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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040207T000000
DTEND;TZID=America/Phoenix:20040619T000000
DTSTAMP:20260920T083823
CREATED:20180405T033400Z
LAST-MODIFIED:20241029T234237Z
UID:4179-1076112000-1087603200@asuartmuseum.org
SUMMARY:PEDRO ALVAREZ: LANDSCAPE IN THE FIREPLACE
DESCRIPTION:LANDSCAPE IN THE FIREPLACE: Paintings by Pedro Alvarez\nPedro Alvarez conflates old and new painting styles and ideological positions. He quotes 19th century costumbrista painting by Europeans who came to Cuba and created the vocabulary of Romantic clichés that characterized the island as exotic and sensuous. He overlays these images with American advertising illustration from the mid-50s. His content reflects layering of global influences that converge\, underlining the disparities between the source and the recipient of transmitted culture. \nAlvarez combines references to Cuban\, African and American culture. American monuments and heroes of its Revolution attest to principles of democracy and equality ensconced in the American social contract. Jolting the temporal sense are the famed fotingos\, American cars in Cuba at the time of the 1959 Cuban Revolution that have been gradually tropicalized by Cuban invented parts. In the lush Cuban landscape\, black slaves gaze on\, puzzled by the juxtapositions. Over all is a monochrome green of American money\, the currency of exchange on an island that officially despises capitalism. \nAbout the Artist\nPedro Alvarez is of the generation of Cuban artists who emerged in the 1990s who gained international recognition for their fresh approach to art-making in a political context in which free speech was not to be taken for granted. The use of irony and oblique references created the space for expression. Alvarez spends his time between his native Havana and Malaga\, Spain. His work has been shown in the Istanbul Biennial\, the Havana Bienal\, and was featured in the exhibition organized by the ASU Art Museum  Contemporary Art from Cuba: Irony and Survival on the Utopian Island which toured nationally. \nExhibition Tour\nAfter the premiere of the exhibition at the ASU Art Museum\, this exhibition will be available for touring to other institutions. \nPresentation\nOrganized by Marilyn Zeitlin\, LANDSCAPE IN THE FIREPLACE: Paintings by Pedro Alvarez will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\n LANDSCAPE IN THE FIREPLACE: Paintings by Pedro Alvarez  (February 7 – June 19\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10 a.m. to 9 p.m. and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/pedro-alvarez-landscape-in-the-fireplace/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040207T000000
DTEND;TZID=America/Phoenix:20040501T000000
DTSTAMP:20260920T083823
CREATED:20180405T030400Z
LAST-MODIFIED:20241029T233637Z
UID:4180-1076112000-1083369600@asuartmuseum.org
SUMMARY:BLUE MEMORY: Paintings by Tran Trong Vu
DESCRIPTION:BLUE MEMORY: Paintings by Tran Trong Vu\nTran’s striking paintings of schematic figures on suspended sheets of plastic explore what it means to be Asian and Vietnamese within the context of an increasingly westernized global culture. His paintings are peopled by androgynous Asian figures against a backdrop of the signs of a modernized Hanoi (like cameras\, Western toilets and street signs). Generic Asian male and female figures are painted on life-size sheets of plastic; a material found everywhere in the streets of Hanoi. Suspended from the ceiling\, the paintings fill the space and form a labyrinth through which the viewer must walk. The figures hold cameras to their faces or are framed by televisions\, products associated with contemporary Asia. Sometimes they are surrounded by slogans that Tran has drawn from banners in Hanoi or by fragments of his father’s poetry. Tran’s work explores both the westernization of Vietnamese daily life and the way Vietnamese culture is viewed by the West. Tran’s work contrasts markedly with more sanctioned\, romanticized paintings by Vietnamese artists.\n\nAbout the Artist \nTran Trong Vu was born in Hanoi in 1964\, the youngest son of Tran Dan\, one of the best known dissident writers of the 1950s. Tran graduated first in his class at the Hanoi School of Fine Arts in 1987 and in 1989 won a scholarship to study painting at the Ecole Nationale des Beaux-Arts in Paris. Tran now lives and works in Paris. \nGallery Guide Essay\nClick here for complete gallery guide essay . \nExhibition Tour\nAfter the premiere of the exhibition at the ASU Art Museum\, this exhibition will be available for touring to other institutions. Tour information. \nPresentation \nOrganized by Heather Lineberry\, BLUE MEMORY: Paintings by TRAN TRONG VU will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration \nBLUE MEMORY: Paintings by TRAN TRONG VU (February 7 – May 1\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10 a.m. to 9 p.m. and Wednesday through Saturday from 10am to 5pm. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/blue-memory-paintings-by-tran-trong-vu/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040207T000000
DTEND;TZID=America/Phoenix:20040306T000000
DTSTAMP:20260920T083823
CREATED:20180405T034000Z
LAST-MODIFIED:20241029T233640Z
UID:4181-1076112000-1078531200@asuartmuseum.org
SUMMARY:PERSONAL DOPING: Video Installations by Agnieszka Kalinowska
DESCRIPTION:Exhibition and related programs supported by the Polish Cultural Institute \n   \nOPENING RECEPTION\nSaturday\, February 7\, 2004\n7:00 pm – 9:00 pm \nPersonal Doping: Video Installations by Agnieszka Kalinowska\nAll my projects essentially consist of observing human behavior in extreme situations. I try to freeze very short moments of extreme physical and mental tension. Decisions made under such a pressure have strategic impact not only on our nearest future but also might influence our whole lives. Under pressure we expand our self-consciousness and therefore intensify the next choices we make in our lives. That’s why\, during those short moments\, we are able to mobilize our whole potential and let go of the energy we never dreamed we might possess. – Agnieszka Kalinowska \nProgram\nGallery Talk by Agnieszka Kalinowska to be announced. \nAbout the Artist \nAgnieszka Kalinowska lives and works in Warsaw\, Poland. She is a graduate of the\nPainting Department of Academy of Fine Arts in Poznan. Poland. Her work has been\nexhibited in exhibitions at Centre for Contemporary Art\, Warsaw; Baltic Gallery of\nContemporary Art; Wyspa Gallery\, Gdansk; On Gallery\, Poznan; Institute for Contemporary Art\, Dunaujvaros\, Hungary; Krolkarnia\, Warsaw; and most recently her sculpture work was presented in the group exhibition “Architectures of Gender” at the Sculpture Center\, New York. \nWorks in this exhibition were produced through the support of the Center of Contemporary Art Ujazdowski Castel in Warsaw. \nThis will be the first solo exhibition of Agnieszka Kalinowska’s work in the United States. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Personal Doping: Video Installations by Agnieszka Kalinowskawill be installed in the Kresege Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \n Duration\nPersonal Doping: Video Installations by Agnieszka Kalinowska (February 7 – March 6\, 2004) is open Tuesday from 10am – 9pm\, and Wednesday through Saturday from 10am to 5pm. \n Support\nThe exhibition and related programs are supported in part by the Polish Cultural Institute\, \nA-1 Carpet and Upholstery Cleaning Inc of Phoenix and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/personal-doping-video-installations-by-agnieszka-kalinowska/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20040101T000000
DTEND;TZID=America/Phoenix:20040501T000000
DTSTAMP:20260920T083823
CREATED:20180405T032200Z
LAST-MODIFIED:20241029T233128Z
UID:4521-1072915200-1083369600@asuartmuseum.org
SUMMARY:Chicano(a) Art: from the M.A.R.S. Collection
DESCRIPTION:THE M.A.R.S. ARTSPACE LEGACY: Prints by M.A.R.S. & SelfHelp Graphics\nIn 1978 a group of artists and community leaders formed an artists’ cooperative\, Movimiento Artistico del Rio Salado (M.A.R.S.) to promote visual and performing arts by contemporary Arizona\, Mexican-American and Chicano artists. Nomadically exhibiting in a variety of spaces\, their permanent gallery\, M.A.R.S. Artspace\, opened in central Phoenix in 1981. M.A.R.S. Artspace exhibited members’ artwork and served as a showcase for poets\, writers\, performance and video artists. To help provide operational support\, M.A.R.S. members created limited editioned prints that sold through the gallery. Although their doors have recently closed\, M.A.R.S. left an impressive legacy by donating forty-three prints to the ASU Art Museum. Though this gift is a mixture of work produced by both M.A.R.S. and Self-Help Graphics (a silkscreen print collective in Los Angeles)\, these screenprints\, lithographs and monoprints convey the cultural identity\, pride and artistic achievement by some of the best Mexican-American and Chicano artists. \nList of Artists\nWork by the following artists will be included in the exhibition: José Antonio Aguirre\, David (Rivas) Botello\, Paul Botello\, Rudy M. Fernández\, Jr.\, Carmen Lomas Garza\, Pat Gómez\, Luis A. Jiménez\, Jr.\, Leo Limón\, Gilbert “Magú” Luján\, César Augusto Martínez\, Tony Ortega\, Arturo Urista\, John M. Valdez\, Larry Yáñez\, Frank Ybarra\, \nPresentation \nOrganized by Jean Makin\, THE M.A.R.S. ARTSPACE LEGACY will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nTHE M.A.R.S. ARTSPACE LEGACY (January – May\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10am to 9pm; Wednesday through Saturday from 10am to 5pm. \nSupport \nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/chicanoa-art-from-the-m-a-r-s-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20031025T000000
DTEND;TZID=America/Phoenix:20040125T000000
DTSTAMP:20260920T083823
CREATED:20180405T044500Z
LAST-MODIFIED:20241029T210351Z
UID:4177-1067040000-1074988800@asuartmuseum.org
SUMMARY:GARY HILL Language Willing
DESCRIPTION:PUBLIC LECTURE\nTuesday\, October 28\, 2003\n7:30 p.m.\nlocation TBA \nARTIST RECEPTION\nSaturday\, November 1\, 2003\n7 p.m. – 9 p.m. \nHIGH SCHOOL OUTREACH\nVIDEO PROGRAM\nJanuary 20\, 2004\n7:30 p.m. \nGARY HILL: Language Willing\nGary Hill: Language Willing presents four new works by one of the founders of video installation art. For more than 20 years\, Hill has used video imagery with computer manipulation to create powerful installations that interact with the viewer. Hill’s “time based sculptures” focus on sound\, the human body and speaking in different combinations. The ASU Art Museum has a history of bringing internationally recognized and emerging new-media artists to Valley audiences for the first time. \nAbout the Artist \nGary Hill was born in Santa Monica\, Calf.\, in 1951 and now resides in Seattle\, Wash. Recent solo exhibitions have included Gary Hill: Selected Works\, Kunstmuseum Wolfsburg\, Wolsfburg\, Germany;  Hill(scape)\, Hong Kong Cultural Centre\, Hong Kong; Gary Hill: The Performative Image\, The Watari Museum of Contemporary Art\, Tokyo\, Japan; Sprengel Museum\, Hannover\, Germany; Donald Young Gallery\, Chicago\, Ill.; Whitney Museum of American Art\, New York; Capp Street Projects\, San Francisco\, Calf.; and the Center for Contemporary Images\, Saint-Gervais Geneve\, Geneva\, Switzerland. His work has been included in group exhibitions at the following selected venues: The National Museum of Contemporary Art\, Oslo\, Norway; National Gallery of Australia\, Canberra\, Australia; Vancouver Art Gallery\, Vancouver\, British Columbia; ZKM/Center for Art and Media\, Karlsruhe\, Germany; Museum of Contemporary Art\, San Diego\, Calf.; The Corcoran Gallery of Art\, Washington\, D.C.; The Museum of Modern Art\, New York; and the Venice Biennale. He has been the recipient of a Guggenheim Fellowsip\, John D. and Catherine T. MacArthur Foundation Grant\, Rockefeller Intercultural Media Arts Fellowship\, National Endowment for the Arts Fellowship and was awarded the Leone díOro prize for sculpture at the 1995 Venice Biennale. \nHigh School Outreach Video Program\nGary Hill was one of the founders of video installation art and his thirty-year\ncareer in the field has been one of great innovations and renown. Students\nstudied Hill’s work and video installation in an outreach program developed\nby museum staff and high school teachers\, including Sally Boyle\, Rick Engelmann\,\nKen Keene\, Robin McNulty and Anna Vida. Selected works will are being presented\nby each school and awards\, juried by a panel of professors\, curators and artists\,\nwill be presented at the end of the evening. \nThis project is generously supported by the Arizona Commission on the Arts \nSpecial thanks to video artist Sean Ross for his participation and support of this project. \nClick Here to see the program of works created by the students \nPresentation\nGary Hill: Language Willing was organized by the Boise Art Museum. The ASU Art Museum presentation was organized by Heather Lineberry and will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nGARY HILL: Language Willing (October 25\, 2003 – January 25\, 2004) is open at the Nelson Fine Arts Center\, Tuesday from 10 a.m. to 9 p.m. and Wednesday – Saturday from 10 a.m. to 5 p.m. \nSupport\nThis project is supported in part by grants from The National Endowment for the Arts and The Allen Foundation for the Arts. The ASU Art Museum presentation is supported in part by the Herberger College Institute for Studies in the Arts and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/gary-hill-language-willing/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20031011T000000
DTEND;TZID=America/Phoenix:20040306T000000
DTSTAMP:20260920T083823
CREATED:20180405T032500Z
LAST-MODIFIED:20241029T210815Z
UID:4176-1065830400-1078531200@asuartmuseum.org
SUMMARY:CUBAN ART FROM THE PERMANENT COLLECTION
DESCRIPTION:CUBAN ART FROM THE PERMANENT COLLECTION\nIn 1999\, five-year old Elian Gonzalez became the focus of international conflict. His mother had drowned in the effort to leave Cuba\, and little Elian was rescued only to become the center of a tug-of-war over whether he should be given permanent status in the United States or returned to his father in Cuba. During a residency at Arizona State University\, Cuban artists José Angel Toirac and Meira Marrero worked with American artist Patricia Clark to make La Edad de Oro (The Golden Age)\, a video triptych that juxtaposes American and Cuban coverage of the daily vicissitudes in this child’s life. A series of objects that reflect the tension between his experience and “normal” childhood complement the triptych. \nThis work is included in an exhibition of works from the permanent collection\, which includes a focus on contemporary art from Cuba. The exhibition includes works added since the origination of the exhibition Contemporary Art from Cuba: Irony and Survival on the Utopian Island\, with the triptych among works commissioned by the Museum. \nArtists in the Exhibition\nIncluded in the exhibition are works by Pedro Alvarez\, Belkis Ayón\, Abel Barroso\, Jacqueline Brito\, Yamilys Brito\, Patricia Clark\, Carlos Estévez\, René Francisco\, Carlos Garaicoa\, Luis Gómez\, Kcho\, Los Carpinteros\, Meira Marrero\, Sandra Ramos\, Fernando Rodríguez\, Esterio Segura\, José A. Toirac\, Tonel (Antonio Eligio Fernández)\, and Osvaldo Yero. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, CUBAN ART FROM THE PERMANENT COLLECTION will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nCUBAN ART FROM THE PERMANENT COLLECTION (October 11\, 2003 — March 6\, 2004) is open at the Nelson Fine Arts Center: Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum and the ASU Art Museum Store.
URL:https://asuartmuseum.org/event-exhibition/cuban-art-from-the-permanent-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20031003T000000
DTEND;TZID=America/Phoenix:20040207T000000
DTSTAMP:20260920T083823
CREATED:20180405T051100Z
LAST-MODIFIED:20241029T210252Z
UID:4518-1065139200-1076112000@asuartmuseum.org
SUMMARY:LUO XIAOPING: Time Square Series
DESCRIPTION:LUO XIAOPING: Time Square Series\nLuo Xiaoping is an internationally renowned Chinese artist living in Yixing\, Jiangsu Province as well as spending time in Arizona working in ceramics. Time Square Series will showcase twenty-four figures of world political leaders. Given the current turmoil in the world political arena\, this timely show will help audiences put a face to the forces that influence our global communities. \n“In this series I have sculpted some of the most powerful people in the world today\, using only clay and paint. This is a political image spectrum installed on the Square of Time. Some of these figures may never\, in reality\, stand together\, but today I have brought them together on one single stage. Here\, I can scoff at them\, myself and the world.” \nAbout the Artist\nLuo Xiaoping was born in Jiangxi\, China in 1960. He attended the Sculpture Department of Jingdezhen Ceramics College in 1983 and became a teacher of the Architecture Faculty of Tongji University\, Shanghai after graduation. After five years as a teacher\, he resigned from the university and set up Xiaoping Studio in Yixing\, and has hosted ceramic artists from around the world\, exposing them to the rich pottery traditions of Yixing. Since 1994\, Luo Xiaoping has attended dozens of exhibitions at home and abroad and held his solo exhibitions in the United States\, New Zealand and China. At the same time he has been awarded many domestic and international prizes for his work. \nASU Art Museum Presentation \nOrganized by Peter Held\, LUO XIAOPING: Time Square Series will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration\nLUO XIAOPING: Time Square Series (October 3\, 2003 – February 7\, 2004) is open at the Ceramics Research Center: Tuesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/luo-xiaoping-time-square-series/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20031003T000000
DTEND;TZID=America/Phoenix:20040207T000000
DTSTAMP:20260920T083823
CREATED:20180405T042900Z
LAST-MODIFIED:20241029T210258Z
UID:4174-1065139200-1076112000@asuartmuseum.org
SUMMARY:BEYOND BOUNDRIES: The Yixing Influence on Contemporary American Ceramics
DESCRIPTION:BEYOND BOUNDRIES: The Yixing Influence on Contemporary American Ceramics\nBeyond Boundaries: The Yixing Influence on Contemporary American Ceramics will present the work of six American ceramic artists influenced by the pottery traditions of Yixing\, China. Yixing is a county in Southeast China and been a center of ceramic production for over one thousand years. The teapot form was most revered by Chinese tea masters dating back to the 16th century when they commissioned potters to create works depicting the natural world. The vessels transcended their functionality and incorporated many art forms including calligraphy\, poetry and painting. \nThe American leader in raising the awareness of the Yixing traditions is Richard Notkin\, an internationally acclaimed artist who first traveled to China in 1991. His work has been greatly influenced by Yixing ware and mixes social and political imagery that speaks to our society’s current situations. His sense of proportion\, attention to detail\, and use of the format for storytelling are in harmony with the Eastern antecedents. \nArtists in the Exhibition\nParticipating artists include: Gayle Fichtinger\, Beth Lo\, Richard Notkin\, Richard Swanson\, Eric Van Eimiren\, Geo Lastimirsky\, and Kathleen Royster. Many of these artists have traveled to China and are involved with an ongoing dialogue and exchange of ideas and techniques. While their work finds a common source of inspiration\, their work demonstrates a highly individual approach to scale\, subject matter\, and aesthetic approach. \nASU Art Museum Presentation \nOrganized by Peter Held\, Beyond Boundries: The Yixing Influence on Contemporary American Ceramics will be installed in the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration\nBeyond Boundries: The Yixing Influence on Contemporary American Ceramics\n(October 3\, 2003 – February 7\, 2004) is open at the Ceramics Research Centerr: Tuesday through Saturday from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/beyond-boundries-the-yixing-influence-on-contemporary-american-ceramics/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030913T000000
DTEND;TZID=America/Phoenix:20040104T000000
DTSTAMP:20260920T083823
CREATED:20180405T051600Z
LAST-MODIFIED:20241029T204652Z
UID:4516-1063411200-1073174400@asuartmuseum.org
SUMMARY:MEXICAN FOLK ART IN CONTEXT Selections from the Vanesian Collection
DESCRIPTION:OPENING RECEPTION\nSaturday\, September 13\, 2003\n7- 9 p.m. \nLECTURES\nArtist/Educator Kurt Weiser\nFriday\, September 5\nTime and Location TBA \nMexican Folk Art In Context: Selections from the Vanesian Collection\nSelected from more than 300 works collected over more than 25 years\, the exhibition demonstrates ways in which folk artists reflect and comment on both enduring and changing aspects of their world. Some things remain constant\, such as mythology\, but that mythology may take on new meaning in response to the impact of political\, ecological and cultural upheaval. The exhibition places works of art in the context of the makers’ particular worlds as well\, with photographic references gathered by the Vanesians as they collected throughout the Mexican republic. \nSelections from the exhibition \nArtists in the Exhibition\nFolk artists in the exhibition represent the regions of Tlaquepaque\, Jalisco; Metepec\, Michoacan; Ochumichu\, Michoacan; Tzintzuntzan\, Michoacan; Olinalá; Patamban\, Michoacan; Mexico City\, D.F.; Barrio de la Luz\, Puebla; Metepec\, State of Mexico; Etla\, Oaxaca; and Oaxaca City\, Oaxaca. \nExhibition Catalogue\nA full color catalogue is available for this exhibition. The publication include essays by\nKathleen Vanesian and a foreward by Marilyn A. Zeitlin. Information regarding the catalogue can be found on the ASU Art Museum Publications Page. \nOpening Reception Images \nASU Art Museum Presentation \nOrganized by Marilyn Zeitlin and John Spiak\, MEXICAN FOLK ART IN CONTEXT: Selections from the Vanesian Collection will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nMEXICAN FOLK ART IN CONTEXT: Selections from the Vanesian Collection (September 13\, 2003 – January 4\, 2004) is open at the Nelson Fine Arts Center: Tuesday through Saturday\, from 10 a.m. — 5 p.m. \nSupport\nThe exhibition\, catalogue and related programs are supported in part by Eddie Shea\, The ASU Art Museum Store and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/mexican-folk-art-in-context-selections-from-the-vanesian-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030823T000000
DTEND;TZID=America/Phoenix:20031206T000000
DTSTAMP:20260920T083823
CREATED:20180503T060142Z
LAST-MODIFIED:20241030T000010Z
UID:4172-1061596800-1070668800@asuartmuseum.org
SUMMARY:The Painters' Craft: Renaissance and Baroque Paintings in the Permanent Collection
DESCRIPTION:The Painters’ Craft: Renaissance and Baroque Paintings in the Permanent Collection will open Aug. 23 and run through Dec. 6. The exhibition in the museum’s multi-purpose room features 12 paintings and was designed for a Herberger College art history class. The exhibition also provides an opportunity for other museum visitors to view these works and examine them in a new light.
URL:https://asuartmuseum.org/event-exhibition/the-painters-craft-renaissance-and-baroque-paintings-in-the-permanent-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030621T000000
DTEND;TZID=America/Phoenix:20030913T000000
DTSTAMP:20260920T083823
CREATED:20180405T041100Z
LAST-MODIFIED:20241029T231352Z
UID:4171-1056153600-1063411200@asuartmuseum.org
SUMMARY:ANDY WARHOL AND THE POP AESTHETIC Permanent Collection and Loans
DESCRIPTION:Andy Warhol and the Pop Aesthetic: Permanent Collection and Loans\nFive early drawings and a classic screenprint of Mao Tse-tung by Andy Warhol anchor this exhibition of artists who were associated with the American pop art movement of the early 1960s. Drawn from the ASU Art Museum’s permanent collection with loans from private collections\, the exhibition includes works by Jasper Johns\, Robert Rauschenberg\, Tom Wesselman\, Ed Ruscha\, Robert Indiana and Roy Lichtenstein. \nPop art emerged as mass advertising and television became predominant forces in American life\, accompanied by a heightened consumer culture. In 1962\,  Time reported that the average American was exposed to about 1\,600 advertisements per day. Pop artists drew from new and pervasive sources of advertisements\, billboards\, comic books and mass produced items. Their hard-edged and brightly colored works represented a radical shift in American art from the Abstract Expressionists of the 1950s who drew upon their own subconscious for their expressive abstract or figurative paintings. \nPop art was largely concerned with the way the individual processed all of this information\, its universality and its impact upon values. Andy Warhol and Roy Lichtenstein pulled the imagery and even the techniques at random\, disassociating the image from its original meaning. Other artists\, like James Rosenquist or Tom Wesselman\, selected\, juxtaposed or manipulated media images for more obvious social and political commentar. \nArtists in the Exhibition \nArtists represented in the exhibition include: Alfredo Manzo Cedeno\, Roy DeForest\, James Dine\, Vernon Fisher\, Robert Indiana\, Jasper Johns\, Roy Lichtenstein\, Robert Rauschenberg\, James Rosenquist\, Edward Ruscha\, Andy Warhol\,\nTom Wesselmann and William Wiley. \nASU Art Museum Presentation \nOrganized by Heather Lineberry\, Andy Warhol and the Pop Aesthetic will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nAndy Warhol and the Pop Aesthetic (June 21 – Sep. 13\, 2003) is open at the Nelson Fine Arts Center: Tuesday through Saturday\, 10 a.m – 5 p.m. \n Support\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/andy-warhol-and-the-pop-aesthetic-permanent-collection-and-loans/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030607T000000
DTEND;TZID=America/Phoenix:20030913T000000
DTSTAMP:20260920T083823
CREATED:20180405T043600Z
LAST-MODIFIED:20241029T230934Z
UID:4170-1054944000-1063411200@asuartmuseum.org
SUMMARY:CERAMIC FACULTY SELECTS Clay from the Permanent Collection
DESCRIPTION:image credit: Rudy Autio\, Two Women and a Dog\, 1981\, Ceramic\, 23 x 19 ½ x 12″ Collection of the ASU Art Museum; Gift of Anne I. Davis \nCLOSING RECEPTION\nSaturday\, September 13\, 2003\n7- 9 p.m. \nLECTURES\nArtist/Educator Kurt Weiser\nFriday\, September 5\nTime and Location TBA \nCeramics Faculty Selects: Clay from the Permanent Collection\nWith nearly a century of combined experience as artists and educators the Herberger College’s ceramics faculty members Jeanne Otis\, Randy Schmidt and Kurt Weiser have selected 36 art works drawn from the permanent collection at the ASU Art Museum’s Ceramics Research Center. The selected objects demonstrate the full range of technique and stylistic possibilities within the ceramic field\, from historical work to wheel-thrown functional pottery to avant-garde sculpture. \nArtists in the Exhibition \nArtists represented in the exhibition include Robert Arneson\, Rudy Autio\, Ruth Duckworth\, Maria Martinez\, David Shaner\, Toshiko Takaezu\, Peter Voulkos and Betty Woodman. Each faculty member will have one of their own pieces on exhibit to illustrate their personal work. \nASU Art Museum Presentation\nOrganized by Peter Held\,  CERAMICS FACULTY SELECTS: Clay from the Permanent Collection  will be installed in the ASU Art Museums Ceramic Research Center. \nDuration\nCERAMICS FACULTY SELECTS: Clay from the Permanent Collection (June 7 — September 13\, 2003) is open at the Ceramics Research Center\, Tuesday through Saturday from 10 a.m. — 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum and CLA.
URL:https://asuartmuseum.org/event-exhibition/ceramic-faculty-selects-clay-from-the-permanent-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030607T000000
DTEND;TZID=America/Phoenix:20030824T000000
DTSTAMP:20260920T083823
CREATED:20180405T044200Z
LAST-MODIFIED:20241029T231021Z
UID:4169-1054944000-1061683200@asuartmuseum.org
SUMMARY:GADGETS AND GIZMOS
DESCRIPTION:FAMILY DAY\nSaturday\, June 28\n10 a.m. – 2 p.m.\nFREE ACTIVITIES FOR THE ENTIRE FAMILY \nGADGETS AND GIZMOS\nGadgets and Gizmos is this year’s annual summer family exhibition. Using high technology\, like a small video camera\, or low technology\, like the hand-carved wooden cuckoo clocks by Abel Barroso\, artists have combined pieces and parts into intriguing works of art. Whether conceptually complex\, visually appealing and/or whimsical\, these works present an unique art experience for viewers of any age. \nArtists in the Exhibition\nArtists represented in the exhibition include Kim Abeles\, Lew Alquist\, Abel Barroso\, Feliciano Bejar\, Thomas Hart Benton\, Deborah Butterfield\, Jim Campbell\, Dan Collins\, Kim Cridler\, Tom Eckert\, Rene Francisco\, Denis Gillingwater\, Steve Gompf\, Jenny Holzer\, Hans Kooi\, Heidi Kumao and Robert Strini. \nFamily Day \nOn Saturday\, June 28\, the ASU Art Museum will present its third annual summer family day filled with hands-on activities and events. For Gadgets and Gizmos\, the Art Museum will be filled with interactive art-making experiences for the entire family from 10 a.m. to 2 p.m.\n\nASU Art Museum Presentation \nOrganized by Jean Makin\, GADGETS AND GIZMOS will be installed in the ASU Art Museum Nelson Fine Arts Center location. \nDuration\nGADGETS AND GIZMOS (June 7 – August 31\, 2003) is open at the Nelson Fine Arts Center: Tuesday through Saturday\, 10 a.m. – 5 p.m. \n Support\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/gadgets-and-gizmos/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030531T000000
DTEND;TZID=America/Phoenix:20030913T000000
DTSTAMP:20260920T083823
CREATED:20180405T052200Z
LAST-MODIFIED:20241029T225946Z
UID:4168-1054339200-1063411200@asuartmuseum.org
SUMMARY:PHILIPPE BRADSHAW Chains and Videos
DESCRIPTION:CLOSING RECEPTION\nSaturday\, September 13\, 2003\n7- 9 p.m. \nPHILIPPE BRADSHAW: Chains and Videos\nMade from anodised aluminum chains\, Philippe Bradshaw’s rendition of Mona Lisa hangs from the gallery ceiling like colorful beaded curtains or macramé from the early 70s. Video projections onto the chain surface create unlikely pairings. From video art and the Mona Lisa\, to driving dance club music and a museum setting\, Bradshaw re-examines traditional perception and environmental settings. \nAbout the Artist\nPhilippe Bradshaw was born in Lincolnshire\, UK\, in 1965. He studied at Leicester Polytechnic from 1984-85\, and at Goldsmith’s College from 1985-88. From 1993-98 he worked with Andrea Mason as the collaborative partnership Andrea + Philippe. Their work involved numerous site-specific non-gallery projects\, most famously glazing the apertures of wartime bunkers around the countryside\, culminating in the solo show Landfill at the Independent Art Space\, London\, 1997\, where they created a faux estate agent to sell the concept. Bradshaw has been working independently since 1998. In 2000 he was named one of the recipients of the prestigious Paul Hamlyn Foundation Award. Solo shows have included: The Waiting Room\, Wolverhampton\, 1998; The Showroom\, London\, 1999; and Deitch Projects\, New York\, 2001. Philippe Bradshaw lives and works in London and is represented by Galeria Thaddaeus Ropac in Paris. \nThis will be Philippe Bradshaw’s first solo exhibition in a U.S. Museum. \nCurator’s Essay \nASU Art Museum Presentation \nOrganized by John Spiak\, PHILIPPE BRADSHAW: Chains and Videos will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nPHILIPPE BRADSHAW: Chains and Videos (May 31 – September 13\, 2003) is open at the Nelson Fine Arts Center: Tuesday through from 10 a.m. to 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Claudio Cesar\, the Cesar Foundation for the Preservation of Digital Art Media and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/philippe-bradshaw-chains-and-videos/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030531T000000
DTEND;TZID=America/Phoenix:20030913T000000
DTSTAMP:20260920T083823
CREATED:20180405T051900Z
LAST-MODIFIED:20241029T225948Z
UID:4167-1054339200-1063411200@asuartmuseum.org
SUMMARY:THE MUSEUM STORE COLLECTS
DESCRIPTION:CLOSING RECEPTION\nSaturday\, September 13\, 2003\n7 – 9 p.m. \nMUSEUM STORE COLLECTS\nThe ASU Art Museum Store\, run entirely by dedicated museum docents under the leadership of LaReal Eyring\, has consistently been named as outstanding Museum Store by The New Times and other publications for the exceptional quality and rarity of what it offers. Members receive a discount on purchases. Proceeds from sales support the museum’s acquisition program. This exhibition presents a selection of works purchased with Museum Store funds\, a tribute to its role in bringing community support to the collection. A more recent acquisition made possible with store funds is the above painting by Hung Liu. \nArtists in the Exhibition \nArtists represented in the exhibition include Hung Liu\, John Ahearn\, Jon Haddock\, H.C. Westermann\, Abel Barroso\, Paul Manship\, Jacqueline Brito\, Sean Scully\, Enrique Martinez-Celaya\, John Biggers\, Hendrik Goltizius\, Enrique Chagoya\, Sue Coe\, Kenneth Miller\, C.N. Cochin\, Francisco Goya\, Leopoldo Mendez\, Currier and Ives\, George Bellows\, Einar and Jamex De La Torre\, David Gilhooly\, Martin Mull\, Robin Winters\, Russell Crotty\, Juan Llaguno\, Tracey Moffat\, Denise Green\, Ed Rossbach\, Bob Stockdale\, Kay Sekimachi\, Elsa Rady\, Burlon B. Craig\, Val Cushing\, Edwin and Mary Scheier\, Therman Statom\, Karen Karnes\, James Makins\, Kurt Weiser\, Dorothy Torivio\, Christopher Staley\, Jeff Oestreich\, Xavier Toubes\, Los Carpinteros\, Alfredo Manzo\, Maria Clemente and Jack Earl. \nASU Art Museum Presentation \nOrganized by Heather Lineberry\, THE MUSEUM STORE COLLECTS will be installed in the ASU Art Museum’s Nelson Fine Arts Center location. \nDuration\nTHE MUSEUM STORE COLLECTS (May 31 – September 14\, 2003) is open at the Nelson Fine Arts Center: Tuesday through Saturday\, 10 a.m. – 5 p.m. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum\, The Museum Store and The Museum Store patrons throughout the years.
URL:https://asuartmuseum.org/event-exhibition/the-museum-store-collects/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030510T000000
DTEND;TZID=America/Phoenix:20030807T000000
DTSTAMP:20260920T083823
CREATED:20180503T055200Z
LAST-MODIFIED:20241029T230216Z
UID:4166-1052524800-1060214400@asuartmuseum.org
SUMMARY:Hearts by Helen Frankenthaler
DESCRIPTION:Curatorial exhibition
URL:https://asuartmuseum.org/event-exhibition/hearts-by-helen-frankenthaler/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030208T000000
DTEND;TZID=America/Phoenix:20030518T000000
DTSTAMP:20260920T083823
CREATED:20180405T052500Z
LAST-MODIFIED:20241029T233627Z
UID:4164-1044662400-1053216000@asuartmuseum.org
SUMMARY:Shared Passion: Sara and David Lieberman Collection of Contemporary Ceramics and Craft
DESCRIPTION:OPENING RECEPTION\nSaturday\, February 8\, 2003\n7:00 pm – 9:00 pm \nLECTURES\nKen Price\, artist\, Friday\, February 7\, 7:30pm\nJane Sauer\, artist\, Saturday\, February 8\, 2pm\nJosh DeWeese\, artist\, February 9\, 1pm \nShared Passion: Sara and David Lieberman Collection of Contemporary Ceramics and Craft\nThe Sara and David Lieberman Collection of more than 200 contemporary ceramics works was recently promised to the ASU Art Museum. Selections from this Who’s Who of contemporary ceramics will be on display in the Ceramics Research Center. The exhibition will continue in the Nelson Fine Arts Center with selections from the Liebermans’ other great collections of contemporary craft. \n\nArtists in the Exhibition \n(CERAMICS) Rudy Autio\, Ralph Bacerra\, Gordon Baldwin\, Christie Brown\, Claire Curneen\, Josh DeWeese\, Richard Devore\, Rick Dillingham\, Stephen Dixon\, Ruth Duckworth\, Anita Fields\, Andrea Gill\, Jun Kaneko\, Karen Koblitz\, Jean-Paul Laroque\, Michael Lucero\, Warren MacKenzie\, Beverly Mayeri\, Ron Nagle\, Nora Naranjo-Morse\, Nobuhito Nishigawara\, Magdelen Odundo\, Adrian Saxe\, Patricia Sannitt\, Betsy Rosenmiller\, Don Reitz\, Ken Price\, Virgil Ortiz\, Juan Quezada\, David Regan\, Edwin Scheier\, Bobby Silverman\, Jacquie Stevens\, Suzuki Goro\, Roxanne Swentzell\, Akio Takamori\, Toshiko Takezu\, Peter Voulkos\, Kurt Weiser\, Beatrice Wood\, Betty Woodman \n(NON-CERAMIC) Hank Murta Adams\, Jeanette Ahlgren\, Adela Akers\, Jane Balsgaard\, James Bassler\, Dorothy Gill Barnes\, Gary Knox Bennett\, Jamie Bennett\, Gail Bird\, Sandra Brewer\, Johnson\, K. Brown\, Anthony Bryant\, Barbara Cooper\, Carol Eckert\, Tom Eckert\, Lillian Elliott\, Arline Fisch\, Margaret Ford\, John Garrett\, Mary Giles\, Tim Harding\, Elsie Holiday\, Kazuaki Honma\, Jan Hopkins\, Todd Hoyer\, Torii Ippo\, Kiyomi Iwata\, Ferne Jacobs\, Yazzie Johnson\, Richard Jolley\, Christine Joy\, Nancy Koenigsberg\, Clarence Lee\, Nel Linssen\, Charles Loloma\, John McQueen\, Linda Mendelson\, Mary Merkel-Hess\, Norma Minkowitz\, Ed Moulthrop\, Kenichi Nagakura\, Shinji Nakaba\, Leon Niehues\, Ritsuko Ogura\, Judy Onofrio\, Joanne Parcher\, Opocensky Pavel\, Maria Phillips\, Fran Reed\, Ed Rossbach\, Jane Sauer\, June Schwarcz\, Kiff Slemmons\, Tribal Works\, Karin Wagner\, Denise Wallace\, S. Yeh\, Toots Zynsky. \nExhibition Catalogue\nA full color catalogue is available for this exhibition. The publication include essays by\nPeter Held and Susan Peterson as well as a DVD interview with Sara and David Lieberman. Information regarding the catalogue can be found on the ASU Art Museum Publications Page. \nExhibition Catalogue Essay\nClick here to view ASU Curator of Ceramics\, Peter Held’s\, exhibition catalogue text online. \nOpening Reception \nOn Saturday\, February 8\, the ASU Art Museum will present receptions for Shared Passion and CoBrA: From the Collection of Stephane Janssen from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nLectures\nKen Price\, artist\, Friday\, February 7\, 7:30pm\nJane Sauer\, artist\, Saturday\, February 8\, 2pm\nJosh DeWeese\, artist\, Sunday\, February 9\, 1pm \nASU Art Museum Presentation \nOrganized by Peter Held\, ASU Art Museum’s new Curator of Ceramics\, Shared Passion: Sara and David Lieberman Collection of Contemporary Ceramics and Craft will be installed in the Arizona State University Art Museum’s Ceramics Research Center and Nelson Fine Arts Center locations. \nDuration\nShared Passion: Sara & David Lieberman Collection of Contemporary Ceramics and Craft(February 8 – May 18\, 2003) is open at the Ceramics Research Center Wednesday through Saturday from 1pm – 5pm and at the Nelson Fine Arts Center Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/shared-passion-sara-and-david-lieberman-collection-of-contemporary-ceramics-and-craft/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030208T000000
DTEND;TZID=America/Phoenix:20030511T000000
DTSTAMP:20260920T083823
CREATED:20180405T044000Z
LAST-MODIFIED:20241029T233630Z
UID:4165-1044662400-1052611200@asuartmuseum.org
SUMMARY:CoBrA From the Collection of Stéphane Janssen
DESCRIPTION:CoBrA: From the Collection of Stéphane Janssen\nNamed for Copenhagen\, Brussels\, and Amsterdam\, from which the original group reflects post-war malaise and shifts in philosophical thought that prefigure post-modernism. The artists of CoBrA took stock of their culture in the aftershock of the horrors of Nazi genocide and the extermination camps. Their work demonstrates a recasting of European traditions and innovation\, creating a visual vocabulary for expression of a new worldview. The group existed under the CoBrA rubric for only the period of 1945-51; but associations among them preceded and endured after\, and works from before and after will be shown in this major exhibition. \nArtists in the Exhibition\nWorks by the following artist are included in this exhibition: Asger Jorn\, Pierre Alechinsky\, Karel Appel\, Constant\, Corneille\, Christian Dotremont\, Henry Heerup\, Serge Vandercam\, Reinhoud\, and work by other artists still to be confirmed. \nExhibition Gallery Guide Essay\nView ASU Director/Chief Curator\, Marilyn A. Zeitlin’s\, exhibition gallery guide text online. \nOpening Reception \nOn Saturday\, February 8\, the ASU Art Museum will present receptions for CoBrA: From the Collection of Stéphane Janssen and Shared Passion from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, CoBrA: From the Collection of Stéphane Janssen will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location. \nDuration\nCoBrA: From the Collection of Stéphane Janssen (February 8 – May 11\, 2003) is open at the Nelson Fine Arts Center Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/cobra-from-the-collection-of-stephane-janssen/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20030110T000000
DTEND;TZID=America/Phoenix:20030531T000000
DTSTAMP:20260920T083823
CREATED:20180405T052700Z
LAST-MODIFIED:20241029T233101Z
UID:4163-1042156800-1054339200@asuartmuseum.org
SUMMARY:SUE COE The Tragedy of War Series
DESCRIPTION:SUE COE: The Tragedy of War Series\nSue Coe is an important social/political artist working and residing in the United States. She creates visual commentaries on current political events and persons in power; on the inhumane treatment of animals in factory farms\, slaughterhouses\, and laboratories; and on the victims of AIDS\, Apartheid and war. She does this in a media that allows distribution to the widest audience: prints. In this exhibition of twenty-four works\, Coe exhaustively examines the Tragedy of War in our contemporary world– the political players\, atrocities\, and victims. \nAbout the Artist \nSue Coe was born in Tamworth\, England in 1951. She studied at the Royal College of Art\, London from 1970-1973. \nHer work has been exhibited at the Hirshhorn Museum and Sculpture Garden\, Washington\, DC; Georges Pompidou Center\, Paris; The Museum of Modern Art\, NY; United Nations\, New York\, NY; Art Institute of Chicago\, IL; Los Angeles County Museum of Art\, Los Angeles\, CA; The Drawing Center\, New York\, NY; Contemporary Arts Museum\, Houston\, TX; Santa Monica Museum of Art\, Santa Monica\, CA; and is represented by Galerie St. Etienne\, New York\, NY. Coe has written and created images for eight books. \nThe Arizona State University Art Museum maintains in its print archive a complete inventory of Coe’s etchings and lithographs. \nASU Art Museum Presentation \nOrganized by Jean Makin\, SUE COE: The Tragedy of War Series will be installed in the Arizona State University Art Museum Nelson Fine Arts Center location. \nDuration\nSUE COE: The Tragedy of War Series (January 10 – May 31\, 2003) is open at the Nelson Fine Arts Center Tuesday from 10am to 9pm\, Wednesday through Saturday from 10am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Mikki and Stanley Weithorn and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/sue-coe-the-tragedy-of-war-series/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20021123T000000
DTEND;TZID=America/Phoenix:20030112T000000
DTSTAMP:20260920T083823
CREATED:20180405T054400Z
LAST-MODIFIED:20241029T225757Z
UID:4162-1038009600-1042329600@asuartmuseum.org
SUMMARY:2002-2003 Arizona State University Herberger School of Art Faculty Exhibition
DESCRIPTION:ASU Herberger School of Art Faculty Exhibition\nAn annual exhibition of work by Arizona State University Herberger School of Art Faculty. \nA reception for this exhibition will take place\nFriday\, November 22\, 2003\n7:00 pm – 9:00 pm \nASU Art Museum Presentation\nArizona State University Herberger School of Art Faculty Exhibition will be installed in the Top Gallery of the Arizona State University Art Museum. \nDuration\nArizona State University Herberger School of Art Faculty Exhibition (November 23\, 2002 – January 12\, 2003) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport\nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum\, Arizona State University School of Art and the Arizona State University Katherine K. Herberger College of the Arts.
URL:https://asuartmuseum.org/event-exhibition/2002-2003-arizona-state-university-herberger-school-of-art-faculty-exhibition/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20021109T000000
DTEND;TZID=America/Phoenix:20030112T000000
DTSTAMP:20260920T083823
CREATED:20180407T025700Z
LAST-MODIFIED:20241029T210827Z
UID:4160-1036800000-1042329600@asuartmuseum.org
SUMMARY:The History of American Printmaking
DESCRIPTION:The History of American Printmaking:\nSelections from the Permanent Collection  \nRecently the ASU Art Museum received a gift of 190 prints from Melvin and Ellen Hellwitz. At the core of this gift are many examples of the best American printmakers from the early half of the 20th century. This gift created an opportunity to highlight that time period. The Museum now presents selections from that gift and other prints from the permanent collection. \nThough there are a few prints from the 1920s\, the focus of the exhibition is the volatile time of the 1930s-1940s. The nation was in a period of isolationism during the Great Depression and was bracing for the possibility of entering the Second World War. Roosevelt’s New Deal generated temporary economic reforms which incorporated support for American art and artists through government programs that brought art into the public sector\, schools and government buildings: the Section of Painting and Sculpture in the Treasury Department and the Federal Art Project in the Works in Progress Administration. As a result of the government support\, there was renewed interest in printmaking as a medium that could reach a broad segment of the population and the artists of the period were encouraged to produce works with a distinctly American spirit.\nThe resulting work was categorized as the American Scene movement\, divided by some critics into two branches: the Regionalists and the Social Realists. Regionalists reflected rural America\, romanticized views of country life as seen in the work by Thomas Hart Benton\, Slow Train through Arkansas\, 1941; John Steuart Curry\, Sanctuary\, 1944; and Grant Wood\, Shrine Quartet\, c. 1939. Social Realists depicted life in the American city\, often with social and political commentary\, such as in Margaret Lowengrund’s Breadline\, 1930s and Rockwell Kent’s\, And Now Where\, 1936. \nPrivate presses and publishing firms were also very important in the development and propagation of the American Scene prints. The Associated American Artists (AAA) published etchings and lithographs by American artists and advertised their purchase – for $5. each – on the back of periodicals. This increased access to prints from the city art markets to a larger American audience brought prints to more urban areas\, such as Arizona. Many of the prints included in this exhibition were produced by AAA and acquired by the Hellwitzs and other donors such as Oliver B. James\, Mr. & Mrs. Read Mullan\, Helen Shipley\, Mr. & Mrs. Orme Lewis\, and Robert Bell and Stirling Puck. \nThe American Scene movement declined with the insurgence of aesthetic influences from European artists escaping World War II. But the movement continues through this collection of prints\, gifted to the ASU Art Museum by its generous supporters.ASU Art Museum Presentation \nOrganized by Jean Makin\, The History of American Printmaking will be installed in the Multi-Purpose Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nThe History of American Printmaking: Selection from the Permanent Collection (November 9\, 2002 – January 12\, 2003) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/the-history-of-american-printmaking/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20021109T000000
DTEND;TZID=America/Phoenix:20030112T000000
DTSTAMP:20260920T083823
CREATED:20180405T053900Z
LAST-MODIFIED:20241029T225733Z
UID:4161-1036800000-1042329600@asuartmuseum.org
SUMMARY:Adam Chodzko Limbo Land and A Place for 'The End'
DESCRIPTION:Adam Chodzko: Limbo Land and A Place for ‘The End’\nAs human beings we are in a constant state of transition. Adam Chodzko’s DVD/sound installation Limbo Land and still photography/DVD installation A Place for ‘The End’\, allow the viewer an attempt to define or imagine an ending\, or what may actually be a new beginning. Through sight\, sound and image\, with gaps between each\, he allows emotions to come forward\, building possibilities of where we go from here and just what ‘the end’ may bring. \nProgram\nGallery Talk by Adam Chodzko\nTuesday\, November 12\, 2002\nASU Art Museum \nAbout the Artist \nAdam Chodzko lives and works in Whitstable\, Kent and London. His work has been exhibited in solo exhibitions at Sandroni Rey\, Venice\, CA; Ikon Gallery\, Birmingham\, England; Cubitt\, London; Lotta Hammer\, London; Galleria Franco Noero\, Turin; Els Hanappe Underground\, Athens; and Accademia Britannica\, Rome. His work has been included in the group exhibitions Brilliant!\, Walker Arts Center\, Minneapolis; Sensation\, Royal Academy\, London (toured); Bright Paradise\, 1st Auckland Triennial\, Auckland Art Gallery\, New Zealand; and in exhibitions at the Venice Biennale; Deste Foundation\, Athens; De Appel\, Amsterdam; Dundee Contemporary Arts\, Dundee\, Scottland; and Project Art Centre\, Dublin. Recent publications this year include a catalogue published by Film and Video Umbrella and a book published by Bookworks. \nFollowing his exhibition at the Arizona State University Art Museum\, Adam Chodzko will present a solo exhibition at the Plains Art Museum as part of their series known as The Verge. \nGallery Guide Essay \nThe exhibition includes a gallery guide available at the museum at no cost.\nCLICK HERE TO VIEW THE ESSAY ONLINE. \nASU Art Museum Presentation \nOrganized by John D. Spiak\, Adam Chodzko: Limbo Land and A Place for ‘The End’ will be installed in the Kresege Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nChodzko: Limbo Land and A Place for ‘The End’ (November 9\, 2002 – January 12\, 2003) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by the British Council and friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/adam-chodzko-limbo-land-and-a-place-for-the-end/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020921T000000
DTEND;TZID=America/Phoenix:20030105T000000
DTSTAMP:20260920T083823
CREATED:20180407T024700Z
LAST-MODIFIED:20241029T204434Z
UID:4159-1032566400-1041724800@asuartmuseum.org
SUMMARY:Touring Exhibitions
DESCRIPTION:Subjectivity: Photography of Themselves\nThe artists in this exhibition use their own bodies as their subject. In a variety of ways\, the work reflects the degree to which the self can be defined and constructed\, the ways in which the vision of the body can be conflated with landscape or machine. \nPrograms\nSlide lecture by Anthony Goicolea\n7:30 pm\, Thursday\, November 7\nASU Architecture (AED 60) \nGallery talk by Anthony Goicolea\nNoon\, Friday\, November 8\nASU Art Museum \nGallery talk by Arno Minkkinen\n7:30 pm\, Tuesday\, November 19\nASU Art Museum \nArtists in the Exhibition \nZhao Bandi\, Bob Carey\, Anthony Goicolea\, Zhang Huan\, Arno Minkkinen\, Yasumasa Morimura\, and Cindy Sherman. \nSeason Opening Reception \nOn Friday\, September 20\, the ASU Art Museum will present receptions for Mark Klett: Ideas About Time\, Pipilotti Rist: Sip My Ocean and other videos\, Embracing Night: New Ceramics by Farraday Newsome Sredl\, and The Aftermath\, (911): Photogrpahs by Janis Lewin from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin\, Subjectivity: Photography of Themselves will be installed in the Turk Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nSubjectivity: Photography of Themselves (September 21\, 2002 – January 5\, 2003) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/touring-exhibitions/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020831T000000
DTEND;TZID=America/Phoenix:20021110T000000
DTSTAMP:20260920T083823
CREATED:20180407T022900Z
LAST-MODIFIED:20241029T235637Z
UID:4501-1030752000-1036886400@asuartmuseum.org
SUMMARY:Mark Klett Ideas About Time
DESCRIPTION:Mark Klett: Ideas About Time\nThe idea of returning to a place to encapsulate change over time is central to Klett’s work. It is an elliptical commentary on ecological change\, but also a melancholy observation on mutability and human intrusion. The exhibition will include works from throughout Klett’s career that reflect on the ways in which time can be shaped and redefined. \nPrograms\nGallery talk by Mark Klett\nNoon\, Friday\, September 20\nASU Art Museum\nMayo Clinic lecture by Mark Klett\nNoon\, Friday\, October 18\nMayo Clinic Scottsdale\n13400 E. Shea Blvd.\nScottsdale\, AZ 85259 \nAbout the Artist \nMark Klett lives and works in Tempe\, Arizona and is a faculty member of the Herberger School of Art at Arizona State University. He received a BS in Geology from St. Lawrence University in Canton\, New York and went on to receive a MFA in Photography from the State University of New York at Buffalo\, Program at the Visual Studies Workshop\, Rochester\, New York. A selected list of solo exhibitions include shows at Palm Beach Photographic Center\, Palm Beach\, Florida; The Huntington\, San Marino\, California; Cleveland Museum of Art\, Cleveland\, Ohio; Galerie Fotohof\, Salzburg\, Austria; Lisa Sette Gallery\, Scottsdale\, Arizona; George Washington University\, Washington\, D.C.; Pace Wildenstein Macgill Gallery\, New York\, New York; National Museum of American Art\, Smithsonian Institute\, Washington\, D.C.; Laguna Gloria Art Museum\, Austin\, Texas; Photo Gallery International\, Tokyo\, Japan; Center for Creative Photography\, Tucson\, Arizona; Museum of Contemporary Photography\, Chicago\, Illinois; Art Institute of Chicago\, Chicago\, Illinois. \nHis work was included in the selected group exhibitions Breathless! Photography and Time\, Victoria and Albert Museum\, London; Made in California: Art\, Image\, and Identity\, 1900-2000\, Los Angeles County Museum of Art; Witness to an Occupied Land\, University of Wyoming Art Museum\, Laramie\, Wyoming; The Nature of Things\, Photographic Resource Center\, Boston University\, Boston\, Massachusetts; Shifting Ground: Transformed Views of the American Landscape\, Henry Gallery\, University of Washington\, Seattle\, Washington; Innovation\, Imagination: 50 Years of Polaroid Photography\, Friends of Photography\, San Francisco\, California; The Altered Landscape\, Nevada Museum of Art\, Reno\, Nevada; Telling Stories\, George Eastman House\, Rochester\, New York; Under the Dark Cloth: The View Camera in Contemporary Photography\, Museum of Photographic Arts\, San Diego\, California; Crossing the Frontier: Photographs of the Developing West\, 1849 to the Present\, San Francisco Museum of Modern Art\, San Francisco\, California; Terras do Norte\, Encontros de Fotografia\, Universidade de Coimbra\, Combra\, Portugal; The Experience of Place: Travel and Photography\, Saint Louis Art Museum\, Saint Louis\, Missouri; Critical Landscapes\, Tokyo Metropolitan Museum of Photography\, Tokyo\, Japan; Motion and Document\, Sequence and Time\, Presentation House\, Vancouver\, British Columbia; and Panorama des Panoramas\, Centre National de la Photographie\, Paris\, France. \nSeason Opening Reception \nOn Friday\, September 20\, the ASU Art Museum will present receptions for Pipilotti Rist: Sip My Ocean and other videos\, Subjectivity: Photographs of Themselves\, Embracing Night: New Ceramics by Farraday Newsome Sredl\, and The Aftermath (911): Photogrpahs by Janis Lewinfrom 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nASU Art Museum Presentation \nOrganized by Marilyn A. Zeitlin and Heather Sealy Lineberry\, Mark Klett: Ideas About Time will be installed in the Top Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nMark Klett: Ideas About Time (August 31 – November 10\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/mark-klett-ideas-about-time/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020831T000000
DTEND;TZID=America/Phoenix:20021027T000000
DTSTAMP:20260920T083823
CREATED:20180407T024400Z
LAST-MODIFIED:20241029T235633Z
UID:4157-1030752000-1035676800@asuartmuseum.org
SUMMARY:Pipilotti Rist: Sip My Ocean and other videos
DESCRIPTION:Pipilotti Rist: Sip My Ocean and other videos\nLulling the viewer with song and visual\, Pipilotti Rist creates a sensual lure of pleasure with her video installation Sip My Ocean. Beautiful underwater ocean shots\, peaceful submerging figures\, and objects slowing floating down the projected image seduce the viewer’s eyes as Rist’s version of Chris Isaak’s pop song “Wicked Game” soothes the ears. But sometimes paradise\, love and desire may not be all that they promise. \nAlso being presented are Rist’s videos I’m Not the Girl Who Misses Much and Pickelporno\, providing a brief overview of her work from 1986 through 1996. \nPrograms\nGallery Lecture by Pipilotti Rist\nOctober 22\, 2002\nASU Art Museum \nAbout the Artist \nPipilotti Rist was born in Rheintal\, Switzerland. She studied at the Institute of Applied Arts in Vienna and the School of Design in Basel. Her work was exhibited at the Louisiana Museum for Modern Art and Museum of Contemporary Art\, Chicago in 1996; Venice Biennial\, Kwangju Biennial\, SITE Santa Fe and Kunsthalle\, Vienna in 1997; Art Gallery of New South Wales\, Solomon R. Guggenheim Museum\, Kunstwerke Berlin in 1998; Museum Ludwig and Musee d’Art Moderne de la Vile de Paris in 1999; ZKM Karlsruhe\, Hirshhorn Museum\, Istanbul Biennial and Metropolitan Museum of Modern Art\, Tokyo in 2000; Museum Boijmans van Beuningen\, Stedelijk Museum voor Actuele Kunst and Luhring Augustine in 2001. \nGallery Guide Essay\nRead the gallery guide essay by the exhibition curator \nSeason Opening Reception \nOn Friday\, September 20\, the ASU Art Museum will present receptions fo r Mark Klett: Ideas About Time\, Subjectivity: Photographs of Themselves\, Embracing Night: New Ceramics by Farraday Newsome Sredl\, and The Aftermath\, (911): Photogrpahs by Janis Lewin from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nASU Art Museum Presentation\nOrganized by John D. Spiak\, Pipilotti Rist: Sip My Ocean and other videos will be installed in the Kresege Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location.\n\nDuration \nPipilotti Rist: Sip My Ocean and other videos (August 31 – October 27\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm.\n\nSupport \nThe exhibition and educational programs are generously supported by Howard and Donna Stone and by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/pipilotti-rist-sip-my-ocean-and-other-videos/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020828T000000
DTEND;TZID=America/Phoenix:20021214T000000
DTSTAMP:20260920T083823
CREATED:20180405T054700Z
LAST-MODIFIED:20241029T235916Z
UID:4156-1030492800-1039824000@asuartmuseum.org
SUMMARY:Embracing Night New Ceramics by Farraday Newsome Sredl
DESCRIPTION:Embracing Night: New Ceramics by Farraday Newsome Sredl\nFarraday Newsome Sredl is well-known nationally for her work in the traditional majolica technique. Her vessels are covered in bold and abundant patterns of fruit\, plants and animals\, with infusions of desert plantlife from her experience here in Phoenix. Her new work shows a surprising shift to a black and white palette that allows for more detailed and personally expressive imagery. Both bodies of work will be included in the exhibition to graphically illustrate the changes and consistencies in an artist’s work over time. \nAbout the Artist \nFarraday Newsome Sredl lives and works in Apache Junction\, Arizona. She received a BA form the University of California at Santa Cruz and went on to receive a MA from San Francisco State University. Her work has exhibited at Jill Spanbauer Gallery\, Naples\, Florida; Katie Gingrass Gallery\, Milwaukee\, Wisconsin; Twist\, Portland\, Oregon; John Michael Kohler Arts Center\, Sheboygan\, Wisconsin; Joanne Rapp Gallery\, Scottsdale\, Arizona; Virginia Breier Gallery\, San Francisco\, California; and the Javier Puig Gallery\, Minneapolis\, Minnesota. \nHer work was included in the selected group exhibitions Collectors Choice II\, Arizona State University Art Museum; SOFA\, Ferrin Gallery\, Chicago\, Illinois; Contemporary Maiolica\, The Arkansas Arts Center Decorative Arts Museum\, Little Rock\, Arkansas; Seduced by Colour: Contemporary International Maiolica Ceramics\, George R. Gardiner Museum of Ceramic Art\, Toronto\, Canada; Tureens\, Gallerymateria\, Scottsdale\, Arizona; ’99 Cups\, Galeria Mesa\, Mesa\, Arizona; On the Surface: An Exhibition of Painterly Clay\, The Ohio Craft Museum\, Columbus\, Ohio; International Ceramics Exhibition II\, Cesky Krumlov\, Czech Republic; Fish Out of Water\, California Crafts Museum\, San Francisco\, CA; and Vessels\, an Eclectic View\, The Clay Studio\, Philadelphia\, Pennslyvania. \nSeason Opening Reception \nOn Friday\, September 20\, the ASU Art Museum will present receptions for Mark Klett: Ideas About Time\, Subjectivity: Photographs of Themselves\, Pipilotti Rist: Sip My Ocean and other videos\, and The Aftermath\, (911): Photographs by Janis Lewin from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramics Research Center. \nASU Art Museum Presentation \nOrganized by Heather Sealy Lineberry\, Embracing Night: New Ceramics by Farraday Newsom Serdl will be installed in the Main Gallery of the Arizona State University Art Museum’s Ceramics Research Center location. \nDuration\nEmbracing Night: New Ceramics by Farraday Newsome Sredl\n(August 28 – December 14\, 2002) is open Wednesday through Saturday from 12am to 5pm. \nSupport\nThe exhibition and related programs are supported in part by CLA and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/embracing-night-new-ceramics-by-farraday-newsome-sredl/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020817T000000
DTEND;TZID=America/Phoenix:20021020T000000
DTSTAMP:20260920T083823
CREATED:20180407T024900Z
LAST-MODIFIED:20241030T000217Z
UID:4155-1029542400-1035072000@asuartmuseum.org
SUMMARY:The Aftermath (9/11)
DESCRIPTION:The Aftermath (9/11): Photographs by Janis Lewin\nAn artist living in New York City\, Janis Lewin walked around the city in the aftermath of September 11\, capturing on film the shrines\, faces of the lost and the reflections of the living. This exhibition is a memorial to that tragic day. \nAbout the Artist \nJanis Lewin lives and works in New York City. She received a BA from the University of California at Berkeley and went on to study at the International Center of Photography in New York. Her work has been included in exhibitions at El Museo del Barrio\, New York; HBO Gallery\, New York; and as part of the exhibition Top 100 Photographers\, Maine Photographic Workshops Golden Light Competition. She has been working on a long-term project photographing in Cuba for over a decade. \nSeason Opening Reception \nOn Friday\, September 20\, the ASU Art Museum will present receptions for Mark Klett: Ideas About Time\, Subjectivity: Photographs of Themselves\, Embracing Night: New Ceramics by Farraday Newsome Sredl\, and Pipilotti Rist: Sip My Ocean and other videos from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location and Ceramic Research Center. \nASU Art Museum Presentation \nOrganized by Jean Makin\, The Aftermath (9/11): Photographs by Janis Lewin will be installed in the Multi-Purpose Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nThe Aftermath (9/11): Photographs by Janis Lewin (August 17 – October 20\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition and related programs are supported in part by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/the-aftermath-9-11/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020518T000000
DTEND;TZID=America/Phoenix:20020811T000000
DTSTAMP:20260920T083823
CREATED:20180405T055600Z
LAST-MODIFIED:20241029T230152Z
UID:4497-1021680000-1029024000@asuartmuseum.org
SUMMARY:Lindsay Hebberd Cultural Portraits of India
DESCRIPTION:Lindsay Hebberd: Cultural Portraits of India\nCultural Portraits of India is the work of Lindsay Hebberd\, a photographer who has traveled throughout the subcontinent recording everyday life and festivals\, and people from all levels of society\, over a period of many years. Because of her intimate knowledge of the country\, Hebberd was able to work in areas that are normally restricted. The exhibition coincides with an Indian festival in the Valley. \nOpening Reception \nOn Friday\, May 17\, the ASU Art Museum will present an opening reception for Lindsay Hebberd: Cultural Portraits from India from 7 – 9pm at the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nASU Art Museum Presentation \nOrganized by Marilyn Zeitlin\, Lindsay Hebberd: Cultural Portraits from India will be installed in the Turk Gallery of the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nLindsay Hebberd: Cultural Portraits of India (May 18 – August 11\, 2002) is open Tuesday from 10am – 9pm\, Wednesday through Saturday from 10am to 5pm\, and Sunday from 1pm to 5pm. \nSupport\nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum.
URL:https://asuartmuseum.org/event-exhibition/lindsay-hebberd-cultural-portraits-of-india/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020323T000000
DTEND;TZID=America/Phoenix:20020505T000000
DTSTAMP:20260920T083823
CREATED:20180407T031900Z
LAST-MODIFIED:20241029T230620Z
UID:4153-1016841600-1020556800@asuartmuseum.org
SUMMARY:2001-2002 Arizona State University School of Art Faculty Exhibition
DESCRIPTION:An annual exhibition of work by Arizona State University School of Art Faculty. \nA reception for this exhibition will take place Friday\, March 22\, 2002\n7-9 P.M. \nASU Art Museum Presentation \nArizona State University School of Art Faculty Exhibition will be installed in the 2\,800-square-foot Kresege Gallery of the Arizona State University Art Museum. \nDuration \nArizona State University School of Art Faculty Exhibition (March 23 – May 5\, 2002) is open Tuesday from 10 am to 9 pm\, Wednesday through Saturday from 10 am to 5 pm\, and Sunday from 1 pm to 5 pm. \nSupport \nThe exhibition at the Arizona State University Art Museum is supported in part by Friends of the Arizona State University Art Museum\, Arizona State University School of Art and the Arizona State University Katherine K. Herberger College of the Arts.
URL:https://asuartmuseum.org/event-exhibition/2001-2002-arizona-state-university-school-of-art-faculty-exhibition/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20020303T000000
DTEND;TZID=America/Phoenix:20020511T000000
DTSTAMP:20260920T083823
CREATED:20180602T020500Z
LAST-MODIFIED:20241029T230505Z
UID:4152-1015113600-1021075200@asuartmuseum.org
SUMMARY:Selections from Valley Collections\, Inaugural Exhibition in the Ceramics Research Center
DESCRIPTION:ASU Art Museum\, Ceramics Research Center\n\n\n\n\n\nInaugural Exhibition in the Ceramics Research Center
URL:https://asuartmuseum.org/event-exhibition/selections-from-valley-collections-inaugural-exhibition-in-the-ceramics-research-center/
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR