BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ASU Art Museum - ECPv6.15.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:ASU Art Museum
X-ORIGINAL-URL:https://asuartmuseum.org
X-WR-CALDESC:Events for ASU Art Museum
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Phoenix
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20230101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240404T143000
DTEND;TZID=America/Phoenix:20240404T160000
DTSTAMP:20260916T111504
CREATED:20240320T210542Z
LAST-MODIFIED:20240402T214450Z
UID:3467-1712241000-1712246400@asuartmuseum.org
SUMMARY:CWD Twin Flames Speaker Series: The Politics of Care with Deva Woodly\, Brown University Political Theorist of Black Liberation
DESCRIPTION:Arizona State University’s Center for Work and Democracy is hosting Deva Woodly\, Brown University Political Theorist of Black Liberation for a discussion on the Politics of Care.  \nSince the outbreak of the COVID-19 pandemic\, discussions about the politics of care have proliferated within and beyond the academy. This welcome attention to care as an ethic and a political praxis demands we revisit care in the context of ongoing and new forms of state violence. The present moment invites a re-engagement with care as a political theory\, an ethic and a social practice aimed at reorienting people toward new ways of living\, relating\, and governing. The 21st century approach to the politics of care aims at unmaking racial capitalism\, cis heteropatriarchy\, the carceral state\, and the colonial present. The politics of care is an approach to political thought and action that seeks to move beyond the approaches of the 20th century and push toward new understandings\, practices\, and policies that could be constitutive of a world where all people can flourish.  \nDeva Woodly is Professor of Politics at Brown University. She is the author of Reckoning: Black Lives Matter and the Democratic Necessity of Social Movements (Oxford 2022) and The Politics of Common Sense: How Social Movements Use Public Discourse to Change Politics and Win Acceptance (Oxford 2015). She has held fellowships at the Institute for Advanced Study in Princeton as well as the Edmund J. Safra Center for Ethics at Harvard. Her research covers a variety of topics\, from social movements to race\, imagination\, media\, communication\, and political understandings of economics. Her newest work is on the politics of futurity – particularly what it means to take the concept of political worldbuilding seriously in the 21st century. Regardless of topic\, she focuses on the impacts of public discourse on the political meanings of social and economic issues as well as how those common understandings change democratic practice and public policy. Her process of inquiry is inductive\, moving from concrete\, real-world conditions to the conceptual implications of those realities. In all cases\, she centers the perspective of ordinary citizens and political challengers with an eye toward how the demos impact political action and shapes political possibilities. \nRSVP!
URL:https://asuartmuseum.org/event-exhibition/cwd-twin-flames-speaker-series-the-politics-of-care-with-deva-woodly-brown-university-political-theorist-of-black-liberation/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,green
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/03/Screenshot-98.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240406T120000
DTEND;TZID=America/Phoenix:20240406T140000
DTSTAMP:20260916T111504
CREATED:20240108T225117Z
LAST-MODIFIED:20240326T223746Z
UID:3030-1712404800-1712412000@asuartmuseum.org
SUMMARY:Fiber Workshop with Erika Hanson
DESCRIPTION:Inspired by Sarah Zapata’s site-specific installation\, join interdisciplinary artist and ASU School of Art Associate Professor Erika Hanson to learn basic textile techniques such as punch needle. Hanson will discuss textile methods and how they relate to her practice while offering an opportunity to make art. Participants of all ages/abilities are invited\, and all materials will be provided. \nRSVP Today!
URL:https://asuartmuseum.org/event-exhibition/fiberworkshoperikahanson/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/01/Sarah-Zapata-02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240412T120000
DTEND;TZID=America/Phoenix:20240412T133000
DTSTAMP:20260916T111504
CREATED:20240226T174429Z
LAST-MODIFIED:20240305T224946Z
UID:3327-1712923200-1712928600@asuartmuseum.org
SUMMARY:Curator IRL XP: Brittany Corrales
DESCRIPTION:Join ASUAM Curator Brittany Corrales to hear about the process of bringing hundreds of memorial offerings from George Floyd Square to Tempe for a unique\, community-organized exhibition. \nRSVP Today! \n  \n 
URL:https://asuartmuseum.org/event-exhibition/pilgrimage-with-brittany-corrales/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/02/Brittany-Corrales.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240413T120000
DTEND;TZID=America/Phoenix:20240413T140000
DTSTAMP:20260916T111504
CREATED:20240320T214821Z
LAST-MODIFIED:20240326T223438Z
UID:3481-1713009600-1713016800@asuartmuseum.org
SUMMARY:Fixer Studio: Felting
DESCRIPTION:Join us for the felting workshop\, led by artist Bilge Aktas\, which will be an introduction to repairing and altering knitted garments and clothing using needle felting and wet felting techniques. Participants are welcome to bring their own pieces\, such as clothing\, to mend or alter. All needed materials including wool\, needles and foam back supports will be provided. \n  \nArtist Bilge Aktas’ Bio: \nBilge is a designer\, researcher\, and educator working with textiles\, material interaction\, and sustainable development. Her interdisciplinary expertise covers a variety of design matters\, approaches\, and tools from industrial design\, material engagement and processes from arts and crafts\, and philosophies and methods from social sciences. \nBilge’s artistic practice focuses on immersive experiences emerging from material interaction and embodied experiences. She works with fibers\, photography\, and video making\, positioning her work at the boundary between art\, design\, and crafts.  \nHer research delves into the intricate dynamics of human-material interaction\, and investigates the complex relationships among humans\, materials\, and the environment. Both in her research and creative work\, she employs methods such as working with sensorial reflections\, learning from the material\, and exploring the roots of design materials.   \nBilge’s creative works with fibers have been exhibited at museums and galleries across Finland\, the US\, and Turkey. Over the last decade\, she has been teaching to university students in the US\, Finland\, Estonia and Turkey. Through workshops\, presentations at international conferences\, and research articles in journals\, she continues to explore how materials shape humans.  \nIn this workshop\, she will facilitate exploring the practice of felting by bringing attention to textile structures and material properties. These conversations will help build a more intimate relationship between the participants and their textiles.   \nRSVP Today!
URL:https://asuartmuseum.org/event-exhibition/fixer-studio-felting/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:Event,gold
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/03/Screenshot-99.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240419T170000
DTEND;TZID=America/Phoenix:20240419T190000
DTSTAMP:20260916T111504
CREATED:20240223T182643Z
LAST-MODIFIED:20240326T231426Z
UID:3311-1713546000-1713553200@asuartmuseum.org
SUMMARY:Film screening + Panel Discussion for “Stonebreakers” film
DESCRIPTION:Join Barrett the Honors College for a screening of the film “Stonebreakers\,” followed by a Q&A discussion with Valerio Ciriaci (director)\, Isaak Liptzin (producer) and Gabriella Soto (ASU) at the ASU Art Museum. \n“Stonebreakers” chronicles the conflicts around monuments that arose in the United States during the George Floyd protests and the 2020 presidential election. As statues of Columbus\, Confederates and Founding Fathers fall from their pedestals\, the nation’s triumphalist myths are called into question. By exploring the shifting landscapes of American monumentality\, the film interrogates the link between history and political action in a nation that must confront its past now more urgently than ever. \nRSVP Today!
URL:https://asuartmuseum.org/event-exhibition/film-screening-paneldiscussion-for-stonebreakers-film/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Event
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/02/Screen-Shot-2024-03-13-at-2.49.42-PM-min.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240420T163000
DTEND;TZID=America/Phoenix:20240420T170000
DTSTAMP:20260916T111504
CREATED:20240227T173919Z
LAST-MODIFIED:20240402T215516Z
UID:3302-1713630600-1713632400@asuartmuseum.org
SUMMARY:Performance: SHATTER/// with Demian DinéYazhi' and Kevin Holden
DESCRIPTION:SHATTER/// is an anti-colonial ceremonial intervention through waves of abstract sonic reckoning and destructive catharsis: SHATTER/// is an extractive performance decimating the primitive settler colonizer hyper-romanticized imaginary notions of Indigenous culture/peoples and racist appropriative conditioning inherent in the settler colonial project: SHATTER/// is a flower blooming amidst a barren landscape covered in the shit of FAILING and rotting american culture: SHATTER/// is the aftermath of destruction: an accumulation of dishonorable Indigenous stereotypes: an extraction of non-consensual desire: \nSHATTER/// is a refusal to perform the assimilated oppressed and powerless citizen of foreign (un)civilizations: a betrayal against genocidal agendas that concoct simulated realities to dodge accountability or enact proper reparations for all living and thriving Indigenous tribes: \nSHATTER is a resistance to cis hetero supremacy: a refusal to further internalize the trauma shame and anger through the waves of colonial warfare that is still happening today – even as you read this: SHATTER/// is a cosmic seedling dependent on the nurturing of Indigenous Trans Queer 2Spirit kinship: SHATTER/// is dedicated to ancestral Indigenous rebellion and ceremonial healing: \nSHATTER///\, 2019 – \nDemian DinéYazhi´ with Kevin Holden \nTransdisciplinary installation and performance wreckage \n  \nRSVP Today!
URL:https://asuartmuseum.org/event-exhibition/performance-shatter-with-demian-dineyazhi-and-kevin-holden-2/
LOCATION:Galvin Plaza\, 51 E 10th St\, Tempe AZ 85281\, Tempe\, AZ\, 85281\, United States
CATEGORIES:blue,Event
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2023/12/image5-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240425T140000
DTEND;TZID=America/Phoenix:20240425T150000
DTSTAMP:20260916T111504
CREATED:20240320T211640Z
LAST-MODIFIED:20240320T222257Z
UID:3473-1714053600-1714057200@asuartmuseum.org
SUMMARY:CWD BookTalk: “Biography of a Sound - Prince\, Place and the History of the Minneapolis Sound” by Dr. Rashad Shabazz with discussant Jeanelle Austin
DESCRIPTION:Join Dr. Rashad Shabazz\, Associate Professor in the Schools of Social Transformation and Geographical Sciences & Urban Planning\, and Jeanelle Austin\, Executive Director of the George Floyd Global Memorial for a discussion around the history and politics of Minneapolis and Prince and how they weave together to create meaning in the present day. \nThis event is held by the Center for Work and Democracy. \n“Biography of a Sound” is about the music Prince made famous—the Minneapolis Sound. This book is a musical geography that tells the story of how Indian removal\, white settlement\, mass migration\, industrialization\, music education\, racism\, and a genius kid born and raised in the city’s small Black community gave rise to a form of transgressive popular music that put the “vanilla city” of Minneapolis on the map. For over four decades\, Prince dazzled us with his unique combination of rock\, funk\, R&B\, jazz\, and new wave. His musical range was unparalleled; his talent was otherworldly\, and his drive was legendary. He was a one-man band who wrote\, arranged\, composed\, and performed most of the music on his 44 studio albums\, influenced generations of musicians\, and mentored musicians like Janelle Monae\, Lizzo\, and Alicia Keys. He single-handedly changed the face of popular music and became one of the greatest and most prolific artists we’ve ever seen. Biography of a Sound uncovers the hidden history of the music Prince made famous. \nAttend via Zoom \nAttend In Person
URL:https://asuartmuseum.org/event-exhibition/cwd-booktalk-biography-of-a-sound-prince-place-and-the-history-of-the-minneapolis-sound-by-dr-rashad-shabazz-with-discussant-jeanelle-austin/
LOCATION:ASU Art Museum\, 51 E 10th St\, Tempe\, AZ 85281\, Tempe\, 85281
CATEGORIES:blue,Event,pink
ATTACH;FMTTYPE=image/jpeg:https://storage.googleapis.com/asuartmuseum/2024/03/Jeanelle-Austin-Opening-Reception.jpg
END:VEVENT
END:VCALENDAR