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X-ORIGINAL-URL:https://asuartmuseum.org
X-WR-CALDESC:Events for ASU Art Museum
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DTSTART:20220101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231118
DTEND;VALUE=DATE:20231219
DTSTAMP:20261024T114201
CREATED:20231115T195133Z
LAST-MODIFIED:20241204T221750Z
UID:2937-1700265600-1702943999@asuartmuseum.org
SUMMARY:Cosmic Bloom
DESCRIPTION:“Cosmic Bloom” is the second NFT collection in Leo Villareal’s “Cosmologies” series. The 1\,300 unique digital artworks in the collection are produced using custom live code and are inspired by organic and biological structures\, stellar phenomena and atomic patterns. They feature intricate geometric forms that are layered and multiplied\, creating captivating patterns set in constant\, non-repeating motion. \n“Cosmic Bloom” draws on the artist’s longstanding practice of using code to generate complex visual sequences in his light sculptures. The collection was released in December 2022 on Outland\, the first editorial platform dedicated to fostering critical conversations around emerging digital technologies and their connections to contemporary art. \nThe NFT will be displayed on the 70-foot-wide high-resolution display on the south wall of the MIX Center. The MIX Center\, which opened in the fall of 2022\, is one of the first media production facilities of its type. The state-of-the-art facility in downtown Mesa was created for film\, media arts\, design and emerging technology programs in the Herberger Institute for Design and the Arts\, and was designed to be fully embedded in the surrounding community as a hive of cultural exchange and public programming and events.
URL:https://asuartmuseum.org/event-exhibition/cosmic-bloom/
LOCATION:The MIX Center\, 50 N Centennial Way\, Mesa\, AZ\, 85201\, United States
CATEGORIES:Exhibition,pink
ATTACH;FMTTYPE=image/png:https://storage.googleapis.com/asuartmuseum/2023/11/Cosmic-Bloom.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240203
DTEND;VALUE=DATE:20240729
DTSTAMP:20261024T114201
CREATED:20231101T190248Z
LAST-MODIFIED:20240712T172840Z
UID:2920-1706918400-1722211199@asuartmuseum.org
SUMMARY:Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix
DESCRIPTION:In partnership with ASU’s Center for Work and Democracy and the George Floyd Global Memorial\, ASU Art Museum presents “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix.” Presented for the first time outside of Minnesota and on view from February 3 through July 28\, 2024 at the ASU Art Museum\, “Twin Flames” asks important questions about the role of art and community as a vehicle for bearing witness and creating deeper understanding and empathy. It also examines the state of public memorials in this country\, and prompts us to reflect on whose stories are shared\, by whom and why.  \nIn contrast to traditional monuments\, “Twin Flames” is a powerful\, community-led exhibition that showcases a selection of the thousands of offerings laid by mourners and protesters at George Floyd Square\, collected by a group of community caretakers and cataloged by the George Floyd Global Memorial team. This exhibition recognizes that creative and artistic expressions of pain and hope exist beyond the walls of museums\, in all forms and a myriad of cultural expressions\, and that George Floyd Square is a public space that can teach us how to mobilize as we mourn victims of police violence and imagine a more just world. \n  \nPublic programs will accompany the exhibition\, including: \nFriday\, February 2\, 2024 (5:00 — 7:00 p.m.): Public Opening Reception \nFriday\, February 2\, 2024 (8:00 — 11:00 p.m.): Taste of Melanin\, Silent Disco \nThursday\, March 28\, 2024 (3:00 — 4:00 p.m.): Histories of Protest in Art and Music \nSaturday\, April 19\, 2024 (7:00 — 9:00 p.m.): Film screening + Panel Discussion for “Stonebreakers” \nThursday\, May 2\, 2024: Are Objects Forever? The Evolving Thinking on Conservation and Collections Care: Hear from Twin Flames’ Community of Practice\, a committee of community members steering the exhibition at ASU Art Museum \n  \n“Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix” is organized by Jeanelle Austin\, Executive Director of the George Floyd Global Memorial; Heather Carroll\, Archiving Sacred Spaces Fellow of the George Floyd Global Memorial; Dr. Rashad Shabazz\, Associate Professor in the Schools of Social Transformation and Geographical Sciences & Urban Planning\, Arizona State University; Maria Esch\, Researcher at the Center for Work and Democracy\, Arizona State University; and ASUAM Curator Brittany Corrales. \nThis exhibition is made possible by  major funding provided by the Burton Family Foundation and Cheryl and Jahm Najafi. \nAdditional generous funding from (as of Feb. 2024) Emily Beach\, Pascha Bueno-Hansen\, Melissa Fernandez\, Carolyn Forbes\, Shelly Gordon\, Kenja Hassan\, Jorge Hernandez\, Dulce Juarez\, Robin Baskin McNulty\, Sentari Minor\, Marco Mojica\, Ramona Norman\, Tracy Perkins\, Olivia Perryman\, Trish Robinson\, Anthony Rowe\, Yasmin Shaheed\, Nancy Temple\, Bart Thurber\, Cheryl Wynn\, Anonymous Donors and the Center for Work and Democracy\, Arizona State University. Additional thanks to members of the ASU Art Museum’s Board and Councils. This exhibition showcases\, in part\, a partnership between the George Floyd Global Memorial\, the Center for Work and Democracy\, Arizona State University and the ASU Art Museum. \nThe exhibition is presented in collaboration with a Community of Practice composed of: Liz Agboola\, CEO\, Trinity Integrated Care; Miriam Araya\, New Worlds Organizer\, Black Lives Matter Phoenix Metro; Shimyrre Britt\, Event Curator\, dialog; Kara Brooks\, artist; Dr. Amber C. Coleman\, Post-Doctoral Fellow\, Art Education\, Arizona State University; Dr. Kenja Hassan\, Assistant Vice President\, Government & Community Engagement\, Arizona State University; Moses Hollis\, Assistant Director\, New Student Programs\, Arizona State University; Dr. Mahlika Hopwood\, Assistant Teaching Professor & Honors Faculty Fellow\, Barrett Honors Faculty\, Arizona State University; Barbara Noble Howard\, University Fellow for Non-Profit Leadership\, Office of University Affairs\, Arizona State University; Armonee Jackson\, Operations Director for Arizona List; Michael Jackson\, CEO of Mya Kai Creative; Dr. Anthony Pratcher\, Assistant Professor of African American Studies in the Ethnic Studies Program at Northern Arizona University\, Northern Arizona University; Ellison Shabazz\, child of ASU faculty; Simone Shabazz\, child of ASU faculty; Dr. Rashad Shabazz\, Associate Professor\, Arizona State University; Roy Tatem Jr.\, Immediate Past President of the East Valley NAACP\, President of Vanguard Strategies and Consulting\, LLC; Benjamin Taylor\, Civil Rights Attorney\, Taylor & Gomez LLP; President of the State Bar of Arizona; Shawna Tibbett\, Administrative Specialist\, DPC Govt and Community Engagement\, Arizona State University; Collette Watson\, artist\, cultural organizer\, and communications strategist at Black River Life Media; and Brian Watson\, Financial Advisor\, Merrill Lynch. \nSpecial thanks to: Bart Thurber\, Black Lives Matter Phoenix Metro\, George Floyd Square Community\, Mya Kai Creative; Angela Harrelson\, Aunt of George Floyd & GFGM Board Co-Chair; Paris Stevens\, First Cousin of George Floyd & GFGM Board Co-Chair\, Dr. Michael McQuarrie\, Director of the Center for Work and Democracy; Maud McQuarrie\, child of ASU Faculty; George Floyd Square Community Members: Butchy Austin\, Jimmy Austin\, Sundiata Austin\, Zamira Austin\, Raycurt Johnson\, Phi Khalar\, Jud Kilgore\, Dylan Leavitt-Phibbs\, Jennie Leenay\, Forest Olivier\,  Redemption Peters-DuRose\, Sam Pitmon\, Jordan Powell Karis\, Jason Quick\, Janae Rupert\, Johanna Rupert\, Shari Seifert\, Denise Tennen\, James Antravier Thomas\, Lauren Thrift\, Shekela Wanyama\, Thursday Williamson and Huda Yusuf.
URL:https://asuartmuseum.org/event-exhibition/twinflames/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240210
DTEND;VALUE=DATE:20240722
DTSTAMP:20261024T114201
CREATED:20240109T023931Z
LAST-MODIFIED:20241204T221900Z
UID:3065-1707523200-1721606399@asuartmuseum.org
SUMMARY:Sarah Zapata: Beneath the breath of the sun
DESCRIPTION:Sarah Zapata (b. 1988\, Corpus Christi\, TX) employs weaving\, tufting and traditional craft techniques to create loud\, architecturally responsive installations that traverse themes of gender\, colonialism and fantasy. Zapata’s site-specific works reflect her intersecting identities as a queer woman of Peruvian heritage raised in Evangelical South Texas and now based in New York.    \n“Beneath the breath of the sun” features newly created works completed during the artist’s residency with CALA Alliance in Fall 2023. Alongside these works\, Zapata chose ceramics made with clay and earthen materials from the Museum’s collection to reference the land. The installation evokes a topography of the Arizona landscape\, where bold hues of orange and yellow nod toward the punishing sun and air of the desert\, weaving together the ecological and geological aspects that make up the complexity of our place. Taken as a whole\, Zapata’s fabricated world highlights the inherent friction between traditional modes of making in untraditional situations.  \n“Sarah Zapata: Beneath the breath of the sun” is organized by ASUAM Senior Curator Alana Hernandez\, with CALA Alliance Curatorial Assistant Sade Moore and made possible by generous funding from the Terra Foundation for American Art and the Ford Foundation. The exhibition is presented in collaboration with a Community of Practice composed of Dagoberto Bailón\, Co-Founder of Trans Queer Pueblo; Dr. Marivel Danielson\, Associate Professor\, School of Transborder Studies\, Arizona State University; and Raquel Gutiérrez\, writer and educator.  \n\nA series of three free in-person programs is offered in conjunction with “Sarah Zapata: Beneath the breath of the sun.” \nFeb. 10\, 2024 // Opening Reception \n6–8 p.m. \nMar. 15\, 2024 // Open Mic Night with Multicultural Communities of Excellence (MCoE) \n5–7 p.m. \nApr. 13\, 2024 // Fiber Workshop with Erika Hanson \nNoon–2 p.m. \nMay 2024 // A History of Stripes \nMore information about these programs and how to register will be available as details are confirmed. \n  \nConcurrent with her exhibition at ASUAM\, experience Sarah Zapata’s exhibition at MOCA TUCSON  Sara Hubbs and Sarah Zapata: Between gravity and ground.  On view Feb. 2 — June 23\, 2024. \n 
URL:https://asuartmuseum.org/event-exhibition/sarah-zapata-beneath-the-breath-of-the-sun/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
ATTACH;FMTTYPE=image/png:https://storage.googleapis.com/asuartmuseum/2024/01/Screen-Shot-2024-01-11-at-9.25.22-AM_11zon.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240713
DTEND;VALUE=DATE:20250630
DTSTAMP:20261024T114201
CREATED:20240701T202328Z
LAST-MODIFIED:20250222T221843Z
UID:3855-1720828800-1751241599@asuartmuseum.org
SUMMARY:Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection\, 1980–2010
DESCRIPTION:“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection\, 1980–2010” showcases a partnership between ASU’s Hispanic Research Center (HRC) and ASU Art Museum and brings together works from the 1980s into the 2010s drawn from the HRC’s dynamic collection. Featuring over 30 artists who each offer a kaleidoscope of perspectives on the Mexican American experience\, this year-long exhibition pays homage to the ideals of the Chicano Movement of the 1960s and 70s and expands upon them through the widely disseminated medium of prints. Presented in two parts\, this unique exhibition underscores how Chicano/a/x artists have employed prints and graphics to build community\, engage with social concerns\, and interrogate shifting notions of political and cultural identity over time. \n“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection\, 1980–2010” is organized by ASUAM Senior Curator Alana Hernandez and ASUAM Curator Brittany Corrales and is made possible by funding provided by the Evelyn Smith Exhibition Fund. Additional funding is provided by ASU’s Hispanic Research Center and The Andy Warhol Foundation for the Visual Arts. The exhibition is presented in collaboration with a Community of Practice composed of Carla Chavarria\, Community Building Director\, Iconico\, and Carla León Celaya\, PhD candidate in the Spanish Department at the School of International Letters and Cultures\, ASU. \n  \nChicano/a/x Prints and Graphics Audio Guide\nUse the audio players below at the corresponding exhibition location. \nStop 1: Isabel Martinez\, “VG Got Her Green Card”\n\n  \nStop 2: Leo Limón\, “Morena y Quetzalcoatl”\n\n  \nStop 3: Alma López\, “Chuparosa”\n\n 
URL:https://asuartmuseum.org/event-exhibition/chicano-a-x-prints-and-graphics-selections-from-the-hispanic-research-centers-collection-1980-2010/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/07/Larry-Yanez_Cocina-Jaiteca-min.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240713
DTEND;VALUE=DATE:20250630
DTSTAMP:20261024T114201
CREATED:20240918T005844Z
LAST-MODIFIED:20241031T171653Z
UID:3832-1720828800-1751241599@asuartmuseum.org
SUMMARY:Spiraling\, Twisting\, Unraveling: Explorations in Pattern and Form
DESCRIPTION:Exhibition Overview\n\n\nSpiraling\, Twisting\, Unraveling Audio Guide\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Maria Poveka Martinez\n\n  \nStop 2: Bradley R. Miller\n\n  \nStop 3: Jiro Yonezawa\n\n  \nInterpretation questions\n\n\n\n 
URL:https://asuartmuseum.org/event-exhibition/spiraling-twisting-unraveling-explorations-in-pattern-and-form/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/06/Jiro-Yonezawa_Monk_2003.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240907
DTEND;VALUE=DATE:20250113
DTSTAMP:20261024T114201
CREATED:20240727T005427Z
LAST-MODIFIED:20250114T225546Z
UID:4070-1725667200-1736726399@asuartmuseum.org
SUMMARY:Muddy Terrains: Mariana Ramos Ortiz + Estephania González
DESCRIPTION:Exhibition Overview\n\n\nMuddy Terrains Audio Guide\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Introduction\n\n  \nStop 2: Mariana Ramos Ortiz\n\n  \nStop 3: Estephania González\n\n  \nStop 4: “Points of confluence: in between the island and the desert”\n\n  \nInterpretation questions
URL:https://asuartmuseum.org/event-exhibition/muddy-terrains-mariana-ramos-ortiz-estephania-gonzalez/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/07/muddy-waters-featured-image-vertical-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240907
DTEND;VALUE=DATE:20250113
DTSTAMP:20261024T114201
CREATED:20240731T224559Z
LAST-MODIFIED:20240801T175105Z
UID:3948-1725667200-1736726399@asuartmuseum.org
SUMMARY:Notes on Motherhood
DESCRIPTION:What role does community play in contemporary mothering experiences? How might we tackle taboo topics such as postpartum anxiety\, rage\, and birth trauma\, while celebrating maternal joy\, love\, sacredness and the spectrum of emotions in between? What can we do to acknowledge the invisible labor of mothering\, recognizing it is not a monolithic experience\, and offering a rich tapestry of alternative\, inclusive narratives? \n“Notes on Motherhood” explores various stages of matrescence\, or “mother-becoming” –– from birth and caregiving to grief and loss. The exhibition challenges the narrow depictions of mothers and mothering within art history and visual culture. Drawing from the museum’s dynamic collection\, the presentation assesses the presence and absence of nuanced\, complex portrayals of motherhood. Often\, maternity is viewed through a male gaze\, with the image of the Madonna and Child dominating the experience. Alongside selections from the collection\, the exhibition inserts voices and perspectives traditionally left out. Regional women-identified artists\, such as Megan Driving Hawk (United States\, b. 1988)\, Gabriela Muñoz (United States\, b. Mexico 1980) and Ashley Czajkowski (United States\, b. 1986)\, each offer a unique perspective on mothering\, thereby expanding upon the limited understandings of birth\, nurturing and unseen domestic labor. \nArtists include: Pitseolak Ashoona (Inuk\, 1904–1983)\, James S. Baillie (United States\, active 1838–1855)\, Judy Chicago (United States\, b. 1939)\, Sue Coe (England\, b. 1951)\, Ashley Czajkowski (United States\, b. 1986)\, Francis de Erdely (United States\, 1904–1959)\, Raoul Deal (United States\, b. 1956)\, Louis Delsarte (United States\, 1944–2020)\, Renée Dennison (Diné\, b. 1963)\, Megan Driving Hawk (United States\, b.1988)\, Albrecht Dürer (Germany\, 1491–1528)\, Margaret Garcia (United States\, b. 1951)\, R.C. Gorman (Diné\, 1933–2005)\, Mildred Howard (United States\, b. 1945)\, Sara Hubbs (United States\, b. 1978)\, Victoria E.H. Huntley (United States\, b. 1900–1971)\, Käthe Kollwitz (Germany\, 1867–1945)\, John P. Leeper (United States\, 1909–1989)\, Adriana Lestido (Argentina\, b. 1955)\, Gabriela Muñoz (United States\, b. Mexico 1980)\, José Clemente Orozco (Mexico\, 1883–1949)\, Lisa Reinertson (United States\, b. 1955)\, Margery Ryerson (United States\, 1886–1989)\, Edwin Scheier (United States\, 1910–2008)\, Forrest Solis (United States\, b. 1979)\, Roxanne Swentzell (Santa Clara Tewa\, b.1962)\, Akio Takamori (United States\, 1950–2017)\, Dorothy Trujillo (Cochiti Pueblo\, 1932–1999)\, Andy Warhol (United States\, 1928–1987)\, June Wayne (United States\, 1918–2011) and Russell Wray (United States\, b. 1955). \n“Notes on Motherhood” is organized by ASUAM Curator Brittany Corrales and is made possible by an award from the National Endowment for the Arts. The exhibition is presented in collaboration with a Community of Practice composed of Briauna Jensen\, UX Researcher; Julia Rodriguez\, Communications Manager at First Things First; and Deborah Sussman\, Associate Director of Strategic Communications and Media for the Herberger Institute for Design and the Arts.
URL:https://asuartmuseum.org/event-exhibition/notes-on-motherhood/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/07/Czajkowski_Ashley_1B.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240929
DTEND;VALUE=DATE:20250728
DTSTAMP:20261024T114201
CREATED:20240821T200731Z
LAST-MODIFIED:20250721T163615Z
UID:3981-1727568000-1753660799@asuartmuseum.org
SUMMARY:Mariana Castillo Deball: The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash and Clay
DESCRIPTION:Exhibition Overview\n\n\nMariana Castillo Deball Audio Guide\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Introduction\n\n  \nStop 2: The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash and Clay\n\n  \nStop 3: Cabeza Olmeca San Lorenzo 1 (rostro lado derecho)\n\n  \nInterpretation questions\n\n\n\n 
URL:https://asuartmuseum.org/event-exhibition/mariana-castillo-deball-the-flames-leave-a-feathered-mark-on-the-clay-spider-in-the-chamber-of-ash-and-clay3/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/08/MCD12203_4-COMPRESS.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250208
DTEND;VALUE=DATE:20250714
DTSTAMP:20261024T114201
CREATED:20250114T225034Z
LAST-MODIFIED:20250224T210444Z
UID:6290-1738972800-1752451199@asuartmuseum.org
SUMMARY:Cooperative Craft: Artmaking of the Mingei Movement
DESCRIPTION:Exhibition Overview\n\n\nCooperative Craft: Artmaking of the Mingei Movement\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Introduction\n\n  \nStop 2: Shimaoka Tatsuzō and Japan’s National Treasures\n\n  \nStop 3: Onta Pottery\n\nStop 4: A Family Affair
URL:https://asuartmuseum.org/event-exhibition/artmaking-of-the-mingei-movement/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250222
DTEND;VALUE=DATE:20250721
DTSTAMP:20261024T114201
CREATED:20250114T224509Z
LAST-MODIFIED:20250222T220541Z
UID:6278-1740182400-1753055999@asuartmuseum.org
SUMMARY:José Villalobos: Rough Rider
DESCRIPTION:Exhibition Overview\n\n\nJosé Villalobos: Rough Rider Audio Guide\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Introduction\n\n  \nStop 2: All these things and still I cannot be protected\, so I hold on tight with my limpest wrist\n\n  \nStop 3: Rough Rider
URL:https://asuartmuseum.org/event-exhibition/jose-villalobos-asu-art-museum/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2025/01/Jose-Villalobos_RoughRider_2025_Steer-The-Queer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250823
DTEND;VALUE=DATE:20260625
DTSTAMP:20261024T114201
CREATED:20250721T161931Z
LAST-MODIFIED:20260710T222919Z
UID:6965-1755907200-1782345599@asuartmuseum.org
SUMMARY:Tierras Reimaginadas: Migration
DESCRIPTION:Exhibition Overview
URL:https://asuartmuseum.org/event-exhibition/tierras-reimaginadas-migration/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/png:https://storage.googleapis.com/asuartmuseum/2025/07/Broken-Line_Julio-Cesar-Morales.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250913
DTEND;VALUE=DATE:20260216
DTSTAMP:20261024T114201
CREATED:20250721T163746Z
LAST-MODIFIED:20250806T233557Z
UID:6972-1757721600-1771199999@asuartmuseum.org
SUMMARY:Michelangelo Lovelace: Art Saved My Life
DESCRIPTION:Exhibition Overview
URL:https://asuartmuseum.org/event-exhibition/michelangelo-lovelace-art-saved-my-life-at-asu-art-museum/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2025/07/©-Michelangelo-Lovelace-Estate.-Courtesy-of-the-artists-estate-and-Fort-Gansevoort-New-York.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251029
DTEND;VALUE=DATE:20261009
DTSTAMP:20261024T114201
CREATED:20251029T174913Z
LAST-MODIFIED:20260710T222824Z
UID:7099-1761696000-1791503999@asuartmuseum.org
SUMMARY:Making Meaning: Place and Space at ASU Art Museum
DESCRIPTION:Making Meaning: Place and Space at ASU Art Museum
URL:https://asuartmuseum.org/event-exhibition/making-meaning-place-and-space-at-asu-art-museum-2/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2025/10/Screenshot-2025-10-29-at-10.57.05-AM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260207
DTEND;VALUE=DATE:20260706
DTSTAMP:20261024T114201
CREATED:20260123T223150Z
LAST-MODIFIED:20260228T020250Z
UID:7308-1770422400-1783295999@asuartmuseum.org
SUMMARY:Tonia Calderon: Endless
DESCRIPTION:Art in Focus is dedicated to intimate\, project-based presentations by invited artists or drawn from the museum’s collection that encourage sustained engagement and deep attention. “Tonia Calderon: Endless” extends this commitment by positioning the gallery as a site of learning\, reflection and experimentation. \nFor this project\, Los Angeles–based artist Tonia Calderon brings elements of her studio into the museum\, including a large-scale panel painting\, a newly created suite of works on paper and her personal library. Layered surfaces\, dense textures and shifts in scale characterize the work\, moving between the microscopic and the expansive. Calderon combines natural and synthetic materials\, often incorporating flowers as both subject and pigment to reference cycles of growth\, decay and renewal. \nAt the center of the installation\, Calderon’s library underscores reading as an active and generative part of her practice. Language\, memory and material remain in motion throughout “Endless\,” which resists resolution and embraces repetition\, return and transformation. The exhibition invites visitors to linger within this rhythm and to consider art as a lifelong practice of becoming. \n“Tonia Calderon: Endless” is organized by ASU Art Museum Senior Curator Alana Hernandez and ASU Art Museum Latinx Curatorial Fellow Natalie Solis. \n\nThis exhibition and its related programming and events are made possible by our supporters of the Visionary Artist Series and our preferred hospitality partner\, the Omni Tempe Hotel at ASU.
URL:https://asuartmuseum.org/event-exhibition/tonia-calderon-endless/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2026/01/Screenshot-2026-02-06-at-12.13.59-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260502
DTEND;VALUE=DATE:20260911
DTSTAMP:20261024T114201
CREATED:20260302T204850Z
LAST-MODIFIED:20260401T183518Z
UID:7362-1777680000-1789084799@asuartmuseum.org
SUMMARY:Carmen Lomas Garza: Picturing the Familiar
DESCRIPTION:“Carmen Lomas Garza: Picturing the Familiar” is the first major exhibition devoted to artist\, activist and educator Carmen Lomas Garza (b. 1948) since 2001. Bringing fresh insight to her expansive career\, the exhibition follows Garza’s work across media. It also situates her practice within a broader cultural landscape\, featuring works by contemporaries who collaborated with or influenced her at pivotal moments.Organized chronologically and shaped by thematic groupings\, the exhibition traces Garza’s artistic evolution from the 1960s through the mid-2000s.  \n\n\n“Carmen Lomas Garza: Picturing the Familiar” is organized by ASU Art Museum Senior Curator Alana Hernandez\, with ASU Art Museum Latinx Curatorial Fellow Natalie Solis. Major support is provided by Terra Foundation for American Art and Teiger Foundation. Generous funding is provided by the Institute for Museum and Library Services and the Andy Warhol Foundation for the Visual Arts. Additional support is provided by the Airoldi-Huffman Family Foundation and the Virginia G. Piper Charitable Trust. The exhibition is presented in collaboration with a Community of Practice composed of Fernando Hernández\, Chef; Susan Bauer\, M.Ed\, NBCT; Felicia Cocotzin Ruiz\, Curandera; Dr. Sonia Vega-López\, Professor in Nutrition and Assistant Dean of Inclusive Excellence in the College of Health Solutions at Arizona State University.
URL:https://asuartmuseum.org/event-exhibition/carmen-lomas-garza-picturing-the-familiar/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260808
DTEND;VALUE=DATE:20270104
DTSTAMP:20261024T114201
CREATED:20260710T222703Z
LAST-MODIFIED:20261020T192613Z
UID:7460-1786147200-1799020799@asuartmuseum.org
SUMMARY:"Cross Check: William Wegman and Jacob Trouba"
DESCRIPTION:“Cross Check: William Wegman and Jacob Trouba\,” brings together the distinct practices of artist William Wegman and professional hockey player turned artist Jacob Trouba. “Cross Check: William Wegman and Jacob Trouba” explores movement as a form of artistic production\, translation\, and collaboration. Rooted in the shared language of hockey\, the exhibition examines the body as both subject and medium through a series of collaborative works presented publicly for the first time. Drawing on his experience as an athlete\, Trouba covers himself in ink while wearing hockey gear and propels himself across the canvas\, leaving behind marks that record speed\, force\, and impact. Wegman responds by translating those gestures into paintings that reinterpret the movement at an intimate scale\, creating an ongoing dialogue between action and reflection. Borrowing its title from the hockey maneuver in which a player forcefully checks an opponent with both hands on the stick\, Cross Check reveals how physicality\, play\, and creative exchange transform movement\, whether on the ice or in the studio\, into a powerful form of artistic expression. \n\n“Cross Check: William Wegman and Jacob Trouba” is organized by Senior Curator Alana Hernandez and Windgate Curatorial Fellow Sade Moore and made possible by generous funding from NHL Unites. Additional support is provided by the ASU Art Museum’s Creative Impact Board\, Director’s Council and Innovation Council.
URL:https://asuartmuseum.org/event-exhibition/cross-check-william-wegman-and-jacob-trouba-2/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260808
DTEND;VALUE=DATE:20270104
DTSTAMP:20261024T114201
CREATED:20260710T223843Z
LAST-MODIFIED:20260710T224336Z
UID:7465-1786147200-1799020799@asuartmuseum.org
SUMMARY:Wrought by Fire: Metalwork of the Southwest
DESCRIPTION:“Wrought by Fire: Metalwork of the Southwest” seeks to challenge the traditionally male-dominated history of metalworking by highlighting the work of four women artists –– Kim Cridler (United States\, b. 1968)\, Siri Devi Khandavilli (United States\, b. India)\, Wanesia Misquadace (Fond du Lac Band of Lake Superior Chippewa\, b. 1971)\, and Agnese Udinotti (United States\, b. Greece 1940). This multigenerational grouping of artists lends itself to a rich conversation about training\, history\, and material concerns. Through diverse alloy-based practices\, the exhibition explores connections between the body\, nature\, labor and regional culture\, revealing metalwork as both an artistic and cultural form of transformation. \n  \n“Wrought by Fire: Metalwork of the Southwest” is organized by Windgate Curatorial Fellow Sade Moore and made possible by generous funding from Windgate Charitable Foundation. This research was supported by a Craft Research Fund Grant from the Center for Craft. The exhibition is presented in collaboration with a Community of Practice composed of Sandra McClain\, metal shop Manager at Phoenix Forge\, Leticia Bejarano\, Local Jeweler and Co-Owner of Weld-Her and Shanen L. Aranmór\, MS\, CWI/CWE\, Chief Wellness Welder for Weld Like A Girl.
URL:https://asuartmuseum.org/event-exhibition/wrought-by-fire-metalwork-of-the-southwest/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261003
DTEND;VALUE=DATE:20270830
DTSTAMP:20261024T114201
CREATED:20260921T211308Z
LAST-MODIFIED:20260921T211455Z
UID:7508-1790985600-1819583999@asuartmuseum.org
SUMMARY:To Sink the Shallow and Raise the Deep
DESCRIPTION:“To Sink the Shallow and Raise the Deep” presents a focused consideration of Leslie Martinez’s practice over the past several years. The exhibition is timed with their selection as the 2026 keynote speaker for the Visionary Lecture Series. Bringing together early large-scale works with recent experiments in size and scale\, the presentation traces Martinez’s evolving approach to painting as a process of accumulation\, transformation and return. \nMartinez’s material language is shaped by what is available\, what remains and what can be carried forward. Studio rags\, jersey\, terry cloth\, acrylic wastewater\, pigment sediment and other remnants are cut\, sewn\, stained\, embedded and reworked\, sometimes over many years. Through this ongoing processing\, the mundane is granted weight and memory. Materials hold traces of Martinez’s time in Connecticut while at Yale\, as well as New York\, Arizona\, Texas and the spaces between. Driving across Southwestern landscapes becomes a form of looking and knowing\, a prolonged encounter with shifting terrain\, architecture\, economy\, surveillance and belonging. \nMartinez’s practice is grounded in rasquachismo\, a term coined by scholar Tomás Ybarra-Fausto to describe a Chicanx “underdog perspective rooted in resourcefulness and adaptability yet mindful of stance and style.” Martinez’s no-waste ethic enables them to wield a vernacular of painting that engages the formal legacies of abstraction while honoring generational practices of survival and sustenance learned from their family. In these works\, materials are active carriers of use\, memory and place. They settle\, separate\, stain and absorb\, holding the shallow and the deep in restless relation. \n\n“To Sink the Shallow and Raise the Deep” is organized by ASU Art Museum Senior Curator Alana Hernandez with ASU Art Museum Latinx Curatorial Fellow Natalie Solis.
URL:https://asuartmuseum.org/event-exhibition/to-sink-the-shallow-and-raise-the-deep/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261010
DTEND;VALUE=DATE:20270104
DTSTAMP:20261024T114201
CREATED:20260921T212024Z
LAST-MODIFIED:20260923T190542Z
UID:7513-1791590400-1799020799@asuartmuseum.org
SUMMARY:The Collection at 75: Selected Acquisitions from 1950–2025
DESCRIPTION:Presented in recognition of the ASU Art Museum’s 75th anniversary\, “The Collection at 75: Selected Acquisitions from 1950–2025” traces the evolution of the collection through works acquired across time. The exhibition highlights longstanding strengths in craft\, prints\, art of the Americas and socially engaged practices\, while examining how shifting cultural contexts\, artistic approaches and institutional priorities have guided collecting decisions over time. Organized according to when artworks were acquired rather than when they were created\, the exhibition invites visitors to consider the relationships and values that have shaped the institution across generations and continue to advance its commitment to centering artists in the service of community well-being and social good. \n“The Collection at 75: Selected Acquisitions from 1950–2025” is organized by ASU Art Museum Latinx Curatorial Fellow Natalie Solis\, with ASU Art Museum Curator Brittany Corrales and ASU Art Museum Windgate Curatorial Fellow Sade Moore. It is made possible with funding provided by the Evelyn Smith Exhibition Fund
URL:https://asuartmuseum.org/event-exhibition/the-collection-at-75-selected-acquisitions-from-1950-2025/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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END:VCALENDAR