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X-WR-CALDESC:Events for ASU Art Museum
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20120929T000000
DTEND;TZID=America/Phoenix:20130201T000000
DTSTAMP:20261028T163546
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195750Z
UID:4618-1348876800-1359676800@asuartmuseum.org
SUMMARY:Trajectory: Miguel Palma
DESCRIPTION:Visiting artist Miguel Palma (Portugal) has developed a “Desert Initiative Remote Shuttle” that investigates ways in which meaning of place\, particularly in remote desert environments\, is created and communicated. Palma’s work in this exhibition engages issues through the lens of exploration: military history in Arizona and the Southwest\, the military’s role in desert preservation\, the history of Manifest Destiny and colonialism in populated places\, strategies of adaptation and the role of technology in desert survival. \nThe artist will be present for the exhibition opening Sept. 28 and 29. \nThis exhibition is supported in part by the FUNd at ASU Art Museum\, the ASU Art Museum Advisory Board and Friends and Margarita and Willie Joffroy.
URL:https://asuartmuseum.org/event-exhibition/trajectory-miguel-palma/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110924T000000
DTEND;TZID=America/Phoenix:20111231T000000
DTSTAMP:20261028T163546
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195820Z
UID:4608-1316822400-1325289600@asuartmuseum.org
SUMMARY:Juan Downey: The Invisible Architect
DESCRIPTION:Juan Downey: The Invisible Architect is the first U.S. museum survey of the work of Chilean artist Juan Downey (1940-1993)\, an unsung video-art pioneer whose career Artforum magazine calls “brilliant and idiosyncratic.” \nWorking in a variety of media\, Downey anticipates our current interest in urbanism\, post-colonial theory and locality in contemporary art. He explores the intellectual and historical myths of European culture\, as well as the roots of Latin American identity\, through videos and installations that use associative visual metaphors\, collage-like techniques and non-linear narrative. \nThe Invisible Architect was organized by the MIT List Visual Arts Center and the Bronx Museum of the Arts. The exhibition is supported by the Andy Warhol Foundation for the Visual Arts\, the National Endowment for the Arts; Martin E. Zimmerman; the Dedalus Foundation; the Milton & Sally Avery Arts Foundation; and Fundacion Cisneros/Coleccion Patricia Phelps de Cisneros. The ASU Art Museum presentation is made possible by a generous grant from the Bruce T. Halle Family Foundation and with additional support from the Helme Prinzen Endowment and Friends of the ASU Art Museum.
URL:https://asuartmuseum.org/event-exhibition/juan-downey-the-invisible-architect/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20110903T000000
DTEND;TZID=America/Phoenix:20111126T000000
DTSTAMP:20261028T163546
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195739Z
UID:4607-1315008000-1322265600@asuartmuseum.org
SUMMARY:100 Museums: Paintings of Buildings That Have Paintings Inside
DESCRIPTION:Rico Solinas’ decision to use metal saw blades as the canvas for his portraits of art museums is the artist’s tribute to the American work ethic. Thirteen years in the making and featuring buildings from the Louvre to the Hermitage to ASU’s own art museum\, this exhibition reflects Solinas’ belief that an artist should never replicate what is already in a museum\, but should instead create something unique and entirely new.
URL:https://asuartmuseum.org/event-exhibition/100-museums-paintings-of-buildings-that-have-paintings-inside/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20100904T000000
DTEND;TZID=America/Phoenix:20101231T000000
DTSTAMP:20261028T163546
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195735Z
UID:4254-1283558400-1293753600@asuartmuseum.org
SUMMARY:Gravity was Everywhere Back Then\, A New Installation by Brent Green
DESCRIPTION:This fall\, the ASU Art Museum will host a new exhibition by well-known artist and filmmaker Brent Green titled\, Gravity Was Everywhere Back Then. The project is inspired by the true story of an idiosyncratic house in Louisville\, owned by hardware store clerk Leonard Wood. When his wife Mary was diagnosed with cancer\, Leonard started building the house room by room\, with the tragic hope that his labor would save his wife. Even after Mary’s death\, Wood continued to build the house. Over the next 20 years\, he strove to bring something as tangible and powerful as his love for Mary into the world. \nGravity Was Everywhere Back Then will feature Green’s version of Wood’s house\, transplanted and reconstructed from the artist’s studio in rural Pennsylvania. The house\, along with sculptural elements and structures\, will be installed in one of the ASU Art Museum’s galleries\, where it will appear to be both constricted by and bursting out of the space. Video and sound pieces will be shown inside and around the house to create an immersive environment. \nGreen will be in residence for three weeks at the ASU Art Museum\, Aug. 16 – Sept. 3\, installing the exhibition and interacting with students and school groups. Students from MetroArts High School in Phoenix\, guided by Sue Chenoweth\, and ASU Intermedia students\, guided by Angela Ellsworth and Gregory Sale\, will work closely with Green in the gallery as he installs his house\, sculpture and films. \nGreen lives and works in a barn in Cressona\, PA. His work is a regular feature at Sundance and he has performed at The Hammer Museum\, The Wexner Center and The Getty Museum of Art. In 2007\, Green screened three works and performed a live soundtrack at the 11th Annual ASU Art Museum Short Film and Video Festival. Recent solo shows include Site Santa Fe (2009) and the Contemporary Art Museum\, St. Louis (2008). Upcoming exhibitions and performances include the Museum of Modern Art\, New York; Berkeley Museum of Art\, CA; Site Santa Fe Biennial; the American Visionary Art Museum\, Baltimore; and Diverse Works\, Houston. As part of MoMA’s exhibition of Creative Capital artists (Green is a 2005 Creative Capital Grant recipient)\, the Museum will host a screening of several of Green’s short films followed by a live performance with members of the music group Califone and indie rock legends Fugazi. \nFor more information\, contact Heather Lineberry\, Senior Curator and Interim Associate Director of the ASU Art Museum\, 480.965.5272 and heather.lineberry@asu.edu . \nAbout the Artist: Brent Green in residence: Aug. 16 – Sept. 3\, 2010
URL:https://asuartmuseum.org/event-exhibition/gravity-was-everywhere-back-then-a-new-installation-by-brent-green/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20070907T000000
DTEND;TZID=America/Phoenix:20071230T000000
DTSTAMP:20261028T163546
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195729Z
UID:4222-1189123200-1198972800@asuartmuseum.org
SUMMARY:JARBAS LOPES: Cicloviaérea
DESCRIPTION:Tuesday\, October 30\, 6pm\nFreedom\, Fear and Creativity\nWhen expectations are removed and new freedom\nis welcomed\, how do we respond?\n http://asuartmuseum.asu.edu/jarbaslopes/dialoguecontinues \nTuesday\, November 20\, 6pm\nCommunities Engaging/ Unlikely Places\nCan a Museum be a place for active participation\nin the creative process ?\n http://asuartmuseum.asu.edu/jarbaslopes/dialoguecontinues \nTuesday\, December 4\, 6pm\nWhat happened here\, and now what?\nReflecting on the experience and moving forward.\n http://asuartmuseum.asu.edu/jarbaslopes/dialoguecontinues \nDecember 4\, following dialogue\nStay to celebrate the project one more time with\nNight Moves\, a collaboration of ASU Dance and\nBroadmor Elementary School dancers.\n http://asuartmuseum.asu.edu/nightseries \nGallery Talk\nFriday\, September 14\, noon to 1 p.m. \nGallery talk with Jarbas Lopes\, Marcio Botner\, Marilyn Zeitlin\nand John Spiak. Marcio Botner is an artist\, teacher\, and director\nof A Gentil Carioca\, an artist-run gallery and experimental art space\nin Rio de Janeiro. Marilyn Zeitlin and John Spiak are co-curators of\nthe project for the ASU Art Museum. \nReception introducing Jarbas Lopes\nFriday\, September 14\, 7 p.m. – 9 p.m.\n*dual reception with  Business As Usual: Video from China  \nEnd of residency party with Jarbas Lopes:\nFriday\, October 12\, 7 p.m. – 9 p.m.\n*sponsored by LatinoFuture Magazine \nExhibition continues:\nOctober 13 through December 30\, 2007 \nOngoing:\n– Bike Saviours Cooperative repair shop in a gallery turned studio-workshop\n– Opportunities to meet\, talk with and work with the artist as he\nexplores and redefines the bicycle as an object of aesthetic beauty\,\na solution to ecological challenges\, and a source of enjoyment. \n JARBAS LOPES: Cicloviaérea \nOn September 7\, Brazilian artist Jarbas Lopes kicks off the Social Studies residency program at the Museum making his work—in the Museum. He invites you— artists\, students\, children\, bicycle enthusiasts and anyone else interested in learning about his creative process— to join him. Jarbas Lopes of Rio de Janeiro will work in one Museum gallery space converted into a workshop-studio\, using the space as a laboratory for creativity and community. Museum visitors engage the process to explore his utopia of alternative transportation. Using bicycles\, sculpture\, drawing\, installation\, video and performance\, Lopes builds the work within the gallery and then takes it into our city. \nLopes’s project Cicloviaérea proposes the bicycle as an alternative for transportation\, as a source of enjoyment\, and as an object that balances function with aesthetic beauty. His project is the first in the series Social Studies\, a program of international artist residencies under the Museum’s new Global Arizona initiative. The focus of these projects is to explore the often unseen creative process that underlies what visitors see in an exhibition of finished works of art. It offers an open environment within which community can participate in the art-making process. Tools\, equipment\, art supplies and the artist will be in the space when the residency begins\, with the interactions and relationships developed during the course of the residency guiding the work forward. In the case of Jarbas Lopes\, that could mean repairing your bicycle or embellishing it; drawing\, painting\, making video\, music\, writing poetry or other unforeseen creative production that will occur. \nAbout the Artist\nJarbas Lopes is an artist who lives in a small town north of Rio de Janeiro. He works in the tradition of such artist-activists as Joseph Beuys\, whose notion of “social sculpture” views art as a means through which people can shape their society and views social interaction as an art form as well. Jarbas uses whatever art medium and materials suit his purposes including sculpture and drawing. His informal drawings are often made collaboratively\, frequently with his own children as co-authors. He uses performance\, video\, music\, and poetry\, all of which will be welcomed in this project. \nHis work has been exhibited at the following venues: 2007: Novas Utopias – Jarbas Lopes\, Museu de Arte Moderna Aloísio Magalhães – MAMAM\, Recife; Cómo vivir juntos\, MAC Museo de Arte Contemporáneo. Universidad de Chile\, Santiago de Cile. 2006:  27° Bienal de São Paulo \, Fundação Bienal de São Paulo\, São Paulo. 2005:  Rampa – Signaling New Latin American Art Initiatives \, Arizona State University Art Museum\, Tempe\, AZ;  Colecoes VI – 17 Foros – 18 Artistas \, Galeria Luisa Strina\, São Paulo. 2004:   Instinctive \, Andrea Rosen Gallery\, New York\, NY;   Unbound \, Parasol unit\, Londra (Inghilterra);  Gambiarra – New Art from Brazil \,  Firstsite\, Colchester (Inghilterra). 2003:  8. Bienal de La Habana \, La Bienal de La Habana\, Habana;   Gambiarra \,  Gasworks\, Londra (Inghilterra). 2002:  Off the Grid; Works on Paper \, Lehmann Maupin Gallery\, New York\, NY. \nASU Art Museum Presentation\nThe exhibition is co-curated by Marilyn Zeitlin and John Spiak of ASU Art Museum in collaboration with Marcio Botner\, director of A Gentil Carioca\, Rio de Janeiro. \nDuration \n JARBAS LOPES:    Cicloviaérea  (September 7 through December 30\, 2007) is open at the ASU Art Museum: Tuesday 11 a.m. – 9 p.m.\, Wednesday through Saturday 11 a.m. to 5 p.m.\, and Sunday 1 p.m. – 5 p.m.; closed Monday. \nSupport\nThis project is made possible through a partnership with the Institute for Arts\, Media and Culture at ASU. Additional support provided by Sharon Figarelli/Latin American Art Gallery\, Scottsdale; Lori and Howard Hirsch; The Maurice R. and Meta G. Gross Foundation; Phyllis and Stuart Steckler; and Friends of the ASU Art Museum. Bicycle repair shop sponsored by Bike Saviours Cooperative\, Inc\, Tempe. Bicycle and parts generously donated by City of Tempe’s Tempe in Motion; Bike Barn\, Phoenix; and Desert Industries\, Mesa. \nEnd of residency party with Jarbas Lopes sponsored by LatinoFuture Magazine
URL:https://asuartmuseum.org/event-exhibition/jarbas-lopes-cicloviaerea/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20060909T000000
DTEND;TZID=America/Phoenix:20070127T000000
DTSTAMP:20261028T163546
CREATED:20241029T195136Z
LAST-MODIFIED:20241029T195443Z
UID:4548-1157760000-1169856000@asuartmuseum.org
SUMMARY:NEW AMERICAN CITY: Artists Look Forward
DESCRIPTION:PUBLIC OPENING RECEPTION/ STUDENT WELCOME BACK PARTY:\nSept. 8th – 7-10 p.m.\nLocal Bands Playing on Plaza – 8-10 p.m. \nPUBLIC PROGRAMS:\nA number of public events including lectures\, book signing\, workshops and tours will take place throughout the run of the exhibition. Please see information below and sign-up for the ASU Art Museum e-nnouncement mailing list. \nEXHIBITION CATALOGUE:\nAvailable October 28th\, 2006 \n NEW AMERICAN CITY: ARTISTS LOOK FORWARD \nFew models exist for the future of metropolitan Phoenix. According to urban planners\, geographers\, community leaders\, economists and activists\, what distinguishes the Phoenix area from other cities is its youth\, astronomical growth\, geographic limitations\, desert environment and its active arts community. \nThe city has a growing cultural infrastructure with artists living and working throughout the city. The downtown art scene draws thousands of visitors each month in addition to weekly art walks at the Scottsdale galleries\, and contemporary art exhibitions open regularly at non-profit spaces across the Valley. Artists are playing an active role in envisioning the city’s future\, developing clusters of studios\, co-ops and galleries and revitalizing neighborhoods in the process. \nNew American City: Artists Look Forward explores the role of artists and the art being produced in this context. What is the role of art and visual culture in the city’s current development\, and in its future? Installed in four galleries\, the nymphaeum and throughout the museum space for a total of over 9\,500 square feet\, the exhibition features twenty-three artists who live and work in Maricopa County. Their work demonstrates a marked level of experimentation and investigation\, exploring media\, processes and styles to comment on the here and now. The artists re-imagine the possibilities of art as we re-imagine our city. \nARTISTS IN THE EXHIBITION: \n\n\n\n  \nSherry Ahrentzen\n\n  \nDaniel Britton\n\n  \nSue Chenoweth\n\n  \nDan Collins\n\n\n\n\n\n  \nFrank Ekeberg\n\n  \nErnesto Fonseca\n\n  \nLiza Hita\n\n  \nMayme Kratz\n\n\n\n\n\n  \nPaho Mann\n\n  \nCarrie Marill\n\n  \nMelissa McGurgan\n\n  \nSherrie Medina\n\n\n\n\n\n  \nMatthew Moore\n\n  \nMatthew Paweski\n\n  \nHelen Raleigh\n\n  \nChristina Ramirez\n\n\n\n\n\n  \nWellington Reiter\n\n  \nKade Twist\n\n  \nMaria Salenger\n\n  \nMatthew Salenger\n\n\n\n\n\n  \nBetsy Schneider\n\n  \nRandy Slack\n\n  \nManuel Zarate\n\n\n\n\n\nSCOPE OF THE PROJECT:\nOur goal is for New American City: Artists Look Forward to become a platform for conversations about the possibilities and opportunities for the integration of art in the development of Phoenix. After meeting with art\, design\, business and political leaders across the metropolitan area\, it has become clear that our programs need to focus on this issue. Our community discussions and formal partnerships with community organizations will guide the development of programs to benefit and engage a broad community. \nTHE ART AND ARTISTS SELECTION PROCESS:\nThe process of selecting the art involved multiple steps to facilitate an open\, respectful dialog that will continue beyond the exhibition. In addition to consulting with art and design professionals on recommendations\, an open call was made to locate unknown and under-represented artists who are living and working in Maricopa County. The curators reviewed over one hundred and fifty submissions\, selecting more than eighty artists for studio visits. The art in the exhibition matches the liveliness and complexity of the city. It ranges from painting and photography to installations of land art and art with new technologies. All of the work reflects upon the city\, whether personal impressions of living and working here\, or broader questions and aspirations for our future. \nEXHIBITION CATALOGUE:\nA 56-page\, color catalogue documenting the art in the exhibition and the conversations generated by its presentation with essays by the curators\, artist Kate Twist and geographer Patricia Gober. In order to photo document the installations in the exhibition\, the catalogue will first be available at a Book Launch Event on October 28. See information below. \nTUESDAY NIGHT LECTURE SERIES: \nSeptember 26\, 2006\, 7:30pm\nLocation: TBA\nIlluminating the Mirror – Reflections on WaterFire by Barnaby Evans\, artist\, Providence\, Rhode Island\nIntroduction and response by Dean Wellington Reiter\, ASU College of Design\nSponsored by the ASU College of Design \nJanuary 23\, 2007\, 7:30pm\nLocation: ASU Art Museum\nLecture by Mark Robbins\, dean\, School of Architecture\, Syracuse University\, New York\nIntroduction by Dr. Renata Hejduk\, professor of Architecture\, ASU College of Design\nSupported by the Maurice R. and Meta G. Gross Foundation \nOctober 17\, 2006\, 7:30pm\nLocation: ASU Art Museum\nLecture by Matthew Coolidge\, Founder/Director of the Center for Land Use Interpretation\, Los Angeles\nSupported by the Maurice R. and Meta G. Gross Foundation \nFor more complete details on all programs\, visit the New American City Public Programs \nSATURDAY BRUNCH SERIES: \nOctober 28\, 2006\, 10:30am\nLocation: ASU Art Museum\nThe New American City Book Launch with Dr. Patricia Gober\, professor and co-director of the Decision Center for a Desert City\, ASU\nOther recent publications on Phoenix and their authors will be available\, including fiction writer Jon Talton. \nJanuary 13\, 2007\, 10:30am\nLocation: ASU Art Museum\nWhy is Creative Capital in Arizona? by Ruby Lerner\, executive director of Creative Capital\, Inc.\, with grant recipients Liz Cohen\, John Leaños\, Beverly McIver and Mark Newport.\nSupported by the Maurice R. and Meta G. Gross Foundation \nJanuary 27\, 2007\, 10:30am\nLocation: ASU Art Museum\nExhibition Closing/Dialog Just Beginning by Dr. Nan Ellin\, Director\, Urban & Metropolitan Studies Program\, School of Public Affairs. \nFor more complete details on all programs\, visit the New American City Public Programs. \nFRIDAY NOON LUNCHTIME SERIES: \nSeptember 22\, 12noon\nLocation: Eye Lounge Gallery\, Phoenix\nKate Timmerman \nSeptember 29\, 12noon\nLocation: ASU Art Museum\nMatt Moore\, Carrie Marill \nOctober 6\, 12noon\nLocation: ASU Art Museum\nSherrie Medina\, Liza Cohen Hita\, Ernesto Fonseca \nOctober 20\, 11:30am\nLocation: Phoenix Urban Research Laboratory (PURL)\, Security Building\, 234 N. Central Avenue\, 8th Floor\, Phoenix\nWellington Reiter \nNovember 17\, 12noon\nLocation: ASU Art Museum\nMayme Kratz\, Dan Britton and Randy Slack \nDecember 1\, 12noon\nLocation: ASU Art Museum\nDavid Foster \nDecember 8\, 12noon\nLocation: ASU Art Museum\nGreg Esser \nDecember 15\, 12noon\nLocation: ASU Art Museum\nRenata Hejduk \nFor more complete details on all programs\, visit the New American City Public Programs. \nSELECTED INNOVATIVE PROGRAMS: \n\nCity tours that explore a diverse range of urban art spaces with an onboard expert guest lecturer\, such as visits to artist-generated developments and studio/warehouse districts;\n\n\nLectures by national and local leaders in urban issues and the arts with local respondents;\n\n\nNetworking and professional programs to benefit artists and design professionals living in the Valley\, drawing upon the list of 150 original submitting artists and partnerships to market such opportunities;\n\n\nArt InterAct program\, an innovative video project with high schools from across the Valley will introduce students to contemporary art and artists\, issues of their city\, and to opportunities for personal achievement at the university;\n\n\n56-page\, color catalogue documenting the art in the exhibition and the conversations generated by its presentation with essays by the curators\, artist Kate Twist and geographer Patricia Gober\n\nFor more complete details on all programs\, visit the New American City Public Programs. \nSUPPORT:\nOrganized by the Arizona State University Art Museum and is made possible in part through an investment by Najafi Companies. \nInvestment support also provided by an anonymous donation\, Maurice R. and Meta G. Gross Foundation\, Hillstone Restaurant Group\, Wespac Construction\, Michael Levine\, Inc.\, Arizona Commission on the Arts\, Lori and Howard Hirsch\, Treg Bradley\, Libby Decker and T.J. Decker\, Cindy Dach and Greg Esser\, The Katherine K. Herberger College of the Arts Dean’s Investment Fund\, and Friends of the ASU Art Museum. Additional financial support provided by Beth and Pat Moroney\, Robin and Bill Charles\, Sharon and Paul Fannin\, Ellyce and Eddie Shea\, and Tana and Ridge Smidt. \nIn kind support provided by The Lavidge Company\, Eddie Shea Design\, Item Magazine\, ASU College of Design\, Changing Hands Bookstore\, Interlingua and the ASU College of Law\, Art Advocacy Program and Center for Law\, Leadership and Management. \nASU ART MUSEUM’S MISSION AND VISION:\nOur vision for the ASU Art Museum is to be recognized as a global force in exploring art in contemporary society. Founded in 1951\, the ASU Art Museum is one of the region’s oldest and most respected museums. With over 12\,000 objects in the collection and a schedule of twenty exhibitions per year\, the Museum provides a dynamic arena for the discovery of art\, artists\, and ideas to educate and engage the global community. It collects\, preserves\, interprets and exhibits works of contemporary art\, especially the work of artists from the United States and Latin America. Our programs reach adult and youth populations across demographics\, and stress education and the communal role of the arts in building bridges and understanding among peoples. \nASU ART MUSEUM PRESENTATION: \nCo-curated by Heather Lineberry and John D. Spiak\, New American City: Artists Look Forwardwill be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDURATION: \nNew American City: Artists Look Forward is open at the ASU Art Museum:\nSeptember 9\, 2006 through January 27\, 2007\nTuesdays\, 10 a.m. – 9 p.m;\nWednesdays – Saturdays\, 10 a.m. – 5 p.m;\nSunday and Monday – closed.
URL:https://asuartmuseum.org/event-exhibition/new-american-city-artists-look-forward/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20050924T000000
DTEND;TZID=America/Phoenix:20051224T000000
DTSTAMP:20261028T163546
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195825Z
UID:4203-1127520000-1135382400@asuartmuseum.org
SUMMARY:REGENERATION: Contemporary Chinese Art from China and the U.S.
DESCRIPTION:Regeneration: Contemporary Chinese Art from China and the U.S.  \nRegeneration: Contemporary Chinese Art from China and the U.S. surveys the exciting and rapidly changing field of contemporary Chinese art in drawing\, installation\, painting\, photography\, video\, prints and sculpture. The exhibition features the work of 26 artists\, living in the U.S. and in China. Some have been prominent on the international scene during the last decade; others are new to Western audiences. \nMany of the artists share thematic concerns in their use and appropriation of traditional Chinese art forms in new ways or their investigation of the momentous\, ongoing social and cultural transformations in China. All the artists represent the vital and rapid regeneration of contemporary life and culture in contemporary China. \nThe exhibition was organized by the Samek Art Gallery\, Bucknell University. The exhibition has been traveling nationally to positive response and reviews. Regeneration is accompanied by a four-color catalogue with an essay by distinguished Chinese avant-garde art critic and curator\, Li Xianting. \nArtist in the Exhibition \nArtists include Ai Weiwei\, Chen Lingyang\, Hai Bo\, Hong Hao\, Li Yongbin\, Lin Tianmiao\, Liu Wei\, Liu Xiaodong\, Qiu Zhijie\, Yu Hong\, Zhang Dali\, Zhang Xiaogang\, Zhang Yajie\, Zhao Liang; Chen Shaoxiong\, Liang Juhui; Hong Lei\, Hu Jieming\, Xu Zhen\, Zhou Xiaohu; and Cai Jin\, Wenda Gu\, Xiaoze Xie\, Xu Bing\, Yun-Fei Ji\, Zhang Huan. \nExhibition Catalogue\nRegeneration is accompanied by a four-color catalogue with an essay by distinguished Chinese avant-garde art critic and curator\, Li Xianting that is available in the ASU Art Museum Store. \nASU Art Museum Presentation\nThe exhibition was organized by the Samek Art Gallery\, Bucknell University. ASU Art Museum’s participation in the tour of this exhibition was organized by Heather Lineberry and will be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration \nRegeneration: Contemporary Chinese Art from China and the U.S. ( September 24 through December 24\, 2005) is open at the ASU Art Museum: Tuesday from 10am to 9pm\, and Wednesday through Saturday from 10am to 5pm. \nSupport \nThe ASU Art Museum presentation is sponsored in part by Friends of the ASU Art Museum. The exhibition and programming is sponsored in part by a grant from the Pennsylvania Council on the Arts\, a state agency\, which is supported by the National Endowment for the Arts\, a federal agency; the Association for the Arts of Bucknell University; office of the vice president of academic affairs; Chinese Culture Association; and the departments of art and art history\, and East Asian studies. “Look East\,” the ASU Art Museum’s Fall 2005 Art InterAct education program\, is partially funded by the City of Tempe.
URL:https://asuartmuseum.org/event-exhibition/regeneration-contemporary-chinese-art-from-china-and-the-u-s/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20050909T000000
DTEND;TZID=America/Phoenix:20060114T000000
DTSTAMP:20261028T163546
CREATED:20241029T195136Z
LAST-MODIFIED:20241029T195709Z
UID:4544-1126224000-1137196800@asuartmuseum.org
SUMMARY:Between Clouds of Memory: Akio Takamori\, A Mid-Career Survey
DESCRIPTION:Akio Takamori Public Lecture\nFriday\, October 7\, 7 p.m.\nNeeb Hall \nAkio Takamori Ceramic Demonstration\nSaturday\, October 8\, 10 a.m.-4 p.m.\nCeramics Studio at the Mesa Arts Center \nMembers and Invited Guests Reception\nSaturday\, October 8\, 7-9 p.m.\nASU Art Museum \nBetween Clouds of Memory: Akio Takamori\, A Mid-Career Survey\nThe Arizona State University Art Museum’s Ceramics Research Center is organizing the first major mid-career survey exhibition on the ceramic art of Japanese-born artist Akio Takamori\, currently residing in Seattle\, Washington. This hallmark exhibition\, spanning thirty years of creative excellence\, is comprised of forty-eight sculptures and nine prints and drawings drawn from the Museum’s collection\, as well as private and public collections nationwide. A 156-page hardcover catalogue assesses the talents of this renowned artist. \nAbout the Artist \nMr. Takamori studied at Kansas City Art Institute receiving his B.F.A. in 1976. He received his M.F.A. from New York State College of Ceramics\, Alfred University in 1978. His work is represented in many public collections including Carnegie Institute Art Museum\, Los Angeles County Museum\, American Craft Museum\, Victoria & Albert Museum\, and Taipei Fine Arts Museum. He was awarded National Endowment for the Art grants in 1986\,1988 and 1992. Akio Takamori is Associate Professor of Art in the Ceramics Department at the University of Washington. He lives in Seattle\, Washington where he has a studio. \nASU Art Museum Presentation\nOrganized by Peter Held\, Between Clouds of Memory: Akio Takamori\, A Mid-Career Surveywill be installed in the Arizona State University Art Museum’s Nelson Fine Arts Center location. \nDuration\nBetween Clouds of Memory: Akio Takamori\, A Mid-Career Survey (September 9\, 2005 through January 14\, 2006) is open at the ASU Art Museum: Tuesday from 10 a.m. to 9 p.m.\, and Wednesday through Saturday from 10 a.m. to 5 p.m. \nSupport \nFunders of this project include: E. Rhodes and Leona B. Carpenter Foundation\, Friends of Contemporary Ceramics\, The Blakemore Foundation\, HBB Foundation\, Zaltec Familian and Lilian Levinson Foundation\, the Ceramic Leaders at ASU and Artist Advisory Committee from the Ceramics Research Center\, University of Washington Research Office\, Garth Clark and Mark Del Vecchio\, Garth Clark Gallery\, New York; Frank Lloyd\, Frank Lloyd Gallery\, Santa Monica\, Armstrong Prior\, Inc.\, Dale and Doug Anderson\, Joanne and James Rapp\, Kurt Weiser\, Sid and Elaine Cohen\, Midge and Jerry Golner\, and Wendy Haas\, Cervini Haas Gallery/Gallery Materia\, Scottsdale. “Look East\,” the ASU Art Museum’s Fall 2005 Art InterAct education program\, is partially funded by the City of Tempe.
URL:https://asuartmuseum.org/event-exhibition/between-clouds-of-memory-akio-takamori-a-mid-career-survey/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20010908T000000
DTEND;TZID=America/Phoenix:20011109T000000
DTSTAMP:20261028T163546
CREATED:20241029T195136Z
LAST-MODIFIED:20241029T195718Z
UID:4142-999907200-1005264000@asuartmuseum.org
SUMMARY:Lathe-Turned Objects: "Challenge IV"
DESCRIPTION:Exhibition
URL:https://asuartmuseum.org/event-exhibition/lathe-turned-objects-challenge-iv/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:19990903T000000
DTEND;TZID=America/Phoenix:19991205T000000
DTSTAMP:20261028T163546
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195746Z
UID:4114-936316800-944352000@asuartmuseum.org
SUMMARY:Bob Carey
DESCRIPTION:Often using himself as the subject\, photographer Bob Carey takes the viewer from pain to pleasure. He evokes a self-examination and confrontation with issues that each of us faces\, bringing forward the realms of identity and gender. \nPanel Discussion – Photographic Prosperity:\nCreating for Commercial and Fine Art Venues\nFriday\, September 24\, 12noon\, Matthews Center – Experimental Gallery \nPanelists: \nAnn Clemonts Borum\nCurator and Co-owner CHROMATICS Photo Imaging. Nashville and New York\nBob Carey\nArtist\, Phoenix\nJennifer Friedman Kirshner\nDirector of Photography\, Lisa Sette Gallery\, Scottsdale\nStephen Marc\nArtist\, Associate Professor of Photography\, ASU School of Art\nMary Virginia Swanson\nFounding Director\, Swanstock Agency\, Tucson \nSeating limited to 60
URL:https://asuartmuseum.org/event-exhibition/bob-carey/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:19980927T000000
DTEND;TZID=America/Phoenix:19981213T000000
DTSTAMP:20261028T163546
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195800Z
UID:4105-906854400-913507200@asuartmuseum.org
SUMMARY:Contemporary Art from Cuba: Irony and Survival on the Utopian Island
DESCRIPTION:In present day Cuba\, humor has come to play an essential role in coping with the challenges of everyday life in the face of an uncertain national destiny. In September 1998\, the ASU Art Museum opened   Contemporary Art from Cuba: Irony and Survival on the Utopian Island  \, an exhibition of the work of 17 contemporary artists working in Cuba today. \nThese artists are young\, ranging in age from 24 to 39; many of them are Afro-Cuban. While they are the generation that voices skepticism about the pieties of the socialist Revolution\, they remain loyal Cubans. Included in the exhibition are Pedro Alvarez\, Belkis Ayón\, Abel Barroso\, Jacqueline Brito\, Yamilys Brito\, Carlos Estévez\, René Francisco\, Carlos Garaicoa\, Luis Gómez\, Kcho\, Los Carpinteros\, Sandra Ramos\, Fernando Rodríguez\, Esterio Segura\, José A. Toirac\, Tonel (Antonio Eligio Fernández)\, and Osvaldo Yero.  \nThey comment on shortages\, persistent racism\, the manipulation of history\, and the tragedy of the balseros who left on makeshift rafts\, the contradictions between revolutionary rhetoric and present day Cuban reality. \nThe ASU Art Museum specializes in contemporary art\, and has a reputation for exhibiting work that is experimental in content\, form or presentation. Recent projects have included Bill Viola: Buried Secrets\, the US representative to the 1995 Venice Biennale; Art on the Edge of Fashion\, presenting artists who use clothing forms and materials to convey meaning; Physical Fiction: Electronic Installations by Sara Roberts and  Dis/Functional. \nFor more information on the exhibition\, catalogue and videotape \n  Contemporary Art from Cuba:  \n  Irony and Survival on the Utopian Island  \n contact: John Spiak  \n ph: 480.965.2787  \n fax: 480.965.5254  \n or  spiak@asu.edu
URL:https://asuartmuseum.org/event-exhibition/contemporary-art-from-cuba-irony-and-survival-on-the-utopian-island/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:19970928T000000
DTEND;TZID=America/Phoenix:19980104T000000
DTSTAMP:20261028T163546
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195753Z
UID:4095-875404800-883872000@asuartmuseum.org
SUMMARY:A Procession: Paintings by Philip C. Curtis from Valley Collections
DESCRIPTION:Exhibition
URL:https://asuartmuseum.org/event-exhibition/a-procession-paintings-by-philip-c-curtis-from-valley-collections/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261028T163546
DTEND;TZID=America/Phoenix:20261028T163546
DTSTAMP:20261028T163546
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195815Z
UID:4340-0-0@asuartmuseum.org
SUMMARY:Energy Charge: Connecting to Ana Mendieta
DESCRIPTION:Cuban-born American artist Ana Mendieta brilliantly synthesized and advanced emergent art forms of the early 1970s\, such as performance\, body art\, land art and film\, with personal and political explorations of the gendered and raced body\, ancient cultures and belonging. The many threads in her work continue to play a dominant role in contemporary art. \nThis exhibition will include an iconic selection of Mendieta’s work in conversation with major installations by Ana Teresa Fernández\, Kate Gilmore\, Simone Leigh\, Gina Osterloh and Antonia Wright\, artists working today in ways that trace back to Mendieta’s innovations. \nFor a full list of exhibition performances and programs visit  asuartmuseum.asu.edu/energy-charge. \nSupported by the Diane and Bruce Halle Foundation. \nAdditional support from The Andy Warhol Foundation for the Visual Arts\, Helme Prinzen Endowment\, Herberger Institute for Design and the Arts\, Diane Harrison\, ASU Art Museum Creative Impact Board and the members of the ASU Art Museum. Special thanks to the exhibiting artists and lenders\, and the Estate of Ana Mendieta. \nIf you would like to bring your class or group to see an exhibition or collection\, and/or meet with a curator\, please contact Andrea Feller\, Curator of Education at andrea.feller@asu.edu . \nASU Art Museum Hours:\nOpen Tuesday–Saturday 11 a.m.–5 p.m.\nThursday 11 a.m.–8 p.m. during academic semesters\nClosed Sunday\, Monday and university holidays \nImage credit: Detail: Ana Mendieta\, “Untitled (from Silueta Series in Mexico)\,” 1973-77/1991 © The Estate of Ana Mendieta Collection\, LLC\n Courtesy of Galerie Lelong\, New York and Paris and the Collection of Diane and Bruce Halle.  \n\n\n\n\n\n https://asuevents.asu.edu/content/energy-charge-connecting-ana-mendieta\n\n\n\nImage URL:\n\n\n\n\n\nAudience:\n\nStudent\, Faculty\, Staff\, Alumni\, Friend/Fan\, Donor
URL:https://asuartmuseum.org/event-exhibition/energy-charge-connecting-to-ana-mendieta/
CATEGORIES:blue,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20261028T163546
DTEND;TZID=America/Phoenix:20261028T163546
DTSTAMP:20261028T163546
CREATED:20241029T195137Z
LAST-MODIFIED:20241029T195832Z
UID:4698-0-0@asuartmuseum.org
SUMMARY:Soul Mining
DESCRIPTION:The border wall is a frequent topic in today’s headlines\, yet its history dates back to the turn of the century. After the Chinese Exclusion Act of 1882\, there were calls for a fence along the southern United States border to deter Chinese immigrants from re-entering the country. As a result\, most moved south and created their own communities throughout Latin America. This exhibition looks broadly at the influence of Asian labor and culture in the Americas with artists from Latin America\, the United States and Asia\, exploring the body and soul of forced migrations. \nSupported by the Diane and Bruce Halle Foundation. \nVisit the museum website for directions and hours and information about bringing classes to tour exhibitions or meet with curators. \nImage credit: Eamon Ore-Giron\, “Morococha\,” 2015. 2-channel HD video\,13 mins. Courtesy of the artist. \n\n\n\n\n\n https://asuevents.asu.edu/content/soul-mining\n\n\n\nPhone:\n\n480-965-2787\n\n\n\nWebsite:\n\nhttp://asuartmuseum.asu.edu\n\n\n\nCategory:\n\nEasy on the wallet\nOpen to the public\nThe Arts\n\n\n\nAudience:\n\nAlumni\nStaff\nFaculty\nstudent\nFriend/Fan\n\n\n\nInterests:\n\nArts\nArts and Entertainment
URL:https://asuartmuseum.org/event-exhibition/soul-mining/
CATEGORIES:blue,Exhibition
END:VEVENT
END:VCALENDAR