first exhibition of its kind\, “Lucha Libre\,” goes beyond its popularity in contemporary culture to reveal the sports’ ancient roots\, explore its influence on sociopolitical movements and link its relationships to the visual culture of Mexico and beyond. In this exhibition\, the phenomenon of Lucha Libre transcends the glitz and glamor of the theatrical stage to become a way to investigate themes of the underdog and the hero\, identity and performance\, and collective resistance to authority. \nThe exhibition at ASU Art Museum offers all visitors — from those who grew up loving the sport to audiences discovering it for the first time — an opportunity to view and understand Lucha Libre through the lenses of popular culture\, poetics and politics. This project is both a scholarly contribution to the field of arts\, accompanied by a fully illustrated publication and a vehicle to appreciate and deepen our knowledge of Mexican and Mexican-American culture\, which has been historically underrepresented in art museums. \n“Lucha Libre: Beyond the Arenas” is made possible with the support of Cloth & Flame and Rich and Sally Lehmann. \nImage credit: “Lucha Libre: Beyond the Arenas” exhibition poster designed by Emmanuel García. \n\n\n\n\n\n https://asuevents.asu.edu/content/lucha-libre-beyond-arenas\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nBring the kids\nEasy on the wallet\n\n\n\nAudience:\n\nCampus student\nOnline student\nFriend/Fan\nParent\nDonor\nFaculty\nStaff\nAlumni\nstudent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/lucha-libre-beyond-the-arenas/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230114T000000
DTEND;TZID=America/Phoenix:20230723T000000
DTSTAMP:20260920T155228
CREATED:20221216T233100Z
LAST-MODIFIED:20241029T233051Z
UID:4757-1673654400-1690070400@asuartmuseum.org
SUMMARY:Making Visible
DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils. \nImage credit: Joseph Henry Sharp\, “Portrait of Taos Indian\,” c. 1914\, oil on linen canvas\, 17 x 14 in.\, Gift of Oliver B. James. Fritz Scholder\, “Portrait of a Massacred Indian\,” 1973\, lithograph\, 40 x 30 in.\, Gift of Mr. Burton Horwitch. \n\n\n\n\n\n https://asuevents.asu.edu/event/making-visible\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nEasy on the wallet\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nFriend/Fan\nParent\nDonor\nFaculty\nStaff\nAlumni\nstudent\nGraduate student\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/making-visible-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20240526
DTSTAMP:20260920T155228
CREATED:20230119T235713Z
LAST-MODIFIED:20240306T191546Z
UID:1428-1673654400-1716681599@asuartmuseum.org
SUMMARY:Making Visible
DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \nClick here to learn more about the Black cowboys of Arizona and their impact on Arizona history through their military service as Buffalo Soldiers.  \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils.
URL:https://asuartmuseum.org/event-exhibition/making-visible/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20230619
DTSTAMP:20260920T155228
CREATED:20230120T000959Z
LAST-MODIFIED:20230302T211451Z
UID:1430-1673654400-1687132799@asuartmuseum.org
SUMMARY:A pattern\, a trace\, a portrait: Four Artists from CALA Alliance’s Residency Program
DESCRIPTION:“A pattern\, a trace\, a portrait: Four Artists from CALA Alliance’s Residency Program” showcases new and existing work by Carolina Aranibar-Fernández\, Diana Calderón\, Estrella Esquilín and Sam Frésquez. These regional Latinx artists each present discrete installations that weave together universal themes of memory\, loss and grief while highlighting issues related to place and the destruction of our natural environment. A pattern\, a trace\, a portrait highlights the dichotomy between the most intimate histories and the most global concerns. \nThis exhibition showcases\, in part\, a partnership between CALA Alliance and ASU Art Museum. CALA Alliance (Celebración Artística de las Américas) is a Latinx arts organization based in Phoenix. CALA Alliance collaborates with artists and arts organizations to nurture artistic talent\, focusing on artists from the Latin American diaspora. The organization advances its mission through innovative artist residencies\, artist commissions\, community workshops\, and public programming that position the Metro Phoenix region as a fruitful site that acknowledges and contributes to the promotion of Latinx art throughout the United States. \nCALA Alliance and ASU Art Museum work in partnership to achieve their common mission of incubating and accelerating the presence of Latinx art in the United States. Together CALA Alliance and ASUAM promote the exchange of new ideas\, perspectives\, and experiences among artists\, students\, and the public through various programs\, especially those that educate and inspire the public about the richness of the Latinx cultural heritage.
URL:https://asuartmuseum.org/event-exhibition/a-pattern-a-trace-a-portrait-four-artists-from-cala-alliances-residency-program/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230215
DTEND;VALUE=DATE:20250101
DTSTAMP:20260920T155228
CREATED:20230209T210411Z
LAST-MODIFIED:20240621T190457Z
UID:1488-1676419200-1735689599@asuartmuseum.org
SUMMARY:Opportunity (reflection)
DESCRIPTION:World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII\, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic practice\, this latest sculpture draws from his 2015 sculpture “Opportunity\,” which was inspired by the NFL\, and as part of his interest in photographic history\, popular culture\, and sports as a metaphor for individual and collective struggle or hope. “Hank’s powerful sculpture showcased during Super Bowl week beautifully represents the passion\, strength\, and hope at the heart of our game\,” said Peter O’Reilly\, NFL Executive Vice President of Club Business & League Events. \nThe artwork falls within Thomas’ “Punctum” series\, which is based on Roland Barthes’ photographic theory of the punctum referring to the detail in an image that pierces or wounds the viewer\, creating a direct relationship between them and the pictured object or person. Thomas uses this concept to select or reframe areas of images\, which he then transforms into large-scale sculptures. “Opportunity (reflection)” portrays a snapshot of an anonymous player whose arm extends outward to catch the football. The viewer is reflected back in the mirrored surface and invited to imagine these tense few moments\, filled with great anticipation\, the successful catch leading to success and celebration\, as well as loss and defeat for the opposing team. \n  \n\n  \n 
URL:https://asuartmuseum.org/event-exhibition/opportunity-reflection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/02/HWT-sculpture-horizontal-2.jpg
END:VEVENT
END:VCALENDAR