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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261104T080223
DTEND;TZID=America/Phoenix:20160522T000000
DTSTAMP:20261104T080223
CREATED:20160321T211900Z
LAST-MODIFIED:20241029T234420Z
UID:4329-0-1463875200@asuartmuseum.org
SUMMARY:In the Stacks: Print Wikipedia
DESCRIPTION:Hayden Library\, Level 1\n\n\n\n\n\n“Print Wikipedia” is a both a utilitarian visualization of the largest accumulation of human knowledge and a poetic gesture towards the futility of the scale of big data. Michael Mandiberg wrote software that parsed the entirety of the English-language Wikipedia database (in April 2015) and programmatically laid out thousands of volumes\, complete with covers\, and then uploaded them for print-on-demand. Built on what is likely the largest appropriation ever made\, it is also a work of found poetry that draws attention to the sheer size of the encyclopedia’s content and the impossibility of rendering Wikipedia as a material object in fixed form: Once a volume is printed it is already out of date. The work is also a reflection on the actual transparency or completeness of knowledge containers and history. \nThe exhibition at Hayden Library will include a selection of 61 Wikipedia volumes and schematic wallpaper showing what the scale would be of an entire print library of Wikipedia volumes. These will be located near the Encyclopedia Section on Level 1 of Hayden Library. The 36 volume Wikipedia Contributors Appendix will be on view on the entrance level\, which will also feature a projected scroll simulating all of the volumes and the articles they span. \n  \nMichael Mandiberg (born 1977\, Detroit) is an interdisciplinary artist\, scholar\, and educator. He received his M.F.A. from the California Institute of the Arts and his B.A. from Brown University. His work traces the lines of political and symbolic power online\, working on the internet in order to comment on and intercede in the real flows of information. A recipient of residencies and commissions from Eyebeam\, Rhizome.org \, and Turbulence.org \, his work has been exhibited at the New Museum\, Ars Electronica\, ZKM\, and Transmediale. He directs the New York Arts Practicum\, and is a co-founder of the Art+Feminism Wikipedia Edit-a-thon. He is Associate Professor at the College of Staten Island/ CUNY and a member of the Doctoral Faculty at the CUNY Graduate Center. His work has been written about widely\, including in The New York Times\, Berliner Zeitung\, ARTNews\, and Artforum. He lives and works in Brooklyn; his work lives at Mandiberg.com . \nThe ASU Libraries is pleased to present this exhibition of Michael Mandiberg’s work in partnership with the the ASU Art Museum\, Herberger School of Art\, and Denny Gallery in New York City. \n\n\n\n\nContact:\n\nJennifer Duvernay\n\n\n\n\n https://asuevents.asu.edu/content/stacks-print-wikipedia\n\n\n\nPhone:\n\n480-727-7636\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudents\, Faculty\, Alumni\, Friend/Fan
URL:https://asuartmuseum.org/event-exhibition/in-the-stacks-print-wikipedia/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261104T080223
DTEND;TZID=America/Phoenix:20150802T000000
DTSTAMP:20261104T080223
CREATED:20170306T231700Z
LAST-MODIFIED:20241029T230104Z
UID:4315-0-1438473600@asuartmuseum.org
SUMMARY:Family Matters
DESCRIPTION:The contemporary view of what constitutes a family is more expansive that ever before. Whatever their composition\, families still matter. Homes\, pets\, good times and bad are all embraced as part of family life. Family Matters puts families and the many things that matter to them in focus. Games\, books and a photo booth in the exhibition invite your family to join in the fun. \nThis exhibition is supported by the Evelyn Smith Exhibition Fund\, members of the ASU Art Museum and the Stulgaitis Family Scholastic Award in honor of Helen Flecha Poline. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/family-matters/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261104T080223
DTEND;TZID=America/Phoenix:20150719T000000
DTSTAMP:20261104T080223
CREATED:20170306T232400Z
LAST-MODIFIED:20241029T230625Z
UID:4313-0-1437264000@asuartmuseum.org
SUMMARY:Recorded Matter: Ceramics in Motion
DESCRIPTION:Featuring the work of Jason Lee Starin\, Joseph Kamm\, Cheyenne Rudolph\, Man Yau\, Sam Brennan\, Thomas Schmidt\, Jeffrey Miller\, Eva Vogelsang\, Roberto Lugo\, Forrest Sincoff Gard and Ben Harle. \nThis exhibition showcases the work of 11 young artists who effortlessly integrate video into their studio practice. Some artists use cameras to document their work being used (or abused). Others use video to document a process that is perhaps more important to them than finished\, fired objects. All of these pieces have a life of their own on the Internet\, where they can be shared in ways that physical objects cannot. \nThe artists represented in this exhibition are well aware of video pioneers like Bruce Nauman\, who was a student of ceramic artist Robert Arneson\, and Nam Jun Paik\, but most wear the mantle lightly\, using video as one more tool in their arsenal. Thrill to the sheer diversity of approaches on view – from persona to process\, and from the politics of consumption to surprising ways that clay can behave (or misbehave). \nRecorded Matter is the first exhibition curated by the ASU Art Museum Ceramics Research Center’s new curator\, Garth Johnson\, who has spent his career documenting artists who combine craft media\, performance and transgressive impulses. The exhibition is supported by the Centering on the Future campaign contributors and members of the ASU Art Museum Ceramics Research Center. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/recorded-matter-ceramics-in-motion/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261104T080223
DTEND;TZID=America/Phoenix:20150621T000000
DTSTAMP:20261104T080223
CREATED:20170307T003600Z
LAST-MODIFIED:20241029T235340Z
UID:4308-0-1434844800@asuartmuseum.org
SUMMARY:The Gift: Selections from the Armstrong-Prior Archive
DESCRIPTION:John Armstrong and Joan Prior\, through their firm Armstrong-Prior\, Inc.\, have a rich history of working with local and international contemporary artists\, donors\, collectors\, community organizations and museums. Armstrong-Prior is both a fine arts printing studio – with John’s proficient execution of various print media – and an art consulting organization – with Joan’s professional advisement and placement of art in prominent collections. After many years of print projects\, Armstrong-Prior has built an impressive archive of contemporary prints and the ASU Art Museum is very fortunate to have received this archive as a gift from John and Joan.\nThe Jules Heller Print Study Room at the ASU Art Museum houses a collection of more than 5\,000 prints\, ranging from a 14th century printed page to work by living artists. Generous gifts like the Armstrong-Prior archive have grown the collection to be a rich resource for ASU students and community members\, and for exhibitions\, loans and research.\nThis exhibition was curated by Jean Makin\, print collection manager\, working with Herberger Institute for Design and the Arts student Tiernan Warner who contributed to exhibition texts through researching the archive’s artists and interviewing John and Joan about their life and work. Support for the exhibition is from the Evelyn Smith Exhibition Fund and members of the ASU Art Museum with additional generous support for the printed gallery brochure from Kate and Hank Timmerman and The Cavanagh Law Firm. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Feb. 20\, 2015 — Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/the-gift-selections-from-the-armstrong-prior-archive/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261104T080223
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20261104T080223
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261104T080223
DTEND;TZID=America/Phoenix:20220327T000000
DTSTAMP:20261104T080223
CREATED:20220228T223800Z
LAST-MODIFIED:20241029T230450Z
UID:4748-0-1648339200@asuartmuseum.org
SUMMARY:Highlights from the Print Study Room
DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu . \nImage Credit: Alberto Beltrán\, “Manuela Sanchez\, Spanish guerilla-mujeres con la revolución\,” c. 1950\, linoleum print\, 16 x 20 in. Gift of Dr. and Mrs. Jules Heller. \n\n\n\n\n\n https://asuevents.asu.edu/content/highlights-print-study-room\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20130309T000000
DTEND;TZID=America/Phoenix:20130907T000000
DTSTAMP:20261104T080223
CREATED:20170314T023414Z
LAST-MODIFIED:20241029T230312Z
UID:4626-1362787200-1378512000@asuartmuseum.org
SUMMARY:Turn off the Sun: Selections from la Colección Jumex
DESCRIPTION:Working in conjunction with Fundación/Colección Jumex\, the ASU Art Museum is proud to present Turn off the Sun\, a rare opportunity for the public to experience selected works of art from one of the largest and most important contemporary art collections in Latin America. \nLa Colección Jumex is a spectacular collection of more than 2\,600 works by emerging and established contemporary artists from Mexico\, Latin America\, the United States and Europe. Based in Mexico City\, Fundación/Colección Jumex has a 10-year history of supporting contemporary art through collecting\, exhibitions and educational programs. \nThe exhibition Turn off the Sun presents major pieces and installations by artists rarely or never seen in Arizona exploring diverse media and practice. The work has been selected around the complex relationship between Arizona and Mexico with broad references to borders\, labor\, movement and site. \nThe exhibition is co-curated by ASU Art Museum Senior Curator and Associate Director Heather Sealy Lineberry\, ASU Art Museum Curator Julio Cesar Morales and Curator Michel Blancsubé of Colección Jumex. \nTurn off the Sun was organized in partnership with Fundación/Colección Jumex\, with generous support from the Diane and Bruce Halle Foundation and additional support from the Helme Prinzen Endowment\, Target\, the Tempe Tourism Office\, Dircks and Friends of the ASU Art Museum. \nPublic Programs: \nMarch 15\nAlejandro Almanza Perada\nJumex exhibition artist\nLecture on art practice\nCombine Studios\n7 p.m.\nDowntown Phoenix \nInstallation artist and sculptor Alejandro Almanza Pereda strips objects of their original meaning\, rearranging them into clean\, geometric structures. Almanza Pereda uses a wide range of both utilitarian and rare fine art objects to create sleek designs that function as visual puzzles of sorts. He lives and works between Manhattan and Brooklyn\, in New York\, and Mexico City\, Mexico. He earned a BFA from University of Texas at El Paso (2005)\, attended the Skowhegan School of Painting and Sculpture (2004)\, and is an MFA candidate at Hunter College of The City University of New York (2015). His work has been included in Bienal de Curitiba\, Brazil (2011); Dublin Contemporary\, Ireland (2011); The College of Wooster Art Museum (2011); Chert Berlin (2011); Fundación Magnolia\, London (2011); Magnan Metz Gallery\, New York (2010); Museo de Arte Moderno\, Mexico City (2009); and the Queens Museum of Art (2006). \nMarch 23\nEduardo Sarabia\nJumex exhibition artist\nLecture on art practice\n2 p.m.\nLower Level South Gallery \nBorn in Los Angeles in 1976\, Eduardo Sarabia obtained a BFA from Otis College of Art and Design\, in Los Angeles\, and now lives and works in Los Angeles\, Guadalajara and Berlin. Sarabia is known for creating fake evidence for semi-fictional events\, using performance\, drawing\, painting\, ceramics\, photographs and sculpture to document events and ideas. His Latino heritage is an influence in his work\, with its cultural symbols appearing throughout. Recently Sarabia has partaken in numerous international group shows\, including I Love New York\, I-20 Gallery\, New York\, 2001; the 51st Venice Biennale\, Venice\, Italy\, 2005; Musee des Beaux-Arts\, Lille\, France\, 2006 and the Whitney Biennial\, Whitney Museum of American Art\, New York\, 2008. Recent solo exhibitions include Santa Monica Museum of Art\, Santa Monica\, Calif.\, 2002; Museo Raúl Anguiano\, Guadalajara\, Mexico\, 2008; LA Louver\, Los Angeles\, 2008. Upcoming exhibitions include the Denver Contemporary Art Museum in 2013. \nApril 10\nSuperflex\nJumex Exhibition Artist\nLecture on art practice\n7 p.m.\nCombine Studios\nThe Danish artist group Superflex \, founded by Jakob Fenger\, Rasmus Nielsen and Bjørnstjerne Christiansen\, centers around the discourse of “ethical capitalism” and development policy. The group describes their projects as “tools” – models or proposals that can be utilized and modified by the user. In their 1996 project “Supergas\,” Superflex worked with European and African engineers and a sustainable agriculture organization in Tanzania to develop and market to African farmers an affordable bio gas generator that turns human and animal waste into fuel. The bio gas plant produces enough fuel for a family of 8-10 members to cook and to run one gas lamp for an evening.\nIn “Guaraná Power Corner” (2006)\, bottles of the soft drink Guaraná Power are stacked in a corner with a mirrored base and walls. In 2003\, Superflex collaborated with local farmers from Maués in the Brazilian Amazon who cultivate the caffeine-rich berries of the guaraná plant. Multinational corporations have had a destructive effect on the market for guaraná\, driving the prices for the raw seeds down by 80 percent while raising the price for their own retail products made from the fruit. Superflex worked with the farmers to copy the formula of the corporate soda\, and then to create their own drink\, called Guaraná Power. Produced directly by the farmers\, Guaraná Power is sold in bars and cafés in Denmark\, directly competing with the corporate version of the drink.\nSuperflex has exhibited in galleries around the world and been included in international art festivals such as the 42nd Kunsthalle Basel\, Switzerland; the 6th Gwangju Biennial\, Korea; and the 50th Venice Biennial\, Italy. \nSeptember 5\nJulio Cesar Morales\nArtist/curator\nThe Mexican Social Laboratory: From punk rockers\, piracy to the embassy of waste\nLecture on current Mexican art scene\n7 p.m.\nA presentation on the contemporary Mexican art scene with a focus on appropriation\, performance and social practice seen through the work of artists Pedro Reyes\, Tania Candiani\, Torolab and a special previewof the forthcoming exhibition Moctezuma’s Revenge by Eduardo Sarabia at the ASU Art Museum (set for Spring of 2014). \nFeatured artists: \nDoug Aitken\nAlejandro Almanza Pereda (site-specific commission)\nFrancis Alÿs\nIñaki Bonillas\nMiguel Calderón\nRaúl Cárdenas Osuna/Torolab\nLawrence Carroll\nJosé Damasceno\nMark Dion\nSam Durant\nMónica Espinosa\nDan Graham\nCao Guimarães\nDaniel Guzmán\nLiza Lou\nEduardo Sarabia\nSantiago Sierra\nRobert Smithson\nSuperflex\nMungo Thomson\nJeff Wall
URL:https://asuartmuseum.org/event-exhibition/turn-off-the-sun-selections-from-la-coleccion-jumex/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20130427T000000
DTEND;TZID=America/Phoenix:20130721T000000
DTSTAMP:20261104T080223
CREATED:20170314T014600Z
LAST-MODIFIED:20241030T000504Z
UID:4627-1367020800-1374364800@asuartmuseum.org
SUMMARY:Infinite Place: The Ceramic Art of Wayne Higby
DESCRIPTION:The ASU Art Museum and Ceramics Research Center in the Herberger Institute for Design and the Arts present Infinite Place: The Ceramic Art of Wayne Higby\, a landmark exhibition featuring the work of contemporary ceramist Wayne Higby\, who is widely considered one of the most innovative second generation artists to emerge from the post–World War II American ceramic studio movement. \nThe exhibition\, on view April 27 – July 20 at the ASU Art Museum\, was organized by Peter Held\, curator of ceramics at the Ceramics Research Center. The 60–piece exhibition is the first major retrospective to provide an in-depth critical analysis of Higby’s work from the 1960s to the present\, offering a full view of his stylistic development. The exhibition will highlight Higby’s earlier raku-fired ceramics and later groundbreaking large-scale architectural wall installations\, as well as his study drawings. \nHigby lives and works in Alfred\, N.Y.\, and holds a professorship and the Robert C. Turner Chair of Ceramic Art at Alfred University. He is the recipient of the American Craft Movement Visionary Award from the Museum of Arts and Design\, New York\, as well as the Master of the Medium award and the Distinguished Educator award from the James Renwick Alliance. Higby is also Honorary Professor of Art at Shanghai University and an Honorary Citizen of the “Porcelain City” of Jingdezhen\, China. Higby is the founding director of the Alfred–Central Academy of Fine Arts’ Ceramic Design for Industry program in Beijing. \nHeld is the editor for the 216–page color monograph entitled Infinite Place: The Ceramic Art of Wayne Higby\, published and distributed by Arnoldsche Art Publishers\, Stuttgart\, Germany\, which will be available at the museum store. Illuminating essays by scholars and writers Tanya Harrod\, Ezra Shales\, Henry Sayre and Helen W. Drutt English\, among others\, provide insightful analysis of Higby’s work. \nIn conjunction with the exhibition’s opening\, Higby will deliver a lecture on April 27 from 1–2 p.m. in COOR 174 on the ASU Tempe campus\, with a reception to follow in the Americas Gallery of the ASU Art Museum from 2:30–4:30 p.m. \nAfter it leaves the ASU Art Museum\, the exhibition will embark on a two–year national tour\, travelling to the Renwick Gallery of the Smithsonian American Art Museum in Washington D.C.\, the Reading Public Museum in Reading\, Pa.\, the Philadelphia Art Alliance in Philadelphia\, the Racine Art Museum in Racine\, Wis.\, and the Memorial Art Museum in Rochester\, N.Y. \nInfinite Place: The Ceramic Art of Wayne Higby is funded by an Artist’s Exhibition Series grant from the Windgate Charitable Foundation\, with additional funds provided by Marlin and Regina Miller\, The Robert C. Turner Chair endowment fund\, Alfred University\, Friends of Contemporary Ceramics and the ASU School of Art Ceramics Program.
URL:https://asuartmuseum.org/event-exhibition/infinite-place-the-ceramic-art-of-wayne-higby/
CATEGORIES:Exhibition
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