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DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20240526
DTSTAMP:20261024T023822
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SUMMARY:Making Visible
DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \nClick here to learn more about the Black cowboys of Arizona and their impact on Arizona history through their military service as Buffalo Soldiers.  \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils.
URL:https://asuartmuseum.org/event-exhibition/making-visible/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
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DTSTART;VALUE=DATE:20230930
DTEND;VALUE=DATE:20240602
DTSTAMP:20261024T023822
CREATED:20230911T201809Z
LAST-MODIFIED:20240306T191507Z
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SUMMARY:Contours: The Essential Form
DESCRIPTION:“Contours: The Essential Form” features selections from the Museum’s permanent collection and new works by Ibrahim Said (b. 1976\, Fustat\, Egypt). Through ceramic objects and works on paper\, the exhibition explores themes of nature\, care and discipline through the lens of muscle memory and intuitive artistic practice.  \nSaid was an invited artist in October 2022 as part of the Museum’s Encounter Series\, an effort to reimagine and recontextualize the Museum’s collections to address larger issues related to the current social and cultural climate of Arizona and the world at large. As part of his residency\, the artist selected over sixty artworks from the Museum’s collection and created three ceramic works in response to his experiences during his visit\, drawing inspiration from the Arizona built and natural landscape. Said states\, “The natural world has inspired artists for centuries\, and regardless of all our differences\, we all benefit from a connection to nature for both survival but also to feed our souls and spirits. These objects help us connect and memorialize some of the abundant natural treasures around us.” \nArtists featured in the exhibition are Laura Andreson\, George Burr\, Rose Cabat\, Claude Conover\, Hans Coper\, Andrew Dasburg\,  Roseline Delisle\, Ruth Duckworth\, Ernest Haskell\, Karin Hessenberg\, Catherine Hiersoux\, Nicholas Homoky\, John Jordan\, Paul Landacre\, Lucy M Lewis\, Rebecca Lucario\, Maria Poveka Martinez\, Christine Nofchissey McHorse\, Ed Moulthrop\, Alvin Pace\, Elsa Rady\, Lucie Rie\, Mary Rogers\, Ibrahim Said\, Dennis Stewart\, Geoffrey Swindell\, Toshiko Takaezu\, Dorothy Torivio\, John Ward\, Mary White and A. Jeffrey Zigulis.  \n“Contours: The Essential Form” is organized by Mary-Beth Buesgen\, ASU Art Museum Ceramics Research Center Collections & Archives Manager and Ibrahim Said\, Artist-in Residence in collaboration with a Community of Practice composed of artists and scholars: Sam Chung\, Chad Haines\, Amelia Hay\, Renee Bhatti-Klug\, Kat Medill\, Emma Skinner and Mariam Aziza Stephan and made possible by the Windgate Foundation Endowment with additional support from Elaine and Sidney Cohen and the members of ASU Art Museum’s Board and Councils. \nRSVP TODAY!
URL:https://asuartmuseum.org/event-exhibition/contours-the-essential-form/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Exhibition,green
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DTSTART;TZID=America/Phoenix:20240404T143000
DTEND;TZID=America/Phoenix:20240404T160000
DTSTAMP:20261024T023822
CREATED:20240320T210542Z
LAST-MODIFIED:20240402T214450Z
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SUMMARY:CWD Twin Flames Speaker Series: The Politics of Care with Deva Woodly\, Brown University Political Theorist of Black Liberation
DESCRIPTION:Arizona State University’s Center for Work and Democracy is hosting Deva Woodly\, Brown University Political Theorist of Black Liberation for a discussion on the Politics of Care.  \nSince the outbreak of the COVID-19 pandemic\, discussions about the politics of care have proliferated within and beyond the academy. This welcome attention to care as an ethic and a political praxis demands we revisit care in the context of ongoing and new forms of state violence. The present moment invites a re-engagement with care as a political theory\, an ethic and a social practice aimed at reorienting people toward new ways of living\, relating\, and governing. The 21st century approach to the politics of care aims at unmaking racial capitalism\, cis heteropatriarchy\, the carceral state\, and the colonial present. The politics of care is an approach to political thought and action that seeks to move beyond the approaches of the 20th century and push toward new understandings\, practices\, and policies that could be constitutive of a world where all people can flourish.  \nDeva Woodly is Professor of Politics at Brown University. She is the author of Reckoning: Black Lives Matter and the Democratic Necessity of Social Movements (Oxford 2022) and The Politics of Common Sense: How Social Movements Use Public Discourse to Change Politics and Win Acceptance (Oxford 2015). She has held fellowships at the Institute for Advanced Study in Princeton as well as the Edmund J. Safra Center for Ethics at Harvard. Her research covers a variety of topics\, from social movements to race\, imagination\, media\, communication\, and political understandings of economics. Her newest work is on the politics of futurity – particularly what it means to take the concept of political worldbuilding seriously in the 21st century. Regardless of topic\, she focuses on the impacts of public discourse on the political meanings of social and economic issues as well as how those common understandings change democratic practice and public policy. Her process of inquiry is inductive\, moving from concrete\, real-world conditions to the conceptual implications of those realities. In all cases\, she centers the perspective of ordinary citizens and political challengers with an eye toward how the demos impact political action and shapes political possibilities. \nRSVP!
URL:https://asuartmuseum.org/event-exhibition/cwd-twin-flames-speaker-series-the-politics-of-care-with-deva-woodly-brown-university-political-theorist-of-black-liberation/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,green
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