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DTSTART;VALUE=DATE:20230819
DTEND;VALUE=DATE:20240715
DTSTAMP:20260916T012724
CREATED:20230616T175215Z
LAST-MODIFIED:20230719T202734Z
UID:2170-1692403200-1721001599@asuartmuseum.org
SUMMARY:Crafting Resistance
DESCRIPTION:Crafting Resistance looks at the ways in which we understand and view the term craft and its relationship to fine art. The exhibition seeks to flatten the western European art historical cannon and hierarchy and unhinge the binary that often places ‘fine art’ and ‘craft’ at odds with one another. Artists in the exhibition utilize materials and modes of production that are often relegated to what is historically viewed as craft\, mediums such as glass\, textile\, felt\, miniature\, and wood\, and instrumentalize them to make commentary about some of today’s most pressing issues\, including climate catastrophe\, representation\, geo-politics\, and migration.\n\n\nSpecial thanks to artists Sama Alshaibi\, Merryn Omotayo Alaka\, Andrew Erdos\, Maria Hupfield\, Yasue Maetake\, Jayson Musson\, Eric-Paul Riege\, Curtis Talwst Santiago\, and Sam Frésquez\, with additional thanks to the exhibition’s community of practice\, Joe Baker (Delaware)\, Bonn Baudelaire (Cocopah)\, and Sharah Nieto (Yucatec Maya). \n\n\nCurated by Erin Joyce with support from Abby Sutton\, ASU Art Museum Windgate Intern. \n\n\nSponsors: \nThe Edward Jacobson Fund \nKevin and Alexis Cosca \nTheresa M. Shoemaker \nChristian and Allison Lester \n 
URL:https://asuartmuseum.org/event-exhibition/crafting-resistance/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/06/Eric-Paul-Riege.jpg
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DTSTART;TZID=America/Phoenix:20240125T120000
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DTSTAMP:20260916T012724
CREATED:20240102T204807Z
LAST-MODIFIED:20240105T201904Z
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SUMMARY:Call for Community Participation: SHATTER/// with Demian DinéYazhi' and Kevin Holden
DESCRIPTION:Meet transdisciplinary artist\, Demian DinéYazhi’ (Indigenous Diné)\, and sound artist and composer\, Kevin Holden (Diné\, Irish\, German\, and Norwegian)\, and learn more about their performance\, SHATTER///\, on Saturday\, April 20th at 3:00pm and how you can get involved. \nSHATTER/// is an anti-colonial ceremonial intervention through waves of abstract sonic rrreckoning and destructive catharsis: SHATTER/// is an extractive performance decimating the primitive settler colonizer hyper-romanticized imaginary notions of Indigenous culture/peoples and racist appropriative conditioning inherent in the settler colonial project: SHATTER/// is a flower blooming amidst a barren landscape covered in the shit of FAILING and rotting american culture: SHATTER/// is the aftermath of destruction: an accumulation of dishonorable Indigenous stereotypes: an extraction of non-consensual desire:  \nSHATTER/// is a refusal to perform the assimilated oppressed and powerless citizen of foreign (un)civilizations: a betrayal against genocidal agendas that concoct simulated realities to dodge accountability or enact proper reparations for all living and thriving Indigenous tribes: \nSHATTER is a resistance to cis hetero supremacy: a refusal to further internalize the trauma shame and anger through the waves of colonial warfare that is still happening today – even as you read this: SHATTER/// is a cosmic seedling dependent on the nurturing of Indigenous Trans Queer 2Spirit kinship: SHATTER/// is dedicated to ancestral Indigenous rebellion and ceremonial healing: \n  \nThis event is virtual.  \nSign up for event to receive the Zoom link here.
URL:https://asuartmuseum.org/event-exhibition/call-for-community-participation-shatter-with-demian-dineyazhi-and-kevin-holden/
CATEGORIES:Event,pink
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