
BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ASU Art Museum - ECPv6.15.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://asuartmuseum.org
X-WR-CALDESC:Events for ASU Art Museum
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Phoenix
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20210101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220305
DTEND;VALUE=DATE:20250301
DTSTAMP:20261023T183305
CREATED:20220912T183003Z
LAST-MODIFIED:20240812T175244Z
UID:609-1646438400-1740787199@asuartmuseum.org
SUMMARY:ASU Art Museum’s Public Art
DESCRIPTION:﻿Made possible with a gift from Robert and Avery Moric\, father and son ASU Herberger Institute for Design and the Arts alumni (Architecture Class of 1991 and Architecture and Barrett\, The Honors College Class of 2023) and the ASU President’s Club. \nCommissioned by Arizona State University Art Museum with funding by The Diane and Bruce Halle Foundation with additional funding by the Herberger Institute Dean’s Creativity Council. \n“Art has a much bigger role to play in society. Everyone needs access to art\, and at this time\, we need art even more.” -Leo Villareal \n“Point Cloud (ASU)” is a commissioned artwork by Leo Villareal designed specifically for the ASU Art Museum in the Nelson Fine Arts Center. During his visit to the ASU Art Museum\, Villareal was inspired by the museum’s architecture\, designed by Antoine Predock in 1987. “The building defines a journey\, a procession; it defines options and potentials rather than particular paths. It is an open matrix of possibilities rather than particular paths. It is an open matrix of possibilities for engagement both vertically and horizontally\,” Predock said on the experience of walking through the building. Inspired by this phenomenon\, Villareal worked with Kaarta\, the mobile 3D scan technology company\, to map both the inside and outside of the building\, creating over 200\,000\,000 data points. With the accumulated information\, the artist manipulated the data points by employing his custom software to create this public artwork\, seeking to deconstruct and reconstruct architectural rules and systems. “Point Cloud (ASU)” is the first instance Villareal has used actual data sampled from a location as part of an artwork. \nIn “Point Cloud (ASU)\,” Villareal focuses on the blurred boundaries between abstraction\, recognition\, and perception through monolithic screens mounted within the museum’s existing architecture. Through moving layers of light\, Villareal renders the museum’s mapped spaces to reveal details of architecture that are not recognizable to the naked eye. The ever-changing lumens\, slowly panning up and down stairs\, through hallways and colonnades\, echo a sort of procession throughout the museum. At times\, the dots\, lines\, and planes create a recognizable image\, but often\, viewers are taken on a journey that dissolves into abstraction. The ongoing movement prompts consideration for deeper understandings of the masses and forms around us\, questioning what we can see in front of us and what is ephemeral. “Point Cloud (ASU)” serves as a meditation on Predock’s work\, revealing the deep layers and references embedded in the architecture as it ascends toward the heavens and descends into the earth. \nExplore the ASU Art Museum’s public art with works by Leo Villareal\, Robert Arneson\, Luis Jimenez and Eduardo Sarabia.
URL:https://asuartmuseum.org/event-exhibition/asu-art-museums-public-art/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2022/09/asuam-exhibitions-image-for-public-art-section.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240713
DTEND;VALUE=DATE:20250630
DTSTAMP:20261023T183305
CREATED:20240701T202328Z
LAST-MODIFIED:20250222T221843Z
UID:3855-1720828800-1751241599@asuartmuseum.org
SUMMARY:Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection\, 1980–2010
DESCRIPTION:“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection\, 1980–2010” showcases a partnership between ASU’s Hispanic Research Center (HRC) and ASU Art Museum and brings together works from the 1980s into the 2010s drawn from the HRC’s dynamic collection. Featuring over 30 artists who each offer a kaleidoscope of perspectives on the Mexican American experience\, this year-long exhibition pays homage to the ideals of the Chicano Movement of the 1960s and 70s and expands upon them through the widely disseminated medium of prints. Presented in two parts\, this unique exhibition underscores how Chicano/a/x artists have employed prints and graphics to build community\, engage with social concerns\, and interrogate shifting notions of political and cultural identity over time. \n“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection\, 1980–2010” is organized by ASUAM Senior Curator Alana Hernandez and ASUAM Curator Brittany Corrales and is made possible by funding provided by the Evelyn Smith Exhibition Fund. Additional funding is provided by ASU’s Hispanic Research Center and The Andy Warhol Foundation for the Visual Arts. The exhibition is presented in collaboration with a Community of Practice composed of Carla Chavarria\, Community Building Director\, Iconico\, and Carla León Celaya\, PhD candidate in the Spanish Department at the School of International Letters and Cultures\, ASU. \n  \nChicano/a/x Prints and Graphics Audio Guide\nUse the audio players below at the corresponding exhibition location. \nStop 1: Isabel Martinez\, “VG Got Her Green Card”\n\n  \nStop 2: Leo Limón\, “Morena y Quetzalcoatl”\n\n  \nStop 3: Alma López\, “Chuparosa”\n\n 
URL:https://asuartmuseum.org/event-exhibition/chicano-a-x-prints-and-graphics-selections-from-the-hispanic-research-centers-collection-1980-2010/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/07/Larry-Yanez_Cocina-Jaiteca-min.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240713
DTEND;VALUE=DATE:20250630
DTSTAMP:20261023T183305
CREATED:20240918T005844Z
LAST-MODIFIED:20241031T171653Z
UID:3832-1720828800-1751241599@asuartmuseum.org
SUMMARY:Spiraling\, Twisting\, Unraveling: Explorations in Pattern and Form
DESCRIPTION:Exhibition Overview\n\n\nSpiraling\, Twisting\, Unraveling Audio Guide\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Maria Poveka Martinez\n\n  \nStop 2: Bradley R. Miller\n\n  \nStop 3: Jiro Yonezawa\n\n  \nInterpretation questions\n\n\n\n 
URL:https://asuartmuseum.org/event-exhibition/spiraling-twisting-unraveling-explorations-in-pattern-and-form/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/06/Jiro-Yonezawa_Monk_2003.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240929
DTEND;VALUE=DATE:20250728
DTSTAMP:20261023T183305
CREATED:20240821T200731Z
LAST-MODIFIED:20250721T163615Z
UID:3981-1727568000-1753660799@asuartmuseum.org
SUMMARY:Mariana Castillo Deball: The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash and Clay
DESCRIPTION:Exhibition Overview\n\n\nMariana Castillo Deball Audio Guide\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Introduction\n\n  \nStop 2: The Flames Leave a Feathered Mark on the Clay Spider in the Chamber of Ash and Clay\n\n  \nStop 3: Cabeza Olmeca San Lorenzo 1 (rostro lado derecho)\n\n  \nInterpretation questions\n\n\n\n 
URL:https://asuartmuseum.org/event-exhibition/mariana-castillo-deball-the-flames-leave-a-feathered-mark-on-the-clay-spider-in-the-chamber-of-ash-and-clay3/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/08/MCD12203_4-COMPRESS.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250208
DTEND;VALUE=DATE:20250714
DTSTAMP:20261023T183305
CREATED:20250114T225034Z
LAST-MODIFIED:20250224T210444Z
UID:6290-1738972800-1752451199@asuartmuseum.org
SUMMARY:Cooperative Craft: Artmaking of the Mingei Movement
DESCRIPTION:Exhibition Overview\n\n\nCooperative Craft: Artmaking of the Mingei Movement\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Introduction\n\n  \nStop 2: Shimaoka Tatsuzō and Japan’s National Treasures\n\n  \nStop 3: Onta Pottery\n\nStop 4: A Family Affair
URL:https://asuartmuseum.org/event-exhibition/artmaking-of-the-mingei-movement/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2025/01/1998_204_000_HAMADA_o_s1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250222
DTEND;VALUE=DATE:20250721
DTSTAMP:20261023T183305
CREATED:20250114T224509Z
LAST-MODIFIED:20250222T220541Z
UID:6278-1740182400-1753055999@asuartmuseum.org
SUMMARY:José Villalobos: Rough Rider
DESCRIPTION:﻿﻿Exhibition Overview\n\n\nJosé Villalobos: Rough Rider Audio Guide\nUse the audio players below at the corresponding exhibition location. \n  \nStop 1: Introduction\n\n  \nStop 2: All these things and still I cannot be protected\, so I hold on tight with my limpest wrist\n\n  \nStop 3: Rough Rider
URL:https://asuartmuseum.org/event-exhibition/jose-villalobos-asu-art-museum/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Exhibition,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2025/01/Jose-Villalobos_RoughRider_2025_Steer-The-Queer.jpg
END:VEVENT
END:VCALENDAR