BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ASU Art Museum - ECPv6.3.5//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:ASU Art Museum X-ORIGINAL-URL:https://asuartmuseum.org X-WR-CALDESC:Events for ASU Art Museum REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Phoenix BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0700 TZNAME:MST DTSTART:20230101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20230114 DTEND;VALUE=DATE:20240526 DTSTAMP:20240328T064050 CREATED:20230119T235713Z LAST-MODIFIED:20240306T191546Z UID:1428-1673654400-1716681599@asuartmuseum.org SUMMARY:Making Visible DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \nClick here to learn more about the Black cowboys of Arizona and their impact on Arizona history through their military service as Buffalo Soldiers.  \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils. URL:https://asuartmuseum.org/event-exhibition/making-visible/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:Exhibition,green ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2023/01/asuam-exhibitions-making-visible.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230215 DTEND;VALUE=DATE:20240331 DTSTAMP:20240328T064050 CREATED:20230209T210411Z LAST-MODIFIED:20230302T204039Z UID:1488-1676419200-1711843199@asuartmuseum.org SUMMARY:Opportunity (reflection) DESCRIPTION:World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII\, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic practice\, this latest sculpture draws from his 2015 sculpture “Opportunity\,” which was inspired by the NFL\, and as part of his interest in photographic history\, popular culture\, and sports as a metaphor for individual and collective struggle or hope. “Hank’s powerful sculpture showcased during Super Bowl week beautifully represents the passion\, strength\, and hope at the heart of our game\,” said Peter O’Reilly\, NFL Executive Vice President of Club Business & League Events. \nThe artwork falls within Thomas’ “Punctum” series\, which is based on Roland Barthes’ photographic theory of the punctum referring to the detail in an image that pierces or wounds the viewer\, creating a direct relationship between them and the pictured object or person. Thomas uses this concept to select or reframe areas of images\, which he then transforms into large-scale sculptures. “Opportunity (reflection)” portrays a snapshot of an anonymous player whose arm extends outward to catch the football. The viewer is reflected back in the mirrored surface and invited to imagine these tense few moments\, filled with great anticipation\, the successful catch leading to success and celebration\, as well as loss and defeat for the opposing team. \n  \n  URL:https://asuartmuseum.org/event-exhibition/opportunity-reflection/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:Exhibition,pink ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2023/02/HWT-sculpture-horizontal-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230819 DTEND;VALUE=DATE:20240715 DTSTAMP:20240328T064050 CREATED:20230616T175215Z LAST-MODIFIED:20230719T202734Z UID:2170-1692403200-1721001599@asuartmuseum.org SUMMARY:Crafting Resistance DESCRIPTION:Crafting Resistance looks at the ways in which we understand and view the term craft and its relationship to fine art. The exhibition seeks to flatten the western European art historical cannon and hierarchy and unhinge the binary that often places ‘fine art’ and ‘craft’ at odds with one another. Artists in the exhibition utilize materials and modes of production that are often relegated to what is historically viewed as craft\, mediums such as glass\, textile\, felt\, miniature\, and wood\, and instrumentalize them to make commentary about some of today’s most pressing issues\, including climate catastrophe\, representation\, geo-politics\, and migration.\n\n\nSpecial thanks to artists Sama Alshaibi\, Merryn Omotayo Alaka\, Andrew Erdos\, Maria Hupfield\, Yasue Maetake\, Jayson Musson\, Eric-Paul Riege\, Curtis Talwst Santiago\, and Sam Frésquez\, with additional thanks to the exhibition’s community of practice\, Joe Baker (Delaware)\, Bonn Baudelaire (Cocopah)\, and Sharah Nieto (Yucatec Maya). \n\n\nCurated by Erin Joyce with support from Abby Sutton\, ASU Art Museum Windgate Intern. \n\n\nSponsors: \nThe Edward Jacobson Fund \nKevin and Alexis Cosca \nTheresa M. Shoemaker \nChristian and Allison Lester \n  URL:https://asuartmuseum.org/event-exhibition/crafting-resistance/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:Exhibition,pink ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2023/06/Eric-Paul-Riege.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230930 DTEND;VALUE=DATE:20240602 DTSTAMP:20240328T064050 CREATED:20230911T201809Z LAST-MODIFIED:20240306T191507Z UID:2609-1696032000-1717286399@asuartmuseum.org SUMMARY:Contours: The Essential Form DESCRIPTION:“Contours: The Essential Form” features selections from the Museum’s permanent collection and new works by Ibrahim Said (b. 1976\, Fustat\, Egypt). Through ceramic objects and works on paper\, the exhibition explores themes of nature\, care and discipline through the lens of muscle memory and intuitive artistic practice.  \nSaid was an invited artist in October 2022 as part of the Museum’s Encounter Series\, an effort to reimagine and recontextualize the Museum’s collections to address larger issues related to the current social and cultural climate of Arizona and the world at large. As part of his residency\, the artist selected over sixty artworks from the Museum’s collection and created three ceramic works in response to his experiences during his visit\, drawing inspiration from the Arizona built and natural landscape. Said states\, “The natural world has inspired artists for centuries\, and regardless of all our differences\, we all benefit from a connection to nature for both survival but also to feed our souls and spirits. These objects help us connect and memorialize some of the abundant natural treasures around us.” \nArtists featured in the exhibition are Laura Andreson\, George Burr\, Rose Cabat\, Claude Conover\, Hans Coper\, Andrew Dasburg\,  Roseline Delisle\, Ruth Duckworth\, Ernest Haskell\, Karin Hessenberg\, Catherine Hiersoux\, Nicholas Homoky\, John Jordan\, Paul Landacre\, Lucy M Lewis\, Rebecca Lucario\, Maria Poveka Martinez\, Christine Nofchissey McHorse\, Ed Moulthrop\, Alvin Pace\, Elsa Rady\, Lucie Rie\, Mary Rogers\, Ibrahim Said\, Dennis Stewart\, Geoffrey Swindell\, Toshiko Takaezu\, Dorothy Torivio\, John Ward\, Mary White and A. Jeffrey Zigulis.  \n“Contours: The Essential Form” is organized by Mary-Beth Buesgen\, ASU Art Museum Ceramics Research Center Collections & Archives Manager and Ibrahim Said\, Artist-in Residence in collaboration with a Community of Practice composed of artists and scholars: Sam Chung\, Chad Haines\, Amelia Hay\, Renee Bhatti-Klug\, Kat Medill\, Emma Skinner and Mariam Aziza Stephan and made possible by the Windgate Foundation Endowment with additional support from Elaine and Sidney Cohen and the members of ASU Art Museum’s Board and Councils. \nRSVP TODAY! URL:https://asuartmuseum.org/event-exhibition/contours-the-essential-form/ LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States CATEGORIES:Exhibition,green ATTACH;FMTTYPE=image/png:https://asuartmuseum.org/wp-content/uploads/2023/09/1989_166_000_factuals_torivio.png END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240203 DTEND;VALUE=DATE:20240729 DTSTAMP:20240328T064050 CREATED:20231101T190248Z LAST-MODIFIED:20240301T181525Z UID:2920-1706918400-1722211199@asuartmuseum.org SUMMARY:Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix DESCRIPTION:In partnership with ASU’s Center for Work and Democracy and the George Floyd Global Memorial\, ASU Art Museum presents “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix.” Presented for the first time outside of Minnesota and on view from February 3 through July 28\, 2024 at the ASU Art Museum\, “Twin Flames” asks important questions about the role of art and community as a vehicle for bearing witness and creating deeper understanding and empathy. It also examines the state of public memorials in this country\, and prompts us to reflect on whose stories are shared\, by whom and why.  \nIn contrast to traditional monuments\, “Twin Flames” is a powerful\, community-led exhibition that showcases a selection of the thousands of offerings laid by mourners and protesters at George Floyd Square\, collected by a group of community caretakers and cataloged by the George Floyd Global Memorial team. This exhibition recognizes that creative and artistic expressions of pain and hope exist beyond the walls of museums\, in all forms and a myriad of cultural expressions\, and that George Floyd Square is a public space that can teach us how to mobilize as we mourn victims of police violence and imagine a more just world. \n  \nPublic programs will accompany the exhibition\, including: \nFriday\, February 2\, 2024 (5:00 — 7:00 p.m.): Public Opening Reception \nFriday\, February 2\, 2024 (8:00 — 11:00 p.m.): Taste of Melanin\, Silent Disco \nThursday\, March 28\, 2024 (3:00 — 4:00 p.m.): Histories of Protest in Art and Music \nSaturday\, April 19\, 2024 (7:00 — 9:00 p.m.): Film screening + Panel Discussion for “Stonebreakers” \nThursday\, May 2\, 2024: Are Objects Forever? The Evolving Thinking on Conservation and Collections Care: Hear from Twin Flames’ Community of Practice\, a committee of community members steering the exhibition at ASU Art Museum \n  \n“Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix” is organized by Jeanelle Austin\, Executive Director of the George Floyd Global Memorial; Heather Carroll\, Archiving Sacred Spaces Fellow of the George Floyd Global Memorial; Dr. Rashad Shabazz\, Associate Professor in the Schools of Social Transformation and Geographical Sciences & Urban Planning\, Arizona State University; Maria Esch\, Researcher at the Center for Work and Democracy\, Arizona State University; and ASUAM Curator Brittany Corrales. \nThis exhibition is made possible by major funding provided by the Burton Family Foundation and Cheryl and Jahm Najafi. \nAdditional generous funding from (as of Feb. 2024) Emily Beach\, Pascha Bueno-Hansen\, Melissa Fernandez\, Carolyn Forbes\, Shelly Gordon\, Kenja Hassan\, Jorge Hernandez\, Dulce Juarez\, Robin Baskin McNulty\, Sentari Minor\, Marco Mojica\, Ramona Norman\, Tracy Perkins\, Olivia Perryman\, Trish Robinson\, Anthony Rowe\, Yasmin Shaheed\, Nancy Temple\, Bart Thurber\, Cheryl Wynn\, Anonymous Donors and the Center for Work and Democracy\, Arizona State University. Additional thanks to members of the ASU Art Museum’s Board and Councils. This exhibition showcases\, in part\, a partnership between the George Floyd Global Memorial\, the Center for Work and Democracy\, Arizona State University and the ASU Art Museum. \nThe exhibition is presented in collaboration with a Community of Practice composed of: Liz Agboola\, CEO\, Trinity Integrated Care; Miriam Araya\, New Worlds Organizer\, Black Lives Matter Phoenix Metro; Shimyrre Britt\, Event Curator\, dialog; Kara Brooks\, artist; Dr. Amber C. Coleman\, Post-Doctoral Fellow\, Art Education\, Arizona State University; Dr. Kenja Hassan\, Assistant Vice President\, Government & Community Engagement\, Arizona State University; Moses Hollis\, Assistant Director\, New Student Programs\, Arizona State University; Dr. Mahlika Hopwood\, Assistant Teaching Professor & Honors Faculty Fellow\, Barrett Honors Faculty\, Arizona State University; Barbara Noble Howard\, University Fellow for Non-Profit Leadership\, Office of University Affairs\, Arizona State University; Armonee Jackson\, Operations Director for Arizona List; Michael Jackson\, CEO of Mya Kai Creative; Dr. Anthony Pratcher\, Assistant Professor of African American Studies in the Ethnic Studies Program at Northern Arizona University\, Northern Arizona University; Ellison Shabazz\, child of ASU faculty; Simone Shabazz\, child of ASU faculty; Dr. Rashad Shabazz\, Associate Professor\, Arizona State University; Roy Tatem Jr.\, Immediate Past President of the East Valley NAACP\, President of Vanguard Strategies and Consulting\, LLC; Benjamin Taylor\, Civil Rights Attorney\, Taylor & Gomez LLP; President of the State Bar of Arizona; Shawna Tibbett\, Administrative Specialist\, DPC Govt and Community Engagement\, Arizona State University; Collette Watson\, artist\, cultural organizer\, and communications strategist at Black River Life Media; and Brian Watson\, Financial Advisor\, Merrill Lynch. \nSpecial thanks to: Bart Thurber\, Black Lives Matter Phoenix Metro\, George Floyd Square Community\, Mya Kai Creative; Angela Harrelson\, Aunt of George Floyd & GFGM Board Co-Chair; Paris Stevens\, First Cousin of George Floyd & GFGM Board Co-Chair\, Dr. Michael McQuarrie\, Director of the Center for Work and Democracy; Maud McQuarrie\, child of ASU Faculty; George Floyd Square Community Members: Butchy Austin\, Jimmy Austin\, Sundiata Austin\, Zamira Austin\, Raycurt Johnson\, Phi Khalar\, Jud Kilgore\, Dylan Leavitt-Phibbs\, Jennie Leenay\, Forest Olivier\,  Redemption Peters-DuRose\, Sam Pitmon\, Jordan Powell Karis\, Jason Quick\, Janae Rupert\, Johanna Rupert\, Shari Seifert\, Denise Tennen\, James Antravier Thomas\, Lauren Thrift\, Shekela Wanyama\, Thursday Williamson and Huda Yusuf. URL:https://asuartmuseum.org/event-exhibition/twinflames/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:blue,Exhibition ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2023/11/IMG_8950.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240210 DTEND;VALUE=DATE:20240725 DTSTAMP:20240328T064050 CREATED:20240109T023931Z LAST-MODIFIED:20240126T163038Z UID:3065-1707523200-1721865599@asuartmuseum.org SUMMARY:Sarah Zapata: Beneath the breath of the sun DESCRIPTION:Sarah Zapata (b. 1988\, Corpus Christi\, TX) employs weaving\, tufting and traditional craft techniques to create loud\, architecturally responsive installations that traverse themes of gender\, colonialism and fantasy. Zapata’s site-specific works reflect her intersecting identities as a queer woman of Peruvian heritage raised in Evangelical South Texas and now based in New York.    \n“Beneath the breath of the sun” features newly created works completed during the artist’s residency with CALA Alliance in Fall 2023. Alongside these works\, Zapata chose ceramics made with clay and earthen materials from the Museum’s collection to reference the land. The installation evokes a topography of the Arizona landscape\, where bold hues of orange and yellow nod toward the punishing sun and air of the desert\, weaving together the ecological and geological aspects that make up the complexity of our place. Taken as a whole\, Zapata’s fabricated world highlights the inherent friction between traditional modes of making in untraditional situations.  \n“Sarah Zapata: Beneath the breath of the sun” is organized by ASUAM Senior Curator Alana Hernandez\, with CALA Alliance Curatorial Assistant Sade Moore and made possible by generous funding from the Terra Foundation for American Art and the Ford Foundation. The exhibition is presented in collaboration with a Community of Practice composed of Dagoberto Bailón\, Co-Founder of Trans Queer Pueblo; Dr. Marivel Danielson\, Associate Professor\, School of Transborder Studies\, Arizona State University; and Raquel Gutiérrez\, writer and educator.  \nA series of three free in-person programs is offered in conjunction with “Sarah Zapata: Beneath the breath of the sun.” \nFeb. 10\, 2024 // Opening Reception \n6–8 p.m. \nMar. 15\, 2024 // Open Mic Night with Multicultural Communities of Excellence (MCoE) \n5–7 p.m. \nApr. 13\, 2024 // Fiber Workshop with Erika Hanson \nNoon–2 p.m. \nMay 2024 // A History of Stripes \nMore information about these programs and how to register will be available as details are confirmed. \n  \nConcurrent with her exhibition at ASUAM\, experience Sarah Zapata’s exhibition at MOCA TUCSON  Sara Hubbs and Sarah Zapata: Between gravity and ground.  On view Feb. 2 — June 23\, 2024. Explore the vibrant lineup of events happening at MOCA: \n– Friday\, February 2 at 6pm\, please be our guests for a VIP & Members preview of the new exhibitions with words from the artists & curators\, and a toast sponsored by Rune Wines. \nRSVP for the preview \nThe opening reception continues until 9pm with food by La Merguez\, drinks\, and music! \n– Thursday\, February 8 at 5pm\, artists Sara Hubbs and Sarah Zapata will be in conversation about their artistic practices in conjunction with their new exhibition. URL:https://asuartmuseum.org/event-exhibition/sarah-zapata-beneath-the-breath-of-the-sun/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:Exhibition,pink ATTACH;FMTTYPE=image/png:https://asuartmuseum.org/wp-content/uploads/2024/01/Screen-Shot-2024-01-11-at-9.25.22-AM_11zon.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20240328T150000 DTEND;TZID=America/Phoenix:20240328T160000 DTSTAMP:20240328T064050 CREATED:20240312T193421Z LAST-MODIFIED:20240312T201928Z UID:3413-1711638000-1711641600@asuartmuseum.org SUMMARY:Histories of Protest in Art and Music: Dr. Rashad Shabazz and Curator Brittany Corrales DESCRIPTION:Join Professor Rashad Shabazz and ASUAM Curator Brittany Corrales for a conversation about the history of protest in art and music. Throughout history\, musicians and visual artists have played a pivotal role in challenging the status quo\, shifting perspectives and inspiring political change. This event will recognize important figures in art history and popular culture who united communities and gave a voice to marginalized people\, from José Guadalupe Posada to Faith Ringgold\, Nina Simone and Childish Gambino.    \nRSVP Today! \n  \n  URL:https://asuartmuseum.org/event-exhibition/histories-of-protest-in-art-and-music-dr-rashad-shabazz-and-curator-brittany-corrales/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:Event,green ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2024/03/Twin-Flames-Opening-Reception-21-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20240330T140000 DTEND;TZID=America/Phoenix:20240330T170000 DTSTAMP:20240328T064050 CREATED:20240305T172539Z LAST-MODIFIED:20240315T202546Z UID:3373-1711807200-1711818000@asuartmuseum.org SUMMARY:Artists and Activists Listening Circle facilitated by Black River Life DESCRIPTION:Join Black River Life at ASU Art Museum as they facilitate a listening circle inspired by the exhibit Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix. This event features local artists and activists in conversation with each other to process and tap into thoughts\, emotions\, and memories brought up by this exhibit\, as well as their own experiences here in the Valley. \nParticipants are invited to witness the sharing of these organizers’ stories and perspectives\, with musical sound curation provided by the Black River Life collective. There will also be an opportunity to tour the exhibition\, which features visuals and artifacts from the George Floyd Uprising sites in Minneapolis and Phoenix. \nRSVP: https://www.eventbrite.com/e/twin-flames-listening-circle-artists-and-activists-speak-tickets-853051629387?aff=oddtdtcreator \n  \n  URL:https://asuartmuseum.org/event-exhibition/artists-and-activists-listening-circle-facilitated-by-black-river-life/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:Event,green ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2024/03/Twin-Flames-Opening-Reception-12.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20240404T143000 DTEND;TZID=America/Phoenix:20240404T160000 DTSTAMP:20240328T064050 CREATED:20240320T210542Z LAST-MODIFIED:20240327T173652Z UID:3467-1712241000-1712246400@asuartmuseum.org SUMMARY:CWD Twin Flames Speaker Series: The Politics of Care with Deva Woodly\, Brown University Political Theorist of Black Liberation DESCRIPTION:Arizona State University’s Center for Work and Democracy is hosting Deva Woodly\, Brown University Political Theorist of Black Liberation for a discussion on the Politics of Care.  \nSince the outbreak of the COVID-19 pandemic\, discussions about the politics of care have proliferated within and beyond the academy. This welcome attention to care as an ethic and a political praxis demands we revisit care in the context of ongoing and new forms of state violence. The present moment invites a re-engagement with care as a political theory\, an ethic and a social practice aimed at reorienting people toward new ways of living\, relating\, and governing. The 21st century approach to the politics of care aims at unmaking racial capitalism\, cis heteropatriarchy\, the carceral state\, and the colonial present. The politics of care is an approach to political thought and action that seeks to move beyond the approaches of the 20th century and push toward new understandings\, practices\, and policies that could be constitutive of a world where all people can flourish.  \nDeva Woodly is Professor of Politics at Brown University. She is the author of Reckoning: Black Lives Matter and the Democratic Necessity of Social Movements (Oxford 2022) and The Politics of Common Sense: How Social Movements Use Public Discourse to Change Politics and Win Acceptance (Oxford 2015). She has held fellowships at the Institute for Advanced Study in Princeton as well as the Edmund J. Safra Center for Ethics at Harvard. Her research covers a variety of topics\, from social movements to race\, imagination\, media\, communication\, and political understandings of economics. Her newest work is on the politics of futurity – particularly what it means to take the concept of political worldbuilding seriously in the 21st century. Regardless of topic\, she focuses on the impacts of public discourse on the political meanings of social and economic issues as well as how those common understandings change democratic practice and public policy. Her process of inquiry is inductive\, moving from concrete\, real-world conditions to the conceptual implications of those realities. In all cases\, she centers the perspective of ordinary citizens and political challengers with an eye toward how the demos impact political action and shapes political possibilities. \nAttend via Zoom \nAttend In Person URL:https://asuartmuseum.org/event-exhibition/cwd-twin-flames-speaker-series-the-politics-of-care-with-deva-woodly-brown-university-political-theorist-of-black-liberation/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:Event,green ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2024/03/Screenshot-98.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20240406T120000 DTEND;TZID=America/Phoenix:20240406T140000 DTSTAMP:20240328T064050 CREATED:20240108T225117Z LAST-MODIFIED:20240326T223746Z UID:3030-1712404800-1712412000@asuartmuseum.org SUMMARY:Fiber Workshop with Erika Hanson DESCRIPTION:Inspired by Sarah Zapata’s site-specific installation\, join interdisciplinary artist and ASU School of Art Associate Professor Erika Hanson to learn basic textile techniques such as punch needle. Hanson will discuss textile methods and how they relate to her practice while offering an opportunity to make art. Participants of all ages/abilities are invited\, and all materials will be provided. \nRSVP Today! URL:https://asuartmuseum.org/event-exhibition/fiberworkshoperikahanson/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:Event,pink ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2024/01/Sarah-Zapata-02.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20240412T120000 DTEND;TZID=America/Phoenix:20240412T133000 DTSTAMP:20240328T064050 CREATED:20240226T174429Z LAST-MODIFIED:20240305T224946Z UID:3327-1712923200-1712928600@asuartmuseum.org SUMMARY:Curator IRL XP: Brittany Corrales DESCRIPTION:Join ASUAM Curator Brittany Corrales to hear about the process of bringing hundreds of memorial offerings from George Floyd Square to Tempe for a unique\, community-organized exhibition. \nRSVP Today! \n  \n  URL:https://asuartmuseum.org/event-exhibition/pilgrimage-with-brittany-corrales/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:Event,pink ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2024/02/Brittany-Corrales.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20240413T120000 DTEND;TZID=America/Phoenix:20240413T140000 DTSTAMP:20240328T064050 CREATED:20240320T214821Z LAST-MODIFIED:20240326T223438Z UID:3481-1713009600-1713016800@asuartmuseum.org SUMMARY:Fixer Studio: Felting DESCRIPTION:Join us for the felting workshop\, led by artist Bilge Aktas\, which will be an introduction to repairing and altering knitted garments and clothing using needle felting and wet felting techniques. Participants are welcome to bring their own pieces\, such as clothing\, to mend or alter. All needed materials including wool\, needles and foam back supports will be provided. \n  \nArtist Bilge Aktas’ Bio: \nBilge is a designer\, researcher\, and educator working with textiles\, material interaction\, and sustainable development. Her interdisciplinary expertise covers a variety of design matters\, approaches\, and tools from industrial design\, material engagement and processes from arts and crafts\, and philosophies and methods from social sciences. \nBilge’s artistic practice focuses on immersive experiences emerging from material interaction and embodied experiences. She works with fibers\, photography\, and video making\, positioning her work at the boundary between art\, design\, and crafts.  \nHer research delves into the intricate dynamics of human-material interaction\, and investigates the complex relationships among humans\, materials\, and the environment. Both in her research and creative work\, she employs methods such as working with sensorial reflections\, learning from the material\, and exploring the roots of design materials.   \nBilge’s creative works with fibers have been exhibited at museums and galleries across Finland\, the US\, and Turkey. Over the last decade\, she has been teaching to university students in the US\, Finland\, Estonia and Turkey. Through workshops\, presentations at international conferences\, and research articles in journals\, she continues to explore how materials shape humans.  \nIn this workshop\, she will facilitate exploring the practice of felting by bringing attention to textile structures and material properties. These conversations will help build a more intimate relationship between the participants and their textiles.   \nRSVP Today! URL:https://asuartmuseum.org/event-exhibition/fixer-studio-felting/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:Event,gold ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2024/03/Screenshot-99.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20240419T170000 DTEND;TZID=America/Phoenix:20240419T190000 DTSTAMP:20240328T064050 CREATED:20240223T182643Z LAST-MODIFIED:20240326T231426Z UID:3311-1713546000-1713553200@asuartmuseum.org SUMMARY:Film screening + Panel Discussion for “Stonebreakers” film DESCRIPTION:Join Barrett the Honors College for a screening of the film “Stonebreakers\,” followed by a Q&A discussion with Valerio Ciriaci (director)\, Isaak Liptzin (producer) and Gabriella Soto (ASU) at the ASU Art Museum. \n“Stonebreakers” chronicles the conflicts around monuments that arose in the United States during the George Floyd protests and the 2020 presidential election. As statues of Columbus\, Confederates and Founding Fathers fall from their pedestals\, the nation’s triumphalist myths are called into question. By exploring the shifting landscapes of American monumentality\, the film interrogates the link between history and political action in a nation that must confront its past now more urgently than ever. \nRSVP Today! URL:https://asuartmuseum.org/event-exhibition/film-screening-paneldiscussion-for-stonebreakers-film/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:blue,Event ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2024/02/Screen-Shot-2024-03-13-at-2.49.42-PM-min.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20240420T150000 DTEND;TZID=America/Phoenix:20240420T170000 DTSTAMP:20240328T064050 CREATED:20240227T173919Z LAST-MODIFIED:20240227T173919Z UID:3302-1713625200-1713632400@asuartmuseum.org SUMMARY:Performance: SHATTER/// with Demian DinéYazhi' and Kevin Holden DESCRIPTION:SHATTER/// is an anti-colonial ceremonial intervention through waves of abstract sonic reckoning and destructive catharsis: SHATTER/// is an extractive performance decimating the primitive settler colonizer hyper-romanticized imaginary notions of Indigenous culture/peoples and racist appropriative conditioning inherent in the settler colonial project: SHATTER/// is a flower blooming amidst a barren landscape covered in the shit of FAILING and rotting american culture: SHATTER/// is the aftermath of destruction: an accumulation of dishonorable Indigenous stereotypes: an extraction of non-consensual desire: \nSHATTER/// is a refusal to perform the assimilated oppressed and powerless citizen of foreign (un)civilizations: a betrayal against genocidal agendas that concoct simulated realities to dodge accountability or enact proper reparations for all living and thriving Indigenous tribes: \nSHATTER is a resistance to cis hetero supremacy: a refusal to further internalize the trauma shame and anger through the waves of colonial warfare that is still happening today – even as you read this: SHATTER/// is a cosmic seedling dependent on the nurturing of Indigenous Trans Queer 2Spirit kinship: SHATTER/// is dedicated to ancestral Indigenous rebellion and ceremonial healing: \nSHATTER///\, 2019 – \nDemian DinéYazhi´ with Kevin Holden \nTransdisciplinary installation and performance wreckage URL:https://asuartmuseum.org/event-exhibition/performance-shatter-with-demian-dineyazhi-and-kevin-holden-2/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:blue,Event ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2023/12/image5-copy.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20240425T140000 DTEND;TZID=America/Phoenix:20240425T150000 DTSTAMP:20240328T064050 CREATED:20240320T211640Z LAST-MODIFIED:20240320T222257Z UID:3473-1714053600-1714057200@asuartmuseum.org SUMMARY:CWD BookTalk: “Biography of a Sound - Prince\, Place and the History of the Minneapolis Sound” by Dr. Rashad Shabazz with discussant Jeanelle Austin DESCRIPTION:Join Dr. Rashad Shabazz\, Associate Professor in the Schools of Social Transformation and Geographical Sciences & Urban Planning\, and Jeanelle Austin\, Executive Director of the George Floyd Global Memorial for a discussion around the history and politics of Minneapolis and Prince and how they weave together to create meaning in the present day. \nThis event is held by the Center for Work and Democracy. \n“Biography of a Sound” is about the music Prince made famous—the Minneapolis Sound. This book is a musical geography that tells the story of how Indian removal\, white settlement\, mass migration\, industrialization\, music education\, racism\, and a genius kid born and raised in the city’s small Black community gave rise to a form of transgressive popular music that put the “vanilla city” of Minneapolis on the map. For over four decades\, Prince dazzled us with his unique combination of rock\, funk\, R&B\, jazz\, and new wave. His musical range was unparalleled; his talent was otherworldly\, and his drive was legendary. He was a one-man band who wrote\, arranged\, composed\, and performed most of the music on his 44 studio albums\, influenced generations of musicians\, and mentored musicians like Janelle Monae\, Lizzo\, and Alicia Keys. He single-handedly changed the face of popular music and became one of the greatest and most prolific artists we’ve ever seen. Biography of a Sound uncovers the hidden history of the music Prince made famous. \nAttend via Zoom \nAttend In Person URL:https://asuartmuseum.org/event-exhibition/cwd-booktalk-biography-of-a-sound-prince-place-and-the-history-of-the-minneapolis-sound-by-dr-rashad-shabazz-with-discussant-jeanelle-austin/ LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281 CATEGORIES:blue,Event,pink ATTACH;FMTTYPE=image/jpeg:https://asuartmuseum.org/wp-content/uploads/2024/03/Jeanelle-Austin-Opening-Reception.jpg END:VEVENT END:VCALENDAR