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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260924T023546
DTEND;TZID=America/Phoenix:20160522T000000
DTSTAMP:20260924T023546
CREATED:20160321T211900Z
LAST-MODIFIED:20241029T234420Z
UID:4329-0-1463875200@asuartmuseum.org
SUMMARY:In the Stacks: Print Wikipedia
DESCRIPTION:Hayden Library\, Level 1\n\n\n\n\n\n“Print Wikipedia” is a both a utilitarian visualization of the largest accumulation of human knowledge and a poetic gesture towards the futility of the scale of big data. Michael Mandiberg wrote software that parsed the entirety of the English-language Wikipedia database (in April 2015) and programmatically laid out thousands of volumes\, complete with covers\, and then uploaded them for print-on-demand. Built on what is likely the largest appropriation ever made\, it is also a work of found poetry that draws attention to the sheer size of the encyclopedia’s content and the impossibility of rendering Wikipedia as a material object in fixed form: Once a volume is printed it is already out of date. The work is also a reflection on the actual transparency or completeness of knowledge containers and history. \nThe exhibition at Hayden Library will include a selection of 61 Wikipedia volumes and schematic wallpaper showing what the scale would be of an entire print library of Wikipedia volumes. These will be located near the Encyclopedia Section on Level 1 of Hayden Library. The 36 volume Wikipedia Contributors Appendix will be on view on the entrance level\, which will also feature a projected scroll simulating all of the volumes and the articles they span. \n  \nMichael Mandiberg (born 1977\, Detroit) is an interdisciplinary artist\, scholar\, and educator. He received his M.F.A. from the California Institute of the Arts and his B.A. from Brown University. His work traces the lines of political and symbolic power online\, working on the internet in order to comment on and intercede in the real flows of information. A recipient of residencies and commissions from Eyebeam\, Rhizome.org \, and Turbulence.org \, his work has been exhibited at the New Museum\, Ars Electronica\, ZKM\, and Transmediale. He directs the New York Arts Practicum\, and is a co-founder of the Art+Feminism Wikipedia Edit-a-thon. He is Associate Professor at the College of Staten Island/ CUNY and a member of the Doctoral Faculty at the CUNY Graduate Center. His work has been written about widely\, including in The New York Times\, Berliner Zeitung\, ARTNews\, and Artforum. He lives and works in Brooklyn; his work lives at Mandiberg.com . \nThe ASU Libraries is pleased to present this exhibition of Michael Mandiberg’s work in partnership with the the ASU Art Museum\, Herberger School of Art\, and Denny Gallery in New York City. \n\n\n\n\nContact:\n\nJennifer Duvernay\n\n\n\n\n https://asuevents.asu.edu/content/stacks-print-wikipedia\n\n\n\nPhone:\n\n480-727-7636\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudents\, Faculty\, Alumni\, Friend/Fan
URL:https://asuartmuseum.org/event-exhibition/in-the-stacks-print-wikipedia/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260924T023546
DTEND;TZID=America/Phoenix:20150802T000000
DTSTAMP:20260924T023546
CREATED:20170306T231700Z
LAST-MODIFIED:20241029T230104Z
UID:4315-0-1438473600@asuartmuseum.org
SUMMARY:Family Matters
DESCRIPTION:The contemporary view of what constitutes a family is more expansive that ever before. Whatever their composition\, families still matter. Homes\, pets\, good times and bad are all embraced as part of family life. Family Matters puts families and the many things that matter to them in focus. Games\, books and a photo booth in the exhibition invite your family to join in the fun. \nThis exhibition is supported by the Evelyn Smith Exhibition Fund\, members of the ASU Art Museum and the Stulgaitis Family Scholastic Award in honor of Helen Flecha Poline. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/family-matters/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260924T023546
DTEND;TZID=America/Phoenix:20150719T000000
DTSTAMP:20260924T023546
CREATED:20170306T232400Z
LAST-MODIFIED:20241029T230625Z
UID:4313-0-1437264000@asuartmuseum.org
SUMMARY:Recorded Matter: Ceramics in Motion
DESCRIPTION:Featuring the work of Jason Lee Starin\, Joseph Kamm\, Cheyenne Rudolph\, Man Yau\, Sam Brennan\, Thomas Schmidt\, Jeffrey Miller\, Eva Vogelsang\, Roberto Lugo\, Forrest Sincoff Gard and Ben Harle. \nThis exhibition showcases the work of 11 young artists who effortlessly integrate video into their studio practice. Some artists use cameras to document their work being used (or abused). Others use video to document a process that is perhaps more important to them than finished\, fired objects. All of these pieces have a life of their own on the Internet\, where they can be shared in ways that physical objects cannot. \nThe artists represented in this exhibition are well aware of video pioneers like Bruce Nauman\, who was a student of ceramic artist Robert Arneson\, and Nam Jun Paik\, but most wear the mantle lightly\, using video as one more tool in their arsenal. Thrill to the sheer diversity of approaches on view – from persona to process\, and from the politics of consumption to surprising ways that clay can behave (or misbehave). \nRecorded Matter is the first exhibition curated by the ASU Art Museum Ceramics Research Center’s new curator\, Garth Johnson\, who has spent his career documenting artists who combine craft media\, performance and transgressive impulses. The exhibition is supported by the Centering on the Future campaign contributors and members of the ASU Art Museum Ceramics Research Center. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/recorded-matter-ceramics-in-motion/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260924T023546
DTEND;TZID=America/Phoenix:20150621T000000
DTSTAMP:20260924T023546
CREATED:20170307T003600Z
LAST-MODIFIED:20241029T235340Z
UID:4308-0-1434844800@asuartmuseum.org
SUMMARY:The Gift: Selections from the Armstrong-Prior Archive
DESCRIPTION:John Armstrong and Joan Prior\, through their firm Armstrong-Prior\, Inc.\, have a rich history of working with local and international contemporary artists\, donors\, collectors\, community organizations and museums. Armstrong-Prior is both a fine arts printing studio – with John’s proficient execution of various print media – and an art consulting organization – with Joan’s professional advisement and placement of art in prominent collections. After many years of print projects\, Armstrong-Prior has built an impressive archive of contemporary prints and the ASU Art Museum is very fortunate to have received this archive as a gift from John and Joan.\nThe Jules Heller Print Study Room at the ASU Art Museum houses a collection of more than 5\,000 prints\, ranging from a 14th century printed page to work by living artists. Generous gifts like the Armstrong-Prior archive have grown the collection to be a rich resource for ASU students and community members\, and for exhibitions\, loans and research.\nThis exhibition was curated by Jean Makin\, print collection manager\, working with Herberger Institute for Design and the Arts student Tiernan Warner who contributed to exhibition texts through researching the archive’s artists and interviewing John and Joan about their life and work. Support for the exhibition is from the Evelyn Smith Exhibition Fund and members of the ASU Art Museum with additional generous support for the printed gallery brochure from Kate and Hank Timmerman and The Cavanagh Law Firm. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Feb. 20\, 2015 — Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/the-gift-selections-from-the-armstrong-prior-archive/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260924T023546
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20260924T023546
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260924T023546
DTEND;TZID=America/Phoenix:20220327T000000
DTSTAMP:20260924T023546
CREATED:20220228T223800Z
LAST-MODIFIED:20241029T230450Z
UID:4748-0-1648339200@asuartmuseum.org
SUMMARY:Highlights from the Print Study Room
DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu . \nImage Credit: Alberto Beltrán\, “Manuela Sanchez\, Spanish guerilla-mujeres con la revolución\,” c. 1950\, linoleum print\, 16 x 20 in. Gift of Dr. and Mrs. Jules Heller. \n\n\n\n\n\n https://asuevents.asu.edu/content/highlights-print-study-room\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140809T000000
DTEND;TZID=America/Phoenix:20141109T000000
DTSTAMP:20260924T023546
CREATED:20170307T012600Z
LAST-MODIFIED:20241029T235610Z
UID:4298-1407542400-1415491200@asuartmuseum.org
SUMMARY:In Solitude\, Where We Are Least Alone
DESCRIPTION:Inspired by the essays of American transcendentalists Henry David Thoreau and Ralph Waldo Emerson\, this exhibition explores the value of seclusion and self-reflection. The works\, which range in date and medium\, consider both the pain and pleasure of isolation\, ultimately posing the question: At what point does solitude cease to be a refuge from society?\nThis exhibition is curated from the ASU Art Museum’s permanent collection by Brittany Corrales\, Windgate curatorial assistant and graduate student in art history\, and is supported by the Evelyn Smith Exhibition Fund. \nRELATED PROGRAMMING:\nWednesday\, Oct. 15\, noon – 1 p.m.\nGallery Talk: In Solitude\, Where We Are Least Alone with Brittany Corrales\nLearn more and RSVP:  https://asuevents.asu.edu/gallery-talk-solitude-where-we-are-least-alone-brittany-corrales
URL:https://asuartmuseum.org/event-exhibition/in-solitude-where-we-are-least-alone/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140909T000000
DTEND;TZID=America/Phoenix:20141130T000000
DTSTAMP:20260924T023546
CREATED:20170307T012300Z
LAST-MODIFIED:20241029T184836Z
UID:4636-1410220800-1417305600@asuartmuseum.org
SUMMARY:Shifting Sands: Recent Videos from the Middle East
DESCRIPTION:Featuring international artists who use film and video to explore the Middle Eastern desert as a site charged with meaning\, this exhibition explores zones of conflict\, including the Israel-Palestine border and Afghanistan\, and the shifting personal\, political and geographical landscapes of the Middle East. Artists include: Lida Abdul (Afghanistan)\, Yael Bartana (Germany/Israel)\, Emily Jacir (Palestine/Italy) and Isabel Rocamora (Spain/U.K.). \nThis exhibition was co-curated by Kate Bonansinga and Kerry Doyle\, and originally presented at the Rubin Center for the Visual Arts\, University of Texas at El Paso\, in conjunction with Desert One\, a regional\, collaborative project involving a network of institutions initiated by the Desert Initiative at the ASU Art Museum. The ASU Art Museum presentation is supported by the Helme Prinzen Endowment. \nRELATED PROGRAMS\nTuesday\, Sept. 9\, 2014\, 6–8 p.m. at the ASU Art Museum\n“Civility in Action\, Part I” \nA series of Valley-wide citizen dialogues on election issues\, “Civility in Action” is designed to foster civility. Hosted by the Institute for Civil Dialogue\, in association with the Hugh Downs School of Human Communication at ASU\, it provides a structured format for public dialogue as a tool to build bridges across the chasm of public viewpoints. This conversation in the series will be set against the backdrop of the “Shifting Sands” exhibition and consider political issues and the Middle East. \nThursday\, Oct. 30\, 2014\, 7 p.m. offsite at the ASU Physical Education Building East\, room 132\n“Dancing in Jaffa” Film Screening and Discussion \nDancing in Jaffa is a compelling new documentary about ballroom dancing as a means of bridging differences between Jewish and Muslim children. This screening\, presented in conjunction with “Shifting Sands” at the ASU Art Museum\, is co-sponsored by the Center for Jewish Studies\, the Center for the Study of Religion and Conflict\, the ASU School of Film\, Dance and Theatre and the Herberger Institute for Design and the Arts Socially Engaged Practice Program. \n\n\n\n\nOpening Reception:\n\nOpening Reception: Thursday\, Oct. 2\, 2014 – Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/shifting-sands-recent-videos-from-the-middle-east/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140927T000000
DTEND;TZID=America/Phoenix:20150104T000000
DTSTAMP:20260924T023546
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195756Z
UID:4303-1411776000-1420329600@asuartmuseum.org
SUMMARY:Richard T. Walker: the predicament of always (as we are)
DESCRIPTION:Richard T. Walker’s videos\, photographs\, installations and performances take seclusion\, human nature and dialogue as their subjects. Focusing on the experience of our surrounding environments\, his works highlight clashes between innate desire\, cultural interpretation and reality\, becoming almost behavioral studies of the act of experiencing. \nThis exhibition is generously supported by Carroll/Fletcher Gallery\, London\, and the Helme Prinzen Endowment. \nRELATED PROGRAMMING:\nTuesday\, Sept. 23\, 6:30–7:30 p.m.\nGallery Preview and Lecture: Richard T. Walker\nLearn more and RSVP:  https://asuevents.asu.edu/gallery-preview-and-lecture-richard-t-walker
URL:https://asuartmuseum.org/event-exhibition/richard-t-walker-the-predicament-of-always-as-we-are/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20141006T000000
DTEND;TZID=America/Phoenix:20150118T000000
DTSTAMP:20260924T023546
CREATED:20170307T004900Z
LAST-MODIFIED:20241029T210133Z
UID:4305-1412553600-1421539200@asuartmuseum.org
SUMMARY:Trout Fishing in America and Other stories
DESCRIPTION:Artists Bryndis Snæbjörnsdóttir (Iceland) and Mark Wilson (England) explore the networked effects of conservation initiatives in Arizona. Over two years\, they researched programs underway to reintroduce the California Condor and the Humpback Chub into the Grand Canyon. Through humor\, wonder and surprise\, their installation of photographs\, videos and sculpture explores the complexity of human-animal interactions and their combined impact on ecologies. \nThis project is supported by a research grant from The Julie Ann Wrigley Global Institute of Sustainability at ASU. Additional support generously provided by Arizona Game and Fish Department Heritage Fund\, University of Cumbria\, U.K.\, the Helme Prinzen Endowment\, The Steele Foundation\, the City of Tempe\, the College of Liberal Arts and Sciences\, ASU Department of English and the ASU Art Museum Creative Impact Board. \nRELATED PROGRAMS\nHow Can Art Advance Sustainability?\nFriday\, Oct. 3\, 2014\, 11 a.m. to 5 p.m.\nJoin us for a conversation with an international assemblage of artists\, art critics\, philosophers\, scientists and journalists to discuss conservation and our cultural perceptions of nature. Free and open to the public; come and go as you please. Full program information and speaker bios are available here:  https://asuevents.asu.edu/how-can-art-advance-sustainability-symposium
URL:https://asuartmuseum.org/event-exhibition/trout-fishing-in-america-and-other-stories/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20141107T000000
DTEND;TZID=America/Phoenix:20141223T000000
DTSTAMP:20260924T023546
CREATED:20170307T004000Z
LAST-MODIFIED:20241029T225745Z
UID:4307-1415318400-1419292800@asuartmuseum.org
SUMMARY:Convergence / PHX - BG
DESCRIPTION:Convergence / PHX – BG\nCurator: Maida Gruden\, Belgrade\, Serbia\nArtists: Aleksandrija Ajduković\, Nidaa Aboulhosn\, Edgar Cardenas\, Sean Deckert\, William LeGoullon\, Goran Micevski\, Ivan Petrović\, Stefana Savić\, Nina Todorović\, Mihailo Vasiljević\, Ryan Parra\, Claire A. Warden \nABOUT THE EXHIBITION\nConvergence / PHX – BG is an exhibition of photographic works by artists from Phoenix and Belgrade. During her five-week stay at the ASU Art Museum International Artist Residency Program\, Maida Gruden (art historian\, curator\, and CEC ArtsLink Fellow for 2014 ) had the opportunity to meet a number of local artists and ASU students to view and learn about their work and processes. This short but eventful time has brought the opportunity for Gruden to develop an exhibition at the Combine Studios gallery based on her interaction with photographers from Phoenix and recent collaborations with photographers from Belgrade. \nThe exhibition represents a generational cross-section of artists from their twenties to their forties. It indicates a first step in connecting the artists\, audiences\, photographic processes and people from two distant towns. The title Convergence / PHX – BG is intended for the viewer to consider similarities but also to raise interests for differences that enrich and intrigue our local perspectives. The same exhibition will be presented at the Students’ City Cultural Center Gallery in Belgrade at the beginning of 2015. The effects of this convergence will be to create a space for personal encounter and dialog of artists from Phoenix and Belgrade\, to help develop collaborative and exchangeable projects in the future. \nThe artists from Belgrade whose works are presented within the exhibition were participants in a summer 2014 photo colony titled Dislocations\, in Orlovat\, Serbia\, that was initiated by the curatorial duo maramaida of Gruden and her collaborator\, Mara Prohaska Marković. \nABOUT MAIDA GRUDEN\nAs a visual arts programmer at the Students’ City Cultural Center (SCCC) in Belgrade and a member of the curatorial duo maramaida\, Gruden is active in both the academic and alternative scenes. She is interested in involving the student community in art projects that can serve as a powerful tool for understanding society. At the SCCC\, she is currently working on a residency program for international photographers to create projects with students\, and she has also developed collective works involving artists\, students and citizens. To learn more about Gruden’s work\, visit  www.maidagruden.wordpress.com . \nABOUT THE RESIDENCY PROGRAM\nThe ASU Art Museum International Artist Residency Program brings accomplished national and international artists\, curators and scholars to ASU to develop new work with the research resources of Arizona State University and the diverse communities in Arizona. Gruden’s residency is funded in part through the support of ArtsLink Residencies \, which offers artists and arts managers from 37 overseas countries five-week residencies at non-profit arts organizations throughout the US. The program enables artists and communities across the U.S. to share artistic practices with artists and arts managers from abroad and engage in dialogue that advances understanding across cultures. \nRESIDENCY PROGRAM GALLERY HOURS\nopen Wednesday – Friday\, 2 – 6 p.m.\nFirst Fridays and Third Fridays\, 6 – 9 p.m. \n\n\n\n\nOpening Reception:\n\nOpening Reception: First Friday Opening Reception:Nov. 7\, 6-9 p.m.\n\n\n\nCurator:\n\nMaida Gruden
URL:https://asuartmuseum.org/event-exhibition/convergence-phx-bg/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20141212T000000
DTEND;TZID=America/Phoenix:20150405T000000
DTSTAMP:20260924T023546
CREATED:20170307T003200Z
LAST-MODIFIED:20241029T235438Z
UID:4309-1418342400-1428192000@asuartmuseum.org
SUMMARY:Architecture for Place: Glenn Murcutt
DESCRIPTION:Known for projects which ‘touch the earth lightly\,” architect Glenn Murcutt begins his work with a keen observation of the natural conditions of each site. His distinctive residences and public buildings combine simple materials with elegant and refined forms and detailing. Yet they are primarily concerned with bringing the qualities of the surrounding world into the daily experience of the occupants. Murcutt was “designing sustainably” long before the term became fashionable. Since 1972\, his practice has been based in Sydney\, Australia\, where he has developed a range of projects receiving international recognition\, including the 2002 Pritzker Prize and the American Institute of Architects Gold Medal in 2009. \nThe exhibition of drawings\, renderings\, photographs and models will be installed through an innovative collaboration between the ASU Art Museum\, The Design School and the local chapter of the American Institute of Architects. A graduate design studio working with faculty and curators will research\, design\, fabricate and install the exhibition to reflect the principles of Murcutt’s work. Their working process will be open to the public. \nThe exhibition was originated by TOTO and Gallery Ma in Tokyo\, Japan\, and is being traveled internationally by the Australian Architecture Foundation. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Dec. 12\, 2014 — PublicReception 5–7 p.m.
URL:https://asuartmuseum.org/event-exhibition/architecture-for-place-glenn-murcutt/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150117T000000
DTEND;TZID=America/Phoenix:20150412T000000
DTSTAMP:20260924T023546
CREATED:20170307T000100Z
LAST-MODIFIED:20241029T232936Z
UID:4310-1421452800-1428796800@asuartmuseum.org
SUMMARY:Museum/Archive: Recent Acquisitions to the ASU Art Museum Collection
DESCRIPTION:Since the 1950s\, the ASU Art Museum has been actively collecting provocative and compelling artworks to share with our students and community members. The collection now includes more than 12\,000 objects\, primarily acquired through generous donation. One area of focus is work created at the ASU Art Museum; the current exhibition includes many of these objects and others in a range of media acquired within the past four years. \nThis exhibition is generously supported by the Evelyn Smith Exhibition Fund and members of the ASU Art Museum. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/museum-archive-recent-acquisitions-to-the-asu-art-museum-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150124T000000
DTEND;TZID=America/Phoenix:20150517T000000
DTSTAMP:20260924T023546
CREATED:20170306T234100Z
LAST-MODIFIED:20241029T232818Z
UID:4311-1422057600-1431820800@asuartmuseum.org
SUMMARY:Tan Ping: Follow My Line (彳亍 Chì Chù)
DESCRIPTION:Tan Ping is one of China’s most recognized artists and printmakers; his area of greatest exploration has been in abstract art rather than figurative work. In this installation of drawings and video\, he invites viewers to consider human expression and culturally-specific contexts of viewing. \nThis exhibition is generously supported by Tan Ping Studio\, the Helme Prinzen Endowment and Pifo New Art Gallery. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Feb. 20\, 2015 — Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/tan-ping-follow-my-line-%e5%bd%b3%e4%ba%8d-chi-chu/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150207T000000
DTEND;TZID=America/Phoenix:20150607T000000
DTSTAMP:20260924T023546
CREATED:20170306T233600Z
LAST-MODIFIED:20241029T233635Z
UID:4312-1423267200-1433635200@asuartmuseum.org
SUMMARY:Unfixed: New Painting
DESCRIPTION:Featuring the work of Katherine Bernhardt\, Hugh Scott Douglas\, Jeff Elrod\, Daniel Lefcourt\, Eddie Peake\, Avery Singer\, Josh Smith and Brad Troemel. \nThe artists in the exhibition unfix historic notions of what a painting should be. Their works are hybrids of old and new\, familiar and surprising media and processes. Through this mix the artists find new ways to make\, think about and view painting. The results range from abstractions derived from street and popular culture to computer-generated algorithms printed on canvas. Somehow\, they are paintings while also beyond painting. \nThis exhibition was made possible by generous loans and support of the Ovitz Family Collection\, Los Angeles. Additional support from the Helme Prinzen Endowment. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/unfixed-new-painting/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150502T000000
DTEND;TZID=America/Phoenix:20150809T000000
DTSTAMP:20260924T023546
CREATED:20170306T231800Z
LAST-MODIFIED:20241029T230107Z
UID:4314-1430524800-1439078400@asuartmuseum.org
SUMMARY:State of Exception
DESCRIPTION:This exhibition is at our downtown Phoenix residency program location.\nQuestions about visiting? Call 480.965.2787 and press “0” \nOver 300 backpacks\, water bottles\, border restraints and other objects left behind by undocumented migrants on their journey into the United States form the basis of this exhibition exploring the human experience of crossing the U.S./Mexico border. Video and images created on location along the Arizona border ask the viewer to consider the complexities of the found objects. \nThis exhibition is a collaboration between photographer Richard Barnes\, artist/curator Amanda Krugliak and anthropologist Jason De Leόn. It was originally presented at the Institute of the Humanities Gallery\, University of Michigan Ann Arbor. The ASU Art Museum presentation is supported by the Helme Prinzen Endowment. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/state-of-exception/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150516T000000
DTEND;TZID=America/Phoenix:20150906T000000
DTSTAMP:20260924T023546
CREATED:20170306T231500Z
LAST-MODIFIED:20241029T230200Z
UID:4653-1431734400-1441497600@asuartmuseum.org
SUMMARY:Found(ing): Prints
DESCRIPTION:Oliver B. James\, a Phoenix attorney\, anonymously donated paintings and prints to Arizona State University in the 1950s. His goal was to provide students\, faculty\, school children and the general public in Arizona with the opportunity to view and be inspired by original works of art. James thoughtfully acquired and donated close to 150 works of primarily American art\, working with Paula Kloster\, director of the art department and curator of the collection.\nJames collected European and American prints to represent the major artists in modern print history. This includes work of prominent artists from the 19th Century Etching Revival and from the 20th century publishing firm of Associated American Artists\, among others.\nJames’ print collection became the nucleus for the museum’s works-on-paper holdings which now number over 5\,500 etchings\, lithographs\, woodblocks\, photographs and drawings. This collection is housed in the Jules Heller Print Study Room\, exhibited in the galleries and studied by students and scholars.\nThis exhibition was selected from the ASU Art Museum’s permanent collection by Jean Makin\, curator of prints\, with research assistance from Kereese Harris\, education student internand master’s student in art history. Support for Found(ing): Prints is provided by the Evelyn Smith Exhibition Fund and members of the ASU Art Museum. \nThis exhibition is presented in conjuction with Found(ing) Story: The Oliver B. James Collection\, on view July 11 – Nov. 14\, 2015 in the museum’s Americas Gallery. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/founding-prints/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150702T000000
DTEND;TZID=America/Phoenix:20150823T000000
DTSTAMP:20260924T023546
CREATED:20170306T231100Z
LAST-MODIFIED:20241029T231808Z
UID:4654-1435795200-1440288000@asuartmuseum.org
SUMMARY:Yoshua Okón: Oracle
DESCRIPTION:For this second part to his critically acclaimed video Octopus (2011)\, Yoshua Okón has created a multi-channel video installation centering on anti-immigration protests against unaccompanied children that are fleeing violence and poverty from Central America into the United States. Produced during Okón’s residency at the ASU Art Museum International Artist Residency Program\, Oracle was inspired by Okón’s experiences in Oracle\, Arizona\, where he spoke to protest leaders to create a live reenactment of the event\, bringing into question perceptions of reality and truth. \nThis project was made possible in part by the Institute of Museum and Library Services\, Museums for America Grant Number MA-20-14-0236-14. Oracle is part of the Contact Zones series of exhibitions at the ASU Art Museum\, which focuses on contemporary migration and its intricate uncertainties within border culture\, destiny and contested histories. The series includes new commission-based video installations\, public engaged programs\, guest-curated exhibitions and artist initiated projects. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/yoshua-okon-oracle/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150711T000000
DTEND;TZID=America/Phoenix:20151105T000000
DTSTAMP:20260924T023546
CREATED:20170306T225900Z
LAST-MODIFIED:20241029T231953Z
UID:4318-1436572800-1446681600@asuartmuseum.org
SUMMARY:Found(ing) Story: The Oliver B. James Collection
DESCRIPTION:In 1950\, Oliver B. James\, a Phoenix attorney\, donated 16 paintings to Arizona State University to provide students access to real art objects. Before 1955\, James would acquire and donate close to 150 works — primarily historic American paintings by well-known artists. Travel back in time with us and explore the story of the ASU Art Museum’s founding. \nThis exhibition is supported by the Evelyn Smith Exhibition Fund and members of the ASU Art Museum. \nIn conjunction with this exhibition\, selected prints from the Oliver B. James collection will be on view in the museum’s Multi-Purpose Room\, May 16 – Sept. 12\, 2015. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/founding-story-the-oliver-b-james-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150801T000000
DTEND;TZID=America/Phoenix:20151122T000000
DTSTAMP:20260924T023546
CREATED:20170306T225700Z
LAST-MODIFIED:20241030T000230Z
UID:4319-1438387200-1448150400@asuartmuseum.org
SUMMARY:Statement Piece: Erik Gronborg and Ehren Tool
DESCRIPTION:Statement Piece brings together two like-minded ceramic artists from different generations. Danish-born Erik Gronborg came of age in the 1960s\, when he began making handmade pottery that fused Pop Art and social activism. Ehren Tool served in the Marine Corps during the first Gulf War and makes functional cups that he gives away to facilitate dialogue about the realities of war. \nThis exhibition is supported by the Helme Prinzen Endowment and by the Museum of Contemporary Craft in Portland\, Ore.\, Ron M. Werner and Scott McCoy\, Dan Berman and Greg Weller\, James\nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, September 11\, 2015 from6:30–8:30 p.m. (with a members\, alumni and press preview from 5:30–6:30p.m.)
URL:https://asuartmuseum.org/event-exhibition/statement-piece-erik-gronborg-and-ehren-tool/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150824T000000
DTEND;TZID=America/Phoenix:20151004T000000
DTSTAMP:20260924T023546
CREATED:20170304T030900Z
LAST-MODIFIED:20241030T000007Z
UID:4320-1440374400-1443916800@asuartmuseum.org
SUMMARY:(Project Space) Yoshua Okón: Octopus
DESCRIPTION:PUBLIC HOURS\nFriday – Saturday\, noon – 6 p.m.\nFirst and Third Fridays\, 4 – 9 p.m. \nABOUT YOSHUA OKÓN: OCTOPUS\nProduced in 2011\, while Okón was an artist-in-residence at the UCLA Hammer Museum\, Octopus is a video installation depicting a reenactment of the Guatemalan Civil War at the parking lot of a Home Depot in Los Angeles\, staged by day laborers that are ex-guerillas who fought in the war. The sequel to Octopus\, titled Oracle \, was commissioned by the ASU Art Museum and presented at the museum in Summer 2015. \nABOUT THE PROJECT SPACE\nASU Art Museum’s Project Space at the International Artist Residency Program in downtown Phoenix offers a unique opportunity for emerging and established artists to develop and experiment with new bodies of work in all media and to share their process and ideas with our communities over an extended period of time. Artists selected for the residencies have a multi-disciplinary practice and an interest in collaborative projects in order to explore forms of engagement.\nThe Project Space is not a traditional exhibition venue but a laboratory for socially-based art practice. Public access to the space\, collaborating partners and residency duration shift with each project. The curator and residency staff establish these parameters with the artist(s).
URL:https://asuartmuseum.org/event-exhibition/project-space-yoshua-okon-octopus/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20150912T000000
DTEND;TZID=America/Phoenix:20151227T000000
DTSTAMP:20260924T023546
CREATED:20170304T024500Z
LAST-MODIFIED:20241029T204653Z
UID:4321-1442016000-1451174400@asuartmuseum.org
SUMMARY:Miguel Angel Rios: Landlocked
DESCRIPTION:The first video survey of Mexico City-based artist Miguel Angel Rios\, Landlocked follows Rios’ remarkable journey into a unique artistic practice that addresses issues of power\, apathy and violence though his innovative use of social and political narratives and original production technique. The exhibition includes four never before seen works commissioned by the museum. \nThis exhibition is supported by the Diane and Bruce Halle Foundation. Landlocked is part of the Contact Zones series of exhibitions at the ASU Art Museum that focuses on contemporary migration and its intricate uncertainties within border culture\, destiny and contested histories. The series includes new commission-based video installations\, public engaged programs\, guest-curated exhibitions and artist initiated projects. \n\n\n\n\nOpening Reception:\n\nFriday\, September 11\, 2015 from 6:30–8:30 p.m.(with a members\, alumni and press preview from 5:30–6:30 p.m.)
URL:https://asuartmuseum.org/event-exhibition/miguel-angel-rios-landlocked/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20151009T000000
DTEND;TZID=America/Phoenix:20151009T000000
DTSTAMP:20260924T023546
CREATED:20170304T023000Z
LAST-MODIFIED:20241029T205421Z
UID:4322-1444348800-1444348800@asuartmuseum.org
SUMMARY:Postcommodity: Repellent Fence
DESCRIPTION:Douglas\, Arizona and Agua Prieta\, Sonora\n\n\n\n\nOff Campus\n\n\n\n\n\nRepellent Fence is a temporary two-mile long land art installation intersecting the U.S./Mexico border. The installation is comprised of 26 tethered “scare eye” balloons\, ten feet in diameter\, floating 50 feet above the desert landscape.\nRepellent Fence is a social collaborative project among individuals\, communities\, institutional organizations\, publics and sovereigns that culminates with the establishment of a large-scale temporary monument located near Douglas\, Ariz. and Agua Prieta\, Mexico. According to the artists\, the purpose of this installation is to bi-directionally reach across the U.S./Mexican border as a suture that stiches the peoples of the Americas together — symbolically demonstrating the interconnectedness of the Western Hemisphere by recognizing the land\, indigenous peoples\, history\, relationships\, movement and communication.\nRepellent Fence is presented in collaboration with Arizona State University Art Museum and supported by grants from Creative Capital\, Native Arts and Cultures Foundation\, Joan Mitchell Foundation and Art Matters.\nABOUT POSTCOMMODITY\nPostcommodity is an interdisciplinary arts collective comprised of Raven Chacon\, Cristóbal Martínez and Kade L. Twist. Postcommodity’s art functions as a shared Indigenous voice to engage manifestations of globalism and the ever-expanding\, multinational\, multiracial and multi-ethnic colonizing force that is defining the 21st century through ever increasing velocities and complex forms of violence. Postcommodity works to forge new metaphors capable of rationalizing our shared experiences within this increasingly challenging contemporary environment; promote a constructive discourse that challenges the social\, political and economic processes that are destabilizing communities and geographies; and connect Indigenous narratives of cultural self-determination with the broader public.
URL:https://asuartmuseum.org/event-exhibition/postcommodity-repellent-fence/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20151107T000000
DTEND;TZID=America/Phoenix:20160207T000000
DTSTAMP:20260924T023546
CREATED:20170217T051300Z
LAST-MODIFIED:20241029T225741Z
UID:4323-1446854400-1454803200@asuartmuseum.org
SUMMARY:Where Without Whom
DESCRIPTION:Taking the spirit of Octavio Paz’s poem\, Where Without Whom\, as a guide\, this exhibition from the ASU Art Museum’s collection of Latin American prints and photographs features work by José Ygnacio Bermúdez\, Enrique Chagoya\, Luis Gonzalez Palma\, Vincent Valdez and others. \nThis exhibition is supported by the Evelyn Smith Exhibition Fund. Where Without Whom is part of the Contact Zones series of exhibitions at the ASU Art Museum\, which focuses on contemporary migration and its intricate uncertainties within border culture\, destiny and contested histories. The series includes new commission-based video installations\, public engaged programs\, guest-curated exhibitions and artist initiated projects. \n\n\n\n\nContact:\n\nMary-Beth Buesgen\n\n\n\n\n https://asuartmuseum.asu.edu/content/where-without-whom\n\n\n\nImage URL:\n\nhttps://asuartmuseum.asu.edu/sites/default/files/images_asuevents/where-without-whom_1.jpg>\n\n\n\nAudience:\n\nstudent\nFaculty\nCampus student\, Student\, Faculty\, Staff\, Alumni
URL:https://asuartmuseum.org/event-exhibition/where-without-whom/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20151212T000000
DTEND;TZID=America/Phoenix:20160327T000000
DTSTAMP:20260924T023546
CREATED:20160226T022000Z
LAST-MODIFIED:20241029T235435Z
UID:4324-1449878400-1459036800@asuartmuseum.org
SUMMARY:Paul J. Smith Portraits: A Photographic Journal of the Ceramic Community
DESCRIPTION:Legendary curator and museum director Paul J. Smith has spent his career creating exhibitions and supporting the careers of artists who have come to define the contemporary studio craft movement. This exhibition pairs a portfolio of 20 of Smith’s portraits with works from the ASU Art Museum’s unparalleled collection of contemporary ceramics. \nSmith will present his reflections on the studio craft movement at a free lecture on Feb. 20 at 3:30 p.m. at the ASU Art Museum Brickyard. He will be visiting Tempe as the honored guest at Ceram-A-Rama\, the ASU Art Museum’s biennial celebration of all things clay in the Phoenix area. \nThe exhibition is supported by members of the ASU Art Museum Ceramics Research Center. \nEvent: Free lecture\, Feb. 20\, 3:30 p.m. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at  andrea.feller@asu.edu. \nASU Art Museum Ceramics Research Center and Brickyard Gallery Hours:\nTuesday: During academic semesters 11 a.m. – 8 p.m.; Summer hours: 11 a.m. – 5 p.m.\nWednesday–Saturday: 11 a.m. – 5 p.m.\nAdditional educator hours by appointment: Mondays and before 11 a.m. Tuesday–Thursday\nClosed: Sunday\, Monday and holidays \nImage credit: Paul J. Smith\, “James Tanner\,” 1993. Image courtesy of the artist. \n\n\n\n\nContact:\n\nMary-Beth Buesgen\n\n\n\n\n https://asuevents.asu.edu/content/paul-j-smith-portraits-photographic-journal-ceramic-community\n\n\n\nPhone:\n\n480-965-7092\n\n\n\nImage URL:\n\nhttps://dev-hida-aam.ws.asu.edu/sites/default/files/images_asuevents/paul_j_smith_james_tanner_4.jpg>\n\n\n\nAudience:\n\nStudent\, Faculty\, Staff
URL:https://asuartmuseum.org/event-exhibition/paul-j-smith-portraits-a-photographic-journal-of-the-ceramic-community/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20160109T000000
DTEND;TZID=America/Phoenix:20160501T000000
DTSTAMP:20260924T023546
CREATED:20160226T022000Z
LAST-MODIFIED:20241029T232007Z
UID:4325-1452297600-1462060800@asuartmuseum.org
SUMMARY:SUPERFLEX: Superfake/The Parley
DESCRIPTION:Taking the form of an experimental laboratory or studio\, “Superfake/The Parley” features new images\, video and sculptural works by the Danish artist collective SUPERFLEX. The commissioned project takes a painting in the ASU Art Museum collection attributed to Frederic Remington as a starting point to examine issues of authenticity\, reproduction and value\, including the emotional value of an artwork. \nPresented in collaboration with the ASU LeRoy Eyring Center for Solid State Science and with the ASU Art Museum’s Conservation Studio. The exhibition is generously supported by Diane Harrison\, the Helme Prinzen Endowment and AZ-Tech Radiology\, and was made possible in part by the Institute of Museum and Library Services\, Museums for America Grant Number MA-20-14-0236-14. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at  andrea.feller@asu.edu. \nASU Art Museum Hours:\nTuesday: During academic semesters 11 a.m. – 8 p.m.; Summer hours: 11 a.m. – 5 p.m.\nWednesday–Saturday: 11 a.m. – 5 p.m.\nAdditional educator hours by appointment: Mondays and before 11 a.m. Tuesday–Thursday\nClosed: Sunday\, Monday and holidays \nImage credit: Infrared photography test\, courtesy of the artists and 1301PE. \n\n\n\n\nContact:\n\nJulio Morales\n\n\n\n\n https://asuevents.asu.edu/content/superflex-superfakethe-parley\n\n\n\nPhone:\n\n480-965-0497\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudent\, Faculty\, Staff
URL:https://asuartmuseum.org/event-exhibition/superflex-superfake-the-parley/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20160114T000000
DTEND;TZID=America/Phoenix:20160529T000000
DTSTAMP:20260924T023546
CREATED:20160226T022000Z
LAST-MODIFIED:20241029T233054Z
UID:4326-1452729600-1464480000@asuartmuseum.org
SUMMARY:Participant: Photographs by Spencer Tunick from the Stéphane Janssen Collection
DESCRIPTION:Since the early 1990s\, Spencer Tunick has traveled the globe creating staged images of multiple nude figures in urban and rural public settings. And since 2000\, collector Stephane Janssen has been a participant in photographs that range from a handful of figures in an art museum to thousands of volunteers in the Dead Sea. “Participant” includes more than 20 works from the Janssen collection which are a blend of photography\, installation and performance. \nThis exhibition and the accompanying artist’s book are supported by Stéphane Janssen. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at  andrea.feller@asu.edu. \nASU Art Museum Hours :\nTuesday: During academic semesters 11 a.m. – 8 p.m.; Summer hours: 11 a.m. – 5 p.m.\nWednesday–Saturday: 11 a.m. – 5 p.m.\nAdditional educator hours by appointment: Mondays and before 11 a.m. Tuesday–Thursday\nClosed: Sunday\, Monday and holidays \nImage credit: Detail: Spencer Tunick\, Flanders 2 (Gaasbeek Castle\, Belgium)\, 2011. Chromogenic print\, 48 x 60 in. Image courtesy of the artist. \n\n\n\n\nContact:\n\nHeather Lineberry\n\n\n\n\n https://asuevents.asu.edu/content/participant-photographs-spencer-tunick-st%C3%A9phane-janssen-collection\n\n\n\nPhone:\n\n480-965-5272\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudent\, Faculty\, Staff
URL:https://asuartmuseum.org/event-exhibition/participant-photographs-by-spencer-tunick-from-the-stephane-janssen-collection/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20160115T000000
DTEND;TZID=America/Phoenix:20160115T000000
DTSTAMP:20260924T023546
CREATED:20160226T022000Z
LAST-MODIFIED:20241029T233044Z
UID:4327-1452816000-1452816000@asuartmuseum.org
SUMMARY:Tony Labat: One for Tomorrow and One Just for Today
DESCRIPTION:Since the early 1980s\, Tony Labat has been animportant participant in the California performance and video scene. Apioneer of video installations\, he makes work that often identifies with the“outsider\,” whether as the artist or immigrant. Born in Cuba\, Labatfrequently comments on displacement and marginalization. A selection of hisinfluential video work will be on display in the Project Space\, at the ASUArt Museum International Residency Program at Combine Studios\, inassociation with the exhibition “Love Me Two Times” opening Jan. 30\, 2016 atthe ASU Art Museum. This exhibition is supported by the Helme PrinzenEndowment. If you would like to bring your class or group to see anexhibition or collection\, and/or meet with a curator\, please contact AndreaFeller\, Curator of Education at andrea.feller@asu.edu. ASU Art Museum Project Space at Combine StudiosHours:Thursday–Friday: 12 p.m. – 6 p.m. and by appointmentClosed:Saturday–Wednesday Image credit: Image courtesy of the artist.\n\n\n\nContact:\n\nJulio Morales\n\n\n\n\n https://asuevents.asu.edu/content/tony-labat-one-tomorrow-and-one-just-today\n\n\n\nPhone:\n\n480.965.0497\n\n\n\nImage URL:\n\nhttps://dev-hida-aam.ws.asu.edu/sites/default/files/images_asuevents/tony_labat_irregular_encounter_leveling_the_field_0_4.jpg>\n\n\n\nAudience:\n\nStudent\, Faculty\, Staff
URL:https://asuartmuseum.org/event-exhibition/tony-labat-one-for-tomorrow-and-one-just-for-today/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20160123T000000
DTEND;TZID=America/Phoenix:20160529T000000
DTSTAMP:20260924T023546
CREATED:20160226T022000Z
LAST-MODIFIED:20241029T232821Z
UID:4328-1453507200-1464480000@asuartmuseum.org
SUMMARY:Watertight: Sandra Ramos
DESCRIPTION:Cuban artist Sandra Ramos has exhibited her work internationally since the late 1980s. This exhibition revolves around eight recent\, short video animations that explore the complex historic and current relationship between Cuba and the U.S. Her witty figures and settings draw from literature\, popular media and the island of Cuba\, and combine in narratives that explore provocative issues of immigration and international borders\, containment and power structures\, illusions and lost utopias. \nThe animations are on loan from the collection of I. Michael and Beth Kasser\, who generously supported the artist’s residency. The exhibition is supported by the Evelyn Smith Exhibition Fund. \nEvent: Artist’s Talk\, Tuesday\, Jan. 26\, 5:30 p.m. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at  andrea.feller@asu.edu. \nASU Art Museum Hours :\nTuesday: During academic semesters 11 a.m. – 8 p.m.; Summer hours: 11 a.m. – 5 p.m.\nWednesday–Saturday: 11 a.m. – 5 p.m.\nAdditional educator hours by appointment: Mondays and before 11 a.m. Tuesday–Thursday\nClosed: Sunday\, Monday and holidays \nImage credit: Sandra Ramos\, “Aquarium\,” 2013. Still from video animation. Image courtesy of the artist. \n\n\n\n\nContact:\n\nHeather Lineberry\n\n\n\n\n https://asuevents.asu.edu/content/watertight-sandra-ramos\n\n\n\nPhone:\n\n480-965-5272\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudent\, Faculty\, Staff
URL:https://asuartmuseum.org/event-exhibition/watertight-sandra-ramos/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20160225T000000
DTEND;TZID=America/Phoenix:20160821T000000
DTSTAMP:20260924T023546
CREATED:20160226T022000Z
LAST-MODIFIED:20241029T234451Z
UID:4331-1456358400-1471737600@asuartmuseum.org
SUMMARY:BLOW UP: New Acquisitions at the ASU Art Museum
DESCRIPTION:Come experience a few of the great acquisitions the museum received in 2015. “Blow Up\,” an interactive piece by Scott Snibbe\, incorporates breath\, fans\, technology and sound. There are also more traditional works – paintings – but with very non-traditional content. Given by long-term supporters to the museum are works by Stefani Gutheil\, Sandow Birk and Beverly McIver. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at  andrea.feller@asu.edu. \nASU Art Museum Hours:\nTuesday: During academic semesters 11 a.m. – 8 p.m.; Summer hours: 11 a.m. – 5 p.m.\nWednesday–Saturday: 11 a.m. – 5 p.m.\nAdditional educator hours by appointment: Mondays and before 11 a.m. Tuesday–Thursday\nClosed: Sunday\, Monday and holidays \nImage credit: Scott Snibe\, “Blow Up.” Courtesy of the artist. \n\n\n\n\n\n https://asuevents.asu.edu/content/blow-new-acquisitions-asu-art-museum\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\n\n\n\n\nAudience:\n\nFriend/Fan\, Student\, Campus student\, Faculty\, Staff\, Alumni
URL:https://asuartmuseum.org/event-exhibition/blow-up-new-acquisitions-at-the-asu-art-museum/
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR