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DTSTART:20100101T000000
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121107T000000
DTEND;TZID=America/Phoenix:20121124T000000
DTSTAMP:20260920T022402
CREATED:20180215T230200Z
LAST-MODIFIED:20241029T225748Z
UID:4623-1352246400-1353715200@asuartmuseum.org
SUMMARY:Duet: Lift Me Up For I Am Dying
DESCRIPTION:In conjunction with the 2012 International Conference on Romanticism (ICR)\, held on ASU’s Tempe campus\, the ASU Art Museum is showing Ross Birrell’s film Duet: Lift Me Up For I Am Dying. \nA Palestinian violist and an Israeli violist perform Ross Birrell’s musical composition “Lift Me Up For I Am Dying\,” in the Spiegelsaal of the Clärchens Ballhaus\, separately and at their own tempo. The resulting two parts are put back together in a continuous installation\, Duet. Approaching harmony continually falls into dissonance\, which evokes the possibility of harmony to come. \nLift Me Up For I Am Dying\, composed by Ross Birrell using the last spoken words of John Keats (1795-1821)\, was commissioned by the Swiss Institute in Rome and was first performed as a solo piece for viola by Giorgia Franceschi at Keats’ graveside in the Non-Catholic Cemetery in Rome on May 9\, 2010 as part of Strange Comfort (Afforded by the Profession) curated by Adam Szymczyk and Salvatore Lacagnina. The score was printed in an edition of 300 and exhibited in the Keats-Shelley House\, Rome. A related split screen video and series of hand casts were exhibited in Kunsthalle Basel\, June 13-August 22\, 2010.\n http://www.frieze.com/issue/review/strange-comfort-afforded-by-the-profession/ .\nAvri Levitan (Tel Aviv)\nAvri Levitan was born in 1973 in Tel Aviv and lives in Berlin. He is one of today’s most outstanding soloists with wide international recognition and was a 2009 BBC Music Magazine Awards nominee. He performs regularly in some of the world’s most prestigious concert halls\, such as the Berlin Philharmonic\, Vienna Konzerthaus\, Tokyo Oji Hall\, Casals Hall Tokyo\, National Philharmonic Hall Warsaw\, Seoul Kumho Art Hall and Art Center and Stockholm Nybrokajen Hall. He features in Douglas Gordon’s film “K.364 a journey by train” (2010) and is Professor at the Zaragosa Conservatorio Superior\, Aragon\, Spain.\nwww.avrilevitan.com/ \nTyme Khleifi (Ramallah)\nTyme Khleifi was born in 1989 in Ramallah in the West Bank of Palestine and is currently studying at Bard College in New York. She is a prominent member of the West-East Divan Orchestra\, the Arab-Israeli Youth Orchestra formed in 1999 by Edward Said and Daniel Barenboim in the conviction that: ‘Music by itself can\, of course\, not resolve the Arab-Israeli conflict. Music grants the individual the right and obligation to express himself fully while listening to his or her neighbor. Based on this notion of equality\, cooperation and justice for all\, the Orchestra represents an alternative model to the current situation in the Middle East.’ With the West-East Divan Orchestra\, Tyme has performed around the world\, including on the border between North and South Korea and the BBC Proms.\nwww.west-eastern-divan.org/  \nThe Spiegelsaal\, Clärchens\, Ballhaus\, Berlin\nThe Spiegelsaal (‘Mirror Hall’) is a concert room in the historic Clärchens Ballhaus in Mitte\, Berlin. Built in the late 19th Century\, the Clärchens Ballhaus was bombed during World War II and the traces of war damage remain in the large cracked mirrors and tarnished grandeur of the Spiegelsaal which was left untouched for 60 years.\nwww.spiegelsaal-berlin.de/  \nRoss Birrell\nNominated for the Paul Hamlyn Award 2012 and Margaret Tait Award in 2012\, Ross Birrell (Scotland\, 1969) received a Creative Scotland award in 2011. In 2007 he received a SAC/Scottish Screen Award for Guantanamera (with David Harding) exhibited at Glasgow International 2010; Swiss Institute in Rome/Kunsthalle Basel; Galleri Rotor\, Gothenburg; COBRA Museum of Modern Art\, NL; Americas Society\, NY; Portikus\, Frankfurt. Solo shows include: XYZ Projects\, Athens (with David Harding); Homo Ludens: Works from the Envoy Series\, 1998-2005\, FriesMuseum\, NL (2005); Büro Frierdich\, Berlin; Ellen de Bruijne\, Amsterdam (2003). Group shows: Museo Tamayo\, Mexico City (2012); COBRA Museum\, NL; Kunsthalle Nürnberg/BAWAG Foundation (2007); Apex Art\, NY; Gwangju Biennale\, Korea (2002). Ross Birrell is represented by Ellen de Bruijne\, Amsterdam.\nwww.edbprojects.nl   \nFor more information on ICR\, please visit   http://english.clas.asu.edu/icr2012
URL:https://asuartmuseum.org/event-exhibition/duet-lift-me-up-for-i-am-dying/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121027T000000
DTEND;TZID=America/Phoenix:20130119T000000
DTSTAMP:20260920T022402
CREATED:20180215T231600Z
LAST-MODIFIED:20241029T210307Z
UID:4622-1351296000-1358553600@asuartmuseum.org
SUMMARY:You Are Here
DESCRIPTION:In the paintings\, drawings and prints in the exhibition You Are Here\, drawn from the ASU Art Museum’s permanent collection\, artists explore the ways that we map\, mark or claim the land. Anchored by a historic Dutch engraving of a walled city\, most of the works begin in the late 1970s and reflect the strength of the Museum’s collection. \nDennis Oppenheim’s four lithographs from the Earth Works series diagram projects sculpting the earth. William T. Wiley’s painting on raw canvas appears to be giant doodles from a distance\, but on closer examination prove to be a map of Australia and records of the artist’s travels and memories of the land\, people\, animals and culture. Al Souza layers a weather map\, an illustration from a 1950s text book of swimmers\, and Japanese instructions on how to use a Western toilet in his painting Mainstreams from 1988. Mark Klett revisits iconic Western sites\, like Artist’s Point in Yellowstone\, and photographs or re-photographs these views that were originally captured by artists in the 19th century. In the case of Artist’s Point\, Klett photographs the view while holding an art history text book showing Thomas Moran’s famous 1871 painting of the exact site. \nFinally\, the title of the exhibition comes from a series of lithographs by Mexican American artist Enrique Chagoya. Using a variety of images\, from a recognizable yet manipulated map of the U.S. to a cluster of geometric shapes\, Chagoya explores the social and political implications of our need to conquer the land through maps and images.
URL:https://asuartmuseum.org/event-exhibition/you-are-here/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121020T000000
DTEND;TZID=America/Phoenix:20130119T000000
DTSTAMP:20260920T022402
CREATED:20180215T232400Z
LAST-MODIFIED:20241029T210414Z
UID:4621-1350691200-1358553600@asuartmuseum.org
SUMMARY:Art & Technology
DESCRIPTION:The ASU Art Museum was the first arts institution in the state to exhibit and collect new media art. This selection from the Museum’s permanent collection highlights contemporary artists working with or commenting on technology since the 1970s. Nam June Paik\, one of the earliest video artists\, is represented by a classic piece from 1989\, Alexander Graham Bell. The sculpture references old and new technologies—power lines\, phones\, TVs and robots—and the resulting richness of images and information in our lives. Following Paik’s lead\, the international artists in this exhibition use low- and high-tech materials to explore social and political issues\, personal stories\, the landscape\, and the impact of the rush to new technology.\nDuring the course of the exhibition\, the museum will be showing a series of video works in the gallery. The works are selections from Point of View: An Anthology of the Moving Image 2003\, ASU Art Museum Collection. This anthology features leading artists in film\, video and digital imagery and was assembled by The New Museum and Bick Productions. \n10/20-10/29 William Kentridge\, Automatic Writing\, 2:38 min \n11/27-12/01 Joan Jonas\, Waltz\, 7:03 min \n12/04-12/08 Gary Hill\, Blind Spot\, 12:27 min \n12/11-12/15 Pierre Huyghe\, I Jedi\, 5 min \n12/18-12/22 Pipilotti Rist\, I Want to See How You See (or a portrait of Cornelia Providoli)\, 4:48 min \n12/27-01/05 Isaac Julien\, Encore\, 4:38 min \n01/08-01/12 Francis Alys\, El Gringo\, 4:12 min \n01/15-01/19 Anri Sala\, Time After Time\, 5:22 min \nIn addition\, the following works will be presented\, courtesy of the artists: \n10/30-11/06 Muntadas and Marshall Reese\, Political Advertisement VIII: 1952-2012\, 85 min \n11/08-11/24 Ross Birrell\, Duet: Lift Me Up For I Am Dying\, 2012\, 20 min
URL:https://asuartmuseum.org/event-exhibition/art-technology/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121019T000000
DTEND;TZID=America/Phoenix:20121110T000000
DTSTAMP:20260920T022402
CREATED:20180215T233000Z
LAST-MODIFIED:20241029T210600Z
UID:4620-1350604800-1352505600@asuartmuseum.org
SUMMARY:Matteo Rubbi: The Closest Thing
DESCRIPTION:The ASU Art Museum in the Herberger Institute for Design and the Arts is pleased to announce the opening of an exhibition of new site-specific artwork by Italian artist Matteo Rubbi in the new downtown Phoenix venue Project Space. \nA small New York City skyline magically appears in the desert. A copper casting of a mountain known for a tragic episode in Apache history moves from hand to hand\, from here to there\, like a huge coin. A walkable and almost invisible solar system winds through the streets of downtown Phoenix. A mural depicting the disappearing life of miners in Superior\, Ariz.\, becomes a puzzle to put back together morning by morning\, with the help of coffee. A prototype of a board game invented by Jules Verne sends players traveling around the United States circa 1939. A Magic Friday dinner unexpectedly takes place in Phoenix\, with guests arriving on two wheels. \nThese vignettes and more comprise a body of work by Italian artist Matteo Rubbi that will debut on Oct. 19\, 2012 from 6 to 9 p.m. at Project Space\, a public exhibition venue at the ASU Art Museum International Artist Residency at Combine Studios in downtown Phoenix. There will be activities around the exhibition every day from Oct. 19-Oct. 25\, and the exhibition itself will remain on view until Nov. 10. \nMatteo Rubbi is the winner of the 2011 Furla Prize\, an award given one artist every other year. Rubbi has been an artist in residence for the past year and is investigating the cultural aspects of mining in Arizona\, the role of the bicycle in urban transportation and food as a bridge between diverse cultural backgrounds. Rubbi’s artwork occurs at the intersection between object and audience\, shifting viewers to participants. The setting or context for each of his artistic investigations becomes integrally woven into the work itself. \nThe exhibition marks the inauguration of the new public exhibition space in the residency facility. The Project Space will host a variety of exhibitions\, projects\, lectures and public events. \nThe ASU Art Museum International Artist Residency at Combine Studios is located in downtown Phoenix\, at 821 North Third Street. For additional information\, please call the ASU Art Museum at 480.965.2787 or visit  www.facebook.com/ASUAM.Combine
URL:https://asuartmuseum.org/event-exhibition/matteo-rubbi-the-closest-thing/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121013T000000
DTEND;TZID=America/Phoenix:20130112T000000
DTSTAMP:20260920T022402
CREATED:20180215T233600Z
LAST-MODIFIED:20241029T210806Z
UID:4619-1350086400-1357948800@asuartmuseum.org
SUMMARY:The Desert: Bohl\, Borein and Burr
DESCRIPTION:Beautiful and expansive landscapes\, immense clouded skies\, strange cacti and fowl\, and the inhabitants and workers of the land inspired Walter E. Bohl\, Edwin Borein and George Elbert Burr. Each of the artists worked in different professions before they began to make prints. They lived in different states until health and their art brought them to the desert. And here\, in the desert\, their work bloomed.
URL:https://asuartmuseum.org/event-exhibition/the-desert-bohl-borein-and-burr/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120929T000000
DTEND;TZID=America/Phoenix:20130201T000000
DTSTAMP:20260920T022402
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195750Z
UID:4618-1348876800-1359676800@asuartmuseum.org
SUMMARY:Trajectory: Miguel Palma
DESCRIPTION:Visiting artist Miguel Palma (Portugal) has developed a “Desert Initiative Remote Shuttle” that investigates ways in which meaning of place\, particularly in remote desert environments\, is created and communicated. Palma’s work in this exhibition engages issues through the lens of exploration: military history in Arizona and the Southwest\, the military’s role in desert preservation\, the history of Manifest Destiny and colonialism in populated places\, strategies of adaptation and the role of technology in desert survival. \nThe artist will be present for the exhibition opening Sept. 28 and 29. \nThis exhibition is supported in part by the FUNd at ASU Art Museum\, the ASU Art Museum Advisory Board and Friends and Margarita and Willie Joffroy.
URL:https://asuartmuseum.org/event-exhibition/trajectory-miguel-palma/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120825T000000
DTEND;TZID=America/Phoenix:20121201T000000
DTSTAMP:20260920T022402
CREATED:20180216T000000Z
LAST-MODIFIED:20241030T000003Z
UID:4617-1345852800-1354320000@asuartmuseum.org
SUMMARY:Ant Farm Media Van v.08 [Time Capsule]
DESCRIPTION:The ASU Art Museum presents the Ant Farm Media Van v.08 [Time Capsule]\, 2008\, by Chip Lord\, Curtis Schreier and Bruce Tomb. (Lord and Schreier were partners in the legendary art and technology cooperative Ant Farm\, active from 1968-1978.) \nThe Media Van is a repurposed 1972 Chevy with interior modifications including vintage Ant Farm videos\, a conversation pit and a media HUQQUH. The HUQQUH will create a digital time capsule of images and music randomly donated by the public through the process of plugging in a personal digital device such as a camera\, MP3 player or Smartphone. \nThe project revisits the 1970 Ant Farm Media Van and mixes it up with digital media culture\, consumerism and popular culture. At the center of the Media Van v.08 is the social condition created by a small group of people sitting around shared media\, and contributing to the making of a new artwork: the ASU Time Capsule Triptych. Also on view are remnants from the original Truckstop Tour\, 1970\, and a previous digital Time Capsule\, the SFMOMA Time Capsule Triptych. \nAnt Farm Media Van v.08 was commissioned by SFMOMA in 2008 and curated for the ASU Art Museum by Gordon Knox. The exhibition is supported by the Wilhelmine Prinzen Endowment\, Peter Shikany and PS Studios\, Inc.\, the ASU Art Museum Advisory Board\, Kitchell-Perez\, Mikki and Stanley Weithorn\, and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/ant-farm-media-van-v-08-time-capsule/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120714T000000
DTEND;TZID=America/Phoenix:20120908T000000
DTSTAMP:20260920T022402
CREATED:20180216T000800Z
LAST-MODIFIED:20241029T231945Z
UID:4616-1342224000-1347062400@asuartmuseum.org
SUMMARY:Bad Manners
DESCRIPTION:This show of selections from the Museum’s permanent collection introduces two new acquisitions — de Guantanamera y Playero Giron\, El Mito (of Guantanamera and Bay of Pigs\, El Mythos)\, a painting by Claudio Dicochea\, and Bad Manners\, a ceramic installation piece by Marilyn Lysohir — and presents a behind-the-scenes look at how museum registrars accession an item\, and what steps they have to take to bring it into the permanent collection.
URL:https://asuartmuseum.org/event-exhibition/bad-manners/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120609T000000
DTEND;TZID=America/Phoenix:20120929T000000
DTSTAMP:20260920T022402
CREATED:20180216T001200Z
LAST-MODIFIED:20241029T230924Z
UID:4615-1339200000-1348876800@asuartmuseum.org
SUMMARY:Collecting Arizona
DESCRIPTION:Collecting Arizona is the ASU Art Museum’s tribute to the state in honor of its Centennial\, featuring artists from the region and a wide range of artwork about Arizona\, including photography\, painting and sculpture. \nThe summer exhibition also feaatures free Family Fun Day – Saturday\, July 14\, from 10 a.m. – 2 p.m. – when children of all ages are invited to enjoy a variety of art making projects\, educational booths and performances by local musicians\, dancers\, magicians and puppeteers. \nThanks to generous community support and sponsorship\, admission to Family Fun Day remains free. \nSupport for Collecting Arizona was provided by the ASU Art Museum Advisory Board and the Stulgaitis Family Scholastic Award in honor of Helen Flecha Polina. \nCommunity partners include KAET PBS/8\, Valley Metro and Changing Hands Bookstore.
URL:https://asuartmuseum.org/event-exhibition/collecting-arizona/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120410T000000
DTEND;TZID=America/Phoenix:20120825T000000
DTSTAMP:20260920T022402
CREATED:20180216T003300Z
LAST-MODIFIED:20241030T000757Z
UID:4614-1334016000-1345852800@asuartmuseum.org
SUMMARY:Emerge: Redesigning the Future
DESCRIPTION:Science and technology are changing our lives. They are transforming our minds\, our possessions and the landscapes we inhabit. In which directions are they heading? What kinds of societies\, cities\, homes – even people – will they lead to? Are these the futures that we want? \nOn March 1–3\, 2012\, Arizona State University hosted Emerge\, a campus-wide event that united artists\, engineers\, bioscientists\, social scientists\, storytellers and designers to build\, draw\, write and play with the future. This interactive exhibition at the ASU Art Museum offers Emerge’s discoveries and creations\, giving you an opportunity to get a taste of the futures discussed. \nJoin us for the opening reception Tuesday\, April 17\, from 5-8 p.m.\, sponsored by the ASU Global Institute of Sustainability. Free and open to the public. \nSponsors and partners:\nHerberger Institute for Design and the Arts\nThe Center for Nanotechnology in Society\nASU Office of the President\nThe Prevail Project of the Sandra Day O’Connor College of Law\nSchool of Sustainability\nIra A. Fulton Schools of Engineering\nASU LightWorks\nASU Art Museum \nEmerge exhibition team:\nDaragh Byrne\, School of Arts\, Media + Engineering in the Herberger Institute\nSarah Davies\, Center for Nanotechnology in Society\nAisling Kelliher\, School of Arts\, Media + Engineering and The Design School in the Herberger Institute\nCynthia Selin\, School of Sustainability\, Consortium for Science\, Policy and Outcomes
URL:https://asuartmuseum.org/event-exhibition/emerge-redesigning-the-future/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120407T000000
DTEND;TZID=America/Phoenix:20120804T000000
DTSTAMP:20260920T022402
CREATED:20180216T003500Z
LAST-MODIFIED:20241030T000348Z
UID:4613-1333756800-1344038400@asuartmuseum.org
SUMMARY:10 for 10 x 2: 10th Anniversary New Acquisitions
DESCRIPTION:Collecting contemporary ceramics has an illustrious five-decades-long history at the ASU Art Museum\, and we are excited to be celebrating the Ceramics Research Center’s 10th anniversary in its current facility. Our reputation and commitment to this medium is unparalleled in the United States. \nIn honor of this milestone\, we asked ceramic collectors and artists nationwide to consider donating a work to fill gaps in the collection: artists who are not currently represented (both utilitarian and sculptural) or international artists from Asia and Europe. \nThe response was very enthusiastic\, as this exhibition demonstrates. Included are two masterworks from Tatsuo Shimaoka\, a national living treasure from Japan; an iconic hare charger by Ken Ferguson\, who was an influential artist and educator at the Kansas City Art Institute; a dramatic vase with explosive surfaces by British artist Gareth Mason; and a striking\, eloquent figure by Santa Clara Pueblo artist Rose B. Simpson\, among others. \nOn behalf of the museum staff\, we would like to express our gratitude to the following collectors and artists who have made these generous gifts possible: Hope and Mel Barkan (Massachusetts); Elaine and Sidney Cohen (Arizona); Joyce Cooper (Arizona); Paul and Sharon Dauer (California); Skippy and Manny Gerard (New York); Marc and Diane Grainer (Maryland); Carlos Enrique Prado Herrera (Cuba); Jason Jacques Gallery (New York); Stéphane Janssen (Arizona); Darien Johnson (New York); Sara and David Lieberman (Arizona); Pucker Gallery (Massachusetts); Mindy Solomon Gallery (Florida); Bill Stewart (New York) and Rob and Jossline Wood (Virginia).
URL:https://asuartmuseum.org/event-exhibition/10-for-10-x-2-10th-anniversary-new-acquisitions/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120204T000000
DTEND;TZID=America/Phoenix:20120519T000000
DTSTAMP:20260920T022402
CREATED:20180216T005900Z
LAST-MODIFIED:20241029T234257Z
UID:4612-1328313600-1337385600@asuartmuseum.org
SUMMARY:Performing for the Camera
DESCRIPTION:Performing for the Camera presents 50 photographs by artists who use performance as a central part of their process. With elaborate costumes and masquerades\, large groups of people\, theatrical settings\, serial images and cinematic framing\, the artists create photographs that are often ambiguous\, dreamlike\, uncanny or campy. These works blur fact and fiction by staging images for a medium associated with truth — teasing and inspiring us to complete the story for ourselves. \nSupported by the Advisory Board of the ASU Art Museum and Friends of the ASU Art Museum. \nSpecial thanks to Stéphane Janssen for lending most of the works in the exhibition from his deep and significant collection. \nThe exhibition was curated by Heather Sealy Lineberry\, senior curator and associate director of the ASU Art Museum\, with ASU School of Art faculty members and photographers Julie Anand and Elizabeth Schneider; Ann Sanchez\, curator of the Stéphane Janssen collection; Nicole Herden\, curatorial assistant and curatorial intern Meredith Bonnett. \nArtists included in the exhibition: AES+F\, Dieter Appelt\, Liu Bolin\, Gregory Crewdson\, Philip-Lorca diCorcia\, Gao Brothers\, Aimeé García Marrero\, Anthony Goicolea\, Zhang Huan\, Teresa Hubbard and Alexander Birchler\, Ellen Kooi\, Oleg Kulik\, Duane Michals\, Arno Minkkinen\, Tracey Moffatt\, Yasumasa Morimura\, Shirin Neshat\, Robert and Shana ParkeHarrison\, Pierre + Gilles\, Cindy Sherman\, Sandy Skoglund\, Pepe Smit\, Kwong Chi Tseng\, Spencer Tunick\, Carrie Mae Weems\, Charlie White and Kimiko Yoshida.
URL:https://asuartmuseum.org/event-exhibition/performing-for-the-camera/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120127T000000
DTEND;TZID=America/Phoenix:20120303T000000
DTSTAMP:20260920T022402
CREATED:20180216T011200Z
LAST-MODIFIED:20241029T232126Z
UID:4611-1327622400-1330732800@asuartmuseum.org
SUMMARY:Soaring Voices: Recent Ceramics by Women from Japan
DESCRIPTION:For thousands of years\, women have been highly active in the production of ceramics\, but their names have largely been unknown. Soaring Voices demonstrates the shift in Japanese society toward individual women artists becoming recognized in an artistic realm traditionally dominated by men. This traveling exhibition features 87 works by 25 exceptional women artists who reflect Japan’s rich and innovative ceramic culture. \nSoaring Voices was developed by The Shigaraki Ceramic Cultural Park\, Shiga Prefecture\, and hus-10\, Inc.\, Tokyo\, Japan; the tour was organized by International Arts & Artists\, Washington\, D.C.\, and generously supported in part by the E. Rhodes & Leona B. Carpenter Foundation and the S&R Foundation.\nSupport for Soaring Voices at the ASU Art Museum Ceramics Research Center was provided by a generous grant from the Japan Foundation\, New York\, and by Ron and Masako Berman\, Elaine and Sidney Cohen\, and Sara and David Lieberman. \nIn connection with the exhibition\, the CRC will host Ceram-A-Rama Yaki\, Jan. 26-28\, 2012. To register for Ceram-A-Rama Yaki or for more information\, contact the event’s coordinator\, Cyndi Coon\, at 480.734.5178 or cyndi.coon@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/soaring-voices-recent-ceramics-by-women-from-japan/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120121T000000
DTEND;TZID=America/Phoenix:20120602T000000
DTSTAMP:20260920T022402
CREATED:20180216T012000Z
LAST-MODIFIED:20241029T232920Z
UID:4610-1327104000-1338595200@asuartmuseum.org
SUMMARY:Miracle Report: Julianne Swartz and Ken Landauer\, Social Studies 8
DESCRIPTION:Julianne Swartz and Ken Landauer spent their Social Studies residency at the ASU Art Museum looking for miracles. The artists explored the miraculous through people’s perceptions of it in their lives\, interviewing students\, school children and community members of all ages and backgrounds. They combined their findings in an installation of fleeting vignettes playing on all of the available sound and video equipment in the museum’s possession. In the words of the artists\, “Our installation will strive to embody some beauty\, some hocus-pocus and some unexplainable magic.” \nThis project is supported by a grant from The Andy Warhol Foundation for the Visual Arts as part of the Social Studies series. Initiated by John D. Spiak\, the exhibition is curated by Heather Sealy Lineberry with Nicole Herden. \n\n\n\n\nCurator:\n\nHeather Sealy Lineberry
URL:https://asuartmuseum.org/event-exhibition/miracle-report-julianne-swartz-and-ken-landauer-social-studies-8/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20111001T000000
DTEND;TZID=America/Phoenix:20111231T000000
DTSTAMP:20260920T022402
CREATED:20180220T223700Z
LAST-MODIFIED:20241029T210824Z
UID:4609-1317427200-1325289600@asuartmuseum.org
SUMMARY:Securing a free state: The Second Amendment Project – Jennifer Nelson\, Social Studies 7
DESCRIPTION:Securing a free state: The Second Amendment Project explores the dance between individual and collective rights as they relate to the Second Amendment of the U.S. Constitution. In this project\, artist Jennifer Nelson focused on the personal motivations and dignity of citizens on both sides of the debate by exploring how people find security\, individually and collectively. These questions were considered from the point of view of those who feel the need to arm themselves in order to feel secure and free\, as well as from the perspective of those who must regain a sense of security and freedom after having their security violated. Visitors participated in the project throughout the artist’s residency through open gallery events\, a panel discussion and field trips to a prosthetics design facility\, sniper training school and a mental rehabilitation center. The events and activities that took place during the artist residency informed a number of video and sculptural installations made during the artist’s visit. \nThis exhibition\, which continues through December\, is supported by a grant from The Andy Warhol Foundation for the Visual Arts
URL:https://asuartmuseum.org/event-exhibition/securing-a-free-state-the-second-amendment-project-jennifer-nelson-social-studies-7/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110924T000000
DTEND;TZID=America/Phoenix:20111231T000000
DTSTAMP:20260920T022402
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195820Z
UID:4608-1316822400-1325289600@asuartmuseum.org
SUMMARY:Juan Downey: The Invisible Architect
DESCRIPTION:Juan Downey: The Invisible Architect is the first U.S. museum survey of the work of Chilean artist Juan Downey (1940-1993)\, an unsung video-art pioneer whose career Artforum magazine calls “brilliant and idiosyncratic.” \nWorking in a variety of media\, Downey anticipates our current interest in urbanism\, post-colonial theory and locality in contemporary art. He explores the intellectual and historical myths of European culture\, as well as the roots of Latin American identity\, through videos and installations that use associative visual metaphors\, collage-like techniques and non-linear narrative. \nThe Invisible Architect was organized by the MIT List Visual Arts Center and the Bronx Museum of the Arts. The exhibition is supported by the Andy Warhol Foundation for the Visual Arts\, the National Endowment for the Arts; Martin E. Zimmerman; the Dedalus Foundation; the Milton & Sally Avery Arts Foundation; and Fundacion Cisneros/Coleccion Patricia Phelps de Cisneros. The ASU Art Museum presentation is made possible by a generous grant from the Bruce T. Halle Family Foundation and with additional support from the Helme Prinzen Endowment and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/juan-downey-the-invisible-architect/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110903T000000
DTEND;TZID=America/Phoenix:20111126T000000
DTSTAMP:20260920T022402
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195739Z
UID:4607-1315008000-1322265600@asuartmuseum.org
SUMMARY:100 Museums: Paintings of Buildings That Have Paintings Inside
DESCRIPTION:Rico Solinas’ decision to use metal saw blades as the canvas for his portraits of art museums is the artist’s tribute to the American work ethic. Thirteen years in the making and featuring buildings from the Louvre to the Hermitage to ASU’s own art museum\, this exhibition reflects Solinas’ belief that an artist should never replicate what is already in a museum\, but should instead create something unique and entirely new.
URL:https://asuartmuseum.org/event-exhibition/100-museums-paintings-of-buildings-that-have-paintings-inside/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110827T000000
DTEND;TZID=America/Phoenix:20120127T000000
DTSTAMP:20260920T022402
CREATED:20180220T230200Z
LAST-MODIFIED:20241029T235924Z
UID:4606-1314403200-1327622400@asuartmuseum.org
SUMMARY:Just Animals
DESCRIPTION:The word animal evokes many impressions: everything from friendly pets\, like dogs and cats\, to wild creatures like bears and elephants. The word brings to mind images (fur\, eyes\, tails)\, sounds (purr\, bark) and events (family zoo trip\, pet adoption center visit). We all have memories that make recognizing animals in art easy. But sometimes artists will add something extra. Maybe it is a little humor\, as in Walton Ford’s reflection on Audubon’s nature studies in his print Nila\, or a more serious commentary on our ecological destruction\, as in Oscar’s monoprint Pooch. Or it can be the remarkable ability to capture a personality on paper\, as Beth Van Hoesen does in Puff.
URL:https://asuartmuseum.org/event-exhibition/just-animals/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110827T000000
DTEND;TZID=America/Phoenix:20111231T000000
DTSTAMP:20260920T022402
CREATED:20180220T225700Z
LAST-MODIFIED:20241029T235928Z
UID:4605-1314403200-1325289600@asuartmuseum.org
SUMMARY:Dulce: Bisque Without Borders
DESCRIPTION:San Antonio-based artist Franco Mondini-Ruiz\, winner of the Rome Prize and featured in the 2000 Whitney Biennial\, mines the ASU Art Museum’s ceramics collection\, bringing together both favorite gems and objects that have been in storage for decades to create Dulce: Bisque Without Borders. \nAlso included in this three-part project is Limpia: Revisiting the Collection\, a re-installation of the collection in open storage. Limpia\, or “cleaning\,” highlights the best works in the collection in a new and exciting format. \nAnd\, during the reception weekend (Friday\, Sept. 30 from 7 to 9 p.m. and Saturday\, Sept. 31 from 11 .m. to 5 p.m.)\, join us for Tienda Franco\, a performance/party/market where Mondini-Ruiz will be peddling his readymade objects and making art affordable for all. \nThis exhibition is funded by the Joseph Dung Ceramics Initiative\, the HBB Foundation and by members of the Ceramics Research Center’s Artists’ Advisory Committee. The reception is funded in part by Armstrong/Prior.
URL:https://asuartmuseum.org/event-exhibition/dulce-bisque-without-borders/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110702T000000
DTEND;TZID=America/Phoenix:20110827T000000
DTSTAMP:20260920T022402
CREATED:20180220T232200Z
LAST-MODIFIED:20241029T231810Z
UID:4604-1309564800-1314403200@asuartmuseum.org
SUMMARY:By Myself and With My Friends
DESCRIPTION:In By myself and with my friends . . . six artists explore the complexities of human nature by looking at some of the things we have in common with animals\, from our herd mentality to our moments of solace. Featuring videos by Krista Birnbaum\, Donna Conlon\, Rivane Neuenschwander\, Corinna Schnitt and Connie Samaras.
URL:https://asuartmuseum.org/event-exhibition/by-myself-and-with-my-friends/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110604T000000
DTEND;TZID=America/Phoenix:20110903T000000
DTSTAMP:20260920T022402
CREATED:20180220T232600Z
LAST-MODIFIED:20241029T231025Z
UID:4603-1307145600-1315008000@asuartmuseum.org
SUMMARY:12th Annual Summer Family Exhibition -- Words of Art: Selections from the ASU Art Museum      Collection
DESCRIPTION:Visit the ASU Art Museum’s summer exhibition Words of Art to see how the written word is teamed up with a variety of visual arts. Hands-on activities throughout the exhibition inspire children through reading\, writing and\, of course\, art. \nOur annual Family Fun Day brings the family exhibition even more to life. This free event is scheduled for July 9\, 2011\, from 10 a.m. – 2 p.m.\, and features art making projects\, performances and a visit from a PBS character from Eight/KAET. \nSupport for this family exhibition and event is provided by the Windgate Charitable Foundation\, ASU Art Museum Advisory Board\, Friends of the ASU Art Museum\, the Scottsdale League for the Arts\, Tempe Municipal Arts Commission\, Valley Metro\, Eight/KAET and Changing Hands Bookstore. \nThe exhibition is organized by Rory O’Neill Schmitt\, Windgate intern\, and Jean Makin\, print collection manager\, with educational outreach organized by Andrea Feller\, curator of education.
URL:https://asuartmuseum.org/event-exhibition/12th-annual-summer-family-exhibition-words-of-art-selections-from-the-asu-art-museum-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110521T000000
DTEND;TZID=America/Phoenix:20110827T000000
DTSTAMP:20260920T022402
CREATED:20180220T233100Z
LAST-MODIFIED:20241029T230101Z
UID:4265-1305936000-1314403200@asuartmuseum.org
SUMMARY:Self-Referential: Art Looking at Art
DESCRIPTION:Artists often address the world of art – its traditions\, histories and economies – in their own work. This self-reflective strategy provides grounds for sharp critique as well as for playful conversations as artists riff off one another.
URL:https://asuartmuseum.org/event-exhibition/self-referential-art-looking-at-art/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110513T000000
DTEND;TZID=America/Phoenix:20110513T000000
DTSTAMP:20260920T022402
CREATED:20180221T011700Z
LAST-MODIFIED:20241029T230206Z
UID:4601-1305244800-1305244800@asuartmuseum.org
SUMMARY:Collecting Contemporary Art: The FUNd at ASU Art Museum
DESCRIPTION:Collecting Contemporary Art features a selection of works acquired in part or in whole by the FUNd at ASU Art Museum\, an endowment established by the Elizabeth Firestone Graham Foundation. From monumental found-object installations to print portfolios of etchings and lithographs\, the international pieces share a current of experimentation and an exploration of social and political concerns. The exhibition charts the Museum’s collecting goals and exhibition history over the past 15 years\, with significant representation of Latin American and Latino artists\, artists from Arizona and artists in residence at the Museum. Artists represented include Kim Abeles (Los Angeles)\, John Ahearn (New York)\, Abel Barroso (Cuba)\, Sandow Birk (Los Angeles)\, Xu Bing (China)\, Deborah Butterfield (Montana/Hawaii)\, Enrique Chagoya (born in Mexico\, active in the U.S.)\, Colin Chillag (Phoenix)\, Sue Coe (born in England\, active in the U.S.)\, Jon Haddock (Tempe)\, Kcho (Cuba)\, Los Carpinteros (Cuba)\, Aimee Garcia Marrero (Cuba)\, Paulo Nenflidio (Brazil)\, Adriana Varejao (Brazil) and Kurt Weiser (Tempe).
URL:https://asuartmuseum.org/event-exhibition/collecting-contemporary-art-the-fund-at-asu-art-museum/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110430T000000
DTEND;TZID=America/Phoenix:20110806T000000
DTSTAMP:20260920T022402
CREATED:20180220T234000Z
LAST-MODIFIED:20241030T000500Z
UID:4600-1304121600-1312588800@asuartmuseum.org
SUMMARY:A Legacy Continued: New Acquisitions from the Stéphane Janssen & R. Michael Johns      Collection
DESCRIPTION:In 2004 the ASU Art Museum announced that it would be the recipient of over 600 works of contemporary ceramics from Arizona resident and Belgian native St éphane Janssen\, considered one of the world’s leading collectors of contemporary art. \nThis exhibition will highlight a grouping of 80 works given in 2010\, including master works by Robert Arneson\, Ken Price\, Lucie Rie\, David Gilhooly and Beatrice Wood\, as well as stellar examples of early Peter Voulkos\, Ron Nagle and Michael Frimkess.
URL:https://asuartmuseum.org/event-exhibition/a-legacy-continued-new-acquisitions-from-the-stephane-janssen-r-michael-johns-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110408T000000
DTEND;TZID=America/Phoenix:20110611T000000
DTSTAMP:20260920T022402
CREATED:20180220T234500Z
LAST-MODIFIED:20241030T000344Z
UID:4599-1302220800-1307750400@asuartmuseum.org
SUMMARY:Muntadas: About Academia
DESCRIPTION:About Academia is the latest project by renowned international artist Antoni Muntadas\, who is the subject of a major retrospective this fall at the Museo Nacional Reina Sofia\, Madrid. About Academia is an inquiry into the problematic relations between the production of knowledge and economic power in our universities. Over the course of three years\, Muntadas and his team of collaborators researched the history of “academia” as an institution in the Western world\, from its beginnings to the present challenges\, and then proceeded to interview faculty members at Harvard and other U.S. research universities\, including Noam Chomsky\, Carol Becker\, Howard Zinn\, Bradley Epps\, Mark Wigley\, Thomas Cummins\, Doris Sommer\, John Coatsworth and David Harvey\, among others. \nAbout Academia premiered at the Carpenter Center for Visual Arts at Harvard University. The exhibition is co-sponsored by the Carpenter Center and the David Rockefeller Center for Latin American Studies at Harvard University\, and Arizona State University Art Museum. The ASU Art Museum’s presentation is curated by Gordon Knox\, director\, and was made possible by the Evelyn Smith Exhibition Fund; Twin Palms Hotel\, Tempe; and the Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/muntadas-about-academia/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110305T000000
DTEND;TZID=America/Phoenix:20110806T000000
DTSTAMP:20260920T022402
CREATED:20180221T004300Z
LAST-MODIFIED:20241029T230332Z
UID:4261-1299283200-1312588800@asuartmuseum.org
SUMMARY:Andy Warhol: Who\, What\, Where
DESCRIPTION:Andy Warhol’s black and white photographs in this exhibition reveal the people\, things and places that spontaneously captured his attention and fed his larger body of work. The legendary artist used photographs throughout his silkscreen paintings\, drawings and prints. \nThe ASU Art Museum received 155 Polaroid photographs and gelatin silver prints from The Andy Warhol Photographic Legacy Program\, which donated more than 28\,500 works to educational institutions across the United States. For more information:  www.warholfoundation.org/legacy/biography.html
URL:https://asuartmuseum.org/event-exhibition/andy-warhol-who-what-where/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110219T000000
DTEND;TZID=America/Phoenix:20110430T000000
DTSTAMP:20260920T022402
CREATED:20180221T005600Z
LAST-MODIFIED:20241029T234554Z
UID:4260-1298073600-1304121600@asuartmuseum.org
SUMMARY:Re-Thinking the Faculty Exhibition 2011
DESCRIPTION:This year\, the faculty show takes a new direction. It represents the beginning of an exciting set of possible partnerships\, exchanges and experiments between the School of Art and the ASU Art Museum. It’s also the first instance of the museum’s rethinking and revitalizing the way we do things\, as part of our Re-Thinking the Museum initiative. \nArt historian and writer Robert Atkins was selected to open Re-Thinking the Museum as juror/curator of the ASU School of Art Faculty Biennial Exhibition. During the month of November\, Atkins reviewed submissions\, visited artists’ studios and discussed opportunities for site-specific installations as he selected work for the 2011 exhibition. \nFaculty Artists: Julie Anand\, Peter Bugg\, Christopher Colville\, Claudio Dicochea\, Angela Ellsworth\, Jon Haddock\, Hilary Harp\, Marc Klett\, Lisa C. von Koch\, Michael Lundgren\, Muriel Magenta\, Stephen Marc\, John Obuck\, Anthony Pessler\, Janice Pittsley\, Mark Pomilio\, Forrest Solis \nView the Re-Thinking the Faculty Exhibition 2011 website for more information about the exhibition including artists’ biographies\, artwork and statements\, and a special comment section for viewer responses. \nSeason Opening Reception: Feb. 18\, 7–9 p.m. Refreshments will be available. \nSpecial preview tour with Robert Atkins\, guest curator\, following introduction by Gordon Knox\, director of the ASU Art Museum\, and Adriene Jenik\, director of the ASU School of Art in the Herberger Institute for Design and the Arts at 6 p.m. \nAngela Ellsworth performance: Where The Skies Are Blue at 7–8:30 p.m. \nSpecial thanks to the SpringHill Suites Tempe at Arizona Mills Mall and the Hyatt Place Tempe/Phoenix Airport Fiesta Resort & Conference Center for their support.
URL:https://asuartmuseum.org/event-exhibition/re-thinking-the-faculty-exhibition-2011/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110218T000000
DTEND;TZID=America/Phoenix:20110218T000000
DTSTAMP:20260920T022402
CREATED:20180221T005900Z
LAST-MODIFIED:20241029T234600Z
UID:4259-1297987200-1297987200@asuartmuseum.org
SUMMARY:ASU Art Museum Spring 2011 Season Opening Reception
DESCRIPTION:Join us for refreshments\, performances and merriment at a reception to mark the opening of our spring season\,which includes Citadel: An Installation by Patricia Sannit at the Ceramics Research Center and Re-Thinking the Faculty Exhibition 2011 at the museum. \nAt 6 p.m.\, before the reception begins\, ASU Art Museum Director Gordon Knox and Adriene Jenik\, director of the School of Art\, HIDA\, will introduce the faculty exhibition\, followed by a special preview tour of the exhibition with guest curator Robert Atkins. From 7 p.m. to 8:30 p.m.\, during the reception\, artist Angela Ellsworth and company will perform Where the Skies Are Blue. \nSupported by Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museum-spring-2011-season-opening-reception/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110205T000000
DTEND;TZID=America/Phoenix:20110409T000000
DTSTAMP:20260920T022402
CREATED:20180221T010700Z
LAST-MODIFIED:20241029T234239Z
UID:4258-1296864000-1302307200@asuartmuseum.org
SUMMARY:Citadel: An Installation by Patricia Sannit
DESCRIPTION:Patricia Sannit\, a Phoenix-based artist whose vessels are influenced by cultures worldwide\, is literally breaking new ground for her installation Citadel— with the assistance of scores of community volunteers. Citadel is a 10-foot diameter structure inspired by an Iraqi archeological site called the Citadel at Erbil\, in the Kurdish region. Sannit’s new direction explores the layering of time and history through the medium of clay. \nThis exhibition is funded by an Artist Project grant from the Arizona Commission on the Arts\, by the Joseph Dung Ceramics Initiative and by members of CLA.
URL:https://asuartmuseum.org/event-exhibition/citadel-an-installation-by-patricia-sannit/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110201T000000
DTEND;TZID=America/Phoenix:20110514T000000
DTSTAMP:20260920T022402
CREATED:20180221T010900Z
LAST-MODIFIED:20241029T234707Z
UID:4257-1296518400-1305331200@asuartmuseum.org
SUMMARY:It's not just black and white: Gregory Sale - Social Studies Project 6
DESCRIPTION:It’s not just black and white will create a framework to consider Arizona’s criminal justice system and contemporary practices of punishment and discipline. Social Studies challenges the traditional exhibition format by opening with an empty gallery and an artist in residence who considers social interaction a crucial part of their work. Visitors are invited into the gallery to observe\, question and participate with the artist. Through public/private partnerships with multiple ASU departments\, schools and community organizations\, the project brings Museum visitors into the process\, invites extensive collaboration with community and university students\, and greatly enhances the Museum’s role as a vital gathering place. \nThis exhibition is supported by a grant from The Andy Warhol Foundation for the Visual Arts.
URL:https://asuartmuseum.org/event-exhibition/its-not-just-black-and-white-gregory-sale-social-studies-project-6/
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR