BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ASU Art Museum - ECPv6.15.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:ASU Art Museum
X-ORIGINAL-URL:https://asuartmuseum.org
X-WR-CALDESC:Events for ASU Art Museum
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Phoenix
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20220101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20230619
DTSTAMP:20261009T152302
CREATED:20230120T000959Z
LAST-MODIFIED:20230302T211451Z
UID:1430-1673654400-1687132799@asuartmuseum.org
SUMMARY:A pattern\, a trace\, a portrait: Four Artists from CALA Alliance’s Residency Program
DESCRIPTION:“A pattern\, a trace\, a portrait: Four Artists from CALA Alliance’s Residency Program” showcases new and existing work by Carolina Aranibar-Fernández\, Diana Calderón\, Estrella Esquilín and Sam Frésquez. These regional Latinx artists each present discrete installations that weave together universal themes of memory\, loss and grief while highlighting issues related to place and the destruction of our natural environment. A pattern\, a trace\, a portrait highlights the dichotomy between the most intimate histories and the most global concerns. \nThis exhibition showcases\, in part\, a partnership between CALA Alliance and ASU Art Museum. CALA Alliance (Celebración Artística de las Américas) is a Latinx arts organization based in Phoenix. CALA Alliance collaborates with artists and arts organizations to nurture artistic talent\, focusing on artists from the Latin American diaspora. The organization advances its mission through innovative artist residencies\, artist commissions\, community workshops\, and public programming that position the Metro Phoenix region as a fruitful site that acknowledges and contributes to the promotion of Latinx art throughout the United States. \nCALA Alliance and ASU Art Museum work in partnership to achieve their common mission of incubating and accelerating the presence of Latinx art in the United States. Together CALA Alliance and ASUAM promote the exchange of new ideas\, perspectives\, and experiences among artists\, students\, and the public through various programs\, especially those that educate and inspire the public about the richness of the Latinx cultural heritage.
URL:https://asuartmuseum.org/event-exhibition/a-pattern-a-trace-a-portrait-four-artists-from-cala-alliances-residency-program/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/01/asuam-exhibitions-apatternatrace.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230215
DTEND;VALUE=DATE:20250101
DTSTAMP:20261009T152302
CREATED:20230209T210411Z
LAST-MODIFIED:20240621T190457Z
UID:1488-1676419200-1735689599@asuartmuseum.org
SUMMARY:Opportunity (reflection)
DESCRIPTION:World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII\, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic practice\, this latest sculpture draws from his 2015 sculpture “Opportunity\,” which was inspired by the NFL\, and as part of his interest in photographic history\, popular culture\, and sports as a metaphor for individual and collective struggle or hope. “Hank’s powerful sculpture showcased during Super Bowl week beautifully represents the passion\, strength\, and hope at the heart of our game\,” said Peter O’Reilly\, NFL Executive Vice President of Club Business & League Events. \nThe artwork falls within Thomas’ “Punctum” series\, which is based on Roland Barthes’ photographic theory of the punctum referring to the detail in an image that pierces or wounds the viewer\, creating a direct relationship between them and the pictured object or person. Thomas uses this concept to select or reframe areas of images\, which he then transforms into large-scale sculptures. “Opportunity (reflection)” portrays a snapshot of an anonymous player whose arm extends outward to catch the football. The viewer is reflected back in the mirrored surface and invited to imagine these tense few moments\, filled with great anticipation\, the successful catch leading to success and celebration\, as well as loss and defeat for the opposing team. \n  \n\n  \n 
URL:https://asuartmuseum.org/event-exhibition/opportunity-reflection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/02/HWT-sculpture-horizontal-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230519
DTEND;VALUE=DATE:20230828
DTSTAMP:20261009T152302
CREATED:20230425T154907Z
LAST-MODIFIED:20230830T171741Z
UID:1867-1684454400-1693180799@asuartmuseum.org
SUMMARY:Cuban Print Collection
DESCRIPTION:In conjunction with Lo que es\, es lo que ha sido/What It Is\, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection at the Phoenix Art Museum\, the ASU Art Museum presents their Cuban Print Collection. A portfolio of eleven prints was published by Arizona State University Art Museum in conjunction with the 1998 exhibition Contemporary Art from Cuba: Irony and Survival on the Utopian Island organized by the ASU Art Museum in Tempe\, Arizona. The exhibition featured the work of 17 artists living and working in Cuba. Curated by Marilyn A. Zeitlin\, the Museum’s director and chief curator at the time\, the exhibition represented a milestone for Cuban art and brought awareness of that art in the United States. The lithographs and photolithographs were printed at Segura Publishing Company\, Inc.\, in Tempe\, Arizona\, by Joe Freye. The woodcuts\, linocut\, collograph\, and etching were printed at Armstrong Prior\, Inc.\, in Phoenix\, Arizona\, by John Armstrong.  \n \nFor more information on purchasing one of the reproduction portfolios email Raechel Miller (Visitor Services Coordinator) at raechel.miller@asu.edu \n 
URL:https://asuartmuseum.org/event-exhibition/cuba-print-collection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/04/1998_395_000_TONEL_CuatroCosas_nm_r_DSC_1425_1000.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230524T110000
DTEND;TZID=America/Phoenix:20230828T170000
DTSTAMP:20261009T152302
CREATED:20230502T155917Z
LAST-MODIFIED:20230502T155917Z
UID:1946-1684926000-1693242000@asuartmuseum.org
SUMMARY:Open Studio with Susan Allred
DESCRIPTION:The Ceramics Research Center is launching a new artist residency program\, featuring two textile and fiber artists in this first iteration. The residency offers artists an open studio space\, opportunities to work with the Museum’s permanent collections and to meet with curators\, students\, scholars and museum audiences. Two days a week\, their studios will be open to the public to provide direct engagement with working artists and learn more about the artistic process. \nSusan Allred \n\nSusan Allred states “The results of these fiber experiments let me express my thoughts and feelings about society’s expectations\, such as how from an early age\, many young girls are encouraged to dream about and plan for the day they’ll marry and live ‘happily ever after.’ I’ve explored what happens when women don’t feel safe in their daily lives and how external pressure from religious expectations can harm a marriage instead of supporting it. My most personal work reveals the lasting damage that the trauma of sexual assault can leave on the human body and soul.” \n\nWorking 11 am – 5 pm on Wednesdays and Thursdays \n \n\n\n\n 
URL:https://asuartmuseum.org/event-exhibition/open-studio-with-susan-allred/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Event,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/05/Invitation-to-a-Tea-Party-detail.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230531T180000
DTEND;TZID=America/Phoenix:20230930T193000
DTSTAMP:20261009T152302
CREATED:20230515T214955Z
LAST-MODIFIED:20230925T181739Z
UID:2011-1685556000-1696102200@asuartmuseum.org
SUMMARY:Full Event Schedule @ Phoenix Art Museum for "Lo que es\, es lo que ha sido/What It Is\, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection"
DESCRIPTION:Talk: Olga Viso\, Senior Curatorial Advisor and Curator of Juan Francisco Elso: Por América in dialogue with Paul A. Rogers\, The Gerry Grout Director of Education and Engagement\nViso and Rogers discuss the challenges of creating an exhibition for multiple audiences and across US-Cuban borders\, and explore the thematic and contextual richness of Elso’s art.\nWednesday May 31\, 6-7:30PM \n$5/members free \nSinger Hall \n  \nTour: Olga Viso\, Senior Curatorial Advisor and Curator of Juan Francisco Elso: Por América with Curator Julio César Morales \nWednesday June 21\, 5-5:45PM \nFree \nGallery \n  \nFilm Screening and Talk: Artist Sandra Ramos in dialogue with Olga Viso\, Senior Curatorial Advisor and Curator of Juan Francisco Elso: Por América and Julio César Morales\, Museum of Contemporary Art Tucson Executive Director and Co-Chief Curator\nA post-screening dialogue with the artist about her short animated films that examine the complexities of daily life\, migration\, and gender politics in Cuba during the Special Period. \nWednesday June 21\, 6-7:30PM \n$5/members free \nWhiteman Hall \n  \nTalk: Poet Anna Flores in dialogue with artists and thinkers Estephania González\, Carolina Aranibar-Fernández\, and Estrella Esquilín\nA roundtable discussion about polycultural identity in the making of the contemporary Americas. \nSaturday July 15\, 1-2:30PM \nSinger Hall \n$5/members free \n  \nTalk: Juan Francisco Elso and Mexico: Curator Cuauhtemoc Medina in dialogue with artist Magali Lara (in Spanish with English translation): \nA discussion about Elso’s deep cultural and aesthetic ties to the nation of Mexico and Mesoamerican cultural traditions. \nWednesday July 19\, 12 PM MST \nFree \nZOOM \n  \nTalk: Constellations: Artistic Responses\, Migrating Identities\, and Displacement Participants TBD \nA Collaboration PhxArt\, ASU Art Museum and CALA Alliance \nA conversation about artistic and aesthetic responses to migration\, immigration\, and displacement. \nWednesday September 6\, 6-7:30PM \nWhiteman Hall \n$5/Members Free \n  \nTalk: Artist Tania Bruguera in dialogue with Olga Viso\, Senior Curatorial Advisor and Curator of Juan Francisco Elso: Por América \nA dialogue about Bruguera’s insight into the aesthetic world of Elso\, her experience as his student\, and her own artistic practices and activism in support of freedom of expression for artists and civil liberties in Cuba. \nThursday September 14\, 6-7:30PM \nSinger Hall \n$5/members free \n  \nTickets available here: https://phxart.org/events/
URL:https://asuartmuseum.org/event-exhibition/full-event-schedule-phoenix-art-museum-for-lo-que-es-es-lo-que-ha-sido-what-it-is-is-what-has-been-selections-from-the-asu-art-museums-cuban-art-collection/
LOCATION:Phoenix Art Museum\, 1625 North Central Avenue\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:Event,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/04/Kcho-1998.410.001a.jpg
END:VEVENT
END:VCALENDAR