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X-WR-CALDESC:Events for ASU Art Museum
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260502
DTEND;VALUE=DATE:20260911
DTSTAMP:20261002T203012
CREATED:20260302T204850Z
LAST-MODIFIED:20260401T183518Z
UID:7362-1777680000-1789084799@asuartmuseum.org
SUMMARY:Carmen Lomas Garza: Picturing the Familiar
DESCRIPTION:“Carmen Lomas Garza: Picturing the Familiar” is the first major exhibition devoted to artist\, activist and educator Carmen Lomas Garza (b. 1948) since 2001. Bringing fresh insight to her expansive career\, the exhibition follows Garza’s work across media. It also situates her practice within a broader cultural landscape\, featuring works by contemporaries who collaborated with or influenced her at pivotal moments.Organized chronologically and shaped by thematic groupings\, the exhibition traces Garza’s artistic evolution from the 1960s through the mid-2000s.  \n\n\n“Carmen Lomas Garza: Picturing the Familiar” is organized by ASU Art Museum Senior Curator Alana Hernandez\, with ASU Art Museum Latinx Curatorial Fellow Natalie Solis. Major support is provided by Terra Foundation for American Art and Teiger Foundation. Generous funding is provided by the Institute for Museum and Library Services and the Andy Warhol Foundation for the Visual Arts. Additional support is provided by the Airoldi-Huffman Family Foundation and the Virginia G. Piper Charitable Trust. The exhibition is presented in collaboration with a Community of Practice composed of Fernando Hernández\, Chef; Susan Bauer\, M.Ed\, NBCT; Felicia Cocotzin Ruiz\, Curandera; Dr. Sonia Vega-López\, Professor in Nutrition and Assistant Dean of Inclusive Excellence in the College of Health Solutions at Arizona State University.
URL:https://asuartmuseum.org/event-exhibition/carmen-lomas-garza-picturing-the-familiar/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260207
DTEND;VALUE=DATE:20260706
DTSTAMP:20261002T203012
CREATED:20260123T223150Z
LAST-MODIFIED:20260228T020250Z
UID:7308-1770422400-1783295999@asuartmuseum.org
SUMMARY:Tonia Calderon: Endless
DESCRIPTION:Art in Focus is dedicated to intimate\, project-based presentations by invited artists or drawn from the museum’s collection that encourage sustained engagement and deep attention. “Tonia Calderon: Endless” extends this commitment by positioning the gallery as a site of learning\, reflection and experimentation. \nFor this project\, Los Angeles–based artist Tonia Calderon brings elements of her studio into the museum\, including a large-scale panel painting\, a newly created suite of works on paper and her personal library. Layered surfaces\, dense textures and shifts in scale characterize the work\, moving between the microscopic and the expansive. Calderon combines natural and synthetic materials\, often incorporating flowers as both subject and pigment to reference cycles of growth\, decay and renewal. \nAt the center of the installation\, Calderon’s library underscores reading as an active and generative part of her practice. Language\, memory and material remain in motion throughout “Endless\,” which resists resolution and embraces repetition\, return and transformation. The exhibition invites visitors to linger within this rhythm and to consider art as a lifelong practice of becoming. \n“Tonia Calderon: Endless” is organized by ASU Art Museum Senior Curator Alana Hernandez and ASU Art Museum Latinx Curatorial Fellow Natalie Solis. \n\nThis exhibition and its related programming and events are made possible by our supporters of the Visionary Artist Series and our preferred hospitality partner\, the Omni Tempe Hotel at ASU.
URL:https://asuartmuseum.org/event-exhibition/tonia-calderon-endless/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250913
DTEND;VALUE=DATE:20260216
DTSTAMP:20261002T203012
CREATED:20250721T163746Z
LAST-MODIFIED:20250806T233557Z
UID:6972-1757721600-1771199999@asuartmuseum.org
SUMMARY:Michelangelo Lovelace: Art Saved My Life
DESCRIPTION:Exhibition Overview
URL:https://asuartmuseum.org/event-exhibition/michelangelo-lovelace-art-saved-my-life-at-asu-art-museum/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250823
DTEND;VALUE=DATE:20260625
DTSTAMP:20261002T203012
CREATED:20250721T161931Z
LAST-MODIFIED:20260710T222919Z
UID:6965-1755907200-1782345599@asuartmuseum.org
SUMMARY:Tierras Reimaginadas: Migration
DESCRIPTION:Exhibition Overview
URL:https://asuartmuseum.org/event-exhibition/tierras-reimaginadas-migration/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250222
DTEND;VALUE=DATE:20250721
DTSTAMP:20261002T203012
CREATED:20250114T224509Z
LAST-MODIFIED:20250222T220541Z
UID:6278-1740182400-1753055999@asuartmuseum.org
SUMMARY:José Villalobos: Rough Rider
DESCRIPTION:Exhibition Overview\n\n\nJosé Villalobos: Rough Rider Audio Guide\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Introduction\n\n  \nStop 2: All these things and still I cannot be protected\, so I hold on tight with my limpest wrist\n\n  \nStop 3: Rough Rider
URL:https://asuartmuseum.org/event-exhibition/jose-villalobos-asu-art-museum/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250208
DTEND;VALUE=DATE:20250714
DTSTAMP:20261002T203012
CREATED:20250114T225034Z
LAST-MODIFIED:20250224T210444Z
UID:6290-1738972800-1752451199@asuartmuseum.org
SUMMARY:Cooperative Craft: Artmaking of the Mingei Movement
DESCRIPTION:Exhibition Overview\n\n\nCooperative Craft: Artmaking of the Mingei Movement\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Introduction\n\n  \nStop 2: Shimaoka Tatsuzō and Japan’s National Treasures\n\n  \nStop 3: Onta Pottery\n\nStop 4: A Family Affair
URL:https://asuartmuseum.org/event-exhibition/artmaking-of-the-mingei-movement/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240929
DTEND;VALUE=DATE:20250728
DTSTAMP:20261002T203012
CREATED:20240821T200731Z
LAST-MODIFIED:20250721T163615Z
UID:3981-1727568000-1753660799@asuartmuseum.org
SUMMARY:Mariana Castillo Deball: The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash and Clay
DESCRIPTION:Exhibition Overview\n\n\nMariana Castillo Deball Audio Guide\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Introduction\n\n  \nStop 2: The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash and Clay\n\n  \nStop 3: Cabeza Olmeca San Lorenzo 1 (rostro lado derecho)\n\n  \nInterpretation questions\n\n\n\n 
URL:https://asuartmuseum.org/event-exhibition/mariana-castillo-deball-the-flames-leave-a-feathered-mark-on-the-clay-spider-in-the-chamber-of-ash-and-clay3/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240907
DTEND;VALUE=DATE:20250113
DTSTAMP:20261002T203012
CREATED:20240731T224559Z
LAST-MODIFIED:20240801T175105Z
UID:3948-1725667200-1736726399@asuartmuseum.org
SUMMARY:Notes on Motherhood
DESCRIPTION:What role does community play in contemporary mothering experiences? How might we tackle taboo topics such as postpartum anxiety\, rage\, and birth trauma\, while celebrating maternal joy\, love\, sacredness and the spectrum of emotions in between? What can we do to acknowledge the invisible labor of mothering\, recognizing it is not a monolithic experience\, and offering a rich tapestry of alternative\, inclusive narratives? \n“Notes on Motherhood” explores various stages of matrescence\, or “mother-becoming” –– from birth and caregiving to grief and loss. The exhibition challenges the narrow depictions of mothers and mothering within art history and visual culture. Drawing from the museum’s dynamic collection\, the presentation assesses the presence and absence of nuanced\, complex portrayals of motherhood. Often\, maternity is viewed through a male gaze\, with the image of the Madonna and Child dominating the experience. Alongside selections from the collection\, the exhibition inserts voices and perspectives traditionally left out. Regional women-identified artists\, such as Megan Driving Hawk (United States\, b. 1988)\, Gabriela Muñoz (United States\, b. Mexico 1980) and Ashley Czajkowski (United States\, b. 1986)\, each offer a unique perspective on mothering\, thereby expanding upon the limited understandings of birth\, nurturing and unseen domestic labor. \nArtists include: Pitseolak Ashoona (Inuk\, 1904–1983)\, James S. Baillie (United States\, active 1838–1855)\, Judy Chicago (United States\, b. 1939)\, Sue Coe (England\, b. 1951)\, Ashley Czajkowski (United States\, b. 1986)\, Francis de Erdely (United States\, 1904–1959)\, Raoul Deal (United States\, b. 1956)\, Louis Delsarte (United States\, 1944–2020)\, Renée Dennison (Diné\, b. 1963)\, Megan Driving Hawk (United States\, b.1988)\, Albrecht Dürer (Germany\, 1491–1528)\, Margaret Garcia (United States\, b. 1951)\, R.C. Gorman (Diné\, 1933–2005)\, Mildred Howard (United States\, b. 1945)\, Sara Hubbs (United States\, b. 1978)\, Victoria E.H. Huntley (United States\, b. 1900–1971)\, Käthe Kollwitz (Germany\, 1867–1945)\, John P. Leeper (United States\, 1909–1989)\, Adriana Lestido (Argentina\, b. 1955)\, Gabriela Muñoz (United States\, b. Mexico 1980)\, José Clemente Orozco (Mexico\, 1883–1949)\, Lisa Reinertson (United States\, b. 1955)\, Margery Ryerson (United States\, 1886–1989)\, Edwin Scheier (United States\, 1910–2008)\, Forrest Solis (United States\, b. 1979)\, Roxanne Swentzell (Santa Clara Tewa\, b.1962)\, Akio Takamori (United States\, 1950–2017)\, Dorothy Trujillo (Cochiti Pueblo\, 1932–1999)\, Andy Warhol (United States\, 1928–1987)\, June Wayne (United States\, 1918–2011) and Russell Wray (United States\, b. 1955). \n“Notes on Motherhood” is organized by ASUAM Curator Brittany Corrales and is made possible by an award from the National Endowment for the Arts. The exhibition is presented in collaboration with a Community of Practice composed of Briauna Jensen\, UX Researcher; Julia Rodriguez\, Communications Manager at First Things First; and Deborah Sussman\, Associate Director of Strategic Communications and Media for the Herberger Institute for Design and the Arts.
URL:https://asuartmuseum.org/event-exhibition/notes-on-motherhood/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/07/Czajkowski_Ashley_1B.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240907
DTEND;VALUE=DATE:20250113
DTSTAMP:20261002T203012
CREATED:20240727T005427Z
LAST-MODIFIED:20250114T225546Z
UID:4070-1725667200-1736726399@asuartmuseum.org
SUMMARY:Muddy Terrains: Mariana Ramos Ortiz + Estephania González
DESCRIPTION:Exhibition Overview\n\n\nMuddy Terrains Audio Guide\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Introduction\n\n  \nStop 2: Mariana Ramos Ortiz\n\n  \nStop 3: Estephania González\n\n  \nStop 4: “Points of confluence: in between the island and the desert”\n\n  \nInterpretation questions
URL:https://asuartmuseum.org/event-exhibition/muddy-terrains-mariana-ramos-ortiz-estephania-gonzalez/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240713
DTEND;VALUE=DATE:20250630
DTSTAMP:20261002T203012
CREATED:20240918T005844Z
LAST-MODIFIED:20241031T171653Z
UID:3832-1720828800-1751241599@asuartmuseum.org
SUMMARY:Spiraling\, Twisting\, Unraveling: Explorations in Pattern and Form
DESCRIPTION:Exhibition Overview\n\n\nSpiraling\, Twisting\, Unraveling Audio Guide\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Maria Poveka Martinez\n\n  \nStop 2: Bradley R. Miller\n\n  \nStop 3: Jiro Yonezawa\n\n  \nInterpretation questions\n\n\n\n 
URL:https://asuartmuseum.org/event-exhibition/spiraling-twisting-unraveling-explorations-in-pattern-and-form/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/06/Jiro-Yonezawa_Monk_2003.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240713
DTEND;VALUE=DATE:20250630
DTSTAMP:20261002T203012
CREATED:20240701T202328Z
LAST-MODIFIED:20250222T221843Z
UID:3855-1720828800-1751241599@asuartmuseum.org
SUMMARY:Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection\, 1980–2010
DESCRIPTION:“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection\, 1980–2010” showcases a partnership between ASU’s Hispanic Research Center (HRC) and ASU Art Museum and brings together works from the 1980s into the 2010s drawn from the HRC’s dynamic collection. Featuring over 30 artists who each offer a kaleidoscope of perspectives on the Mexican American experience\, this year-long exhibition pays homage to the ideals of the Chicano Movement of the 1960s and 70s and expands upon them through the widely disseminated medium of prints. Presented in two parts\, this unique exhibition underscores how Chicano/a/x artists have employed prints and graphics to build community\, engage with social concerns\, and interrogate shifting notions of political and cultural identity over time. \n“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection\, 1980–2010” is organized by ASUAM Senior Curator Alana Hernandez and ASUAM Curator Brittany Corrales and is made possible by funding provided by the Evelyn Smith Exhibition Fund. Additional funding is provided by ASU’s Hispanic Research Center and The Andy Warhol Foundation for the Visual Arts. The exhibition is presented in collaboration with a Community of Practice composed of Carla Chavarria\, Community Building Director\, Iconico\, and Carla León Celaya\, PhD candidate in the Spanish Department at the School of International Letters and Cultures\, ASU. \n  \nChicano/a/x Prints and Graphics Audio Guide\nUse the audio players below at the corresponding exhibition location. \nStop 1: Isabel Martinez\, “VG Got Her Green Card”\n\n  \nStop 2: Leo Limón\, “Morena y Quetzalcoatl”\n\n  \nStop 3: Alma López\, “Chuparosa”\n\n 
URL:https://asuartmuseum.org/event-exhibition/chicano-a-x-prints-and-graphics-selections-from-the-hispanic-research-centers-collection-1980-2010/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/07/Larry-Yanez_Cocina-Jaiteca-min.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240210
DTEND;VALUE=DATE:20240722
DTSTAMP:20261002T203012
CREATED:20240109T023931Z
LAST-MODIFIED:20241204T221900Z
UID:3065-1707523200-1721606399@asuartmuseum.org
SUMMARY:Sarah Zapata: Beneath the breath of the sun
DESCRIPTION:Sarah Zapata (b. 1988\, Corpus Christi\, TX) employs weaving\, tufting and traditional craft techniques to create loud\, architecturally responsive installations that traverse themes of gender\, colonialism and fantasy. Zapata’s site-specific works reflect her intersecting identities as a queer woman of Peruvian heritage raised in Evangelical South Texas and now based in New York.    \n“Beneath the breath of the sun” features newly created works completed during the artist’s residency with CALA Alliance in Fall 2023. Alongside these works\, Zapata chose ceramics made with clay and earthen materials from the Museum’s collection to reference the land. The installation evokes a topography of the Arizona landscape\, where bold hues of orange and yellow nod toward the punishing sun and air of the desert\, weaving together the ecological and geological aspects that make up the complexity of our place. Taken as a whole\, Zapata’s fabricated world highlights the inherent friction between traditional modes of making in untraditional situations.  \n“Sarah Zapata: Beneath the breath of the sun” is organized by ASUAM Senior Curator Alana Hernandez\, with CALA Alliance Curatorial Assistant Sade Moore and made possible by generous funding from the Terra Foundation for American Art and the Ford Foundation. The exhibition is presented in collaboration with a Community of Practice composed of Dagoberto Bailón\, Co-Founder of Trans Queer Pueblo; Dr. Marivel Danielson\, Associate Professor\, School of Transborder Studies\, Arizona State University; and Raquel Gutiérrez\, writer and educator.  \n\nA series of three free in-person programs is offered in conjunction with “Sarah Zapata: Beneath the breath of the sun.” \nFeb. 10\, 2024 // Opening Reception \n6–8 p.m. \nMar. 15\, 2024 // Open Mic Night with Multicultural Communities of Excellence (MCoE) \n5–7 p.m. \nApr. 13\, 2024 // Fiber Workshop with Erika Hanson \nNoon–2 p.m. \nMay 2024 // A History of Stripes \nMore information about these programs and how to register will be available as details are confirmed. \n  \nConcurrent with her exhibition at ASUAM\, experience Sarah Zapata’s exhibition at MOCA TUCSON  Sara Hubbs and Sarah Zapata: Between gravity and ground.  On view Feb. 2 — June 23\, 2024. \n 
URL:https://asuartmuseum.org/event-exhibition/sarah-zapata-beneath-the-breath-of-the-sun/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240203
DTEND;VALUE=DATE:20240729
DTSTAMP:20261002T203012
CREATED:20231101T190248Z
LAST-MODIFIED:20240712T172840Z
UID:2920-1706918400-1722211199@asuartmuseum.org
SUMMARY:Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix
DESCRIPTION:In partnership with ASU’s Center for Work and Democracy and the George Floyd Global Memorial\, ASU Art Museum presents “Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix.” Presented for the first time outside of Minnesota and on view from February 3 through July 28\, 2024 at the ASU Art Museum\, “Twin Flames” asks important questions about the role of art and community as a vehicle for bearing witness and creating deeper understanding and empathy. It also examines the state of public memorials in this country\, and prompts us to reflect on whose stories are shared\, by whom and why.  \nIn contrast to traditional monuments\, “Twin Flames” is a powerful\, community-led exhibition that showcases a selection of the thousands of offerings laid by mourners and protesters at George Floyd Square\, collected by a group of community caretakers and cataloged by the George Floyd Global Memorial team. This exhibition recognizes that creative and artistic expressions of pain and hope exist beyond the walls of museums\, in all forms and a myriad of cultural expressions\, and that George Floyd Square is a public space that can teach us how to mobilize as we mourn victims of police violence and imagine a more just world. \n  \nPublic programs will accompany the exhibition\, including: \nFriday\, February 2\, 2024 (5:00 — 7:00 p.m.): Public Opening Reception \nFriday\, February 2\, 2024 (8:00 — 11:00 p.m.): Taste of Melanin\, Silent Disco \nThursday\, March 28\, 2024 (3:00 — 4:00 p.m.): Histories of Protest in Art and Music \nSaturday\, April 19\, 2024 (7:00 — 9:00 p.m.): Film screening + Panel Discussion for “Stonebreakers” \nThursday\, May 2\, 2024: Are Objects Forever? The Evolving Thinking on Conservation and Collections Care: Hear from Twin Flames’ Community of Practice\, a committee of community members steering the exhibition at ASU Art Museum \n  \n“Twin Flames: The George Floyd Uprising from Minneapolis to Phoenix” is organized by Jeanelle Austin\, Executive Director of the George Floyd Global Memorial; Heather Carroll\, Archiving Sacred Spaces Fellow of the George Floyd Global Memorial; Dr. Rashad Shabazz\, Associate Professor in the Schools of Social Transformation and Geographical Sciences & Urban Planning\, Arizona State University; Maria Esch\, Researcher at the Center for Work and Democracy\, Arizona State University; and ASUAM Curator Brittany Corrales. \nThis exhibition is made possible by  major funding provided by the Burton Family Foundation and Cheryl and Jahm Najafi. \nAdditional generous funding from (as of Feb. 2024) Emily Beach\, Pascha Bueno-Hansen\, Melissa Fernandez\, Carolyn Forbes\, Shelly Gordon\, Kenja Hassan\, Jorge Hernandez\, Dulce Juarez\, Robin Baskin McNulty\, Sentari Minor\, Marco Mojica\, Ramona Norman\, Tracy Perkins\, Olivia Perryman\, Trish Robinson\, Anthony Rowe\, Yasmin Shaheed\, Nancy Temple\, Bart Thurber\, Cheryl Wynn\, Anonymous Donors and the Center for Work and Democracy\, Arizona State University. Additional thanks to members of the ASU Art Museum’s Board and Councils. This exhibition showcases\, in part\, a partnership between the George Floyd Global Memorial\, the Center for Work and Democracy\, Arizona State University and the ASU Art Museum. \nThe exhibition is presented in collaboration with a Community of Practice composed of: Liz Agboola\, CEO\, Trinity Integrated Care; Miriam Araya\, New Worlds Organizer\, Black Lives Matter Phoenix Metro; Shimyrre Britt\, Event Curator\, dialog; Kara Brooks\, artist; Dr. Amber C. Coleman\, Post-Doctoral Fellow\, Art Education\, Arizona State University; Dr. Kenja Hassan\, Assistant Vice President\, Government & Community Engagement\, Arizona State University; Moses Hollis\, Assistant Director\, New Student Programs\, Arizona State University; Dr. Mahlika Hopwood\, Assistant Teaching Professor & Honors Faculty Fellow\, Barrett Honors Faculty\, Arizona State University; Barbara Noble Howard\, University Fellow for Non-Profit Leadership\, Office of University Affairs\, Arizona State University; Armonee Jackson\, Operations Director for Arizona List; Michael Jackson\, CEO of Mya Kai Creative; Dr. Anthony Pratcher\, Assistant Professor of African American Studies in the Ethnic Studies Program at Northern Arizona University\, Northern Arizona University; Ellison Shabazz\, child of ASU faculty; Simone Shabazz\, child of ASU faculty; Dr. Rashad Shabazz\, Associate Professor\, Arizona State University; Roy Tatem Jr.\, Immediate Past President of the East Valley NAACP\, President of Vanguard Strategies and Consulting\, LLC; Benjamin Taylor\, Civil Rights Attorney\, Taylor & Gomez LLP; President of the State Bar of Arizona; Shawna Tibbett\, Administrative Specialist\, DPC Govt and Community Engagement\, Arizona State University; Collette Watson\, artist\, cultural organizer\, and communications strategist at Black River Life Media; and Brian Watson\, Financial Advisor\, Merrill Lynch. \nSpecial thanks to: Bart Thurber\, Black Lives Matter Phoenix Metro\, George Floyd Square Community\, Mya Kai Creative; Angela Harrelson\, Aunt of George Floyd & GFGM Board Co-Chair; Paris Stevens\, First Cousin of George Floyd & GFGM Board Co-Chair\, Dr. Michael McQuarrie\, Director of the Center for Work and Democracy; Maud McQuarrie\, child of ASU Faculty; George Floyd Square Community Members: Butchy Austin\, Jimmy Austin\, Sundiata Austin\, Zamira Austin\, Raycurt Johnson\, Phi Khalar\, Jud Kilgore\, Dylan Leavitt-Phibbs\, Jennie Leenay\, Forest Olivier\,  Redemption Peters-DuRose\, Sam Pitmon\, Jordan Powell Karis\, Jason Quick\, Janae Rupert\, Johanna Rupert\, Shari Seifert\, Denise Tennen\, James Antravier Thomas\, Lauren Thrift\, Shekela Wanyama\, Thursday Williamson and Huda Yusuf.
URL:https://asuartmuseum.org/event-exhibition/twinflames/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/11/IMG_8950.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231118
DTEND;VALUE=DATE:20231219
DTSTAMP:20261002T203012
CREATED:20231115T195133Z
LAST-MODIFIED:20241204T221750Z
UID:2937-1700265600-1702943999@asuartmuseum.org
SUMMARY:Cosmic Bloom
DESCRIPTION:“Cosmic Bloom” is the second NFT collection in Leo Villareal’s “Cosmologies” series. The 1\,300 unique digital artworks in the collection are produced using custom live code and are inspired by organic and biological structures\, stellar phenomena and atomic patterns. They feature intricate geometric forms that are layered and multiplied\, creating captivating patterns set in constant\, non-repeating motion. \n“Cosmic Bloom” draws on the artist’s longstanding practice of using code to generate complex visual sequences in his light sculptures. The collection was released in December 2022 on Outland\, the first editorial platform dedicated to fostering critical conversations around emerging digital technologies and their connections to contemporary art. \nThe NFT will be displayed on the 70-foot-wide high-resolution display on the south wall of the MIX Center. The MIX Center\, which opened in the fall of 2022\, is one of the first media production facilities of its type. The state-of-the-art facility in downtown Mesa was created for film\, media arts\, design and emerging technology programs in the Herberger Institute for Design and the Arts\, and was designed to be fully embedded in the surrounding community as a hive of cultural exchange and public programming and events.
URL:https://asuartmuseum.org/event-exhibition/cosmic-bloom/
LOCATION:The MIX Center\, 50 N Centennial Way\, Mesa\, AZ\, 85201\, United States
CATEGORIES:Exhibition,pink
ATTACH;FMTTYPE=image/png:https://storage.googleapis.com/asuartmuseum/2023/11/Cosmic-Bloom.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230930
DTEND;VALUE=DATE:20240602
DTSTAMP:20261002T203012
CREATED:20230911T201809Z
LAST-MODIFIED:20240306T191507Z
UID:2609-1696032000-1717286399@asuartmuseum.org
SUMMARY:Contours: The Essential Form
DESCRIPTION:“Contours: The Essential Form” features selections from the Museum’s permanent collection and new works by Ibrahim Said (b. 1976\, Fustat\, Egypt). Through ceramic objects and works on paper\, the exhibition explores themes of nature\, care and discipline through the lens of muscle memory and intuitive artistic practice.  \nSaid was an invited artist in October 2022 as part of the Museum’s Encounter Series\, an effort to reimagine and recontextualize the Museum’s collections to address larger issues related to the current social and cultural climate of Arizona and the world at large. As part of his residency\, the artist selected over sixty artworks from the Museum’s collection and created three ceramic works in response to his experiences during his visit\, drawing inspiration from the Arizona built and natural landscape. Said states\, “The natural world has inspired artists for centuries\, and regardless of all our differences\, we all benefit from a connection to nature for both survival but also to feed our souls and spirits. These objects help us connect and memorialize some of the abundant natural treasures around us.” \nArtists featured in the exhibition are Laura Andreson\, George Burr\, Rose Cabat\, Claude Conover\, Hans Coper\, Andrew Dasburg\,  Roseline Delisle\, Ruth Duckworth\, Ernest Haskell\, Karin Hessenberg\, Catherine Hiersoux\, Nicholas Homoky\, John Jordan\, Paul Landacre\, Lucy M Lewis\, Rebecca Lucario\, Maria Poveka Martinez\, Christine Nofchissey McHorse\, Ed Moulthrop\, Alvin Pace\, Elsa Rady\, Lucie Rie\, Mary Rogers\, Ibrahim Said\, Dennis Stewart\, Geoffrey Swindell\, Toshiko Takaezu\, Dorothy Torivio\, John Ward\, Mary White and A. Jeffrey Zigulis.  \n“Contours: The Essential Form” is organized by Mary-Beth Buesgen\, ASU Art Museum Ceramics Research Center Collections & Archives Manager and Ibrahim Said\, Artist-in Residence in collaboration with a Community of Practice composed of artists and scholars: Sam Chung\, Chad Haines\, Amelia Hay\, Renee Bhatti-Klug\, Kat Medill\, Emma Skinner and Mariam Aziza Stephan and made possible by the Windgate Foundation Endowment with additional support from Elaine and Sidney Cohen and the members of ASU Art Museum’s Board and Councils. \nRSVP TODAY!
URL:https://asuartmuseum.org/event-exhibition/contours-the-essential-form/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/png:https://storage.googleapis.com/asuartmuseum/2023/09/1989_166_000_factuals_torivio.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230819
DTEND;VALUE=DATE:20240101
DTSTAMP:20261002T203012
CREATED:20230713T214441Z
LAST-MODIFIED:20231127T174813Z
UID:2328-1692403200-1704067199@asuartmuseum.org
SUMMARY:Luis Rivera Jimenez: A Brief Proposal on Race and Cultural Cosplay
DESCRIPTION:Luis Rivera Jimenez (b. 1997 San Juan\, Puerto Rico) uses the intricacies of language\, political thought and daily experience in the Caribbean to create intentional spaces of learning\, conversation and care. The artist’s sculptural objects and installations pose questions about the dynamics of race and representation. His practice reflects upon and explores the underpinning of what he describes as a “global digital society\,” where a relationship between memory\, images and symbols can be traced\, mapped and proliferated. \n“Luis Rivera Jimenez: A Brief Proposal on Race and Cultural Cosplay” is the artist’s first solo museum exhibition\, presenting new works that the artist created while in residence at CALA Alliance in early 2023. This interactive installation is informed by conversations\, encounters and materials found by the artist during his time in Phoenix. The objects and texts within the exhibition build on the artist’s accumulation and processing of various tools: discussions\, found objects\, experiences in contact with communities\, digital content and physical and ephemeral materials. \nThe exhibition will be on view from Aug. 19 through Dec. 31\, 2023\, at the ASU Art Museum at Nelson Fine Arts Center. The opening reception will be Saturday\, August 19\, 2023 from 6:00 – 8:00 pm. \nExhibition Programming: \nBoard of Directors \n2024 Race and Cultural Cosplay Retreat \nSchedule in Brief \n\nOpening Reception\n\nSaturday\, August 19\, 2023 \n6:00-8:00 PM // ASU Art Museum \n\nKeynote Address\n\nSunday\, August 20\, 2023 // Translation and Language Justice in the Borderlands \n12:00–1:30 PM // ASU Art Museum Gallery 1 \n\nAnnual Report\, Insights and Developments into Race and Cultural Cosplay\n\nThursday\, September 7\, 2023 // Performance \n6:00–8:00 PM // ASU Art Museum Gallery 1 + 2 \n  \n“Luis Rivera Jimenez: A Brief Proposal on Race and Cultural Cosplay” is organized by Alana Hernandez\, CALA Alliance Curator of Latinx Art at the ASU Art Museum\, with Sade Moore\, Curatorial Assistant at CALA Alliance. The exhibition is made possible by gifts to CALA Alliance’s general operating fund and a grant from The Andy Warhol Foundation for the Visual Arts.
URL:https://asuartmuseum.org/event-exhibition/luis-rivera-jimenez/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/07/Luis-Jimenez.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230819
DTEND;VALUE=DATE:20240715
DTSTAMP:20261002T203012
CREATED:20230616T175215Z
LAST-MODIFIED:20230719T202734Z
UID:2170-1692403200-1721001599@asuartmuseum.org
SUMMARY:Crafting Resistance
DESCRIPTION:Crafting Resistance looks at the ways in which we understand and view the term craft and its relationship to fine art. The exhibition seeks to flatten the western European art historical cannon and hierarchy and unhinge the binary that often places ‘fine art’ and ‘craft’ at odds with one another. Artists in the exhibition utilize materials and modes of production that are often relegated to what is historically viewed as craft\, mediums such as glass\, textile\, felt\, miniature\, and wood\, and instrumentalize them to make commentary about some of today’s most pressing issues\, including climate catastrophe\, representation\, geo-politics\, and migration.\n\n\nSpecial thanks to artists Sama Alshaibi\, Merryn Omotayo Alaka\, Andrew Erdos\, Maria Hupfield\, Yasue Maetake\, Jayson Musson\, Eric-Paul Riege\, Curtis Talwst Santiago\, and Sam Frésquez\, with additional thanks to the exhibition’s community of practice\, Joe Baker (Delaware)\, Bonn Baudelaire (Cocopah)\, and Sharah Nieto (Yucatec Maya). \n\n\nCurated by Erin Joyce with support from Abby Sutton\, ASU Art Museum Windgate Intern. \n\n\nSponsors: \nThe Edward Jacobson Fund \nKevin and Alexis Cosca \nTheresa M. Shoemaker \nChristian and Allison Lester \n 
URL:https://asuartmuseum.org/event-exhibition/crafting-resistance/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/06/Eric-Paul-Riege.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230722
DTEND;VALUE=DATE:20240101
DTSTAMP:20261002T203012
CREATED:20230620T173207Z
LAST-MODIFIED:20230620T173207Z
UID:2181-1689984000-1704067199@asuartmuseum.org
SUMMARY:Everything is a Little Fuzzy
DESCRIPTION:“Everything Is a Little Fuzzy\,” draws from the museum’s permanent collection. With an eye on dimensions of memory and care\, it explores the challenges experienced in a post-pandemic world. The exhibition highlights aspects of care\, emphasizes memory\, communicates resilience\, and explores softness through difficult circumstances. \nTwenty-two artworks on display feature textile objects or the usage of fibrous materials and techniques. Ninabah Winton\, the exhibition’s curator and ASU Art Museum Windgate Assistant Curator of Contemporary Craft and Design\, asks\, “How are care and memory passed down in textile work? How do fiber or ceramic works hold or contain memories\, and how are they shaped by memory or the concept of care?” \nJoin us at the museum for the opening reception on Saturday\, Aug. 19\, from 6 to 8 p.m.
URL:https://asuartmuseum.org/event-exhibition/everything-is-a-little-fuzzy/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/06/Judy-Chicago-embroidery.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230519
DTEND;VALUE=DATE:20230828
DTSTAMP:20261002T203012
CREATED:20230425T154907Z
LAST-MODIFIED:20230830T171741Z
UID:1867-1684454400-1693180799@asuartmuseum.org
SUMMARY:Cuban Print Collection
DESCRIPTION:In conjunction with Lo que es\, es lo que ha sido/What It Is\, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection at the Phoenix Art Museum\, the ASU Art Museum presents their Cuban Print Collection. A portfolio of eleven prints was published by Arizona State University Art Museum in conjunction with the 1998 exhibition Contemporary Art from Cuba: Irony and Survival on the Utopian Island organized by the ASU Art Museum in Tempe\, Arizona. The exhibition featured the work of 17 artists living and working in Cuba. Curated by Marilyn A. Zeitlin\, the Museum’s director and chief curator at the time\, the exhibition represented a milestone for Cuban art and brought awareness of that art in the United States. The lithographs and photolithographs were printed at Segura Publishing Company\, Inc.\, in Tempe\, Arizona\, by Joe Freye. The woodcuts\, linocut\, collograph\, and etching were printed at Armstrong Prior\, Inc.\, in Phoenix\, Arizona\, by John Armstrong.  \n \nFor more information on purchasing one of the reproduction portfolios email Raechel Miller (Visitor Services Coordinator) at raechel.miller@asu.edu \n 
URL:https://asuartmuseum.org/event-exhibition/cuba-print-collection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/04/1998_395_000_TONEL_CuatroCosas_nm_r_DSC_1425_1000.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230506
DTEND;VALUE=DATE:20230918
DTSTAMP:20261002T203012
CREATED:20230404T200919Z
LAST-MODIFIED:20230405T154716Z
UID:1722-1683331200-1694995199@asuartmuseum.org
SUMMARY:Lo que es\, es lo que ha sido/What It is\, Is What Has Been: Selections from the ASU Art Museum's Cuban Art Collection
DESCRIPTION:Lo que es\, es lo que ha sido/What It Is\, Is What Has Been: Selections from the ASU Art Museum’s Cuban Art Collection explores artistic expression during times of humanitarian crises and social upheaval. Located at the Phoenix Art Museum\, the exhibition is the first major curatorial collaboration between Phoenix Art Museum and ASU Art Museum in more than a decade. The exhibition draws from the contemporary Cuban art collection at ASU Art Museum to provide deeper context to Phoenix Art Museum’s simultaneous presentation of the special engagement exhibition Juan Francisco Elso: Por América\, a project organized by El Museo del Barrio in New York City.
URL:https://asuartmuseum.org/event-exhibition/lo-que-es-es-lo-que-ha-sido-what-it-is-is-what-has-been-selections-from-the-asu-art-museums-cuban-art-collection/
LOCATION:Phoenix Art Museum\, 1625 North Central Avenue\, Phoenix\, AZ\, 85004\, United States
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/04/Kcho-1998.410.001a.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230215
DTEND;VALUE=DATE:20250101
DTSTAMP:20261002T203012
CREATED:20230209T210411Z
LAST-MODIFIED:20240621T190457Z
UID:1488-1676419200-1735689599@asuartmuseum.org
SUMMARY:Opportunity (reflection)
DESCRIPTION:World-renowned artist Hank Willis Thomas unveiled this monumental 10-foot tall stainless steel sculpture during Super Bowl LVII\, Arizona 2023 where it was installed in the iconic Super Bowl Experience at the Phoenix Convention Center and then in the Great Lawn outside the State Farm Stadium during Super Bowl LVII. Capturing the essence of Thomas’ artistic practice\, this latest sculpture draws from his 2015 sculpture “Opportunity\,” which was inspired by the NFL\, and as part of his interest in photographic history\, popular culture\, and sports as a metaphor for individual and collective struggle or hope. “Hank’s powerful sculpture showcased during Super Bowl week beautifully represents the passion\, strength\, and hope at the heart of our game\,” said Peter O’Reilly\, NFL Executive Vice President of Club Business & League Events. \nThe artwork falls within Thomas’ “Punctum” series\, which is based on Roland Barthes’ photographic theory of the punctum referring to the detail in an image that pierces or wounds the viewer\, creating a direct relationship between them and the pictured object or person. Thomas uses this concept to select or reframe areas of images\, which he then transforms into large-scale sculptures. “Opportunity (reflection)” portrays a snapshot of an anonymous player whose arm extends outward to catch the football. The viewer is reflected back in the mirrored surface and invited to imagine these tense few moments\, filled with great anticipation\, the successful catch leading to success and celebration\, as well as loss and defeat for the opposing team. \n  \n\n  \n 
URL:https://asuartmuseum.org/event-exhibition/opportunity-reflection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/02/HWT-sculpture-horizontal-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20230619
DTSTAMP:20261002T203012
CREATED:20230120T000959Z
LAST-MODIFIED:20230302T211451Z
UID:1430-1673654400-1687132799@asuartmuseum.org
SUMMARY:A pattern\, a trace\, a portrait: Four Artists from CALA Alliance’s Residency Program
DESCRIPTION:“A pattern\, a trace\, a portrait: Four Artists from CALA Alliance’s Residency Program” showcases new and existing work by Carolina Aranibar-Fernández\, Diana Calderón\, Estrella Esquilín and Sam Frésquez. These regional Latinx artists each present discrete installations that weave together universal themes of memory\, loss and grief while highlighting issues related to place and the destruction of our natural environment. A pattern\, a trace\, a portrait highlights the dichotomy between the most intimate histories and the most global concerns. \nThis exhibition showcases\, in part\, a partnership between CALA Alliance and ASU Art Museum. CALA Alliance (Celebración Artística de las Américas) is a Latinx arts organization based in Phoenix. CALA Alliance collaborates with artists and arts organizations to nurture artistic talent\, focusing on artists from the Latin American diaspora. The organization advances its mission through innovative artist residencies\, artist commissions\, community workshops\, and public programming that position the Metro Phoenix region as a fruitful site that acknowledges and contributes to the promotion of Latinx art throughout the United States. \nCALA Alliance and ASU Art Museum work in partnership to achieve their common mission of incubating and accelerating the presence of Latinx art in the United States. Together CALA Alliance and ASUAM promote the exchange of new ideas\, perspectives\, and experiences among artists\, students\, and the public through various programs\, especially those that educate and inspire the public about the richness of the Latinx cultural heritage.
URL:https://asuartmuseum.org/event-exhibition/a-pattern-a-trace-a-portrait-four-artists-from-cala-alliances-residency-program/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/01/asuam-exhibitions-apatternatrace.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230114
DTEND;VALUE=DATE:20240526
DTSTAMP:20261002T203012
CREATED:20230119T235713Z
LAST-MODIFIED:20240306T191546Z
UID:1428-1673654400-1716681599@asuartmuseum.org
SUMMARY:Making Visible
DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \nClick here to learn more about the Black cowboys of Arizona and their impact on Arizona history through their military service as Buffalo Soldiers.  \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils.
URL:https://asuartmuseum.org/event-exhibition/making-visible/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/01/asuam-exhibitions-making-visible.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230114T000000
DTEND;TZID=America/Phoenix:20230723T000000
DTSTAMP:20261002T203012
CREATED:20221216T233100Z
LAST-MODIFIED:20241029T233051Z
UID:4757-1673654400-1690070400@asuartmuseum.org
SUMMARY:Making Visible
DESCRIPTION:“Making Visible” features artworks from ASU Art Museum’s permanent collections and examines how these objects perpetuate and fortify mythologies of the American West. With over 90% of the Museum’s 13\,000+ objects entering the collection as gifts\, this exhibition questions how the perspective of donors reflects specific tastes and fantasies about the Southwest. Further\, it explores how museums create cultural narratives based on available objects without considering what is missing. Centering people and their stories\, the exhibition seeks to redress and restore the archival silences and gaps in the museum’s collections by interrogating how racism\, sexism\, settler colonialism and other exclusionary practices produced a collection that centers Eurocentricity. \n“Making Visible” is organized in collaboration with a community of advisors composed of activists\, scholars and artists that lend important and yet historically excluded cultural perspectives. The museum worked with NY-based artist Miguel Luciano to develop the exhibition design\, audience experience and public programs along with Amelia Hay\, learning and co-creation specialist. In addition\, they commissioned Jacob Meders\, local artist and member of the Mechoopda Indian Tribe of Chico Rancheria\, to write labels looking critically at several of the historical artworks in the exhibition. The curatorial team includes Julio César Morales\, senior curator; Mary-Beth Buesgen\, curator of collections and archives; Brittany Corrales\, curator; Ninabah Winton\, Windgate assistant curator of contemporary craft and design fellow and Abby Sutton\, Windgate curatorial assistant. \n“Making Visible” is sponsored by the Terra Foundation for American Art with generous support from the ASU Art Museum Boards and Councils. \nImage credit: Joseph Henry Sharp\, “Portrait of Taos Indian\,” c. 1914\, oil on linen canvas\, 17 x 14 in.\, Gift of Oliver B. James. Fritz Scholder\, “Portrait of a Massacred Indian\,” 1973\, lithograph\, 40 x 30 in.\, Gift of Mr. Burton Horwitch. \n\n\n\n\n\n https://asuevents.asu.edu/event/making-visible\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nEasy on the wallet\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nFriend/Fan\nParent\nDonor\nFaculty\nStaff\nAlumni\nstudent\nGraduate student\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/making-visible-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20221029T000000
DTEND;TZID=America/Phoenix:20230507T000000
DTSTAMP:20261002T203012
CREATED:20221001T061400Z
LAST-MODIFIED:20241029T210301Z
UID:4756-1667001600-1683417600@asuartmuseum.org
SUMMARY:Lucha Libre: Beyond the Arenas
DESCRIPTION:“Lucha Libre: Beyond the Arenas” opens on Oct. 29\, 2022\, and is on view through May 7\, 2023. Senior Curator Julio Cesar Morales\, Assistant Curator at the Museum of Modern Art\, Mexico City Fernanda Ramos and Consulting Curator Sharon Gesund are organizing this groundbreaking exhibition\, which features painting\, photography and mixed media artworks by internationally recognized Mexican and Chicanx contemporary artists along with collectors’ items\, film posters and other memorabilia from some of the sport’s most famous wrestlers. This first exhibition of its kind\, “Lucha Libre\,” goes beyond its popularity in contemporary culture to reveal the sports’ ancient roots\, explore its influence on sociopolitical movements and link its relationships to the visual culture of Mexico and beyond. In this exhibition\, the phenomenon of Lucha Libre transcends the glitz and glamor of the theatrical stage to become a way to investigate themes of the underdog and the hero\, identity and performance\, and collective resistance to authority. \nThe exhibition at ASU Art Museum offers all visitors — from those who grew up loving the sport to audiences discovering it for the first time — an opportunity to view and understand Lucha Libre through the lenses of popular culture\, poetics and politics. This project is both a scholarly contribution to the field of arts\, accompanied by a fully illustrated publication and a vehicle to appreciate and deepen our knowledge of Mexican and Mexican-American culture\, which has been historically underrepresented in art museums. \n“Lucha Libre: Beyond the Arenas” is made possible with the support of Cloth & Flame and Rich and Sally Lehmann. \nImage credit: “Lucha Libre: Beyond the Arenas” exhibition poster designed by Emmanuel García. \n\n\n\n\n\n https://asuevents.asu.edu/content/lucha-libre-beyond-arenas\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nLearn something\nBring the kids\nEasy on the wallet\n\n\n\nAudience:\n\nCampus student\nOnline student\nFriend/Fan\nParent\nDonor\nFaculty\nStaff\nAlumni\nstudent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/lucha-libre-beyond-the-arenas/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220917
DTEND;VALUE=DATE:20230227
DTSTAMP:20261002T203012
CREATED:20220912T182239Z
LAST-MODIFIED:20220912T182433Z
UID:605-1663372800-1677455999@asuartmuseum.org
SUMMARY:The Malevolent and the Serene: Japanese Tea Bowls and Prints from the Collection
DESCRIPTION:Art in Focus highlights works from the museum’s permanent collections. This exhibition presents Japanese ceramics and prints\, with a focus on ghost stories and tea ceremonies. Woodblock prints by Tsukioka Yoshitoshi are accompanied by ceramic tea bowls and cups from Living National Treasures artists offering audiences an opportunity to learn and appreciate Japans’ contributions to printmaking and craft. \nThe curatorial team includes Mary-Beth Buesgen curator of collection and archives\, Amelia Hay\, learning and co-creation specialist and Colin Pearson\, Ceramics Research Center academic intern. Special thanks to the Japanese Friendship Garden for their collaboration.
URL:https://asuartmuseum.org/event-exhibition/the-malevolent-and-the-serene-japanese-tea-bowls-and-prints-from-the-collection/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/09/malevolent-art_in_focus_exhibition.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20220917T000000
DTEND;TZID=America/Phoenix:20230226T000000
DTSTAMP:20261002T203012
CREATED:20220818T005600Z
LAST-MODIFIED:20241029T204455Z
UID:4755-1663372800-1677369600@asuartmuseum.org
SUMMARY:The Malevolent and the Serene: Japanese Tea Bowls and Prints from the Collection
DESCRIPTION:Art in Focus highlights works from the museum’s permanent collections. This exhibition presents Japanese ceramics and prints\, with a focus on ghost stories and tea ceremonies. Woodblock prints by Tsukioka Yoshitoshi are accompanied by ceramic tea bowls and cups from Living National Treasures artists offering audiences an opportunity to learn and appreciate Japans’ contributions to printmaking and craft. \nThe curatorial team includes Mary-Beth Buesgen curator of collection and archives\, Amelia Hay\, learning and co-creation specialist and Colin Pearson\, Ceramics Research Center academic intern. Special thanks to the Japanese Friendship Garden for their collaboration. \nImage credit: Tsukioka Yoshitoshi\, “The Greedy Old Woman (Don’yoku no baba)\,” 1865\, woodblock print\, 14 5/16 × 9 7/16 in. Gift of Darlene Goto. \n\n\n\n\n\n https://asuevents.asu.edu/content/malevolent-and-serene-japanese-tea-bowls-and-prints-collection\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttps://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nOpen to the public\nLearn something\nThe Arts\nEasy on the wallet\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nFriend/Fan\nParent\nDonor\nFaculty\nStaff\nAlumni\nstudent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/the-malevolent-and-the-serene-japanese-tea-bowls-and-prints-from-the-collection-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220610
DTEND;VALUE=DATE:20230109
DTSTAMP:20261002T203012
CREATED:20220909T235724Z
LAST-MODIFIED:20221007T223154Z
UID:585-1654819200-1673222399@asuartmuseum.org
SUMMARY:Luster and Light
DESCRIPTION:“Luster and Light” creates space to reflect on the value of craft and craft-adjacent works in art museum settings. How is the idea of value interpreted in various spaces and contexts by individuals and institutions? This exhibition examines works that feature specific lustrous materials to relay cultural or social symbols\, often to call attention to abuses of wealth and authority. One example is the use of gold for its historic associations with social and economic power\, like in Alison Saar’s “Hi Yella” (1991). Another is Adrian Saxe’s use of luster glaze\, a paintable coating containing precious metals like gold and silver\, in ceramics to reference the lavishness of the Baroque and Rococo periods in art. Curated primarily from the ASU Art Museum’s permanent collections\, the exhibition encourages reflection on museums as systems of power and cultural production. How have they upheld hierarchical systems\, such as those evidenced by their collections and exhibition histories? Visitors are asked to engage by reflecting on what they value in their own lives. \n“Luster and Light” is curated by Windgate Curator of Contemporary Craft and Design Sarah Kelly and generously supported by the Windgate Foundation.
URL:https://asuartmuseum.org/event-exhibition/luster-and-light/
LOCATION:ASU Art Museum Ceramics Research Center\, 699 S. Mill Ave.\, Suite 108\, Tempe\, AZ\, 85281\, United States
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/09/Luster-and-Light-1988.016.0001_2.jpg
END:VEVENT
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DTSTART;TZID=America/Phoenix:20220610T000000
DTEND;TZID=America/Phoenix:20230108T000000
DTSTAMP:20261002T203012
CREATED:20220611T042900Z
LAST-MODIFIED:20241029T231527Z
UID:4745-1654819200-1673136000@asuartmuseum.org
SUMMARY:Luster and Light
DESCRIPTION:“Luster and Light” creates space to reflect on the value of craft and craft-adjacent works in art museum settings. How is the idea of value interpreted in various spaces and contexts by individuals and institutions? This exhibition examines works that feature specific lustrous materials to relay cultural or social symbols\, often to call attention to abuses of wealth and authority. One example is the use of gold for its historic associations with social and economic power\, like in Alison Saar’s “Hi Yella” (1991). Another is Adrian Saxe’s use of luster glaze\, a paintable coating containing precious metals like gold and silver\, in ceramics to reference the lavishness of the Baroque and Rococo periods in art. Curated primarily from the ASU Art Museum’s permanent collections\, the exhibition encourages reflection on museums as systems of power and cultural production. How have they upheld hierarchical systems\, such as those evidenced by their collections and exhibition histories? Visitors are asked to engage by reflecting on what they value in their own lives. \n“Luster and LIght” is curated by Windgate Curator of Contemporary Craft and Design Sarah Kelly and generously supported by the Windgate Foundation. \nThe Ceramics Research Center is temporarily open by appointment only. Please use the tour request form to schedule an appointment at least one week in advance.  \nImage credit: Rick Strini\, “12 Goblets\,” 1987\, 9″ x 3 3/8″\, hand-blown glass. Gift of James and Joanne Rapp. Image courtesy of the ASU Art Museum. \n\n\n\n\n\n https://asuevents.asu.edu/content/luster-and-light-0\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/luster-and-light-2/
CATEGORIES:Exhibition
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DTSTART;VALUE=DATE:20220507
DTEND;VALUE=DATE:20221031
DTSTAMP:20261002T203012
CREATED:20220912T172757Z
LAST-MODIFIED:20220912T172858Z
UID:592-1651881600-1667174399@asuartmuseum.org
SUMMARY:A Country is Not a House: Ronald Rael + Virginia San Fratello
DESCRIPTION:Fusing design with activism\, Ronald Rael and Virginia San Fratello have spent more than a decade questioning the implications and contradictions of the border wall that divides the United States from Mexico. Structurally and conceptually\, the artists undermine and dismantle the wall itself — a symbol of xenophobia and fear — through speculative explorations that promote social\, economic and ecological reparations. Their inventive and poignant commentary is a protest against the wall\, our most politically polarizing architectural feature\, and a projection about its future. Offering new imaginaries\, the exhibition features drawings\, prints\, models\, videos and newly commissioned sculptural installations inspired by our region that serve as a reminder of how human beings can transcend the forces that seek to divide us. \n“A Country is Not a House: Ronald Rael + Virginia San Fratello\,” curated by ASU Art Museum curator Brittany Corrales\, is supported by the Graham Foundation for Advanced Studies in the Fine Arts with major support from Falcon Designs. Sponsors include Elizabeth and Shane Ginsberg. \nAbout the artists:  \nProfessor Ronald Rael is the Eva Li Memorial Chair in Architecture in the Department of Architecture in the College of Environmental Design at the University of California\, Berkeley. \nVirginia San Fratello is professor and chair of the Department of Design at San José State University. \nLearn more about Rael San Fratello’s work at rael-sanfratello.com.
URL:https://asuartmuseum.org/event-exhibition/a-country-is-not-a-house-ronald-rael-virginia-san-fratello/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
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