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X-WR-CALNAME:ASU Art Museum
X-ORIGINAL-URL:https://asuartmuseum.org
X-WR-CALDESC:Events for ASU Art Museum
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DTSTART:20220101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20240526
DTSTAMP:20261024T055109
CREATED:20230119T235713Z
LAST-MODIFIED:20240306T191546Z
UID:1428-1673654400-1716681599@asuartmuseum.org
SUMMARY:Making Visible
DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \nClick here to learn more about the Black cowboys of Arizona and their impact on Arizona history through their military service as Buffalo Soldiers.  \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils.
URL:https://asuartmuseum.org/event-exhibition/making-visible/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/01/asuam-exhibitions-making-visible.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230722
DTEND;VALUE=DATE:20240101
DTSTAMP:20261024T055109
CREATED:20230620T173207Z
LAST-MODIFIED:20230620T173207Z
UID:2181-1689984000-1704067199@asuartmuseum.org
SUMMARY:Everything is a Little Fuzzy
DESCRIPTION:“Everything Is a Little Fuzzy\,” draws from the museum’s permanent collection. With an eye on dimensions of memory and care\, it explores the challenges experienced in a post-pandemic world. The exhibition highlights aspects of care\, emphasizes memory\, communicates resilience\, and explores softness through difficult circumstances. \nTwenty-two artworks on display feature textile objects or the usage of fibrous materials and techniques. Ninabah Winton\, the exhibition’s curator and ASU Art Museum Windgate Assistant Curator of Contemporary Craft and Design\, asks\, “How are care and memory passed down in textile work? How do fiber or ceramic works hold or contain memories\, and how are they shaped by memory or the concept of care?” \nJoin us at the museum for the opening reception on Saturday\, Aug. 19\, from 6 to 8 p.m.
URL:https://asuartmuseum.org/event-exhibition/everything-is-a-little-fuzzy/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/06/Judy-Chicago-embroidery.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230930
DTEND;VALUE=DATE:20240602
DTSTAMP:20261024T055109
CREATED:20230911T201809Z
LAST-MODIFIED:20240306T191507Z
UID:2609-1696032000-1717286399@asuartmuseum.org
SUMMARY:Contours: The Essential Form
DESCRIPTION:“Contours: The Essential Form” features selections from the Museum’s permanent collection and new works by Ibrahim Said (b. 1976\, Fustat\, Egypt). Through ceramic objects and works on paper\, the exhibition explores themes of nature\, care and discipline through the lens of muscle memory and intuitive artistic practice.  \nSaid was an invited artist in October 2022 as part of the Museum’s Encounter Series\, an effort to reimagine and recontextualize the Museum’s collections to address larger issues related to the current social and cultural climate of Arizona and the world at large. As part of his residency\, the artist selected over sixty artworks from the Museum’s collection and created three ceramic works in response to his experiences during his visit\, drawing inspiration from the Arizona built and natural landscape. Said states\, “The natural world has inspired artists for centuries\, and regardless of all our differences\, we all benefit from a connection to nature for both survival but also to feed our souls and spirits. These objects help us connect and memorialize some of the abundant natural treasures around us.” \nArtists featured in the exhibition are Laura Andreson\, George Burr\, Rose Cabat\, Claude Conover\, Hans Coper\, Andrew Dasburg\,  Roseline Delisle\, Ruth Duckworth\, Ernest Haskell\, Karin Hessenberg\, Catherine Hiersoux\, Nicholas Homoky\, John Jordan\, Paul Landacre\, Lucy M Lewis\, Rebecca Lucario\, Maria Poveka Martinez\, Christine Nofchissey McHorse\, Ed Moulthrop\, Alvin Pace\, Elsa Rady\, Lucie Rie\, Mary Rogers\, Ibrahim Said\, Dennis Stewart\, Geoffrey Swindell\, Toshiko Takaezu\, Dorothy Torivio\, John Ward\, Mary White and A. Jeffrey Zigulis.  \n“Contours: The Essential Form” is organized by Mary-Beth Buesgen\, ASU Art Museum Ceramics Research Center Collections & Archives Manager and Ibrahim Said\, Artist-in Residence in collaboration with a Community of Practice composed of artists and scholars: Sam Chung\, Chad Haines\, Amelia Hay\, Renee Bhatti-Klug\, Kat Medill\, Emma Skinner and Mariam Aziza Stephan and made possible by the Windgate Foundation Endowment with additional support from Elaine and Sidney Cohen and the members of ASU Art Museum’s Board and Councils. \nRSVP TODAY!
URL:https://asuartmuseum.org/event-exhibition/contours-the-essential-form/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Exhibition,green
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