BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ASU Art Museum - ECPv6.15.17.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:ASU Art Museum X-ORIGINAL-URL:https://asuartmuseum.org X-WR-CALDESC:Events for ASU Art Museum REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Phoenix BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0700 TZNAME:MST DTSTART:19690101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20261110T183050 DTEND;TZID=America/Phoenix:20160522T000000 DTSTAMP:20261110T183050 CREATED:20160321T211900Z LAST-MODIFIED:20241029T234420Z UID:4329-0-1463875200@asuartmuseum.org SUMMARY:In the Stacks: Print Wikipedia DESCRIPTION:Hayden Library\, Level 1\n\n\n\n\n\n“Print Wikipedia” is a both a utilitarian visualization of the largest accumulation of human knowledge and a poetic gesture towards the futility of the scale of big data. Michael Mandiberg wrote software that parsed the entirety of the English-language Wikipedia database (in April 2015) and programmatically laid out thousands of volumes\, complete with covers\, and then uploaded them for print-on-demand. Built on what is likely the largest appropriation ever made\, it is also a work of found poetry that draws attention to the sheer size of the encyclopedia’s content and the impossibility of rendering Wikipedia as a material object in fixed form: Once a volume is printed it is already out of date. The work is also a reflection on the actual transparency or completeness of knowledge containers and history. \nThe exhibition at Hayden Library will include a selection of 61 Wikipedia volumes and schematic wallpaper showing what the scale would be of an entire print library of Wikipedia volumes. These will be located near the Encyclopedia Section on Level 1 of Hayden Library. The 36 volume Wikipedia Contributors Appendix will be on view on the entrance level\, which will also feature a projected scroll simulating all of the volumes and the articles they span. \n \nMichael Mandiberg (born 1977\, Detroit) is an interdisciplinary artist\, scholar\, and educator. He received his M.F.A. from the California Institute of the Arts and his B.A. from Brown University. His work traces the lines of political and symbolic power online\, working on the internet in order to comment on and intercede in the real flows of information. A recipient of residencies and commissions from Eyebeam\, Rhizome.org \, and Turbulence.org \, his work has been exhibited at the New Museum\, Ars Electronica\, ZKM\, and Transmediale. He directs the New York Arts Practicum\, and is a co-founder of the Art+Feminism Wikipedia Edit-a-thon. He is Associate Professor at the College of Staten Island/ CUNY and a member of the Doctoral Faculty at the CUNY Graduate Center. His work has been written about widely\, including in The New York Times\, Berliner Zeitung\, ARTNews\, and Artforum. He lives and works in Brooklyn; his work lives at Mandiberg.com . \nThe ASU Libraries is pleased to present this exhibition of Michael Mandiberg’s work in partnership with the the ASU Art Museum\, Herberger School of Art\, and Denny Gallery in New York City. \n\n\n\n\nContact:\n\nJennifer Duvernay\n\n\n\n\n https://asuevents.asu.edu/content/stacks-print-wikipedia\n\n\n\nPhone:\n\n480-727-7636\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudents\, Faculty\, Alumni\, Friend/Fan URL:https://asuartmuseum.org/event-exhibition/in-the-stacks-print-wikipedia/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20261110T183050 DTEND;TZID=America/Phoenix:20150802T000000 DTSTAMP:20261110T183050 CREATED:20170306T231700Z LAST-MODIFIED:20241029T230104Z UID:4315-0-1438473600@asuartmuseum.org SUMMARY:Family Matters DESCRIPTION:The contemporary view of what constitutes a family is more expansive that ever before. Whatever their composition\, families still matter. Homes\, pets\, good times and bad are all embraced as part of family life. Family Matters puts families and the many things that matter to them in focus. Games\, books and a photo booth in the exhibition invite your family to join in the fun. \nThis exhibition is supported by the Evelyn Smith Exhibition Fund\, members of the ASU Art Museum and the Stulgaitis Family Scholastic Award in honor of Helen Flecha Poline. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . URL:https://asuartmuseum.org/event-exhibition/family-matters/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20261110T183050 DTEND;TZID=America/Phoenix:20150719T000000 DTSTAMP:20261110T183050 CREATED:20170306T232400Z LAST-MODIFIED:20241029T230625Z UID:4313-0-1437264000@asuartmuseum.org SUMMARY:Recorded Matter: Ceramics in Motion DESCRIPTION:Featuring the work of Jason Lee Starin\, Joseph Kamm\, Cheyenne Rudolph\, Man Yau\, Sam Brennan\, Thomas Schmidt\, Jeffrey Miller\, Eva Vogelsang\, Roberto Lugo\, Forrest Sincoff Gard and Ben Harle. \nThis exhibition showcases the work of 11 young artists who effortlessly integrate video into their studio practice. Some artists use cameras to document their work being used (or abused). Others use video to document a process that is perhaps more important to them than finished\, fired objects. All of these pieces have a life of their own on the Internet\, where they can be shared in ways that physical objects cannot. \nThe artists represented in this exhibition are well aware of video pioneers like Bruce Nauman\, who was a student of ceramic artist Robert Arneson\, and Nam Jun Paik\, but most wear the mantle lightly\, using video as one more tool in their arsenal. Thrill to the sheer diversity of approaches on view – from persona to process\, and from the politics of consumption to surprising ways that clay can behave (or misbehave). \nRecorded Matter is the first exhibition curated by the ASU Art Museum Ceramics Research Center’s new curator\, Garth Johnson\, who has spent his career documenting artists who combine craft media\, performance and transgressive impulses. The exhibition is supported by the Centering on the Future campaign contributors and members of the ASU Art Museum Ceramics Research Center. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . URL:https://asuartmuseum.org/event-exhibition/recorded-matter-ceramics-in-motion/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20261110T183050 DTEND;TZID=America/Phoenix:20150621T000000 DTSTAMP:20261110T183050 CREATED:20170307T003600Z LAST-MODIFIED:20241029T235340Z UID:4308-0-1434844800@asuartmuseum.org SUMMARY:The Gift: Selections from the Armstrong-Prior Archive DESCRIPTION:John Armstrong and Joan Prior\, through their firm Armstrong-Prior\, Inc.\, have a rich history of working with local and international contemporary artists\, donors\, collectors\, community organizations and museums. Armstrong-Prior is both a fine arts printing studio – with John’s proficient execution of various print media – and an art consulting organization – with Joan’s professional advisement and placement of art in prominent collections. After many years of print projects\, Armstrong-Prior has built an impressive archive of contemporary prints and the ASU Art Museum is very fortunate to have received this archive as a gift from John and Joan.\nThe Jules Heller Print Study Room at the ASU Art Museum houses a collection of more than 5\,000 prints\, ranging from a 14th century printed page to work by living artists. Generous gifts like the Armstrong-Prior archive have grown the collection to be a rich resource for ASU students and community members\, and for exhibitions\, loans and research.\nThis exhibition was curated by Jean Makin\, print collection manager\, working with Herberger Institute for Design and the Arts student Tiernan Warner who contributed to exhibition texts through researching the archive’s artists and interviewing John and Joan about their life and work. Support for the exhibition is from the Evelyn Smith Exhibition Fund and members of the ASU Art Museum with additional generous support for the printed gallery brochure from Kate and Hank Timmerman and The Cavanagh Law Firm. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \n\n\n\n\nOpening Reception:\n\nOpening Reception: Friday\, Feb. 20\, 2015 — Membersand Alumni Preview 5:30–6:30 p.m. | Public Reception 6:30–8:30 p.m. URL:https://asuartmuseum.org/event-exhibition/the-gift-selections-from-the-armstrong-prior-archive/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20261110T183050 DTEND;TZID=America/Phoenix:20241029T000000 DTSTAMP:20261110T183050 CREATED:20170307T004638Z LAST-MODIFIED:20241029T210706Z UID:4643-0-1730160000@asuartmuseum.org SUMMARY:Waltzing on the ASU Tempe Campus: John Cage's "49 Waltzes for the Five Boroughs of New York" DESCRIPTION:The ASU Art Museum presents an audio-visual installation of a version of Cage’s “49 Waltzes” for the ASU Tempe campus\, realized by 23 students from the School of Music and the School of Arts\, Media + Engineering for the museum.\nIn 1977 the American composer John Cage created “49 Waltzes for the Five Boroughs of New York.” The work’s score is a map of New York City and features 49 superimposed triangles. Each triangle symbolizes a waltz. Cage obtained each point of the triangles via chance operations to pin down a specific location. Performers of “49 Waltzes” visit each identified location to capture its sounds and sights to experience\, treasure and document the acoustic ecology of a place.\nCage encouraged transcriptions of this work for other places. Thus students of ASU’s School of Music and School of Arts\, Media + Engineering teamed up to transcribe this work for their Tempe campus. URL:https://asuartmuseum.org/event-exhibition/waltzing-on-the-asu-tempe-campus-john-cages-49-waltzes-for-the-five-boroughs-of-new-york/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20261110T183050 DTEND;TZID=America/Phoenix:20220327T000000 DTSTAMP:20261110T183050 CREATED:20220228T223800Z LAST-MODIFIED:20241029T230450Z UID:4748-0-1648339200@asuartmuseum.org SUMMARY:Highlights from the Print Study Room DESCRIPTION:Join us for a special guided tour of selected prints from the Jules Heller Print Study Room. These tours offer a rare opportunity to study original prints without a frame’s glass\, allowing for an intimate encounter with artists throughout history. Tours are offered every Thursday–Sunday at 1 p.m. To make a reservation\, contact Raechel Miller at raechel.miller@asu.edu . \nImage Credit: Alberto Beltrán\, “Manuela Sanchez\, Spanish guerilla-mujeres con la revolución\,” c. 1950\, linoleum print\, 16 x 20 in. Gift of Dr. and Mrs. Jules Heller. \n\n\n\n\n\n https://asuevents.asu.edu/content/highlights-print-study-room\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nImage URL:\n\n\n\n\n\nCategory:\n\nThe Arts\nOpen to the public\nEasy on the wallet\nLearn something\nBring the kids\n\n\n\nAudience:\n\nCampus student\nOnline student\nGraduate student\nstudent\nFaculty\nStaff\nMedia\nFriend/Fan\nDonor\nParent\n\n\n\nInterests:\n\nArts\nArts and Entertainment URL:https://asuartmuseum.org/event-exhibition/highlights-from-the-print-study-room-2/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20110827T000000 DTEND;TZID=America/Phoenix:20111231T000000 DTSTAMP:20261110T183050 CREATED:20180220T225700Z LAST-MODIFIED:20241029T235928Z UID:4605-1314403200-1325289600@asuartmuseum.org SUMMARY:Dulce: Bisque Without Borders DESCRIPTION:San Antonio-based artist Franco Mondini-Ruiz\, winner of the Rome Prize and featured in the 2000 Whitney Biennial\, mines the ASU Art Museum’s ceramics collection\, bringing together both favorite gems and objects that have been in storage for decades to create Dulce: Bisque Without Borders. \nAlso included in this three-part project is Limpia: Revisiting the Collection\, a re-installation of the collection in open storage. Limpia\, or “cleaning\,” highlights the best works in the collection in a new and exciting format. \nAnd\, during the reception weekend (Friday\, Sept. 30 from 7 to 9 p.m. and Saturday\, Sept. 31 from 11 .m. to 5 p.m.)\, join us for Tienda Franco\, a performance/party/market where Mondini-Ruiz will be peddling his readymade objects and making art affordable for all. \nThis exhibition is funded by the Joseph Dung Ceramics Initiative\, the HBB Foundation and by members of the Ceramics Research Center’s Artists’ Advisory Committee. The reception is funded in part by Armstrong/Prior. URL:https://asuartmuseum.org/event-exhibition/dulce-bisque-without-borders/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20110827T000000 DTEND;TZID=America/Phoenix:20120127T000000 DTSTAMP:20261110T183050 CREATED:20180220T230200Z LAST-MODIFIED:20241029T235924Z UID:4606-1314403200-1327622400@asuartmuseum.org SUMMARY:Just Animals DESCRIPTION:The word animal evokes many impressions: everything from friendly pets\, like dogs and cats\, to wild creatures like bears and elephants. The word brings to mind images (fur\, eyes\, tails)\, sounds (purr\, bark) and events (family zoo trip\, pet adoption center visit). We all have memories that make recognizing animals in art easy. But sometimes artists will add something extra. Maybe it is a little humor\, as in Walton Ford’s reflection on Audubon’s nature studies in his print Nila\, or a more serious commentary on our ecological destruction\, as in Oscar’s monoprint Pooch. Or it can be the remarkable ability to capture a personality on paper\, as Beth Van Hoesen does in Puff. URL:https://asuartmuseum.org/event-exhibition/just-animals/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20110903T000000 DTEND;TZID=America/Phoenix:20111126T000000 DTSTAMP:20261110T183050 CREATED:20241029T195137Z LAST-MODIFIED:20241029T195739Z UID:4607-1315008000-1322265600@asuartmuseum.org SUMMARY:100 Museums: Paintings of Buildings That Have Paintings Inside DESCRIPTION:Rico Solinas’ decision to use metal saw blades as the canvas for his portraits of art museums is the artist’s tribute to the American work ethic. Thirteen years in the making and featuring buildings from the Louvre to the Hermitage to ASU’s own art museum\, this exhibition reflects Solinas’ belief that an artist should never replicate what is already in a museum\, but should instead create something unique and entirely new. URL:https://asuartmuseum.org/event-exhibition/100-museums-paintings-of-buildings-that-have-paintings-inside/ CATEGORIES:blue,Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20110924T000000 DTEND;TZID=America/Phoenix:20111231T000000 DTSTAMP:20261110T183050 CREATED:20241029T195137Z LAST-MODIFIED:20241029T195820Z UID:4608-1316822400-1325289600@asuartmuseum.org SUMMARY:Juan Downey: The Invisible Architect DESCRIPTION:Juan Downey: The Invisible Architect is the first U.S. museum survey of the work of Chilean artist Juan Downey (1940-1993)\, an unsung video-art pioneer whose career Artforum magazine calls “brilliant and idiosyncratic.” \nWorking in a variety of media\, Downey anticipates our current interest in urbanism\, post-colonial theory and locality in contemporary art. He explores the intellectual and historical myths of European culture\, as well as the roots of Latin American identity\, through videos and installations that use associative visual metaphors\, collage-like techniques and non-linear narrative. \nThe Invisible Architect was organized by the MIT List Visual Arts Center and the Bronx Museum of the Arts. The exhibition is supported by the Andy Warhol Foundation for the Visual Arts\, the National Endowment for the Arts; Martin E. Zimmerman; the Dedalus Foundation; the Milton & Sally Avery Arts Foundation; and Fundacion Cisneros/Coleccion Patricia Phelps de Cisneros. The ASU Art Museum presentation is made possible by a generous grant from the Bruce T. Halle Family Foundation and with additional support from the Helme Prinzen Endowment and Friends of the ASU Art Museum. URL:https://asuartmuseum.org/event-exhibition/juan-downey-the-invisible-architect/ CATEGORIES:blue,Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Phoenix:20111001T000000 DTEND;TZID=America/Phoenix:20111231T000000 DTSTAMP:20261110T183050 CREATED:20180220T223700Z LAST-MODIFIED:20241029T210824Z UID:4609-1317427200-1325289600@asuartmuseum.org SUMMARY:Securing a free state: The Second Amendment Project – Jennifer Nelson\, Social Studies 7 DESCRIPTION:Securing a free state: The Second Amendment Project explores the dance between individual and collective rights as they relate to the Second Amendment of the U.S. Constitution. In this project\, artist Jennifer Nelson focused on the personal motivations and dignity of citizens on both sides of the debate by exploring how people find security\, individually and collectively. These questions were considered from the point of view of those who feel the need to arm themselves in order to feel secure and free\, as well as from the perspective of those who must regain a sense of security and freedom after having their security violated. Visitors participated in the project throughout the artist’s residency through open gallery events\, a panel discussion and field trips to a prosthetics design facility\, sniper training school and a mental rehabilitation center. The events and activities that took place during the artist residency informed a number of video and sculptural installations made during the artist’s visit. \nThis exhibition\, which continues through December\, is supported by a grant from The Andy Warhol Foundation for the Visual Arts URL:https://asuartmuseum.org/event-exhibition/securing-a-free-state-the-second-amendment-project-jennifer-nelson-social-studies-7/ CATEGORIES:Exhibition END:VEVENT END:VCALENDAR