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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261105T120304
DTEND;TZID=America/Phoenix:20160522T000000
DTSTAMP:20261105T120304
CREATED:20160321T211900Z
LAST-MODIFIED:20241029T234420Z
UID:4329-0-1463875200@asuartmuseum.org
SUMMARY:In the Stacks: Print Wikipedia
DESCRIPTION:Hayden Library\, Level 1\n\n\n\n\n\n“Print Wikipedia” is a both a utilitarian visualization of the largest accumulation of human knowledge and a poetic gesture towards the futility of the scale of big data. Michael Mandiberg wrote software that parsed the entirety of the English-language Wikipedia database (in April 2015) and programmatically laid out thousands of volumes\, complete with covers\, and then uploaded them for print-on-demand. Built on what is likely the largest appropriation ever made\, it is also a work of found poetry that draws attention to the sheer size of the encyclopedia’s content and the impossibility of rendering Wikipedia as a material object in fixed form: Once a volume is printed it is already out of date. The work is also a reflection on the actual transparency or completeness of knowledge containers and history. \nThe exhibition at Hayden Library will include a selection of 61 Wikipedia volumes and schematic wallpaper showing what the scale would be of an entire print library of Wikipedia volumes. These will be located near the Encyclopedia Section on Level 1 of Hayden Library. The 36 volume Wikipedia Contributors Appendix will be on view on the entrance level\, which will also feature a projected scroll simulating all of the volumes and the articles they span. \n  \nMichael Mandiberg (born 1977\, Detroit) is an interdisciplinary artist\, scholar\, and educator. He received his M.F.A. from the California Institute of the Arts and his B.A. from Brown University. His work traces the lines of political and symbolic power online\, working on the internet in order to comment on and intercede in the real flows of information. A recipient of residencies and commissions from Eyebeam\, Rhizome.org \, and Turbulence.org \, his work has been exhibited at the New Museum\, Ars Electronica\, ZKM\, and Transmediale. He directs the New York Arts Practicum\, and is a co-founder of the Art+Feminism Wikipedia Edit-a-thon. He is Associate Professor at the College of Staten Island/ CUNY and a member of the Doctoral Faculty at the CUNY Graduate Center. His work has been written about widely\, including in The New York Times\, Berliner Zeitung\, ARTNews\, and Artforum. He lives and works in Brooklyn; his work lives at Mandiberg.com . \nThe ASU Libraries is pleased to present this exhibition of Michael Mandiberg’s work in partnership with the the ASU Art Museum\, Herberger School of Art\, and Denny Gallery in New York City. \n\n\n\n\nContact:\n\nJennifer Duvernay\n\n\n\n\n https://asuevents.asu.edu/content/stacks-print-wikipedia\n\n\n\nPhone:\n\n480-727-7636\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudents\, Faculty\, Alumni\, Friend/Fan
URL:https://asuartmuseum.org/event-exhibition/in-the-stacks-print-wikipedia/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261105T120304
DTEND;TZID=America/Phoenix:20150802T000000
DTSTAMP:20261105T120304
CREATED:20170306T231700Z
LAST-MODIFIED:20241029T230104Z
UID:4315-0-1438473600@asuartmuseum.org
SUMMARY:Family Matters
DESCRIPTION:The contemporary view of what constitutes a family is more expansive that ever before. Whatever their composition\, families still matter. Homes\, pets\, good times and bad are all embraced as part of family life. Family Matters puts families and the many things that matter to them in focus. Games\, books and a photo booth in the exhibition invite your family to join in the fun. \nThis exhibition is supported by the Evelyn Smith Exhibition Fund\, members of the ASU Art Museum and the Stulgaitis Family Scholastic Award in honor of Helen Flecha Poline. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/family-matters/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261105T120304
DTEND;TZID=America/Phoenix:20150719T000000
DTSTAMP:20261105T120304
CREATED:20170306T232400Z
LAST-MODIFIED:20241029T230625Z
UID:4313-0-1437264000@asuartmuseum.org
SUMMARY:Recorded Matter: Ceramics in Motion
DESCRIPTION:Featuring the work of Jason Lee Starin\, Joseph Kamm\, Cheyenne Rudolph\, Man Yau\, Sam Brennan\, Thomas Schmidt\, Jeffrey Miller\, Eva Vogelsang\, Roberto Lugo\, Forrest Sincoff Gard and Ben Harle. \nThis exhibition showcases the work of 11 young artists who effortlessly integrate video into their studio practice. Some artists use cameras to document their work being used (or abused). Others use video to document a process that is perhaps more important to them than finished\, fired objects. All of these pieces have a life of their own on the Internet\, where they can be shared in ways that physical objects cannot. \nThe artists represented in this exhibition are well aware of video pioneers like Bruce Nauman\, who was a student of ceramic artist Robert Arneson\, and Nam Jun Paik\, but most wear the mantle lightly\, using video as one more tool in their arsenal. Thrill to the sheer diversity of approaches on view – from persona to process\, and from the politics of consumption to surprising ways that clay can behave (or misbehave). \nRecorded Matter is the first exhibition curated by the ASU Art Museum Ceramics Research Center’s new curator\, Garth Johnson\, who has spent his career documenting artists who combine craft media\, performance and transgressive impulses. The exhibition is supported by the Centering on the Future campaign contributors and members of the ASU Art Museum Ceramics Research Center. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu .
URL:https://asuartmuseum.org/event-exhibition/recorded-matter-ceramics-in-motion/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261105T120304
DTEND;TZID=America/Phoenix:20150621T000000
DTSTAMP:20261105T120304
CREATED:20170307T003600Z
LAST-MODIFIED:20241029T235340Z
UID:4308-0-1434844800@asuartmuseum.org
SUMMARY:The Gift: Selections from the Armstrong-Prior Archive
DESCRIPTION:John Armstrong and Joan Prior\, through their firm Armstrong-Prior\, Inc.\, have a rich history of working with local and international contemporary artists\, donors\, collectors\, community organizations and museums. Armstrong-Prior is both a fine arts printing studio – with John’s proficient execution of various print media – and an art consulting organization – with Joan’s professional advisement and placement of art in prominent collections. After many years of print projects\, Armstrong-Prior has built an impressive archive of contemporary prints and the ASU Art Museum is very fortunate to have received this archive as a gift from John and Joan.\nThe Jules Heller Print Study Room at the ASU Art Museum houses a collection of more than 5\,000 prints\, ranging from a 14th century printed page to work by living artists. Generous gifts like the Armstrong-Prior archive have grown the collection to be a rich resource for ASU students and community members\, and for exhibitions\, loans and research.\nThis exhibition was curated by Jean Makin\, print collection manager\, working with Herberger Institute for Design and the Arts student Tiernan Warner who contributed to exhibition texts through researching the archive’s artists and interviewing John and Joan about their life and work. Support for the exhibition is from the Evelyn Smith Exhibition Fund and members of the ASU Art Museum with additional generous support for the printed gallery brochure from Kate and Hank Timmerman and The Cavanagh Law Firm. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Feb. 20\, 2015 — Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m.
URL:https://asuartmuseum.org/event-exhibition/the-gift-selections-from-the-armstrong-prior-archive/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261105T120304
DTEND;TZID=America/Phoenix:20241029T000000
DTSTAMP:20261105T120304
CREATED:20170307T004638Z
LAST-MODIFIED:20241029T210706Z
UID:4643-0-1730160000@asuartmuseum.org
SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of      New York"
DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus.
URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261105T120304
DTEND;TZID=America/Phoenix:20220327T000000
DTSTAMP:20261105T120304
CREATED:20220228T223800Z
LAST-MODIFIED:20241029T230450Z
UID:4748-0-1648339200@asuartmuseum.org
SUMMARY:Highlights from the Print Study Room
DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu . \nImage Credit: Alberto Beltrán\, “Manuela Sanchez\, Spanish guerilla-mujeres con la revolución\,” c. 1950\, linoleum print\, 16 x 20 in. Gift of Dr. and Mrs. Jules Heller. \n\n\n\n\n\n https://asuevents.asu.edu/content/highlights-print-study-room\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room-2/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120825T000000
DTEND;TZID=America/Phoenix:20121201T000000
DTSTAMP:20261105T120304
CREATED:20180216T000000Z
LAST-MODIFIED:20241030T000003Z
UID:4617-1345852800-1354320000@asuartmuseum.org
SUMMARY:Ant Farm Media Van v.08 [Time Capsule]
DESCRIPTION:The ASU Art Museum presents the Ant Farm Media Van v.08 [Time Capsule]\, 2008\, by Chip Lord\, Curtis Schreier and Bruce Tomb. (Lord and Schreier were partners in the legendary art and technology cooperative Ant Farm\, active from 1968-1978.) \nThe Media Van is a repurposed 1972 Chevy with interior modifications including vintage Ant Farm videos\, a conversation pit and a media HUQQUH. The HUQQUH will create a digital time capsule of images and music randomly donated by the public through the process of plugging in a personal digital device such as a camera\, MP3 player or Smartphone. \nThe project revisits the 1970 Ant Farm Media Van and mixes it up with digital media culture\, consumerism and popular culture. At the center of the Media Van v.08 is the social condition created by a small group of people sitting around shared media\, and contributing to the making of a new artwork: the ASU Time Capsule Triptych. Also on view are remnants from the original Truckstop Tour\, 1970\, and a previous digital Time Capsule\, the SFMOMA Time Capsule Triptych. \nAnt Farm Media Van v.08 was commissioned by SFMOMA in 2008 and curated for the ASU Art Museum by Gordon Knox. The exhibition is supported by the Wilhelmine Prinzen Endowment\, Peter Shikany and PS Studios\, Inc.\, the ASU Art Museum Advisory Board\, Kitchell-Perez\, Mikki and Stanley Weithorn\, and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/ant-farm-media-van-v-08-time-capsule/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120929T000000
DTEND;TZID=America/Phoenix:20130201T000000
DTSTAMP:20261105T120304
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195750Z
UID:4618-1348876800-1359676800@asuartmuseum.org
SUMMARY:Trajectory: Miguel Palma
DESCRIPTION:Visiting artist Miguel Palma (Portugal) has developed a “Desert Initiative Remote Shuttle” that investigates ways in which meaning of place\, particularly in remote desert environments\, is created and communicated. Palma’s work in this exhibition engages issues through the lens of exploration: military history in Arizona and the Southwest\, the military’s role in desert preservation\, the history of Manifest Destiny and colonialism in populated places\, strategies of adaptation and the role of technology in desert survival. \nThe artist will be present for the exhibition opening Sept. 28 and 29. \nThis exhibition is supported in part by the FUNd at ASU Art Museum\, the ASU Art Museum Advisory Board and Friends and Margarita and Willie Joffroy.
URL:https://asuartmuseum.org/event-exhibition/trajectory-miguel-palma/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121013T000000
DTEND;TZID=America/Phoenix:20130112T000000
DTSTAMP:20261105T120304
CREATED:20180215T233600Z
LAST-MODIFIED:20241029T210806Z
UID:4619-1350086400-1357948800@asuartmuseum.org
SUMMARY:The Desert: Bohl\, Borein and Burr
DESCRIPTION:Beautiful and expansive landscapes\, immense clouded skies\, strange cacti and fowl\, and the inhabitants and workers of the land inspired Walter E. Bohl\, Edwin Borein and George Elbert Burr. Each of the artists worked in different professions before they began to make prints. They lived in different states until health and their art brought them to the desert. And here\, in the desert\, their work bloomed.
URL:https://asuartmuseum.org/event-exhibition/the-desert-bohl-borein-and-burr/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121019T000000
DTEND;TZID=America/Phoenix:20121110T000000
DTSTAMP:20261105T120304
CREATED:20180215T233000Z
LAST-MODIFIED:20241029T210600Z
UID:4620-1350604800-1352505600@asuartmuseum.org
SUMMARY:Matteo Rubbi: The Closest Thing
DESCRIPTION:The ASU Art Museum in the Herberger Institute for Design and the Arts is pleased to announce the opening of an exhibition of new site-specific artwork by Italian artist Matteo Rubbi in the new downtown Phoenix venue Project Space. \nA small New York City skyline magically appears in the desert. A copper casting of a mountain known for a tragic episode in Apache history moves from hand to hand\, from here to there\, like a huge coin. A walkable and almost invisible solar system winds through the streets of downtown Phoenix. A mural depicting the disappearing life of miners in Superior\, Ariz.\, becomes a puzzle to put back together morning by morning\, with the help of coffee. A prototype of a board game invented by Jules Verne sends players traveling around the United States circa 1939. A Magic Friday dinner unexpectedly takes place in Phoenix\, with guests arriving on two wheels. \nThese vignettes and more comprise a body of work by Italian artist Matteo Rubbi that will debut on Oct. 19\, 2012 from 6 to 9 p.m. at Project Space\, a public exhibition venue at the ASU Art Museum International Artist Residency at Combine Studios in downtown Phoenix. There will be activities around the exhibition every day from Oct. 19-Oct. 25\, and the exhibition itself will remain on view until Nov. 10. \nMatteo Rubbi is the winner of the 2011 Furla Prize\, an award given one artist every other year. Rubbi has been an artist in residence for the past year and is investigating the cultural aspects of mining in Arizona\, the role of the bicycle in urban transportation and food as a bridge between diverse cultural backgrounds. Rubbi’s artwork occurs at the intersection between object and audience\, shifting viewers to participants. The setting or context for each of his artistic investigations becomes integrally woven into the work itself. \nThe exhibition marks the inauguration of the new public exhibition space in the residency facility. The Project Space will host a variety of exhibitions\, projects\, lectures and public events. \nThe ASU Art Museum International Artist Residency at Combine Studios is located in downtown Phoenix\, at 821 North Third Street. For additional information\, please call the ASU Art Museum at 480.965.2787 or visit  www.facebook.com/ASUAM.Combine
URL:https://asuartmuseum.org/event-exhibition/matteo-rubbi-the-closest-thing/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121020T000000
DTEND;TZID=America/Phoenix:20130119T000000
DTSTAMP:20261105T120304
CREATED:20180215T232400Z
LAST-MODIFIED:20241029T210414Z
UID:4621-1350691200-1358553600@asuartmuseum.org
SUMMARY:Art & Technology
DESCRIPTION:The ASU Art Museum was the first arts institution in the state to exhibit and collect new media art. This selection from the Museum’s permanent collection highlights contemporary artists working with or commenting on technology since the 1970s. Nam June Paik\, one of the earliest video artists\, is represented by a classic piece from 1989\, Alexander Graham Bell. The sculpture references old and new technologies—power lines\, phones\, TVs and robots—and the resulting richness of images and information in our lives. Following Paik’s lead\, the international artists in this exhibition use low- and high-tech materials to explore social and political issues\, personal stories\, the landscape\, and the impact of the rush to new technology.\nDuring the course of the exhibition\, the museum will be showing a series of video works in the gallery. The works are selections from Point of View: An Anthology of the Moving Image 2003\, ASU Art Museum Collection. This anthology features leading artists in film\, video and digital imagery and was assembled by The New Museum and Bick Productions. \n10/20-10/29 William Kentridge\, Automatic Writing\, 2:38 min \n11/27-12/01 Joan Jonas\, Waltz\, 7:03 min \n12/04-12/08 Gary Hill\, Blind Spot\, 12:27 min \n12/11-12/15 Pierre Huyghe\, I Jedi\, 5 min \n12/18-12/22 Pipilotti Rist\, I Want to See How You See (or a portrait of Cornelia Providoli)\, 4:48 min \n12/27-01/05 Isaac Julien\, Encore\, 4:38 min \n01/08-01/12 Francis Alys\, El Gringo\, 4:12 min \n01/15-01/19 Anri Sala\, Time After Time\, 5:22 min \nIn addition\, the following works will be presented\, courtesy of the artists: \n10/30-11/06 Muntadas and Marshall Reese\, Political Advertisement VIII: 1952-2012\, 85 min \n11/08-11/24 Ross Birrell\, Duet: Lift Me Up For I Am Dying\, 2012\, 20 min
URL:https://asuartmuseum.org/event-exhibition/art-technology/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121027T000000
DTEND;TZID=America/Phoenix:20130119T000000
DTSTAMP:20261105T120304
CREATED:20180215T231600Z
LAST-MODIFIED:20241029T210307Z
UID:4622-1351296000-1358553600@asuartmuseum.org
SUMMARY:You Are Here
DESCRIPTION:In the paintings\, drawings and prints in the exhibition You Are Here\, drawn from the ASU Art Museum’s permanent collection\, artists explore the ways that we map\, mark or claim the land. Anchored by a historic Dutch engraving of a walled city\, most of the works begin in the late 1970s and reflect the strength of the Museum’s collection. \nDennis Oppenheim’s four lithographs from the Earth Works series diagram projects sculpting the earth. William T. Wiley’s painting on raw canvas appears to be giant doodles from a distance\, but on closer examination prove to be a map of Australia and records of the artist’s travels and memories of the land\, people\, animals and culture. Al Souza layers a weather map\, an illustration from a 1950s text book of swimmers\, and Japanese instructions on how to use a Western toilet in his painting Mainstreams from 1988. Mark Klett revisits iconic Western sites\, like Artist’s Point in Yellowstone\, and photographs or re-photographs these views that were originally captured by artists in the 19th century. In the case of Artist’s Point\, Klett photographs the view while holding an art history text book showing Thomas Moran’s famous 1871 painting of the exact site. \nFinally\, the title of the exhibition comes from a series of lithographs by Mexican American artist Enrique Chagoya. Using a variety of images\, from a recognizable yet manipulated map of the U.S. to a cluster of geometric shapes\, Chagoya explores the social and political implications of our need to conquer the land through maps and images.
URL:https://asuartmuseum.org/event-exhibition/you-are-here/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20121107T000000
DTEND;TZID=America/Phoenix:20121124T000000
DTSTAMP:20261105T120304
CREATED:20180215T230200Z
LAST-MODIFIED:20241029T225748Z
UID:4623-1352246400-1353715200@asuartmuseum.org
SUMMARY:Duet: Lift Me Up For I Am Dying
DESCRIPTION:In conjunction with the 2012 International Conference on Romanticism (ICR)\, held on ASU’s Tempe campus\, the ASU Art Museum is showing Ross Birrell’s film Duet: Lift Me Up For I Am Dying. \nA Palestinian violist and an Israeli violist perform Ross Birrell’s musical composition “Lift Me Up For I Am Dying\,” in the Spiegelsaal of the Clärchens Ballhaus\, separately and at their own tempo. The resulting two parts are put back together in a continuous installation\, Duet. Approaching harmony continually falls into dissonance\, which evokes the possibility of harmony to come. \nLift Me Up For I Am Dying\, composed by Ross Birrell using the last spoken words of John Keats (1795-1821)\, was commissioned by the Swiss Institute in Rome and was first performed as a solo piece for viola by Giorgia Franceschi at Keats’ graveside in the Non-Catholic Cemetery in Rome on May 9\, 2010 as part of Strange Comfort (Afforded by the Profession) curated by Adam Szymczyk and Salvatore Lacagnina. The score was printed in an edition of 300 and exhibited in the Keats-Shelley House\, Rome. A related split screen video and series of hand casts were exhibited in Kunsthalle Basel\, June 13-August 22\, 2010.\n http://www.frieze.com/issue/review/strange-comfort-afforded-by-the-profession/ .\nAvri Levitan (Tel Aviv)\nAvri Levitan was born in 1973 in Tel Aviv and lives in Berlin. He is one of today’s most outstanding soloists with wide international recognition and was a 2009 BBC Music Magazine Awards nominee. He performs regularly in some of the world’s most prestigious concert halls\, such as the Berlin Philharmonic\, Vienna Konzerthaus\, Tokyo Oji Hall\, Casals Hall Tokyo\, National Philharmonic Hall Warsaw\, Seoul Kumho Art Hall and Art Center and Stockholm Nybrokajen Hall. He features in Douglas Gordon’s film “K.364 a journey by train” (2010) and is Professor at the Zaragosa Conservatorio Superior\, Aragon\, Spain.\nwww.avrilevitan.com/ \nTyme Khleifi (Ramallah)\nTyme Khleifi was born in 1989 in Ramallah in the West Bank of Palestine and is currently studying at Bard College in New York. She is a prominent member of the West-East Divan Orchestra\, the Arab-Israeli Youth Orchestra formed in 1999 by Edward Said and Daniel Barenboim in the conviction that: ‘Music by itself can\, of course\, not resolve the Arab-Israeli conflict. Music grants the individual the right and obligation to express himself fully while listening to his or her neighbor. Based on this notion of equality\, cooperation and justice for all\, the Orchestra represents an alternative model to the current situation in the Middle East.’ With the West-East Divan Orchestra\, Tyme has performed around the world\, including on the border between North and South Korea and the BBC Proms.\nwww.west-eastern-divan.org/  \nThe Spiegelsaal\, Clärchens\, Ballhaus\, Berlin\nThe Spiegelsaal (‘Mirror Hall’) is a concert room in the historic Clärchens Ballhaus in Mitte\, Berlin. Built in the late 19th Century\, the Clärchens Ballhaus was bombed during World War II and the traces of war damage remain in the large cracked mirrors and tarnished grandeur of the Spiegelsaal which was left untouched for 60 years.\nwww.spiegelsaal-berlin.de/  \nRoss Birrell\nNominated for the Paul Hamlyn Award 2012 and Margaret Tait Award in 2012\, Ross Birrell (Scotland\, 1969) received a Creative Scotland award in 2011. In 2007 he received a SAC/Scottish Screen Award for Guantanamera (with David Harding) exhibited at Glasgow International 2010; Swiss Institute in Rome/Kunsthalle Basel; Galleri Rotor\, Gothenburg; COBRA Museum of Modern Art\, NL; Americas Society\, NY; Portikus\, Frankfurt. Solo shows include: XYZ Projects\, Athens (with David Harding); Homo Ludens: Works from the Envoy Series\, 1998-2005\, FriesMuseum\, NL (2005); Büro Frierdich\, Berlin; Ellen de Bruijne\, Amsterdam (2003). Group shows: Museo Tamayo\, Mexico City (2012); COBRA Museum\, NL; Kunsthalle Nürnberg/BAWAG Foundation (2007); Apex Art\, NY; Gwangju Biennale\, Korea (2002). Ross Birrell is represented by Ellen de Bruijne\, Amsterdam.\nwww.edbprojects.nl   \nFor more information on ICR\, please visit   http://english.clas.asu.edu/icr2012
URL:https://asuartmuseum.org/event-exhibition/duet-lift-me-up-for-i-am-dying/
CATEGORIES:Exhibition
END:VEVENT
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