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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261105T114915
DTEND;TZID=America/Phoenix:20160522T000000
DTSTAMP:20261105T114915
CREATED:20160321T211900Z
LAST-MODIFIED:20241029T234420Z
UID:4329-0-1463875200@asuartmuseum.org
SUMMARY:In the Stacks: Print Wikipedia
DESCRIPTION:Hayden Library\, Level 1\n\n\n\n\n\n“Print Wikipedia” is a both a utilitarian visualization of the largest accumulation of human knowledge and a poetic gesture towards the futility of the scale of big data. Michael Mandiberg wrote software that parsed the entirety of the English-language Wikipedia database (in April 2015) and programmatically laid out thousands of volumes\, complete with covers\, and then uploaded them for print-on-demand. Built on what is likely the largest appropriation ever made\, it is also a work of found poetry that draws attention to the sheer size of the encyclopedia’s content and the impossibility of rendering Wikipedia as a material object in fixed form: Once a volume is printed it is already out of date. The work is also a reflection on the actual transparency or completeness of knowledge containers and history. \nThe exhibition at Hayden Library will include a selection of 61 Wikipedia volumes and schematic wallpaper showing what the scale would be of an entire print library of Wikipedia volumes. These will be located near the Encyclopedia Section on Level 1 of Hayden Library. The 36 volume Wikipedia Contributors Appendix will be on view on the entrance level\, which will also feature a projected scroll simulating all of the volumes and the articles they span. \n  \nMichael Mandiberg (born 1977\, Detroit) is an interdisciplinary artist\, scholar\, and educator. He received his M.F.A. from the California Institute of the Arts and his B.A. from Brown University. His work traces the lines of political and symbolic power online\, working on the internet in order to comment on and intercede in the real flows of information. A recipient of residencies and commissions from Eyebeam\, Rhizome.org \, and Turbulence.org \, his work has been exhibited at the New Museum\, Ars Electronica\, ZKM\, and Transmediale. He directs the New York Arts Practicum\, and is a co-founder of the Art+Feminism Wikipedia Edit-a-thon. He is Associate Professor at the College of Staten Island/ CUNY and a member of the Doctoral Faculty at the CUNY Graduate Center. His work has been written about widely\, including in The New York Times\, Berliner Zeitung\, ARTNews\, and Artforum. He lives and works in Brooklyn; his work lives at Mandiberg.com . \nThe ASU Libraries is pleased to present this exhibition of Michael Mandiberg’s work in partnership with the the ASU Art Museum\, Herberger School of Art\, and Denny Gallery in New York City. \n\n\n\n\nContact:\n\nJennifer Duvernay\n\n\n\n\n https://asuevents.asu.edu/content/stacks-print-wikipedia\n\n\n\nPhone:\n\n480-727-7636\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudents\, Faculty\, Alumni\, Friend/Fan
URL:https://asuartmuseum.org/event-exhibition/in-the-stacks-print-wikipedia/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261105T114915
DTEND;TZID=America/Phoenix:20150802T000000
DTSTAMP:20261105T114915
CREATED:20170306T231700Z
LAST-MODIFIED:20241029T230104Z
UID:4315-0-1438473600@asuartmuseum.org
SUMMARY:Family Matters
DESCRIPTION:The contemporary view of what constitutes a family is more expansive that ever before. Whatever their composition\, families still matter. Homes\, pets\, good times and bad are all embraced as part of family life. Family Matters puts families and the many things that matter to them in focus. Games\, books and a photo booth in the exhibition invite your family to join in the fun. \nThis exhibition is supported by the Evelyn Smith Exhibition Fund\, members of the ASU Art Museum and the Stulgaitis Family Scholastic Award in honor of Helen Flecha Poline. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/family-matters/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261105T114915
DTEND;TZID=America/Phoenix:20150719T000000
DTSTAMP:20261105T114915
CREATED:20170306T232400Z
LAST-MODIFIED:20241029T230625Z
UID:4313-0-1437264000@asuartmuseum.org
SUMMARY:Recorded Matter: Ceramics in Motion
DESCRIPTION:Featuring the work of Jason Lee Starin\, Joseph Kamm\, Cheyenne Rudolph\, Man Yau\, Sam Brennan\, Thomas Schmidt\, Jeffrey Miller\, Eva Vogelsang\, Roberto Lugo\, Forrest Sincoff Gard and Ben Harle. \nThis exhibition showcases the work of 11 young artists who effortlessly integrate video into their studio practice. Some artists use cameras to document their work being used (or abused). Others use video to document a process that is perhaps more important to them than finished\, fired objects. All of these pieces have a life of their own on the Internet\, where they can be shared in ways that physical objects cannot. \nThe artists represented in this exhibition are well aware of video pioneers like Bruce Nauman\, who was a student of ceramic artist Robert Arneson\, and Nam Jun Paik\, but most wear the mantle lightly\, using video as one more tool in their arsenal. Thrill to the sheer diversity of approaches on view – from persona to process\, and from the politics of consumption to surprising ways that clay can behave (or misbehave). \nRecorded Matter is the first exhibition curated by the ASU Art Museum Ceramics Research Center’s new curator\, Garth Johnson\, who has spent his career documenting artists who combine craft media\, performance and transgressive impulses. The exhibition is supported by the Centering on the Future campaign contributors and members of the ASU Art Museum Ceramics Research Center. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/recorded-matter-ceramics-in-motion/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261105T114915
DTEND;TZID=America/Phoenix:20150621T000000
DTSTAMP:20261105T114915
CREATED:20170307T003600Z
LAST-MODIFIED:20241029T235340Z
UID:4308-0-1434844800@asuartmuseum.org
SUMMARY:The Gift: Selections from the Armstrong-Prior Archive
DESCRIPTION:John Armstrong and Joan Prior\, through their firm Armstrong-Prior\, Inc.\, have a rich history of working with local and international contemporary artists\, donors\, collectors\, community organizations and museums. Armstrong-Prior is both a fine arts printing studio – with John’s proficient execution of various print media – and an art consulting organization – with Joan’s professional advisement and placement of art in prominent collections. After many years of print projects\, Armstrong-Prior has built an impressive archive of contemporary prints and the ASU Art Museum is very fortunate to have received this archive as a gift from John and Joan.\nThe Jules Heller Print Study Room at the ASU Art Museum houses a collection of more than 5\,000 prints\, ranging from a 14th century printed page to work by living artists. Generous gifts like the Armstrong-Prior archive have grown the collection to be a rich resource for ASU students and community members\, and for exhibitions\, loans and research.\nThis exhibition was curated by Jean Makin\, print collection manager\, working with Herberger Institute for Design and the Arts student Tiernan Warner who contributed to exhibition texts through researching the archive’s artists and interviewing John and Joan about their life and work. Support for the exhibition is from the Evelyn Smith Exhibition Fund and members of the ASU Art Museum with additional generous support for the printed gallery brochure from Kate and Hank Timmerman and The Cavanagh Law Firm. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Feb. 20\, 2015 — Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/the-gift-selections-from-the-armstrong-prior-archive/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261105T114915
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20261105T114915
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261105T114915
DTEND;TZID=America/Phoenix:20220327T000000
DTSTAMP:20261105T114915
CREATED:20220228T223800Z
LAST-MODIFIED:20241029T230450Z
UID:4748-0-1648339200@asuartmuseum.org
SUMMARY:Highlights from the Print Study Room
DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu . \nImage Credit: Alberto Beltrán\, “Manuela Sanchez\, Spanish guerilla-mujeres con la revolución\,” c. 1950\, linoleum print\, 16 x 20 in. Gift of Dr. and Mrs. Jules Heller. \n\n\n\n\n\n https://asuevents.asu.edu/content/highlights-print-study-room\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120929T000000
DTEND;TZID=America/Phoenix:20130201T000000
DTSTAMP:20261105T114915
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195750Z
UID:4618-1348876800-1359676800@asuartmuseum.org
SUMMARY:Trajectory: Miguel Palma
DESCRIPTION:Visiting artist Miguel Palma (Portugal) has developed a “Desert Initiative Remote Shuttle” that investigates ways in which meaning of place\, particularly in remote desert environments\, is created and communicated. Palma’s work in this exhibition engages issues through the lens of exploration: military history in Arizona and the Southwest\, the military’s role in desert preservation\, the history of Manifest Destiny and colonialism in populated places\, strategies of adaptation and the role of technology in desert survival. \nThe artist will be present for the exhibition opening Sept. 28 and 29. \nThis exhibition is supported in part by the FUNd at ASU Art Museum\, the ASU Art Museum Advisory Board and Friends and Margarita and Willie Joffroy.
URL:https://asuartmuseum.org/event-exhibition/trajectory-miguel-palma/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121013T000000
DTEND;TZID=America/Phoenix:20130112T000000
DTSTAMP:20261105T114915
CREATED:20180215T233600Z
LAST-MODIFIED:20241029T210806Z
UID:4619-1350086400-1357948800@asuartmuseum.org
SUMMARY:The Desert: Bohl\, Borein and Burr
DESCRIPTION:Beautiful and expansive landscapes\, immense clouded skies\, strange cacti and fowl\, and the inhabitants and workers of the land inspired Walter E. Bohl\, Edwin Borein and George Elbert Burr. Each of the artists worked in different professions before they began to make prints. They lived in different states until health and their art brought them to the desert. And here\, in the desert\, their work bloomed.
URL:https://asuartmuseum.org/event-exhibition/the-desert-bohl-borein-and-burr/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121020T000000
DTEND;TZID=America/Phoenix:20130119T000000
DTSTAMP:20261105T114915
CREATED:20180215T232400Z
LAST-MODIFIED:20241029T210414Z
UID:4621-1350691200-1358553600@asuartmuseum.org
SUMMARY:Art & Technology
DESCRIPTION:The ASU Art Museum was the first arts institution in the state to exhibit and collect new media art. This selection from the Museum’s permanent collection highlights contemporary artists working with or commenting on technology since the 1970s. Nam June Paik\, one of the earliest video artists\, is represented by a classic piece from 1989\, Alexander Graham Bell. The sculpture references old and new technologies—power lines\, phones\, TVs and robots—and the resulting richness of images and information in our lives. Following Paik’s lead\, the international artists in this exhibition use low- and high-tech materials to explore social and political issues\, personal stories\, the landscape\, and the impact of the rush to new technology.\nDuring the course of the exhibition\, the museum will be showing a series of video works in the gallery. The works are selections from Point of View: An Anthology of the Moving Image 2003\, ASU Art Museum Collection. This anthology features leading artists in film\, video and digital imagery and was assembled by The New Museum and Bick Productions. \n10/20-10/29 William Kentridge\, Automatic Writing\, 2:38 min \n11/27-12/01 Joan Jonas\, Waltz\, 7:03 min \n12/04-12/08 Gary Hill\, Blind Spot\, 12:27 min \n12/11-12/15 Pierre Huyghe\, I Jedi\, 5 min \n12/18-12/22 Pipilotti Rist\, I Want to See How You See (or a portrait of Cornelia Providoli)\, 4:48 min \n12/27-01/05 Isaac Julien\, Encore\, 4:38 min \n01/08-01/12 Francis Alys\, El Gringo\, 4:12 min \n01/15-01/19 Anri Sala\, Time After Time\, 5:22 min \nIn addition\, the following works will be presented\, courtesy of the artists: \n10/30-11/06 Muntadas and Marshall Reese\, Political Advertisement VIII: 1952-2012\, 85 min \n11/08-11/24 Ross Birrell\, Duet: Lift Me Up For I Am Dying\, 2012\, 20 min
URL:https://asuartmuseum.org/event-exhibition/art-technology/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121027T000000
DTEND;TZID=America/Phoenix:20130119T000000
DTSTAMP:20261105T114915
CREATED:20180215T231600Z
LAST-MODIFIED:20241029T210307Z
UID:4622-1351296000-1358553600@asuartmuseum.org
SUMMARY:You Are Here
DESCRIPTION:In the paintings\, drawings and prints in the exhibition You Are Here\, drawn from the ASU Art Museum’s permanent collection\, artists explore the ways that we map\, mark or claim the land. Anchored by a historic Dutch engraving of a walled city\, most of the works begin in the late 1970s and reflect the strength of the Museum’s collection. \nDennis Oppenheim’s four lithographs from the Earth Works series diagram projects sculpting the earth. William T. Wiley’s painting on raw canvas appears to be giant doodles from a distance\, but on closer examination prove to be a map of Australia and records of the artist’s travels and memories of the land\, people\, animals and culture. Al Souza layers a weather map\, an illustration from a 1950s text book of swimmers\, and Japanese instructions on how to use a Western toilet in his painting Mainstreams from 1988. Mark Klett revisits iconic Western sites\, like Artist’s Point in Yellowstone\, and photographs or re-photographs these views that were originally captured by artists in the 19th century. In the case of Artist’s Point\, Klett photographs the view while holding an art history text book showing Thomas Moran’s famous 1871 painting of the exact site. \nFinally\, the title of the exhibition comes from a series of lithographs by Mexican American artist Enrique Chagoya. Using a variety of images\, from a recognizable yet manipulated map of the U.S. to a cluster of geometric shapes\, Chagoya explores the social and political implications of our need to conquer the land through maps and images.
URL:https://asuartmuseum.org/event-exhibition/you-are-here/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121222T000000
DTEND;TZID=America/Phoenix:20130420T000000
DTSTAMP:20261105T114915
CREATED:20180215T225500Z
LAST-MODIFIED:20241029T235337Z
UID:4624-1356134400-1366416000@asuartmuseum.org
SUMMARY:Born of Fire: The Pottery of Margaret Tafoya AND Re: Generation: A Survey of Margaret      Tafoya's Descendants
DESCRIPTION:Born of Fire: The Pottery of Margaret Tafoya\nand\nRe: Generation: A Survey of Margaret Tafoya’s Descendants \nExtended hours during the Heard Museum Indian Market on March 2-3 (Ceramics Research Center open Sunday 11 a.m. to 5 p.m.) \nReception and book signing: Feb. 8\, 2013\, 6:30-8:30 p.m. Charles King will be signing his book “Born of Fire: The Life and Pottery of Margaret Tafoya.” \nThis unprecedented exhibition of pueblo pottery will provide collectors\, students and the public a unique overview of one of the most accomplished potters of the 20th century as well as of her descendants. Margaret Tafoya (1904-2001)\, a matriarch of Santa Clara Pueblo potters\, was a pioneering artist who sustained the ceramic tradition of her ancestors by transforming it from a process for making functional vessels into an art form. \nDrawing inspiration from the ceramic tradition of her ancestors\, Tafoya created large\, polished wares that are simple but elegant\, reflecting a harmonious union of history and modern aesthetics. New Mexico has been home to the Pueblo culture and its ancestors for centuries. Their pottery tradition\, dating as far back as A.D. 500\, demonstrates the craft’s importance to Pueblo identity. Such was the case for Margaret Tafoya\, the daughter of well-known Santa Clara Pueblo potters who awakened her to the value of tradition. \nTafoya used local clay and the age-old techniques of coiling and wood-firing. In addition to honoring ancient customs\, her pottery is equally germane to modernity. Her red and black wares are highly polished and often bear little decoration\, save for a recurring incised bear paw\, a trademark of the Tafoya clan. For Tafoya\, clay has a spiritual presence that can sense the virtue and history of the potter. In her words\, “You have to have a good heart when you sit down to make this pottery; you have to live a good life. The pottery knows.” \nRe: Generation: A Survey of Margaret Tafoya’s Descendants will highlight stellar examples of work by Tafoya’s children and grandchildren who continue the ceramics legacy. They include Shirley\, LuAnn and Lee Tafoya; Mary Ester Archuleta; Virginia Ebelacker; Toni Roller; Jennie Trammel\, and Mela Youngblood\, among others. \nOrganized in collaboration with the Erie Art Museum (Pa.)\, with assistance from King Galleries\, Scottsdale\, Ariz. The presentation of Born of Fire: The Pottery of Margaret Tafoya was generously funded by the Lovena Ohl Foundation\, Grace and Paul Markovits\, King Galleries\, Scottsdale\, George Gibbons\, Brue Eherenhaft and CLA members of the Ceramics Research Center. \nADDITIONAL EVENTS: \nSaturday\, March 2:\n2-4 p.m.: Artist demonstration by Nathan Youngblood.\nSunday\, March 3:\n10 a.m.-noon: Curator of Ceramics Peter Held and author Charles King will provide a presentation on the Tafoya Family pottery. Light refreshments served.\n2-4 p.m.: Artist demonstration by Linda Tafoya Sanchez.
URL:https://asuartmuseum.org/event-exhibition/born-of-fire-the-pottery-of-margaret-tafoya-and-re-generation-a-survey-of-margaret-tafoyas-descendants/
CATEGORIES:Exhibition
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