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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261101T155438
DTEND;TZID=America/Phoenix:20160522T000000
DTSTAMP:20261101T155438
CREATED:20160321T211900Z
LAST-MODIFIED:20241029T234420Z
UID:4329-0-1463875200@asuartmuseum.org
SUMMARY:In the Stacks: Print Wikipedia
DESCRIPTION:Hayden Library\, Level 1\n\n\n\n\n\n“Print Wikipedia” is a both a utilitarian visualization of the largest accumulation of human knowledge and a poetic gesture towards the futility of the scale of big data. Michael Mandiberg wrote software that parsed the entirety of the English-language Wikipedia database (in April 2015) and programmatically laid out thousands of volumes\, complete with covers\, and then uploaded them for print-on-demand. Built on what is likely the largest appropriation ever made\, it is also a work of found poetry that draws attention to the sheer size of the encyclopedia’s content and the impossibility of rendering Wikipedia as a material object in fixed form: Once a volume is printed it is already out of date. The work is also a reflection on the actual transparency or completeness of knowledge containers and history. \nThe exhibition at Hayden Library will include a selection of 61 Wikipedia volumes and schematic wallpaper showing what the scale would be of an entire print library of Wikipedia volumes. These will be located near the Encyclopedia Section on Level 1 of Hayden Library. The 36 volume Wikipedia Contributors Appendix will be on view on the entrance level\, which will also feature a projected scroll simulating all of the volumes and the articles they span. \n  \nMichael Mandiberg (born 1977\, Detroit) is an interdisciplinary artist\, scholar\, and educator. He received his M.F.A. from the California Institute of the Arts and his B.A. from Brown University. His work traces the lines of political and symbolic power online\, working on the internet in order to comment on and intercede in the real flows of information. A recipient of residencies and commissions from Eyebeam\, Rhizome.org \, and Turbulence.org \, his work has been exhibited at the New Museum\, Ars Electronica\, ZKM\, and Transmediale. He directs the New York Arts Practicum\, and is a co-founder of the Art+Feminism Wikipedia Edit-a-thon. He is Associate Professor at the College of Staten Island/ CUNY and a member of the Doctoral Faculty at the CUNY Graduate Center. His work has been written about widely\, including in The New York Times\, Berliner Zeitung\, ARTNews\, and Artforum. He lives and works in Brooklyn; his work lives at Mandiberg.com . \nThe ASU Libraries is pleased to present this exhibition of Michael Mandiberg’s work in partnership with the the ASU Art Museum\, Herberger School of Art\, and Denny Gallery in New York City. \n\n\n\n\nContact:\n\nJennifer Duvernay\n\n\n\n\n https://asuevents.asu.edu/content/stacks-print-wikipedia\n\n\n\nPhone:\n\n480-727-7636\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudents\, Faculty\, Alumni\, Friend/Fan
URL:https://asuartmuseum.org/event-exhibition/in-the-stacks-print-wikipedia/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261101T155438
DTEND;TZID=America/Phoenix:20150802T000000
DTSTAMP:20261101T155438
CREATED:20170306T231700Z
LAST-MODIFIED:20241029T230104Z
UID:4315-0-1438473600@asuartmuseum.org
SUMMARY:Family Matters
DESCRIPTION:The contemporary view of what constitutes a family is more expansive that ever before. Whatever their composition\, families still matter. Homes\, pets\, good times and bad are all embraced as part of family life. Family Matters puts families and the many things that matter to them in focus. Games\, books and a photo booth in the exhibition invite your family to join in the fun. \nThis exhibition is supported by the Evelyn Smith Exhibition Fund\, members of the ASU Art Museum and the Stulgaitis Family Scholastic Award in honor of Helen Flecha Poline. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/family-matters/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261101T155438
DTEND;TZID=America/Phoenix:20150719T000000
DTSTAMP:20261101T155438
CREATED:20170306T232400Z
LAST-MODIFIED:20241029T230625Z
UID:4313-0-1437264000@asuartmuseum.org
SUMMARY:Recorded Matter: Ceramics in Motion
DESCRIPTION:Featuring the work of Jason Lee Starin\, Joseph Kamm\, Cheyenne Rudolph\, Man Yau\, Sam Brennan\, Thomas Schmidt\, Jeffrey Miller\, Eva Vogelsang\, Roberto Lugo\, Forrest Sincoff Gard and Ben Harle. \nThis exhibition showcases the work of 11 young artists who effortlessly integrate video into their studio practice. Some artists use cameras to document their work being used (or abused). Others use video to document a process that is perhaps more important to them than finished\, fired objects. All of these pieces have a life of their own on the Internet\, where they can be shared in ways that physical objects cannot. \nThe artists represented in this exhibition are well aware of video pioneers like Bruce Nauman\, who was a student of ceramic artist Robert Arneson\, and Nam Jun Paik\, but most wear the mantle lightly\, using video as one more tool in their arsenal. Thrill to the sheer diversity of approaches on view – from persona to process\, and from the politics of consumption to surprising ways that clay can behave (or misbehave). \nRecorded Matter is the first exhibition curated by the ASU Art Museum Ceramics Research Center’s new curator\, Garth Johnson\, who has spent his career documenting artists who combine craft media\, performance and transgressive impulses. The exhibition is supported by the Centering on the Future campaign contributors and members of the ASU Art Museum Ceramics Research Center. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/recorded-matter-ceramics-in-motion/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261101T155438
DTEND;TZID=America/Phoenix:20150621T000000
DTSTAMP:20261101T155438
CREATED:20170307T003600Z
LAST-MODIFIED:20241029T235340Z
UID:4308-0-1434844800@asuartmuseum.org
SUMMARY:The Gift: Selections from the Armstrong-Prior Archive
DESCRIPTION:John Armstrong and Joan Prior\, through their firm Armstrong-Prior\, Inc.\, have a rich history of working with local and international contemporary artists\, donors\, collectors\, community organizations and museums. Armstrong-Prior is both a fine arts printing studio – with John’s proficient execution of various print media – and an art consulting organization – with Joan’s professional advisement and placement of art in prominent collections. After many years of print projects\, Armstrong-Prior has built an impressive archive of contemporary prints and the ASU Art Museum is very fortunate to have received this archive as a gift from John and Joan.\nThe Jules Heller Print Study Room at the ASU Art Museum houses a collection of more than 5\,000 prints\, ranging from a 14th century printed page to work by living artists. Generous gifts like the Armstrong-Prior archive have grown the collection to be a rich resource for ASU students and community members\, and for exhibitions\, loans and research.\nThis exhibition was curated by Jean Makin\, print collection manager\, working with Herberger Institute for Design and the Arts student Tiernan Warner who contributed to exhibition texts through researching the archive’s artists and interviewing John and Joan about their life and work. Support for the exhibition is from the Evelyn Smith Exhibition Fund and members of the ASU Art Museum with additional generous support for the printed gallery brochure from Kate and Hank Timmerman and The Cavanagh Law Firm. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Feb. 20\, 2015 — Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/the-gift-selections-from-the-armstrong-prior-archive/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261101T155438
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20261101T155438
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261101T155438
DTEND;TZID=America/Phoenix:20220327T000000
DTSTAMP:20261101T155438
CREATED:20220228T223800Z
LAST-MODIFIED:20241029T230450Z
UID:4748-0-1648339200@asuartmuseum.org
SUMMARY:Highlights from the Print Study Room
DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu . \nImage Credit: Alberto Beltrán\, “Manuela Sanchez\, Spanish guerilla-mujeres con la revolución\,” c. 1950\, linoleum print\, 16 x 20 in. Gift of Dr. and Mrs. Jules Heller. \n\n\n\n\n\n https://asuevents.asu.edu/content/highlights-print-study-room\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140719T000000
DTEND;TZID=America/Phoenix:20141012T000000
DTSTAMP:20261101T155438
CREATED:20170307T014000Z
LAST-MODIFIED:20241029T231814Z
UID:4296-1405728000-1413072000@asuartmuseum.org
SUMMARY:These Are Some of My Favorite Things
DESCRIPTION:For his final exhibition prior to his retirement this summer\, curator of ceramics Peter Held examines the compulsion to collect. He includes cabinets of curiosities\, knick-knacks and creative tableaus from local artists\, designers and the public-at-large in an exhibition that highlights how we’re all equally passionate and obsessive about the things we love and choose to live with. \nThese Are Some of My Favorite Things features eight private collections from local artists\, collectors and creatives\, all equally passionate and obsessive about the things they love and choose to live with. They include: Cyndi Coon (small white objects); Emily Long (vintage Arizona objects); Gretchen Freeman (folk and naïve art); Mark Klett (sunrise sticks); Randall and Katherine Schmidt (military trench art); Joe Willie Smith (African folk and naïve art); Kathleen Vanesian (Mexican folk art) and Kurt Weiser (childhood and travel memorabilia). \nAlso included is a selection of works from the museum’s permanent collection chosen by curator of ceramics Peter Held\, focused on the ceramic Funk movement. One of Held’s favorite time periods in the development of American studio ceramics\, Funk ceramics emerged from the San Francisco Bay Area alternative underground and were shaped by counter-cultural aesthetics in the 1950s and 60s. The movement was spearheaded by Robert Arneson at the University of California-Davis\, who encouraged his ceramic students to explore a new terrain of art. In addition to a number of iconic works by Arneson\, works by Fred Bauer\, David Gilhooly\, Erik Gronborg\, Peter VandenBerge and Patti Warashina will be included. \nThis exhibition is generously supported by the Ceramics Research Center’s Artists’ Advisory Committee. \nRELATED PROGRAMS\nTuesday\, Oct. 7\, 2014\, 6:30–8:30 p.m. (members and alumni preview 5:30–6:30 p.m.)\nJoin us for a special closing reception event for These Are Some of My Favorite Things at the ASU Art Museum Brickyard with Peter Held\, curator of the exhibition and the collectors whose work is showcased. Plus\, meet the ASU Art Museum’s new ceramics curator\, Garth Johnson \, who is visiting the museum before the official start of his curatorship in December 2014.
URL:https://asuartmuseum.org/event-exhibition/these-are-some-of-my-favorite-things/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140721T000000
DTEND;TZID=America/Phoenix:20140914T000000
DTSTAMP:20261101T155438
CREATED:20170307T014400Z
LAST-MODIFIED:20241029T231805Z
UID:4297-1405900800-1410652800@asuartmuseum.org
SUMMARY:The Garden in the Machine
DESCRIPTION:Based on the 1964 book by Leo Marx\, The Machine in the Garden\, the exhibition’s title refers to the “pastoral” and “progressive” ideals explored in his writing. This seminal work characterized early 20th century American culture and its relationship to technology\, contemporary society and urban expansion. Today\, similar themes emerge in China\, where people are currently dealing with the effects of massive urban expansion. \nThe Garden in the Machine is the U.S. premiere of new video works by artists Cao Fei\, Michael Leung\, Xu Tan\, Koki Tanaka and Zhou Tao\, all working in China. They use research videos\, experimental documentaries and cinematic approaches to explore strategies for coping with today’s social realities. The artists deal with topics that include forced migration\, urbanization\, industrialization\, food security\, environmental and social conflicts. \nEXHIBITION SCREENING DATES:\nEach week for the duration of the exhibition a different video will be screened. In the rear of the gallery are two stations that allow you to view all of the videos in the series at any time. \nKoki Tanaka\, a pottery produced by 5 potters at once (silent attempt)\, 2013. HD Video\, 74:00 minutes.\nWill be screened June 21–28\, July 29–Aug. 2 and Sept. 2–6\, 2014.\nCao Fei\, Haze and Fog\, 2013. HD Video\, 47:12 minutes.\nWill be screened July 1–5\, Aug. 5–9 and Sept. 9–13\, 2014.\nZhou Tao\, After Reality\, 2013. HD Video\, 14:03 minutes.\nWill be screened July 8 – 12 and Aug. 12 – 16.\nXu Tan\, Social Plants and Thought Spasm\, 2013. HD Video\, 10:08 minutes.\nWill be screened July 15–19 and Aug. 19–23\, 2014.\nMichael Leung\, Hong Kong Salt Project\, 2013. HD Video\, 5:08 minutes.\nWill be screened July 22–26 and Aug. 26–30\, 2014. \nCLOSING RECEPTION:\nThursday\, Sept. 4\, 2014\, 4–7 p.m.\nCelebrate the closing of The Garden in the Machine with a lecture by San Francisco-based curator of contemporary Chinese art Xiaoyu Weng and a special screening of the zombie film Haze and Fog by artist Cao Fei. Reception sponsored by Taste of Tops and Macayo’s Mexican Kitchen.\nLearn more:  https://asuevents.asu.edu/closing-reception-garden-machine
URL:https://asuartmuseum.org/event-exhibition/the-garden-in-the-machine/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140809T000000
DTEND;TZID=America/Phoenix:20141109T000000
DTSTAMP:20261101T155438
CREATED:20170307T012600Z
LAST-MODIFIED:20241029T235610Z
UID:4298-1407542400-1415491200@asuartmuseum.org
SUMMARY:In Solitude\, Where We Are Least Alone
DESCRIPTION:Inspired by the essays of American transcendentalists Henry David Thoreau and Ralph Waldo Emerson\, this exhibition explores the value of seclusion and self-reflection. The works\, which range in date and medium\, consider both the pain and pleasure of isolation\, ultimately posing the question: At what point does solitude cease to be a refuge from society?\nThis exhibition is curated from the ASU Art Museum’s permanent collection by Brittany Corrales\, Windgate curatorial assistant and graduate student in art history\, and is supported by the Evelyn Smith Exhibition Fund. \nRELATED PROGRAMMING:\nWednesday\, Oct. 15\, noon – 1 p.m.\nGallery Talk: In Solitude\, Where We Are Least Alone with Brittany Corrales\nLearn more and RSVP:  https://asuevents.asu.edu/gallery-talk-solitude-where-we-are-least-alone-brittany-corrales
URL:https://asuartmuseum.org/event-exhibition/in-solitude-where-we-are-least-alone/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140909T000000
DTEND;TZID=America/Phoenix:20141130T000000
DTSTAMP:20261101T155438
CREATED:20170307T012300Z
LAST-MODIFIED:20241029T184836Z
UID:4636-1410220800-1417305600@asuartmuseum.org
SUMMARY:Shifting Sands: Recent Videos from the Middle East
DESCRIPTION:Featuring international artists who use film and video to explore the Middle Eastern desert as a site charged with meaning\, this exhibition explores zones of conflict\, including the Israel-Palestine border and Afghanistan\, and the shifting personal\, political and geographical landscapes of the Middle East. Artists include: Lida Abdul (Afghanistan)\, Yael Bartana (Germany/Israel)\, Emily Jacir (Palestine/Italy) and Isabel Rocamora (Spain/U.K.). \nThis exhibition was co-curated by Kate Bonansinga and Kerry Doyle\, and originally presented at the Rubin Center for the Visual Arts\, University of Texas at El Paso\, in conjunction with Desert One\, a regional\, collaborative project involving a network of institutions initiated by the Desert Initiative at the ASU Art Museum. The ASU Art Museum presentation is supported by the Helme Prinzen Endowment. \nRELATED PROGRAMS\nTuesday\, Sept. 9\, 2014\, 6–8 p.m. at the ASU Art Museum\n“Civility in Action\, Part I” \nA series of Valley-wide citizen dialogues on election issues\, “Civility in Action” is designed to foster civility. Hosted by the Institute for Civil Dialogue\, in association with the Hugh Downs School of Human Communication at ASU\, it provides a structured format for public dialogue as a tool to build bridges across the chasm of public viewpoints. This conversation in the series will be set against the backdrop of the “Shifting Sands” exhibition and consider political issues and the Middle East. \nThursday\, Oct. 30\, 2014\, 7 p.m. offsite at the ASU Physical Education Building East\, room 132\n“Dancing in Jaffa” Film Screening and Discussion \nDancing in Jaffa is a compelling new documentary about ballroom dancing as a means of bridging differences between Jewish and Muslim children. This screening\, presented in conjunction with “Shifting Sands” at the ASU Art Museum\, is co-sponsored by the Center for Jewish Studies\, the Center for the Study of Religion and Conflict\, the ASU School of Film\, Dance and Theatre and the Herberger Institute for Design and the Arts Socially Engaged Practice Program. \n\n\n\n\nOpening Reception:\n\nOpening Reception: Thursday\, Oct. 2\, 2014 – Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/shifting-sands-recent-videos-from-the-middle-east/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140919T000000
DTEND;TZID=America/Phoenix:20141026T000000
DTSTAMP:20261101T155438
CREATED:20170307T005400Z
LAST-MODIFIED:20241029T204445Z
UID:4300-1411084800-1414281600@asuartmuseum.org
SUMMARY:Alejandro Almanza Pereda: Down_Under_Side
DESCRIPTION:“Man loves everything that satisfies his comfort. He hates everything that wants to draw him out of his acquired and secured position and that disturbs him. Thus he loves the house and hates art.”\n— Alfred Loos\, Pioneering Modernist Architect\n“Every day\, in our lives\, we face risk with possible dangers. Every situation encountered is confronted by the speculation of hazards. Risk perception enables us to make an assessment of what consequences we face by partaking in certain decisions or activities. Through my sculptures\, photographs\, and installations\, I take these preconceived ideas of what is considered dangerous and create tension and awkwardness for the spectator.”\n— Alejandro Almanza Pereda \nNew York and Mexico City-based artist Alejandro Almanza Pereda constructs installations from an assembly of mundane objects\, such as cinder blocks\, fluorescent light bulbs\, bowling balls\, fish tanks and old furniture. Through the juxtaposition and pairing of materials and objects\, he achieves a sense of tension from makeshift environments with specific connotations such as fragility\, value and weight. The installations create an expectation of a possible future event\, which adds a temporal dimension to the static object. The precariousness of its instability affects the viewer’s knowledge\, and their assessment of its impending violent destruction that may or may never come. \nAlmanza’s work brings into question the definition of architecture in relation to daily urban life. In his new work\, Down_Under_Side\, the artist poses the question: How do the concepts of solidity\, utility and beauty function in architecture today? When can a structure no longer hold its contents\, or no longer hold itself? The premier of his new body of work exposes recent interests in 17th century Northern European still life paintings\, which come into play as he recreates a new series of still life videos inside swimming pools. A collaboration with Iraqi-born and Phoenix-based painter Bassim Al Shaker will also be part of the installation\, featuring a new still life painting created specially for the exhibition. \nUsing his collection of antiques and thrift store finds from Mexico\, New York and Phoenix\, Almanza has also chosen to shoot the still life scenes underwater and upside-down in an almost film noir setting in black and white. One can see the construction and deconstruction of the still life as it relates to the construction of how cultural memory is inherent in the displayed objects\, flowers\, vegetables\, fruits and drinking vessels. The structure or still life scenario that Almanza has created brings into question: What happens when the content becomes more important than the actual structure? \nThe ASU Art Museum International Artist Residency Program in downtown Phoenix at Combine Studios is open 2 – 6 p.m. on Wednesday through Saturday and by appointment for the duration of Almanza’s installation. For directions\, visit:  http://asuartmuseum.asu.edu/about/visit.php
URL:https://asuartmuseum.org/event-exhibition/alejandro-almanza-pereda-down_under_side/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140923T000000
DTEND;TZID=America/Phoenix:20140923T000000
DTSTAMP:20261101T155438
CREATED:20241029T195138Z
LAST-MODIFIED:20241029T195837Z
UID:4301-1411430400-1411430400@asuartmuseum.org
SUMMARY:Gallery Preview and Lecture: Richard T. Walker
DESCRIPTION:Artist Richard T. Walker will give a behind-the-scenes tour of the installation of his upcoming exhibition at the ASU Art Museum\, Richard T. Walker: the predicament of always (as we are) \, which opens Sept. 27\, 2014.\nWalker\, a British artist currently living and working in San Francisco\, brings a unique outsider perspective to the American West landscape. His videos\, photographs\, installations and performances take seclusion\, human nature and dialogue as their subjects. Focusing on the experience of our surrounding environments\, Walker’s works highlight clashes between innate desire\, cultural interpretation and reality\, becoming almost behavioral studies of the act of experiencing. \nFor Richard T. Walker: the predicament of always (as we are) \, on view through January 3\, 2015\, Walker places musical instruments inside the frame of multiple landscapes\, creating a soundtrack from his experience by responding to nature through musical and visual compositions. The multi-layered result both activates and interrupts the landscape through a unique homage to the sublime. \nThis gallery preview and lecture is free and open to the public. Seating is limited and RSVPs are required. To RSVP\, vist:  https://amuseum-richardtwalker.eventbrite.com
URL:https://asuartmuseum.org/event-exhibition/gallery-preview-and-lecture-richard-t-walker/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140925T000000
DTEND;TZID=America/Phoenix:20140925T000000
DTSTAMP:20261101T155438
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195810Z
UID:4302-1411603200-1411603200@asuartmuseum.org
SUMMARY:Director's Council Lecture Series with ASU Art Museum Director Gordon Knox
DESCRIPTION:Join ASU Art Museum Director Gordon Knox for a presentation and discussion about art\, science\, innovation and technology. \nFree and open to the public. RSVP required; seating is limited.\nVisit  https://amuseum-knoxlecture.eventbrite.com to RSVP.\nArt and science are our species’ primary systems of knowledge production. Both are highly disciplined\, focused\, peer-reviewed\, cumulative and broadly collaborative ways of investigating\, explaining and understanding the world and our universe. Art and science work at the very perimeters of what we know and delve deeply into what we think we know\, making the invisible visible and bringing forward hidden — or obfuscated — patterns and connections. Yet they are decidedly different; on opposite ends of the continuum of knowledge production\, they complement each other as we strive to make sense of it all. \nLecture sponsored by the ASU Art Museum Director’s Council.
URL:https://asuartmuseum.org/event-exhibition/directors-council-lecture-series-with-asu-art-museum-director-gordon-knox/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20140927T000000
DTEND;TZID=America/Phoenix:20150104T000000
DTSTAMP:20261101T155438
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195756Z
UID:4303-1411776000-1420329600@asuartmuseum.org
SUMMARY:Richard T. Walker: the predicament of always (as we are)
DESCRIPTION:Richard T. Walker’s videos\, photographs\, installations and performances take seclusion\, human nature and dialogue as their subjects. Focusing on the experience of our surrounding environments\, his works highlight clashes between innate desire\, cultural interpretation and reality\, becoming almost behavioral studies of the act of experiencing. \nThis exhibition is generously supported by Carroll/Fletcher Gallery\, London\, and the Helme Prinzen Endowment. \nRELATED PROGRAMMING:\nTuesday\, Sept. 23\, 6:30–7:30 p.m.\nGallery Preview and Lecture: Richard T. Walker\nLearn more and RSVP:  https://asuevents.asu.edu/gallery-preview-and-lecture-richard-t-walker
URL:https://asuartmuseum.org/event-exhibition/richard-t-walker-the-predicament-of-always-as-we-are/
CATEGORIES:blue,Exhibition
END:VEVENT
END:VCALENDAR